PUB DAY REPOST: Nice Places by Vincent Chu: Traveling Far So Easily

Cover of Nice Places by Vincent ChuNice Places

by Vincent Chu

DETAILS:
Publisher: Forest Avenue Press
Publication Date: June 2, 2026
Format: eARC
Length: 296 pg.
Read Date: May 11-14, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Nice Places About?

When we meet Georgie, he’s about to quit his job—but his boss fires him first. It was a mutual thing, really.

Georgie has a plan—he’s going to take a year and travel the world. He got a job right out of high school and has spent more than a decade at the company—he wants to grab some of that life experience so many people grab in their late teens/early twenties. He’s knocked off course from that attempt before he makes his first flight—and stumbles into something stranger.

He meets a mixed media artist named Ant. She’s working on her M.A. and is in search of a thesis project. Some silly thing that Georgie tries inspires her—and the two concoct a crazy plan that will suit Georgie’s quest for an experience and her thesis.

Odd times ensue. And a friendship develops between the two of them that will alter the courses of their lives.

Why did I pick this up? Why did I keep reading?

Picked it up because Chu asked me nicely, and because I had fond (and vague) memories of a short story collection.

I stuck with it for two reasons—once you get into Chu’s writing, you don’t want to leave until it’s done. Chu doesn’t have a flashy style, or snappy dialogue, or a tight pace (this book would be ruined by any of those, these are not critiques)—but his writing is solid, appealing, and will carry you along without drawing attention to itself.

The other is the character and his little project; I just needed to see where it went. The relationship between Georgie and Ant—and the difficult way to characterize it—is probably more of a driving force for me.

What does this book tell us about humanity?

It’s tricky to tackle this question because that’s one of the points of the book, and to really answer it would involve ruining the book.

But I can talk about some of the things it focuses on thematically. Chu explores the idea of experiences and how we need them. Particularly shared vs. solitary experiences. The “shared” aspect comes out a lot—sometimes it’s just two or three people, sometimes it’s a family, or a group of acquaintances. Sometimes it’s something as large and vague as “the Internet reacted to X.”

You may not find yourself resonating or agreeing with everything that Georgie and Ant conclude—or any of the other points of view they encounter along the way—but you’ll enjoy the experience of thinking about them.

So, what did I think about Nice Places?

I’m not wholly pleased by the way this book ends up—but outside of a Wayne’s World-esque “mega Happy Ending,” I’m not sure I would be. But I get what Chu did, and it’s both more fitting and narratively satisfying than what I think I wanted. Note, you should not read into my comment that this has a nasty or unhappy ending—just not a “mega Happy” one.

In the beginning of the novel, I didn’t get Georgie at all, and progressed only because I trusted Chu—I was mildly amused by some of what happened to him, and then around the time his whole plan was derailed, I got hooked. By the time his ridiculous plan was hatched, I was fully invested. And that stuck with me for most of the book. What Georgie and Ant went through together was just great, and I’d have happily read another 50-70 pages of it. I admit that there was a period toward the end where Georgie seemed to wallow in ennui and depression, and I had a hard time caring at that point—his ennui was contagious. But once he re-engaged, so did I.

I’m going to avoid saying much about Ant. But almost everything the book has to say comes from her (or in reaction to her), and as a character, she’s drawn in such a way that you’re primed and eager to hear her. So well done.

The other characters are drawn just as deeply as they’re required to be—and not one bit more. But they come in and out of the story so well that you see them as deeply constructed. I wouldn’t have minded more time with some of them, but I was satisfied.

I think I got so hung up on the bigger themes and ideas (at least in my head) that I haven’t done a great job of describing just how fun the book was (with the exception of the whole ennui bit I mentioned above). It was a very enjoyable read, it just got me thinking so much that I haven’t been able to focus on the Georgie’s goofy plot (and I was rooting for it the whole time).

This whole novel was so unexpected, so creative—it’s one of those books that you just can’t guess what provoked Chu to write it, what might have inspired him. I really don’t care, I’m just glad he did.

Disclaimer: I received this eARC from the author in exchange for this post, which contains my honest opinion.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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LITERARY LOCALS: A Q&A About Writing in Idaho with Tomás Baiza

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I’m really excited to introduce you all to Tomás Baiza today. I spoke to him briefly a few weeks ago, and his books look great. Get to know him a little bit and then click the links below and give his books a look.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
I’m originally from San José, California, and have lived in a lot of different places since moving away from the Bay Area. I started writing relatively late and tend to write fairly flawed characters trying to figure out who they are, where they fit in or don’t, and what they might do about it. I’m fortunate to have had three books published: Delivery (Running Wild Press), A Purpose to Our Savagery (RIZE), and Mexican Teeth (Inlandia).

What brought you to Idaho in the first place? What is it about Idaho that keeps you here?
I came here for work and stayed in order to provide my daughter with a stable home base through high school.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I’m loosely tied with a handful of local writers. It started through Storyfort and spread into involvement with a couple of writing/critique groups. I’ve met more people through readings (my own and others) and literary events and places like Campfire Stories and Oldspeak. I’m not an innately social person, so I owe my contacts really to the kindness of others who have been very welcoming.
For the sake of those who aren’t in the area and/or are so crowd averse that they avoid all the -fort things in Boise (read: me), describe Storyfort a little – and how you’re involved. Also, I don’t think I’ve heard of Campfire Stories before – what’s that?
Storyfort is one of the various “-forts” that happen simultaneously with Treefort. It was created by Boise-area writer, Christian Winn, and is now run by Sam Berman. It’s a great series of literary events that feature national, regional, and local writers. There are feature readings, panels, and themed readings throughout the week. It’s an excellent program for both the artists and the reading public. I first got involved in Storyfort when one of my early stories was picked for a reading at one of the events. Since then, I’ve done a few readings, and I’ve had the privilege of riding the coattails of Rebecca Evans, a local writer who organizes a themed panel each year.

Campfire Stories is a monthly event that takes place from March through October. It is organized by Christian Winn and features 3-5 readers each month. Last year I was brought on to host a couple of events and I’ll do the same this year. Each month focuses on a theme. The theme can be abstract or very topical. In recent years, the Modern Hotel has hosted the event. It’s a great night where people can come early, grab dinner, and then stick around for stories.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors?
I try to stay involved with Storyfort each year, and I’m always interested in public readings. My books have all come out through independent publishers, which means they’re tragically under-marketed and the readership will always be limited, so I try to do as much in public as possible to get them as much attention as I can without being really obnoxious about it.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
Most of my readers have some kind of local tie, but I have also had people reach out from other places. I’ve done some remote class visits and random folks will occasionally contact me to comment on my writing, which is always a welcome surprise. Since I often (but not always) write through the lens of identity and Latinidad, my readership is more limited. I don’t tend to write things that are likely to have a very broad audience.
Most of the authors I’ve talked to about class visits are people going into elementary schools to read to the children—Latinidad vibes or not, you don’t strike me as that kind of author (by all means, set me straight if I’ve misjudged you). So what kinds of classes are you visiting? Writing classes?
I’d LOVE to go into classrooms and talk to kids, but since my writing is pretty adult, I don’t get those kinds of requests. I’ve done some remote talks with college writing courses and I’ve really enjoyed the experience. In one case a class was reading a collection of environmental stories that had one of my stories (“A Seal’s Song”). One of the students enjoyed it enough to track me down on Instagram. She ended up working with the instructor to have me Zoom in. In other “visits,” I’ve spoken with early writers on the ups and downs of publishing. I have a lot of hard-earned experience there, so I hope that those talks are helpful to the students.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
It’s a small community with a lot of scrappy, talented writers. It can be both supportive and intensely and passively competitive. Depending on your mindset, that “fishbowl” environment can be either motivating or dispiriting, or both.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I write from the perspective of a dyed-in-the-wool Californian who happens to live in Idaho. I write as an outsider because that’s my natural voice and perspective, for better and for worse. I definitely don’t try to larp around as an “Idahoan.” This is a great place that I’m fortunate to have found for as long as I’m here.
I love the idea of Idahoan LARPing…what comes to mind isn’t very flattering, but I’m amused by it.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
It’s not Idaho, per se, but I always recommend Edward Abbey’s DESERT SOLITAIRE to anyone who’s interested in the American West and our attitudes towards the environment. He had a few problematic views, but I’ve always loved Abbey’s rebellious, anti-establishment perspective. He lived his values, which I respect.
I’d never heard of this book before, but it looks promising—and at least fairly Idaho-adjacent (beyond the obvious literal adjacentness)
Yeah, Abbey was a GREAT writer. I don’t always love how he depicts women and particularly Native people in his stories, but I do believe that his writing has done far more good than harm. I think what resonates with me the most is that he was a white dude destined for privilege who decided that it was far more important to challenge evil systems of exploitation than settle into a comfortable writer’s life. It shows in his writing.

Thanks for your time and participation! Hope you enjoyed it!


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MUSIC MONDAY: “Running” by Rose Betts

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Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

Don't Panic

20 Books of Summer 2026: Commence

20 Books of Summer 2026
Annabel from AnnaBookBel carries on the work started by Cathy of 746 Books . You can read her kick-off post here.

Initially, I was going to use this as time to catch up on my “Read Everything I Buy in 2026 in 2026” goal, but then I remembered things like my book clubs and NetGalley. So I had to accept some setbacks there. I’ve got an ambitious, but easily achievable list.

I’ve frequently used the unofficial US Dates for Summer—Memorial Day to Labor Day, but Memorial Day has already passed. So, I’ll go along with the “official” June 1-August 31.

There’s still time to join in the fun—if you’re into this kind of thing. (there are 10 and 15 book versions, too)

This summer, my 20 are going to be:

1. The Devils by Joe Abercrombie
2. Trade of Blood by Robert Jackson Bennett
3. Eyes of Empire by JCM Berne
4. Cold Iron Task by James Butcher/a>
5.
Eaters of the Dead by Michael Crichton
6. Dungeon Crawler Carl by Matt Dinniman
7. Detained: A boy’s journal of survival and resilience by D. Esperanza and Gerardo Iván Morales
8. What’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy ofService by Melissa Fitzgerald and Mary McCormack
9. Killer Vibes by Jack Friday
10. Manitou by Glen Gabel/a>
11. Wool by Hugh Howey
12. Eternal Blades by Vlad V. Imakaev
13. First Mage on the Moon by Cameron Johnston
14. Left Hand of Darkness by Ursula K. Le Guin
15. The Shadow Carver by Nadine Matheson
16. Squeaky Clean by Callum McSorley
17. Dial A for Aunties by Jesse Q. Sutanto
18. Crownfall by Michael Vadney
19. We Be Dragons by Michael Weitz
20. Everybody Wants to Rule the World Except Me by Django Wexler

(subject to change, as is allowed, but I’m going to resist the impulse to tweak as much as I can).

What do you think of this list? Any warnings—or anything you think I should be really excited about?

20 Books of Summer '26 Chart

Looking Back at May 2026

I read 24 titles (X up/down from last month, 1 up from last May), and I’m a little behinder on my To-Write-About List. My TBR progress was meager, but was progress nonetheless. Was a fun month, but not necessarily productive.

The Month in Reading
May Calendar
(thanks to Bookmory for the image)

TBR Piles

Audio E-book Physical Goodreads
Want-to-Read
NetGalley
Shelf/ARCs/Review Copies
End of
2025
4 89 112 192 11
1st of the
Month
3 88 132 200 6
Added 1 5 10 4 4
Read/
Listened
2 1 9 3 2
Current Total 2 92 133 201 8

My TBR Range
TBR Range Chart
If you actually want to be able to read that, click on the chart for a larger version.
Breakdowns:
“Traditionally” Published: 22
Self-/Independent Published: 2

Genre This Month Year to Date
Children’s 1 (4%) 14 (11%)
Fantasy 5 (21%) 20 (16%)
General Fiction/ Literature 3 (13%) 14 (11%)
Mystery/ Suspense/ Thriller 6 (25%) 31 (25%)
Non-Fiction 3 (13%) 10 (8%)
Science Fiction 3 (13%) 12 (10%)
Theology/ Christian Living 2 (8%) 10 (8%)
Urban Fantasy 1 (4%) 13 (10%)
“Other” (Horror/ Humor/ Steampunk/ Western) 0 (0%) 1 (1%)

Review-ish Things Posted
Books of the Month

Other Recommended Reads

Other Things I Posted

Spotlights/Cover Reveals

Music Mondays

WWW Wednesdays

Saturday Miscellanies


Enough about me—how Was Your Month?


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Saturday Miscellany—5/30/26

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Ian Rankin: ‘Why people who read books live 1,000 lives’—Rankin, talks “about libraries, comics, BookTok, prisons and the enduring power of reading in an age of digital distraction.” If I didn’t already like the guy, this would make me take a second look at him/his work
bullet Comparisons as Predictable as the Sunrise—”An analysis of 200,000 similes from popular fiction.” Not only is this interesting (if not more), it looks great. You’ll end up spending more time on this than you expect.
bullet This Archivist Has Saved 175,000 Articles from 30 Years of Writing about Magic: The Gathering—This is primarily about archiving, but you’ll pick up some fun info about Magic along the way (I know at least two of you will read it just for that)
bullet Love Language: The undying dream of Esperanto—One of my regrets is not continuing on in my study of this (if only because the persistence with it might have helped with other language aquisition). It also was fun–and made me think that one day I might just be as cool as “Slippery Jim” diGriz. (an idea forever labeling me as un-cool)
bullet Rediscovering Rereading (Again)—I resonate with so much of this (if not the individual works being discussed)
bullet Monthly Manga Mania Featuring Firsty Duelist: Pandora Hearts by Jun Mochizuki—This one might end up on my TBR
bullet The Best Writers of the Future May Be the People Who Never Go Online—I’m not sure I can agree with this–but I liked thinking about it.
bullet Magical Minds: Neurodivergent Fantasy Recs!
bullet Typos, Glitches, and Postal Fails: The Unexpected Quirks of Publishing a Book—AJ Calvin gives a look at some of the mishaps that can befall a self-published author along the way..
bullet Why I’m Raising My Prices as an Indie Author—Claudie Arseneault is doing what some would see as unforgivable and/or foolish–but it really makes sense.
bullet Adam Holcombe “does the math” on a recent post about Indie Authors’ income
bullet These last three have got me thinking about all the work our beloved Indie/Self-Published authors go through to bring us their works. I wish there were an organized way to celebrate them. Oh wait–that’s right, there is! Announcement: Self-Published Authors Appreciation Week 2026—That’s right, it’s back! And (hopefully) better than ever. I’m pretty excited about what I’ve started to put together for it.
bullet Garbage Pail Kids as Books: Part I—put together by book promoter Lori Hettler, who has introduced me to some of the best and strangest work I’ve read. I hope we get more of these.
bullet Tom Gauld’s latest brought a smile to my face

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Sit. Stay. Read. Ep. 39: Peter Abrahams aka Spencer Quinn, Cat on a Hot Tin Woof—I don’t know if I’ve heard Quinn/Abrahams interviewed before. Was nice if only for that

My favorite sentence/passage/phrase (or two) that I read this week:
“I know that when he sits beside me at the dining table and places his front right paw on my knee as he sniffs my food that he is trying his best to be polite before politeness loses.”—”Oscar” by Paul Yoon from The Best Dog in the World

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet The God We Worship edited by Jonathan L. Master
bullet Thursday, 1:17 PM by Michael Landweber—I have a strong, visceral memory of this one (I should add positive)
bullet The Cupid Reconciliation by Michael R. Underwood
bullet Hard Court by Robert Germaux—the first of many times that Bob has made me smile
bullet Hounded (Audiobook) by Kevin Hearne, Luke Daniels—my introduction to one of my favorite audiobook narrators
bullet And I talked about the releases of: A Mint Condition Corpse by Duncan MacMaster; The Last Star by Rick Yancey; Dietland by Sarai Walker; and Dark Run by Mike Brooks

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Brothers McKay by Craig Johnson—Walt has to investigate the murder of one of his county’s least popular citizens.

Superimposed on a photo of a stack of books next to a window, 'Let's make something very clear: Books are not Clutter!' as seen on ‪@raeradford.bsky.social‬

I Am The Reader Tag

I Am The Reader Tag
I’ve had this post mostly drafted for a few weeks, but hadn’t gotten around to formatting and whatnot. Then I realized it’s perfect for today’s anniversary, so…here you go.

I found this over at Jo Linsdell’s list of tags, apparently it was created by Penguin Random House to promote The Reader by Traci Chee.

Choose one word that describes being a reader

Curious. A reader is curious. Curious about new worlds, new characters—what’s going on in old fictional worlds or with familiar characters—new ideas. Curiosity about new-to-me facts and perspectives. Or different ways to tell familiar stories.

What is the first book you fell in love with?

There were a number of picture books that probably qualify—the ones I had read to me so many times I could tell when my mother goofed or was skipping ahead so she could move on to something else. But the first title that I can point to with a level of confidence is—as I’ve said so many times on this site that even I’m bored with the story (and many readers could say it with me: Encyclopedia Brown, Boy Detective.

 

Cover of Encyclopedia Brown boy Detective by Donald J Sobol border=

 

Hardback or paperback, e-book or audio?

Probably paperback, they’re just easier to hold comfortably. Hardback and then e-book are fine follow-ups. I love audio—it’s clear that I listen to them a lot—but I have to be doing something else (working, cleaning, driving), or I fall asleep. So that’s why it comes in fourth.

I know they’ve fallen out of fashion, but I miss a good mass-market paperback.

How has reading shaped your identity?

It practically is my identity. I’d like to think that Christian, Husband, Father, Grandfather, and friend come first–but I’m convinced any of them do. I say that in jest, but there’s a voice in the back of my head saying, “oh, really?”

As far back as I can remember, that’s just what I did. And everyone knew it–as I talked about on Monday, my friend group had me read The Hitchhiker’s Guide to the Galaxy to help us figure out the game. They also handed me Dragons of Autumn Twilight to help us get a handle on playing in that world (we never did, but my Weiss/Hickman fandom started right then). I find myself in similar situations still. There are people were I work that’ll come up and give me book suggestions without us having had a real conversation before. I just emit a bookworm (or ink drinker) pheromone, I think. That was true before I started blogging–it’s only increased since then.

What book do you read when you need to be comforted?

I don’t have a go-to for that. Maybe I should—but really, any fictional work does it by letting me focus on a different reality.

For the longest time, I’d read a Nero Wolfe/Archie Goodwin book when I was taken down by a cold. But that’s not the same, I know, it’s just the closest I can think of.

One particularly dark part of my life started around the time I’d discovered Jim Butcher—the first 8 Dresden novels helped me through that (as did discovering Jonathan Tropper). I don’t go to either of them when I need comforted, but they ended up that way then. And probably serve the same purpose now, I just don’t realize it.

Who taught you how to be a reader?

Immediately, this line from Alberto Manguel’s A History of Reading came to mind:

At one magical instant in your early childhood, the page of a book—that string of confused, alien ciphers—shivered into meaning. Words spoke to you, gave up their secrets; at that moment, whole universes opened. You became, irrevocably, a reader.

So, I couldn’t tell you when that happened. But the authors that jumped to mind to get me/keep me hooked early on were: Donald J. Sobol, Raymond Abrashkin and Jay Williams, Robert Arthur and whoever was ghostwriting the Alfred Hitchcock and the Three Investigators books, and countless others I can’t recall. Their work has been fed and nurtured over the years by countless more (and for the last 13 years, by people featured on this here blog).

But really, it was my Mom. She introduced books to me, she spent more time than she probably could afford early on reading them to me, and supported my habit when it became out-of-control (and still does).

Describe your dream reading lounge

A comfortable chair—not too comfortable, because I can drift off pretty easily. Good lighting—I prefer overhead lighting (much to my lamp-loving wife’s consternation). A good, comfortable temperature. Not a lot around to distract myself. A decent source of music for the background. Space for a dog or to curl up next to me. I really don’t care what it’s like beyond that–I’m not going to pay attention.

What book changed the way you act or see the world?

What book didn’t?

I’m going to limit myself to Middle School and High School, or this would take a day to write. Also, I’m pretty sure I’m leaving some off–that’s the problem with memory (and I have to say that kind of thing because if I don’t add that disclaimer, I’ll be revising this list for hours).

Adams’ The Hitchhiker’s Guide to the Galaxy (as you may have read here earlier this week); Alan Mendelsohn, the Boy from Mars by Daniel Manus Pinkwater; Jane Eyre; Dave Barry Slept Here; Bierce’s The Devil’s Dictionary; The Right Stuff; Fahrenheit 451; Heart of Darkness (only in that it gave me a lifelong aversion to Joseph Conrad); Lewis’ Mere Christianity and The Screwtape Letters.


As usual, I’m not tagging anyone in this—but I’d like to see what you all have to come up with.

The Best of the Best from 13 Years of The Irresponsible Reader

The Best of the Best from 13 Years of The Irresponsible Reader
It was 13 years ago today that I first posted something to The Irresponsible Reader. I still can’t believe that I’ve stuck with it that long (I mentioned it to my wife the other day and it set her back a step)—even more improbable is that you, reader, are here. Whether you’ve been around for a few weeks or some years—my mind is boggled by it. Thanks for that, truly.

Last year, I commemorated the day by combining all my “Favorite Reads from Genre X” from Januarys past into one MEGA-LIST, which I’ve dutifully updated to include 2025 reads.

So MEGA that I truly don’t have a count. So MEGA I had to put a “Read More” link in it so it didn’t bog down the main page. Also so large, that I’m doing annoying things like overusing all caps and the word “mega.”

(a retread of last year’s joke, but I like it, so expect it to repeat for at least another couple of years.

It is a very strange list—authors that have no business next to each other, strange genre leaps, and a couple of books I’d largely forgotten about. Still, these are books that I’ve shouted about before and that I really want to draw your attention to—go read some of these!

This is definitely a work in progress. I’m going to continue to refine this list a bit in the future (not changing any selections—although I might add some from the year or two I didn’t post a “best of”/”favorite” list), just refining it—making it look better, polish some of the comments (I’ve done some of that this year), and that kind of thing. My goal is to have this in a format I like by the 15th Anniversary—assuming anyone’s actually still reading me then.

A

Amongst Our WeaponsAmongst Our Weapons

by Ben Aaronovitch

My original post
Any installment in this series is a strong contender for a favorite of the year even before I open it, and this one is a great example of why. While telling a pretty strong story, Aaronovitch expands this world and the reader’s understanding of it, a whole new magic system, and seemingly introduces the next major story arc for the series. We get to see almost every major (and more than a few minor) characters, too. For a fan, this book was a heckuva treat.


False ValueFalse Value

by Ben Aaronovitch

My original post
After wrapping up the overarching plotline from books 1-7, what do you do for book 8? Something completely different. If you were to draw a Venn diagram with circles for Charles Babbage/Ada Lovelace, Artificial General Intelligence, and Wizardry—the overlap is where you’d False Value. Who wants more? The mix of contemporary cutting-edge technologies and Newtonian magic is just fantastic.

Throw in more Hitchhiker’s Guide to the Galaxy references than is healthy and you’ve got yourself a winner.


Lies SleepingLies Sleeping

by Ben Aaronovitch

My original post
I’ve read all the comics (at least collected in paperback), listened to all the audiobooks, read the books at least once . . . I’m a Rivers of London/Peter Grant fan. Period. Which means two things—1. I’m in the bag already for this series and 2. When I say that this is the best of the bunch, I know what I’m talking about. Aaronovitch writes fantastic Urban Fantasy and this is his best yet. The series has been building to this for a while, and I honestly don’t know what to expect next. Great fight/action scenes, some genuine laughs, some solid emotional moments . . . this has it all. Everything you’ve come to expect and more.


Cover of The Goblin Emperor by Katherine AddisonThe Goblin Emporer

by Katherine Addison

To say I was daunted by the incredibly detailed pronunciation guide and information about names before the novel is to put it mildly, but that went away almost immediately. This is a wonderful work–such an intricate web of courtly manners and rules (written and unwritten), a murder plot, a coup or two, and some geeky engineers. Okay, that’s a bad way to try to describe this. I read this a couple of months ago, and already want to re-read it. Once I got into this novel I didn’t want to leave.


Chain-Gang All-StarsChain-Gang All-Stars

by Nana Kwame Adjei-Brenyah

My original post
If there’s a book I’ve recommended more frequently this year, I can’t think of it. I’ve also bought more copies of it to give away than any other. At the core, this is a satire and critique of the American culture–particularly as it relates to sports, mass entertainment, and (most importantly) the carceral system. Pitting convicted felons against each other in gladiatorial fights-to-death, selling merch featuring them, turning them into Reality TV personalities between bouts…Adjei-Brenyah holds up the worst of the US to look at.

It’s a book about death—violent death at the hands of violent people who only hope to go on so they can kill again—However, in a serious way the book is really about life. It’s a celebration of life, a call to protect it, a call to see it for what it is. It’s a reminder that “where life is precious, life is precious.” It’s impossible to read this without being moved–perhaps to action. But it’s also a visceral and exciting read that can entertain you without forcing you to think deeply about what it wants you to.


Go Back to Where You Came FromGo Back to Where You Came From: And Other Helpful Recommendations on How to Become American

by Wajahat Ali

My original post
I’m just going to remix some of what I said originally, this book was a great mix of memoir, social commentary, and satire—with a little sprinkling of a more general humor thrown in. The way he shifted between the genres was fairly seamless and quite effective—his own story (and that of his parents) were good illustrations of the societal ills he wanted to point to. Ali’s story is the kind that Americans love to tell and hear about success—even if his telling points to many of the flaws in our society. Through grit, determination, perseverance, and endurance, Ali pushes through all sorts of cultural, societal, legal, medical, and circumstantial challenges to arrive where he is. Because he believes in what we can be as a people, based on our (incredibly inconsistently applied and demonstrated) ideals and aspirations. It’s the kind of story we need to see, hear, and read more of.


Cover of Algospeak by Adam AleksicAlgospeak:
How Social Media Is Transforming the Future of Language

by Adam Aleksic

My original post
Language in general—but English particularly—is a constantly-changing thing, and these changes are happening faster and faster all the time. Algospeak is a great look at the hows and whys of a lot of the current evolutionary processes. It is about more than language—it’s also about how the Internet changes the way we think and express ourselves in general. And therefore, how society changes (which leads to Internet changes, and other circle-of-life things).

Aleksic has obvious expertise and passion for the subject (look at just one of his videos). He’s also active in these areas. It’s a great read, informative and entertaining. Hard to ask for more.


Amari and the Night BrothersAmari and the Night Brothers

by B. B. Alston

My original post
I’m a tiny bit worried that recency bias got this one on the list. But, I’m not going to lose sleep over it.

This is a delightful story about a young girl from the “wrong” part of Atlanta being recruited by her missing/presumed dead brother into a Hogwarts/MIB mashup, overcoming odds, making friends, saving the day by doing all the sorts of things that young teen protagonists have to do (with a little support from the grown-ups who are supposed to be stopping her), but mostly through grit. The book is written with a sense of joy and hope, while never losing sight of what Amari has to overcome in terms of her own circumstances as well as the specific villainy.

Also, and I can’t stress this enough, there’s a weredragon. What more do you need?


Nice Places by Vincent Chu: Traveling Far So Easily

Cover of Nice Places by Vincent ChuNice Places

by Vincent Chu

DETAILS:
Publisher: Forest Avenue Press
Publication Date: June 2, 2026
Format: eARC
Length: 296 pg.
Read Date: May 11-14, 2026
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What’s Nice Places About?

When we meet Georgie, he’s about to quit his job—but his boss fires him first. It was a mutual thing, really.

Georgie has a plan—he’s going to take a year and travel the world. He got a job right out of high school and has spent more than a decade at the company—he wants to grab some of that life experience so many people grab in their late teens/early twenties. He’s knocked off course from that attempt before he makes his first flight—and stumbles into something stranger.

He meets a mixed media artist named Ant. She’s working on her M.A. and is in search of a thesis project. Some silly thing that Georgie tries inspires her—and the two concoct a crazy plan that will suit Georgie’s quest for an experience and her thesis.

Odd times ensue. And a friendship develops between the two of them that will alter the courses of their lives.

Why did I pick this up? Why did I keep reading?

Picked it up because Chu asked me nicely, and because I had fond (and vague) memories of a short story collection.

I stuck with it for two reasons—once you get into Chu’s writing, you don’t want to leave until it’s done. Chu doesn’t have a flashy style, or snappy dialogue, or a tight pace (this book would be ruined by any of those, these are not critiques)—but his writing is solid, appealing, and will carry you along without drawing attention to itself.

The other is the character and his little project; I just needed to see where it went. The relationship between Georgie and Ant—and the difficult way to characterize it—is probably more of a driving force for me.

What does this book tell us about humanity?

It’s tricky to tackle this question because that’s one of the points of the book, and to really answer it would involve ruining the book.

But I can talk about some of the things it focuses on thematically. Chu explores the idea of experiences and how we need them. Particularly shared vs. solitary experiences. The “shared” aspect comes out a lot—sometimes it’s just two or three people, sometimes it’s a family, or a group of acquaintances. Sometimes it’s something as large and vague as “the Internet reacted to X.”

You may not find yourself resonating or agreeing with everything that Georgie and Ant conclude—or any of the other points of view they encounter along the way—but you’ll enjoy the experience of thinking about them.

So, what did I think about Nice Places?

I’m not wholly pleased by the way this book ends up—but outside of a Wayne’s World-esque “mega Happy Ending,” I’m not sure I would be. But I get what Chu did, and it’s both more fitting and narratively satisfying than what I think I wanted. Note, you should not read into my comment that this has a nasty or unhappy ending—just not a “mega Happy” one.

In the beginning of the novel, I didn’t get Georgie at all, and progressed only because I trusted Chu—I was mildly amused by some of what happened to him, and then around the time his whole plan was derailed, I got hooked. By the time his ridiculous plan was hatched, I was fully invested. And that stuck with me for most of the book. What Georgie and Ant went through together was just great, and I’d have happily read another 50-70 pages of it. I admit that there was a period toward the end where Georgie seemed to wallow in ennui and depression, and I had a hard time caring at that point—his ennui was contagious. But once he re-engaged, so did I.

I’m going to avoid saying much about Ant. But almost everything the book has to say comes from her (or in reaction to her), and as a character, she’s drawn in such a way that you’re primed and eager to hear her. So well done.

The other characters are drawn just as deeply as they’re required to be—and not one bit more. But they come in and out of the story so well that you see them as deeply constructed. I wouldn’t have minded more time with some of them, but I was satisfied.

I think I got so hung up on the bigger themes and ideas (at least in my head) that I haven’t done a great job of describing just how fun the book was (with the exception of the whole ennui bit I mentioned above). It was a very enjoyable read, it just got me thinking so much that I haven’t been able to focus on the Georgie’s goofy plot (and I was rooting for it the whole time).

This whole novel was so unexpected, so creative—it’s one of those books that you just can’t guess what provoked Chu to write it, what might have inspired him. I really don’t care, I’m just glad he did.

Disclaimer: I received this eARC from the author in exchange for this post, which contains my honest opinion.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Go Gentle by Maria Semple: Was Never What I Expected to Be (and that’s a good thing)

Cover of Go Gentle by Maria SempleGo Gentle

by Maria Semple

DETAILS:
Publisher: G.P. Putnam's Sons
Publication Date: April 14, 2026
Format: Hardcover
Length: 384 pg.
Read Date: May 16-19, 2026
Buy from Bookshop.org Support Indie Bookstores

It’s a thing Stoics do: meditate on worst-case scenarios. Which is not about working yourself into a neurotic doom loop. It’s about preparing for things not to go your way. So when they inevitably don’t, you can say, “I expected that.”

Think of it as inoculation against emotional extremes. Because who needs those?

What’s Go Gentle About?

Adora Hazzard has a pretty interesting life–she’s a philosopher whose entire job seems to be acting as a moral tutor to a couple of incredibly privileged boys who don’t seem to be applying much, if anything, of what she’s teaching. She’s also been a tutor, friend, sounding-board for their father, who absolutely pays attention.

She’s got primary custody of her teenage daughter, Viv–who is a pip. The two of them (and their dog) live in an Upper West Side apartment–and Adora and her friends are slowly taking over the floor of their building. Sharing expenses and resources among themselves. It’s really a clever set-up.

Then Adora runs into a man at the opera (or is it a concert? I think it was an opera–not important). This sets her life careening–almost out of control. She gets involved in international crime, possible terrorism, and more FBI/Interpol agents than you expect from the first half of the novel.

If it sounds like a thriller there–it’s absolutely not. It comes close a couple of times, but it avoids it overall. Trust me on that.

Do You Have to Know Anything About Philosophy to Read This?

No. What you need to know about Adora’s Stoicism is explained to you–in easy-to-understand bites (that’s kind of her schtick).

Might it be helpful to be familiar with Epictetus and Marcus Aurelius and others–maybe some of the contemporary pop-Stoics? Sure. It could also prove distracting if you’d reflexively get pedantic about Adora’s take (and I’m not sure there’s a lot of room to do that, but I assume there’s some…there’s always room for a pedant)

Why did I pick this up? Why did I keep reading?

I picked it up because of Where’d You Go, Bernadette. It’s one of those books that has earned Semple an auto-read from me, no matter what I think about subsequent books. I don’t care what it’s about, I see her name, and it’s getting checked out from the library at least once.

I stuck with it because I was curious—I was curious about the protagonist and a couple of the minor subplots. But primarily, I couldn’t see where Semple was going with anything. Each segment of the book came as a surprise to me, propelling me on.

What does this book tell us about humanity?

It’s hard to put my finger exactly on it. But essentially, [protagonist] shows us how it’s dangerous to tie ourselves to one thing. In some flashback chapters we see what her life was like before she became interested in philosophy. Her career, arguably her life’s focus, was centered on one thing.

Since then, she’s been focused on happiness through virtue. Yes, she’s found a lot of success through that—personally, financially, career-wise. With a certainty about the arc for the rest of her life.

But her life in flashbacks is rocked—the foundation isn’t as strong as she thought. I don’t think her replacement foundation’s flaw isn’t in the strength—just in its scope. It doesn’t take into account the unexpected—in life or affections. A lot of her inner turmoil comes from realizing that virtue isn’t enough, and that she’s okay with it—even as she’s unsure where to go.

I think that’s something most/many/all of us have to go through a time or three in life. Semple’s depiction of that might be overly-compressed (“might” does a lot of work in that thought), but it’s very human. Very relatable.

So, what did I think about Go Gentle?

I was very satisfied with it. I can’t say I was blown away, and it certainly wouldn’t have earned Semple that auto-read ranking if it were my first novel by her. But it’s good.

Novels about philosophers have to rank pretty low on most reader’s interest list. It just doesn’t seem like something that involves excitement—something potentially important and interesting, but…it sounds like kind of book about a Hobbit who stays home. No one’s picking that up. Semple shows that’s a bad assumption–and she infuses a lot of Adora’s philosophy and approach to it throughout the book. Double-win.

I think we could’ve gotten more featuring the women in Adora’s life—she has gone to effort to create a home-environment featuring them. We get a lot of description of that, but we don’t see enough of it in action. I’d like to see a bit more of what her next chapter was—some more closure with the various plotlines.

But all of that is looking back and reflecting on the book. As I was reading, I wasn’t thinking about anything other than “where is Semple going with this?”, “Did Adora just do that?” “Viv seems like a great kid, a good character.” Things like that. My crititical reflexes didn’t engage once, just curiosity and appreciation.

Solid character work; a fairly unpredictable plot; a kind of lifestyle (well, multiple kinds) that few, if any, readers have seen themselves; and some very clever writing. Go Gentle is a book I’m glad I read and am pleased to recommend.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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