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Saturday Miscellany – 3/14/15

Happy Pi Day, everyone!

A few odds ‘n ends over the week about books and reading caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:

  • Anti-Hero by Jonathan Wood — years back I read the first two in this series, which have thankfully been re-released, and really dug them. I can’t wait to get my hands on this one.
  • World Gone By by Dennis Lehane — I have got to read this series. I don’t know why I haven’t started — I even bought the first one as soon as I came out! And now we’re at #3?
  • The Mirror World of Melody Black by Gavin Extence — I ultimately didn’t like Extence’s prior book, but man . . . while I was reading it, I was hooked. Gotta give this one a shot.
  • What the Dog Knows: Scent, Science, and the Amazing Ways Dogs Perceive the World by Cat Warren — just came out in paperback. There’s a bunch of books on the topic, I don’t really know how to evaluate one against another — but Robert Crais blurbed this one, so it has to be excellent, right?
  • Archie in the Crosshairs by Robert Goldsborough — after the last two books by Goldsborough, I’m dreading this. But, confound it, it’s a Wolfe book. I have to read it.

Lastly, I’d like to say hi and welcome to jrhehl for following the blog this week. Thanks to Ryan Harris for the interaction — hope we can continue it.

Review Catch Up: Uneasy Relations; Skull Duggery; Dying on the Vine by Aaron Elkins

So, in the last couple of months, I’ve read Gideon Oliver 15-17 and haven’t had a chance to write them up. Might as well tackle them in one post, right?

Some general thoughts that apply to them all, before moving into specifics.

As always with this series, these books are fun, clever, and not terribly violent. All of which are a nice balance to some of the darker things I read — and I know I could find darker yet in this genre. Say what you will about cozies (and I don’t know if these are technically cozies, but they’re at least cozie-adjacent), they’re a darn sight more entertaining than the noirest of noirs.

Not just by the sly and witty narrative, Gideon Oliver books remind me of the Nero Wolfe mysteries — he never ages, he can always find a away around the stickiest of situations and outsmart law enforcement without getting into trouble (Gideon’s better at this than Wolfe, and much prefers working with than in competition with them), and while Elkins will surprise you frequently by the solutions to the mysteries, he never cheats. Can’t take this list too far, because at the end of the day Gideon isn’t Wolfe and neither would find the comparison all that flattering.

Judging by his anthropological research, I’m guessing Elkins has done similar research into the way various law enforcement agencies work around the world. Particularly with the latter two of these, I really enjoyed getting glimpses into the police methods and structures of these countries — ditto for Unnatural Selection, but I don’t think I mentioned that when I reviewed it (and am too lazy to go look).

I’ve said it before, and I’ll say it again, reading these books are a like visiting with old friends, and I can’t wait to do it again.

Uneasy RelationsUneasy Relations

by Aaron J. Elkins

Hardcover, 288 pg.
Berkley Hardcover, 2008
Read: December 10, 2014

I’m glad he doesn’t return to this well too often, but when Elkins decides he’s going to invent a fictional (no doubt inspired by a real) major archaeological find, he does it right. Serving as the backdrop for this puzzle, this find sounds like the kind of thing I read about in various and sundry Anthropology textbooks in college. Throw in some satirical takes on publishing, literary agents, and academics and this becomes a really fun read. Oh yeah, and the murder — there’s that. That was a good puzzle, too.

I can’t get into it, but the site of the major find is really the star of this one, and it’s pretty cool. The solution to the murder was a nice twist, and the Skeleton Detective was as clever as ever.
3 Stars

Skull DuggerySkull Duggery

by Aaron J. Elkins
Hardcover, 281 pg.
Berkley Hardcover, 2009
Read: February 21, 2015

This one gets a bonus 1/2 star for the mentions by both Gideon and Julie that if he’s around, a skeleton (at least a skull) will appear to keep him busy (and would probably deserve the bonus without those mentions). I also appreciated the “just another day in the office” aspect of the attempt on Gideon’s life. At this point, he should really take out a bigger life insurance policy any time he leaves the country.

A week’s vacation in a little, out of the way, Mexican village turns deadly for Gideon and Julie. I really enjoyed the setting and the backstory on this one, even more than the forensics.

This one was almost painfully easy to figure out the killer — although the actual motive was trickier than I thought, but after The Reveal, it totally made sense. Despite that, I thought this was one of the better ones in this series that almost never has a lesser entry.
3.5 Stars

Dying on the VineDying on the Vine

by Aaron J. Elkins

Hardcover, 294 pg.
Berkley Hardcover, 2012
Read: February 28 – March 3, 2015

The whole band’s back together for this one — John & Marti, Julie & Gideon in old-school Italian wine country. The intrigue and informatin about the wine production (rephrase) reminded me of the behind the scenes look at coffee production from Twenty Blue Devils (although that subject is nearer and dearer to my heart). While I’m not a big wine person, I know I’d rather drink a bottle (one glass at a time, I’m not a Philistine) from the hands and craft of the traditional elements of the Cubbiddu, not the mechanical/mass produced stuff they started putting out — which I’m guessing Elkins agrees. Although, I can probably only afford the latter.

John navigating the local cuisine was a highlight for me, and probably speaks to my juvenile humor.

The mystery itself? Typical Elkins, smart enough to keep you guessing, compelling enough to keep you turning the pages, and not as important as the characters — new and old — and their interactions.

Heckuva lotta fun.
3 Stars

I’m Trying, Dean. I’m really trying!


If life would calm down juuuuust a little bit, I’d be able to leave some reviews. As far as leaving pie? Forget it — any pie I get, I eat. Well, for most of the authors I talk about here, I’d be willing to share. Probably. Next time they’re in Idaho.

A couple of weeks ago, Anton Strout, Professional Geek/UF Author/Podcaster, posted this picture by RG Alexander – Rachel Grace on his Facebook page. I’ve been trying to find a use for it since. Guess this’ll do.

Saturday Miscellany – 3/7/15

Yee-ha! 3 posts this week. Not my goal, but not shabby.

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

Lastly, I’d like to say hi and welcome to hannah19smith for following the blog this week.

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

by Catherynne M. Valente

Hardcover, 247 pg.
Feiwel & Friends, 2011
Read: February 19 – 20, 2015

But what September chiefly noticed were their hats.
Any child knows what a witch looks like. The warts are important, yes, the hooked nose, the cruel smile. But it’s the hat that cinches it: pointy and black with a wide rim. Plenty of people have warts and hooked noses and cruel smiles but are not witches at all. Hats change everything. September knew this with all her being, deep in the place where she knew her own name . . . For one day, her father had put on a hat with golden things on it and suddenly he hadn’t been her father anymore, he had been a soldier, and he had left. Hats have power. Hats can change you into someone else.

There’s much more to be said about the true nature of seasons, sentient keys, the immorality of novelists, the thoughtfulness of smoking jackets, the desires and drives of shoes….But I’m getting ahead of myself.

So last week, I found myself on the end of a batch of pretty heavy books, and needed something light and breezy — hopefully cheery, too. So I grabbed this off my daughter’s shelf (had been meaning to get around to it since I bought it for her 3 years ago). It didn’t at all fit the bill for what I wanted, but thankfully was an enjoyable read about a girl named September and the improbable trip she takes to (and around) Fairyland.

Those were all big words, to be sure, but as it has been said, September read often, and like it best when words did not pretend to be simple, but put on their full armor and rode out with colors flying

Who couldn’t love a hero like that?

While her father is off fighting in Europe during WWII, and her mother is spending her days with Rosie the Riveter (and doing her best to take care of her daughter, it should be stressed — she hasn’t been abandoned), September is convinced to join someone calling himself The Green Wind to go for a ride on his flying leopard to visit Fairyland.

Once there, she meets all sorts of incredible people, creatures, animals . . . and other things that I can’t really describe. She befriends a Wyvern and sets off on adventures — eventually being drafted by the unpopular, practical and efficient Marquess (who replaced, the wonderful and beloved Queen) into retrieving a magic object for her. This quest sends her (literally) all around Fairyland in an effort to obtain this object and save her friends.

The sensibility here is something like taking The Phantom Tollbooth, The Last of the Really Great Whangdoodles and throwing them into a blender with Neil Gaiman’s children books. Almost. To me, and I get the sense that I’m in a distinct minority here, this comes across more as a technical exercise — “how many strange and quirky things can I work into a narrative?” Despite the setting, target audience and obvious authorial skill it feels joyless, there’s no sense of play. Unlike the other works I’ve compared it to, there’s almost no fun here.

Yes, it’s a children’s book. But it’s not just for kids — in fact, there’s a lot here that very few children will pick up on (I’m willing to bet that I missed a trick or two). Not as amusing as I hoped for/expected, still, a good read for children or adults who aren’t afraid to read a book marketed for children.

—–

3 Stars

Pin Action: Small-Time Gangsters, High-Stakes Gambling, and the Teenage Hustler Who Became a Bowling Champion by Gianmarc Manzione

Pin ActionPin Action: Small-Time Gangsters, High-Stakes Gambling, and the Teenage Hustler Who Became a Bowling Champion

by Gianmarc Manzione

Hardcover, 336 pg.
Pegasus Books, 2014
Read: March 4 – 5, 2015
This is just not that good.

It started off promising, there’s a confidence to the writing, it’s a world I know nothing about — so I could learn a lot, it starts with a whole bunch of colorful characters, and Manzione’s passion for the subject is evident and real. But it didn’t take long for me to see that the confidence isn’t necessarily deserved, the cast wasn’t being used well, and I wasn’t going to learn all that much (at least not right away, it turned out), and while he cared a lot — I just didn’t. Eventually, around the half-way point, the book found its way and became tolerable — but, by then it was too late — Manzione had already lost me.

The first few chapters are a hodgepodge of stories about the “Action Bowling” scene in and around NYC in the 1960s. They center around wunderkind Ernie Schlegel, but Manzione spreads the wealth — telling stories about several bowlers of similar aptitudes at the time. But really, these chapters aren’t a stories of bowling, they’re stories about small-time gangsters (see the subtitle) — think of some of the small anecdotes in Wiseguy, told without Pileggi’s style. The bowling’s just an excuse for criminal and/or stupid behavior.

The last half of the book is all about Schlegel’s professional career — from the rocky start, to accomplished (but not championship heyday), to the last bits of glory. This is the best part of the book, no doubt about it. But Manzione has difficulty maintaining the story line, keeping the narrative tension going, and basically becomes rabid fanboy (I’ve got no beef with rabid fanboys, readers of this blog know I can go that way myself — but it didn’t fit here)

The greatest weakness of this book has to be the writing. Manzione has a tendency to “nest” stories in other stories that in other stories worse than Inception. It’d be pretty easy to lose track of the ball when he’s doing this. He frequently seems to operate on the philosophy: never use one sentence when you could use three instead. Throughout there’s an overuse/over-reliance on superlatives. And lastly, I’m not sure how many Ali/Frazier metaphors one book can take (but it’s less than this one tries)

One unexpected pleasure for me was that as a long-time listener to The Nerdist podcast, it was fun reading so much about Billy Hardwick.

Just can’t recommend this one, it wasn’t horrible, but I’m sure there are better books about professional (or gambling-enhanced amateur) bowling out there for anyone who’s looking for that.

—–

2 Stars

Stone Quarry by S. J. Rozan

Stone QuarryStone Quarry

by S. J. Rozan
Series: Lydia Chin & Bill Smith, #6

Hardcover, 276 pg.
Minotaur Books, 1999
Read: March 3, 2015I feel a little awkward about this one, because I haven’t found (read: made) the time to review the previous book in the series, but I just finished this one and didn’t want to put it off, in case I forgot the experience. So far, the Bill Smith novels in this series haven’t thrilled me — they’re interesting, they deliver what they promise, it’s fun to see these two from a different perspective, etc. But I just don’t like them as much as the Lydia Chin novels.

Until now. (you saw that coming, didn’t you?)

And honestly, reading the book jacket copy saying that Rozan had won two pretty prestigious awards, both for Bill Smith books befuddled and annoyed me. But I think I’m over that now.

Like the other Bill novels, Rozan tends to get a bit more writer-y, more noir-ish, a bit more moody than the Lydia novels which tend to be more plot and character-driven.

We’re not in New York City this time — Bill’s been hired to work for someone upstate near the fishing cabin he retreats to from time to time. So we’re plunged into a new world — a world Bill is familiar with, but a stranger to. The case he’s investigating is quickly overshadowed by other events that concern people Bill’s semi-close to, and it’s not long before the bodies start to pile up, the secrets and lies start to get exposed, and Bill is repeatedly assaulted. Small town politics, police corruption, corporate — and garden variety — criminals are everywhere, and a few (relatively) innocent people are caught up in it all.

There’s been some progress/advancement/development/insert your own word in both the professional and personal relationships between Bill and Lydia, that’s obvious. But it’s all happening between the books — which is an interesting way to go about it, keeps the books focused on the mysteries and from changing into something else. Not that I’d necessarily mind what it changed into (and still may), but I appreciate the approach.

Something about Stone Quarry — and, no, I can’t tell you what, I wish I could — struck home with me — the ambiance, the characters, Bill’s reactions, the story, the strong sense of place (and the tie between the characters and the place) — in a way that nothing else in this series has. In reading breaks between the last few chapters, for some reason my mind when to the experience of reading Lehane’s A Drink before the War and Parker’s A Savage Place. Neither one of those books, or this one, have much in common at all — but they all left me feeling the same way. There’s a bit of melancholy, a sense of dissatisfaction (with the events — not the book), yet knowing that the author put you right where he/she wanted you the whole time and brought you to those feelings. Now, I don’t think this book is as good as those two (which is not a criticism, almost nothing can touch those two for me), but this was really satisfying.

—–

4 Stars

Saturday Miscellany – 2/28/15

Bah. Another content-light week for me. Sorry! Really. But between work and … everything else, I just haven’t been able to do much writing. I did get three half-posts composed this week, but haven’t been able to seal the deal on any of them. It’s pretty frustrating — I know exactly what I want to say about these three books when I’m doing something else, but when I sit down to write? It’s like pulling teeth. Let’s hope for better next week. I did get to update my Reviews in Progress page, so you can get at least a hint about what I’m thinking.

Without further ado, some dds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:

  • Dorothy Parker Drank Here by Ellen Meister — I really enjoyed Meister’s previous story about Parker’s ghost, looking forward to this one.
  • Canary by Duane Swierczynski — this looks like a good, solid, probably hyperviolent adventure. I won’t hurry to get this, but it’s on the list.

Lastly, I’d like to say hi and welcome to Melisa R for following the blog this week.

Saturday Miscellany — 2/21/15

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:

  • Half the World by Joe Abercrombie — #2 in Abercrombie’s Shattered Sea series. Which reminds me, I need to get a hold of #1.
  • Department 19: Zero Hour by Will Hill — been ages since I’ve read a Department 19 book, looking forward to digging in — this is a fun series about a group of Vampire Hunters mixed with a special operations force.
  • Shoot This One by Javier Grillo-Marxuach — from The Middleman to LOST to Charmed to Helix, and did I mention The Middleman? by Javier Grillo-Marxuach is one of the more interesting TV writers around. This collection of essays looks very appetizing.


Gemini Cell by Myke Cole

Gemini CellGemini Cell

by Myke Cole

Nook, 384 pg.
Ace, 2015
Read: February 4 – 9, 2015He started off strong three novels back, but Myke Cole is one of those authors who gets discernibly better with each book (I assume that will stop at some point — not that I’m in a rush for it), and this one seems like a major step beyond Breach Zone. So when I say this is a well-written book, I mean really well-written. But man, I really didn’t enjoy this book. It’s not his fault, well, let me rephrase it: it’s not Cole’s abilities or voice this time. I don’t know what it is. I guess I just don’t like the story or the characters all that much, as skillfully as they’re delivered to us?

Early on in the Great Reawakening, years before (possibly many) the Supernatural Operations Corps is in full swing, the U. S. Government has begun to use magic resources for its own ends (and, presumably, other nations are doing the same). One of these resources is a magician who can take the recently killed and unite their body and mind (slash soul?) with the mind (slash soul? again) of a long-dead warrior to create a Firestorm-like entity to use as the ultimate special-forces operator. Because somehow, this union gives them super-strength and abilities, while not feeling any pain or bleeding. As they’re technically dead, they can use them for anything, and if things don’t go right on the mission — oh well, what’s one more corpse? It’s a little more complicated than that, but that’ll do for now.

So, we have Jim Schweitzer, loving husband, doting father, and SEAL. His professional artist wife, Sarah, doesn’t fit in with the other Navy wives, and is really tired of not knowing where he is, when he’ll be called upon for a mission, and so on — puts her foot down. Family or Team. Just as he’s about to choose, a hit squad of people who shouldn’t know who he was, somehow find out and invade their home, wounding Sarah and their son and killing Jim. Giving the magician a fresh subject. Jim turns out to be one of the best (if not the best) of this reanimated soldier project, partially because he holds on to his humanity and memories better than most.

Sarah and Jim’s team member Steven, grieve his death (unaware that he’s not totally dead) and support each other in this time — while trying to figure out just what happened to his body, which is mysteriously not available for burial.

There’s one character we spend far too much time with given what happens to him/her by the end of the novel. One character who might as well be twirling a mustache in a couple of scenes. Mostly, everyone is this mix of motives, morality and action which are probably intended to depict the gray-ish nature of us all, but frequently come across as the products of an indecisive narrator. Jim battling his new soul-mate for control is just the most obvious example of the good vs. bad in all of us.

Cole explores similar themes to his past work — how honorable people/soldiers can function in inherently less-than-honorable conditions and systems. Who, ultimately, do soldiers fight — and why they do so. Cole’s said that this is to be a not at all subtle metaphor for PTSD, and I can see that — I’m just not sure it’s a helpful one (yet).

While I said Cole’s at the top of his writerly game, this isn’t a perfect book. At least once, he repeated a metaphor within a couple of pages (I don’t normally get that picky, but that one really took me out of the moment). And his sex scenes? Not good. They’re not Tom Wolfe bad, don’t get me wrong. But they read like . . . exactly like a sex scene written by a guy who’s better suited for describing Special Operations forces eliminating high-value enemy targets.

My major beef with this book is the magic. We’re four novels into this world by now, and the previous three have established some pretty clear rules for magic — at least the types of magic usually displayed in the U.S. But it’s clear that there might be variations throughout the world. So, it’s believable that we’d find another type of magic here. Also, this takes place quite a while before the Shadow Ops series, so changes may have occurred between now and then — if magic can appear and reappear, it can evolve, right? But it still feels too different (realizing I might have misunderstood this book, or the three others) — particularly the different (deeper?) magic that comes into prominence in the final chapters. I’m not saying there’s not a decent explanation for this, there very well may be — but given what we know about the universe this just doesn’t work. Which shouldn’t take away from the really strong and effective way that Cole used this bending/breaking of his own rules, because the last couple of chapters were great.

See what I mean? I can’t decide what I think about Gemini Cell — and I’ve been thinking about this for a couple of weeks, started writing this three days ago (you probably can’t tell that a lot of effort was put into this, but trust me). At this point, the only thing I’m sure of is that I’ll be back for the sequel, Javelin Rain, and hopefully that’ll wash all this away.

—–

Rating: I’m still not sure — somewhere between 2.5 – 4.5, I think.

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