Category: Lee Goldberg Page 1 of 3

Malibu Burning by Lee Goldberg: Two Great Tastes That Taste Great Together

Malibu BurningMalibu Burning

by Lee Goldberg

DETAILS:
Series: Sharpe & Walker, Book 1
Publisher: Thomas & Mercer
Publication Date: September 1, 2023
Format: eBook
Length: 304 pg.
Read Date: September 12-13, 2023
Buy from Bookshop.org Support Indie Bookstores

Walker thought, police work for Sharpe was an intellectual pursuit, a mind game, analyzing the clues to get to the bad guy. It wasn’t about the chase. It was about being smarter than his quarry and everybody else.

For Walker, police work was all about the hunt, and the risk that came with it. As long as he was wearing a badge and carrying a gun, there was no way to truly mitigate the risk that came with a job in law enforcement, which was something Carly either didn’t understand or didn’t want to.

What’s Malibu Burning About?

There are essentially two stories in this novel charging full-steam ahead until they inevitably collide. The first is a heist story—with a good revenge motivation in addition to the “let’s steal gobs and gobs of money” angle. The second is about an unlikely partnership between an experienced arson investigator and a rookie investigator (but former US Marshal, so he’s not that green and has habits to unlearn). It’s not a spoiler for me to say that these stories will converge—for one, what’s the point of them not? Secondly, that’s not the way Goldberg works—there’s no way his robbers aren’t going to be chased by some cops.

The Robbers

Let’s start off, like the novel does, with Danny Cole. If you’re familiar with Goldberg’s oeuvre, think of Nick Fox—only not as outlandish, and you’re pretty much there. If you’re not that familiar, Cole is a con man/thief—he has a few specialists (hackers, hitters, etc.) that he works with to pull off his heists and con jobs.

In the beginning of the book, we see him alllllmost get away with something—and if he hadn’t been forced into a good deed,* he just might have. Instead, he’s arrested, tried, and convicted. He gets his lawyer to push for him to serve his time in one of the convict firefighters’ programs. He spends years fighting fires for the State, forming bonds with others on the front lines, and starting to begrudge the state for how they treat those convicts. Also, he gets to case a few luxury homes while serving his time.

* How much was Cole trying to do a good deed and how much was him trying to avoid being charged with a more serious crime is up for debate—and Cole’s lawyer is ready for that debate.

One of his teammates dies because of State policies and one of those luxury homeowners throwing his money and power around. When his sentence is complete, Cole sets out to get revenge on the convict firefighter system, and that homeowner—all the while enriching himself. I mean, the money’s right there, he might as well. To do so, he and his team have to pull off one of the most audacious—and destructive—heists imaginable. The fact that his plan is actually feasible frightens me more than any horror or serial killer novel ever has.

The Cops

“You’ve shot seventeen men.”

“Is that a lot?”
“I’ve never shot anybody in over twenty years in the department.”

That was hard for Walker to believe. “Not even a little?”

“Is it possible to shoot someone only a little?”

“I’m working on it,” Walker said.

Let’s turn our attention to the good guys now.

Los Angeles County Sheriff’s Detective Walter Sharpe is a detective in his fifties—he’s got plenty of experience and is good at his job. He’s not so great with people—particularly those he works with. He’s rarely satisfied with the easy answer, and will find reasons to think arson when no one else does (he’s also good at finding “accident” when the easy explanation points to arson). It’s not (just) that he’s a contrarian, he just cares more about evidence and understanding fire than anything else. This also applies to firefighters.

“Aren’t firefighters the experts on fire?”

“They are the experts on water.”

Pesky firefighters with all that water, washing away evidence. What are their priorities? Saving lives and buildings? In the end, Sharpe says:

Firefighters are the best friends an arsonist can have.

Against his will, Sharpe has been assigned a new partner. One with zero experience in investigating arson—he’s going to have to build him from the ground up. Former US Marshal Andrew Walker’s wife is pregnant and she’s put her foot down—his job is too dangerous, he needs to decide—her or the job. So instead of chasing down criminals (like Danny Cole), he’s now on the safer end of law enforcement—coming along after the crime is committed.

If you ever wondered what TV’s Raylan Givens would be if he prioritized Winona and Willa over Boyd Crowder, you’d get something a lot like Walker. Incidentally, Carly Walker is an entertaining character, and while I doubt the series will ever focus on her too much, I look forward to spending more time with her. The scenes between the couple feature an interaction that we don’t see a lot in Goldberg.

Anyway, Walker has a lot to learn about arson investigation, and Sharpe is just the right guy to teach him. They get along well enough, but both can see that their styles and personalities don’t necessarily mesh. The above glimpse of their first conversation illustrates some of that. But the higher-ups have spoken, so they work a couple of open and shut investigations together. Then they look around the starting point of a couple of wildfires in the area so Sharpe can show his trainee what to look for and what a natural/accidental fire looks like.

But between Walker asking beginning-investigator questions and some of Sharpe’s observations…these wildfires start to look planned. But why would someone put so many lives and so much property at stake?

So, what did I think about Malibu Burning?

Sharpe took out his phone. “Ill start with the front seat and the body, you shoot everything else. With your camera, not your gun.”

“That’s obvious.”

“Maybe to most people,” Sharpe said. “I’m not convinced it’s true for you.”

Oh, I just had so much fun with this. I realize it’s not that shocking for me to say about a Lee Goldberg book—but when he writes things like this, how am I supposed to react differently?

Danny Cole is such a great character—I don’t know if I could take a frequent diet of him and his antics, but a prequel or two to this with him? Shut up and take my money. Between the (arguable) good deeds he performs and the targets of his cons, it’s hard to see him as a real villain—yes, he seems to commit more felonies by breakfast than most people do all day, but in a Robin Hood sort of way.

Then again…when you think of what he does in this book, and the collateral damage he (seemingly) unthinkingly inflicts, it’s hard to maintain any kind of sympathy.

His targets are harder to work up any kind of sympathy or empathy for. Some are criminals, some are just…rich, entitled slimeballs. It is so satisfying to see bad things happen to them. Another target is the convict firefighting system—assuming Goldberg matched the realities of the system to what it promises the participants (and there’s no reason to think he doesn’t come close), something there needs to be addressed.

But the real star of the show is the partnership between Sharpe and Walker—they’re interesting enough characters on their own, sure—but watching them start to figure out how to work together is the best part of the book. I hope Goldberg doesn’t rush (I don’t think he will, because he’s a better writer than that, but I just want to say it)

Also, arson investigation is one of those things that long-running series dip into from time to time, but I don’t remember seeing a series try to tackle that regularly. I felt like I learned so much just from watching Sharpe work a scene and explain things to Walker. It was like watching Gideon Oliver explain something to John Lau or whatever local law enforcement officer he was dazzling. I’ll read that kind of thing any time.

So, great characters—on both sides of the law—an atypical angle for a procedural, interesting ethical questions, a mismatched partnership that will provide dividends both comedically and narratively for a good while to come, and Goldberg’s knack for making almost anything entertaining? What’s not to like about Malibu Burning? Go get it now, so you can say you got in on the ground floor.

The next book in this series is going to be a cross-over with Eve Ronin, apparently. It’s bound to happen—they all work for the same Sheriff’s Department, after all—might as well get to it early. It’s going to be great—if only to see Sharpe and Duncan together, that dynamic is going to be fun to see.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Irresponsible Reader Pilcrow Icon

Movieland by Lee Goldberg: It’s No Walk in the Park for Eve Ronin

MovielandMovieland

by Lee Goldberg

DETAILS:
Series: Eve Ronin, #4
Publisher: Thomas & Mercer
Publication Date: June 20, 2022
Format: Kindle Edition
Length: 329 pgs. 
Read Date: June 21-22, 2022
Support Independent Bookstores - Visit IndieBound.org

“It’s hard enough solving a case without the victim working against you.”

“Now you know how I feel.”

Eve walked alongside her sister across the parking lot. “What do you mean?”

“Patients almost never do what we tell them is best for their health and then complain when they just get sicker or their injuries don’t heal. It’s incredibly frustrating.”

“So you’re saying what we do is futile.”

“All it takes is one win, one life saved, and all the other bullshit doesn’t matter.”

What’s Movieland About?

The way that Lee Goldberg describes Malibu Creek State Park in this book makes ti seem like something he created just to have a setting for this book. Exhaustive research (Duck Duck Go +45 seconds) shows me that he didn’t make it up and that he barely scratched the surface of what a great place that must be. Sadly, if Goldberg has Eve Ronin and her partner, Duncan Pavone, at the Park, it can only mean one thing: someone’s been murdered there.

Before Eve got promoted and assigned to Lost Hills station, causing upheaval in Duncan’s life, he’d been trying to tie together a series of cases of shootings (at buildings, cars, that kind of thing) around the Park. He was convinced it they were related, but once he started mentoring Eve through high-profile murder cases, that got put on the back burner. But now, his gut tells him that those shootings and this shooting are related.

The LASD brass doesn’t want to hear it–they want the two focused on the murder and preventing the media storm that’s brewing around it–also, they want this all to come to a quick resolution so the Park can be reopened and people will be willing to use it again.

This is, of course, when things get complicated.

The Victim as a Hurdle

The victim’s girlfriend is an activist blogger well-known in the area for taking on developers, local politicians, celebrities–and the LASD. She was also injured in the attack. She might be the only person who is more skeptical of the Department than Eve. Zena’s convinced that her girlfriend either was killed to silence her or that Zena herself was the intended target and the wrong person was killed.

Zena doesn’t trust the Sherriff’s Department to find the murderer, she assumes they’re not that interested, either. She has her own list of suspects and lashes out at them on the blog she works for, muddying the waters and serving as a distraction to the avenues of investigation that Eve and Duncan want to pursue.

This is a great dynamic to see play out in the book–I don’t remember seeing this a lot in fiction, but seeing the way media attention (however well-intended) makes it hard for the police to do their job properly is a great way to ratchet up the tension.

Is Eve Learning?

“When I start investigating a homicide, I go all-in.”

“You become obsessed.”

“I become focused,” she said.

He shook his head. “You can’t sustain that, physically or emotionally. I keep telling you that. The way you’re going, I’ll outlive you.”

I’ve talked before about Eve’s reckless, pursue-the-case-at-all-costs mentality, and how that’s not sustainable–Duncan’s been on her for quite a while, too. From the way she reacts after this conversation, he might be getting through to her. Then again, action is her default position, so who knows how well it’ll stick.

She also might be paying attention to what he (and others) have been saying about the way she interacts with people, how she plays politics–and tries to apply it.

Basically, Eve’s learning. Goldberg said from the beginning that this was about a rookie detective learning, making mistakes (and we see the blowback from past mistakes here–as well as new ones), and growing into a seasoned detective. Bosch was fully formed when we met him. Ditto for John Rebus, Renee Ballard, Walt Longmire, Jesse Stone, and so on. We really don’t see that many detectives learning their trade. I love this aspect of it.

Frank Belson Redux?

“Is there a way to broach it that won’t offend all of them?”

“Nope, so I’ll handle it,” he said.

“Why you?”

Duncan got out of the car with a groan, clutching his right knee. “Because I’m lovable and retiring and you’re abrasive and sticking around.

I finally put my finger on it while reading this book–Duncan Pavone is Goldberg’s version of Sgt. Frank Belson, from Parker’s Spenser series without the cigar. He’s closer to Ron McLarty’s portrayal in Spenser: For Hire, actually. He’s a slob, getting food on every item of clothing, he doesn’t seem to be incredibly interested in the job, etc. But he doesn’t miss a thing, he’s doggedly stubborn, and will do what it takes to close a case. (he’s also quick to make a caustic and/or cynical comment, and will dole out unsolicited advice like it’s his life purpose).

Knowing that when this book opens that he was 2 weeks away from retirement (which makes him impervious to political pressures, incidentally) cast a shadow over everything in the novel. Eve’s a great character, but I’m really starting to think that Duncan’s the guy to watch in this series.

So, what did I think about Movieland?

“How old so I to be before people stop offering me life lessons?”

“It’s not age, it’s experience.”

“There’s another one,” Eve said, but with a smile, to show there was no bitterness or anger behind the remark.

“It won’t be long, Eve. You’ve crammed more experience into the last few months than most detectives I know have in decades.”

It shouldn’t be this way, but I always end up liking an Eve Ronin book more than I expect to going in–and I’m always champing at the bit for the next one. This is no exception. The Eve Ronin books are one of my favorites in the last couple of years. Movieland is the twistiest, most complex case she’s dealt with, there’s a harder edge to this novel, and fewer reasons to grin or chuckle.

That is not a complaint, it’s a description. Nor does it mean that this is harder to read–Goldberg doesn’t do that–the action moves quickly, his style is deceptively breezy, and the characters pop off the page.

At this point, I’m really invested in these characters and can’t wait to see what’s next for them.

The book also features someone who might be Michael Connelly’s most misguided fan. That was a nice little treat.

Readers of this series probably don’t need the encouragement to read this, but here it is. People who are looking for solid police procedurals with engaging characters and great plots would do well to hop on the Eve Ronin train now (or jump back to book one, Lost Hills).


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Crime/Mystery/Detective/Thriller Fiction of 2021

Finally, we’re at the end of my 2021 wrap-up, it feels like I’ve been at this for a month. I really need to get faster at this.
2021 Favorite Crime Fiction
38% of what I read last year falls into the category of “Mystery/Detective Fiction/Crime Fiction/Thriller,” so I have to consider it apart from everything else when I put together my Best-Of Lists, or just about everything else would get ignored. Even if I went with a Top 15-20 instead of a Favorite 10, maybe 2-3 books from the previous lists would’ve made it along with all of these (and a couple that just missed this list).

Once again, I’ll note that I limit my lists to things I read for the first time. I’d be willing to guarantee anyone reading this page will enjoy at least 6 of these (which six will vary from reader to reader, however). I’m tempted to say that all the listed books are guaranteed for everyone, but people’s tastes are too varied, so I’ll hedge my bet. Try these, and you’ll be glad you did.

(in alphabetical order by author)

Born in a Burial GownBorn in a Burial Gown

by M. W. Craven

My original post
Should I just start calling this list An M. W. Craven Novel and 9 Others I Loved Last Year? This just narrowly beat out the latest Poe/Tilly for this spot. This novel introduces a very damaged detective trying to prove that he deserves to be where he is (and his team does, too). DI Fluke is a great character—well, they all are. The prose just sings, the novel’s well-paced and cleverly put together. The killer, the motive, the victim, the reveals (both in the way they were handled and what was revealed), the fairly satisfying (by design) ending, the sweet and then very satisfying denouement—and anything else I didn’t mention—it’s all just as good as you could hope for.

5 Stars

Gated PreyGated Prey

by Lee Goldberg

My original post
It was only after I narrowed down this list that I realized that Eve Ronin showed up on last year’s list, too. I clearly have a thing for this series. Eve is still learning how to be a detective while making headlines by being involved in high-profile cases. This book mixes observations about celebrity culture, a couple of great mysteries, continued problems in the Los Angeles County Sheriff’s Department, and Eve (once again) failing to balance work and life (or at least work and health). Rookie detectives aren’t the typical focus of a series, but really should be (at least if this series is any indication)

4 1/2 Stars

The AppealThe Appeal

by Janice Hallett

My original post
The reader is on the same level with the characters who are trying to solve things in this epistolary mystery—we get to read the evidence at the same time as the trainee lawyers that we focus on do. That alone makes this an inventive read. Then Hallett adds in a fantastic cast of characters involved in a small town’s local community theater and a crowd-funding effort for a small child’s cancer treatment. You start out knowing something criminal happened, and gradually start to figure out what the crime was and how it involves those characters. It’s a truly inventive way to tell this kind of story and a great story. It’s the kind of book that’s easy to overhype as you talk about it, so I’m shutting up now.

5 Stars

August SnowAugust Snow

by Stephen Mack Jones

My original post
Readers here know that one of my greatest weaknesses is a good P.I. novel, and “discovering” August Snow was just a treat for me. There’s something about this book—one of those ineffable things that just sang to me—that reminded me of the first time I read a Dennis Lehane Kenzie and Gennaro book, or Joe Ide’s I.Q., or Crais’ Elvis Cole. There’s something just so right—so absolutely classic P.I. and incredibly fresh about the voice—that I felt at home.

From an atypical beginning with the prospective client that ends up without anyone being hired, through the morass of financial crimes and murder, to the explosive ending—with the increasing sense of dread and apprehension of an ensuring emotional gut-punch—August Snow is a fantastic series debut, that would be an equally fantastic tenth novel in a series. It’s fantastic, period.

5 Stars

Love & Bullets: Megabomb EditionLove & Bullets: Megabomb Edition

by Nick Kolakowski

My original post
This is technically a violation of my “only new to me” books, Kolakowski took his three Love and Bullets novellas and added a little new material to turn them into a novel. I found the experience different enough reading them as a novel, that I’m going with it. It’s just a blast to read. I had fun with every novel on this list, but for sheer entertainment value, I think this one tops the rest.

Love & Bullets is a fast-moving thrill ride. It’s funny. It has occasional moments of sweetness (very transient). The story and characters are visceral—you can see the action, you can practically hear Bill’s quips and feel Fiona’s patience evaporating at them (while she does love him for them). It will get a much-beloved (or much-disparaged) band’s music stuck in your head during one fight scene. Really, it covers almost all the senses—and given where they spend a lot of time, you’ll be glad it leaves the other two out.

4 1/2 Stars

The Jigsaw ManThe Jigsaw Man

by Nadine Matheson

My original post
DI Anjelica Henley is your typical detective so focused on the job that everything else in their life is a tertiary concern at best, she makes horrible choices in her personal life, and seems to make enemies wherever she goes. One such enemy is a serial killer she put away some time ago, but then new bodies start showing up that look like the work of that killer. Did she put the wrong man away? Is this a copycat? Or something worse? The Jigsaw Man is a dark, unsettling read—there are two pages toward the end that may be the most disturbing pages I’ve ever read. And yet…there’s something very appealing about the novel—it’s gripping and compelling, it’s also entertaining. The pacing was perfect. The characters were well-drawn and felt fresh. It’s the kind of book that makes you ignore responsibilities–and possibly food and hygiene–or at least want to until you finish.

5 Stars

The Curious Dispatch of Daniel CostelloThe Curious Dispatch of Daniel Costello

by Chris McDonald

My original post
(really this spot belongs to all Series: The Stonebridge Mysteries, but we’ll use this as a synecdoche (or did I mean metonym? I’m can’t remember)). I’ve been calling this a Cozy for People Who Don’t Like Cozies. It’s about a pair of guys in their twenties, trying to figure out their lives. They’ve spent too much time watching Sherlock and the like, and when one of them discovers a dead body at a wedding they’re attending, they take it upon themselves to solve the murder. Which leads to them doing that again in a few months—and again, and again. They really don’t have any business doing this kind of thing, but it turns out that they have a knack for it. This novella (and those that follow) is a quick burst of fun—a witty whodunit with a couple of unlikely amateurs on the case.

4 Stars

Suburban DicksSuburban Dicks

by Fabian Nicieza

My original post
A disgraced journalist struggling to find some sort of professional redemption (not to mention a better paycheck) and a pregnant mother of four (who gave up her lifelong dream of being an FBI profiler to raise a family) pair up to investigate their suburb’s first murder in decades because the police department just isn’t up for it (assuming they’re not too crooked to do the job right). You get a great mix of dark comedy, social commentary, and clever mystery as the pair unearth secrets that have been buried for generations on their way to solve the murder of a gas station attendant. From the great opening scene to the fantastic last line (probably the best I read last year), and all points between, this was easily one of my top reads of the year.

5 Stars

Dead SecretDead Secret

by Noelle Holten

My original post
Like Eve Ronin (above), DC Maggie Jamieson, is driving herself to exhaustion. She’s just that driven. This book features Maggie and the rest of the team on the hunt for a killer and trying to find (hopefully in time) their missing DCI, which means no downtime for Maggie or anyone else. You’ve got a pretty grizzly beating death to start off with and then you the police’s natural inclination to focus all resources on the missing DCI. Just those two storylines would be enough. But then Holten throws in a third storyline—a person in desperate need of help, a survivor of (as far as anyone can tell) of domestic violence—a reminder that policing isn’t about arrests, it isn’t about only maintaining social order—it’s about people like this woman who showed at Lucy’s front door, it’s protecting and serving the public. This is the kind of thing that both (fictional and real) civilians and the (fictional and real) police need to be reminded of, and here it elevates the rest of the novel by its presence.

4 1/2 Stars

The Thursday Murder ClubThe Thursday Murder Club

by Richard Osman

My original post
What can I possibly say about this that hasn’t been said before? This book is just great—it’s about a group of friends in a retirement community who spend a few hours a week looking over police cold cases (one of the group is a retired police officer, and these are her files) and then a murder happens in their community. They trade in their cold cases for this very warm one right away. I can’t think of a thing about this novel I didn’t like—it was touching, amusing, honest about the circumstances that these characters found themselves in, but life-affirming, too. There’s a lot of profundity mixed in with the amusement—and a clever mystery, to boot! This is not one to pass up.

5 Stars

Gated Prey by Lee Goldberg: Starts Off with a Bang and Doesn’t Let Up

Gated Prey

Gated Prey

by Lee Goldberg
Series: Eve Ronin, #3

Kindle Edition, 255 pg.
Thomas & Mercer, 2021

Read: October 26-27, 2021
Grab a copy from your local indie bookstore!

“The people who live in these places think the gates protect them from all the crime and misery that’s out there, but it doesn’t. It just locks them in with it.”

“You think whatever happened came from within the gates?”

“I don’t know where it came from, that’s your job. But I’m sure there’s as much evil inside these gates as there is outside of them. Maybe more.”

What’s Gated Prey About?

LASD Detectives Eve Ronain and Duncan Pavone are in the midst of a sting operation when the novel opens—to trap a home invasion team, the pair are pretending to be a well-moneyed couple who’d make pretty easy marks to lure the team in. They go out daily to shop a little—making sure to flash a lot of cash—and then go back to their McMansion in a gated community to wait. Duncan’s loving the excuse to sit around all day and watch movies, while it’s driving Eve crazy to not be active.

The LASD has tried traditional investigational methods, but they just haven’t worked—no one can figure out how the team is getting past the security gates, much less who they are, and how they select their targets.

The trap works and the LASD chalks it up as a win. But Eve’s uncomfortable with the number of questions (and possible accomplices) that remain about it. Also, there are indications that Eve still has enemies within the department—and they might have prevented backup that Eve and Duncan needed from acting to keep them safe.

That’s not the only crime Eve and Duncan encounter behind the protective gates—while trying to close the home invasion case, the pair pick up another assignment. It’s not covered in the publisher’s description, and I’m not sure how to talk about it without giving away too much. So let’s just say that it will underscore that “Maybe more” from my opening quotation.

Eve Off-the-Clock

“You’re doing it again,” Duncan said.

“Doing what?”

“Obsessing over your case to the point of exhaustion. You need a life and some sleep. You can’t physically, mentally, or emotionally sustain being relentless.” “

I’m only doing it now because we’ve got a ticking clock on this one.”

“You’ve done it on every case we’ve had.”

“You make it seem like years. We’ve only been working together for a few months. It hasn’t been that long.”

But like Duncan, readers know if the two had been working together longer, she’d be doing the same thing. This is not a good way to live—it’s not healthy, and if Eve doesn’t learn how to take her foot off the gas, she’s going to burn out or make some big mistakes—likely both. But this is the kind of character I love reading about. Yes, I do hope that she learns how to balance things a bit—for the sake of character development, I think it’d be interesting. But until she does? I’m going to love watching her burn herself out.

Eve spends so much time working over the course of the novel that there’s almost no time for anything but her work. We do get to see most of Eve’s family, but very briefly—and the most we see is of her sister, thanks to Lisa’s work in the ER. I’d have liked a bit more time with her, she humanizes Eve, but that’s not always possible in every book.

Conversely, I thought it was good to have a scaled-down presence of Eve’s mom (especially with Eve’s agent being able to carry the water of “supporting character annoyingly-fixated on the superficial”). I find Jen an amusing and important part of the series, but man, a little of her goes a long way.

Duncan “Dunkin’ Donuts” Pavone

I’m not sure if I should use the nickname in that section header, I’m not sure if Goldberg used it this time. But, eh, I like it. I made so many notes while reading that were variations of “love this character.”

While he remains the wise and largely-comic-relief figure he’s been, there’s a darkness to Duncan we haven’t really seen before, expressed in a couple of different ways. There’s a certain invulnerability that his fast-approaching retirement date gives him that allows him to give this side a free rein—Duncan notes repeatedly that his career is over, he has nothing to lose. I really wouldn’t want him as an enemy (not that I want any, I have to say, but really not him).

We also get some insight into his reason for retirement—one of those things I hadn’t questioned. He was introduced to us in Lost Hills as being on the verge of retirement, and that’s just how I’ve thought about him. But now I want to know more about what got him to this point.

She’s Still Learning

Eve’s only been a homicide detective for a few months, and she still has a lot to learn. Not just the lessons that Duncan’s trying to teach her about overworking and getting along with colleagues.

But she’s still learning how to be a detective—she doesn’t know basic routines and procedures. She embarrasses herself in front of a morgue attendant and in an autopsy—nothing horrible, just the kind of stumbling people make when they’re new at something. Some of what she does within the Sheriff’s department is a little more than embarrassing—and will likely come back to haunt her, but again, that’s realistic growing pains.

It’s not often that we get to see this kind of thing in police procedurals—especially with the central/titular character. And this approach is a treat.

So, what did I think about Gated Prey?

“…I just got lucky.”

Duncan leaned against the wall and looked at her. “It isn’t luck, Eve. It’s instinct. You’re a natural at this. What you haven’t learned yet is how to do it without making enemies.”

I’ve gone on too long at this point—and there’s so much that I still wanted to talk about: the ongoing role of the media (both news and entertainment) in Eve’s life and career—not to mention at least one fellow detective; the politics within and outside the LASD and how that impacts their investigation; personnel changes within the Department; and racial and economic prejudices that the security gates seem to magnify.

Also, while Duncan (especially) and Eve have always seemed to have some fun meals—there are three references to food that almost induced a between-meal DoorDash order on my part. Don’t read this on an empty stomach, folks.

Great characters all around, a couple of gripping cases, and a breakneck pace—all par for the course for this series. If you haven’t jumped on the Eve Ronin train—now’s the time. I literally organized my reading schedule the last couple of weeks so that I could start this as soon as it was delivered to my Kindle, and it was worth it. You want to get your hands—and eyes*—on this, readers.

* Or ears, come to think of it, Nicol Zanzarella does a great job with the audiobook narrations for these books.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Pub Day Repost: Bone Canyon by Lee Goldberg: Eve Ronin Digs Up Bones, Secrets and Ugly Truths in this Great Follow-Up

Bone Canyon

Bone Canyon

by Lee Goldberg
Series: Eve Ronin, #2

eARC, 288 pg.
Thomas & Mercer, 2021

Read: December 20-23, 2020
Grab a copy from your local indie bookstore!

What’s Bone Canyon About?

A wildfire was wiping out good swaths of L.A. County as the last novel wrapped up. Now, just a few weeks later, several things that were hidden pre-fire have been exposed—some of those things are human remains. Eve Ronin and her partner are called out to the site of one such discovery. They’re able to identify the remains, they belong to a young woman who’d reported being raped and soon disappeared six years previously.

Eve assumes there’s a link between the rape, disappearance, and her death. This is solidified when it’s determined the woman was murdered. Even if it proves untrue, she needs to start her investigation somewhere, so she starts by looking over the initial investigation and is less than impressed with the way it was handled. So, she plunges into re-investigating the rape and disappearance while also trying to get a handle on this murder. It’s not long before she’s getting pressured to drop the rape angle.

When another group of remains is found in the same general area—these belonging to an older woman, things get more complicated. How many murderers is she looking for?

Duncan “Dunkin’ Donuts” Pavone

I only gave Eve’s partner four sentences in my post about Lost Hills, I think I should’ve spent a little more time on him, I have a sneaking suspicion that he’s the secret weapon in this series. He seems like a Spenser’s Frank Belson-type (I have to admit I see Ron McLarty, TV’s Belson, in my mind during his scenes). He’s a slob, constantly covered in crumbs (donut or otherwise), cynical, seemingly lazy—but at heart a dedicated and good detective. Watching him at work in the interrogation room should be enough to make anyone doubt the image he projects.

When we first meet him, he’s got his eyes on his retirement date and is counting down to it, which is why he’s saddled with the homicide detective no one wants as a partner. He seems to tolerate Eve and will sprinkle some tips and cynicism her way. But that’s about it. By the end of the first novel, there’s more than toleration at work. By the time Bone Canyon opens, he’s really trying to mentor her, trying to guide her, and prepare her as much as possible for her future (not that he’s obvious about it, or even willing to admit it, but it’s there). In a lot of this novel, it’s clear that he cares for Eve as a partner, and is likely more concerned with the future of her career than she is. He won’t necessarily agree with all of her wild theories, but he’s at least willing to entertain them, to look for evidence to back them up.

It’s a nice shift, and if she can win Duncan over, there’s reason to hope that she can get others in the Department to work with her.

While I’d been hoping that Goldberg would find a way to keep him in the series after his retirement (somewhere around 100 days after this novel), I wasn’t sure he would. I guess I’m still not positive that he will, but Goldberg provided a way to do so. I’m relieved—Eve needs a cop she can trust in her life, even if he’s retired.

Which leads me to:

Cop or Politician?

Several times, superiors in the Sheriff’s office, a friendly D.A., and her own mother accuse Eve of playing political games with this case for her own career advancement. In Eve’s mind, she’s not making political moves for her own gain, but for the sake of the case. It’s all about justice for the victims, she insists. She doesn’t trust anyone in the Department, so she has to go at things in her own way.

Sure, she made some moves circumventing the chain of command to keep things moving, to prevent leaking and anyone stopping her. But she denies being overtly political about this, and only admits it in retrospect. Which I found a little odd, remembering something she thought about the Harry Bosch audiobook she was listening to in Lost Hills:

[Bosch’s] problem, she thought, was that he didn’t know how to play politics. She’d already proven that she could.

As much as Eve thinks of herself as a loner—due to circumstances forcing her into the role, rather than that being her nature—there are events here to teach her that ain’t necessarily true. She’s never going to win any popularity contests (Duncan will testify that she’s unlikeable), but if she pays attention, Eve’s going to find more allies. She doesn’t have to be Renée Ballard.

* We know she’s a Harry Bosch fan, I wonder what Eve thinks about Ballard.

…or Is She a Media Star in the Making?

The other thing that’s constantly being thrown at Eve is her social media stardom—the viral video that got her promoted into the Homicide Division was just the start. Someone leaked video of her heroics at the close of the previous novel which just compounded things for her. So many of her fellow detectives and deputies just assume she’s all about getting fame and glory for her own advantage (many of these people are just jealous and would do whatever they could to get a share of her fame so they could cash in on it). It’s truly the last thing she wants, unlike the other accusation.

Ironically, her family is pushing her to embrace this notoriety and cash in on it (mostly for their selfish benefit, not her good)—and both an agent and a TV Writer/Producer are circling her. Everyone’s telling her that a series/movie is going to happen no matter what, if she wants any influence on how it happens, she has to sign up.

Goldberg had already firmly established that this series takes place in the shadow of the Entertainment Industry, would-be actors, film crew members, bona fide stars, and others (like a fellow detective) wanting to get into the industry. So this subplot doesn’t feel out-of-place at all, it’s the world Eve Ronin deals in.

I really like this aspect of the story—as long as it doesn’t become too dominant—and watching Eve try to figure out how to use her notoriety to help (or at least, not hinder) her police work is as interesting as watching her figure out how to survive as a political animal.

Now, that’s a nice touch…

There’s a little treat for readers of Goldberg’s Ian Ludlow series. I loved it. But if you’re not reading that series, don’t worry, you won’t even realize that you missed something.*

* Still, I should take a beat to ask you why you aren’t reading the Ian Ludlow books. You should fix that. Click here to see what I’ve had to say about those.

So, what did I think about Bone Canyon?

This rocked. I think it was a step up from Lost Hills, which I’m pretty sure was the best thing Goldberg has written. He does all the same things that made Lost Hills a success and then progressed them a little bit. I raced through these pages—both because the prose invites you to and because I just had to see how it all ended.

Eve’s a great character—she’s flawed, she has a lot to learn, but she has potential as a detective and is driven to fulfill that potential. Her cases are twisty enough to keep you guessing and turning pages. and Goldberg’s writing is at his best.

I liked Lost Hills enough that pre-ordered this book as soon as I could, and have already done the same for the third book, knowing only its title (I’d buy books 4 and 5 right now, too, for what it’s worth). They’re that good—and I think you’ll likely agree. Jump on the Eve Ronin train, you’ll be in for a great ride.

Disclaimer: I received this eARC from Thomas & Mercer via NetGalley in exchange for this post—thanks to both for this, but aside from giving me something to opine about, this didn’t impact what I said.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Bone Canyon by Lee Goldberg: Eve Ronin Digs Up Bones, Secrets and Ugly Truths in this Great Follow-Up

Bone Canyon

Bone Canyon

by Lee Goldberg
Series: Eve Ronin, #2

eARC, 288 pg.
Thomas & Mercer, 2021

Read: December 20-23, 2020
Grab a copy from your local indie bookstore!

What’s Bone Canyon About?

A wildfire was wiping out good swaths of L.A. County as the last novel wrapped up. Now, just a few weeks later, several things that were hidden pre-fire have been exposed—some of those things are human remains. Eve Ronin and her partner are called out to the site of one such discovery. They’re able to identify the remains, they belong to a young woman who’d reported being raped and soon disappeared six years previously.

Eve assumes there’s a link between the rape, disappearance, and her death. This is solidified when it’s determined the woman was murdered. Even if it proves untrue, she needs to start her investigation somewhere, so she starts by looking over the initial investigation and is less than impressed with the way it was handled. So, she plunges into re-investigating the rape and disappearance while also trying to get a handle on this murder. It’s not long before she’s getting pressured to drop the rape angle.

When another group of remains is found in the same general area—these belonging to an older woman, things get more complicated. How many murderers is she looking for?

Duncan “Dunkin’ Donuts” Pavone

I only gave Eve’s partner four sentences in my post about Lost Hills, I think I should’ve spent a little more time on him, I have a sneaking suspicion that he’s the secret weapon in this series. He seems like a Spenser’s Frank Belson-type (I have to admit I see Ron McLarty, TV’s Belson, in my mind during his scenes). He’s a slob, constantly covered in crumbs (donut or otherwise), cynical, seemingly lazy—but at heart a dedicated and good detective. Watching him at work in the interrogation room should be enough to make anyone doubt the image he projects.

When we first meet him, he’s got his eyes on his retirement date and is counting down to it, which is why he’s saddled with the homicide detective no one wants as a partner. He seems to tolerate Eve and will sprinkle some tips and cynicism her way. But that’s about it. By the end of the first novel, there’s more than toleration at work. By the time Bone Canyon opens, he’s really trying to mentor her, trying to guide her, and prepare her as much as possible for her future (not that he’s obvious about it, or even willing to admit it, but it’s there). In a lot of this novel, it’s clear that he cares for Eve as a partner, and is likely more concerned with the future of her career than she is. He won’t necessarily agree with all of her wild theories, but he’s at least willing to entertain them, to look for evidence to back them up.

It’s a nice shift, and if she can win Duncan over, there’s reason to hope that she can get others in the Department to work with her.

While I’d been hoping that Goldberg would find a way to keep him in the series after his retirement (somewhere around 100 days after this novel), I wasn’t sure he would. I guess I’m still not positive that he will, but Goldberg provided a way to do so. I’m relieved—Eve needs a cop she can trust in her life, even if he’s retired.

Which leads me to:

Cop or Politician?

Several times, superiors in the Sheriff’s office, a friendly D.A., and her own mother accuse Eve of playing political games with this case for her own career advancement. In Eve’s mind, she’s not making political moves for her own gain, but for the sake of the case. It’s all about justice for the victims, she insists. She doesn’t trust anyone in the Department, so she has to go at things in her own way.

Sure, she made some moves circumventing the chain of command to keep things moving, to prevent leaking and anyone stopping her. But she denies being overtly political about this, and only admits it in retrospect. Which I found a little odd, remembering something she thought about the Harry Bosch audiobook she was listening to in Lost Hills:

[Bosch’s] problem, she thought, was that he didn’t know how to play politics. She’d already proven that she could.

As much as Eve thinks of herself as a loner—due to circumstances forcing her into the role, rather than that being her nature—there are events here to teach her that ain’t necessarily true. She’s never going to win any popularity contests (Duncan will testify that she’s unlikeable), but if she pays attention, Eve’s going to find more allies. She doesn’t have to be Renée Ballard.

* We know she’s a Harry Bosch fan, I wonder what Eve thinks about Ballard.

…or Is She a Media Star in the Making?

The other thing that’s constantly being thrown at Eve is her social media stardom—the viral video that got her promoted into the Homicide Division was just the start. Someone leaked video of her heroics at the close of the previous novel which just compounded things for her. So many of her fellow detectives and deputies just assume she’s all about getting fame and glory for her own advantage (many of these people are just jealous and would do whatever they could to get a share of her fame so they could cash in on it). It’s truly the last thing she wants, unlike the other accusation.

Ironically, her family is pushing her to embrace this notoriety and cash in on it (mostly for their selfish benefit, not her good)—and both an agent and a TV Writer/Producer are circling her. Everyone’s telling her that a series/movie is going to happen no matter what, if she wants any influence on how it happens, she has to sign up.

Goldberg had already firmly established that this series takes place in the shadow of the Entertainment Industry, would-be actors, film crew members, bona fide stars, and others (like a fellow detective) wanting to get into the industry. So this subplot doesn’t feel out-of-place at all, it’s the world Eve Ronin deals in.

I really like this aspect of the story—as long as it doesn’t become too dominant—and watching Eve try to figure out how to use her notoriety to help (or at least, not hinder) her police work is as interesting as watching her figure out how to survive as a political animal.

Now, that’s a nice touch…

There’s a little treat for readers of Goldberg’s Ian Ludlow series. I loved it. But if you’re not reading that series, don’t worry, you won’t even realize that you missed something.*

* Still, I should take a beat to ask you why you aren’t reading the Ian Ludlow books. You should fix that. Click here to see what I’ve had to say about those.

So, what did I think about Bone Canyon?

This rocked. I think it was a step up from Lost Hills, which I’m pretty sure was the best thing Goldberg has written. He does all the same things that made Lost Hills a success and then progressed them a little bit. I raced through these pages—both because the prose invites you to and because I just had to see how it all ended.

Eve’s a great character—she’s flawed, she has a lot to learn, but she has potential as a detective and is driven to fulfill that potential. Her cases are twisty enough to keep you guessing and turning pages. and Goldberg’s writing is at his best.

I liked Lost Hills enough that pre-ordered this book as soon as I could, and have already done the same for the third book, knowing only its title (I’d buy books 4 and 5 right now, too, for what it’s worth). They’re that good—and I think you’ll likely agree. Jump on the Eve Ronin train, you’ll be in for a great ride.

Disclaimer: I received this eARC from Thomas & Mercer via NetGalley in exchange for this post—thanks to both for this, but aside from giving me something to opine about, this didn’t impact what I said.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Fake Truth by Lee Goldberg: Ian Ludlow, Fake News, and the Return of the Soviet Union?

Fake Truth

Fake Truth

by Lee Goldberg
Series: Ian Ludlow Thrillers, #3

Kindle Edition, 294 pg.
Thomas & Mercer, 2020

Read: April 15-16, 2020
Grab a copy from your local indie bookstore!

“If any of us get caught or killed,” Ian said, “the secretary will disavow any knowledge of our actions.”

“Who is the secretary?” [CIA Director] Healy asked.

“I don’t know,” Ian said. “It’s what the boss on the recording says to Peter Graves on every episode of Mission: Impossible, right before he wishes him luck and the tape explodes.”

“This isn’t a TV show,” Healy said. “This is reality.”

“You say that like there’s still a difference.”

Too often lately, life has been like one of Ian Ludlow’s novels come to life. Which is a lot of pressure to work under, so much so that he’s in danger of missing a deadline to submit his next book, without even getting it started.

Meanwhile, Wang Mei, the Chinese actress Ludlow recently helped defect, needs a job. And she’s decided that seducing him is the way to achieve that. Ludlow’s got connections, and he happens to be the only American she knows who trusts her. Ludlow is actually pretty easy to seduce, not only does he help her get a job on a TV show, he helps her with some PR to rehabilitate her image (with CIA guidance).

But back to the main story, Margo gets Ludlow brainstorming like he used to—not only to get a novel working, but she’s pretty sure that he’ll end up stumbling over an assignment so she can exercise her new-found skills. The official blurb sums up what they stumble upon in 1/3 of the words I’d take, so let’s use it:

…the connection between a barbaric drug lord in Mexico, a homicidal rapist in California, a rogue citizens army in Texas, a raging TV pundit in New York, and two dead tourists in Portugal…before the President of the United States makes a catastrophic mistake that could resurrect the Soviet Union.

That sounds utterly ludicrous, but as things unfold it seems utterly plausible—and like something only a guy like Ludlow could uncover. And when it comes time for Ludlow and Margo (with help from Wang Mei and Ronnie Mancuso)* to stop this plot—the brakes come off and things get really ridiculous. I had a blast with it.

* I was really glad to see him again, by the way, he’s a fun character

Mark Twain wrote, ” Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.” (and others have said similar things, but my rule is quote Twain as often as possible) Fake Truth is another bit of evidence of that. As outlandish as a lot of the plot points and technology in the book seems, Goldberg has talked in interviews about how all of the tech exists, and that he had to keep changing parts of the novel when the parallels between truth and his fiction got a bit too close. This reminds me of the Leverage creators talking about how they had to take real crimes and scale them back to use them in the show because they seemed unbelievable otherwise. Thinking about the events of the book—either mid-read or after—and knowing that there’s a very strong possibility that things like this have and are happening? It’s truly disturbing. It makes you want to jump into novels.

Anyway, back to this novel—Goldberg once again pulls off this great magic trick by taking a ridiculous plot and goofy humor and somehow creating a solid thriller. I’ve seen others try this and it doesn’t work out quite as well. If he can keep this up, I’ll come back as long as he’s able to publish these. Laughs and action, characters you can enjoy (even if you don’t think you’d want to be anywhere near them in real life)—Fake Truth is a great way to spend some time.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Lost Hills by Lee Goldberg: A Dynamite Beginning to a New Series from One of the Most Reliable Scribes Around

Lost Hills

Lost Hills

by Lee Goldberg
Series: Eve Ronin, #1

Kindle Edition, 237 pg.
Thomas & Mercer, 2020

Read: January 23-25, 2019
Grab a copy from your local indie bookstore!

Mulholland Drive. It was an intersection that generated lots of confusion, and not only because of the nearly identical street names. It was also the intersection of two cities, three neighborhoods, two law enforcement jurisdictions, and on this hot, smoggy Thursday afternoon in December, life and death.

So begins Lee Goldberg’s new series—a story of a young, talented, fallible, inexperienced woman detective in the LA County Sheriff’s Department. Eve Ronin is in this position thanks to being in the wrong place at the right time, and getting herself plastered all over social media just when the Department needed any good publicity it could get. Capitalizing on this, the Sheriff puts her in the high-profile Robbery-Homicide Division where she faces a lot of sexist backlash—and some that’s not sexist, but based on the way she got the job and how unprepared she is for it. Still, Eve knows a good opportunity when she gets it and is determined to rise to the occasion, as hard as it will be.

That’s the novel (and probably the series) in a nutshell—everything else is just window dressing. But man, I tell you, it’s great window dressing.

First off, you’ve got this case. A single mother of two (no longer romantically involved with the man she’s living with, but unable to move out), her kids and their dog are missing. What’s present in their home is a lot of blood. I mean a lot. Enough that there’s little hope that any of them are still alive, but Eve can’t rule out the possibility. So she really has two investigations to get into—the multiple murder case, and a missing persons case. Given the grizzly nature of the crime scene, there’s a lot of public attention on this case, and a lot of pressure on the rookie detective. That there is enough for most novels, but we get more.

What I loved about this book (and, from what I hear in interviews, the series to come), is how it displays that everyone in the L.A.-area is in or adjacent to the entertainment industry. Eve’s mother and the probable victim are chasing stardom, the likely victim’s ex-boyfriend works on a film crew (as does his alibi). There are detectives shopping script ideas around, and clearly will jump on new “material.” You’d think that with the sheer number of police procedurals/PI novels set in LA that this would be well-trodden territory, but it really isn’t. How is that possible? I’m so glad that Goldberg committed to this idea.

At the end of the court was a poorly maintained, unfenced ranch home with two cars in the driveway— an old Ford Taurus with oxidized paint and a Nissan Sentra. A woman in her early thirties paced anxiously in front of the house.

“She’s keyed up,” Duncan said as Eve pulled up to the driveway. “You better talk to her, woman- to- woman.”

“Good idea, because you know we don’t even have to speak to each other,” Eve said, putting the car into park. “Our uteruses can communicate telepathically.”

“I think the correct term is ‘uteri.’”

But what makes this (and any series) work are the characters. Eve is a great character, while her mom was off chasing stardom (and primarily finding work as an extra), she did the heavy lifting when it came to raising her younger siblings. Now she’s taken that sense of responsibility to her career and those she comes into contact with.

Eve’s mom is still in pursuit of the Hollywood dream, if not for her (though that’d be her preference), than for Eve. When Eve shows up on TV being cornered by a reporter, Jen is more focused on how Eve looks than the case in question. When she does think about the case, it’s in relation to how Eve can turn it into a movie deal. I cracked up at Eve’s first conversation with her (and enjoyed the rest), but can easily see where she could be overused on the long-term, and she could easily turn into a one-note joke. I know Goldberg can do something interesting with her if he wants to, I just hope he does.

Meanwhile, Eve’s younger sister, Lisa is a delight. She’s a nurse as well as Eve’s main source of emotional support (and ice cream). The cynic in me thinks she might as well be named Nurse Bechdel Test. But let’s ignore him—she’s a great character for Eve to bounce off of—a sounding board for the emotional beats and struggles that Eve endures thanks to her promotion and career—as well as something that humanizes Eve. She’s not just a cop, she’s a sister with strong maternal instincts/reflexes, who needs someone to take care of her occasionally. I thoroughly enjoyed their interaction and the way they fed off each other, and her continuing presence in the series bodes well for it (and, yeah, probably makes sure these books pass that particular test).

Then there are Eve’s colleagues (who get more real estate in the book than her family does, but I’m going to cover briefly here because I’m rambling). I’ll start with her partner, Duncan—a jaded veteran detective nearing retirement. That gives him a certain detachment from Eve’s catapulting into Homicide, as long as her presence doesn’t interfere with his exit, what does he care. In the meantime, he’ll pass on some wisdom and cynicism. I loved his character and really hope that retirement stays away for a while.

Almost every other detective (both in the Sheriff’s department and the LAPD) doesn’t share his detachment, and will not actively try to derail Eve, but will be skeptical and antagonistic to her. The nicest thing anyone will say about her is that she’s starved for attention and fame. The Sheriff on the other hand, will exploit Eve whenever he can (he needs her to be a star to deflect attention away from serious problems in the department). It’s hard to tell if he has any real confidence in her, or if it’s all opportunistic. I’m not sure it matters much.

I would’ve liked a little more depth to this story, but just a tad. Any more and it would’ve slowed down the fast, driving pace and tension—which wouldn’t have been worth the trade-off. I’d also have liked to gone a bit more in-depth here myself, but if I do, I’d probably not get this posted for two more months, so we’ll call this good.

I haven’t read every novel Goldberg has written, but I have read 26 of them (so far), so I feel like I have a pretty decent idea of what kind of writer he is. There is something distinctly Goldberg-esque about Lost Hills and Eve. At the same time, there’s a freshness and verve to them that is new—it felt like Goldberg has stretched himself to try something in these pages and it worked—a reward for both author and readers. Eve Ronin is a fantastic character that I hope to spend many years reading and exploring the world of. You should, too.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Big Kahuna by Janet Evanovich, Peter Evanovich: Jinkies, that was a bad book

The Big KahunaThe Big Kahuna

by Janet Evanovich, Peter Evanovich
Series: Fox and O’Hare, #6

Hardcover, 301 pg.
G.P. Putnam’s Sons, 2019

Read: June 5 – 6, 2019

♪ ♫ ♬ Where have you gone, Lee Goldberg
Readers turn their lonely eyes to you
Wu wu wu
What’s that you say, Ms. Evanovich
Lee Goldberg has left and gone away
Hey, hey, hey, hey, hey, hey ♬ ♪ ♫

(with apologies to Paul Simon, Art Garfunkel, Lee Goldberg, Janet Evanovich, Mrs. Robinson, Joe DiMaggio, my parents, teachers, Vogon poets… but dang, I spent a day and a half singing that to myself)

I’ve (purchased and) read all the previous novels at least once, read most of the short stories/novellas, and listened to all of the audiobooks of the series up to this point. I was a fan, maybe not the biggest fan — I expressed issues and reservations from time to time, but I knew I could expect a fun adventure, some fun banter, a little ridiculousness, and a clever crime story when I picked up a Fox and O’Hare novel. But when the inimitable Lee Goldberg departed, I got nervous — Evanovich has slipped in recent years (as I’ve discussed), and I don’t think she cares or notices. Still, I wasn’t sure how much of the success of these books were up to Goldberg and how much was Evanovich finding a spark in new characters that wasn’t there anymore in her Plum franchise/cash cow. Well, I think I’ve solved that mystery to my satisfaction — it was Goldberg.

I’m so, so relieved that I didn’t buy this thing. I’m sorry the local library did, too, although I’m glad I was able to take advantage of this.

First off, there wasn’t much of a con. It’s an adventure story — there was a little bit of a con at the end, but on the whole, there’s no reason for Nick Fox to be around for the whole book. As such, we don’t get most of the team showing up. Only Kate’s father, Jake, comes along.

Which is fitting, really — he belongs in adventure story. His basic approach of this retired guy who can pull off the occasional save with military equipment/connections while not liking to talk about that kind of thing has been exchanged for an older super-soldier that gives no evidence of being reticent about anything or all that old.

A new member of the team is introduced — he’s supposed to be the voice of reason keeping the destruction of private property to a minimum, and to do all the paperwork that Kate seems to ignore. First I think they did this already, and it didn’t work too well (the character was alright, but a dufus — I can’t remember if it was the same guy or not). Secondly, Kate — not their boss — told him about the super-secret arrangement with Nick Fox while in Fox’s presence and in a very casual manner. It just felt sloppy. Lastly, the character is the least-realistic character I think this series has ever produced — there’s no universe in which he makes it as an FBi agent for a month — much less be expected to be an agent that can keep things going well for this partnership.

There are a bunch of non-criminal types that really don’t need to be around but keep showing up anyway — they aren’t amusing, they aren’t well-conceived characters, they’re around to complicate plots and to be funny. They rarely succeed at the latter.

The primary villain (who I won’t name because he’s not revealed for quite a while) wasn’t actually that bad, and if they’d used him better, I wouldn’t be complaining about it at all. He just didn’t get the chance to be anything but briefly intimidating and then a pawn for Nick and Kate (making you wonder if he really wasn’t that intimidating after all). His primary accomplice was the person who did most of the work. She seemed half-baked (maybe three-quarters), and wasn’t all that convincing — her scheme (for lack of a better term) didn’t make a whole lot of sense to me. Her henchmen were pathetic and uninteresting.

Nick Fox . . . was a shell of the character. He’d traded in his usual between-assignment shenanigans for some dumb scheme about social media coaching, using a pseudonym that showed none of the panache characteristic of Fox. There was little reason for him to be around for most of the book, other than to make bad advances toward Kate.

Kate, meanwhile, seemed less competent than usual. A bit more clueless about criminal activity and Nick Fox, and fairly dependent on her father for the more action-hero-y stuff. Which didn’t seem right, either. She said “jinkies” so much I wondered if she’d been Velma in a previous life — a trait I don’t remember belonging to her. Of all the characters, she seemed more herself than the others — still, she seemed off.

The relationship between the Kate and Nick really doesn’t make sense. Some of what’s said between the two of them makes me think that this volume takes place between Books 3 & 4 rather than after Book 5. Although that makes the whole explanation for Cosmo even worse, because I think it was Book 3 that got Kate shackled with the paperwork partner last time. The last chapter of The Big Kahuna takes the nice relationship that was developing between the two protagonists during the Evanovich/Goldberg run and ruins it — and ruins the timeline, too. If this takes place after Book 5, it’s meaningless (as is a lot of what happened before). If it takes place after book 3 (which makes the most sense), it ruins the arc of 4 and 5. Then again, it’s not like the Plum books have a real timeline, it looks like the Evanovich2 run will follow that. It’s not about development anymore, it’s not about growth of character or relationship — it’s about churning out books that’ll sell.

The whole thing felt like a Stephanie Plum book that Stephanie, Joe and Ranger forgot to show up for — but reasonable facsimiles thereof did. One of the great things about the previous novels is that they didn’t feel like Evanovich, or completely like a Goldberg. That’s out the window. And the book, en toto, suffered for it.

I’ve spent far more time and space on this post than I intended to (and still haven’t touched all my notes), so let me wrap this up. A year or two back after I spent time critiquing a book that I gave two stars to, one of my readers asked if I gave that novel 2, what would it take to get a 1? I said a book would have to make me mad, not just disappoint. Probably, on merit, I should give this two stars — there were some good moments, I have to admit (although while writing this, I seem to have forgotten them). But as I was thinking about that, I remembered that conversation, and well…this book as made me mad. It took a solid and reliably entertaining series, with good characters and ruined them. Just ruined them. I might give it one more try, just to see if they learned anything from this disaster (my guess is that sales won’t suffer much and they’ll learn nothing). But, without a different co-author, I can’t imagine why anyone would read these books again.

—–

1 Star

2019 Library Love Challenge 2019 Cloak & Dagger ChallengeHumor Reading Challenge 2019

Killer Thriller by Lee Goldberg: The Best-Selling Author/Hapless Hero Ian Ludlow Returns to Save the Day Again

I wrote about half of a post about this book to go up yesterday. But I realized I’d spent a lot of time talking about things I really didn’t care about, and hadn’t spent any time talking about the bits I did care about. But I couldn’t turn the ship around (much to my annoyance). So, I let one more day go without a post — a truly annoying trend for the week/month. This isn’t quite what I wanted it to be. But it’s done. So that’s a start.

Killer ThrillerKiller Thriller

by Lee Goldberg
Series: Ian Ludlow Thrillers, #2

Kindle Edition, 277 pg.
Thomas & Mercer, 2019

Read: May 21 – 22, 2019

           “…I want Ludlow under constant and total visual, audio, digital, and personal surveillance,” Yat added. If anybody in Beijing asked about it, he’d explain that it was part of his ongoing investigation into Wang Kang’s activities, which wasn’t far from the truth. Those were always the most effective lies. “Mobilize every resource that we have.”

“Including the assassins?”

“Especially the assassins,” Yat said.

In True Fiction, Lee Goldberg introduced us to Ian Ludlow — former TV writer, now thriller writer extraordinaire — who discovered (the hard way) that terrorists were using his fiction as a playbook. Then he had to go on the run for his life from these people who didn’t appreciate the fact that he’d be able to identify what they were doing. Running alongside him (frequently behind, more frequently ahead of him) was the poor girl who was supposed to schlep him from bookstore event to bookstore event in Seattle. Margo didn’t like Ludlow, but finding their fates bound together, she threw herself into surviving — and is very likely the reason he did survive.

Not only did they survive, they uncovered and defeated a group within US Intelligence that were actively plotting against the US. It’s a highly improbable story that didn’t feel that improbable — yet was told in a way that played up the tension, the suspense and the fun. It was one of the funniest and most enjoyable books I read last year.

Now it’s time for the inevitable sequel — Killer Thriller — and Lee Goldberg has somehow done what almost every good sequel strives to do (and few succeed) — he tells pretty much the same story with just a couple of differences, yet does so in a way that feels completely fresh and original — in most ways, superior to the original. I don’t think it’d be hard to take a semi-thorough outline of both novels to compare against each other and find that they’re freakishly similar. But I only thought about that when I sat back to think about the book and its predecessor. While reading, I didn’t care about True Fiction or any similarities the current book had to it. I just had too much fun while reading the sequel I couldn’t be bothered to compare it.

Which is a pretty neat trick, really. It’s like when Chandler Bing said, ” Oh–I think this is the episode of “Three’s Company” where there’s some kind of misunderstanding.” Just because every episode of Three’s Company featured a few misunderstandings — it didn’t keep things (usually) from not being funny. The same kind of thing here — just because Ludlow and Margo are once again thrown in to the middle of things they’re not ready for, it doesn’t keep the action scenes from being riveting and the funny bits from being funny.

So, if you haven’t read the first book, let me tell you a little bit about Ian Ludlow. He’s overweight, doesn’t take care of himself in anyway, shape or form. He doesn’t seem to be attractive (and bounces between knowing it and forgetting it). His ego is pretty big, but he’s also realistic about himself. He’s lazy about everything but his writing — and he could likely be more disciplined about it. Okay, based on what we’re told about his greatest creation, Clint Straker — imagine the combination of Bond and Reacher — he’s pretty lazy. Still, he comes up with incredible plots (don’t take my word for it, take the word of people who based terror campaigns on his work). Deep down (Margo would argue very, very deep) he’s a decent guy. Especially for the 15-25 minutes a day he’s not hitting on some unwilling woman, or thinking about hitting on her.

Margo, meanwhile, is a would-be singer/songwriter, a former dog walker, and is really vocationally lost. She’s smart, she’s tough, and adaptable — even if she’s still trying to figure out how to adapt after the events of True Fiction. She’s picked up some self-defense skills along the way, which will prove to be handy.

Ludlow brings Margo with him to Hong Kong to act as his research assistant and hopefully relax a little from the stress that’s eating at her from her recent harrowing experiences (almost being killed counts as harrowing, right?). He’s going to Hong Kong to do a little promotion for the studio that’s turning his first Straker book into a movie. While there, he wants Margo to scope out some places and things he can use in his upcoming novel. In this novel, the Chinese government is waging a secret campaign to take over the US through political manipulation and selling us cheap products they can use to spy on us. Straker’s going to fight against them in Hong Kong, so he needs some local color.

Once in the hotel (and on the hotel’s wi-fi), a group of Chinese espionage agents tap into Ludlow’s laptop and make an unsettling discovery. The plot laid out in Ludlows “novel” is ridiculously close to the plan this same group has spent years devising and implementing to take over the US government through manipulation, cash, and fear. Clearly this man’s novels are just a cover story, he has to be the most wily of secret agents — using this preposterous writer character as a cover for his actual abilities and mission to stop this Chinese plot.

So the Chinese begin their dangerous game of cat and mouse with the “spy” Ian Ludlow. It’s more of a cat-and-clueless-yet-incredibly-lucky-mouse game. But you get the point. But hey, it works. Think Inspector Gadget and Penny — without the robotic arms and sentient dog.

Like Ludlow, Goldberg spent a lot of time as a writer/producer of television. And in both books he does a great job of lampooning the men and women writing, directing and starring in TV and movies. You can’t help but feel Goldberg exorcising some personal demons as he does so — particularly in the table read scene and everything that Damon Matthews (the actor playing Straker) says and does. Incidentally, I’m sure any parallels people might draw between Matthews/Straker and Cruise/Reacher are completely unintentional on Goldberg’s part. For my money, if doing this sort of thing helps Goldberg deal with the frustrations that seem to plague most TV writers/screenwriters, I hope he keeps pouring out his frustrations on the page — I love ’em.

Goldberg seems to have learned a lot from the Fox and O’Hare books he co-wrote with Janet Evanovich — there are huge chunks of this book that feel like they were originally planned for one of them. Whether Goldberg repurposed the scenes or was just influenced by his time with that series really doesn’t matter — the sensibility that made that series work so well is making this one work very well, too.

From the big things — like fight scenes or car chases — to the way he describes a Washington D. C. restaurant, to little touches like the way that someone smuggles information out of China, Goldberg is at the top of his game — which is an accomplishment. I think I’ve read almost 30 of his books and there are maybe one or two that are more satisfying than Killer Thriller. Thrills and laughs together — and maybe maybe a little surprising character depth and development (just a bit, we don’t want Ludlow to stop being a cad and a loser), this is a whole lotta fun. You can come into this one fresh, you won’t appreciate the changes in character (particularly Margo), but you’ll have just about as much fun as the rest of us.

—–

4 Stars

2019 Cloak & Dagger Challenge Humor Reading Challenge 2019

Page 1 of 3

Powered by WordPress & Theme by Anders Norén