Tag: 4 Stars Page 4 of 83

BLOGIVERSARY REPOST: Blood Trade by Faith Hunter

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week.


Blood Trade
Blood Trade by Faith Hunter
Series: Jane Yellowrock, #6
My rating: 4 of 5 stars

Jane Yellowrock is slowly, but surely, becoming a real favorite of mine. In the beginning, she struck me as a fairly generic vampire hunter, with an obnoxious streak and a complicated ethnic/childhood background that was passed off as interesting. Nothing special, but good enough to keep reading.

But lately, I’ve found myself anticipating the next installment. Blood Trade resolved a few dangling plotlines from previous books, developed a couple more, and set the stage for at least 2-3 more books in the series. And while doing so, provided a story with good action, some nice twists, and some genuine heart.

I really, really liked the new characters introduced here — two former classmates of Jane’s back from her Christian school days and the child of one of those classmates. It was good to see Jane through the eyes of people that didn’t primarily know her as a vampire killer.

Jane’s relationship with Eli and the Kid grew in a positive way, and I really like the shape of their relationships, and hope they continue to develop in this fashion.

One thing I hope Hunter improves on — although I don’t see it happening — is the romance front. I couldn’t care less about Jane’s vacillating between various romantic (using the term as broadly as possible here) interests here. It’s tedious, Jane’s usually shown as little more than base desires, and constantly self-sabotaging. If there was some growth there, some change at least, I might feel differently. But Hunter shows no sign of moving off this point, and I bet I’m one of the few who don’t like it. So I need to continue to deal with it.

BLOGIVERSARY REPOST: The Girl with the Iron Touch by Kady Cross

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week.


The Girl with the Iron Touch (The Steampunk Chronicles, #3)The Girl with the Iron Touch by Kady Cross

My rating: 4 of 5 stars

Another fun installment in Cross’ Steampunk Chronicles. As silly as I feel reading a book with the Harlequin Teen logo on it, I really enjoy this series (‘tho maybe I should switch to the ebook edition to protect my rep). Once again, Cross balances a steampunk-y adventure story with strong emotional plotlines, with some fun banter between her characters, making for an addictive read.

This time out the primary focus is on Emily — the technomancer, and on both her personal and professional crisis. Just as it seems she’s making some progress on getting Sam to say how he feels about her, as well as to accept what she did to save his life, she’s kidnapped by a bunch of automatons so she can perform a brain transplant from a very injured scoundrel into a semi-organic android. No really, that makes sense in context.

Everyone else, in one way or another, is dealing with the fallout from their trip to the U.S. (and from the events in the first book), while also trying to find Emily and bring her home safely. Obviously, it’s worst for Jasper, more withdrawn from both his friends and the events in the book as a whole.

Griffin and Finley are also dealing with their relationship’s progress — with all the complications, ups adn downs that such entails. Griffin started dealing with something relating to his power in the States and it’s having a devastating impact on him back home (and in turn, that’s impacting everyone around him), causing Finlay to fret over him. My biggest beef with this book comes from the Finlay/Griffin interactions, which are far too similar to the Emily/Sam interactions, covering nearly the same grounds with both couples.

There’s a new character introduced that should provide a good deal of fodder for storylines in the future, and I eagerly await more of her. Really can’t say more without entering Spoiler City, so, I’ll just limit myself to saying that Cross’ creativity and inventiveness is on full display with her creation, and she’s already one of my favorites in the series.

One other note, one of the automatons we spend the most time with was described as a spider with a doll’s head. I certainly hope Cross was trying to get her readers to envision that creepy doll from Toy Story — because every one I know whose read this is seeing that.* Griffin and his team find her just as unnerving as Woody and Buzz did (don’t blame them), either.

Things are getting harder, and stakes are getting higher for our intrepid adventurers — whatever’s next will likely push them further yet.

This was a fun, quick read and I’m already impatiently waiting for the next installment.

*That’d be my wife and I.

BLOGIVERSARY REPOST: Gone Tomorrow by Lee Child

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week. This was apparently the first book I discussed here—something I don’t remember looking up until I prepped this.


Gone Tomorrow (Jack Reacher, #13)Gone Tomorrow by Lee ChildSeries: Jack Reacher, #13
My rating: 4 of 5 stars

4.5 out of 5 really. Not sure why I’m holding that .5 out, but let’s say it wasn’t perfect — just so, so close.

On the one hand, this was a typical Jack Reacher novel* — Reacher sees a wrong that needs righting, a question that needs answered, someone who needs a little help, a little vengence that needs meting out, and he takes care of business, period. On the other hand — this was more intense, had more twists and turns, with higher (personal) stakes than your typical Reacher novel.

So, I guess it was a typical Reacher novel — just turned up to 11.

It’s really hard to say much about this Gone Tomorrow without spoiling the whole thing. But I’m going to try a bit: From the outset, it’s hard to tell who Reacher is working for until a little over halfway through the book (I think–didn’t take notes); everyone (everyone) lies to him about all sorts of things — but there’s enough truth mixed into the lies that I didn’t just spoil anything there; the violence (at least on Reacher’s part) is a bit more concentrated than usual, but once it starts…whoa, Nelly.

The biggest difference in this one is the looming specter of various counter-terrorism agencies and entities, functioning in the full protection and powers given by the Patriot Act and so on. Reacher and other characters in this book aren’t reticent to voice their complaints with these powers and the curtailment on citizen rights, honestly, to an extent that surprised me. While Reacher’s not directly in opposition to these agencies (he never would be that), his purposes and theirs do not directly align. Which gives an extra layer of danger for him — if Reacher’s not careful, he can disappear like he’s never existed before.

Basically the only other thing I can say without spoiling the crap out of this is simply: With Gone Tomorrow, Child, once again, shows that he and Reacher are the best around.

——-

* And a typical Jack Reacher novel is a great read, so don’t take this characterization as a complaint.

PUB DAY REPOST: The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain: The Scent of Death

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The Djinn's AppleThe Djinn’s Apple

by Djamila Morani , Sawad Hussain (Translator)

DETAILS:
Publisher: Neem Tree Press
Publication Date: May 7, 2024
Format: eARC
Length: 160 pg.
Read Date: February 24, 2023
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What’s The Djinn’s Apple About?

Nardeen is a remarkable twelve-year-old. Her father is a physician known for translating medical texts from a variety of languages into Arabic, and Nardeen soaks up his work. She has an astounding memory and ability to understand what she memorizes.

But due to some political intrigue that she doesn’t wholly understand, Nardeen and her family have to flee their home one night. Sadly, she’s the only one who survives.

Nardeen vows revenge on those responsible for her family’s murder—certain that a friend of her father’s is ultimately to blame.

But before then, she finds herself being taken under the wing of a legendary physician and teacher, Muallim Ishaq. He recognizes her gifts and her heritage from her father—he arranges (mostly by the force of his will) to have her learn at The Bimaristan, a hospital of great renown. There, she’s able to hone her skills and knowledge—and sharpen her tools, resolve, and ability to mete out that vengeance.

Father vs. Father

There are a handful of various conflicts in this book (like with any good book), but at the core, this book seems to be a conflict within Nardeen herself. On the one hand, she has her memories of her father and what he taught her—what he showed her by example—about the way to live. She also has to wrestle with what she’s told about her father—by those who profess to have admired him and those who worked against him.

On the other hand, she has her (for all intents and purposes) adoptive father, what he’s trying to teach her—what he shows her by example—about the way to live. She also has to wrestle with what she’s told about him—by those who profess to admire him and those who work against him.

In many ways, these two fathers line up—but in significant ways, they follow and lead her down divergent paths. So much of how the plotlines of this book resolve depends on Nardeen’s acceptance/rejection of what these men stand for.

The Setting

So, this takes place during the “golden age of Baghdad”—Harun al-Rashid’s rule of the Abbasid Caliphate from 786 to 809. Now, everything that I know about this period of time comes from the appendices to this novel “Harun Al-Rashid: The Golden Age of Baghdad” and “The Bimaristan.” As they are appendices, I read them afterward. So I came into this not knowing anything—which is a bit intimidating. And I figure I’m not alone in this (particularly for the intended YA audience, who probably haven’t had much opportunity to study Eigth-Century history).

But honestly? Anyone who reads Fantasy/SFF knows how to approach something like this—sure, this is a representation of actual history, but the same tools and imagination you need to understand Westeros, Panem, or the world of the Shadowhunters equip you to get into this world.

And, like with those worlds, after getting this taste, you’ll likely want to read more about it.

While reading, and since then, I do have to wonder a little bit about how much Morani was stretching things about the opportunities presented to women in this time and place. Not just for Nardeen, either—but all the women she encounters at the Bimaristan (and I’d be saying this if the city was Paris or Rome, not just because it’s Baghdad). But I’m willing to both suspend disbelief for the sake of a good story and to trust that someone who’s as familiar with Arabic literature as Morani is more than my hunches.

So, what did I think about The Djinn’s Apple?

This book hits the ground running—Morani doesn’t give you the opportunity to settle in and get comfortable in this world or anything like that. She thrusts the reader—and poor Nardeen—straight into life-or-death action. Nardeen has a slightly better understanding of what’s going on than the reader does—but not much. This was a great way to start this read—you don’t get the chance to indulge curiosity or get lulled into thinking it’s a different kind of book than it is—you have to rush to catch up and then keep up with Nardeen and only get the luxury of starting to understand the world until she’s (relatively) safe.

There were a couple of times that I wondered about the timelines and how well they worked. I assume I just missed something (and didn’t want to take the time to go back and check). It wasn’t anything that bugged me enough to look into it, but I would’ve appreciated things being a bit clearer.

The characters of Nardeen and Muallim were so well drawn, so vivid, and so compelling that I really wish we had more time with them. Particularly Muallim—this cantankerous genius is the kind of character I really respond to. Now, given the pacing of this book, that’s impossible. And Morani picked the better option for her story. But the eccentric teacher and the stubborn and gifted student is a combination that could’ve made for a lot of fun.

Somehow in the midst of this propulsive pacing, Morani is able to litter the book with some great observations, some drops of wisdom (primarily from the teacher and student), and memorable prose (some of that credit has to be given to Hussain as well).

This is a fast, immersive read that’ll leave you guessing from the beginning right up to the end. You’d be doing yourself a favor if you pick it up.

Disclaimer: I received a copy of this book from Neem Tree Press and The Write Reads via NetGalley.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

 

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Grandpappy’s Corner: Tiny Hands Hymns, Tiny Hands Prayers, and Tiny Hands Promises edited by Hannah Duguid Estes, illustrated by Jessica Hiatt: A Great Set of Starter Devotional Reads

Grandpappy's Corner Tiny Hands Books

Tiny Hands Hymns

Tiny Hands Prayers

and

Tiny Hands Promises

edited by Hannah Duguid Estes, illustrated by Jessica Hiatt

DETAILS:
Publisher: P & R Publishing
Publication Date: October 25, 2023
Format: Board Book
Length: 16 pg. (each)
Read Date: April 27, 2024

What are the Tiny Hands About?

These are little board books that serve as beginning devotional materials—training wheels for young worshippers, if you will.

Tiny Hands Hymns

These are the first stanzas/verses of some of the best hymns around (and easiest to learn, too): “Holy, Holy, Holy,” “Be Thou My Vision,” “Amazing Grace,” “This Is My Father’s World,” “Great Is Thy Faithfulness,” “Come, Thou Fount of Every Blessing,” “Crown Him with Many Crowns,” and Thomas Ken’s doxology.

On the opposite pages are fitting illustrations, with some accent illustrations on the pages with text.

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Tiny Hands Prayers

These are a selection of prayers—translated by Iain Duguid (Professor of Old Testament at Westminster Theological Seminary), from various portions of Scripture to serve as models of prayer.

They include: Mary’s prayer from Luke 1, Hannah’s from 1 Samuel 2, a prayer based on Daniel’s Prayer from Daniel 9:4-19, a prayer based on Ephesians 3:14-19, David’s prayer from Psalm 130, The Lord’s Prayer from Matthew 6, and the prayer of the saints from Revelation 19, and the Aaronic benediction from Numbers 6.

Again, opposite each is an appropriate illustration, with some accent illustrations on the pages with text.

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Tiny Hands Promises

This is a collection of covenant promises from the Old and New Testaments to introduce and remind even the littlest members of the covenant of what God has promised them. These, too, are translated by Iain Duguid.

They are Isaiah 43:1-3; John 10:27-28; Matthew 7:7-11; 2 Corinthians 12:9; James 1:5; 1 John 1:9, 7*; Philippians 1:6; and Revelation 21:3-5.

*I’m not sure I get why he ordered them this way.

Yet again, opposite each is an appropriate illustration, with some accent illustrations on the pages with text.
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Let’s Talk about the Art for a Minute

I’ve apparently appreciated Hiatt’s work as a cover designer on a few books (The Wonderful Works of God by Herman Bavinck, Things Unseen by J. Gresham Machen, and Struck Down but Not Destroyed by Pierce Taylor Hibbs), but illustrating board books calls for a slightly different skill set. Still, the illustrations remind me of those covers.

I think these are great. Bright and cheerful, without being cartoonish or silly (I have nothing against those kinds of illustrations, but they’re not fitting for the subjects).

How are they to Read Aloud?

They’re fine—although I can’t imagine that anyone, even those who can’t carry a tune, not singing the hymns instead of reading them.

The translations (I’d be tempted to call them paraphrases, but the books say translations—and I don’t know enough to contradict that) are foreign-feeling for people who are familiar with/have memorized the relevant portions from the AV, ESV, NASB, etc. Once you get past that feeling, there’s nothing about the text that’s difficult or odd to read—and they seem easy enough for young children to comprehend (to some degree).

What did the Little Critter think of Them?

Okay, I haven’t had the chance to read these with him, but his Momma has. She reports that he likes Tiny Hands Hymns, because she sings them, and he really responds well to singing. He doesn’t really seem to care about the others one way or another. That fits his personality—but doesn’t really reflect on the books, if you ask me.

So, what did I think about the Tiny Hands books?

I think they’re a great idea—and overall, I am pleased with the execution. I do recommend them without hesitation.

I have some questions about some of the technical bits of translation, verse choices, and whatnot—not so much that I have a problem with the books, I’d just like someone good with the original languages to sit down with me and walk through these.

But for a young child? I think they’re well done and would be great resources for regular use.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Time-Marked Warlock by Shamie Stovall: A Mulligan-Equipped PI

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Time-Marked WarlockTime-Marked Warlock

by Shami Stovall

DETAILS:
Series: Adair Finch, #1
Publication Date: June 2024 (or August, depending who you ask)
Format: e-ARC
Length: 402 pg.
Read Date: April 15-16, 2024
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What’s Time-Marked Warlock About?

Until a few years ago, the names of warlocks Adair and Carter Finch were famous among the magic community. Private eyes who helped law enforcement as well as private clients dealing with cases large and small—they were pretty close to superheroes. Then they took that one job that put them against an opponent they weren’t ready for, things went wrong, and Carter died.

Adair’s magic couldn’t help. He couldn’t even track down everyone who was responsible, so he couldn’t get revenge. So…he went home and retreated from life. He became an asocial hermit, doing little more than existing.

Then one pre-dawn morning, a twelve-year-old girl pounds on his apartment door. Her mother always told her that if she was in real trouble to track down Adair or Carter Finch. They weren’t close friends by any means, but they did know each other—enough so that her name makes Finch pay attention. Bree’s mother was a witch and her father is a warlock, but not in the same league as Finch. Bree tells Finch that her mother has been murdered and her father kidnapped—and she needs his help to rescue her father and get justice for her mother.

Finch is not inclined to do anything but close the door on her face and get back to not interacting with anyone. But he can’t turn down her appeal—so he agrees to go to the crime scene (if only so he can determine that she misunderstood what she saw, and that her father actually was the murderer).

The scene isn’t what he expected—Bree might have been right. Also, the police detective on the scene knew Finch before he “retired” and neither really appreciated the other. Det. Jenner really rubs Finch the wrong way on the scene.

Between their less-than-pleasant interaction, Bree pulling on his heartstrings just right, and what Finch noticed at the scene of the crime, Finch decides to take the case, wrap it up quickly, and get back to wasting away as soon as he can.

Finch

Let’s get this out of the way real quick: Frequently reminded me of (James J.) Butcher’s Huntsman, Leslie Mayflower (and several other retired/depressed heroes, but Mayflower is most recent in my mind, so he gets name-dropped). Is he the Huntsman? No—he’s far less inclined to leave a trail of bodies in his wake.* for one thing. But he gives a similar vibe.

* We can argue some other time about how inclined Mayflower really is. Roll with it for now.

He’s clearly angry at himself. He’s reticent to put himself out there emotionally (or any other way). He’s not ready to let anyone else down again (assuming he really did). But something about Bree creates a crack in his defensive shell, and it’s great to see purpose emerge from where he’d trapped it down. He’s a different guy by the end of the book (probably like what he was years ago)—he’s not totally where he should be, but he’s on the road to recovery. As the series continues, i look forward to seeing how he grows/recovers.

Bree Blackstone

I don’t know how any UF reader is supposed to read her full name and not think of Harry Dresden. Maybe we’re supposed to—surely we are right?

Anyway…if Bree doesn’t melt your heart right off. If you’re not rooting for her to get the answers she seeks and maybe a touch of the retribution she longs for—and to save her dad…there’s something wrong with you—go listen to some Whos down in Whoville sing some Christmas songs until your heart is the right size.

She is so frightened by everything—there’s a real parallel to Finch there. But she’s determined to get the help she needs to save her dad and get the bad guy who killed her mom. And if Finch is the way to get both of those, she’ll get him to help her.

Naturally, along the way she picks up a pretty hefty case of hero-worship. Finch doesn’t see it for what it is right off—but he eventually does, and knows he’s not worthy. Watching him balance helping her, fending off (or trying to) her fangirling over him, and teaching her what she needs to know to be safe in the magic world is a great balancing act.

Bree is really well-conceived and executed by Stovall, and will become one of your favorite characters of the year.

Kullthantarrick the Sneak

Kull is a trickster spirit that Finch calls up to help with a little something along the way—she’s largely around for comic relief—but she also helps Bree to learn some things about the nature of magic, spirits, and the like that she hasn’t learned from her parents yet. Yes, her role is to help make worldbuilding infodumps entertaining. She’s well-used that way.

Any spirit of mischief—from Mercy Thompson’s Coyote to the Wizard in Rhyme’s Max to Al MacBharrais’s Buck, or…okay, I’m drawing a blank here—can be a lot of fun. You just set them loose to create havoc and sit back and watch. And Kull is great at that.

But that’s not all she is—she wants to be a human, she’s seen and done enough as a spirit, and she wants the human experience now. That adds a little depth to her—there’s also an affection that develops between her and Bree that adds even more shades of depth to what could’ve been a disposable character that ends up being so much more.

Really well done there.

The Magic System(s)

I don’t know how much to say here. This world has a handful of magic systems at play—there’s one for witches—like Bree’s mother and (presumably) her. There’s another one for warlocks—it’s similar and not necessarily mutually exclusive to the witch system. And there are some others, too.

One way that Finch uses his abilities (that other warlocks like Bree’s father can’t) is that he has some ability with time. It’s in the title, I feel I can give a vague description here. He’s constantly noting the time whenever anything happens. If he “marks” the time, within any 24-hour period he can return to the marked time—retaining the memories and knowledge gained, but getting to start over. Bree compares it to a save point in a video game.

This is brilliant—and so good to see in action. There’s part of me that wondered if it’d feel like a cheat—killing tension and so on. Or if it’d just be some Groundhog Day-riff good for comedy and that’s it. If you’ve ever played—or watched someone play—an intense video game with a save point, you know that’s not enough to keep someone from getting stressed out about almost dying/dying within the game. Sure they can take another try (or several), but the tension is still there. It works that way for this book (especially if it looks like Finch might not reset in time). And yes, there’s some weatherman Phil-esque humor, but not as much as other authors might have indulged in.

All in all, Stovall nailed this part of Urban Fantasy.

So, what did I think about Time-Marked Warlock?

Three great characters (not even counting the antagonists), an even better magic system, and a decent plot with a satisfying central villain. I don’t know what else to ask for in a UF novel.

The pacing was on-target—even when revisiting the same day or events over and over, Stovall was able to keep it fresh. She also knew when to say “they did X again” and when to show it. The action scenes worked well. The villain(s) were believable, had compelling motivations, and were enough of a threat to all involved to keep the reader’s interest.

There were supporting characters—including villain(s) that ended up not being as terrible as you might initially think—that were just as fully drawn, and you could generate a little sympathy for some of the people associated with the murder once you realized how they were being used, too.

There’s a good setup for further books in the series, too.

I really can’t think of much that Stovall could’ve done better—this scratched my UF itch, and I bet it’ll do the same for you, too. Keep your eyes peeled for the release and get your hands on this when you can.


4 Stars

My thanks to The Write Reads for the invitation to participate in this tour and the materials—including the ARC—they provided.

Cultural Christians in the Early Church by Nadya Williams: Same Song, Older Verses

It’s done. It’s not good—or what I wanted it to be—but it’s done. Finally.


Cultural Christians in the Early ChurchCultural Christians in the Early Church:
A Historical and Practical Introduction
to Christians in the Greco-Roman World

by Nadya Williams

DETAILS:
Publisher: Zondervan Academic
Publication Date: November 14, 2023
Format: Paperback
Length: 207 pg.
Read Date: January 7-14, 2024
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What’s Cultural Christians in the Early Church About?

First, let’s define “Cultural Christian”—for Williams, they’re “individuals who self-identify as Christians, but whose outward behavior, and, to the extent that we can tell, inward thoughts and motivations are largely influenced by the surrounding culture rather than by their Christian faith and teachings of Jesus.” It’s easy to find examples of these types of Christians today—and many ministers will talk about the struggle to minister in some areas (like the Bible Belt) because of this phenomenon. But clearly, from the title of this book, Williams holds they were present in the Early Church.

She has three reasons for writing (or reading) this book—the first is to combat the idea that the Early Church was too spiritual and correct to have to deal with these individuals—and because of that we can have some problematic ideas about the Church today. Secondly, because of our historical ignorance, we can fail to see how the Early Church was influenced by the culture around them. Third, if we see how the Early Church is susceptible to this, and that we are, too—we can more easily see the need to push beyond Cultural Christianity to the genuine article.

To pursue these aims, Williams considers Early Church History (the first five centuries A.D.) in three eras:

  • “Part 1 focuses on cultural Christians in the New Testament era and considers sins resulting from Christians’ culturally inspired treatment of property, food and drink, and sexuality.”
  • “Part 2 moves past the New Testament period and considers apostasy, the gendered nature of sin, and the sin of self-care among cultural Christians in the second and third centuries CE.”
  • “part 3 looks at the shifts that occurred after Constantine’s conversion, when Christianity went from being a persecuted minority to a privileged minority, and eventually, a privileged majority religion in the empire. How did the conversion of Constantine change the story of cultural Christianity in the church? The answer, we will see, is the rise of new forms of cultural Christianity, which were not possible when the Christians were a persecuted minority.”
  • Average Believers

    Most books that I’ve read on or around these years in Church History focus on the heavyweight theologians and Church Leaders of the time—those people whose names we still recognize, who played significant roles in the development of Creeds and Dogmas, etc. And yes, Williams does cite and discuss some of them.

    But her focus is on average believers—people like you (probably) and me. People who will never be cited in a history text, people that few will know existed 10 years after we die. But people who leave records, or who will be talked about (at least in aggregate) by others.

    Again, this is not to say that the “big names” of history are ignored—for one thing, it’s frequently through them that we have records of, and access to, the average person. But to get a real flavor of what life is like we don’t just need the theological tracts and creeds, we need to know what people ate, wore, did for a living, and so on.

    So, what did I think about Cultural Christians in the Early Church?

    I absolutely loved this book and have brought it up in casual conversation a lot over the last couple of months (and repeatedly tossed out drafts of this post because I didn’t like it enough).

    Because this book isn’t just a history, it’s about the current Church, too. How we are susceptible to the same—or similar—foibles. Frequently, the reader can see this just by reading the historical portions and reflecting (it usually doesn’t take deep reflection). But Williams will also focus on parallels, or draw out clear lines of comparison. This is a call to the reader to think about their own beliefs and practices and to examine them—are they based on Scripture or are they based on the culture around us?

    While we may think that we are removed from the world of the early church, the nature of human sinfulness has not changed. The stories of these early Christians, therefore, are surprisingly familiar and convicting, if only we look closely. While it is at times jarring to admit, their stories are our stories too.

    We have the same feet of clay as our forefathers did—and the same challenges to overcome. Thankfully, we have the same Savior. This book helps us to remember that—and I encourage everyone to pick this up (and not just so you don’t have to hear me do it in person).


    4 Stars

    This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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    Crisis of Confidence: Reclaiming the Historic Faith in a Culture Consumed with Individualism and Identity by Carl R. Trueman: Why The Church Needs Creeds

    Crisis of ConfidenceCrisis of Confidence:
    Reclaiming the Historic Faith
    in a Culture Consumed
    with Individualism and Identity

    by Carl R. Trueman

    DETAILS:
    Publisher: Crossway
    Publication Date: February 6, 2024
    Format: Hardcover
    Length: 173
    Read Date: March 17-25, 2024
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    What’s Crisis of Confidence About?

    This is a new and slightly updated version of Trueman’s 2012 book, The Creedal Imperative. The updates don’t change the overall thesis of the book, but a new nuance or two are added. The first edition focused on contrasting the point of view of “No creed but the Bible” with the Protestant traditions that embrace the Ecumenical Creeds and Confessions of Faith. This time, the focus is on maintaining Ecclesiastical positions and individual convictions via the Creeds/Confessions in a rapidly changing culture—particularly in light of what Trueman calls “expressive individualism.”

    The book begins with a chapter arguing against Creeds and Confessions, which is followed by a chapter providing the Scriptural basis for their creation and use. We then get two chapters looking at the history of them in the Church—one chapter for the development of the Ecumenical Creeds in the first few centuries of the Church, and one looking at the development of Confessions during the Protestant Reformation (with some discussion of non-Reformed Confessions as well).

    Trueman wraps up with a chapter on the use of Creeds/Confessions in the worship of the church—to form and frame it, their use in a church’s worship, and how they serve an integral role in both. From there he offers a final chapter with a non-exhaustive list of ways creedal material is useful for particular congregations, denominations, and individuals.

    So, what did I think about Crisis of Confidence?

    Now, I’d intended on re-reading The Creedal Imperative back in January, but the time got away from me and then this dropped in my lap quite unexpectedly—so I was able to tackle that re-read, in a sense. For that, I’m glad I read this.

    I’m not sure it was worth the new edition—and the minor updates didn’t add that much to the book as a whole. It was probably a good move from a publishing/selling point of view—the design makes it fit with Trueman’s last couple of books, and the new focus fits those, too. This is a good way to get people who’ve only read his last two books to read his older material (especially because those books are likely to have been attractive to people who wouldn’t be interested in a book about Creeds/Confessions without that connection).

    Did that new material and the updates hurt the book? Nope. It’s still a strong apologetic for the use of them—not just that creedal documents are allowed by the Scriptures, but Trueman argues that they’re necessary, even expected for the Church (and shows indications that the First Century Church employed them). In the anti-Creedal cultures (both secular and ecclesiastical) that the Western Church finds itself in, we need as many of these defenses and arguments for that as we can get.

    Trueman delivers those in his typical learned, engaging, and clear style. He doesn’t come out swinging as he does in some contexts—but you don’t walk away wondering what he really thinks about something, either.

    I recommend this book and encourage you to read it if you haven’t read the original. if you have—it’s not a bad idea to read this (or just re-read the original), who doesn’t need a refresher on topics like this from time to time?


    4 Stars

    This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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    REPOSTING JUST CUZ: Prayer by Ole Hallsby

    1. Yes, I’m doing too many of these lately. But I had a good reason for not finishing the post for today. 2. I really wanted to edit this, but I don’t have the time, so please be gracious to some sentences that need help. 3. I really needed to revisit this book and just reading my post about it helped me remember a lot of what I needed to see. So I’m chalking this up as something for me, and I’ll try to have something fresh for the next Lord’s Day.

    PrayerPrayer

    by Ole Hallesby

    Papberback, 176 pg.
    1994 (originally 1931), Augsburg Fortress

    Read: September 3 – 10, 2017


    The section from Calvin’s Institutes on prayer is fantastic, Wistsius’ book is incredibly helpful, Luther’s little A Simple Way is pretty good, as is Matthew Henry’s Method, but none of them have been as much help as this little book by Norweign Lutheran Ole Hallesby (at least that’s my guess, I’ve had years to chew on those others, only a couple of weeks for Hallesby). I heard of the book briefly on an episode of Christ the Center this summer, and then they devoted an entire episode to it later — I was halfway through the book when that second episode was posted, thankfully, they didn’t say anything that spoiled the ending. If not for those podcast episodes, I probably would’ve gone my whole life without ever hearing of this book. That would’ve been a shame.

    He doesn’t set out to write a comprehensive book on the subject, or a systematized theology of prayer, but to present “a few simple rules for the benefit of souls who are fainting at prayer.” It’s not much of a rule book, thankfully, as much as it wants to be — more like a collection of helpful suggestions.

    Hallesby describes two things that make up the attitude of prayer — helplessness and faith. Faith that Jesus can and will answer our prayers and a realization that we are helpless and need him to even pray. What he writes about helplessness is worth the price of the book alone. I think it’s changed the way I pray already. I would quote a bit of it here — and I started to, but I wasn’t sure where I’d stop. So let me just encourage you to grab the book.

    I also really appreciated his discussion of how we “think we must help God to fulfill our prayer,” by giving Him lists of suggestions for how to and times when He can answer us. Instead, we are to faithfully pour out our need to Him, and then trust that He will answer as He sees best. I’d really never thought of it in those terms but we really can end up trying to tell God the best way to go about helping us — which flies in the face of our admitted helplessness in a given situation.

    Hallesby covers the work of prayer, the struggles we may have in it, some suggestions for how to learn to pray better, as well as giving some answers to common questions about prayer (that seem to be the same questions I hear others having almost 100 years after this book was written, probably questions believers had 100 years before that, too). Throughout the book, you get a strong sense of a pastoral heart behind the words and advice, which makes it all much easier to heed.

    It’s not a perfect book by any means — most of my problems have to do with the fact that I’m not a Lutheran, nor a Pietist. So, anything that leans too heavily on those traditions/characteristics are obviously going to at least raise my eyebrows, but on the whole those aspects of the book are quibbles. For example, his definition of prayer involves letting God help us, or his aversion to pre-written prayers (that one has many allies in my own tradition, so it is more of a note than anything). More substantial concerns are his utter lack of reference to — much less use of — the Psalms or the Lord’s Prayer. A book on prayer that doesn’t even touch on those is mind-boggling. None of these concerns or quibbles detract too much from the book — and they’re certainly outweighed by the help the book gives.

    Pound-for-pound, the best book on the subject I’ve read. Easy to read, encouraging, convicting and insightful. Highly recommended.

    —–

    4 Stars

    Zwingli the Pastor: A Life in Conflict by Stephen Brett Eccher: A Look at The Reformer’s Most Important Work

    Zwingli the PastorZwingli the Pastor:
    A Life in Conflict

    by Stephen Brett Eccher

    DETAILS:
    Publisher:  Lexham Press
    Publication Date: March 20, 2024
    Format: eARC
    Length: 288 pg.
    Read Date: February 25-March 10, 2024
    Buy from Bookshop.org Support Indie Bookstores

    What’s Zwingli the Pastor About?

    Of the first-generation—or Magisterial—reformers, Huldrych/Ulrich Zwingli is probably the least known today—and a lot of what carries his name popularly isn’t necessarily reflective of his actual positions. From what I’ve heard, there’s somewhat of a resurgence of interest and scholarship in Zwingli. Stephen Brett Eccher brings us this introduction to the reformer as part of that.

    This is not a biography of Zwingli, nor is it an in-depth examination of his theological insights and writing. As the title suggests, it’s a look at his pastoral work. His life was defined by conflict, and that’s true as well for his ministry.

    After a quick overview of his life, including his pastoral work pre-Zurich, Eccher looks at Zwingli’s pastorate topically rather than chronologically. His focus wasn’t on changing the Church throughout the world, or making history (although he did both)—Zwingli’s focus was ministering to the people of Zurich in the pulpit, in their homes, in sickness, and in rapidly changing times.

    Disagreeing with Zwingli

    I’m not going to argue that an author writing a book about someone else needs to be in lockstep with him (or how could anyone ever write a book about anyone?). But if you disagree with your subject on significant points (and I think this is more true when it comes to theological points than otherwise), you need to exercise care in describing the subject’s positions you differ with—and those people who differed with him. I think Eccher tried, but he could’ve been more successful at it.

    The book is critical of Zwingli—in both his actions and teachings—and Eccher handled that well.* It was when (for example) he would describe Zurich’s Anabaptists as they began to disagree with Zwingli, that he stumbled. He never came out and said, “they were right to separate from him over this,” but the tone suggested both that on point X they were obviously correct and it’s not even worth discussing how they were. Even if he did circle back to point X in a few pages or chapters to discuss it properly, it didn’t seem to me that he really gave Zwingli a fair shake on these points, and just assumed that the Anabaptists (or whoever) were correct and that readers already agreed with Eccher (and didn’t necessarily describe Zwingli’s position to the extent he maybe should’ve).

    * Largely, anyway. There are a few sentences that I’d like to challenge Eccher to explain/defend. But I’m not going to get lost in the weeds here.

    Not knowing that many details about Zwingli on some of these points, I could be wrong about this. Perhaps Eccher didn’t get into details and nuances because they aren’t present on these points of difference. But it didn’t seem like that to me—and I’m just trying to describe my reaction to the text as a reader.

    The Structure of the Chapters

    Given everything that Eccher sets out to accomplish (and largely succeeds in doing so), this is a pretty short book*. And I’d imagine that Eccher would want to feature some tight writing to facilitate him meeting his agenda. But he doesn’t, each chapter** starts with an introduction set in contemporary Zurich (or somewhere else in Switzerland), and then he comes to a point leading into the chapter.

    * It’s listed at 288 pages, in my electronic version, only 65% of the book makes up the text, the rest is bibliography, indices, etc. Which makes this a very short—but dense—read.
    ** There might be an exception or two to this, but the point stands. And those exceptions will be very similar.

    Then it feels like he backs up to set the historical stage, talk about some of the development in Zwingli’s life/thought/ministry before getting to that introductory point, developing it, and then reaching some kind of conclusion.

    I’m not doing the best job of describing the structure, but that’s the gist of it. I think it would’ve been far more economical to cut everything before the point where Eccher backs up and sets the historical stage. I don’t think the glances at contemporary Zurich, etc. added anything to the book beyond word/page count. They didn’t detract from anything, but if they added anything I missed it.

    And I’m not sure that we needed the brief introductory summary of the chapter’s point, either. At best, they meant you knew where each chapter was heading (if you couldn’t guess from the chapter title)—at worst, I think they took some of the punch of the points away, because you were waiting for them to show up.

    This could just be me. It wouldn’t surprise me a whole lot to find that most readers appreciate one or both of these devices (obviously Eccher and his editor(s) liked them). But by the second time I saw him use them, I got a little tired of it—and it needled me every subsequent time.

    Five Theses

    Eccher completes the book with “Five Theses on Zwingli.” These are summaries of aspects of his thinking/teaching and Eccher’s reflection of them as a whole. His greatest criticisms of the Reformer are presented and explained here. (and frankly, it’s here that Eccher annoyed me more than elsewhere) I would’ve liked each thesis to have been given more space and more development—50-100% more space each, I think it would’ve made them stronger.

    That said, this kind of wrap-up/conclusion is a great way to structure the book and complete the examination of Zwingli. I heartily appreciated it.

    So, what did I think about Zwingli the Pastor?

    Let me start this section by stressing that the above sections described minor things that niggled at me while I read—they are by no means major complaints or shortcomings. But it just takes a while longer to describe something like that than to pay a compliment. And I have several compliments to offer.

    For example, the chapters on Zwingli’s ministry during the time of plague—and the devastating impact it had on his life—and his marriage were very strong. The description of the infamous Affair of the Sausages, the lead-up to it, and the fallout from it was another strong point. Eccher went to great pains to show the influence of others—historic and contemporary to Zwingli—on his thinking and actions. As much as people talk about Erasmus’ influence on Luther (largely Luther reacting against Erasmus), it was good to see Erasmus’ influence bearing such positive fruit in Zwingli (much to Erasmus’ woe, I’m sure) up to the point where the two split. Actually, I’m going to cut myself off here before I just start listing the Table of Contents (I could). I do wish we’d gotten a little more describing the circumstances of his death—that portion of the book felt rushed.

    One strength of this book is that it avoided the temptation to turn Zwingli into a 21st-century type of Evangelical, or someone who agreed with the author in almost every way. So often when reading a book about a lesser-known figure in church history, you can get the feeling that the author is saying “outside of this little quirk or that, mostly because of their place in history; this guy is just like me.” Eccher doesn’t say that—he seems to admire a lot about Zwingli, but he’s by no mean prone to hero worship or whitewashing any perceived shortcoming.

    Going into this book I had only a rudimentary familiarity with Huldrych/Ulrich Zwingli, and while I’ve often thought about addressing that, I hadn’t. This book hasn’t given me a complete and exhaustive look at him by any means—and wouldn’t claim that. But it’s a great, broad introduction to his work and thought. I feel equipped now to go out and read some of his works, and other books about particular aspects of his theology, having this book give me the overall lay of the land.

    I encourage others who are looking for a place to start with this often overlooked Reformer to give this a read. If only so it can spur you to further reading and investigation—like I think it has for me—but you’ll know where to dig in.

    Disclaimer: I received a copy of this book from Lexham Press via NetGalley—thanks to both for this.


    4 Stars

    This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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