Ross Poldark by Winston Graham: A decent read, but it’s not for me.

Ross PoldarkRoss Poldark

by Winston Graham
Series: The Poldark Saga, #1


Paperback, 379 pg.
Sourcebooks Landmark, 2015 (originally published 1945)

Read: December 27 – 28, 2018

Ross Poldark, the scandalous son of a minor land-owner, comes back from serving the Crown in the War for American Independence to find his father dead, his estate in disrepair, and the woman who he’d hoped to wed engaged to someone else (a formerly close friend, actually). Understandably, he’s about to throw in the towel on life, but instead he starts putting things together.

He bullies his fathers’ (and now his) servants into getting to work restoring the house and lands, and hires some new help and even rescues a poor little girl being picked on by some nearby children and brings her into his house as a kitchen maid. He has to fight and then pay off her abusive father for the privilege, but does so. He takes care of his tenants, and is soon seen as half-one of them half-landowner. He starts a new mine with some other people in the area, doing a lot to help the local economy.

There’s some legal drama, a touch of medial as well, a malicious criminal presence, too — but it’s hard to take any of these seriously, and they are all dispatched quickly. In fact, that’s pretty much par for the course for everything — a problem arises and is resolved soon. There’s no real book-length plot to this novel — there’s no central or driving conflict. You might be able to make the case that it’s a story of Ross finding contentment and/or happiness after the way his homeland welcomes him. But I’m not sure I can buy that.

There is just so much wrong with the love story involving Ross that I’m not going to touch it. I get that it’s a different time, different standards, and everything, but he’d be locked up today for what happens — and rightly so. Frankly, all of the romances are a bit . . . off. Nothing that Austen would touch, for sure. One of the Brontë sisters might have, though.

This book feels like someone was convinced the only proper kind of book for a British person to write is one that Austen, a Brontë, or Dickens could have written — so he combined the three influences into one. But Graham isn’t one of those. He’s a passable writer of limited imagination. Every so often he’ll write a passage — a small paragraph to a page or so in length — that strikes me like he’s realized he hasn’t done anything “writerly” for a bit and dashes something off that fits the bill. Then he gets back to his usual story telling for 5-10 pages until he repeats the process. This isn’t to suggest he’s a bad writer, it’s just usually decent prose with odd splashes of flair.

It’s hard to describe any of the characters except in reference to Ross — and would end up spoiling a lot of the book to do so. I found them all relatively two-dimensional and without a lot of growth or development. What change there is in most of them is hard to believe, or at least happens off-screen and without explanation. The maid that Ross brings in is the easiest to see grow and develop, and we almost get a real sense of who she is — but I’m not sure I can say that.

Ross Poldark isn’t a bad book — but there’s nothing about it that grabbed me. I did grow to be a bit interested in two of the characters, and was pleased to see things go well for them. I’m not driven to pursue things to the next book much less eleven more, however. I can see the appeal — I think — that this book and/or this saga would have for some, but it’s not for me. But for people who like semi-romantic historical epics, you’d be well served by trying this. I probably sound more negative than I really am — I’m more indifferent than anything else.

—–

3 Stars
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4 Comments

  1. I think I gave up after book 2 when it was obvious that love dramafests were going to be a thing. They are definitely not my thing…

    • Am I wrong, was there an overall plot? Some sort of character arc that I missed?

      • I think this series qualifies as “Family Drama” so there doesn’t have to be a plot. Just the life of The Family and all its attendant drama…

  2. Sorry you didn’t get hooked on Winston Graham’s Cornwall. I first read “Poldark” before it was called that (the original title was, if I remember right, “The Rebel” – they changed the titles of the first two books after the first PBS series was such a hit.

    If you refuse to read stories about an older saturnine man who falls in love with and marries a much younger girl who adores him, often in his employ, that cuts you out of “Jane Eyre”, “Rebecca”, most of the Regency romance novels starting with Georgette Heyer, and probably dozens more classic reads that are not at my fingertips right now. This was a time when young girls were routinely married off to old men for reasons of money, property, or lineage – the scandal was that Ross married the girl out of his class, not out of his age group.

    I admit, I first read the books after getting hooked on the first series. The first six books are the best, and it was these that were first serialized. The next five focus more on the young Poldarks, and their issues never quite generated as much steam (which is probably why the TV series did not go on.) It seems the current series will go on past the first six books curious to see how it works out.

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