Category: Science Fiction Page 2 of 26

Clearing the Deck II: Tweet-length thoughts about books I can’t find time to write about

I did this back in January 2020, and need to do it again.

I frequently mention how looming Mt. TBR is getting for me, but what’s worse is my “To Write About” pile, I know I’m never going to catch up with that properly and it bugs me to no end. But in the interest of something being better than nothing, a dash of realism, and a heavy dose of self-care, I’m cutting myself some slack. So I’m clearing the deck of everything from 2020-2022 that I haven’t made time for. This was painful to do, I was looking forward to writing about most of these, and I have so much that I want to say. But I’m just not going to get to them—and other books are starting to pile up, too. So, in 144 characters or less, here’s me cutting myself some slack.

How bad am I at keeping up with my To-Write-Titles? I put together the list of books for this post in January 2023. And am just now getting to it. I wish that was a joke.

(Click on the cover for an official site with more info)

Battle Ground
5 Stars
Battle Ground by Jim Butcher
I just can’t talk about this one yet. I need more time. (yeah, they’re fictional characters, but I’ve spent too long with them to not be reeling)
Desert Star
3.5 Stars
Desert Star by Michael Connelly
Loved it while reading it. But I have more and more questions about all of it the longer I think about it. Not Connelly’s best but well worth it
Dead Ground
5 Stars
Dead Ground by M. W. Craven
Not a typical Poe and Tilly case, just as good and gripping as the rest though.
The Posthumous Memoirs of Brás Cubas
3.5 Stars
The Posthumous Memoirs of Brás Cubas by Machado de Assis, Flora Thomson-DeVeaux (Translator)
A strange and somewhat humorous look at a ghost’s POV on his life. I want to read it a few more times to really get a handle on it. Heckuva read
Nightwing: Year One Deluxe Edition
5 Stars
Nightwing: Year One Deluxe Edition by Chuck Dixon
If there’s a better Nightwing writer out there, I’d like to see it. A great, great, great telling of his origin.
Mythos
3 Stars
Mythos by Stephen Fry
Drags a little. Wish he could pick a tone for his retellings/commentary on the classic stories. Still, it’s Stephen Fry talking—worth the time.
Heroes Mortals and Monsters, Quests and Adventures
3.5 Stars
Heroes: Mortals and Monsters, Quests and Adventures by Stephen Fry
See above, but felt it dragged a bit more.
Teen Titans Beast Boy
3.5 Stars
Teen Titans: Beast Boy by Kami Garcia,
Gabriel Picolo (Penciller)

A solid, believable update of Gar Logan’s backstory. Very promising follow-up to the Raven book. Really impressed with Picolo.
Beast Boy Loves Raven
3 Stars
Teen Titans: Beast Boy Loves Raven by Kami Garcia,
Gabriel Picolo (Penciller)

Bring the two together and it’s even better. I’m curious about the overall story, but would read just them being awkward together. Like the art.
Missing Pieces
4 Stars
Missing Pieces: A Kings Lake Investigation by Peter Grainger, Gildart Jackosn (Narrator)
The Murder Squad tackles a cold case and is as excellent as ever. I don’t know how to talk about this series w/o being redundant. I want more!
Junkyard War
3.5 Stars
Junkyard War by Faith Hunter, Khristine Hvam (Narrator)
This was utterly fine. A lot didn’t go the way I expected. But I’m still in this series for the long haul.
The Dime
4 Stars
The Dime by Kathleen Kent
One of the best first chapters ever. The rest is pretty good. Not sure I buy the motive for the murders, nor that I want to see what comes next.
City of Crime
3.5 Stars
Batman: City of Crime by David Lapham
If you buy (I can’t) Batman losing sight of his mission, this story about him recovering it is great. If you can’t…well, it’s pretty good.
Bluebird, Bluebird
5 Stars
Bluebird, Bluebird by Attica Locke, J.D. Jackson (Narrator)
A stunning work of fiction. Words fail me. A deeply compromised Texas Ranger tries to solve a potential hate crime and keep his job.
Flynn (Audiobook)
5 Stars
Flynn by Gregory McDonald, Donald Corren (Narrator)
I expected the Fletch narrator for some reason, but Corren won me over in minutes. One of my favorite novels of all-time. Great audio version.
Son of Fletch
3.5 Stars
Son of Fletch by Gregory McDonald, Dan John Miller (Narrator)
Oh, I wanted to love this. But I just liked it. I’ll probably hear Miller in my head anytime I read Fletch in print.
Fletch Reflected
3 Stars
Fletch Reflected by Gregory McDonald, Dan John Miller (Narrator)
This is not the way the series should’ve ended. Some fantastic moments, but not sure it was worth it. Miller was solid as always.
Last Couple Standing
4 Stars
Last Couple Standing by Matthew Norman
Norman’s best female characters (to date). Stupid premise, but it almost convinces me to like it by the end. Lots of great moments.
Weakness Is the Way
3.5 Stars
Weakness Is the Way: Life with Christ Our Strength by J.I. Packer
Packer’s great on 2 Corinthians and what Paul tells about weakness as a way of life for the Christian.
The Monster in the Hollows
3 Stars
The Monster in the Hollows by Andrew Peterson
I’m not sure I loved the way the story went in this one, but I grew to appreciate it. Characters are still great.
The Warden and the Wolf King
4 Stars
The Warden and the Wolf King by Andrew Peterson
Whatever my misgivings about the last one, this was the right way to end the series. Just what I wanted (if mildly predictable)
Deathstroke: The Professional
3 Stars
Deathstroke, Vol. 1: The Professional by Christopher J. Priest
I prefer the version Wolfman and Perez initially told about his origin, but this ain’t a bad version. And I see why it was necessary. Good ’nuff
There Goes the Neighborhood
1 Star
There Goes The Neighborhood by S. Reed
I stopped working with a book tour company because they wouldn’t let me be honest about this book ever. So I won’t be. Loved ALL of it. <3<3<3<3
Percy Jackson's Greek Gods
3 Stars
Percy Jackson’s Greek Gods by Rick Riordan, Jesse Bernstein (Narrator)
If Percy Jackson edited D’Aulaires’s book you’d get this. A great way to introduce the myths to young readers. Bernstein is a spot-on Percy.
Percy Jackson's Greek Heroes
3.5 Stars
Percy Jackson’s Greek Heroes by Rick Riordan, Jesse Bernstein (Narrator)
See above, but with heroes.
I Will Judge You
3 Stars
I Will Judge You by Your Bookshelf by Grant Snider
If someone looked into my brain, took all of my ideas and feelings, and improved them, you’d get this book. But only one-third as good as this.
All These Worlds
3.5 Stars
All These Worlds by Dennis E. Taylor, Ray Porter (Narrator)
Taylor and Porter are unbeatable together. This is funny (duh), and the grief and sadness are real. As is the anger. Is the ending too easy?
The Fellowship of the Ring
5 Stars
The Fellowship of the Ring by J.R.R. Tolkien, Andy Serkis (Narrator)
Serkis nails the narration (as you’d expect). Is there a better first book of a series in Fantasy?
The Two Towers
4 Stars
The Two Towers by J.R.R. Tolkien, Andy Serkis (Narrator)
Serkis is tremendous here. This whole book is ridiculously good.
The Return of the King
5 Stars
The Return of the King by by J.R.R. Tolkien, Andy Serkis (Narrator)
One day the pacing on this won’t surprise me. The book gets better every time. Serkis was phenomenal.
Annihilation Aria
4 Stars
Annihilation Aria by Michael R. Underwood
Found family stars in this fun, space opera about archeologists fighting an empire.
The Cartel
5 Stars
The Cartel by Don Winslow
The best of the trilogy. Shocking. Moving. Gripping. All-too-real—if you told me this was non-fiction, I’d almost believe it. A true classic.

My Favorite Non-Crime Fiction of 2023

2023 Favorite Non-Crime
Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s typically almost 40% Crime/Thriller Fiction, the rest of fiction is around 30% combined. This is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own.

When it comes to this particular list of favorites this year, it was harder than I expected. I got it down to 17 with relatively no problem. But trimming those last 7 was difficult. I waffled a bit—and considered a top 15, but I talked myself out of it and have a list of 10 favorite non-Crime Fiction Novels of 2023 that I really like. Hopefully, you will, too.

As always, re-reads don’t count—only the works that were new to me.

(in alphabetical order by author)

Chain-Gang All-StarsChain-Gang All-Stars

by Nana Kwame Adjei-Brenyah

My original post
If there’s a book I’ve recommended more frequently this year, I can’t think of it. I’ve also bought more copies of it to give away than any other. At the core, this is a satire and critique of the American culture–particularly as it relates to sports, mass entertainment, and (most importantly) the carceral system. Pitting convicted felons against each other in gladiatorial fights-to-death, selling merch featuring them, turning them into Reality TV personalities between bouts…Adjei-Brenyah holds up the worst of the US to look at.

It’s a book about death—violent death at the hands of violent people who only hope to go on so they can kill again—However, in a serious way the book is really about life. It’s a celebration of life, a call to protect it, a call to see it for what it is. It’s a reminder that “where life is precious, life is precious.” It’s impossible to read this without being moved–perhaps to action. But it’s also a visceral and exciting read that can entertain you without forcing you to think deeply about what it wants you to.

(I don’t know why I knocked it 1/2 a star at the time…I can’t think of a reason for it now, but…)

4 1/2 Stars

Partial FunctionPartial Function

by JCM Berne

My original post
This has none of the socially redeeming characteristics of the above book. But it does have wuxia-inspired magical martial arts, super-powered dinosaur-like monsters, a John Wick/Bryan Mills character if played by Michelle Yeoh, and snappy dialogue. It’s a story about a retired warrior who gets back to work so she can rescue her kidnapped daughters and the wake of destruction that follows (a mighty wake it is, too). And it’s just fun from beginning to end.

5 Stars

The Perception Of DollsThe Perception Of Dolls

by Anthony Croix, Edited by Russell Day

My original post
I did an inadequate job of describing this book and what I was blown away by in 15 paragraphs. There’s no way I’m going to manage it in the 1-2 paragraphs I give myself for this.
I’m dazzled by this book. I was hooked to an extent I’m not used to. I was captivated. I was (at least momentarily) obsessed with it. That’s worn off in the 50 weeks it’s been since I’ve finished, but it would take me no more than 5 pages of a re-read to get back to that. This is a recounting of one investigative reporter’s look into a triple homicide and attempted suicide in a home, the paranormal research that occurred in that home decades later, and the very strange (to put it mildly) things that happened to everyone involved in both of those things.

Russell Day takes you on a ride that you will find difficult to articulate (which is fine, he does a fine job of it on his own) and that will linger in the back of your mind for a long time.

5 Stars

The Hero InterviewsThe Hero Interviews

by Andi Ewington

My original post
The child and sibling of heroic adventurers, Elburn Barr, has taken a different path in life—one fit for someone with his particular set of skills (or lack thereof). He is a Loremaster—no spells, weapons, or danger for him, thank you very much. At this point in his life/career, Elburn has set out to understand what makes a hero tick—what is it that drives them, what early influences molded them, how do they keep going on? Does it vary from type to type? Are Barbarians made of different stuff from a Cleric or a Thief? What about a Ranger or a Wizard? In addition to interviewing various leading examples of each type of hero, he talks to non-heroes, too. Like a farmer whose farm was saved(?) by some heroes from a dragon, the curator of a hero museum, people who run/design dungeons, etc.

This is a novel trying to look like a series of comic episodes/scenes/lines. It takes a while to see the plotlines emerge—it really does seem to be a light-hearted look at D&D clichés, stereotypes, tropes, etc. at the beginning—but eventually, you start to see the story arcs emerging and even start to see the protagonist grow and develop. That’s something I didn’t expect to see when I started reading this because I did think it was just a series of comedic bits. It’s hard to tell if Ewington is more interested in telling a story or making his jokes—in the end he gives you enough of both that the question is academic.

4 Stars

Not PreparedNot Prepared

by Matthew Hanover

My original post
Hanover’s fourth novel is the first to have a protagonist outside of their 20s, and the added maturity pays off. While this book is at heart a Rom-Com, the romantic story takes a backseat to the love story between the girl who needs a family and a bachelor who didn’t expect one. There’s still plenty of “rom”, and a good amount of “com” of a handful of stripes (particularly when it comes to a single man being thrust into dealing with a young girl at the cusp of puberty)—but there’s a lot more, too. Told with Hanover’s trademark wit, charm, and grace—prose that moves so smoothly you don’t realize how long you’ve spent sucked into his book. The emotions are real and grounded—both positively and negatively. His depictions of anxiety really impressed me, and there are scenes that got me choked up.

4 1/2 Stars

An Inheritance of MagicAn Inheritance of Magic

by Benedict Jacka

My original post
Any fears anyone had about Jacka’s post-Alex Verus career should have been assuaged by this book. It’s an introduction to a new kind of magic, a new kind of magic society, and a protagonist who is so different from Verus that you wouldn’t guess that Jacka wrote it if you didn’t have his name all over the place. This is kind of the reverse of the Hanover book—Jacka moves on from a mature character who knows his place in the world to one who is immature, unsure of his own abilities, and a complete beginner to the magical society of England (and, presumably, the rest of the world). And Jacka nails all of it. I couldn’t believe how easily I took to this world and I anticipate getting more immersed in it.

4 1/2 Stars

Mrs. Covington'sMrs. Covington’s

by K.R.R. Lockhaven

My original post
The thing with Cozy Fantasy is that the plot comes second (if not tertiary) to things like character and atmosphere. Mrs. Covington’s shines here–it’s such a pleasant, comfy atmosphere that it trumps everything else. A treasure hunt with the staff of the friendliest bar this side of Cheers! might be the plot of this cozy fantasy novel. But the book’s core is kindness, community, optimism, and helping. Also, Nachos. Brought to you in a great fantasy world with a light and engaging voice, Mrs. Covington’s will leave you snug and content.

4 Stars

On the Savage SideOn the Savage Side

by Tiffany McDaniel

My original post
This was just a brutal read. Every time you get a glimmer of hope, a glimmer of a feeling that things might be okay for some of these characters—something snuffs it out. But there’s another source right around the corner. But there’s beauty in the darkness. And a drive to keep persevering shared by the reader and the characters. I wondered more than once why some of them kept trying—but they did. There’s a serial killer on the loose, and a good deal of the plot is about that. But this isn’t about the hunt for the killer or anything like that. It’s a novel about the women who may be his target and their fears about it. It’s also about the rest of their lives—how they got to the point where the killer might be hunting them and what might happen if they get out of there.

Like always, Tiffany McDaniels delivered a book that’s going to stay in my subconscious for a while—lurking there, making me rethink what I read from time to time. It’ll probably stay there until her next novel comes along (Betty‘s been there for a couple of years, and really only was dislodged by this one—and The Summer that Melted Everything is still there all these years later). It’s somber, it’s sober, and it’s difficult to read. But it’s so worth it in ways I cannot adequately explain. It’ll make you think. It’ll make you feel.

4 1/2 Stars

According to MarkAccording to Mark

by H. B. O’Neill
Unlike the first 8 books on this list, I haven’t written anything about this until now. The pitch I was given about the book was, “It’s about a love affair gone wrong and a guy who’s obsessed with Mark Twain who becomes a voice in his head that eventually leads to Twain pushing the fella towards suicide.” I don’t know if this makes it sound appealing to you or not. So let me say this: If Chain-Gang All-Stars is the book I’ve recommended most this year, then According to Mark is in 3rd or 4th place. Given that I read it at the end of November, that tells you how much I’ve been talking about it lately. It’s comic. It’s dark. It’s disturbing (on more levels and in more ways than I can describe). There’s a fantastic and real love story in the center of it. It’s heartbreakingly sad. If you’ve read anything like this before now, I’d be surprised (and I want to know what it is!), but you’re going to want to read this when it’s published soon.

There’s more I should say, but I’m going to do it in a longer format.

5 Stars

Guards! Guards!Guards! Guards!

by Terry Pratchett
I spent some time earlier this fall asking for recommendations to get me to give Discworld another shot—and overwhelmingly, this book was recommended to me. Everyone who did that was utterly correct. It’s one of the best mixes of story and comedy that I can recall reading and I can see after a re-read or two (which it’ll almost certainly get from me) that at least one book in this series within the Discworld series is going to end up in my pantheon of comedic greats. I’m working hard to ensure I get to the rest of these in 2024 because now that I understand what I was missing with Pratchett, I don’t want to miss out any longer.

4 1/2 Stars

The MOST Powerful Christmas by JCM Berne: The Best “Superhero Christmas Story Written by a Jew about Hindus Saving the Holiday” You’ll Read All Year

The MOST Powerful ChristmasThe MOST Powerful Christmas

by JCM Berne

DETAILS:
Series: Hybrid Helix
Publication Date: The Gnost House
Publication Date: December 10, 2023
Format: eBook
Length: 58 pgs.
Read Date: December 9, 2023

“Can I buy you a drink?”

Rohan hung his head and weighed his options. I could give the predictable, yet overly pedantic response, and say, ‘I don’t know, can you?’ But I think I’ve beaten that joke to death. Then brought it back to life and killed it again.

I could also just refuse, but I don’t want to be rude. Do I?

Or I could let this guy buy me a drink and get pulled into some incredibly sad story of tragedy or revenge or something else where only my help can restore justice or protect his species or save his planet and then I wind up losing another eye fighting someone else’s fight.

Hold on, was this guy talking to me in English?

What’s The MOST Powerful Christmas About?

It’s not often that a Christmas story starts with an opening line like that. Particularly not one starring Santa Claus himself. But isn’t it about time that more do?

Santa has been sent to Rohan for some advice. He’s disillusioned with the whole Christmas thing–or at least his role in it. He’s tired of the creed, the commercialization, the spoiled kids getting more spoiled and the poor kids getting very little, if anything. He’s tried drinking, and other non-St. Nick-like activities to help his spirits, but it’s just no use. He even found a Gideon Bible in a hotel room, and that just made it all worse (but provides a good line about Nakatomi Tower).

Rohan realizes that Christmas is in trouble–and hero that he is, comes up with a way to save the day, help out millions of children, and even bring back a twinkle to Santa’s eye and some merriness to his dimples. IF the two of them–and some friends–can pull it off.

The Chimney Explanation (et cetera)

One thing I really appreciate about most modern takes on Santa is the explanations for how he can gain entrance to a home (particularly those with small and/or non-existent Chimneys) and make it to every home in one night. Well, I appreciate the good ones–I get judgemental about others.

I particularly enjoyed the way Berne’s Santa gives Rohan and the rest a peak behind the curtain and spells out his magic. There’s enough logic and science-y gobbledygook mixed in to make it work. It’s playful and yet consistent with the world of Hybrid Helix.

So, what did I think about The MOST Powerful Christmas?

Kris smiled. “You like to make jokes.”

“It’s my one character flaw. Also excessive humility. And counting.”

I’m not saying that JCM Berne is up there with Irving Berlin or Johnny Marks (yet, anyway), but he does fit right in with the number of Jewish writers do a great job of capturing the essence of Christmas.

Ultimately, this is like one of those sit-com Christmas specials where Santa is brought before Judge Harold T. Stone, gets held over for psychiatric care, and strange things start to happen. Or when Tim Taylor and his family hear footsteps on the roof and some bells jingling.* It’s a cute time of holiday cheer and reflection on what the civic holiday means (and how it does/doesn’t match the lifestyle urged by its namesake). Apparently, it is canonical, so completists will want to get their hands on it–I am curious to see how/if anything that happens here shows up in future novel.

* I don’t know if either of those actually happened, but you catch my drift.

Along with the holiday cheer, you get some of that patented snappy-Berne dialogue, which is fun to read no matter the topic, a bit of Rohan in action, and North Pole-inspired ingenuity that’s as good as anything that Sarah Smith/Barry Cook or Clay Kaytis ever produced (Berne’s Santa is worthy of both of them, too). I think I would’ve preferred a little more superhero action “on screen,” but I think it fits better for it to happen off the page to keep the focus on the holiday-antics (also, it would’ve made this a novella rather than a short story).

It’s fun, it’s quick, it’s free…and this time of year, we can all use a little of all three.


3.5 Stars

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Chaos Terminal by Mur Lafferty: Not the Sequel I Expected, but the Sequel we Needed

Chaos TerminalChaos Terminal

by Mur Lafferty

DETAILS:
Series: The Midsolar Murders, #2
Publisher: Penguin Publishing Group
Publication Date: November 7, 2023
Format: eARC
Length: 384 pg.
Read Date: November 3-9, 2023
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What’s Chaos Terminal About?

A contingent of humans is about to arrive on Eternity—a mix of scholars wanting to interact with all the alien races on board, a couple of tourists, a couple of spies, the detective who had Mallory in his sights for years, and the new ambassador to Eternity. Sadly, they arrive at a bad time—Mrs. Brown, the new host for the sentient space station has left for some training on how to be a better host, leaving Eternity functional, but not optimally so. Mallory has been left as the primary contact for Eternity (which only Mrs. Brown and Eternity seem to think was the right choice)—but she’s not quite herself once these humans arrive.

Now, as is wont to happen around Mallory, one of this group is murdered. Something is going on with the Sundry that no one can quite understand. The Gneiss outside of Eternity aren’t happy with what Tina and Stephanie did in the concluding chapters of the last book—and just might attack the station to express their displeasure. Oh, and among the newly-arrived humans are two people Mallory has had zero contact with for years—her High School BFF, Amy, and Amy’s brother, Parker. Parker is Mallory’s long-lost unrequited love, and it’s pretty clear that he’s never really put the torch he carries for her down anywhere.

Adrian

After what happened to him in Station Eternity (and what he did before that), I really thought we were done with the former ambassador, Adrian. Alas, I was wrong—he’s still around. For a guy who’s not a villain or a real antagonist, he’s really unpleasant as a character. I really wish he was something other than “the annoying human on the station.”

He’s toned down a little bit after his recent experiences, but at his heart, he’s still an arrogant twit who doesn’t contribute much of worth to anyone. At least that I can tell. I really hope that now that his replacement is on board he decides to head back to earth.

(or, fine, Lafferty does something really interesting with him in the next book would be preferable to losing him—she really didn’t this time out—but it’d have to be quite interesting not to get on my nerves)

The Killer

I want to start out by saying that I really don’t have sympathy for the killer and think things wrapped up justly for them (that’s a fairly spoiler-free way to put it, I think).

But once it was revealed what led up to the murder—and how things spiraled out of control afterward—I kind of felt bad for them. They were unknowingly wrapped up in things and fell victim to bad assumptions because of that. Yes, their reactions were utterly wrong—but I can understand how they got to the point where murder seemed like a solution. That understanding lasted until they started taking the next steps to cover up the crime and everything that ensued.

I do appreciate that Lafferty set things up that way for the killer—the alien cultures, the intrigue around the killer and the trip to Eternity, and the least-sympathetic murder victim I remember reading this year—help the reader to be ambivalent about the killer’s actions (at least initially). Not enough writers do that.

So, what did I think about Chaos Terminal?

The one thing I wish Lafferty had done differently was the humor in this book. Not that Station Eternity was a yuk-fest by any means, but there was a fairly steady stream of humor throughout—either in character moments, misunderstandings between the aliens and humans, or just the preposterous nature of Mallory’s abilities and what she did with them. The humor in Chaos Eternity was almost entirely centered on Tina. She was a walking, talking (and/or yelling) embodiment of chaos and slapstick. So much so that it started to be too much a few times (but Tina and Lafferty won me over each time I was tempted to give up).

I do wish Xan had a little more to do, too. But he was integral to so much of the plot, but not in an overt way—I remember him playing a bigger role in Station Eternity than he did here. He was almost as important as Mallory before, and he was demoted to the fourth-most integral character. Here’s hoping that’s not a permanent thing.

While I was engaged, very curious, and entertained throughout—I wasn’t having as much fun as I did with Station Eternity and I will admit I wondered if I misjudged the other book. Then two things happened—1. Mallory and Parker had a good conversation where they both communicated* and 2. The killer was revealed. After that (or in the midst of that) everything clicked into place and almost everything that had me on the fence about this book went away.

* There was nothing wrong with the scenes earlier where they failed to actually communicate, both were distracted, unsure if they could trust the other, getting over baggage, and thinking they could delay the conversation.

I did say “almost everything” there. I’m not wholly on-board with everything Lafferty was doing. I really haven’t had as much time to think about this book as I wanted to between the time I finished and the time I wrote this post—I assume that if I had, a lot of what I’m uncertain about would make sense to me. I really don’t understand some of the relationships in this book, why some of the interpersonal conflicts existed, and just why Lafferty decided to take up so much space with all that. However, most of that provided a couple of red herrings—or at least things that distracted Mallory from what she needed to focus on—which was likely a large part of the point. It could be as simple as Lafferty was using everything possible to add to the titular chaos.

None of this detracts from everything that (eventually) worked about the novel, but it keeps me from raving about it. It’s not really what I expected from this sequel—and that’s such a good thing. What happens in the last few chapters ensures that Book 3 won’t be anything like this or Station Eternity. I’m not sure what’s going to happen—nor am I going to bother trying to guess (although it’s probably safe to assume that a new group of humans will visit Eternity and one of them will be murdered). I will trust Lafferty to come through with a satisfying conclusion however.

And, boy howdy, did this conclusion satisfy. Everything was wrapped up fairly nicely—those things that weren’t really only served to set things in motion for Book 3.

As the dust settled with the book’s events—and as the dust settles in my mind about those events and Lafferty’s plotting—I’m left satisfied and impressed with the way it all went down. I had my doubts, but they were quelled and assuaged, leaving me able to say that those who enjoyed Station Eternity would do well to pick this up—more importantly, those who like a good mystery in an even better SF setting, in the years soon following First Contact should grab both books in this series and prepare for something great next year (or so).

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.


4 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Godzilla and Godzilla Raids Again by Shigeru Kayama, Jeffrey Angles (Translator): Obliterating Everything, Incinerate a Renegade

Godzilla and Godzilla Raids AgainGodzilla and Godzilla Raids Again

by Shigeru Kayama, Jeffrey Angles (Translator)

DETAILS:
Publisher: University of Minnesota Press
Publication Date: October 03, 2023
Format: eARC
Length: 256 pg.
Read Date:  September 18-20, 2023
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The Background of Godzilla and Godzilla Raids Again

The movie producer, Tomoyuki Tanaka, brought some ideas (largely adopted from a Ray Bradbury story) to the novelist, Shigeru Kayama, and asked him to turn them into a story for a film. This story, in turn, was developed into a screenplay by Ishirō Honda and Takeo Murata (the director and assistant director) and became the movie Godzilla.

Godzilla was such a success that Tanaka had Kayama come up with a follow-up story, that became Godzilla Raids Again (although Godzilla Counterattacks is a better translation, that’s not what the movie’s title was originally titled in English).

About that time, Kayama was done with the movies and what they were doing to his idea about the monster—but he was helping to launch a series of books for young adult readers and adapted his original ideas for the movies into novellas for that series. These novellas came out around the time of the second movie’s release. Now, they’re being translated into English for the first time.

What’s Godzilla About?

The testing of some nuclear weapons in the Pacific Ocean has disturbed a long-dormant dinosaur/monster. Not only is it now awake, it may have mutated by the bomb(s). Angry and confused, it stumbles onto the Japanese islands and wreaks havoc on the people and cities it encounters.

The beast kills and destroys multitudes and seems invincible to every weapon that the nation has access to. But one scientist has been developing a new kind of weapon, that he doesn’t trust any government to have access to—but he might be forced to unveil it to stop Godzilla.

What’s Godzilla Raids Again About?

It was theorized when Godzilla showed up in the first novella that he might not be the sole monster/dinosaur/kaiju to have been awakened by the tests. A pair of pilots* working for a fishing company stumble upon another Godzilla on an island near Japan—while they’re trying to escape from that Godzilla, it’s attacked by another monster/dinosaur/kaiju, later identified as an Anguirus. The two pilots manage to escape following the fight between the two monsters.

* One of those pilots is named Kobayashi, and any good Star Trek fan knows bad things are about to happen as soon as that name is seen.

They rush back to warn the Anti-Godzilla Task Force who begin to strategize a defense against the monster—they cannot access the same weapon used last time, so they’re going to have to come up with something better, and quickly.

The Supplementary Materials

In addition to the novellas, the book has some additional material—the first (and most useful) is an Afterword, “Translating an Icon,” by the translator (obviously). These 30± pages contained answers to almost every question I had while reading—including a few things that I think would’ve been helpful knowing going into the book (the relation of the novellas to the films, the extent of Kayama’s involvement with the creation of Godzilla, why he published the novellas, etc.).

But there’s a lot of information that I’m glad I didn’t know going in—the critique of the U.S. nuclear testing, why it had to be so subtle, why the films didn’t include it as much as the novellas did, where (and why, sometimes) the films and novellas diverge, and the meaning of some of the more emotional moments. There were points where it was clear that something important or meaningful had happened, but I wasn’t sure exactly what it was—Angles helped a lot.

I guess what I’m trying to say is that in a perfect world (at least perfect for me), we’d have gotten a foreword as well the afterword—but like just about every writer out there, Angles wasn’t writing to satisfy my whims. And as an Afterword, he could really get into spoilers and things it’s best to have explained after the text.

The whole thing was so interesting I could’ve easily read something twice the length (and something tells me that Angles could’ve done that without much effort, it was probably harder for him to leave out ideas and details). The part I enjoyed the most was his discussion of a few translation issues, for example, the excessive (for a contemporary English reader, anyway) use of onomatopoeias throughout the book—but particularly in the battle scenes, or scenes when Godzilla is angry and taking it out on human structures and devices. Those pages read like the Batman TV series from 1966—full of Bams, Pows, and the like. And Angles describes how he cut many of them by translating them somewhat differently. He also discussed how he chose to spell the roars of Godzilla and Anguirus, and I really enjoyed that.

There were some things that he wanted to do a more accurate job of translating, but given the history fans have with the films, etc. he chose to stay consistent with the films, so he wouldn’t have to fend off accusations of bad work from those fans. I absolutely get why he’d make that choice, and feel so bad for him that he had to make it.

I’d noticed that there was a Glossary of Names, Places, and Ideas at the end of the book, but completely forgot to use it while reading the novellas. I don’t know that using it would’ve helped me too much during the reading—almost always the context was clear enough to get the meaning across. But reading it afterward helped clarify a thing or two, but by and large, those were minor details that not knowing them didn’t detract much from the text. The things I really needed (and some I could’ve guessed at) were in the handful of footnotes throughout the novellas. The Glossary was pretty interesting to read, I should note.

So, what did I think about Godzilla and Godzilla Raids Again?

Before I get into this, I want to take a moment to say how cool it was to get to read a book about Godzilla. From the time I can remember this monster has been something I’ve been aware of in some way. The old movies, cartoons about him (and his goofy nephew, Godzooky), the toys, the newer movies, and everything in between. He’s just been one of the coolest creatures in my pop culture awareness—there’ve been few times that I’ve clicked on “Request” so hard on NetGalley. Now, I do have to admit, it’s been decades since I watched the original films—I’m much more familiar with the Gamera movies than Godzilla. So I had to wait until the Afterword to know what was different between what I was reading and what audiences saw in the 50s (it was certainly different enough from the Emmerich movie from 1998, that I remember more of than I want to).

I did think some of the dialogue was pretty stilted, and some of the character reactions seemed overwrought (and some underwrought). It actually reminded me a lot of the Gamera films and other English-dubbed live-action shows/movies I’ve watched—and while reading the book, I frequently thought that I owed those who wrote the scripts for the dubbing an apology—their work felt a lot like Angles’ translation. I don’t think that the dialogue or characterizations damaged my appreciation of the work, it just underlined for me that this is the work of another culture (and another time). So they’d better not sound like native English speakers, and should probably act/react in ways that don’t seem particularly American. What might be slightly off-putting at first quickly becomes part of the charm of the novellas.

The intended audience for these novellas were young adults, and throughout Kayama would insert asides “You may not understand…” or “You’ve probably seen something like…” to help his reader understand what’s going on, or perhaps the feeling behind it. The first time it happened, it was entirely unexpected, but I enjoyed the idea. I liked each successive one more than the last and was disappointed that we didn’t get nearly as many as I’d hoped. I don’t know if this was characteristic of his writing (I suspect it wasn’t), but for these novellas, it really worked.

We don’t see Godzilla right away, and Kayama did a great job of building the tension until we do—he’s there, doing damage and terrifying people, but the reader doesn’t get an idea of what they’re seeing until we’re about one-third of the way through the first novella. As impatient as I was to see the monster myself, I wish he’d been able to hold out a little longer. Now in the second book, we know what Godzilla looks like, so we can skip the build-up and throw him in right away—and then add Anguirus just a couple of pages later.

I found everything about Godzilla more satisfying than Godzilla Raids Again, but the latter was more fun and action-packed. I can see where some might be put off by the not-at-all-subtle messaging of Godzilla, but I thought it fit the story and the need at the time.

The Afterword and Glossary added a lot to my understanding and appreciation of what Kayama was seeking to accomplish and say, lifting the impact of the book as a whole. The novellas on their own would’ve been entertaining and satisfying, mostly as an artifact of another era (see what I said about the dialogue and characterizations)—but the supplementary material added the necessary context and definition to the novellas so that I walked away with a better understanding and appreciation for the book. Don’t skip those bits.

I’ve said a lot more than I expected to—and have only scratched the surface of what I’d hoped to say. So let me cut to the chase—I really enjoyed this experience—fun novellas, a deeper understanding of the creature and the themes the original movie was trying to explore, and a glimpse into Japan of the 1950s. And, once again, it’s a book about Godzilla, do you really need me to say more? I heartily encourage you to check this book up. Now, I’ve got to go track down some black-and-white films.

Disclaimer: I received this eARC from University of Minnesota Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Godzilla and Godzilla Raids Again by Shigeru Kayama, Jeffrey Angles (Translator): Obliterating Everything, Incinerate a Renegade

Godzilla and Godzilla Raids AgainGodzilla and Godzilla Raids Again

by Shigeru Kayama, Jeffrey Angles (Translator)

DETAILS:
Publisher: University of Minnesota Press
Publication Date: October 03, 2023
Format: eARC
Length: 256 pg.
Read Date:  September 18-20, 2023
Buy from Bookshop.org Support Indie Bookstores

The Background of Godzilla and Godzilla Raids Again

The movie producer, Tomoyuki Tanaka, brought some ideas (largely adopted from a Ray Bradbury story) to the novelist, Shigeru Kayama, and asked him to turn them into a story for a film. This story, in turn, was developed into a screenplay by Ishirō Honda and Takeo Murata (the director and assistant director) and became the movie Godzilla.

Godzilla was such a success that Tanaka had Kayama come up with a follow-up story, that became Godzilla Raids Again (although Godzilla Counterattacks is a better translation, that’s not what the movie’s title was originally titled in English).

About that time, Kayama was done with the movies and what they were doing to his idea about the monster—but he was helping to launch a series of books for young adult readers and adapted his original ideas for the movies into novellas for that series. These novellas came out around the time of the second movie’s release. Now, they’re being translated into English for the first time.

What’s Godzilla About?

The testing of some nuclear weapons in the Pacific Ocean has disturbed a long-dormant dinosaur/monster. Not only is it now awake, it may have mutated by the bomb(s). Angry and confused, it stumbles onto the Japanese islands and wreaks havoc on the people and cities it encounters.

The beast kills and destroys multitudes and seems invincible to every weapon that the nation has access to. But one scientist has been developing a new kind of weapon, that he doesn’t trust any government to have access to—but he might be forced to unveil it to stop Godzilla.

What’s Godzilla Raids Again About?

It was theorized when Godzilla showed up in the first novella that he might not be the sole monster/dinosaur/kaiju to have been awakened by the tests. A pair of pilots* working for a fishing company stumble upon another Godzilla on an island near Japan—while they’re trying to escape from that Godzilla, it’s attacked by another monster/dinosaur/kaiju, later identified as an Anguirus. The two pilots manage to escape following the fight between the two monsters.

* One of those pilots is named Kobayashi, and any good Star Trek fan knows bad things are about to happen as soon as that name is seen.

They rush back to warn the Anti-Godzilla Task Force who begin to strategize a defense against the monster—they cannot access the same weapon used last time, so they’re going to have to come up with something better, and quickly.

The Supplementary Materials

In addition to the novellas, the book has some additional material—the first (and most useful) is an Afterword, “Translating an Icon,” by the translator (obviously). These 30± pages contained answers to almost every question I had while reading—including a few things that I think would’ve been helpful knowing going into the book (the relation of the novellas to the films, the extent of Kayama’s involvement with the creation of Godzilla, why he published the novellas, etc.).

But there’s a lot of information that I’m glad I didn’t know going in—the critique of the U.S. nuclear testing, why it had to be so subtle, why the films didn’t include it as much as the novellas did, where (and why, sometimes) the films and novellas diverge, and the meaning of some of the more emotional moments. There were points where it was clear that something important or meaningful had happened, but I wasn’t sure exactly what it was—Angles helped a lot.

I guess what I’m trying to say is that in a perfect world (at least perfect for me), we’d have gotten a foreword as well the afterword—but like just about every writer out there, Angles wasn’t writing to satisfy my whims. And as an Afterword, he could really get into spoilers and things it’s best to have explained after the text.

The whole thing was so interesting I could’ve easily read something twice the length (and something tells me that Angles could’ve done that without much effort, it was probably harder for him to leave out ideas and details). The part I enjoyed the most was his discussion of a few translation issues, for example, the excessive (for a contemporary English reader, anyway) use of onomatopoeias throughout the book—but particularly in the battle scenes, or scenes when Godzilla is angry and taking it out on human structures and devices. Those pages read like the Batman TV series from 1966—full of Bams, Pows, and the like. And Angles describes how he cut many of them by translating them somewhat differently. He also discussed how he chose to spell the roars of Godzilla and Anguirus, and I really enjoyed that.

There were some things that he wanted to do a more accurate job of translating, but given the history fans have with the films, etc. he chose to stay consistent with the films, so he wouldn’t have to fend off accusations of bad work from those fans. I absolutely get why he’d make that choice, and feel so bad for him that he had to make it.

I’d noticed that there was a Glossary of Names, Places, and Ideas at the end of the book, but completely forgot to use it while reading the novellas. I don’t know that using it would’ve helped me too much during the reading—almost always the context was clear enough to get the meaning across. But reading it afterward helped clarify a thing or two, but by and large, those were minor details that not knowing them didn’t detract much from the text. The things I really needed (and some I could’ve guessed at) were in the handful of footnotes throughout the novellas. The Glossary was pretty interesting to read, I should note.

So, what did I think about Godzilla and Godzilla Raids Again?

Before I get into this, I want to take a moment to say how cool it was to get to read a book about Godzilla. From the time I can remember this monster has been something I’ve been aware of in some way. The old movies, cartoons about him (and his goofy nephew, Godzooky), the toys, the newer movies, and everything in between. He’s just been one of the coolest creatures in my pop culture awareness—there’ve been few times that I’ve clicked on “Request” so hard on NetGalley. Now, I do have to admit, it’s been decades since I watched the original films—I’m much more familiar with the Gamera movies than Godzilla. So I had to wait until the Afterword to know what was different between what I was reading and what audiences saw in the 50s (it was certainly different enough from the Emmerich movie from 1998, that I remember more of than I want to).

I did think some of the dialogue was pretty stilted, and some of the character reactions seemed overwrought (and some underwrought). It actually reminded me a lot of the Gamera films and other English-dubbed live-action shows/movies I’ve watched—and while reading the book, I frequently thought that I owed those who wrote the scripts for the dubbing an apology—their work felt a lot like Angles’ translation. I don’t think that the dialogue or characterizations damaged my appreciation of the work, it just underlined for me that this is the work of another culture (and another time). So they’d better not sound like native English speakers, and should probably act/react in ways that don’t seem particularly American. What might be slightly off-putting at first quickly becomes part of the charm of the novellas.

The intended audience for these novellas were young adults, and throughout Kayama would insert asides “You may not understand…” or “You’ve probably seen something like…” to help his reader understand what’s going on, or perhaps the feeling behind it. The first time it happened, it was entirely unexpected, but I enjoyed the idea. I liked each successive one more than the last and was disappointed that we didn’t get nearly as many as I’d hoped. I don’t know if this was characteristic of his writing (I suspect it wasn’t), but for these novellas, it really worked.

We don’t see Godzilla right away, and Kayama did a great job of building the tension until we do—he’s there, doing damage and terrifying people, but the reader doesn’t get an idea of what they’re seeing until we’re about one-third of the way through the first novella. As impatient as I was to see the monster myself, I wish he’d been able to hold out a little longer. Now in the second book, we know what Godzilla looks like, so we can skip the build-up and throw him in right away—and then add Anguirus just a couple of pages later.

I found everything about Godzilla more satisfying than Godzilla Raids Again, but the latter was more fun and action-packed. I can see where some might be put off by the not-at-all-subtle messaging of Godzilla, but I thought it fit the story and the need at the time.

The Afterword and Glossary added a lot to my understanding and appreciation of what Kayama was seeking to accomplish and say, lifting the impact of the book as a whole. The novellas on their own would’ve been entertaining and satisfying, mostly as an artifact of another era (see what I said about the dialogue and characterizations)—but the supplementary material added the necessary context and definition to the novellas so that I walked away with a better understanding and appreciation for the book. Don’t skip those bits.

I’ve said a lot more than I expected to—and have only scratched the surface of what I’d hoped to say. So let me cut to the chase—I really enjoyed this experience—fun novellas, a deeper understanding of the creature and the themes the original movie was trying to explore, and a glimpse into Japan of the 1950s. And, once again, it’s a book about Godzilla, do you really need me to say more? I heartily encourage you to check this book up. Now, I’ve got to go track down some black-and-white films.

Disclaimer: I received this eARC from University of Minnesota Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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GUEST POST: Shaping Smiles with Kay-9 The Robot Dog by J.M. Gulmire

I recently shared a Spotlight for J.M. Gulmire’s MG novel Kay-9 The Robot Dog. Gulmire was kind enough to send along this guest post about the creation of the book. I’ll have more to say about the book soon, but for now, let’s whet our appetite with this bit of behind-the-scenes.


Shaping Smiles with Kay-9 The Robot Dog

Writing is magic. Reading is all about discovering that magic, but getting the words out is quite an adventure.

I learned this after 12 years of writing and submitting work. I played the agent querying game so often you’d think I’d have at least earned some kind of annoyance award. And I have to admit, my first children’s chapter book was a bit off the rails.

I mean how many kids are dying to read about getting A Vacuum for my Birthday?!

But I live with a house full of elves and they wanted to laugh. They like the outlandish and absurd. I’m quite fond of it too so I just kept writing.

Then one day, my favorite impish little elf asked me to write a story about a robot dog. I’d never heard of a story like that so I was all about it. I love dogs and writing, but I didn’t know much about robots, so we started playing with some kits and instead of just writing a story however the words came I sat down and sprinkled some fairy dust on my manuscript.

This helped me to list out what I wanted to happen and how the characters would come to life. I had no idea that an outline could be so shiny, but once it was done I couldn’t stop writing.

I began the story right away and suddenly something amazing happened. No more plot holes, no more hang ups. Everything came together as I sat down at the same time every day. I wanted to let my characters speak for themselves so I talked to them like I would anyone else and their voices called to me from the page.

Before I knew it my elves were reading and laughing at Kay-9 The Robot Dog. We had so much fun that I queried all the agents and papered the indie publishing world with submissions. I’m happy to say that the story got a lot of love. Despite this, the gatekeepers stood over me shaking their heads.

My book was too different, they said.

How could this be? Kids like the weird, the new, the exciting. I knew my story was alive and wagging its tail, just waiting to be loved.

It made me sad to know that so many great books are forgotten before they have a chance to be read, all because someone said, “No.”

I fell into a mystical sleep for a few years, waiting for this awful spell to wear off. Thankfully, when I came to and rubbed my eyes the elves were waiting for me. They patted my back and handed me my book and said, “Make it yourself!”

So that’s what I did.

Kay-9 not only came to life on Sept. 5 this year, the world of claymation sucked me in so I could create fun cartoon shorts to go along with the story. I didn’t need to fly around the world. All I wanted was to make someone smile and maybe start some laughter.

And that’s just what happened. My silly story, Kay-9 The Robot Dog hit #1 in its genre on Amazon and the clay keeps dancing.

Books are silly like that. They live in us every day. We just have to do what we can to properly shape them and share them with other booklovers.

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Eclipse by Herman Steuernagel: A Promising Start

Eclipse_ban.png

EclipseEclipse

by Herman Steuernagel

DETAILS:
Series: Fractured Orbit, Book 1
Publisher: The Fourth Media
Publication Date: February 7, 2023
Format: Ebook
Length: 300 pg.
Read Date: September 4, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Eclipse About?

Django and Mikka are just going about their lives like they have been. They’ve never met—and likely never will. Their lives couldn’t be more different. But because they’re the primary characters in this book, we know they will at some point.

How does an agricultural specialist from a space station come across the path of a cargo-hauling ship’s captain?

That’s where the rakish, brash, legend-in-her-own-mind, Abigail Monroe, space pirate comes in. Abigail just being Abigail starts a ripple effect that will end up disrupting the lives of these two and maybe even change much, much, much more.

That’s not much of an answer to the question, let’s take a look at it like this…

Django’s Storyline

Django has a life he’s been contented with. Like his family before him—he works on the agricultural ring of a space station, growing food for his fellow residents and creating the fauna that will help rebuild the ruined Earth below. He likes his work—he’s dedicated to his mission (while he knows it will be his descendants who will actually reap the benefits when they can live on Earth again). But his lifelong friend (and he probably would like more than that) Eventide is leaving the agricultural wing. She’s worked her way into a more prestigious job and he’s feeling left behind as she prepares to fully transfer—including moving to a new ring. I’m not convinced he realizes how much it’s bothering him, but we readers can tell.

The day of his sister’s wedding things start to go wrong—first of all, now that his sister’s wed, the pressure for him to settle down is going to move to him. And Eventide’s move is happening, and then…well. Disaster strikes and part of his family dies. At the same time, Django may have seen something that undercuts his entire life’s work and beliefs. Like any good human, he convinces himself that everything’s actually okay and he misunderstood what he saw. But…his uncle isn’t convinced. In fact, his uncle starts to sound like some sort of conspiracy theorist, even talking about getting off the space station. Django didn’t even think that was possible.

Django can’t wrap his head around it all. Between grief and confusion, he’s overwhelmed. Over the next couple of days, things get worse and Django starts to wonder if he should be leaving.

Mikka’s Storyline

Years ago, there was a space pirate named Jax Luana, who enjoyed some renown. Suddenly, she dropped off the map—with a lot of questions and rumors surrounding that. For reasons I won’t divulge, she got out of piracy, and changed her name and appearance. After a couple of lucky breaks, Mikka is able to get a small ship and a partner and takes on small cargo jobs and the like—see Mal Reynolds and his crew on a good day. Her mother has a long-term—probably terminal—disease, and Mikka pours all her profits into her mother’s care.

After running into Abigail Monroe, the tenous life and reputation she’d built starts to fall apart. That’s not true—it crumbles almost instantly. Like Michael Corelone, she’d gotten out and they’ve pulled her back in. Now Mikka has to become the pirate for her own sake as much as her mother’s.

I could be wrong about this, but I think this storyline doesn’t get quite the same space as Django’s—which I get. But it bugs me, because I really wanted the balance to be different. Honestly, I’d have been fine without him at all, with just a book about a pirate who’s gone straight and is having a hard time staying that way.

* Please note that I’m not saying I didn’t like Django or his story. I also think in future books I’m going to enjoy having both of those characters and their stories to follow. I’m just saying this is how much I liked Mikka’s story.

So, what did I think about Eclipse?

This is essentially a “getting the band together” kind of book, we meet all the players for the series (at least many of them), we get an idea of the political/criminal/social forces at work while they near a boiling point, and put our characters in place for the books to come. We don’t get much more than that—and I think that was an error on Steuernagel’s part. It just felt too much like an introduction without any real payoff. I don’t think we needed much more—another chapter or two leading to a cliffhanger of sorts to propel us into the next book would’ve been enough. The novel’s arcs have resolved, we see that longer stories are in the future, and the metaphorical table is set for more to come, but that’s all we get.

Instead of an exclamation point, the book closes on ellipses.

Along the same lines, I have a whole bunch of questions about what happened on the Eclipse that have nothing to do with Django, and everything to do with Eventide. I don’t know if it’d have helped the novel much for Steuernagel to have taken a moment to fill in some details—but I’d have felt better about it (perhaps the storylines in the future will address it, but I’m not holding my breath).

That said. I did like the book, and will close this post by recommending it. I just wanted to like it more.

Django is a great example of a farm boy being yanked out of his pleasant life to get involved in a struggle involving powers and plots well above him that he’s frankly not all that interested in. We know that kind of character so well because they work so well almost every time we see one—Django is going to be great to watch as he grows and is exposed to things he never thought possible. Eventide will be equally great to get to know as a character herself—we essentially know her as Django’s friend and not much else (but there’s more to her, obviously). The same thought applies to Mikka’s partner/navigator Kiara. As I suggested, everything we saw about Mikka was enough to make me want more of her—as she returns to the life of a pirate, but this time with a mission? She’s going to be something great.

As for the agent of chaos, the monkey wrench in the works, the black fly in your Chardonnay, Abigail? I cannot wait to see her in action. In our Q&A, Steuernagel says she gets talked about the most—and I understand that. I want to be one of those who talk about her a lot, but I can’t figure out how to do that without spoiling a lot. Just know that she’s great.

This is a fun novel that really whets the appetite for more—give it a shot, and I think you’ll be as eager for Book 2 as I am.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

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EXCERPT from Eclipse by Herman Steuernagel: A Rescue?

Eclipse_ban.png

from Eclipse by Herman Steuernagel

Chapter 4

Mikka Jenax
The Redemption

“This is taking too long. Why is this waystation so backed up?”

Mikka Jenax paced the bridge of the Redemption, hands behind her back. She was brooding, but she didn’t care. They had been waiting for over an hour, stuck in the queue.

The waystation wasn’t typically a stopping point for regular traffic, which was what irked Mikka the most. If this was the way orbital traffic was going, rum-running through the sector was going to be a nightmare, but it wasn’t as though she had any other career paths laid out for her.

“A wave of leftover debris from the Infinity.” Kiara Ryson strode across the shuttle, assuming her seat in the cockpit. Mikka shook her head as the woman straightened her faux leather jacket and pulled her sunglasses down over her face.

“I know that, genius, but the Syndicate’s had seven years to clean this mess. I’m tired of it backing up the transport corridors.”

“Just sit back and wait it out. We get paid either way.” Kiara’s matching brown boots found their way onto the edge of the console, and she crossed her legs at the ankles and leaned back. With the woman’s short frame, her feet barely reached the panel from the navigation console’s seat.

Agitation coursed through Mikka’s veins, and she couldn’t calm herself enough to sit. Kiara’s laid-back attitude was usually a godsend, an anchor in her spaceport, but right now, with their next round of credits on the line, it was infuriating. Mikka adjusted her own gray jacket and ran a hand through her coarse black hair before reaching under the counter of the navigational console and pulling out a bottle of whiskey.

Might as well enjoy some decent alcohol while we’re waiting. Stars know, there won’t be any once we get to Lunar.

“We’ll get paid for this load,” she said as she poured, “but we’ll be late for the next one. Every hour of delay means credits off our paycheck.”

“And what do you propose we do? There’s a river of debris between the stations we have to navigate around. I’m not about to blow a hole through our engines for a couple chips.”

“I’m not proposing we do anything.” Mikka swilled the drink in her glass, watching as the artificial gravity pulled the droplets against its side, before draining its contents in a single shot. “I just hate sitting around. I’ve got bills to pay.”

“I do too, but you don’t hear me whining.”

“Times are tight. My mother’s not getting any better.”

Pfft.” Kiara waved a hand dismissively. “Times are always tight. You worry too much.”

Mikka bit her tongue as she poured another drink. She sipped this one slowly, allowing the woody taste of the alcohol to coat her tongue and throat as it slipped down. The amber liquid still bore the grit and metallic tint that Lunar whiskey always held, but it was a hell of a lot better than anything she’d find on the moon’s surface. The whiskey’s sharp fire was enough to distract her for a moment, but only barely. They had just picked up a shipment of computer parts and cabbage from Space Dock Eleven—one of their better-paying hauls. But their delivery window was narrow, and the clock was ticking.

If only we could get through this damn debris field.

The space station Infinity had been decommissioned seven years ago. A year later, some Syndicate fat cat decided it was time to put an end to the ghost station’s misery and pushed it into the Earth’s atmosphere, resulting in a series of explosions. Whoever that genius was, they hadn’t accounted for the chunks of metal, plastic, and the stars knew what else had been left behind from the explosion that ripped it apart. Instead of spreading, the fragments that were not drawn into the atmosphere clumped together in a hazardous blob. It usually occupied less frequently traveled paths, but over the past month, it had become lodged in the main transport corridor.

“It’s crazy we still can’t go around. These new space routes are getting on my nerves.”

“Easy, Mikka.” Kiara lifted both hands in a conciliatory motion. “We’ll deliver this shipment, pick up a round of Helium or whatever our next load is, and be on our way again before you know it. You might lose an hour or so of sleep, but no harm done. Chill out now and it won’t matter.”

“Looks like I don’t have a choice, do I?” Mikka slammed her glass down harder than she intended, sending a crack through its side. She grasped her temple between her thumb and forefinger, willing the knots above her brow to melt away. She didn’t have time for setbacks, and she was running out of patience. At some point, life had to throw her a bone.

“Is there any chance we can make up for it by taking a double load back?” she asked, hoping the suggestion didn’t come across as desperate.

“You’re really getting worked up, aren’t you?” Kiara commenced picking at the gunk beneath her fingernails with a nail file. “You know the drill—we can only take back what they’ve loaded up for us.”

The Redemption’s systems beeped and hummed around them, almost as if the ship was eagerly anticipating being allowed to continue on its way.

From where she was standing, Mikka could see a panel light blinking on the communications terminal, beeping in an irregular pattern.

“You expecting a call?” Kiara asked.

“Are you kidding? Who do I know? It’s probably just a patrol announcement.”

Kiara grunted, pulling up the details on her own console. “It’s no patrol. I don’t recognize this frequency.”

“Let’s see.” Mikka pulled up the holo-screen on her own console. The semiopaque projection came to life, hovering above her control pad.

A blinking bar of red lit up, displaying an incoming transmission on a frequency Mikka hadn’t seen used in a long time.

“Whoever it is, they’re using an old pirate channel,” she said. “But it’s one that’s been abandoned for years. The Orbital Guard cracked its encryption, and it’s been useless ever since.”

“Pirates?” Kiara’s tone grew serious for the first time all morning. “One of your old friends?” She stared at the panel, her eyes furiously darting between the readings as if considering whether there was danger in merely answering the hail. She ran her palms through her cropped purple hair. “What are we going to do?”

“Hang on!” Mikka lifted a hand toward her. “It could just be someone else found the frequency. Maybe it’s a wrong number.”

Hilarious,” Kiara said, her arms crossed.

“A pirate wouldn’t use this channel; the encryption has been compromised. If they were after our ship, they’d use a different means of communication.” Just the same, only a pirate or the Orbital Guard would have access to the encryption.

The console continued to chirp.

Mikka sighed and leaned over the nearest terminal, tapping the screen. The face of a young woman was projected above her datapad. Her hair was white and cut short, except for a single silver braid that hung down the side of her face. Blue and green beads were tied within it, along with a smaller pull decorated with a few grubby ship parts, metallic shards, and white stones.

Not stones. Bones.

Through the static-filled feed, it was impossible to tell if the bones were human or animal, though Mikka had a pretty good idea.

The woman’s eyes— a smoky gray—were as mysterious as the rest of her, as was the scar that curved down through the top and bottom of her left eye socket, as though someone had tried to blind her.

The woman stood, strapped in to hold her from floating around a craft with no gravity. It was hard to tell through the haze of smoke that filled the cabin, but Mikka recognized the markings of the woman’s vessel.

An escape pod.

The woman didn’t even flinch as sparks and bursts of flame surrounded her. The image flashed in and out, and it was obvious the feed might not last long.

“Thanks for picking up, love. I presume you’re Jax Luana?”

Mikka caught her breath.

She scanned the woman’s features for a hint of recognition, something that would tie this woman to her old life. Even if the woman’s hair or eyes were another color, even if her scar was gone, there wasn’t anything about her that struck Mikka as being familiar.

Besides, she was too young to be someone from Mikka’s past. She was twenty at most, and no one had dared to call Mikka by the name of Jax Luana in seven years. That would have made the person projected before her thirteen when Mikka had left her old life behind. Even aboard a pirate vessel, thirteen would have been far too young. It was possible she could have come across a youth at a bar or port city, but if that were the case, clearly the encounter wasn’t memorable.

Yet somehow this woman recognized her.

“I haven’t used that name in a long time.” Mikka gritted her teeth, attempting to hide her disdain. She absently pulled a knife from her belt, fidgeting with it to both calm her mind and send a message that she was still someone who wasn’t to be messed with. “My name is Mikka Jenax. Who are you? How did you gain access to this channel, and why are you calling me?”

The woman glanced over her shoulder as a sharp pop sounded from somewhere behind her. Her eyes bulged as, presumably, she located whatever the source of the noise had been. She raised a finger, unclipped her safety restraints, and floated off-camera momentarily.

No gravity plating in those old escape pods. Her ship must have been a relic.

Mikka rolled her eyes at Kiara, but her co-navigator didn’t meet her gaze.

“Ah, yes.” The woman reappeared, the cape she had been wearing now gone, revealing sweaty but well-toned shoulders. “The name’s Abigail. And, well, as much as I’d love to get into specifics—this deathtrap is about to break apart. I’d love it if you could give me a lift.”

Mikka groaned. Bringing an unknown woman aboard would be a risk. The woman clearly had a connection to Mikka’s past—a past she wanted to avoid. And something didn’t smell quite right.

“Not without knowing anything about you. You’re calling me on an old, encrypted frequency, referring to me by a name that has been dead for seven years. Can’t blame me for being skeptical.”

“Let’s just say, I’m both a ghost from your past and a damsel in distress. I didn’t come looking for you, love, but my circumstances have become quite . . . dire.” Another burst of flame erupted behind Abigail’s head. “I think we could come to a mutual understanding.

Great. This is just what I need.

“I gave that life up a long time ago,” Mikka insisted.

“Well, even if that is the case . . . could you at least save mine? I’m quite happy with the one I’ve got.”

Mikka cursed. “How much time do you have?”

She knew this was a bad idea, but there’d be no more lives lost because of her. Not if she could help it.

“Um . . .” Abigail’s eyes darted wildly to the surrounding capsule as she punched a few keystrokes on the pod’s display screens. “I’m actually kinda surprised I’m still here. I’m sending you my coordinates. You’re not far.”

Mikka nodded. “We’re on our way. Ping us again if the situation gets worse—but I can’t promise there’ll be anything we’ll be able to do if it does.”

“Aye, aye, captain.” Abigail gave a two-fingered salute accompanied by an impish grin as the screen faded to black.

Chapter 5

Mikka
The Redemption

“Are you insane?”

Kiara was on her feet, hands on her hips, marching toward Mikka.

Mikka raised an eyebrow. “Oh? Look who’s suddenly interested. You could have spoken up before. You kind of left me hanging there.”

“I didn’t expect you to be such an idiot! You can’t bring a pirate on board! We know nothing about her!”

Kiara turned to the console beside her and pulled up a holographic display. Kiara was a master at navigating the Syndicate network, but she still impressed Mikka with how quickly she had pulled up the profile of the woman on the escape pod.

Mikka’s eyes flashed. “Remember whose ship this is. I make the calls here.”

Kiara ignored her as she scrolled through the entry. “Smuggling. Theft. Conspiracy. Murder! Shit, I’m not ready to die today.”

Whatever sense of indifference Kiara had presented a few minutes ago had now disappeared. Being delayed on a job wasn’t something to get worked up about but letting a fugitive on board was another matter.

Understandably so, maybe, but . . .

“I don’t care who she is,” Mikka said. “I’m not leaving her out there to die. Not when she’s asked for our help.”

Kiara wasn’t ready to back down. “How do you know this isn’t a setup to lure us in? A trap to commandeer our ship?”

“She launched herself into a failing escape pod with the sole intent of hijacking a decades-old refurbished orbital trader? Is that what you think? There are easier, more lucrative targets out there.”

“Stranger things have happened.”

A fair point, but . . . No, Mikka couldn’t think of any legitimate reason why anyone would want the Redemption.

“I know how her type operate,” Mikka continued. “Our current payload isn’t worth the effort or the risk.”

“She knew you were here,” Kiara persisted. “That doesn’t raise red flags for you? She’s obviously learned enough to make you a target.”

And there it was. Kiara wasn’t implying the ship was the target.

I am.

The woman’s words hung over Mikka like a solar storm. “I presume you’re Jax Luana?”

Kiara was right: it did raise red flags. Huge, monumental red flags.

The only two people in the entire system who knew Mikka used to go by that name were her own mother and Kiara. Not only that, but Mikka had also undergone dozens of surgical procedures to alter her appearance, until she no longer resembled the woman Abigail had named.

Be that as it may, though, her mind was made up.

“I’m not leaving her out there to die,” Mikka reaffirmed, punching in the coordinates into the ship’s navigation system. “You can cuff her in the cargo hold until we get to Shackleton City if it makes you feel better, but let’s get her ass out of that pod before we decide what to do with her.”

“Toss her out the airlock—that’s what we should do with her,” Kiara muttered under her breath.

“We’re about ten minutes out,” Mikka said, ignoring the remark. “Hopefully, her pod can hold together until then.”

“It wouldn’t be the worst thing if we didn’t make it.”

Mikka grabbed the cracked whiskey glass beside her and hurled it across the shuttle. It landed squarely against an empty wall panel, shattering under the force of the impact. A million pieces of broken glass spread out along the hard paneled floor.

Kiara’s eyes grew wide with horror.

“What the hell is your problem?” Mikka shouted. “That could have been me in that pod! Do you think I didn’t deserve a second chance? Do you think I should have died with my companions? With my friends? Because if you do, you can find another ship.”

Kiara didn’t respond, instead looking bashfully toward her own console.

“Damn it, Kiara! A life’s a life,” Mikka said, composing herself. “Everyone deserves a shot. If someone hadn’t taken a chance on me, I wouldn’t be here now. Enough of the bullshit.”

Fine.” Kiara held her hands up in mock surrender. “But don’t say I didn’t warn you.”

She picked up an energy weapon—her trusty SC11 pistol—from beside her station and attached it to her belt. “And don’t think I’m letting her out of my sight. I might help save her life, but I’m not above locking her in the holding cell or calling in a patrol.”

“You call in a patrol and you risk exposing me as well,” Mikka reminded her. “I’m taking a monumental risk here. Don’t forget I have sins I need to atone for, and that pirate’s just admitted she knows more than she should. This is still my ship, Kiara; I may have agreed to split our profit for your expertise, but I’m still the one who calls the shots.”

Mikka tapped the projection before her with a few keystrokes. “I’m sending you the coordinates of the pod. The only thing I’m concerned about is making it back in time to hit our window through the debris field. We’ve got thirty minutes.”

“As long as I’m not the one who ends up out the airlock,” Kiara groused, pulling up her own holographic display. “Just promise me you won’t let her talk you into anything stupid.”

“I’ve got a sick mother to worry about. That’s enough excitement for me.”

The Redemption groaned as it propelled into a lower orbit. The crest of the Earth filled the viewport as the ship flew toward Abigail’s position.

Abigail wouldn’t have to worry about the void of space for long: she would soon enter the Earth’s atmosphere, and those pods weren’t made to withstand entry. She’d burn up long before she ran out of air.

“We’ve got to get off the main route,” Mikka said. “We’re not going to make it in time otherwise.”

“Might catch the attention of the OG if we do that,” Kiara warned. “If we get pulled over by a patrol, we won’t make it, either.”

Mikka cursed under her breath. Kiara was right, but she didn’t see they had any other choice. Plus, the woman was slowly becoming a thorn in her side, so she didn’t want to give her the satisfaction of being right.

“We’ll deal with that if it happens.”

Kiara shook her head but didn’t argue.

It didn’t take long before the Redemption’s scanners picked up the solitary pod adrift in the lower orbit, just off the main transport corridor. The gray escape vessel floated among a sea of debris, much of it several times larger than the pod itself. If it hadn’t been for Abigail’s distress call, Mikka would likely have never seen it among the rest of the floating remains, never mind known that there was a person inside.

Her ship didn’t just run into trouble, Mikka realized. It bloody exploded!

Whatever trouble this pirate had gotten herself into was possibly a bigger deal than Mikka had first realized. Orbital attacks weren’t common, especially this close to the planet. If her ship’s destruction was simply a matter of Abigail’s criminal record, there would have been other ways to handle things.

Mikka tapped her communications terminal. “Abigail, we’re descending to your position. Are you still there?”

“I’m here,” the pirate’s voice chirped. “But I’ve lost my video feed.”

“Is your docking equipment functional?” Mikka asked. “Are you able to connect to our clamps?”

“I don’t have any fuel, love. I’m dead in the water. All I’ve got is enough air to see the end of my days as I incinerate in orbit, and enough power to keep this channel open for a few more minutes.”

“All right.” Mikka nodded to herself. “Kiara, how close can you get us to the pod without being ripped apart by the surrounding debris?”

Kiara met her gaze. “Are you doubting me?”

“I’m just asking!” Mikka shot back.

“We can kiss her on the nose if you want.”

“Perfect, but she’ll be coming in the other end. Back her up so we can pull that pod into the cargo bay. I’ll seal it off manually.”

“It’s a good thing we loaded our shipment below deck this round.”

Mikka hit another few commands on her console. “Abigail, we’re going to pull you into our cargo hold. You shouldn’t get banged around too much, but you should probably strap yourself in.”

“Already buckled—and I’ve got nowhere else to go, love. Do what you need to do.

The Redemption shook again as Kiara decelerated, weaving around some of the larger pieces of debris.

“Hang on,” Kiara said. “I’ll get us in, but there’s a lot of garbage here. It could get bumpy.”

As promised, the shuttle rattled and bounced as it slowed. Mikka did her best to hang on as she pulled each of the four toggles that would seal off the ship’s bridge from the cargo bay and braced herself for the inevitable turbulence. The pressurized seal allowed them to release objects into the void of space, but they didn’t typically try to bring objects in. It was an unusual maneuver, but if anyone could pull it off, it was Kiara.

“I’m opening the cargo door now,” Mikka said.

“Reversing engines to overtake the pod,” Kiara replied.

There was a faint whoosh and a crack formed in the wall behind them. The Redemption groaned as she strained beneath the atmospheric pressure. A thud and a couple of shudders told Mikka their task had been successful, even before Kiara reported the outcome.

“And she’s in. Re-pressurizing the cargo bay.”

Mikka let out a sigh of relief. “All right. We’ve got twelve minutes until the waypoint sends us to the back of the line. I’d rather not miss our window through the debris field. Let’s get back and take this shipment home.”

“And hope the Guard doesn’t want to inspect our ship on the way through.”

“They won’t. The gates are backed up enough already.”

As if in response to her promise, the holo-screens and monitors in the shuttlecraft all shifted. Big, bold text in orange and red lit their screens, and a rendering of Abigail’s bust hovered above the panels.

Emergency Bulletin.

Fugitive Wanted. Charges: Theft. Conspiracy. Piracy. Murder.

Abigail Monroe. 10,000 Credit reward.

Mikka caught her breath.

“Spoke too soon. Looks like we won’t need to kill her,” Kiara remarked. “We can just turn her in.”

 


Interested in the rest? Go grab your copy of Eclipse by Herman Steuernagel now at https://www.amazon.com/gp/product/B0B4ZZXSCD/!


My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

BOOK SPOTLIGHT: Eclipse by Herman Steuernagel

I’m very pleased to welcome the Escapist Book Tour for Herman Steuernagel’s Eclipse to The Irresponsible Reader this morning! People have been talking about this book on the tour for a few days now, and you’re going to want to take a peek at what they’ve been saying—check out the details in the graphic below. But today’s my turn, so what do I have in store? In addition to this little spotlight post, I’ve got an excerpt from the novel, a Q&A with the author, I’m even going to work in a Friday 56 post with this Tour Stop, and then I’ll post my take on the novel, too. (I’ll update with links throughout the day for those of you who don’t follow this blog). Let’s start by learning a little about this book, okay?

Eclipse_ban.png

Book Details:

Book Title: Eclipse by Herman Steuernagel
Series: Fractured Orbit
Publisher: The Fourth Media
Release date: February 7, 2023
Format: Hardcover/Paperback/Ebook
Length: 300 pages
Genre: Science Fiction
Intended Age Group: Adult
Eclipse Cover

About the Book

When lies crumble, two lives and an entire civilization teeter on the brink of destruction…

Django had everything he ever wanted… now he’s lost it all.

When Django uncovered an unexpected truth, he didn’t know it would end the lives of nearly everyone he cares about. Left only with his sister, his best friend and an uncle who has some unhinged ideas about what might exist outside of the space station Eclipse, he must follow the truth where it leads – even if it leaves him with nothing.

Mikka can’t escape her dubious past… and now must answer for past sins.

Mikka thought she had left her life as a notorious space pirate behind to care for her ailing mother, but the past comes knocking after her ship, the Redemption, answers a cryptic distress call.

Forced to face a deal she made with the devil years ago, Mikka has no choice but to step back into her old life and make another hesitant pact… with an eccentric pirate.

Django and Mikka’s paths collide as they embark on a journey that will shape the fate of a civilization built on half-truths and the backs of others. Rumors of civil war circulate through the Syndicate’s orbital empire, catching both Django and Mikka in the crossfire — where the stakes are far higher than they realize.

Neither is prepared. Neither is willing. But they will no longer be able to ignore the truth.

Perfect for fans of Red RisingStar Trek and Firefly, ECLIPSE is filled with unwilling heroes, a hidden world, likeable characters, space pirates, a path of discovery and a road to redemption.

See Also:

Dirty Little SecretWhy is the Rum Always Gone?Sympathy for the Devil

Book Links

Amazon ~ Goodreads

Eclipse will be on sale for $0.99 on Amazon and BookBub for the week of the tour, Sept. 3 – 9!

About the Author

Herman SteuernagelHerman Steuernagel is a science fiction and fantasy author. His internationally best-selling debut Lies the Guardians Tell reached the top of the science fiction charts on multiple retailers in the U.K., Canada, Australia and New Zealand.

Herman grew up with a love of story and science fiction, watching Star Trek: The Next Generation with his father. As a teenager he fell in love with The Sword of Shannara by Terry Brooks, and The Wheel of Time series by Robert Jordan.

His currently published works are dystopian science fiction that highlight the struggle between humanity and the technology we keep, as well as the motivations that keep us fighting with each other.

Herman currently lives in British Columbia, Canada, While he’s not working on his next book he can be found cycling, running and dreaming up new worlds.

Twitter ~ Instagram ~ Facebook ~ TikTok

My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials (including the novel) they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

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