Pub Day Repost: No Country for Old Gnomes by Delilah S. Dawson and Kevin Hearne is a very foine booke that surpässes the original while showing full respect to the umlaut

I’ve tweaked and retweaked this to the point that I can’t read it any more. Hope it’s mostly coherent.

No Country for Old GnomesNo Country for Old Gnomes

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, Book #2

eARC, 352 pg.
Del Rey, 2019
Read: March 9 – 12, 2019

As much as I loved 2018’s Kill the Farm Boy — and talked about it everywhere and repeatedly — I wasn’t sure how much I really wanted to pick up the sequel. There’s no way it would be as good, the humor would be a little stale, and the whole approach wouldn’t seem as novel. Still, I knew curiosity would get the better of me — and it’d still have its moments. Also, I’m not at the point where I can live in a world with a Kevin Hearne book in print that I haven’t read.

I was so, so wrong. Having established their off-kilter world, strong voice, and approach to the stories of Pell, Dawson and Hearne have come back to play in it. The result is superior in every way that I can think of. I lost track of how many times I said to myself while reading something along the lines of, “how did they improve things this much?”

So this book happens in different corner of the kingdom than Farm Boy did. The Skylar is a choice piece of the land that is home to two diminutive races — halflings and gnomes. Gnomes want to live in their nice little homes, tinker with their little projects and inventions, and wear brightly colored cardigans (well, there was one gnome who wanted to wear a black cardigan, but let’s leave that aside for now). The halflings have found their government hijacked by criminals and those particular halflings are waging a war of sorts on the gnomes, driving them from their homes for unknown reasons. Driven by desperation, two of these displaced gnomes are part of our questing party here. A halfling — committed to (some may say obsessed with) the law that is being ignored by his people is another member of the party.

These three join themselves to an ovitaur named Agape — an ovitaur is like a faun, but is humanoid with sheep characteristics (feet, legs, ears, etc). She’s the last of a long family line serving as teh guardians of a rare treasure, and needs guidance. A gryphon, named Gerd, outcast from his people has been accompanying the halfling for some time, but is devoted to protecting Agape now. The last member of the party is a dwarf named Båggi Biins. Båggi is on his Meadschpringå — a time when young dwarves leave their homes to purge the violence from themselves so they can return to their homes to pursue an ascetic life of creativity. He joins the others certain that journeying with them, protecting them along their way will provide all the outlet required to use his violence in a noble cause.

Their quest? To go to the Great Library, where the founding documents of the gnomeric and halfling civilizations are located — which should prove invaluable to re-establish the peace and help the two societies get along. Agape should find resources to direct her in her guardianship, and hopefully provide Gerd with the proof that he broke no laws of the gryphons.

The fact that most people on Pell consider the Great Library to be a myth shouldn’t be taken as an argument against this quest. What better place than a possibly mythical library to provide the answers they seek?

While these characters are on their quest, working for peace — the king and his advisor are trying to solve the problems between the halflings and gnomes in a more direct approach. We also see (briefly in most cases) other characters from Farm Boy. We see just enough to know how things are going for them some months later — and on the whole, it’s just as you’d hoped/expected it to be for them. It is not essential to have read the previous volume to get 95% of this book. It’s safe to hand this one off to family, friends and coworkers who are wondering what you’re cackling about without making them do homework first.

Along the way, these characters meet a cult of cabbage worshipers, who have the ability to read prophecies in the vegetables; some very frightening mermaids (that look nothing like anything anyone expects); a very Tom Bombadil-esque character (and a few other Tolkien-inspired jokes). As in Farm Boy, the authors manage to use these ideas as sources of comedy and to propel the plot along in meaningful ways. Similarly, they use racial and personal characteristics of the characters to play with, play against and mock genre standards. But almost none of the characters are mere jokes, they’re well-developed characters that happen to be able to comedic. This is not an easy balance to achieve — and Hearne and Dawson are almost flawless on this front.

For example, gryphons are convinced that they perceive greater nuance and details in colors, sounds, tastes and the like and adjust their pronunciation of words via capital letters, umlauts and extra syllables. Gerd’s dialogue is littered with these. It starts off as a joke that just won’t stop, and instead of it getting tired or annoying (which I assumed it would), it becomes just part of the way that Gerd talks. His own particular dialect, that occasionally will strike you as amusing — maybe even just funny occasionally. I wouldn’t say it’s because the authors show restraint with it, employing it just when needed to keep it funny. Quite the reverse, they seemingly take the approach of drowning you in the joke, figuring that it’ll be funny often enough to justify it.

If you’re like me, you have a tendency to skip chapter titles. Doing so with The Tales of Pell would be a mistake. The titles are long, fitting, and insanely goofy. The only thing better are the chapter epigraphs I imagine the drafts going back and forth between the authors, each trying to top the other with the next chapter title/epigraph. And generally succeeding.

These books are noted (as I’ve focused on) for their comedy — as is right, because they are funny. But as anyone who’s read other works by Dawson and Hearne know, they’re about a lot more than comedy. The battle scenes are exciting. The emotional themes and reactions are genuine and unforced. And tragedy hits hard. It’s easy to forget in the middle of inspiring moments or humorous aftermaths of battle that these kind of novels involve death and other forms of loss — and when you do forget, you are open to getting your heart punched.

In case I haven’t made it clear here, Dawson and Hearne knocked it out of the park here. I thought Kill the Farm Boy was outstanding, and No Country for Old Gnomes surpassed it on every front. I don’t expect that the third volume of The Tales of Pell will continue this trend — but I’m more than open to being proven wrong next year. But for 2019? I’m just going to revel in the goodness — the laughs, the pathos, the excitement — brought by this adventure and the wonderful cast of characters. Get your hands on this one.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post — thanks to both for this, I really appreciate it.

—–

4 1/2 Stars

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No Country for Old Gnomes by Delilah S. Dawson and Kevin Hearne is a very foine booke that surpässes the original while showing full respect to the umlaut

I’ve tweaked and retweaked this to the point that I can’t read it any more. Hope it’s mostly coherent.

No Country for Old GnomesNo Country for Old Gnomes

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, Book #2

eARC, 352 pg.
Del Rey, 2019

Read: March 9 – 12, 2019


As much as I loved 2018’s Kill the Farm Boy — and talked about it everywhere and repeatedly — I wasn’t sure how much I really wanted to pick up the sequel. There’s no way it would be as good, the humor would be a little stale, and the whole approach wouldn’t seem as novel. Still, I knew curiosity would get the better of me — and it’d still have its moments. Also, I’m not at the point where I can live in a world with a Kevin Hearne book in print that I haven’t read.

I was so, so wrong. Having established their off-kilter world, strong voice, and approach to the stories of Pell, Dawson and Hearne have come back to play in it. The result is superior in every way that I can think of. I lost track of how many times I said to myself while reading something along the lines of, “how did they improve things this much?”

So this book happens in different corner of the kingdom than Farm Boy did. The Skylar is a choice piece of the land that is home to two diminutive races — halflings and gnomes. Gnomes want to live in their nice little homes, tinker with their little projects and inventions, and wear brightly colored cardigans (well, there was one gnome who wanted to wear a black cardigan, but let’s leave that aside for now). The halflings have found their government hijacked by criminals and those particular halflings are waging a war of sorts on the gnomes, driving them from their homes for unknown reasons. Driven by desperation, two of these displaced gnomes are part of our questing party here. A halfling — committed to (some may say obsessed with) the law that is being ignored by his people is another member of the party.

These three join themselves to an ovitaur named Agape — an ovitaur is like a faun, but is humanoid with sheep characteristics (feet, legs, ears, etc). She’s the last of a long family line serving as teh guardians of a rare treasure, and needs guidance. A gryphon, named Gerd, outcast from his people has been accompanying the halfling for some time, but is devoted to protecting Agape now. The last member of the party is a dwarf named Båggi Biins. Båggi is on his Meadschpringå — a time when young dwarves leave their homes to purge the violence from themselves so they can return to their homes to pursue an ascetic life of creativity. He joins the others certain that journeying with them, protecting them along their way will provide all the outlet required to use his violence in a noble cause.

Their quest? To go to the Great Library, where the founding documents of the gnomeric and halfling civilizations are located — which should prove invaluable to re-establish the peace and help the two societies get along. Agape should find resources to direct her in her guardianship, and hopefully provide Gerd with the proof that he broke no laws of the gryphons.

The fact that most people on Pell consider the Great Library to be a myth shouldn’t be taken as an argument against this quest. What better place than a possibly mythical library to provide the answers they seek?

While these characters are on their quest, working for peace — the king and his advisor are trying to solve the problems between the halflings and gnomes in a more direct approach. We also see (briefly in most cases) other characters from Farm Boy. We see just enough to know how things are going for them some months later — and on the whole, it’s just as you’d hoped/expected it to be for them. It is not essential to have read the previous volume to get 95% of this book. It’s safe to hand this one off to family, friends and coworkers who are wondering what you’re cackling about without making them do homework first.

Along the way, these characters meet a cult of cabbage worshipers, who have the ability to read prophecies in the vegetables; some very frightening mermaids (that look nothing like anything anyone expects); a very Tom Bombadil-esque character (and a few other Tolkien-inspired jokes). As in Farm Boy, the authors manage to use these ideas as sources of comedy and to propel the plot along in meaningful ways. Similarly, they use racial and personal characteristics of the characters to play with, play against and mock genre standards. But almost none of the characters are mere jokes, they’re well-developed characters that happen to be able to comedic. This is not an easy balance to achieve — and Hearne and Dawson are almost flawless on this front.

For example, gryphons are convinced that they perceive greater nuance and details in colors, sounds, tastes and the like and adjust their pronunciation of words via capital letters, umlauts and extra syllables. Gerd’s dialogue is littered with these. It starts off as a joke that just won’t stop, and instead of it getting tired or annoying (which I assumed it would), it becomes just part of the way that Gerd talks. His own particular dialect, that occasionally will strike you as amusing — maybe even just funny occasionally. I wouldn’t say it’s because the authors show restraint with it, employing it just when needed to keep it funny. Quite the reverse, they seemingly take the approach of drowning you in the joke, figuring that it’ll be funny often enough to justify it.

If you’re like me, you have a tendency to skip chapter titles. Doing so with The Tales of Pell would be a mistake. The titles are long, fitting, and insanely goofy. The only thing better are the chapter epigraphs I imagine the drafts going back and forth between the authors, each trying to top the other with the next chapter title/epigraph. And generally succeeding.

These books are noted (as I’ve focused on) for their comedy — as is right, because they are funny. But as anyone who’s read other works by Dawson and Hearne know, they’re about a lot more than comedy. The battle scenes are exciting. The emotional themes and reactions are genuine and unforced. And tragedy hits hard. It’s easy to forget in the middle of inspiring moments or humorous aftermaths of battle that these kind of novels involve death and other forms of loss — and when you do forget, you are open to getting your heart punched.

In case I haven’t made it clear here, Dawson and Hearne knocked it out of the park here. I thought Kill the Farm Boy was outstanding, and No Country for Old Gnomes surpassed it on every front. I don’t expect that the third volume of The Tales of Pell will continue this trend — but I’m more than open to being proven wrong next year. But for 2019? I’m just going to revel in the goodness — the laughs, the pathos, the excitement — brought by this adventure and the wonderful cast of characters. Get your hands on this one.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post — thanks to both for this, I really appreciate it.

—–

4 1/2 Stars

My Favorite Non-Crime Fiction of 2018

When I was trying to come up with a Top 10 this year, I ran into a small problem (at least for me). With 44 percent of my fiction, Crime/Thriller/Mystery novels so dominated the candidates, it’s like I read nothing else. So, I decided to split them into 2 lists — one for Crime Fiction and one for Everything Else. Not the catchiest title, I grant you, but you get what you pay for.

I do think I read some books that were technically superior than some of these — but they didn’t entertain me, or grab me emotionally the way these did. And I kinda feel bad about leaving them off. But only kind of. These are my favorites, the things that have stuck with me in a way others haven’t — not the best things I read (but there’s a good deal of overlap, too). I know I read books that are worse, too — I don’t feel bad about leaving them off.

Anyway…I say this every year, but . . . Most people do this in mid-December or so, but a few years ago (before this blog), the best novel I read that year was also the last. Ever since then, I just can’t pull the trigger until January 1. Also, none of these are re-reads, I can’t have everyone losing to my re-reading books that I’ve loved for 2 decades.

Enough blather…on to the list.

(in alphabetical order by author)

Lies SleepingLies Sleeping

by Ben Aaronovitch

My original post
I’ve read all the comics (at least collected in paperback), listened to all the audiobooks, read the books at least once . . . I’m a Rivers of London/Peter Grant fan. Period. Which means two things — 1. I’m in the bag already for this series and 2. When I say that this is the best of the bunch, I know what I’m talking about. Aaronovitch writes fantastic Urban Fantasy and this is his best yet. The series has been building to this for a while, and I honestly don’t know what to expect next. Great fight/action scenes, some genuine laughs, some solid emotional moments . . . this has it all. Everything you’ve come to expect and more.

—–

5 Stars

The Fairies of SadievilleThe Fairies of Sadieville

by Alex Bledsoe

My original post
I was very excited about this book when Bledsoe announced it was the last Tufa novel. Then I never wanted it to come out — I didn’t want to say goodbye to this wonderful world he’d created. But if I have to — this is how the series should’ve gone out. It’s the best installment since the first novel — we get almost every question we had about the Tufa answered (including ones you didn’t realize you had), along with a great story. It’s just special and I’m glad I got to read this magical series.

—–

5 Stars

Dragon RoadDragon Road

by Joseph Brassey

I haven’t been able to get a post written about this –I’m not sure why. It’s superior in almost every way to the wonderful Skyfarer — the idea behind the caravan, the scope of the ship and it’s culture are more than you might think anyone has done before. A fantasy novel about wizards and warriors (and warrior wizards) in a SF setting. I had a blast reading this and I think you will, too.

—–

4 1/2 Stars

Kill the Farm BoyKill the Farm Boy

by Delilah S. Dawson and Kevin Hearne

My original post
Probably the best comedic/parody/satire fantasy since Peter David’s Sir Apropos of Nothing. The characters are fun, well-developed and pretty strange. This is a great fantasy story, it’s a great bunch of laughs, but there’s real humans and real human reactions — it’s not all laughs but enough of it is that you won’t have to work hard to thoroughly enjoy the book.

—–

4 Stars

Kings of the WyldKings of the Wyld

by Nicholas Eames
Like Dragon Road, I’ve been trying to write a post about this book for months. An epic story about brotherhood, about family, about heroism, about integrity — but at its core, it’s a story about Clay Cooper. Clay’s a good man trying to stay one. He worked really hard to get to where he is, but he has to e back on the road to help his friends’ daughter. It’s a fantastic concept and set up, with an even better follow-through by Eames. Possibly the best book I read last year — and I don’t say that lightly.

—–

5 Stars

All Those Explosions Were Someone Else's FaultAll Those Explosions Were Someone Else’s Fault

by James Alan Gardner

My original post
A Superhero story, a SF story, an Urban Fantasy, a story about friendship and destiny told with just enough of a light touch to fool yourself into this being a comedy. From the great title, all the way through to the end this book delivers.

—–

4 Stars

Smoke EatersSmoke Eaters

by Sean Grigsby

My original post
I started my original post about the book like this: Really, the case for you (or anyone) reading this book is simply and convincingly made in 13 words:

Firefighters vs. Dragons in an Urban Fantasy novel set in a futuristic dystopia.

That could’ve been my entire post, and it’s all I’m going to say now.

—–

4 1/2 Stars

Dark QueenDark Queen

by Faith Hunter

My original post
This could have been the series finale and I’d have been satisfied. I’m thrilled that it’s not. Hunter’s been building to this for a few books now — and it absolutely pays off the work she’s been doing. Better yet, there’s something else she’s been building toward that doesn’t get the attention it needed — and it’s devastating. The series will be different from here on out. Hunter’s as good as the genre has, and this book demonstrates it.

—–

5 Stars

Jimbo YojimboJimbo Yojimbo

by David W. Barbee

My original post
I don’t have words for this. I really don’t know how to say anything about this book — especially not in a paragraph. Click on the original post and know that even then I fail to do the book justice. It’s strange, gross, funny, exciting and thrilling.

—–

4 Stars

Beneath the Sugar SkyBeneath the Sugar Sky

by Seanan McGuire

My original post
As much as I appreciate McGuire’s Toby Daye, Indexing and InCryptid series, her Wayward Children books are possibly the best things she’d done. This allows us to spend time with characters I didn’t think we’d see again and the family — and world — of my favorite character in the series. It’s like McGuire wrote this one specifically for me. But it’s okay for you to read it, too. I’m generous like that.

—–

5 Stars

My Favorite 2018 (Fictional) Dogs

In one of the lightest moments of Robert B. Parker’s Valediction (just before one of the darker), Spenser describes his reservation about the first two Star Wars movies: “No horses . . . I don’t like a movie without horses.” After watching Return of the Jedi, he comments that it was a silly movie, but “Horses would have saved it.” Which makes me wonder what he’d have thought about The Last Jedi. Horses aren’t my thing, it’s dogs. I’m not quite as bad as Spenser is about them — I like books without dogs. But occasionally a good dog would save a book for me — or make a good book even better. I got to thinking about this a few weeks back when I realized just how many books I’d read last year that featured great dogs — and then I counted those books and couldn’t believe it. I tried to stick to 10 (because that’s de rigueur), but I failed. I also tried to leave it with books that I read for the first time in 2018 — but I couldn’t cut two of my re-reads.

So, here are my favorite dogs from 2018 — they added something to their novels that made me like them more, usually they played big roles in the books (but not always).

(in alphabetical order by author)

  • Edgar from The Puppet Show by M. W. Craven (my post about the book) — Edgar has a pretty small role in the book, really. But there’s something about him that made me like Washington Poe a little more — and he made Tilly Bradshaw pretty happy, and that makes Edgar a winner in my book.
  • Kenji from Smoke Eaters by Sean Grigsby (my post about the book) — The moment that Grigsby introduced Kenji to the novel, it locked in my appreciation for it. I’m not sure I can explain it, but the added detail of robot dogs — at once a trivial notion, and yet it says so much about the culture Cole Brannigan lives in. Also, he was a pretty fun dog.
  • Rutherford from The TV Detective by Simon Hall (my post about the book) — Dan Groves’ German Shepherd is a great character. He provides Dan with companionship, a sounding board, a reason to leave the house — a way to bond with the ladies. Dan just felt more like a real person with Rutherford in his life. Yeah, he’s never integral to the plot (at least in the first two books of the series), but the books wouldn’t work quite as well without him.
  • Oberon from Scourged by Kevin Hearne (my post about the book) — Everyone’s favorite Irish Wolfhound doesn’t get to do much in this book, because Atticus is so focused on keeping him safe (as he should be). But when he’s “on screen,” he makes it count. He brings almost all of the laughs and has one of the best ideas in the novel.
  • Mouse from Brief Cases by Jim Butcher (my post about the book) — From the moment we read, “My name is Mouse and I am a Good Dog. Everyone says so,” a good novella becomes a great one. As the series has progressed, Mouse consistently (and increasingly) steals scenes from his friend, Harry Dresden, and anyone else who might be around. But here where we get a story (in part) from his perspective, Mouse takes the scene stealing to a whole new level. He’s brave, he’s wise, he’s scary, he’s loyal — he’s a very good dog.
  • Ruffin from Wrecked by Joe Ide (my post about the book) — Without Isaiah Quintabe’s dog opening up conversation between IQ and Grace, most of this book wouldn’t have happened — so it’s good for Grace’s sake that Ruffin was around. And that case is made even more from the way that Ruffin is a support for Grace. He also is a fantastic guard dog and saves lives. His presence is a great addition to this book.
  • Dog from An Obvious Fact by Craig Johnson (my post about the book) — I might have been able to talk myself into ignoring re-reads if I hadn’t listened to this audiobook (or any of the series, come to think of it) last year — or if Dog had been around in last year’s novel. Dog’s a looming presence, sometimes comic relief (or at least a mood-lightener), sometimes a force of nature. Dog probably gets to do more for Walt in this book — he helps Walt capture some, he attacks others, just being around acts as a deterrent for many who’d want to make things rough on Walt. Walt couldn’t ask for a better partner.
  • Trogdor from The Frame-Up by Meghan Scott Molin (my post about the book) — Honestly, Trogdor probably has the least impact on the book than any of the dogs on this list. But, come on, a Corgi names Trodgor? The idea is cute enough to justify inclusion here. He’s a good pet, a fitting companion for MG — not unlike Dan’s Rutherford. He just adds a little something to the mix that helps ground and flesh-out his human companion.
  • Mingus from The Drifter by Nicholas Petrie (my post about the book) — Like Trogdor, a great name. Like Mouse and Dog, a great weapon. He’s really a combination of the two of them (just lacking Mouse’s magical nature). He’s vital in many different ways to the plot and the safety of those we readers care about. Petrie made a good move when he added this beast of a dog to the novel.
  • Chet from Dog On It by Spencer Quinn (my posts about Chet) — If I couldn’t cut Dog, I couldn’t cut Chet. Listening to this audiobook (my 4th or 5th time through the novel, I believe) reminded me how much I love and miss Chet — and how eager I am for his return this year. This Police Academy reject is almost as good a detective as his partner, Bernie, is. Chet will make you laugh, he’ll warm your heart, he’ll make you want a dog of your own (actually, all of these dogs will)
  • Zoey from Deck the Hounds by David Rosenfelt (my post about the book) — how do I not invoke Tara when discussing an Andy Carpenter book? Good question. It’s Zoey that brings Andy into the story, it’s Zoey that helps Don to cope with his own issues, it’s Zoey that defends Don and saves him (in many ways). Sure, Tara’s the best dog in New Jersey, but Zoey comes close to challenging her status in this book.
  • Lopside from Voyage of the Dogs by Greg van Eekhout (my post about the book) — It almost feels like cheating to bring in a dog from a novel about dogs — conversely, it’s hard to limit it to just one dog from this book. But Lopside the Barkonaut would demand a place here if he was the only dog among a bunch of humans — or if he was surrounded by more dogs. He’s brave, he’s self-sacrificing, he’s a hero. He’ll charm you and get you to rooting for these abandoned canines in record time.

Pub Day Repost: Kill the Farm Boy by Delilah S. Dawson and Kevin Hearne: A Comedic Fantasy Tells a Good Story While Playing with Too-Familiar Tropes

Kill the Farm BoyKill the Farm Boy

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, Book #1
eARC, 384 pg.
Del Rey, 2018

Read: June 5 – 12, 2018
Ugh. I wish the eARC didn’t say I needed to hold off any quotations until I could compare it with the final copy — or maybe, I wish I had noticed that very tiny print before I got half a draft of this finished. On the other hand, I was having trouble narrowing down which of my lengthy options to use, because, if nothing else, this is one of the more quotable books I’ve read in the last couple of years.

Kill the Farm Boy is a comedic fantasy, a satirical look at fantasy and even a parody of the genre. But what makes it effective is that for all the comedy, there’s a decent story and some solid characters throughout. It’s be easy for it to be a collection of jokes, with no story; or a tale full of character types, not characters. But Dawson and Hearne avoid those pitfalls.

The titular farm boy, Worstley, is going about his typical day, full of drudgery when an inebriated pixie shows up to announce that he is a Chosen One — one who is destined to save, or at least change, the world. To demonstrate her power, the pixie gives one of his goats, Gustave, the power of speech. The goat isn’t too happy about being able to speak, but since he was destined to end up in a curry in a few days, decides to travel with the newly appointed Chosen One, his former Pooboy. The pixie, having Chosened Worstley, disappears. Worstley the Pooboy (hey, Taran, worse things to be called than Assistant Pig-Keeper, eh?) and Gustave head off on a quest for glory.

Despite the book’s title, we don’t spend that much time with Worstley — instead the focus shifts (for good reason) to a band of hero–well, a group of companions. There’s Fia — a fierce warrior from a distant land, who just wants to live a life of peace with some nice roses — and some armor that would actually protect her (not that there’s anyone who minds seeing here in her chain-mail bikini). Argabella, a struggling bard who is cursed to be covered in fur — she’s basically Fflewddur Fflam and Gurgi combined (last Prydian reference, probably). Every adventuring party needs a rogue/thief, this one has to settle for the klutzy and not necessarily bright, Poltro, and her guardian, the Dark Lord magician, Toby (though some would only consider him crepuscular), of dubious talents. I can’t forget Grinda the sand witch (no, really), Worstley’s aunt and a magic user of considerable talent.

There are no shortage of villains — and/or antagonists to this party. There are some pretty annoying elves; a hungry giant; Løcher, the King’s chamberlain and mortal enemy of Grinda; Staph, the pixie behind the Chosening; as well as several magical traps, Lastly, there’s Steve. We don’t meet him (I’m betting it’ll be in Book 3 when we do), but throughout these adventures we how much this world, and our heroes lives, have been turned upside down my the worst Steve since one (allegedly) unleashed the preposterous hypothesis that Jemaine was a large water-dwelling mammal. Steve . . .

The writing is just spot-on good. Dawson and Hearne have taken all these various and disparate themes, tropes, characters and surrounded them with a lot of laughs. There’s some pretty sophisticated humor, some stuff that’s pretty clever — but they also run the gamut to some pretty low-brow jokes as well. Really, these two are on a tight comedic budget, no joke is too cheap. The variation ensures there’s a little something for everyone — and that you can’t predict where the humor will come from. I will admit that early on I got annoyed with a few running jokes, but I eventually got to the point that I enjoyed them — not just in a “really? they’re trying it again?” sense, either.

For all the comedy — Kill the Farm Boy hits the emotional moments just right. There’s a depiction of grief towards the end (spoiler?) that I found incredibly affecting and effective. There are smaller moments — less extreme moments — too that are dealt with just right. Maybe even better than some of the bigger comedic moments. This is the reward of populating this book with fully-realized characters, not just joke vehicles.

I have a couple of quibbles, nothing major, but I’m not wholly over the moon with this (but I can probably hit sub-orbital status). There was a bit about a fairly articulate Troll being taken down by a female using (primarily) her wits that could’ve used a dollop or five of subtly. Clearly they weren’t going for subtle, or they’d have gotten a lot closer to it. But it bugged me a bit (while being funny and on point). Secondly, and this is going to be strange after the last 2 posts — but this seemed to be too long. Now, I can’t imagine cutting a single line, much less a scene or chapter from this, but it just felt a little long. I do worry that some of Poltro’s backstory is too tragic and upon reflection makes it in poor taste (at best) to laugh about her — which is a shame, because she was a pretty funny character until you learn about her.

This is probably the best comedic/parody/satire fantasy since Peter David’s Sir Apropos of Nothing — and this doesn’t have all the problematic passages. I’ve appreciated Dawson’s work in the past, and you have to spend 30 seconds here to know that I’m a huge Hearne fan, together they’ve created something unlike what they’ve done before. Well, except for their characteristic quality — that’s there. I cared about these characters — and they made me laugh, and giggle, and roll my eyes. This is the whole package, folks, you’ll be glad you gave it a chance.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post — thanks to both for this.

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4 Stars

Kill the Farm Boy by Delilah S. Dawson and Kevin Hearne: A Comedic Fantasy Tells a Good Story While Playing with Too-Familiar Tropes

Kill the Farm BoyKill the Farm Boy

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, Book #1

eARC, 384 pg.
Del Rey, 2018

Read: June 5 – 12, 2018
Ugh. I wish the eARC didn’t say I needed to hold off any quotations until I could compare it with the final copy — or maybe, I wish I had noticed that very tiny print before I got half a draft of this finished. On the other hand, I was having trouble narrowing down which of my lengthy options to use, because, if nothing else, this is one of the more quotable books I’ve read in the last couple of years.

Kill the Farm Boy is a comedic fantasy, a satirical look at fantasy and even a parody of the genre. But what makes it effective is that for all the comedy, there’s a decent story and some solid characters throughout. It’s be easy for it to be a collection of jokes, with no story; or a tale full of character types, not characters. But Dawson and Hearne avoid those pitfalls.

The titular farm boy, Worstley, is going about his typical day, full of drudgery when an inebriated pixie shows up to announce that he is a Chosen One — one who is destined to save, or at least change, the world. To demonstrate her power, the pixie gives one of his goats, Gustave, the power of speech. The goat isn’t too happy about being able to speak, but since he was destined to end up in a curry in a few days, decides to travel with the newly appointed Chosen One, his former Pooboy. The pixie, having Chosened Worstley, disappears. Worstley the Pooboy (hey, Taran, worse things to be called than Assistant Pig-Keeper, eh?) and Gustave head off on a quest for glory.

Despite the book’s title, we don’t spend that much time with Worstley — instead the focus shifts (for good reason) to a band of hero–well, a group of companions. There’s Fia — a fierce warrior from a distant land, who just wants to live a life of peace with some nice roses — and some armor that would actually protect her (not that there’s anyone who minds seeing here in her chain-mail bikini). Argabella, a struggling bard who is cursed to be covered in fur — she’s basically Fflewddur Fflam and Gurgi combined (last Prydian reference, probably). Every adventuring party needs a rogue/thief, this one has to settle for the klutzy and not necessarily bright, Poltro, and her guardian, the Dark Lord magician, Toby (though some would only consider him crepuscular), of dubious talents. I can’t forget Grinda the sand witch (no, really), Worstley’s aunt and a magic user of considerable talent.

There are no shortage of villains — and/or antagonists to this party. There are some pretty annoying elves; a hungry giant; Løcher, the King’s chamberlain and mortal enemy of Grinda; Staph, the pixie behind the Chosening; as well as several magical traps, Lastly, there’s Steve. We don’t meet him (I’m betting it’ll be in Book 3 when we do), but throughout these adventures we how much this world, and our heroes lives, have been turned upside down my the worst Steve since one (allegedly) unleashed the preposterous hypothesis that Jemaine was a large water-dwelling mammal. Steve . . .

The writing is just spot-on good. Dawson and Hearne have taken all these various and disparate themes, tropes, characters and surrounded them with a lot of laughs. There’s some pretty sophisticated humor, some stuff that’s pretty clever — but they also run the gamut to some pretty low-brow jokes as well. Really, these two are on a tight comedic budget, no joke is too cheap. The variation ensures there’s a little something for everyone — and that you can’t predict where the humor will come from. I will admit that early on I got annoyed with a few running jokes, but I eventually got to the point that I enjoyed them — not just in a “really? they’re trying it again?” sense, either.

For all the comedy — Kill the Farm Boy hits the emotional moments just right. There’s a depiction of grief towards the end (spoiler?) that I found incredibly affecting and effective. There are smaller moments — less extreme moments — too that are dealt with just right. Maybe even better than some of the bigger comedic moments. This is the reward of populating this book with fully-realized characters, not just joke vehicles.

I have a couple of quibbles, nothing major, but I’m not wholly over the moon with this (but I can probably hit sub-orbital status). There was a bit about a fairly articulate Troll being taken down by a female using (primarily) her wits that could’ve used a dollop or five of subtly. Clearly they weren’t going for subtle, or they’d have gotten a lot closer to it. But it bugged me a bit (while being funny and on point). Secondly, and this is going to be strange after the last 2 posts — but this seemed to be too long. Now, I can’t imagine cutting a single line, much less a scene or chapter from this, but it just felt a little long. I do worry that some of Poltro’s backstory is too tragic and upon reflection makes it in poor taste (at best) to laugh about her — which is a shame, because she was a pretty funny character until you learn about her.

This is probably the best comedic/parody/satire fantasy since Peter David’s Sir Apropos of Nothing — and this doesn’t have all the problematic passages. I’ve appreciated Dawson’s work in the past, and you have to spend 30 seconds here to know that I’m a huge Hearne fan, together they’ve created something unlike what they’ve done before. Well, except for their characteristic quality — that’s there. I cared about these characters — and they made me laugh, and giggle, and roll my eyes. This is the whole package, folks, you’ll be glad you gave it a chance.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

Scourged by Kevin Hearne: The Iron Druid Chronicles conclude with a bang.

This took me longer to write than I intended. Maybe I should’ve talked about it right after finishing it after all.

ScourgedScourged

by Kevin Hearne
Series: The Iron Druid Chronicles, #9

Hardcover, 265 pg.
Del Rey, 2018
Read: April 4, 2018

So, in a fast 265 pages Kevin Hearne gives us: Ragnarok; a lot of dead vampires; environmental crises; a friendly sloth; puppies; send-offs to many, many characters; shocking deaths; less-than-shocking deaths; surprise non-deaths; and more discussion of poots (elven and jaguar) than one’d expect in this kind of book. The amount that he accomplishes here is really staggering. Some of it, alas, could’ve been deeper — explored more thoroughly — if he hadn’t set out to do so much or if he’d taken more time with some things (and less time with others). Still, this was a heckuva way to end the series.

This is not the book to start this series with, go back and read Hounded if you’re curious (one of the best series kick-offs around), and I’m not going to get into the plot much. It’s Ragnarok. We’ve all known it was coming and now it’s here — ’nuff said. Along those lines, however, Hearne also gets bonus points for including a “where we are in the series” introduction, summarizing the first 8 novels and the short stories/novellas that got us to this point. Again, this should be a requirement for long-running series.

There’s no easy way to say it: there was just too much of Granuaile and Owen. Yes, it’s the best use of Owen since his introduction, don’t get me wrong. But it’s the Iron Druid Chronicles — fine, use the others if you want, but they shouldn’t get equal time to the Iron Druid here in the last book. Especially given the number of things — and scope of action — that had to be accomplished in Atticus’ story, it really should’ve had more room to breathe. That said — for End-of-the-World Showdowns featuring deities from multiple pantheons? This rocked. He wrapped up the story he kicked off in Hammered and Two Ravens and One Crow in a fantastic fashion, full of death, blood and tension. At the same time, he maintained the very idiosyncratic characterizations he’d created for the various gods and goddesses.

Speaking of Two Ravens and One Crow, a small, but fun, point from that comes back in these pages in a way that no one could have expected and added just the right level of fun to the battle.

Hearne did a great job integrating the short stories from Besieged into this book — I didn’t expect to see so much from them carry over to this. It all worked well and set the stage for Hearne to get in to the action of Scourged right away and he took full advantage of that.

There were more than a few things that seemed like they needed better explanations — doesn’t the convenient dog sitter find the way that Atticus spoils his dogs more than a little strange? Given that they’ve known the clock was ticking on Ragnarok, why did Atticus wait until the last second to give Granuaile and Owen their assignments? I mean, it works out well for dramatic purposes, and allows certain plot points to be triggered, but that’s not a good reason for the characters to work that way. At the very least, why weren’t his former apprentice and his former teacher pestering Atticus to lay out his plans long before this? While I eventually saw what Atticus and Hearne were up to, in the moment, a lot of the plan just didn’t make sense. When the world is falling apart, why set someone up for an extended training session (for one example)?

I’m not giving away anything about anyone dying — or living — but we know this is the finale, so we’re seeing the end of stories for these characters. Some good, some shocking, some disappointing, some sad. In no particular order: Laksha got a nice send-off, I really didn’t expect to see her here — and I really appreciated what Hearne did with her. It’s not honestly the ending I’ve had wanted for Atticus — but it’s the kind of ending that Hearne’s been building to for a while now, so it’s fitting. I can appreciate the way that Hearne accomplished his goals, even if I think Atticus deserved better. Owen’s ending was everything you could’ve hoped for. Granuaile’s story was fitting for her — and a good reminder that I stopped liking her a few books ago (seriously, why couldn’t she adopt an attitude similar to Owen or Flidias when it comes to their assignments during the battle?). I would’ve liked to have seen Perun one more time, but he got a good send off in Besieged.

Oberon was sidelined for most of the book — I understand why: Atticus wanted to keep his buddy safe, and Hearne needed to keep things ominous, dramatic and threatening, which is hard to do with everyone’s favorite Irish Wolfhound putting his two cents in (it’s hard enough with Coyote around). Still, we got some good Oberonisms, and he elicited more than one smile from me — and you could argue he saved the day ultimately. If I didn’t know that Hearne was writing one more of Oberon’s Meaty Mysteries, I’d be despondent over not seeing him again.

Scourged wasn’t perfect, but it was very satisfying. If I have to say good-bye to these characters, this is a pretty good way to do it. There was enough excitement, drama, and happenings to fill a couple of books and Hearne got it all into one — no mean feat — and it was a great read. It’s not easy letting go of most of these characters and this world (I mean, apart from re-reads), but I’m glad Hearne got out when he did and the way he wanted to. I’m looking forward to his future projects.

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4 1/2 Stars