Her Last Move by John Marrs: This Thriller Left Me Feeling Gobsmacked and Awestruck

(that’s too tiny to read, sorry, click here to embiggen. There are a lot of great writers here — you’re going to want to check out those other posts.)

Her Last MoveHer Last Move

by John Marrs

eARC, 352 pg.
Thomas & Mercer, 2018
Read: November 8 – 12, 2018

           The very fact people were talking about him and taking him seriously was proof he was on the right path. But branding him a serial killer was lazy. Serial killers and psychopaths murder out of compulsion, he reminded himself. They do it because they have no choice. He killed with purpose. And eventually, everyone would understand why.

This is one of those books that I’m not going to do justice to. I know that now, and if not for the deadline of posting in a few hours, I’d probably walk away now and come back daily for until next Tuesday and post something I don’t like. But I do have that deadline, so I have to post something I’m not satisfied with in a few hours. I just like this one so much; and have so much that I want to say, but won’t because it would ruin your experience, that I know I’ll want a couple of mulligans to this post.

This starts off with one of those chapters we’ve all read too many times — a budding serial killer is preparing to make his first kill and is indulging in some interior monologue beforehand. This is where we start to get an understanding of the character, why he thinks he needs to be killing, why he’s so wonderful/special/different. But this chapter isn’t quite that — and by the time you realize this isn’t following the standard template, Marrs has his hooks in you — and this book is off to a startling and bloody start.

DS Becca Vincent is a young detective just trying to get somewhere in her career — it seems that her superiors, including (infuriatingly enough) women, are holding her back because of her devotion to her daughter. Not that her mother considers her that devoted as she’s doing most of the hands-on care while Becca is at work. She’s in the crowd when the first killing happens and is the first police presence at the scene. She also is the first to tie that victim to another murder victim. She leverages this into a spot on the investigation team, where she hopes she can make enough of a difference to lead to more responsibility in the future.

The first thing she’s assigned to do is to go over the CCTV tapes with a “super-recogniser.” I don’t know if this is a real thing or not, and don’t care. It works really well in this book — these are a select team of people with near-eidetic memories for faces who spend every shift pouring through security footage for faces — either to track down suspects or identify people who are near too many crime scenes to chalk up to coincidence. We meet DS Joe Russell as he recognizes a suspect on the street while riding a bus and chases him down. Becca meets him in less exciting circumstances — a dirty squadroom in a less-than-impressive looking building. She doesn’t buy the concept originally, but Joe wins her over pretty quickly.

The investigation doesn’t move quickly, there’s a lot of manpower put into it (more and more all the time), but progress is slow. A friendship develops (not without a few bumps) between Joe and Becca much more quickly, and they clearly work together well.

The killer’s spree does move quickly on the other hand. He has a plan, he’s been developing it, nurturing it, and getting it ready to carry out for a very long time. He’s spent years setting up these dominoes and when he knocks the first over, the rest fall quickly. As we watch him do that, we learn what shaped him throughout his life into the monster he’s become. Nothing that happens to him justifies what he’s doing — nothing could — but it helps the reader understand him, and empathize with him to a degree (until he gets to a certain point and you can’t empathize with him anymore).

The book is full of sincere and devoted professionals trying to get the job done in the best way to protect lives and stop the killer — we focus on a couple of them, but they’re clearly all over the place. Unlike the people on TV, these professionals have family, friends, medical issues, children, pasts, problems and joys outside the job who will distract from and inform their performance on the job. Watching Becca and Joe unsuccessfully balance these parts of their life (particularly given the pressures as the number of bodies rises) is just one of the things that Marrs does right. Come to think of it, you can say the same thing about our killer (for most of the book anyway). I’m really impressed at how much genuine tension and drama Marrs is able to mine from this.

Each death is increasingly horrific — seriously, these are some of the most gruesome murders I’ve read. Each reveals more about the killer and what’s driving him. The reader (as we have more information than the police) will put the pieces together before the Becca and Joe do. But when things start to click for the police, they’re able to figure things out quickly. It’s a very satisfying moment — the question is, do they figure things out in time to save anyone on the killer’s list?

I’ve never read Marrs before — but I will again. There’s not a wasted word in these 352 pages, not a throwaway line, useless exchange. My notes are filled with “Is he going somewhere with ____?” and “There’d better be a pay off to ___” Every time, without fail, I could’ve gone back and added the page/line that demonstrated he was going somewhere with that idea or paid off that observation. Even in my favorite reads of 2018, there are moments we probably don’t need — most of which I’m happy to have — lines, ideas, scenes that could be cut without hurting things. That’s not the case here — anything you read here is important, even if (maybe especially if) it doesn’t seem so.

I’m not sure how this would hold up to repeated reading — a lot of thrillers don’t. And I haven’t had time to try this one, but I think it’d hold up pretty well, if you’re not distracted by wondering what Marrs (or his characters) are up to, or what’s going to happen next, etc. you can focus on all the subtle little things he’s doing to create the anticipation and tension, and appreciate the skill involved in grabbing the reader and putting them through the paces.

This will suck you in, keep you entertained through the paces of the investigation, and lull you into thinking you know how things are going just long enough for you to get complacent so he can drop the floor out from underneath you. Marrs makes bold choices and will catch you off-guard at least once — I can practically guarantee that. This is one of those books that will lead you to shirk responsibilities at home and work; postpone things like eating and sleeping; and momentarily resent your family for interacting with you — particularly the last thirty percent or so (although you might have to might have to take a quick break to absorb what you just read or catch your breath). One of the best I’ve read this year — I hope you give this a shot and I bet you’ll agree.

—–

5 Stars

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided — as well as Thomas & Mercer and the fine folks at Netgalley for the eARC.

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BOOK SPOTLIGHT: Her Last Move by John Marrs

Today I welcome the Book Tour for the fantastic Her Last Move by John Marrs. Along with this spotlight post, I’ll be giving my take on the novel here in a bit (assuming I can come up with something more coherent to say about it than “kermit flail.gif GORUNOUTANDGETTHISRIGHTNOW!!!!”).
(that’s too tiny to read, sorry, click here to embiggen. There are a lot of great writers here — you’re going to want to check out those other posts.)

Book Details:

Book Title: Her Last Move by John Marrs
Publisher: Thomas & Mercer
Release date: November 8, 2018
Format: Paperback/ebook/audiobook
Length: 352 pages

Book Blurb:

She’s chasing a killer. He’s watching her every move.

He hides in the shadows, waiting for the perfect moment. Each kill is calculated, planned and executed like clockwork.

Struggling to balance her personal and professional life, young DS Becca Vincent has landed the biggest case of her career—and she knows that it will make or break her. But she can’t catch the culprit alone. Together with facial recognition expert Joe Russell, she strives to get a lead on the elusive murderer, who is always one step ahead of them.

Time is not on their side. The body count is rising, and the attacks are striking closer and closer to home. Can Becca and Joe uncover the connection between the murders before the killer strikes the last name from his list?

About John Marrs:

John MarrsJohn Marrs is the author of #1 bestsellers The One (soon to be made into a film with Urban Myth Films), The Good Samaritan (shortlisted for the Dead Good Reader Awards 2018), When You Disappeared, and Welcome to Wherever You Are. After working as a journalist for 25-years interviewing celebrities from the world of television, film and music for national newspapers and magazines, he is now a full-time writer.

Her Last Move is dedicated to John’s late father, Charlie, who was a police officer for 25 years.

Follow him on Twitter @johnmarrs1 Facebook: @johnmarrsauthor Instagram: @johnmarrs.author website: johnmarrsauthor.co.uk

Social Media:

Twitter ~ Facebook ~ Website ~ Instagram ~ Amazon Author Page

Purchase Links:

Amazon UK ~ Amazon US ~ Waterstones ~ BookDepository


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided — as well as Thomas & Mercer and the fine folks at Netgalley for the eARC.

The Twisted Web by Rebecca Bradley: A Great Hook and Subtle Storytelling Make for a Compelling Read

The Twisted WebThe Twisted Web

by Rebecca Bradley
Series: DI Hannah Robbins, #4

Kindle Edition, 277 pg.
2018
Read: November 9 – 10, 2018

‘So, he talks about crime online and is murdered and left to be found in what is made to look like a crime scene?’ Ross asked, clarifying the situation in his own mind. A situation we all needed to get our heads around.

‘That appears to be the gist of it, Ross…’

I can’t come up with a plot summary as succinct as that, no matter how hard I try. As far as hooks go, they don’t come much better than that. This is my second Rebecca Bradley novel, and it’s the second one with a killer hook. In many ways, a killer hook — like knowing — is half the battle.

It’s up to DI Hannah Robbins and her team to find this murderer, and from the get-go, the cards are stacked against them. To begin with, social media was aware of the body before the police were (despite the number of CCTV cameras in the area the body was dumped), and Twitter was demanding action. Which means — like in so many aspects of society today — the pressure on those seeking to do the work in a professional, careful manner works against them. The online mob (and the politicians that fear getting on their wrong side) demand instant action, instant results and instant justice. Good police work rarely gives you instant anything.

Robbins’ team is in a little bit of flux at the moment — they have a relatively new DCI, who isn’t thrilled with the makeup of the team and doesn’t trust Robbins’ leadership (possibly not her ability at all — I’m not sure) as well as a newish DC who has started to prove herself (but is still trying to); they’re short a vital member due to a recent heart-attack; and Robbins herself is recovering from an injury and isn’t quite herself while being distracted by some family drama. But like any good team of professionals, they band together, adapt and get to work. I can easily see versions of this book where the internal problems distract the team from the investigation enough that the killer strikes again (which doesn’t mean that the killer doesn’t strike again here, but it’s not for this reason).

Robbins seems to do a pretty solid job running things, using her personnel and herself efficiently and wisely — from this particular armchair, the procedural part of this novel is the way things are supposed to go. No maverick detective bucking the system, going their own way, or bending any rules of evidence. How many “police procedurals” can claim that? Through that careful, ticking every box kind of approach — the stuff that Rebus can’t be bothered with, Bosch only gives lip service to, and Peter Grant submits to (grumbling the entire way) — Robbins team gets the job done. Not that serendipity doesn’t play a role, but that happens.

While delivering on that front, Bradley gives us a lot of really good character moments and subtle emotional beats. The observations about witnesses trying to insert themselves into things, the effect that a crime can have on the family of a victim, what goes on in a postmortem, and so on — elevated this from merely a solid procedural. (not that there’s anything wrong with a solid procedural)

One death permanently changed the life of many people.

Those affected by a murder often felt as though their life had also been taken once a loved one had been snatched so ruthlessly. But a court, should a murder ever go to trial, only ever counted one life. The media only counted and reported on the one life. Investigating the murder, you soon came to realise it was a hell of a lot more than one life. You don’t live in a vacuum. You are more than yourself in the world.

There were a couple of times, however, that she ruined the moment (well, diminished it greatly) by following a nice bit of description and showing us what was going on by following it up with an unessential and clunky sentence telling us what she’d just shown. Displaying a little more trust in her readers would help things. But overall, I was really impressed with the way she described the thinking and emotions behind the actions of her characters — even the tertiary ones.

Her characters are fully-developed and well-rounded. Even many of those we meet for only a few paragraphs. I’m a newbie to this series, but by the end, I thought I had a pretty good handle on almost everyone in Robbins’ world, as well as the killer and their family. That’s not easy to accomplish in a book like this that really had a lot more going on than just the murder inquiry. I really want to find out how things progress with a few of these people, and would jump on book five in this series tomorrow if it were available for that reason alone (well, okay, December — but only because I’ve got the rest of this month tightly scheduled).

I spent most of the novel annoyed by how much time we were spending with the killer — typically, novelists don’t pull this part off well, or at least with enough value added to make it worth my while (and several novelists and novels that are my favorites have this problem). Getting his perspective on the reaction to his crimes and on the official investigation didn’t seem to add much to the book, and took time away from the more interesting characters and actions. Because, really, almost all of his reactions were what the reader would’ve guessed if Bradley hadn’t given us this. But, I have to admit by the end, Bradley made almost all of it worthwhile — it was some pretty clever plotting on her part and a subtle bit of character work — and turned what was a weak point (for me, not for others) into a strength.

I was impressed with Dead Blind when I read it a few months back — but this The Twisted Web is so much better. Maybe because she’s had more time to create this world and knows her characters better, maybe it’s just the world she’s created. Either way, this book has insured that I’m going to be on the lookout for whatever she’s doing next (and, time permitting, I’ll grab the first three in this series). The Twisted Web delivers it all — some reflection on the driving forces behind our contemporary culture (and a well-deserved critique!), a solid police procedural, a villain with a credible motivation, a crime spree one can actually imagine happening, a couple of legitimate surprises, and human characters (as opposed to cardboard cutouts or stereotypes) driving it all.

—–

4 Stars

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT (and unauthorized Giveaway): The Twisted Web by Rebecca Bradley — and

Today I welcome the Book Tour for the gripping and throught-provoking The Twisted Web by Rebecca Bradley. Along with this spotlight post, I’ll be giving my take on the novel here in a bit. At the end of this post, there’s a giveaway, too. But let’s start by learning a little about this here book, okay?

Book Details:

Book Title: The Twisted Web by Rebecca Bradley
Release date: September 17, 2018
Format: Paperback/ebook
Length: 401 pages

Book Blurb:

A social media shaming. A killer with a message. A deadly combination.

When the body of a man is left in the city centre set up as a realistic police crime scene, DI Hannah Robbins is forced to enter a world that can break a person, a case and a reputation.

Social media platforms light up and Hannah is pitted against the raging online monster and a killer who has already lost everything.

Can she catch the killer and put him behind bars or will she become part of his sadistic game?

About Rebecca Bradley:

Rebecca BradleyRebecca is the author of four novels in the DI Hannah Robbins series, Shallow Waters, Made to be Broken, Fighting Monsters and The Twisted Web as well as a standalone thriller, Dead Blind.

She lives with her family in the UK with their two Cockapoos Alfie and Lola, who keep Rebecca company while she writes. Rebecca needs to drink copious amounts of tea to function throughout the day and if she could, she would survive on a diet of tea and cake while committing murder on a regular basis.

After 16 years service, Rebecca was medically retired from the police where she finished as a detective constable on a specialist unit.

Rebecca now runs a consulting service where she supports crime writers in making sure their fiction is authentic so they can get on with telling a great story. You can find details of that HERE.

Rebecca Bradley’s Social Media:

Twitter ~ Facebook ~ Website ~ Instagram ~ Amazon Author Page

Purchase Links:

Amazon UK ~ Amazon US

GIVEAWAY

At the last moment, I decided to add a Giveaway for this book. I’m not that creative, and I don’t want to bother with setting up a Rafflecopter or anything, so we’ll keep this simple. In the next 48 hours (check the post for the time — Mountain Daylight Time zone), leave a comment on this post — include the name of your favorite fictional police officer/detective, and make sure I can get in touch with you somehow. I’ll draw two names for an electronic copy of this book (format of your choosing).

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

The Green Viper by Rob Sinclair: A strong, twisty thriller that will satisfy

I’ve fixed the html on this post a dozen times, and each time I hit “Update,” things get screwy again. I don’t understand what’s happening, but I can’t fight it anymore. If it looks messy, sorry about that, just move on to the body, and I’ll try again after work today.

The Green ViperThe Green Viper

by Rob Sinclair
Series: James Ryker, #4

Kindle Edition, 326 pg.
Bloodhound Books, 2018

Read: November 2 – 3, 2018

This is the fourth James Ryker novel, but the first I’ve read. This leaves me at somewhat of a disadvantage — but not an insurmountable one. Someone from his past reaches out to him — in an unconventional manner — for some help. Janet Campbell, the widow of the man who trained Ryker, who molded him into the intelligence agent/assassin he’d become is worried about their son and wants Ryker to step in for his sake.

Now, I don’t know if the series has featured Campbell or Charles McCabe (her husband) before — it’s not unheard of for a thriller to introduce an old, dear friend mid-series just to get the protagonist involved in something. I’m sure if they were around early on, returning readers were invested right away. But if this was their first appearance in the series, Sinclair introduced Campbell in such a way that it worked for me as a hook — I was invested because of Campbell more than because of Ryker.

Scott Campbell really never connected with his father, and his life has gone in a very different direction. He was an accountant at a prestigious London firm until recently, leaving under a cloud. He and his girlfriend, Kate Green, left England to get away from that cloud and moved to New York City for a fresh start. Well, mostly fresh. Kate’s father, Henry Green, is a fairly notorious criminal and nightclub owner. To make a little money, Scott does a few odd jobs for Henry (while Kate dreads Scott’s participation in her father’s business). Those odd jobs grow more serious as Green begins to trust him more.

Which is precisely the thing that Janet Campbell is worried about. So, enter James Ryker — a former intelligence officer between gigs. Once he arrives in NYC, he spends some time surveilling Scott and Kate to see what exactly is going on, and then he goes all-i to try to extricate them from the dangerous position that Scott has put them in. Which is a lot more dangerous than Ryker knows, as another drug dealer tries to move in on Green’s turf, and the FBI are preparing to make a few arrests.

What follows is exciting, tense, fast-paced and full of more surprises than I expected. Okay, that sounds like a tautology — with a book like this, you expect a few things to occur that you don’t expect (whatever that might end up being). The Green Viper gave me more of those things that I didn’t expect. A couple of them were pretty big surprises, too — so more and of greater magnitude than I expected.

The characters were well-drawn, but they all could’ve been a bit more three-dimensional. No one that we spent much time with at all was exactly two-dimensional (thankfully, I’ve had too much of that lately), but they all could’ve had a little more. By and large, for a thriller with this many moving pieces the characters were either as well-drawn as you might assume to meet, or a little better. Still, I want more. Characters are what hook me more than anything else in a book, and these were good enough, but I wanted more. Particularly Ryker — he’s the title character, and I really don’t think I know much more about him than I do any of the other characters (I might know Scott the best), and that doesn’t seem right.

The other thing I would’ve liked more of was the actual work done by Ryker. Not just him showing up where Scott doesn’t expect him — but how he got there, why he decides to show himself to Scott then. For example. From Finder to Child to Sharp and beyond, it’s the mechanics of their intelligence work that draws me in as much as the fight scenes or whatever. Sinclair is good at delivering the big moments — gun fights, chase scenes, and the like. But he could do better with the smaller moments — trailing someone, deciding to follow this line of investigation or reasoning. I guess you could say the story’s strong, it just feels like he has to many ellipses in it — let me see more of the connections between the moments.

Basically, I’m saying that I enjoyed the book — but I thought Sinclair could’ve given his readers a little more of everything. It was a good novel, but with a little more it could’ve been really good. The pacing is good, you get drawn in and the story really doesn’t let you go. I technically spent 2 days reading this, but about 80 percent of that was in one sitting — If I’d put off starting by a day, it would’ve been a one-sitting kind of book — start it, get sucked in and ignore the world until the bullets stop flying and the smoke clears. A very satisfying way to spend a couple of hours.

I enjoyed this book, the characters and the world Sinclair has created. Might I have had more appreciation for some of this if it weren’t my first Ryker novel? Sure. Am I curious enough about what I read to come back in book 5 (or go back to books 1-3)? Yeah, I think so — Sinclair’s a capable author and he’s got himself a fun world to play in. You should give this one a try — or one of the earlier books — and I’m willing to bet that you’ll end up agreeing with me, Rob Sinclair’s James Ryker is an action hero worth your time.

—–

3 Stars

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: The Green Viper by Rob Sinclair

Today I welcome the Book Tour for the action packed The Green Viper by Rob Sinclair. Along with this spotlight post, I’ll be giving my take on the novel here in a bit.

Book Details:

Book Title: The Green Viper by Rob Sinclair
Publisher: Bloodhound Books
Release date: November 5, 2018
Format: Paperback/ebook
Length: 326 pages

Book Blurb:

I need your help. Call me.

Ex-intelligence agent James Ryker receives a coded message through a secret drop point, a means of communication known only to him and one other person. The problem is, that person is his ex-boss, Mackie… and he’s already dead.

But the cry for help is real, and it’s a request Ryker can’t refuse.

Travelling to New York alone and without official sanction, Ryker has a single goal in mind, yet even he couldn’t have bargained for the violent world he’s soon embroiled in. Caught in the middle of a spiraling chaos, with the FBI on one side and warring underworld bosses on the other, Ryker must put all of his skills to the test in order to come out on top and keep his word.

In a world full of lies and deceit, loyalty is everything, and it’s time for James Ryker to pay his dues.

About Rob Sinclair:

Rob SinclairRob is the author of the critically acclaimed and bestselling Enemy series and James Ryker series of espionage thrillers. His books have sold over half a million copies to date with many reviewers and readers having likened Rob’s work to authors at the very top of the genre, including Lee Child and Vince Flynn.

Rob began writing in 2009 following a promise to his wife, an avid reader, that he could pen a ‘can’t put down’ thriller. He worked for nearly 13 years for a global accounting firm after graduating from The University of Nottingham in 2002, specialising in forensic fraud investigations at both national and international levels. Rob now writes full time.

Originally from the North East of England, Rob has lived and worked in a number of fast paced cities, including New York, and is now settled in the West Midlands with his wife and young sons.

Rob Sinclair’s Social Media:

Website ~ Facebook ~ Twitter ~ Goodreads ~ Amazon US ~ Amazon UK


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

Some quick thoughts on Lethal White by Robert Galbraith

Lethal WhiteLethal White

by Robert Galbraith
Series: Cormoran Strike, #4

Hardcover, 647 pg.
Mulholland Books, 2018
Read: September 19 – 26, 2018

I just don’t have the patience or energy to give Lethal White the kind of post I want to. So let me be brief — this picks up minutes after the end of Career of Evil and we spend a few pages with Strike and Robin trying to have an actual conversation at her wedding. It almost goes well, but between Matthew, her family, Strike’s drinking . . . yeah, well. It was a good start.

Then eleven months and change fly by and we get to the thick of the novel (pun absolutely not intended, but very fitting), so let’s cut to the Publisher’s Blurb to sum that up.

           “I seen a kid killed…He strangled it, up by the horse.”

When Billy, a troubled young man, comes to private eye Cormoran Strike’s office to ask for his help investigating a crime he thinks he witnessed as a child, Strike is left deeply unsettled. While Billy is obviously mentally distressed, and cannot remember many concrete details, there is something sincere about him and his story. But before Strike can question him further, Billy bolts from his office in a panic.

Trying to get to the bottom of Billy’s story, Strike and Robin Ellacott–once his assistant, now a partner in the agency-set off on a twisting trail that leads them through the backstreets of London, into a secretive inner sanctum within Parliament, and to a beautiful but sinister manor house deep in the countryside.

And during this labyrinthine investigation, Strike’s own life is far from straightforward: his newfound fame as a private eye means he can no longer operate behind the scenes as he once did. Plus, his relationship with his former assistant is more fraught than it ever has been-Robin is now invaluable to Strike in the business, but their personal relationship is much, much trickier than that.

The most epic Robert Galbraith novel yet, Lethal White is both a gripping mystery and a page-turning next instalment [sic] in the ongoing story of Cormoran Strike and Robin Ellacott.

If by “most epic Robert Galbraith novel yet,” they mean the longest, well, yeah. That’s certainly the case. Wow, this thing was long — you can argue bloated, even. At the same time — while lamenting the week it took me to get through this — I don’t know what I’d cut if given the opportunity. Everything I’ve thought could be lost, can’t be without ruining something else. It’s real a testament to Galbraith’s skill that there’s really nothing wasted, everything sets up something else.

But man, I wish that wasn’t the case. And, yeah, fill up the comment section with how I’m wrong about that, I’m more than willing to be convinced.

But what makes all of the work worth it? The scenes where Strike and Robin work together, think through things together, or even just talk like friends together. In short — Strike and Robin together. It doesn’t happen enough — and, honestly, there’s some sloppy, soap opera-ish machinations keeping that from happening the way it should (well, okay, the way I want it to). I honestly don’t care one way or the other if they ever get together (as inevitable as it seems) — I just want them working together.

The other great thing is the way that the events of Career of Evil have impacted Robin and the way she’s reacting to that impact. I don’t want to say more, but I loved this.

Lastly, the nature of the murders at the core of the book stand in sharp contrast to some of the murders in earlier Strike novels. Some novelists get stuck in a rut and all the murderers/motives/methods become variations on a theme — each one more extreme than the previous. Galbraith dodges that here, and that pleases me a lot.

There’s a lot more that could be discussed — and I hope others do (or inspire me with a comment to do so). Good mystery, good character development (some well overdue), I enjoyed all of the characters, etc., etc. But I’ll leave it at that — I’m glad we got another book, and am looking forward to the next already. I just hope it’s a little leaner.

—–

4 Stars