Tag: Humor Page 1 of 14

Silly Rhymes for Belligerent Children by Trace Beaulieu, Len Peralta (Illustrator): Wonderfully Weird Poems for Children of Most Ages

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On January 22, 2024

In Humor, YA/MG/Children's Books

Silly Rhymes for Belligerent ChildrenSilly Rhymes for Belligerent Children:
A Yucky Big Book of Rainy Day Fun for Belligerent
Children & Odd Adults
with Nothing Better To Do

by Trace Beaulieu, Len Peralta (Illustrator)

DETAILS:
Publisher: Amorphous Productions
Publication Date: January 1, 2010 
Format: Paperback
Length: 45 pg.
Read Date: July 13, 2023

What’s Silly Rhymes for Belligerent Children?

The back of the book says:

You certainly don’t need to be a belligerent child to appreciate these silly rhymes by Mystery Science Theater 3000’s and Cinematic Titanic’s Trace Beaulieu – but you may learn a thing or two about handling infected pets or living dangerously through sledding. While the subject matter may make you a bit queasy, you’ll delight in the perfect storytelling encapsulated in each poem. Each selection is a dark and distasteful delight – a fascinating collection of raw honesty, cool understatement and looming tragedy, all brought to life by the whimsical illustrations by Len Peralta. Silly Rhymes for Belligerent Children isn’t the book you’ll keep on the bookcase for decades. It’s the book you’ll keep under your bed within easy reach so you can page through it long after you’ve committed all the poems to memory.

That’s pretty much what the book is—in the forward/Author’s Note, Beaulieu says these poems were inspired by daydreaming, and what better source could there be?

Well, these rhymes are meant for the kind of child I was, and frankly still am.

So don’t come here looking for nice little poems with fuzzy-wuzzy pictures of fluffy cute animals or impossibly happy youngsters fetching pails of water.

This book is intended for kids who hate that kind of stuff: older kids, of course, and adults with… well nothing better to do.

Some are short…some are longer (at least when it comes to page count), they’re all a great mixture of fun rhymes, great images, and eccentric (to say the least) ideas. Some are morbid (in a kid-friendly way), some are just strange, some are gross (in a kid-friendly way).

My One Complaint

There aren’t enough poems.

Or illustrations.

Or anything else.

I want more of everything in this book.

A Quick Word about the Art

WOW. The art is fantastic. Can you go through this book, ignore all the words in black type, and still enjoy it? Probably—some of the pictures won’t make sense without the black text, but yeah, I can see the book working if you think of it as a collection of odd illustrations (I’ve tried this twice, but keep slipping and ended up reading the poems, so I can’t promise).

They are the perfect augment/supplement/accompaniment to Beaulieu’s quirky rhymes and sensibilities.

So, what did I think about Silly Rhymes for Belligerent Children?

This is just silly fun. I, apparently, am an odd adult with nothing better to do, because I’ve read this a handful of times from cover to cover in the last few months and am pleased I did so each time.

You know how there are certain movies/shows that when you’re just mindlessly flipping through the channels (assuming you still do that) you have to stop and watch for at least a few minutes? This book is kind of like that. I cannot tell you how many times since I first read it that I’ve stopped to read a poem or two when I see this book. I’ve yet to pick it up without reading at least three poems. Generally more. And not always the same ones, either.

From the poems to the illustrations and all points in-between, I had a blast with this. I wish I knew about this back when it was first published, my kids would’ve loved it then. I probably can’t get them to slow down enough for it now. Hopefully in a few years.

Track down a copy and lose yourself in these pages. Your inner child (and inner odd-adult) will thank you.

3 Stars

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My Favorite Non-Fiction Books of 2023

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On January 4, 2024

In (Auto)Biography, Humor, News/Misc., Non-Fiction, Politics/Current Affairs

Favorite Non-Fiction 2022
My 2023 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 7 instead of the nigh-obligatory 10. These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Cunk on EverythingCunk on Everything: The Encyclopedia Philomena

by Philomena Cunk

My original post
If you’ve ever watched a video clip or a full episode of Philomna Cunk’s various shows/specials, you know just what you’re going to get in this Encyclopedia. If you don’t, finish reading this post and then go find some. Probably pound-for-pound the funniest thing I read this year. Utterly useless outside of that—in case that wasn’t clear. Whether you go from cover to cover, or dip into it here and there (probably for longer than you intend to)—these brief entries are almost certainly going to be a burst of entertainment for you. Not all of them are going to work for every reader—but never fear, just turn the page and you’re probably going to come across one that will.

4 Stars

Like, Literally, DudeLike, Literally, Dude: Arguing for the Good in Bad English

by Valerie Fridland, Narrated by Valerie Fridland, Joniece Abbott-Pratt, Keylor Leigh, Andrew Eiden, Christopher Ryan Grant, Ellen Archer, Eileen Stevens and Nicky Endres

I’m a sucker for entertaining books about language, grammar, etc. Fridland’s apologetic for “Bad” English drives my inner prescriptivist, up the wall—but she joins the growing number of writers who are sealing up that prescriptivit’s coffin. How good is this book? Her chapter (or maybe it was a section of a chapter) on “Um” and “Uh” was fascinating. If she can pull that rabbit out of a hat, imagine how good she can be when she talks about the use/overuse of “like,” the history of “Dude,” or the figurative use of “literally”—and so much more. I spent most of the time listening to this book just geeking out in a way that made me regret not becoming a sociolinguist myself.

4 Stars

Kneading JournalismKneading Journalism: Essays on baking bread and breaking down the news

by Tony Ganzer

My original post
There’s just so much to commend about this book that this little paragraph isn’t going to come close to hitting it all. Partial memoir, small bread-recipe book, and some great insights into the state of journalism and what it means for our society. This is a great read—challenging, but in a friendly, welcoming way. Thoughtful and thought-provoking without being combative or overly critical. Ganzer has a point of view—and makes no claim about lack of bias here—but isn’t pushing a partisan outlook, just a pro-responsible press outlook. Brief, but not insubstantial.

4 Stars

Nasty, Brutish, and ShortNasty, Brutish, and Short: Adventures in Philosophy with My Kids

by Scott Hershovitz

My original post
This was a great listen—Hershovitz is the kind of lecturer you want to pay attention to (or so imagine based on this). This book succeeded on multiple fronts: it was frequently amusing, if not downright funny; it was educational; it was insightful (even when I disagreed with what he did with the insights); it was thoughtful; it offered (largely by example, not being didactic) good parental advice; and kept this particular listener fully engaged throughout. Just what you want from an audiobook.

3.5 Stars

100 Places to See After You Die100 Places to See After You Die: A Travel Guide to the Afterlife

by Ken Jennings

My original post
A fun and informative traveler’s guide through afterlives depicted in Mythology, Religion, Books, Movies, Music and Theater, and from a few other sources. Jennings brushes against irreverancy, but (I think, I’m open to correction) stays on the respectful side. I absolutely had a blast with this—and learned quite a bit, too. It’s one that I’ll return to primarily as a reference, but I will appreciate the perspective and humor as I check my facts. The only problem I have with it is the lack of footnotes/endnotes—I want some source material!

4 1/2 Stars

Sundry Notes of MusicSundry Notes of Music: an Almost Memoir

by Ian Shane

My original post
Given how much I like Shane’s novels, it’s probably to be expected that I enjoyed getting some insight into the novelist. And as most of his novels are centered around music/people obsessed with music, it’s fitting that this memoir focuses on songs. There are parts of this book that are very funny—some bittersweet, some tragic, some simply thoughtful. Multiple essays will hit all of those points and more. They’re all engaging in various ways. Not one track on this playlist is going to leave you looking for the skip button.

4 Stars

The Worst We Can FindThe Worst We Can Find: MST3K, RiffTrax, and the History of Heckling at the Movies

by Dale Sherman

My original post
Sherman is a man who knows about riffing on movies and helps the readers get a better knowledge of it, too. Yes, the focus is on Mystery Science Theater 3000‘s original run (runs?), but he talks about the show’s predecessors and the various projects that have sprung from it, too. Even if you know a lot about the show, its performers, etc., you’re probably going to learn something. And if you don’t? You’re going to enjoy the dashes of perspective that Sherman gives about movies in general and MST3K specifically. Everyone who did what they could to keep circulating the tapes in the 90s is going to eat this book up. Fans of more recent vintage likely will, too.

4 Stars

Alexandra Petri’s US History: Important American Documents (I Made Up): A Mixed Bag That Features Plenty of Tasty Treats

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On December 20, 2023

In History, Humor

Alexandra Petri's US History: Important American DocumentsAlexandra Petri’s US History:
Important American Documents
(I Made Up)

by Alexandra Petri

DETAILS:
Publisher: W. W. Norton & Company
Publication Date: April 11, 2023
Format: Hardcover
Length: 324 pg.
Read Date: December 8-14, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s The Inside Cover Flap of Alexandra Petri’s US History Say?

A witty, absurdist satire of the last 500 years, Alexandra Petri’s US History is the fake textbook you never knew you needed!

As a columnist for the Washington Post, Alexandra Petri has watched in real time as those who didn’t learn from history have been forced to repeat it. And repeat it. And repeat it. If we repeat history one more time, we’re going to fail! Maybe it’s time for a new textbook.

Alexandra Petri’s US History contains a lost (invented!) history of America. (A history for people disappointed that the only president whose weird sex letters we have is Warren G. Harding.) Petri’s “historical fan fiction” draws on real events and completely absurd fabrications to create a laugh-out-loud, irreverent takedown of our nation’s complicated past.

On Petri’s deranged timeline, John and Abigail Adams try sexting, the March sisters from Little Women are sixty feet tall, and Susan Sontag goes to summer camp. Nearly eighty short, hilarious pieces span centuries of American history and culture. Ayn Rand rewrites The Little Engine That Could. Nikola Tesla’s friends stage an intervention when he falls in love with a pigeon. The characters from Sesame Street invade Normandy. And Mark Twain—who famously said reports of his death had been greatly exaggerated—offers a detailed account of his undeath, in which he becomes a zombie.

What did I think about Alexandra Petri’s US History?

There are 76 pieces in this collection–not all are going to be winners. The odds against that are just too great. The tricky thing is (obviously) the ones I consider winners aren’t necessarily going to be the ones that you identify as winners–that’s probably because you have more refined tastes than me. I’m okay with that (and you should be, too). But I assumed that going in, so the question is: are there enough that you’re going to find funny to make reading all of them (or at least starting all of them before occasionally deciding to move on) worth it?

Absolutely.

Some of these start strong and then peter out–like some Saturday Night Live sketches. Some start strong and build from there. Some are duds from the beginning. And a few (to go back to SNL) leave you wanting Matt Foley to yell about the van down by the river one or two more times.

A few of the pieces that had me laughing were:

  • the spider in a certain Northhampton church who took umbrage at some of Edwards’ imagery
  • a poem about the other guy who rode the night Paul Revere did, but his name is hard to rhyme
  • a conversation about writing the song that became the tune for The Star-Spangled Banner
  • an abridgment of The Scarlett Letter
  • the man who bought his wife yellow wallpaper trying to get a refund
  • what would Gatsby have been like if Hemingway wrote it?
  • someone from Sun-Made trying to get Lorraine Hansbury to strike up a partnership
  • Build-a-Bear’s attempt to commemorate 9/11

I really could’ve gone on there, but I think between that and the above quotation, you get an idea. I could’ve come up with a similar list of ones that didn’t work for me–but why bother?

If any of the above topics/ideas seem like something you’d enjoy, you’re likely to have fun with over half of this book. When Petri is funny, she’s hilarious. When she’s not…well, there are words on the page that you can definitely read. Her highs are so high and her lows are…still above sea level. I don’t think anything was “bad” here, just some pieces that I really didn’t care for.

I’m glad I read this. You’ll probably be, too. I do recommend this, as long as you go in with open eyes.

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Cunk on Everything: The Encyclopedia Philomena by Philomena Cunk: The Only Reference Book You Need This Year

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On October 30, 2023

In Humor, Non-Fiction

Cunk on EverythingCunk on Everything:
The Encyclopedia Philomena

by Philomena Cunk

DETAILS:
Publisher: Grand Central Publishing
Publication Date: September 26, 2023
Format: eARC
Length: 304 pg.
Read Date: October 20-27, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Cunk on Everything About?

Funny story (well, a story anyway), last week I was in my doctor’s office briefly and the nurse was being nice while she prepared to stab me with a knife (or maybe it was a tiny needle, the witness accounts vary) and she asked me what I was reading. I responded with, “Have you seen that show on Netflix called Cunk on Earth?” She hadn’t. Which made the whole small-talk pitch so much harder.

Because if you have seen the show (even just a clip or two), this is easy—it’s Philomena Cunk’s take on just about everything. History, culture, science, art, philosophy, religion, sports, food, and some of the important individuals in those areas. Presented in her idiosyncratic way, of course.

Now, if you haven’t watched the show—because you’re a reader, or something rare like that—this is trickier. Cunk’s approach to the documentary specials on TV or the encyclopedia entries in this book are a combination of naïveté, misunderstandings (especially in mispronunciation/misspellings), and cynicism.

Miscellaneous Observations

I don’t know how to talk about this book—especially as it’s essentially 1-5 page entries on a wide variety of topics (and that page count is just a guess, I couldn’t tell you from my eARC). The topics range from Alexander the Great, the Alphabet, The Alt Right, The Dark Ages, Democracy, Fake News, “Fullosophy,” Hair, the iPhone, The Mystery of Life, Sausages, “Weeing in Public,” and so on. So, right—forget trying to cover this all intelligibly.

In lieu of that, here are some miscellaneous observations:
bullet The pacing is a bit odd—the “H” entries are around the fifty percent mark—I’ve come up with a dozen half-baked ideas/theories/jokes to explain it. It really doesn’t matter, but I thought it was odd. I don’t care—but it was something I noticed.
bullet The entry on Jazz is just fantastic.
bullet There are a couple of running jokes—derogatory comments about the idea of books throughout, repeated use of “Frankingstein” (to describe a certain Mary Shelley character), and that the moon landing was faked. This book doesn’t really feel like a vehicle for running jokes, but they work so well.
bullet The first paragraph about The Oedipus Complex is one of the best things I’ve read in 2023—the last sentence of that paragraph made me almost laugh out loud (but I was in the waiting room of that doctor’s office, so I had to swallow it to prevent strange looks)
bullet I really didn’t think that you could make many jokes about triangles. The authors of this book proved me wrong—and most of them were really funny, too.
bullet You are going to hear Diane Morgan’s deadpan delivery in your head whether you read this or get the audiobook. Just know that going in. (you likely assumed it that already, so know that you’re right).
bullet Mozart and Shakespeare are frequently the targets of jokes—it’s not surprising to see them both as topics here. Some of the funniest things I’ve seen written about both of them are here, too.
bullet The entry on Xylophones is fantastic—it covers the instrument, the usage of it in alphabet books, the silliness of using it in them (given the pronunciation), and more.

So, what did I think about Cunk on Everything?

I didn’t see (but maybe overlooked) the writers behind this book listed anywhere—but whoever they were, they deserve a round of applause. Or two.

I chuckled and laughed out loud a lot while reading this. There’s really not much more to say—that’s what they were going for.

My daughter and I have spent months sending various Cunk videos back and forth to each other. But now I’ve transitioned to  reading her bits and pieces of this as I worked through it. I’m not nearly as good as Morgan at delivering the material, I realize. She’s probably glad I’m finished. But, man is this a quotable read—it’s virtually impossible to resist the urge to share this material.

Whether you go from cover to cover, or dip into it here and there (probably for longer than you intend to)—these brief entries are almost certainly going to be a burst of entertainment for you. Not all of them are going to work for every reader—but never fear, just turn the page and you’re probably going to come across one that will.

I had a blast with this—putting this post together took longer than you’d think based on the brevity of it because I kept getting distracted by the book and re-read large chunks of it. I think you will, too.

Disclaimer: I received this eARC from Grand Central Publishing via NetGalley in exchange for this post—thanks to both for this.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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How to Stay Productive When the World Is Ending (Audiobook) by Reductress: Mara Wilson & Jay Aaseng: The “This is Fine” Meme, Expanded

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On September 21, 2023

In Audiobook, Humor, Non-Fiction, Politics/Current Affairs

How to Stay Productive When the World Is EndingHow to Stay Productive When the World Is Ending:
Productivity, Burnout, and Why Everyone Needs to Relax More Except You

by Reductress; Mara Wilson & Jay Aaseng (Narrators)

DETAILS:
Publisher: Andrews McMeel Publishing
Publication Date: June 20, 2023
Format: Unabridged Audiobook
Length: 4 hrs., 49 min.
Read Date: September 20-21, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s How to Stay Productive When the World Is Ending About?

People being compelled to choose between having money to buy food/shelter/necessities and health (all while maintaining a social media presence) in the midst of worrying about the immanent death of the earth from climate change and various and sundry pandemics—this is the book for you.

a collection of essays, how-tos, and “inspirational” phrases to help you laugh when staying both sane and productive in a commodified world feels impossible. From “‘Doing What You Love’ and Why That’s Bad,” to “Why I’m Prioritizing My Career Over Finding a Better Career,” this collection perfectly skewers the indignities, big and small, of living through late-stage capitalism.

The Narrators

Mara Wilson and Jay Aaseng did a great job—a very dry delivery (unless something else was called for) and earnestness really sold the satire. I can’t help but imagine that they had to do many takes of parts of this because it was difficult to get through with a straight face. Even for professionals like they are.

I think Aeseng got to show a little more range in his performance, but that’s just because some of the things he was asked to do demanded it—when Wilson got to do more than the straight, dry reading, she stepped up as well. Maybe if I wasn’t multitasking, I could’ve taken more notes and kept better track, and I’d see that the ratio was different.

Essentially, they did a great job—I’d listen to more audiobooks by them—and they thoroughly entertained me.

So, what did I think about How to Stay Productive When the World Is Ending?

The website for Reductress states that it’s

The first and only satirical women’s magazine, Reductress was founded in 2013 by Beth Newell and Sarah Pappalardo. The mission of Reductress is to take on the outdated perspectives and condescending tone of popular women’s media.

and that tone and direction are clear throughout this book. Thankfully, even when it’s not targeted toward me, I can still (frequently) enjoy humor and satire done well. And this book, reader, is done well.

Very little of the satire and humor was mean-spirited toward an individual, political persuasion, or most lifestyles (I honestly can’t think of an example at the moment that was, but I’m going to say this to be safe). It does skewer the lifestyles/thinking of those who promote/require people to have to hold down a side-hustle or three to make ends meet, for example. But even then, not in a mean way.

I don’t think people should grab this audiobook, however. (no offense to the narrators, see above) Or if you do, don’t listen from beginning to end in a sitting or two. Listen for 15± minutes at a time and then switch to a podcast or other audiobook. It’s just too much at once, and all the jokes blur together. Also, I’ve looked at some of the samples of the book online—between the graphics and layout, and the ease of picking it up, reading a bit and then putting it down; print is the way to go with this book.

That said—I thought it was frequently hilarious, funny at almost every point—each piece had something that made me grin or chuckle. Most had several lines that did that—and a good portion made me laugh out loud. I even played a couple of pieces to my wife and daughter (my chronically ill daughter really enjoyed the piece, “How to #Grind when your #SideHustle is #ChronicIllness”). It feels like cheating to mention this one in particular, but I have lived (and know others who have, too) “Why I’m Prioritizing My Career Over Finding a Better Career.” Reader, I laughed so hard. And cringed.

That’s pretty much my reaction to the book as a whole.

I would absolutely recommend this to anyone with the above caveat about format.

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: 100 Places to See After You Die by Ken Jennings: The Tour Guide No One Wants, But Everyone Needs

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On June 13, 2023

In Humor, Non-Fiction

100 Places to See After You Die100 Places to See After You Die:
A Travel Guide to the Afterlife

by Ken Jennings

DETAILS:
Publisher: Scribner Book Company
Publication Date: June 13, 2023
Format: eARC
Length: 304 pg.
Read Date: May 24-26, 2023


What’s 100 Places to See After You Die About?

Ken Jennings provides a handy tour guide through one hundred visions of the afterlife for the modern reader. Complete with tips on places to see, areas to avoid, local lingo, bits of trivia, dining tips, and so on, it’s just the kind of thing you’re going to want to peruse before you shuffle off this mortal coil, so you know where to go.

The book is broken down into: Mythology, Religion, Books, Movies, Music and Theater, and Miscellaneous. Then (alphabetically) Jennings looks at a variety of afterlife locales in each category.

For example, the Books section covers:

Aslan’s Country • The Bridge • The Cemetery • The Empyrean • The Five Lessons • Half-Life • The Inbetween • Inferno • The Kingdom • King’s Cross • Mansoul • The Null • Pandemonium • Paradiso • The Parish • Purgatorio • Riverworld • The Third Sphere • The Time Bubble • The Undying Lands • The Valley of the Shadow of Life*

* From Lewis’ The Chronicles of Narnia and The Great Divorce; O’Connor’s story “Revelation”; Saunders’ Lincoln in the Bardo; Milton’s Paradise Lost; Albom’s The Five People You Meet in Heaven; Dick’s Ubik; Sebold’s The Lovely Bones; Dante’s The Divine Comedy; Twain’s “Captain Stormfield’s Visit to Heaven”; Rowling’s Harry Potter; Moore’s Jerusalem; King’s Revival; O’Brien/O’Nolan’s The Third Policeman; Farmer’s Riverworld; Matheson’s What Dreams May Come; Oliver’s The Time Bubble; and Tolkien’s The Lord of the Rings.

Jennings describes each place with wit, humor, Dad Jokes, puns, irreverence, and plenty of facts.

Dancing Through a Minefield

It’s one thing to talk about places like Valhalla, Hades, The Bad Place, Bill & Ted’s Bogus destination, or Futurama‘s Robot Hell in a light-hearted or flippant fashion. It’s an entirely different can of worms to discuss the LDS Three Kingdoms of Glory, Jannah, Jahannam, Ariel Toll Houses/Telonia, and so on—in the same tone.

I will not say that Jennings was able to fully succeed in discussing the afterlives described in some major religions in an unoffensive manner. Primarily because I’m not an adherent of any of the religions he discussed, so my tolerance for that is really high. Had he tackled something I believe in, I very well could’ve been at risk of insult.

That said, I think he did okay. Yes, he walks close to irreverent. But he maintains a decent degree of respect. The humor largely comes from the way he describes the beliefs not at the expense of an article of faith.

Still, some people might want to skip over a chapter or two if they’re worried about getting their toes stepped on. (but those people probably aren’t going to be reading this book in the first place)

A Few Highlights

Ohhh, there are just so many.

The Books section was my favorite—followed closely by Movies and Television—this is the kind of thing I blog about, think about, and so on, so it makes sense that those sections resonated with me most. The Books section, in particular, discussed portions of those works in ways I could really sink my teeth into.

But there were multiple highlights in each section—I learned a lot about D&D, I couldn’t help singing “Ghost Riders in the Sky” during that chapter, I think he pointed out a good plot hole in It’s a Wonderful Life (I don’t know, maybe he’s not the first), I loved the discussion of Bosch’s paintings, and so on.

The chapter on The Good Life was fantastic—a great systemization of the series’ take on the afterlife (and several characters). The chapter on Nirvana was sublime.

Books, movies, mythologies, songs, etc. that I’ve never heard of, much less, read/watched/listened to/studied were described in enough detail that I could appreciate those chapters and maybe even develop an interest in following up on.

Problems/Quibbles/Things That Didn’t Work for Me

Um. Hold on, I’ll think of something.

…

…

oh! Here’s a problem: the eARC came with the typical “don’t quote from this version until verified by the published edition” warning—but it was more pronounced than usual. I really want to use samples throughout this post, but I can’t. (and I wouldn’t have even without this warning, because I know things get tweaked in the final stages).

Actually, I do have a legitimate gripe. There are no footnotes—or even endnotes*—for anything that Jennings says. Most of what the book contains could fall into the category of “General Knowledge” (at least for people who know anything about The Good Place, Dante, or the religion of the Maori). But I wouldn’t have minded a point in the right direction to learn some more details, context, or background on many, many, many things Jennings wrote about.

* It’s been decades since I haven’t asked why a book uses endnotes when footnotes exist, and yet I’d have liked to have them in this book more than the nothing we got. That’s how much this bothers me.

I Can’t Help Pondering…

Given the argument of Planet Funny: How Comedy Took Over Our Culture by Ken Jennings, I wonder about his approach to the subject of the afterlife. Sure, even Planet Funny was frequently funny as it critiqued the overuse of humor in our culture, but for his next book to take this tone, seems to undercut the work.

Or maybe it just shows that even as he can look with clear eyes at some of the weaknesses of our culture, he’s part of it and is subject to the influences. It’s almost like he’s human.

So, what did I think about 100 Places to See After You Die?

This section is going to be shorter than usual because I think I’ve pretty much answered the question already.

From the “throwaway lines” to the big ideas, this was a delight from start to finish. I thoroughly enjoyed this approach to the subjects—quick hits that tell you the essentials and make you smile while telling them.

Jennings’ style is one I aspire to, and can’t say enough good things about.

I can’t think of a reason not to give this 5 Stars, but my gut tells me not to. So I’ll knock it down to 4 1/2 (which isn’t a big deal since Goodreads, NetGalley, etc. won’t let me use 1/2 stars, I’ll round up). It’s educational, it’s entertaining, and it’s thought-provoking. You can’t go wrong with this.

Disclaimer: I received this eARC from Scribner via NetGalley in exchange for this post and my honest opinion—thanks to both for this.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

100 Places to See After You Die by Ken Jennings: The Tour Guide No One Wants, But Everyone Needs

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On May 30, 2023

In Humor, Non-Fiction

100 Places to See After You Die100 Places to See After You Die:
A Travel Guide to the Afterlife

by Ken Jennings

DETAILS:
Publisher: Scribner Book Company
Publication Date: June 13, 2023
Format: eARC
Length: 304 pg.
Read Date: May 24-26, 2023


What’s 100 Places to See After You Die About?

Ken Jennings provides a handy tour guide through one hundred visions of the afterlife for the modern reader. Complete with tips on places to see, areas to avoid, local lingo, bits of trivia, dining tips, and so on, it’s just the kind of thing you’re going to want to peruse before you shuffle off this mortal coil, so you know where to go.

The book is broken down into: Mythology, Religion, Books, Movies, Music and Theater, and Miscellaneous. Then (alphabetically) Jennings looks at a variety of afterlife locales in each category.

For example, the Books section covers:

Aslan’s Country • The Bridge • The Cemetery • The Empyrean • The Five Lessons • Half-Life • The Inbetween • Inferno • The Kingdom • King’s Cross • Mansoul • The Null • Pandemonium • Paradiso • The Parish • Purgatorio • Riverworld • The Third Sphere • The Time Bubble • The Undying Lands • The Valley of the Shadow of Life*

* From Lewis’ The Chronicles of Narnia and The Great Divorce; O’Connor’s story “Revelation”; Saunders’ Lincoln in the Bardo; Milton’s Paradise Lost; Albom’s The Five People You Meet in Heaven; Dick’s Ubik; Sebold’s The Lovely Bones; Dante’s The Divine Comedy; Twain’s “Captain Stormfield’s Visit to Heaven”; Rowling’s Harry Potter; Moore’s Jerusalem; King’s Revival; O’Brien/O’Nolan’s The Third Policeman; Farmer’s Riverworld; Matheson’s What Dreams May Come; Oliver’s The Time Bubble; and Tolkien’s The Lord of the Rings.

Jennings describes each place with wit, humor, Dad Jokes, puns, irreverence, and plenty of facts.

Dancing Through a Minefield

It’s one thing to talk about places like Valhalla, Hades, The Bad Place, Bill & Ted’s Bogus destination, or Futurama‘s Robot Hell in a light-hearted or flippant fashion. It’s an entirely different can of worms to discuss the LDS Three Kingdoms of Glory, Jannah, Jahannam, Ariel Toll Houses/Telonia, and so on—in the same tone.

I will not say that Jennings was able to fully succeed in discussing the afterlives described in some major religions in an unoffensive manner. Primarily because I’m not an adherent of any of the religions he discussed, so my tolerance for that is really high. Had he tackled something I believe in, I very well could’ve been at risk of insult.

That said, I think he did okay. Yes, he walks close to irreverent. But he maintains a decent degree of respect. The humor largely comes from the way he describes the beliefs not at the expense of an article of faith.

Still, some people might want to skip over a chapter or two if they’re worried about getting their toes stepped on. (but those people probably aren’t going to be reading this book in the first place)

A Few Highlights

Ohhh, there are just so many.

The Books section was my favorite—followed closely by Movies and Television—this is the kind of thing I blog about, think about, and so on, so it makes sense that those sections resonated with me most. The Books section, in particular, discussed portions of those works in ways I could really sink my teeth into.

But there were multiple highlights in each section—I learned a lot about D&D, I couldn’t help singing “Ghost Riders in the Sky” during that chapter, I think he pointed out a good plot hole in It’s a Wonderful Life (I don’t know, maybe he’s not the first), I loved the discussion of Bosch’s paintings, and so on.

The chapter on The Good Life was fantastic—a great systematization of the series’ take on the afterlife (and several characters). The chapter on Nirvana was sublime.

Books, movies, mythologies, songs, etc. that I’ve never heard of, much less, read/watched/listened to/studied were described in enough detail that I could appreciate those chapters and maybe even develop an interest in following up on.

Problems/Quibbles/Things That Didn’t Work for Me

Um. Hold on, I’ll think of something.

…

…

oh! Here’s a problem: the eARC came with the typical “don’t quote from this version until verified by the published edition” warning—but it was more pronounced than usual. I really want to use samples throughout this post, but I can’t. (and I wouldn’t have even without this warning, because I know things get tweaked in the final stages).

Actually, I do have a legitimate gripe. There are no footnotes—or even endnotes*—for anything that Jennings says. Most of what the book contains could fall into the category of “General Knowledge” (at least for people who know anything about The Good Place, Dante, or the religion of the Maori). But I wouldn’t have minded a point in the right direction to learn some more details, context, or background on many, many, many things Jennings wrote about.

* It’s been decades since I haven’t asked why a book uses endnotes when footnotes exist, and yet I’d have liked to have them in this book more than the nothing we got. That’s how much this bothers me.

I Can’t Help Pondering…

Given the argument of Planet Funny: How Comedy Took Over Our Culture by Ken Jennings, I wonder about his approach to the subject of the afterlife. Sure, even Planet Funny was frequently funny as it critiqued the overuse of humor in our culture, but for his next book to take this tone, seems to undercut the work.

Or maybe it just shows that even as he can look with clear eyes at some of the weaknesses of our culture, he’s part of it and is subject to the influences. It’s almost like he’s human.

So, what did I think about 100 Places to See After You Die?

This section is going to be shorter than usual because I think I’ve pretty much answered the question already.

From the “throwaway lines” to the big ideas, this was a delight from start to finish. I thoroughly enjoyed this approach to the subjects—quick hits that tell you the essentials and make you smile while telling them.

Jennings’ style is one I aspire to, and can’t say enough good things about.

I can’t think of a reason not to give this 5 Stars, but my gut tells me not to. So I’ll knock it down to 4 1/2 (which isn’t a big deal since Goodreads, NetGalley, etc. won’t let me use 1/2 stars, I’ll round up). It’s educational, it’s entertaining, and it’s thought-provoking. You can’t go wrong with this.

Disclaimer: I received this eARC from Scribner via NetGalley in exchange for this post and my honest opinion—thanks to both for this.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Book That No One Wanted to Read by Richard Ayoade, Tor Freeman, Jarvis Cocker, Lydia Fox: In Print or Audio, It’s Just Delightful

By

On May 10, 2023

In Audiobook, Fiction, Humor, YA/MG/Children's Books

I am fully aware that the following post overuses the word “delightful.” I wanted to use it at least a dozen more times. This is both a sign that my working vocabulary needs expansion and that this book is a delight. More the latter than the former.

The Book That No One Wanted to ReadThe Book That No One Wanted to Read

(Hardcover/Audiobook)
by Richard Ayoade
Narrated by Richard Ayoade, Jarvis Cocker, Lydia Fox
Illustrated by Tor Freeman

DETAILS:
Publisher: Walker Books US (hardcover); W.F. Howes, LTD. (audiobook)
Publication Date: March 14, 2023
Format: Hardcover/Audio
Length: 108 pg./49 min.
Read Date: April 4, 2023


What’s The Book That No One Wanted to Read About?

This is tricky without giving the whole thing away…but I think I can get close to it. Maybe more idea of the flavor?

We’re told at the very beginning that this book isn’t like others—other books are written by authors, while this book is written by a book. A book with opinions. For example, about authors:

Take it from me, authors can be quite annoying. They go on and on, filling up up page after page, but they have no idea what it’s like to be a book.

or these parts of Top Five Things That Grate My Gears (I’m only giving selections, but I want to give the whole thing):

1. People who fold the corner of the page to save their place.Have these savages not heard of novelty bookmarks? Or paper?…Which part of your body would you most like to have folded back on itself?*

2. People who underline certain words. ALL THE WORDS ARE IMPORTANT!

3. People who skip to the end. If the end was meant to come sooner, it’d be called “the middle.”

and don’t get it started on Ipswitch.

* The accompanying illustration of examples of ways to fold a body is delightful.

This book then goes on to tell a story in the second person about someone (presumably a middle-grade child, but really it could be anyone) who is going through a very large library and comes across the shelf holding The Book That No One Wanted To Read. That book then begins having a telepathic conversation with the “you” about being a book, the book’s plight as being so ignored, and how “you” can help it.

I’m not sure that makes sense—but it should give you an inkling of what you’re in for.

The Narration

Jarvis Cocker handles the bulk of the narration—he’s the voice of the opinionated Book telling the story, and as such is the voice that describes the “you” walking around. I could listen to his portions on repeat for a few hours at a time and be quite content (when I wasn’t laughing).

Richard Ayoade is the voice of the titular book and brings his distinguishing style to that narration. If you don’t smile listening to him as this character, you’re doing something wrong.

Lydia Fox provides the voice for the middle grader in conversation with the book. She’s just as fantastic as the others, and I only mention her last as I went in order of appearance.

This is one of those multi-narrator audiobooks where all the narrators are equally good—capturing the spirit and tone of the text and bringing it to life. I’d say that Cocker is the best narrator of the three, unless you asked me in the middle of one of Ayoade’s lines. Or while Fox was reading. I just loved all the audio aspects of this book.

The Illustrations

Oh, wow. I love the illustrations—they are absolutely great. It’s a sketchy kind of art, immediately relatable (think Jules Feiffer). They grab you right away and are just delightful—as funny as the text, without overshadowing it. They have the same voice, the same kind of humor, but don’t just retell the jokes in the book—sometimes they riff off them, expand them, and sometimes the humor is just adjacent to the jokes in the text.

I don’t normally recommend this kind of thing, but you can pick up the book and just look at the pictures (and read the captions) and have a good time without bothering with anything The Book is trying to convey.

So, what did I think about The Book That No One Wanted to Read?

When I heard about the book a few months ago, I was intrigued and made a mental note to look into it when it was released. Then I promptly forgot about it until I saw it on my library’s app. I’d intended on getting the text version, but I needed something short, so I jumped on it.

I was charmed instantly and loved the experience so much that I ran out to get the Hardcover so I could see the text, re-read portions—and check out the pictures. I haven’t found the time to read the whole book yet—but I have looked at every illustration and read bits of it a few times. This is why I’m giving you this strange hybrid format post.

If you’re going to encounter this book without the vocal stylings of Fox, Cocker, or Ayoade, you need the illustrations to make up for them. If you’re going to read the book without the benefit of the illustrations, you need narrators as strong as those three.

In case you haven’t noticed, I’m doing much better at conveying my reaction to the book than I am the book itself. The voice and tenor of the book are great—it’s goofy and strange, the humor is occasionally dry, it’s imaginative, it’s affirming and encouraging, it wraps you in a blanket of fun and makes you feel good. The characters all three of them—”you”, The Book That No One Wanted to Read, and the Book telling the story—are the perfect way to convey the contents. You don’t want a lot of characters wandering in and out of this one—keep it simple. But you don’t want this to become a monologue or an essay (although judging by the first and final chapter, it’d be great as one of those), so you need the three voices.

The best thing that comes to mind to compare it to is The Phantom Tollbooth. But shorter. And with the humor dialed up by a factor of 50.

I have one reservation. I’m not sure that the style of humor or the content of all the jokes are going to land right with an American Fifth Grader. It feels, perhaps, too British for that. But then again, American Fifth Graders are exposed to more than I was. Also, this could be the kind of thing that trains an 11-year-old’s sense of humor in the same way that stand-up albums I didn’t fully understand did mine. So what do I know?

Bookish adults are going to have a blast with this. Middle-Grade readers who are into slightly off-kilter books will really enjoy this. Most middle-graders, as far as I know, are slightly off-kilter themselves, so maybe they’re all the right audience. Just give them this book in their preferred format and you’ve likely got a winner.

I adore this book—and think it’s going to be a favorite of mine for years to come. I can’t wait to introduce my grandson to it—and frankly, a few older friends and relatives, too.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Swamp Story by Dave Barry: Florida. Just say it’s Florida.

By

On May 1, 2023

In Fiction, Humor, Mystery/Detective Fiction/Crime Fiction/Thriller

Swamp StorySwamp Story

by Dave Barry

DETAILS:
Publisher: Simon & Schuster
Publication Date: May 2, 2023
Format: eARC
Length: 320 pg.
Read Date: April 19-21, 2023


What’s Swamp Story About?

This is hard to summarize, really. Which is part of the beauty of the book.

Most of the characters in this book aren’t what you’d call likable. They’re not really villains or antagonists, they’re just…people you don’t want to spend time with in real life, people with more greed/ambition than common sense (or decency). There are a couple of guys living in a cabin in the Everglades trying to assemble enough footage for a reality show pilot (basically, the good-looking one of the pair walking around shirtless interacting with native wildlife). Their weed dealer owns a failing convenience store/bait shop and has a “so stupid it just might work” plan to put his family’s store on the map. There’s a would-be talent agent (or just anything to ride the coattails of his buddy who happens to make a little money). Oh, and there’s a lawyer and a cabinet secretary/presidential aspirant, too—can’t forget them.

On the villainous side, there’s the weed dealer’s supplier—a former football player who is still large enough to intimidate active linemen who will not tolerate missed deadlines. Two ex-con brothers who are the textbook definition of nasty are also running around. There’s also an Eastern European gangster and some of his employees from the old country who should make everyone quake with fear.

On the likable side, you have the shirtless would-be star’s girlfriend and mother of his child (who really regrets ever giving him the time of day, no matter how pretty he is). The weed dealer’s brother who really needs something to motivate him to do more than play games on his phone, might have found that motivation in her. You’ve also got a couple of aides to the secretary, who really need a better job. An alcoholic ex-reporter desperate to make a buck is just what the weed dealer wants for his idea. I can’t forget either the aging TV reporter desperate to cling to her former relevance or the champion snake hunter.

Put all these characters in a small geographic region, throw in a large amount of buried Confederate gold and a couple of viral videos, shake well, and serve. Swamp Story is the result.

This Book Could’ve Been Shorter

Around the 70% mark (I’m keeping it vague because I don’t know how it’ll go in the final edition), a couple of the characters have an exchange that essentially goes along these lines:

Character A: I hope nothing else happens.
Character B: What else could happen?
Character A: …

and then there’s a map showing the immediate vicinity and some of the major buildings/landmarks of the story, making it very obvious that, based on what we know, all the characters are really near each other and that the likelihood of them running into each other in the very near future is pretty high. The reader will not be able to look at this map and not start imagining how all that running into each other is going to go.

I made a note at this point, that Barry could’ve ended the novel at that point—that exchange, the map, and the reader’s imagination—and it’d have been a fun and satisfying read.

However, odds are, your imagination isn’t as good as Barry’s is (mine sure isn’t), and as zany as I thought things were going to get from this point, the truth was far zanier. His conclusion to the novel (not just the immediate every character and storyline coming together in one spot, but everything that followed) was better than any of the ideas I came up with (and I liked most of my ideas a lot).

Still, there’s part of me that wishes he’d left things with that line and the map. I’d have laughed hard at that.

So, what did I think about Swamp Story?

I really enjoy reading Barry’s novels, and Swamp Story is no exception. It’s a different kind of humor (largely) than Barry’s columns or books, but it’s just as satisfying. I’d want to say that it’s more subtle, but that’s not true at all. There’s more character-based humor, and some of it’s the dialogue—which strikes you differently than the straight humor pieces he’s best known for.

Now, that said, there’s a scene at the beginning—involving a rich child’s birthday party, a couple of costumed performers, and a difficult-to-crack piñata, that absolutely cracked me up and I’ve been replaying it in my head since I read it—it’s perfect slapstick.

Putting aside the humor, all the story arcs worked really well and I can see toned-down versions of all the arcs working well together in a grim version of this story. I’ve argued recently that a good test of a comedic novel is if the plots would work without the laughs—in this case they largely wood. But they’re so much juicer and more enjoyable in this comic and heightened versions.

There are genuine bad guys, some actual threats, several characters in search of a good idea,* and a couple of people you hope catch a lucky break and escape from everything they’re surrounded by relatively intact. Throw in some good laughs, and some clever writing, and you’ve got yourself a fun few hours of reading. That’s likely what the reader looks for in a Dave Barry novel, and that’s what Swamp Story delivers. Strongly recommended.

* Apologies to Pirandello.

4 Stars

Disclaimer: I received this eARC from Simon & Schuster via NetGalley in exchange for this post—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

A Few Quick Questions with…Harry L-B

By

On April 13, 2023

In A Few Quick Questions With...

I talked about Harry L-B’s debut novel, Billy in Space, earlylier today, and am now very pleased to bring you this Q&A with the author!

Let’s start off by introducing yourself to the readers—talk about your background, path to publication, etc.
My background is in theater. Outside of my day job, I’ve spent the last ten years writing and performing on stage in small venues around Milwaukee. Before Billy in Space I hadn’t actually thought about writing a novel. Writing plays or sketches always felt easier, because they didn’t necessarily have to be that long, and the actors do half the work for you. Billy in Space was my first attempt at a novel during a NaNoWriMo, and I loved the world and story I created so much that I decided to try publishing it.

Before I dive into Billy in Space questions, do you want to plug your webseries? Where’d this project come from?
I would be happy to plug Space Station-19. SS-19 was a project born out of the pandemic. My partner and I were both stuck at home, feeling isolated and bored like everyone else. With all that time on my hands, I decided to turn those feelings into a funny cartoon about a couple of blue collar workers on the edge of space. I wanted to make something that I could produce on a regular schedule, so each episode was only about a minute long and reused the same set and props as much as it could. Right now the show is on an indefinite hiatus while I tie up some other projects, but I’m proud of the 80-ish episodes we have so far, and have plans for future installments down the road. If your readers are interested in a bite-sized mashup of early RedvsBlue and Futurama, they should check it out.

All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to writing it? Was this something that was originally intended for Space Station-19, but ended up needing to be told somewhere else? Or did you set out to do something in a new medium?
The idea for Billy in Space actually started out as a video game. It was originally a sort of 2D riff on Dead Space, but as more ideas about the world and story popped up, the more I wasn’t sure I could pull it off as a video game. As to how it relates to Space Station-19, Billy in Space was actually done way before SS-19. It was just my first novel, so taking it from first draft to something I’m comfortable with people reading took a very long time.

I like to find someone other than the protagonist to focus on in my Q&As, and I have to ask about Boris here. Maybe I’ll be proven wrong, but I think he’ll be overlooked by most readers, who’ll fixate on Billy, Andy, Alice, and Janet. Do you actually know his backstory, or is it something you just kept inventing layers for when the opportunity arose? Have you thought about using him as a protagonist for something—or do you think he’s most effective (and funny) as a secondary character?
Boris is one of those characters that started out more as a device than a person, and slowly took shape as he had more interactions with the other characters. Some of my favorite characters in other media are the ones that the audience never really gets to know outside of the weird one-liners that paint a progressively weirder and weirder picture of their life outside the story. Because of that I don’t know that Boris can ever be a viewpoint character, since the comedy comes from that mystery, but that doesn’t mean he can’t grow and change. He could certainly be more of a focus, or even a protagonist if he shows up in later stories, we just probably won’t see the world through his eyes.

How do you approach humor in your stories? Do you work to maintain a balance between it and the action/tension? Does it come naturally? Do you have to come back on a later draft and insert or delete jokes to get it right?
I think every story should be at least ten percent comedy. Humans are naturally funny, oftentimes in reaction to difficult or even terrifying scenarios. Leaning into those natural human reactions, and heightening the stakes and absurdity of what those humans are reacting to is how you get to comedy. Or you can string some funny words together. That always makes me giggle.

It’s pretty clear that you’re into Science Fiction and humor—are there other genres you want to try in the future? Do you spend much time reading/watching other genres, or is SF primarily your thing?
If I had a favorite thing to write it would certainly be scifi-comedy, especially when it leans at least a little into space-horror. That being said, I do have another very early draft of a novel which is a riff on old adventure paperbacks, and I have had an idea for a more traditional fantasy novel that I’d like to get to one day. As for what I read, I am a sucker for most things with spaceships, but I also enjoy reading horror and fantasy. Bonus points for anything that also gets me to laugh.

Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like Billy in Space?
Billy in Space shares a genre with Will Save the Galaxy for Food, so if you enjoy Yahtzee Croshaw’s work, I bet you’d like it. I’d also compare it to Meddling Kids, for its mix of horror and humor. On the strictly scifi-horror side of things, if you liked the novels Dead Silence, The Luminous Dead, or any of the recent Alien novels I bet you’d enjoy it.

What’s next for Harry L-B, author? More novels, or are you thinking of trying a different medium next time?
I would like to get some more novels out there, specifically some that build on Billy in Space`, but up next might be a few video games. I was just at the Midwest Gaming Classic telling people about my first game, I Wouldn’t, a short, silly-horror escape room type game. After that, my next project will probably be a game that shares a world with Billy in Space and Space Station-19. I’ve started working on it, but it’s in its very early stages at this point, so nothing specific to say right now. If you’re at all curious, be sure to follow me on youtube (HarryLBonYoutube), as you’ll hear more about any of my upcoming projects there first.

Thanks for your time—and thanks for introducing me to Billy, Boris, and the rest. I had a great time hanging out with them.

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