Category: Ace Atkins

Robert B. Parker’s Cheap Shot by Ace Atkins

Robert B. Parker's Cheap ShotRobert B. Parker’s Cheap Shot

by Ace Ace Atkins
Series: Spenser, #42

Hardcover, 320 pg.
Putnam Adult, 2014
Read: May 12 – 14, 2014

For 25 years or so, I’ve been a huge Robert B. Parker fan. Read everything I could get my hands on by him — mostly multiple times, even when the quality started to drop out and you could never tell which Parker you were going to get — the one that was close to his former greatness, or the guy who showed up, got his scheduled time in on the book and moved on with life. Even at his worst, there was always something to enjoy in his work — even if it was only a snippet of dialogue or a line or two of description.

As I’ve said before, when Dr. Parker died at his keyboard and they called in this Ace Atkins guy (had never heard of him), I was happy but cautious. Would he be able to pull it off? Would he sound like Parker without doing a cheap rip off? But I liked what Atkins did. So much that I waited a year to review Lullaby, and I haven’t reviewed Wonderland yet (spoiler alert: loved it. Always wanted a Henry-centric novel) — I just didn’t want to geek out and just go fanboy all over them — I wanted to reflect on them some before discussing them (I’m choosing to ignore what I thought about Silent Night: A Spenser Holiday Novel for now). But with Cheap Shot, I’m throwing caution to the wind, and will just talk about it now. And yeah, I’m all Fanboy.

On the one hand, this is not Atkins’ best Spenser. But it’s the one that feels like Parker more than the rest (make of that what you will). The banter, the poking around and stirring things up until you get a break, the fisticuffs, the donuts, the gun fight, the needling of underworld players, and so on — he captures Parker’s voice and pacing better here than he’d managed before (yet doesn’t come across as pastiche). Spenser’s sniffing around the big money and big boys (and a few men) in sports, which serve as a good place for Spenser to reflect how men are to act. Parker did this Mortal Stakes and Playmates (and to lesser extents elsewhere — like Early Autumn), and Atkins is able to do that here (arguably he does so with a subtlety that Parker didn’t achieve).

Kinjo Heywood’s a fun character — slightly more grounded than Mortal Stakes‘ Marty Rabb, far more mature and grounded than Playmates‘ Dwayne Woodcock. One advantage Heywood has is his son, Akira (who’s plenty of fun on his own) — he has someone to provide a good example to, and he strives to. Heywood also seems to have thought ore about life and how one should live it. Marty seemed to think only about Linda (his wife) and baseball, Dwayne was all about his girlfriend (Chantel) and basketball, too — but with less self-examination, it’s just that’s all he had the chance to think about (although Chantel would see that changed, and his horizons broadened if she had anything to say about it). Heywood’s got a kid, he’s been through a divorce, and is fully aware of his place in the limelight (including social media) and his own shortcomings. This alone saves the book from being a reworking of Parker.

I should add that Sixkill has a lot of perspective here (with the assistance of Atkins’ own background in football) — he was close to Heywood’s level, and if he’d made one or two better choices, he would’ve been at this level. He has a better idea what’s going on in Heywood’s mind than Spenser and his brief stint in the boxing world would.

The book begins with Spenser doing bodyguard duty — and as always (Stardust, Looking For Rachel Wallace, A Savage Place, Rough Weather) things don’t go well. You’d think people’d stop hiring him for this kind of work. Spenser turns to investigating — and unearthing lie after lie from his client — while getting Hawk and Sixkill to pitch in on the bodyguard front.

In addition to the main characters, Hawk, Susan, Sixkill, Tony Marcus, and so on; Atkins continues to show a command and familiarity with the impressive gallery of supporting characters in the Spenser-verse (although my gut tells me we’ll never see Atkins’ Spenser crossing paths with anyone from Paradise, Mass.). And the new characters fit into the ‘verse just fine, nothing that Parker wouldn’t have created. One character who started off the novel being opposed to Spenser’s hiring and further involvement with the case came around pretty quickly — and really without warning. I’m not sure that change was warranted by the text (and even if warranted, it was really easy for this guy to come around to Spenser’s side.)

Not only did Atkins give us a good story this time, he appeared to be planting and/or watering seeds for future books at the same time — something Parker never bothered with, but I’m glad to see (if only because it indicates Atkins plans on sticking around).

This one’s getting 5 Stars from me. May not be the best book (or one of the best) that I’ll read this year — but it made me happy, made me want to read more in this series (both prior to and post- this one), made me want to read the next non-Spenser Atkins novel more. And that’s good enough for me.

Next time, Mr. Atkins? Paul. We need to see Paul again. Please?

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5 Stars

Dusted Off: Robert B. Parker’s Lullaby by Ace Atkins

Robert B. Parker's Lullaby (Spenser, #41)Robert B. Parker’s Lullaby

by Ace Ace Atkins
Series: Spenser, #40

Hardcover, 320 pg.
Putnam Adult, 2012

I held off reviewing this last year so I could think about it some — I was afraid I’d be too influenced by the newness of Atkins’ take on Spenser, or maybe just a reflex fanboy reaction.

So I read it again this weekend in preparation for Robert B. Parker’s Wonderland, and am so glad I did. Atkin’s has captured the essence of Parker’s word — he’s not quite as good as classic Spenser (Valediction and before), better than most of what followed Small Vices — he’s the next-best thing to having the man himself. The plot is a bit more intricate, the descriptions are fuller — the font is smaller! — which definitely makes it meatier than Parker’s later work.

You can tell Atkins is a fan, and there’s a hint of fanfic about this — Atkins gets to play with characters he’s been reading for years. And who could blame him? Especially as well as he does it.

So glad that Atkins has picked up this mantle, hope he carries it for a good long while.

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4 Stars

The Broken Places by Ace Atkins

The Broken PlacesThe Broken Places by Ace Atkins
Series: Quinn Colson, #3
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My rating: 4 of 5 stars

I remember reading a review of one of the new Jesse Stone author’s books, where the reviewer wished that Atkins had taken over Stone as well as Spenser, wondering what that would’ve been like. Well, I don’t think we need to wonder–Quinn Colson is Atkins’ Jesse Stone.

The catch is, Colson’s Jericho, MS isn’t Stone’s Paradise, MA.* It’s poorer, everyone knows everyone’s business, everyone’s — criminal and not alike — a bit more open about everything (to an extent); and everything seems bleaker — more hopeless — more real?

I’d say something like how the stakes haven’t been higher for Colson and his county, but that’s pretty much a given — Atkins keeps upping the stakes, the tension and the action each time out. The violence — at least the scale of it — is toned down here. It’s a sign of skill and confidence that, Atkins doesn’t feel compelled to have major armed confrontations in each novel. In addition to three escaped convicts coming to Colson’s county, there’s a recently pardoned murderer trying to show that he’s worth the pardon (despite a lot of warranted cynicism from Jericho’s citizenry). Naturally, the escapees have unfinished business with him — and are going to do whatever they can to make him hold up his end of the bargain.

Oh, did I mention that Colson’s troubled sister is romantically involved with the newly pardoned man? Yeah, there’s plot complications a’plenty there. Throw in other personal and political storylines that have been building and developing since the first book, and there’s a good deal for Colson and his associates to deal with.

What’s best about this — both daring and inventive — is throwing a natural disaster in the middle of the action. It keeps the story from playing out as the reader expects, creates hurdles for all the characters, and gives a couple of people the chance to show their true colors.

I have no idea how Atkins is going to pull off the next book — at least I hope he limits it to one book, some writers might stretch it out — the fallout from this one is going to be messy. But I can’t wait to read it.

—–

* And Colson’s a better soldier than a cop, and…it’s not a perfect analogy. Roll with it.

Dusted Off: The Lost Ones by Ace Atkins

Well, while I enjoy my time in Tibbehah County, Mississippi with The Broken Places, figured I’d dig this one out of the archives

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The Lost Ones (Quinn Colson, #2)The Lost Ones by Ace Atkins
Series: Quinn Colson, #2
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My rating: 4 of 5 stars

Atkins’ has left me cold with his Nick Travers series and I’m still trying to figure out how positively I feel about his take on Spenser (pretty sure it’s very), but there’s no doubt that this series about Quinn Colson just plain rocks.

This time, Colson’s been elected to sheriff, but he’s still learning the ropes, still more soldier than cop. He and his childhood friends (now mostly employed by Colson) have a lot to deal with: a recent Afghan war vet running drugs, a Mexican drug cartel, a child-abusing/selling family, not to mention a few more federal agents than Colson’s comfortable with. Plus a bunch of personal stuff (current and past), and the corrupt local government that Colson started wrangling with last time out.

Tense, fast-paced, morally murky…Atkins has really nailed this. Can’t wait for the next one.

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