Highlights from August: Lines Worth Repeating

Under a picture of someone highlighting lines in a book, the words: 'Highlights of the Month: Lines Worth Repeating'
This one seems a little longer than usual, but that says more about the month’s reading than it does my self-control.

Cover of Detained by D. Esperanza and Gerardo Iván Morales

Detained by D. Esperanza and Gerardo Iván Morales

Ever since this morning, I’ve been thinking a lot about a story in the Biblia that Padre Juan talked about at church once in Naranjito. It’s about a man who gets beat up and thrown in a ditch by a gang, just like what happened to Damian. He’s hurt and lying in this ditch, and a priest walks past without helping him, because it’d be too much work or he’s afraid it’s a trap or he doesn’t want to get his clothes bloody or whatever. The man only gets saved when a buen Samaritano stops to help him. In a way, even though the priest didn’t do anything, he was just as bad, or almost as bad, as the gang that beat the man up. Padre Juan says the priest in the story was bad because he didn’t do anything. I thought it was interesting that Padre Juan told us about it, even though the bad person is a priest like him.

The point is, there are two ways you can hurt people. You can hurt a person actively, like by punching them or stealing from them or whatever. But you can also hurt a person passively, by refusing to give them help when they need it, or by pretending you don’t see them, or by acting like they don’t exist.

Since leaving Naranjito, there have been a few adults who have tried to hurt me actively—like the hombres del cartel who shot at us while we were riding La Bestia, or the pissed-off Migra guys who put me and my cousins in a refrigerator to freeze half to death. And all that was horrible, obviously. But in a way, when someone hurts you actively, the damage is mostly just physical. Back home, gangs are a fact of life, and even though I was always lucky—I was never directly targeted until the cartel chased me off La Bestia—there’s always a risk that someone will hurt you in an active way. But that doesn’t give me this horrible, whole-body feeling of worthlessness. In Naranjito, I never saw anyone get passively hurt. I’m sure some kids had parents and family who were bad to them, but in some ways, anyone’s kids were like everyone’s kids. If a kid was hungry, obviously it was their parents’ job to feed them, but if their parents were missing for some reason, the rest of the pueblo wouldn’t just let the kid starve to death.

Since crossing the border though, until breakfast this morning, I don’t think a single adult in los Estados Unidos would have cared if I’d starved. In los Estados Unidos, the passive pain has been the worst feeling of all. Passive pain is a little harder to explain than active pain, but I’ll try;

It hurts in a different way. The adults who have tried to actively hurt me aren’t as bad as all the adults who stand around, seeing what’s happening doing nothing. Looking bored. This has been everywhere since I got to el Norte. There have been a million examples: the woman behind the desk at oficina de la Migra who called Papa and filled out my registration on her computer before her buddies in green uniforms stuck me in a refrigerator. The bus drivers who shuttled me and a vehicle full of innocent kids from one kind of jail to another and never stopped to ask what we did to deserve this, why we weren’t in school, why we weren’t with our parents, why we were crying, why we were dirty, why my foot was oozing blood and pus and stinking up the entire bus like roadkill. The servers in the cafeteria who see this food is making us sick but won’t do anything about it, who won’t let us grab another box of Frosted Flakes. The worst of all are the tichers, these useless tichers who call us by our bed numbers, these grown-ups who speak fluent English and could really do something to help us, but who just stand around looking tired and annoyed while kids like me are kept from our parents for no reason, tichers who don’t sound any alarms when nine and ten-year-olds are passing out on the campo de futbol because they’re afraid to drink water, because they’re afraid to use the bathroom.

Sometimes it makes me want to grab a piece of cardboard and write I’m a kid, do something on it. It makes me want to grab a megaphone and scream “I’m a person! I’m supposed to matter!” But more often, it makes me wonder if maybe I don’t matter, it makes me want to collapse, it makes me want to give up, it makes me want to melt into my bunk, it makes me want to climb down the porta-potty pit and dissolve in the chemicals. Ir makes me never want to look anyone in the eye again.


Cover of Me, Myself, and Bob by Phil Vischer

Me, Myself & Bob by Phil Vischer

We were a very religious family–did I say that already? Well, it’s true. My mother was not allowed to work, or even swim on Sundays, and could not play cards at any time–with the exception of Rook, because as far as I can tell, it’s the card game that Jesus’ disciples played while waiting for the Holy Spirit to descend on Pentecost.

When I was about twelve years old, I took my grandfather to see the first movie he had seen since his rebellious college years, The Jesus Film. He fell asleep about halfway through, though, because he’d already read the book and he knew how it ended. To this day, my grandfather will not step foot into a movie theater, although he did make an exception, when our Veggie Tales movie, Jonah came out in theaters in 2002. I’m pretty sure he fell asleep halfway through that one, too–he’s exceptionally good at falling asleep.


Cover of Eaters of the Dead by Michael Crichton

Eaters of the Dead by Michael Crichton

…he laughed and said, “You Arabs always wish to have reasons for everything. Your hearts are a great bursting bag of reasons.”
I said, “And you do not care for reasons?”

“It avails you nothing. We say: A man should be moderately wise but not overwise, lest he know his fate in advance, he man whose mind is most free of care does not know his fate in advance.”

…there is no fear greater than that of a man when he does not know the cause.

Herger rode alongside me and said in a soft voice, “How do you fare?”

Not being capable of concealing my emotion, I said to him, “I am afraid.”

Herger replied to me: “That is because you think upon what is to come, and imagine fearsome things that would stop the blood of any man. Do not think ahead, and be cheerful by knowing that no man lives forever.”

I saw the truth of his words. “In my society,” I said, “we have a saying which is: ‘Thank Allah, for in his wisdom he put death at the end of life, and not at the beginning.’”


Cover of The Wednesday Witches Book Club by Sarah Beth Durst

The Wednesday Witches Book Club by Sarah Beth Durst

Genevieve Durand was one of those put-together people who looked as if she’d never, ever dripped marinara sauce on her shirt.

She’d thought his youthful enthusiasm was endearing for a bunch of years, until she finally realized it had cured into immaturity.

“I think it makes us less alone. That’s what stories do, after all. They connect us. And that’s what magic does. It brings us together.”


Cover of Cursed Cocktails by S.L. Rowland

Cursed Cocktails by S.L. Rowland

“I’d say your situation has never been better. Avoiding the constant threat of death and dismemberment will do wonders for one’s lifespan.”

“Endings are a reward in themselves. Only then can you look back on the journey.”

“There may be a beer for every occasion, but there is a wine for every mood.”


Cover of Deadly Does It by Abbi Waxman

Deadly Does It by Abbi Waxman

“Mason needs gentle handling, and I don’t know if he has the finesse.”

“She’s a delicate flower?” Julia’s tone was incredulous.

“No,” said Will, “she’s a hand grenade.”

“Prison’s very dull, apart from the all-pervading fear of violence and the occasional bug in the food. Trust me, you’d hate it, not because it’s scary, but because it’s skull-crushingly boring.”

“I have no intention of going to jail.”

Julia laughed. “No one intends to go to jail, Mason, yet there they are.”

“I think I can still write by hand, but on the few occasions I have to, it looks like a centipede has done two lines of coke, stepped in a tiny pot of ink and scrambled across the page in a hurry to get to somewhere else. Not exactly legible.”

There was a pause.

“Thanks for the colorful image, Mason,” said Julia, “no sure who would sell a centipede the minuscule amount o¢ drugs they could take, but your rich and vivid imagination will eventually come in handy, I expect.”


Cover of The Wizard Who Kept Himself Suspicious by Scott Lynch

The Wizard Who Kept Himself Suspicious by Scott Lynch

He knew himself to be disheveled. Had no notion of what it must be like to be sheveled in the first place.

Wizards as a group loved many things, but a conspicuous waste of expensive resources was near the top of the list.

“If I am wrong about this, then there is no sense in listening to anything else I might say, because it would reflect a misunderstanding so profound as to necessitate my retirement from sharing my thoughts with other people.”


Cover of Crownfall by Michael Vadney

Crownfall by Michael Vadney

“Why help me?”

“Because you needed help, and I could give it,” Jelert said.

“That’s it?” Kyndel pressed. “No one gives something ‘or nothing,”

Jelert met his gaze. “When the world is hells-bent on tearing itself apart, I’d rather spend my efforts trying to hold it together, even if it’s just for one person at a time.”

Kyndel snorted, the sound ragged and bitter, “That’s the stupidest thing I’ve ever heard,” he muttered.

“Maybe it is.” A faint, sad smile crossed Jelert’s face. “But it’s better than standing by, or worse, joining in.”

“Heroes die young and leave messes. You are something better—you’re a survivor. You’re protecting your people. You’re giving them hope. That’s what leaders do.”


Cover of Battle of the Round House by Tananarive Due

Battle of the Round House by Tananarive Due

This long journey felt more like reaching the gingerbread house in “Hansel and Gretel,” meant to be a treat but full of danger instead.


Cover of The Cairndale Orphan by J. M. Miro

The Cairndale Orphan by J. M. Miro

The human heart contains rooms within rooms, none of them empty. Knowing this had made him good at his job. That job was murder, and he’d been in the business of it at Scotland Yard for twenty-five years, and if anyone asked, he’d tell them he’d seen most anything there was to see.

She was true the way a well-cut board was true, straight and direct and strong. He admired that about her.

She had a kindness for the broken things of this world, maybe because she was one of them too.
Like he was.
Hell, like everyone was, really.

“Mr. Bromley, it’s not a good idea to bring the dead and the living together. Not on purpose. We’re supposed to be apart.”


Cover of Dial A for Aunties by Jesse Q. Sutanto

Dial A for Aunties by Jesse Q. Sutanto

Now we know, when it comes to fight or flight, I am neither. I am: freeze like a hamster and then melt into a useless shivery puddle.

Big Aunt sends a string of emojis that seem completely unrelated to each other instead of an actual response.

Whoever introduced my mom and aunts to emojis needs to be thrown off a tall building. Ever since they found out about emojis, my mom and her sisters think they’re a perfectly acceptable way of communicating. Except everyone has a slightly different interpretation of emojis, and it takes me about three times as long to figure out exactly what they’re trying to say. Like now, for example, the thumbs-up emoji means everything is okay, which is good, but then why is there an angry face emoji right next to it?

“Easy,” Big Aunt sniffs, shaking her head. “I don’t think it’l be that easy.”

“Why not?” Second Aunt says, raising her chin,

Big Aunt shrugs. “Because it’s never easy. Otherwise people would get away with murder all the time.”

I wince at the word “murder,” even though she said it in Mandarin. And even though I want to have faith in Second Aunt’s simple plan of “get there, find cooler, bring cooler back,” I have a feeling that Big Aunt is right. When it comes to hiding a dead body, it’s never simple—a lesson I’m quickly learning from the previous night.

“Meddy is probably cautious because last time when you tried to set her up with Wang Zhixiang’s son, he turned out to be, you know,” Fourth Aunt says.

Ma waves an irritated hand. “Why do you keep bringing up Zhixiang’s son? So he turned out to be some maniac. How was I supposed to know?”

“Kleptomaniac,” I mumble. By the time our date was over, he’d stolen my makeup bag from my purse and, somehow, one of my shoes. I mean, the guy’s an asshole, but you’ve gotta give it to him. Or let him steal it.


Cover of Cold Iron Task by James J. Butcher

Cold Iron Task by James J. Butcher

Finally, he unfurled himself from the vehicle, standing to his looming height. Even more than usual, he looked like the most grim of reapers. Albeit one that had exchanged its robes and scythe for an out-of-fashion suit and less-than-moderate alcoholism.

Something about this place was almost familiar—like an artistic rendering of an old nightmare he had forgotten and had worked hard not to remember.

Wudge looked past Grimsby to the fortress stairs and shuddered. “Half-witch going to get killed trying to help people. Trying to help Wudge.”

Grimsby shrugged. “Maybe. But maybe that’s not the worst way to go.”

“They’re all the worst way.”

“I hope so,” Grimsby said.

“I know you do. Your hope is surprisingly resilient.”

“Thanks.” He smiled. “I made it myself.”

“I need a witch’s help to make sure I don’t get my head torn off by an arachne or some such.”

“Are—are those real?” Grimsby asked hesitantly.

Mayflower looked over out of the corner of his eye. “Hell if I know; just don’t let one take my head off. Deal?”

“No arachne-ing from the neck up. Got it.”

“The neck down would be nice, too.”

“I’m only one man, Les.”

“Fair enough.”

“Hey,” Mayflower said, stopping and locking down Grimsby’s eyes with his own. “You good?”

“Fine.”

“No. No ‘fines’ between us, boy. That good-for-nothing answer could get one of us killed.” His mossy granite eyes didn’t move, but he tilted down his shaded glasses. “Are you good?”

“Honestly?” he asked.

“Always,” Mayflower said.

“Well, seeing as how we’re sort of at the intersection of two of my most prevalent traumas, no. I’m not good. I want to run away screaming. I want to go home, and on my way home, stop by the mattress store and order a bed with the fastest shipping possible so that, by the time I get back, I’ll have something to hide under.”


Cover of The Last Rift Dragon by Shami Stovall

The Last Rift Dragon by Shami Stovall

“Excited for the egg assignment today?” Zilvio coaxed the first sparks into flame.

“Excited,” I said. “Or nervous. I haven’t decided yet.”

Zilvio met my gaze. “The two are often the same thing at your age, Master Richter. It is how one carries them that makes the difference.”

Once we left the light, the darkness swallowed us whole. It was difficult to see anything. More than once, we tripped over the vegetation. Branches found their way to our face as though this forest had a sense of humor.

When I looked over my shoulder, I spotted four archers on the bone wall, firing at me. They used simple bows, and their aim was atrocious. They compensated for their poor skill with extremely fast shots, though.


Cover of The Dungeon Anarchist's Cookbook by Matt Dinniman

The Dungeon Anarchist’s Cookbook by Matt Dinniman

Kids aren’t always a product of their parents. But sometimes that doesn’t matter. Sometimes parents can cast a shadow so thick, you can drown in it.

I thought of what the late [redacted] had said to me, about being responsible for someone else. You don’t understand what that responsibility means, what a weight that is on your shoulders. And when you fail, it’s like being crushed, constantly crushed, only you don’t die. And the pain never stops. It just keeps coming and coming.

None of this made sense, but we were alive, for now at least, and we had each other, and that was something.

“What’s a prime number?” Donut asked, speaking for the first time. “It’s a math thing,” I said. “You learn about them in fourth or fifth grade, and then you don’t need to know about it ever again unless you become a mathematician. Or a math teacher.”

“I wasn’t just going to abandon you, Carl,” Donut said. “Who do you think I am? Miss Beatrice?”

“No,” I agreed. “You most definitely are not.”


Cover of Ms. Mebel Goes Back to the Chopping Block by Jesse Q. Sutanto

Ms. Mebel Goes Back to the Chopping Bloc by Jesse Q. Sutanto

For a while, the only sounds in the room are Mebel’s sniffles. They don’t last long–they never do–Mebel doesn’t have the kind of attention span a good, long crying session quires.

Mebel has always thought of Paris with two exclamation marks following it. It’s never just Paris. It’s Paris!! Land of beauty and romance and dreams. When she thinks of London, she takes away one of the exclamation marks. London! Not as magical as Paris, but exciting in its own way.

It happens on a Thursday. Which feels doubly offensive, because all bad news should arrive on a Monday–everyone knows that.

But no, this piece of bad news not only has the audacity to swoop in on a Thursday, but also has the cheek to come in parading as good news.


Cover of Wool by Hugh Howey

Wool by Hugh Howey

Deputy Marnes would have liked to have seen this, she decided. He was an easy man to figure, one of those who had grown old everywhere but in his heart, that one organ he had never worn out because he’d never dared to use it.


Cover of The Road to Tender Hearts by Annie Hartnett

The Road to Tender Hearts by Annie Hartnett

“My dad always said a person needs three things to be happy: something to do; someone to love; and something to look forward to.”

“They’re not, Dad. Kids aren’t resilient. That’s something adults like to say to make themselves feel better. To pretend that kids don’t feel as deeply as adults do. But kids are everything that happens to them. They’re sponges. Everything bad, everything good. Every hurtful thing you say. Every loving one.”

The cat was amused at these two idiot humans talking about how unfair death is, when it’s one of the few things everyone gets. Death is a magnificent invention, the cat knew, because it’s the impermanence of life that makes it beautiful.


Cover of The Killer's Mark by M.W. Craven

The Killer’s Mark by M.W. Craven

Cowie House was the weirdest building he’d ever worked in. It was a four-storey townhouse on the cobbled part of Fisher Street in Carlisle’s historic quarter, equidistant between the Kings Head — which Poe liked — and the Quaker Meeting House, which he wasn’t yet sure about (they seemed nice enough, but they got really upset if you used their car park without permission). It was a rickety old building, hotter than a jalapeño’s armpit in summer, colder than a polar bear’s toilet seat in winter. An eddy-like wind whistled through it at a whim, hurling into the air any paper that wasn’t weighted down. The floors were so uneven you got weird muscles in your lower legs keeping your chair still, and the staircase was so wonky it could only have been designed by a drunk.

Poe loved it.

If Cumbria was a week-old slice of bread, Carlisle would be the big green splat of mould in the middle. The kind that made you question the whole loaf. The antibiotic breakthrough waiting to happen. Surrounding the big green stinky splat would be the lesser moulds. The spores, the bluey-green spots with white edges. Some the size of pinheads, others the size of mouse turds. You wouldn’t throw away the loaf because of the mouse-turd spores, but you’d definitely pick them off. You might sniff the slice and say, ‘Maybe we should toast this?’

Even for Carlisle, Esmerée Blue stood out. She was fifteen years old and she had a nose ring, an eyebrow ring and a lip ring. Her ear had so many holes she could have used it as a sieve. Her make-up was French-clown white; her hair was black and purple and styled like she was in a Japanese cartoon. She wore scuffed DMs, ripped jeans and a Green Day hoodie. She looked like a cross between Siouxsie Sioux and Lisbeth Salander. And she didn’t give a rat’s ass.

Bradshaw reached over and patted Esmerée on the head. ‘Don’t worry, Esmerée; Poe will find out [redacted].’

‘How? [redacted].’

‘By doing what he usually does — upsetting people until they try to kill him.’

Poe nodded. He’d never intended it to work out that way, but he seemed to have a knack for provoking extreme responses.


Cover of Everybody Wants to Rule the World Except Me by Django Wexler

Everyone Wants to Rule the World Except Me by Django Wexler by Django Wexler

I’ve always wondered where all the dragons were at. It seems like there should be dragons, dragons go with the whole post-Tolkien/Arthuriana/D&D fantasy zeitgeist like orca and Dark Lords and knights in shining armor. The Kingdom has legends about dragons, but they always take place in Olden Times, and in the modern days, giant flying reptiles are nowhere to be found. In the thousand years I’ve been kicking around, I’ve never seen a dragon. I might have even, from time to time, expressed the sentiment that I wanted to see one, or that getting eaten by a dragon would be a good death to add to my extensive catalog.

Right about now, I profoundly wish I could take those thoughts back.

“I know what I’m doing.”

Tsav rolls her eyes. “What in the course of our relationship could possibly give me that impression?”

I snort. “You know what, fair.”


(Image by DaModernDaVinci from Pixabay)

Parks and Rec by Jennifer Keishin Armstrong is worth at least 4,999 Candles in the Wind

Cover of Parks and Rec by Jennifer Keishin ArmstrongParks and Rec:
The Underdog TV Show That Lit’rally Inspired a Vision for a Better America

by Jennifer Keishin Armstrong

DETAILS:
Publisher: Dutton
Publication Date: April 7, 2026
Format: Hardcover
Length: 268 pg.
Read Date: August 13-28, 2026
Buy from Bookshop.org Support Indie Bookstores

What does the Dust Jacket Flap Say About Parks and Rec?

More than fifteen years after Parks and Recreation premiered, it has become a streaming staple. It’s beloved for its jokes, characters, and expressions—the show even created a now widely observed holiday, Galentine’s Day. How did it all happen and how did the show transform from a ratings disappointment into a cult classic? Pop culture historian Jennifer Keishin Armstrong reveals all this and more in the authoritative history of the show, which is as full of humor, optimism, and heart as Parks and Recreation itself.

Through new and exclusive interviews, as well as deep insight and smart and entertaining pop culture analysis, Armstrong tells the story of how Parks and Recreation came to be: how it grew from The Office’s success and Obama-inspired optimism, how producers assembled one of TV’s most lovable casts but barely survived a mediocre first season, how the show found its voice by getting more political and more romantic, and how it became a cultural force despite middling ratings during its network run, going on to become a television savior of the Trump era and a modern classic.

Lovingly told and deeply researched, Parks and Rec is the ultimate history of the show that taught us what’s important in life: friends, waffles, and work.

The Heart of the Book

The subtitle tells the reader what to look for: “The Underdog TV Show That Lit’rally Inspired a Vision for a Better America.” But it’d be clear without that. The Introduction, as it should, points you in the right direction, but the ninth chapter, “‘A Singularly Compelling Representation of the Liberal Spirit’: Political Philosophy in Parks and Rec,'” is Armstrong cutting loose and saying most of what she wants to say about the show, what she’s been slipping in here and there throughout.

The final chapter, “‘Rupture and Repair’: Parks and Rec Meets the Modern Moment,” comes close to that—it focuses on the lasting impact of the show, the popularity on streaming (especially during the pandemic years of 2020/2021), as well as the brief reunion show during the early days of the pandemic.

It felt to me that these two chapters were what Armstrong really wanted to talk about, and she did the rest of the research and writing as an excuse to get them on paper. I’m sure that’s not true, but it really felt that way to me. Honestly, I’d have taken more of Chapter 9—either as a lengthier chapter or with a follow-up chapter on a similar theme. One, because they did seem like Armstrong’s voice and perspective came out clearer there than in the other chapters—but also because I think she probably had more to say on the topic.

My one question about it, however, is the placement. After a few chapters focusing on the individual seasons, we cut away for a look at the political philosophy—before returning for the last two seasons. It was jarring to be taken out of the BTS of the seasons for this discussion, and then jarring to go back to it. There’s a little overlap with the themes of the chapters on either side of it, but it wasn’t enough for me to feel comfortable. It also seems like a good wrap-up chapter before the last chapter.

The One Drawback

Armstrong—as I’m sure she was trained to do—keeps the prose straightforward and fairly dry. Yes, it’s clear that she loves the show, knows a lot about it (probably before her research, too), and appreciates the humor.

But none of that humor comes through. Compare that to What’s Next, about The West Wing (a drama), the authors are joking throughout—about the actors, the characters, stories/scenes. But this book about a comedy? Outside of the foreword, it’s practically without humor (it might even be more than practically, but I might have forgotten a little)

Although, if you really want all that, you can check out Jim O’Heir’s Welcome to Pawnee.

The Foreword

I don’t want to say too much about Nick Offerman’s foreword other than it’s possibly the best one I’ve read this year. It’s funny and heartfelt—it’s everything a fan wants to read a cast member from a beloved show say about that beloved show.

So, what did I think about Parks and Rec?

This was a strong and loving tribute to the show, the spirit of the show, and the ideals it was built on. What Armstrong gained from the interviews and relayed was great. Sure, some of it differs from, if not downright contradicts, what I’ve heard in interviews with various cast members—but that probably says more about the cast’s individual memories than it does Armstrong’s work. (it’s probably safer to believe her version)

One of the primary things I judge a book about a TV show on is: does it make me want to watch the show? Yes, yes it does. Granted, almost anything does—but this book really made me want to pull out my Blu-Ray box set and ignore the world for a couple of days.

I gained a greater appreciation for a lot of what the writers and actors were trying to accomplish; I loved some of the BTS material about episodes/scenes that mean a lot to me. And hearing about the appreciation that the cast had for each other, that guest stars had for their experiences, and that the writers and crew had for the project, just made me enjoy it all the more.

If you’re a fan of the show—or think you should be one—grab this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

WWW Wednesday—September 9, 2026

I had three other posts almost ready for today, but a non-blog project took more of my time than I expected, so this was all I could finish.

I know–gasp!–I do things that aren’t for this?

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of The Name of the Wind by Patrick Rothfuss Cover of He Who Fights with Monsters by Shirtaloon
The Name of the Wind
by Patrick Rothfuss
He Who Fights with Monsters
by Shirtaloon, read by Heath Miller

I’ve read some great things this year, some books that could likely become favorites after a re-read or two (and I’m planning on those). But I don’t know if anything has touched the levels of enjoyment and contentment that I’ve felt revisiting The Name of the Wind. I’ll probably finish it this evening, and I regret it.

He Who Fights with Monsters is entertaining and engaging, and I don’t plan on DNFing it (although being told by someone that the book gets really good right before the end isn’t unwelcome news). At this time, I can’t see myself spending another 12 books in this world or with this protagonist.

What did you recently finish reading?

Cover of Fool by K.R. Lockhaven Cover of Gods & Comics by Kat Cho
Fool
by K.R. Lockhaven
Gods & Comics
by Kat Cho, read by Greta Jung

One of the things that didn’t get finished today was my post about Fool, but it’ll be very favorable. Come back for it.

Cho’s book was fun. I’m not sure I have much more to say about it than that.

What do you think you’ll read next?

Cover of The Henchperson's Guide to Unionizing by Marshall J. Moore Cover of Dead Inside by Noelle Holten
The Henchperson’s Guide to Unionizing
by Marshall J. Moore
Dead Inside
by Noelle Holten, read by Rachael Beresford

A little scary, a little silly…Moore’s book looks like a good palate cleanser after a couple of more serious Fantasy novels in a row.

Holten’s first novel really disturbed me, so it makes sense that I’ve kept kicking the audiobook down the road instead of listening to it. But, I’m getting annoyed with myself for that, so here goes.

How’re you doing? What’s your reading like?

HC Chats with K.R. Lockhaven About ALL of His Books and some other stuff

I sat down yesterday to talk to the wonderful K.R. Lockhaven about his upcoming novel Fool (you can check out the Cover Reveal here to learn a little more about the book). But before we got to that, we took a little walk down Amnesia Lane to talk briefly about his previous novels/novella.

Lockhaven is a frequent guest around these parts in written form, and I’ve written something about all of his books, but it’s better hearing it right from the source, right? We talked about a few other things and then rolled our eyes at my inability to find the mouse to end recording—at his prompting, I’m sticking with my “Do Not Edit” policy for these videos. So you can roll your eyes at my ineptitude along with me.

I forgot to talk to him about how odd it must feel to have such a brief title for the first time, and (more importantly) the Washington State Council of Firefighters Burn Foundation, sponsors of Camp Eyabsut. Go to his website to learn more about that.

The Books discussed were:

bullet The Conjuring of Zoth-Avarex: The Self-Proclaimed Greatest Dragon in the Multiverse
bullet Zoth-Avarex’s Escape Plan: A Pick-Your-Own-Path Experience
bullet The Marauders, the Daughter, and the Dragon (The Azure Archipelago, Book 1)
bullet The Foundling, the Heist, and the Volcano (The Azure Archipelago, Book 2)
bullet The Grimoire, the Gods, and the Girl (The Azure Archipelago, Book 3)
bullet Mrs. Covington’s
bullet Fool

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MUSIC MONDAY: “Labor Day” by Jesse Welles

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Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

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Saturday Miscellany—9/5/26

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet What Do Booksellers Make Of “The End Of Reading”?—Defector’s piece is a good counter-point to all the doomsaying about the state of reading.
bullet In Praise of “Wordy, Old Prose.” (Or, F*ck Your AI Reading Buddy)—from LitHub
bullet Is There a Wrong Way To Chase Your Dreams? Some Thoughts Post WorldCon.—Micaiah Johnson has some things to say, this is written for up-and-coming authors, but I think it applies to a lot of spaces.
bullet How to Be the Most Annoying Person at Worldcon, 2026 Edition—John Scalzi has some similar ideas
bullet https://peterhartog.com/2026/09/05/where-the-deuce-have-you-been/—Peter Hartog/Peter David gives an update about his writing, and shares an incredibly relatable tale of heartbreak along the way.
bullet The Indie Author Sci-Fi/Fantasy/Horror New Release List: September 2026—A.J. Calvin’s latest list of new Indie titles

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet The Granite Moth by Erica Wright
bullet Timothy Other: The Boy Who Climbed Marzipan Mountain by L. Sydney Abel
bullet The Twelve Dogs of Christmas by David Rosenfelt—I didn’t realize that Rosenfelt had been doing Christmas novels this long!
bullet Outfoxed by David Rosenfelt
bullet Empire Falls by Richard Russo
bullet And I mentioned the releases of: The Kingdom of Speech by Tom Wolfe; Curioddity by Paul Jenkins; and The Key to the Coward’s Spell by Alex Bledsoe

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Unbearable by A. Lee Martinez—It’s been too long since Martinez put out a new book, I really didn’t care what it was about, it was going on my list. But then I read: “Ortiz is a man without grand ambition or talent. He survives by being mildly useful and eminently disposable, destined to end up in a shallow grave. But on the day he’s digging that grave, he discovers a magic sword. Not just any magic sword, but the magic sword: A weapon that keeps away the apocalypse in the form of an all-devouring dragon.” Now I care about what it’s about.

The words 'Reading books is the most glorious pastime that humankind has yet devised. - Wislawa Szymorska' superimposed on an image of shelves of books
image source: @Reading_Addicts on Twitter

Book Blogger Hop: What book do you think deserves more love but flies under the radar?

Book Blogger Hop

 

This prompt was submitted by Billy @ Coffee Addicted Writer:

What book do you think deserves more love but flies under the radar?

There are so, so many that I could list here. But I’m going to go with a book I happened to be thinking about earlier today. (okay, yesterday by the time you read this, if you want to get pedantic)

According to MarkAccording to Mark

by H. B. O’Neill

DETAILS:
Publisher: Fahrenheit Press
Publication Date: February 2, 2024
Format: eARC
Length: 496 pg.
Read Date: November 27-30, 2023

But we are all insane, anyway…The suicides seem to be the only sane people.
—Mark Twain’s Notebook, #40, (Jan. 1897-July 1900)

What’s According to Mark About?

This is tricky to describe, but let’s give it a shot.

Following a bad breakup, a despondent man, Robert, becomes convinced that the spirit of Mark Twain is trying to guide his life and thinking, giving him lessons in the form of quotations from Twain’s works. Eventually, Twain focuses on getting Robert to kill himself. Robert’s eager to follow the lessons of his hero, but things keep interfering with his efforts.

Meanwhile, Robert’s ex, Rebecca, is in therapy trying to deal with the breakup herself.

The novel takes us through Robert’s memories of their relationship while showing us the detritus of his life following the breakup and his efforts to do what Twain is calling him to do. In alternating narrative sections, we see Rebecca’s account of their relationship and we see a little bit of how she’s carrying on. Some of these accounts are synced to give us both perspectives on the events right after each other, some of them come several pages apart so the reader has to do some mental copying and pasting to get a chronological understanding of what happened.

That’s a pretty basic, yet comprehensive, way to tell you what the book is about without giving anything away. And it’s wholly unsatisfactory. Let’s see if I can do better in the next couple of sections.

Rebecca Morely

It’s entirely possible that Rebecca has been in therapy for some time before she and Robert broke up—she strikes me as the kind of person who may have seen therapists throughout her life as a way of staying healthy. Or maybe this is new for her.

Regardless, following the end of their long relationship, she’s in therapy now and her psychotherapist has instructed her to write a letter to herself as a means of coming to terms with the events. Rebecca tells us straight off that she’s struggling with some of the chronology, so we expect that the letter(s) won’t get everything perfectly straight and will hop around a bit, the way memories do. From her, we do get a fairly straightforward account of things between her and Robert—although she does circle around the events that led to their split a little, she doesn’t want to face it.

We see that Rebecca is a sweet woman. A sweet woman who is pushed around a bit by her parents’ expectations and wants for her—one of their big expectations is that she’ll eventually marry someone Rebecca’s known her whole life. He’s essentially an 80s teen movie villain who managed to grow up without Daniel Russo teaching him a lesson by kicking him in the face or Cindy Mancini setting him straight about how to treat women. She’s trapped by her parents expectations, and her understanding of society’s expectations, too.

But she’s finding her own way through that to focus on what’s best for her and what she wants. She wants love, marriage, companionship—and thinks she may have found that (or most of it, anyway) in the eccentric form of Robert. She’s very happy until things start to go wrong in his life and he won’t respond the way she thinks he ought. Little cracks in their foundation start to spread and eventually, things fall apart.

I really liked Rebecca. I empathized and sympathized with her—up to and including her self-recriminations. Possibly because of Robert’s view of her, I couldn’t see her as anything other than a wonderful person who made some tragic mistakes. Their relationship—particularly seen from her point of view—was so sweet even when we know it’s doomed. I found myself rooting for them even harder because I knew it wouldn’t work.

Horatio Robert Foxley

No man has a wholly undiseased mind; in one way or another all men are mad.
—Mark Twain, “The Memorable Assassination”

Robert (who hates the name Horatio), on the other hand…is hard to like (but you will). He’s hard to understand (but you’ll want to). He’s also a pretty unreliable narrator due to the way he sees the world in general, which grows worse as the book progresses. But you’ll get to where you can see through his narration to what’s really going on.

There are clearly a few (possibly several) diagnoses that psychotherapists and their colleagues would give Robert, but he never sees one to be given any diagnoses, medication, or other treatment. It’s tempting to play armchair psychologist and start listing some of them—but I’m going to resist that. O’Neill doesn’t give us the labels or diagnoses, so it’s speculation.

More importantly, this novel isn’t about a person with X. It’s not about his disorder. It’s not about his dealing with whatever issues he has. Those books have their places–and I’ve read my share of them. But O’Neill hastn’t written a novel about a man struggling with or coping with a diagnosis. It’s a novel about a man. It’s about Robert in all his strengths and foibles. He’s a man with many strengths, and some severe weaknesses, like most of us. According to Mark is about Robert’s life and his heart. He’s capable of great love, he’s capable of being loved. And like so many, when some of the supports in his life change or go away, his ability to cope with all the vagaries of life falters. He falters significantly because he needs his supports more than others seem to.

He and Rebecca have a Nancy Meyers-worthy meet cute, and his quirkiness (at least that’s how it comes across initially) attracts Rebecca. They build a life together—sure, she has trouble getting him to fit into hers—her friends and family don’t respond to Robert the way she wants, but they make do. He hits some bumps in the road, and doesn’t respond to them very well. Rebecca responds poorly to his responses.

Then he’s alone and Mark Twain starts whispering in his ear. Robert started reading Twain because of Rebecca, and quickly became a fan. Too much of a fan, one might argue. He read everything Twain wrote that he could get his hands on, and then everything he could about Twain. Rebecca chalked it up to enthusiasm, a sign that he was open to growth and that she had an impact on him—that he respected her opinion. But even she thinks he goes overboard with Twain. He’s driven enough, smart enough, and excessively concentrated enough on Twain that when these whispers start, they are actual quotations that Robert’s absorbed.

Once Twain starts talking to him, whatever was keeping Robert on the rails departs. And we are given a front-row seat to a mind falling apart. It’s horrific when you stop and think about it—but ever so compelling in O’Neill’s hands. More on that later.

Mark Twain

I learned more about Twain—particularly his time in England—than I’d known before thanks to Robert. I mean, O’Neill’s research. And naturally, the quotations that the book is full of make you want to go read more bons mots from him, if not actual works.

But at the same time…Robert becomes a case study in going too far with someone like Mark Twain, and I’ve been reticent to approach his work since then. I don’t think I’d end up like Robert, but…it’s like watching Jaws. You know it’s just a movie, that sharks like that don’t really exist. Buuuuut…maybe you should stay away from beaches/the ocean for a bit, just in case.

The Mark Twain in Robert’s head is an interesting figure—and one has to imagine that the actual Twain would appreciate (on some level) O’Neill’s use of his words.

Can You Laugh at This?

Man, I hope so. There are some moments around the first (that we see, anyway) attempt Robert makes at ending his life that seem to want to make you laugh. I did, anyway—like in Holland’s Better Off Dead—there’s some solid black comedy there (as Twain would want).

But the laughs taper off pretty quickly the more you understand Robert and what he’s going through. Also, his situation and mental health deteriorate steadily, and you forget about laughing and just want the guy to find some help (and, yes, things are already pretty bad as he’s suicidal when we meet him). This doesn’t make the book joyless or tortuous to get through—in fact, absurd moments, and little dashes of (mostly black) humor fill the book.

H. B. O’Neill

You really don’t have to read O’Neill’s website to know he’s a poet. His eye for detail is astounding. There are several instances of him focusing on a feature of a scene, a tiny aspect of Robert’s appearance, or something in his environment that made me put down the book to bask in it for a moment.

You can definitely see his poetry in word choices. There are repeated instances where Robert will look at the street and business signs around him, convinced that Mark Twain is communicating to him through them—the text will just be a string of these signs. And sure, it looks like O’Neill just wandered onto a random city block, took a few notes, and—presto!—had a paragraph for the book. But you know that’s not what happened—instead, he carefully constructed these lines to look like that—and yet to have a wonderful rhythm, provoke just the right images, and push Robert along the way he needs to be. I made a note at one point, “How does someone compose this? How does one revise this?” I’m just going to chalk it up to brilliance and move on.

The prose, the characters, the character arcs…these are all brilliantly conceived and executed, and I just cannot say enough good things about O’Neill’s writing.

So, what did I think about According to Mark?

If you cannot tell at this point, well, then I’ve really done a lousy job. You might want to just go by what I’ve said already because I may start overhyping it here.

This book wrecked me. It dominated my thinking and conversation at the end of November. I became obsessed with it—my friends and family surely got tired of me talking about it as I read on. I started compiling lists of who to recommend it to, who I should just buy it for (the publisher will be happy to know that I have purchased multiple copies already and I’m probably not done). I also have a list of people I’m going to warn away from this book, because, my friends, According to Mark is not for everyone. But the right people are going to love this book.

I’m not sure if I gave too much away above—I don’t think I did. And I tell you truly, I could’ve easily kept going on and on. This is me showing restraint.

It’s hard to put into written form what I want to say about this book. There’s part of Fridland’s Like, Literally, Dude where she shows all the way “Dude” can be used in a conversation with its various shades of meaning. I can see having a conversation with someone who’s read the book largely consisting of those shades.

“So where he makes her a bikini? Oh, dude!”

“And then with the lady at the library? Duuuude.”

“Oh, Dude! The poor dog with the swans!”

“Dude…” (laughter)

and so on. There’s an infamous scene from The Wire with a different four-letter word that would also work as an example of the conversation I could have with someone who’s read it.

But for you, the people that I’m trying to convince to read it? I don’t know how to convey exactly what I want to say.

Trust me. You want to read this. The writing is exquisite. These characters are wonderfully drawn and brought to life by O’Neill. According to Mark entertained me. It horrified me. It moved me. It disturbed me. It rattled me. It broke my heart. It gave me some odd hope. I loathed some of these characters, and loved others to a degree that’s unsettling. It’s been 64 days since I finished this book, and I’ve likely thought about this book on at least 53 of them (and not just because it took me this long to write this post). It’s one of the best books I’ve read in ages, and one I see myself talking about for years to come.

Disclaimer: I was given this eARC from Fahrenheit Press—with no expectation that I’d write anything. But there’s no way I could not say something. Thanks to them for this gift.


5 Stars

Looking Back at August 2026

I finished 34 titles in August (10 up from last month, although there were 7 short stories and 4 picture books in there, so do with that what you will. Still, a great month for reading. Writing wasn’t as strong as I wanted it to be (but when is it?). Still, it was a good month overall.

The Month in Reading
August Calendar
(thanks to Bookmory for the image)

TBR Piles

Audio E-book Physical Goodreads
Want-to-Read
NetGalley
Shelf/ARCs/Review Copies
End of
2025
4 89 112 192 11
1st of the
Month
2 96 130 204 8
Added 4 5 13 6 3
Read/
Listened
1 1 10 1 1
Current Total 5 100 133 209 10

My TBR Range
TBR Range Chart
(click to embiggen)
Breakdowns:
“Traditionally” Published: 31
Self-/Independent Published: 3

Genre This Month Year to Date
Children’s 4 (12%) 23 (11%)
Fantasy 12 (35%) 46 (21%)
General Fiction/ Literature 3 (9%) 19 (9%)
Mystery/ Suspense/ Thriller 4 (12%) 48 (22%)
Non-Fiction 3 (9%) 18 (8%)
Science Fiction 2 (6%) 23 (11%)
Theology/ Christian Living 4 (12%) 20 (9%)
Urban Fantasy 1 (3%) 14 (7%)
“Other” (Horror/ Humor/ Steampunk/ Western) 1 (3%) 3 (1%)

Review-ish Things Posted
Books of the Month

Other Recommended Reads

Other Things I Posted

  • 20 Books of Summer 2026: July Check-In
  • Books about Books and the People Who Love Them
  • Fantasy with Friends: Anachronisms in Fantasy
  • These Dog Days Aren’t Over
  • Opening Lines: How to Be Good by Nick Hornby
  • Captivating Character of August: Valex Thorn
  • Spotlights/Cover Reveals

    Music Mondays

    WWW Wednesdays

    Saturday Miscellanies

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    ul>

  • Saturday Miscellany—8/1/26
  • <a href=”https://irresponsiblereader.com/2026/08/08/saturday-miscellany-8-8
  • Everybody Wants to Rule the World Except Me by Django Wexler: A Kingdom, A Horde, and a Davi (whatever that actually is)

    Cover of Everybody Wants to Rule the World Except Me by Django WexlerEverybody Wants to Rule the World Except Me

    by Django Wexler

    DETAILS:
    Series: Dark Lord Davi, #2
    Publisher: Orbit
    Publication Date: May 27, 2025
    Format: Paperback
    Length: 324 pg.
    Read Date: August 28-31, 2026
    Buy from Bookshop.org Support Indie Bookstores

    This Is Book Two of a Duology, So…

    I cannot talk about this without talking about Book One, How to Become the Dark Lord and Die Trying. I probably won’t say much more than what you can assume from the title, but still.

    Also, I’m going to lift sections and ideas from the post that I just linked to—because why reinvent the wheel in what I write about these books? The two books could easily be packaged together in one volume to read straight through, so it makes sense that I’m going to think a lot of the same things about them. Wexler’s consistent through the duology; I’ll be consistent in my writing about it. But I’m just saying that now to head off any self-plagiarism claims.

    And, now…on with the post…


    First and most urgently, I need to prevent the horde from destroying the Kingdom. This is harder than it sounds. But, Davi, you might say, you’re the Dark Lord now! Surely you can order the horde to just, I don’t know, start planting daisies. Which sounds great but this is real life (kind of) and not WarArtisan IV, I’m an actual person and not a disembodied hand in the sky clicking on stuff. The wilders follow the Dark Lord because they think it’ll get them what they want, which is apparently DEATH TO THE HUMANS; if I don’t play along, maybe they’ll decide that Hufferth or Sibarae has the Mandate of Heaven after all.

    What’s Everybody Wants to Rule the World Except Me About?

    That quotation basically sums it up. This book takes up shortly after the last one, with Davi having to do some quick thinking and exceptional lying to come up with a way to keep her new horde from wiping out humanity. Or at least trying to (but based on her past lives, she’s pretty sure of the outcome).

    Davi and Tsav head to the kingdom’s capital to try to work something out, but the situation in the capital is different this lifetime. Requiring more quick thinking and exceptional lying.

    Actually, that pretty much sums up the next…um…rest of the book. Davi and her friends/allies do what they can to come up with plans to keep everyone from attempting to wipe out the other side and maybe come up with a more constructive and long-lasting solution.

    A Pretty Big Caveat

    Davi feels like she was trained in the use of “blue language” by Zoey Ashe and Teagan Frost*, and truly the student has surpassed the masters. And I really don’t know how to describe her sexual appetites. Thankfully, it’s all behind closed doors (or tent flaps)—but she doesn’t mind talking about it in the narration.

    Go into it knowing that, and you’ll be okay. If that’s a red flag for you, (and I honestly feel like it maybe should be one for me), pay attention to it. Maybe instead of a flag, think of it as a red metal octagon.

    * From Jason Pargin’s Zoey Ashe series and Jackson Ford’s Frost Files, respectively.

    The Missing Fantasy Element

    I’ve always wondered where all the dragons were at. It seems like there should be dragons, dragons go with the whole post-Tolkien/Arthuriana/D&D fantasy zeitgeist like orca and Dark Lords and knights in shining armor. The Kingdom has legends about dragons, but they always take place in Olden Times, and in the modern days, giant flying reptiles are nowhere to be found. In the thousand years I’ve been kicking around, I’ve never seen a dragon. I might have even, from time to time, expressed the sentiment that I wanted to see one, or that getting eaten by a dragon would be a good death to add to my extensive catalog.

    Right about now, I profoundly wish I could take those thoughts back.

    I wanted to keep going with this quotation, but it was in danger of taking over the post (which might not have been a horrible idea), but

    In short, it looks like the offspring of an ill-conceived one-night stand between Smaug and Cthulhu.

    So, what did I think about Everybody Wants to Rule the World Except Me?

    “I know what I’m doing.”

    Tsav rolls her eyes. “What in the course of our relationship could possibly give me that impression?”

    I snort. “You know what, fair.”

    First, there is so much more heart to this book than you might think. Scrape away the jaded nature of living hundreds of lives and dying in all but one of those (sometimes horribly), and Davi has a large heart and cares a lot for her “minions.” She’s also capable of more personal growth and emotional maturation than one might give her credit for. Not so much that she stops being the sarcastic emotional train-wreck covering up her anxieties and fears with jokes and innuendo, because coping mechanisms just don’t go away. Yet….

    Secondly, the action is really well-delivered again. The battle scenes are well-done (but not overly detailed so as to slow down the action), the individual fight scenes are as good as you’re going to find out there. And the plot makes complete sense for what it is. The magic system isn’t one I’ve seen before—and it works well in this world.

    This will almost certainly be in the Top 5 funniest books I’ll read this year (and that’s saying something). Davi is full of sass, sarcasm, and obscure pop culture references (and she doesn’t mind making them to people who cannot understand them—she reminds me of Francis Xavier Flynn that way). Her observations and narration made me want to stretch out the reading so I could keep enjoying it (while I had no patience to find out what happens at the end).

    Also, I’ve made my position concerning comedic footnotes very clear in the past—huge fan—and Wexler is great at them.

    This was just a delight from start to finish. There were plenty of surprises—both in plot twists and character reveals. People into comedic fantasy should give it a try.

    This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

    20 Books of Summer 2026

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    WWW Wednesday—September 2, 2026

    I saw something distubing on Facebook yesterday, and just have to share it with you at this point:
    An image of text 'Today officially marks the beginning of the late 2020s.' and another image of text '40-Month Intervals Early 2020s: January 1, 2020 – April 30, 2023 Mid 2020s: May 1, 2023 – August 31, 2026 Late 2020s: September 1, 2026 – December 31, 2029'


    WWW Wednesdays Logo

    This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

    The Three Ws are:
    What are you currently reading?
    What did you recently finish reading?
    What do you think you’ll read next?

    Seems easy enough, right? Let’s take a peek at this week’s answers:

    What are you currently reading?

    Cover of Fool by K.R. Lockhaven Cover of Gods & Comics by Kat Cho
    Fool
    by K.R. Lockhaven
    Gods & Comics
    by Kat Cho, read by Greta Jung

    Fool is such a change of pace for Lockhaven–not that I had a problem with his old pace, but this should get him on more radars than he has been previously.

    Gods & Comics is just entertaining enough to keep going. Not much more–but things could change.

    What did you recently finish reading?

    Cover of Everybody Wants to Rule the World Except Me by ADjango Wexler Cover of The Politician by Tim Sullivan
    Everybody Wants to Rule the World Except Me
    by Django Wexler
    The Politician
    by Tim Sullivan, read by Finlay Robertson

    I had no idea how Wexler was going to pull off the conclusion to this duology. But he picked the absolute right way to do it–this was just so much fun.

    The Politician was just wonderful–I guessed the killer correctly early on (but had the motive wrong), but I was gripped throughout and the twists really did get me tangled up.

    What do you think you’ll read next?

    Cover of The Name of the Wind by Patrick Rothfuss Cover of He Who Fights with Monsters by Shirtaloon
    The Name of the Wind
    by Patrick Rothfuss
    He Who Fights with Monsters
    by Shirtaloon, read by Heath Miller

    I’m really eager to get back into this one. I’m very glad I was given an excuse.

    I’ve thought about trying He Who Fights… off and on for quite some time, but I didn’t want to get into LitRPG, and then Dinnimin showed me I was thinking hollowly there. And then someone I know recommended this book, so…

    How’s September starting for you? Are you one of those who tries to match the mood of their reading with the season?

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