PUB DAY REPOST: Stakeouts and Strollers by Rob Phillips: Girl Dad, P.I.

Cover of Stakeouts and Strollers by Rob PhillipsStakeouts and Strollers

by Rob Phillips

DETAILS:
Publisher: Minotaur Books
Publication Date: March 17, 2026
Format: eARC
Length: 336 pg.
Read Date: March 2-6, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Stakeouts and Strollers About?

Charlie Shaw, a former investigative reporter, is now a rookie P.I. His boss has him working low-risk cases as he learns the job—and because he’s a new dad. Charlie is besotted with his little girl, Callie. So much so that he does things like wear down his phone battery enough watching her on the monitor so he doesn’t have enough power to take the photos he needs to document his target’s affair.

Soon after, he’s back on the case and tracks the woman to the home of the man she’s having an affair with. Beyond getting the photos he needs to satisfy the client, two significant things happen.

First, he runs into a teenage girl who is seemingly trying to follow the same person. Secondly, he witnesses the man his target was seeing get beaten by a large man and acts to help him.

My summary is getting convoluted—that’s on me, not Phillips. Charlie tracks down the girl—Friday Finley—who didn’t turn out to have anything to do with anyone that was at the scene he met her at. She’s actually trying to track down her father, who ghosted her and her mother years ago, and is now seemingly tied to some criminals working out of a dive bar.

Charlie’s between jobs, thanks to getting the incriminating photos, so he can help Friday track down her dad. This is where things get complicated and dangerous.

Why did I pick this up? Why did I keep reading?

The cover and title caught my eye, and the premise sold me.

I kept reading because Phillips’ text is smooth and engaging, and Charlie is one of those narrators that you can’t help but like immediately, so you want to see how things turn out for him. And I can’t imagine how a reader can’t want to know what happens next for Friday once they’ve met her.

Basically, everything about the book made me want to keep going.

What does this book tell us about humanity?

The big through-line with this book is family. Sometimes we’re talking about found families, but most of this is blood family.

Some of the families are dysfunctional, some are loving and supportive, some are still figuring themselves out, some are falling apart—but this novel is just littered with families. It’s the key to practically every motivation, decision, and goal for these characters.

Family is something many of us take for granted, at least one we can undervalue, given whatever day/stage of life we’re in. But seeing these characters do all these various and sundry things because of family rings so true. When X is doing Y for reason Z, it’s easy to dismiss Z as folly or greed. But as soon as it becomes “for reason Z and family,” both the character X and the action Y become relatable, understandable, and possibly even sympathetic.

This is on just about every page of this novel, and more than any other reason, it’s what grounds this work and draws you in.

So, what did I think about Stakeouts and Strollers?

This is just fun—Charlie’s got all the makings of a decent fictional PI, but Callie is a big distraction for him. Which makes you like him all the more—he’s such a girl dad. When it comes to Friday, he assumes a role between paternal and big brother.

A book that starts with a P.I.’s phone battery dying because he’s watching his daughter starts off with a certain tone—mildly comedic and light. Sure, there are legitimately tense and violent scenes (nothing that couldn’t show up on Prime Time TV), but the book retains that lightness. It’s practically wholesome—particularly any scene that features Charlie’s family.

The investigation itself is full of a bunch of great turns. And Charlie’s investigative chops are pretty evident.

I don’t know if this is the beginning of a series or just a fun one-off. Either way, it’s a satisfying time, and I recommend you pick it up. I’d enjoy watching little Callie grow while her dad tackles more cases. But if this is it, I can imagine that happening anyway. I expect I won’t be alone in hoping we get to see the family again.

Disclaimer: I received this eARC from St. Martin’s Press & Minotaur Books via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

PUB DAY REPOST: Black Bag by Luke Kennard: Funny and Surreal

I tried to come up with a punny post title about the novel carrying a lot, like a bag. Just didn’t work.


Cover of Black Bag by Luke KennardBlack Bag

by Luke Kennard

DETAILS: 
Publisher: Zando
Publication Date: March 17, 2026
Format: eARC
Length: 352 pg.
Read Date: March 7-11, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Black Bag About?

A struggling character actor (who seems to primarily pay the bills with dinner theater gigs) receives an unusual offer—a local university professor wants to hire him as part of an experiment. He is to attend three class sessions a week wearing a large black satchel—only his lower legs and feet are to be visible. He is to not interact with anyone—no speaking, no gesturing, no reacting to anything while on campus.

In exchange, Black Bag gets a roll of cash each week.

Easy enough, right? But it’s harder to not interact with other people than our actor realizes. And while this inspires him to look for other atypical roles, they’re not that easy to get (and he’s not that sure he wants them). His childhood friend—a game streamer—starts to see ways to monetize Black Bag (I’m not saying his friend’s hallucinogen use inspires these ideas, but I’m not saying they don’t). Also, another professor starts to take an interest in Black Bag for their own purposes.

So, what did I think about Black Bag?

Let me start by saying that the opening paragraphs to this are among my favorite in the last year or so—the rest of the book is worth the time, too.

Beyond that…I’m finding it difficult to really talk about what the novel seems to want to talk about without talking about events and things said in the last 10-20% of the book. I’m not sure how important it is to avoid plot points when discussing this particular novel, because the plot seems tertiary (at best) for Black Bag, but I have an aversion to doing that.

I’m not entirely convinced that Kennard has an agenda that he’s trying to push—and if he does, he’s certainly not leading anyone by horns to it—but he wants the reader to think about certain ideas/themes. Some prominent ones (I won’t try to be exhaustive here, I’d fail) are: the place of art in society and how it should try to shape discourse; the intensity of online communities—and how fragile they are; sex without emotional attachment; monetization of personal details online; post-humanism; academic politics; contemporary expressions of masculinity—and the various movements cropping up to address the “crisis” of it; the need for attachment to others.

If the plot is tertiary, the themes and issues in focus are definitely primary. I think the characters are, too. At times—and even now—I’m tempted to see the characters as flat, merely placeholders for Kennard to attach arguments/points of view on. Arguably, this is a valid reading. But each of the characters is more than that—they’re all fairly well-drawn, and the depth of each one is seen in the way they react to and interact with Black Bag. Just as Dr. Blend intended.

Do they project their desire for a get-rich-quick scheme onto it? Or perhaps they see it as a tool for sexual pleasure. One student sees the bag as a solid point to discuss the class with (at?) in place of the erratic professor. And then there’s the narrator himself, at times in danger of becoming more than Black Bag—detached from humanity, his career, his reality—losing himself to fantasy during the lectures, observing those around him, doing little more than noting their reactions to him. The more we consider how the characters respond to Black Bag, the more we see about them. And, breaking the fourth wall (the narrator does this himself, inviting the reader to do the same), the way the reader reacts to Black Bag at various points of the novel reveals something about ourselves, too.

The narration itself is deceptively breezy and light. It is possible to lose yourself in the pacing and ease of the narrator’s conversational address to the reader and gloss over details—inherently, this is a strength. It would be very easy for this book to fall over under the weight of its own pretensions, but Kennard protects it from that. It keeps the reader engaged and entertained—Black Bag is frequently funny, both in how he bumbles through life and how he describes that to the reader.

I also find myself asking at this point, how would I react to the novel on a re-read? Knowing where all of this is happening, what meaning that Black Bag finds (for example) in the experiment, how would I react to him at the beginning, and in his early sessions. As a thought experiment, I’m getting nowhere—but I can’t stop wondering.

Surreal and absurd in the best way, full of challenging ideas, and brought to life through a very oddball collection of characters, Black Bag is a novel you won’t soon forget (nor will you want to).

Disclaimer: I received this eARC from Zando Projects via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

MUSIC MONDAY: “Your Nonsense Makes Sense” by The 502s

The Irresponsible Reader's Music Monday logo

Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

Irresponsible Reader Pilcrow Icon

Stakeouts and Strollers by Rob Phillips: Girl Dad, P.I.

Cover of Stakeouts and Strollers by Rob PhillipsStakeouts and Strollers

by Rob Phillips

DETAILS:
Publisher: Minotaur Books
Publication Date: March 17, 2026
Format: eARC
Length: 336 pg.
Read Date: March 2-6, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Stakeouts and Strollers About?

Charlie Shaw, a former investigative reporter, is now a rookie P.I. His boss has him working low-risk cases as he learns the job—and because he’s a new dad. Charlie is besotted with his little girl, Callie. So much so that he does things like wear down his phone battery enough watching her on the monitor so he doesn’t have enough power to take the photos he needs to document his target’s affair.

Soon after, he’s back on the case and tracks the woman to the home of the man she’s having an affair with. Beyond getting the photos he needs to satisfy the client, two significant things happen.

First, he runs into a teenage girl who is seemingly trying to follow the same person. Secondly, he witnesses the man his target was seeing get beaten by a large man and acts to help him.

My summary is getting convoluted—that’s on me, not Phillips. Charlie tracks down the girl—Friday Finley—who didn’t turn out to have anything to do with anyone that was at the scene he met her at. She’s actually trying to track down her father, who ghosted her and her mother years ago, and is now seemingly tied to some criminals working out of a dive bar.

Charlie’s between jobs, thanks to getting the incriminating photos, so he can help Friday track down her dad. This is where things get complicated and dangerous.

Why did I pick this up? Why did I keep reading?

The cover and title caught my eye, and the premise sold me.

I kept reading because Phillips’ text is smooth and engaging, and Charlie is one of those narrators that you can’t help but like immediately, so you want to see how things turn out for him. And I can’t imagine how a reader can’t want to know what happens next for Friday once they’ve met her.

Basically, everything about the book made me want to keep going.

What does this book tell us about humanity?

The big through-line with this book is family. Sometimes we’re talking about found families, but most of this is blood family.

Some of the families are dysfunctional, some are loving and supportive, some are still figuring themselves out, some are falling apart—but this novel is just littered with families. It’s the key to practically every motivation, decision, and goal for these characters.

Family is something many of us take for granted, at least one we can undervalue, given whatever day/stage of life we’re in. But seeing these characters do all these various and sundry things because of family rings so true. When X is doing Y for reason Z, it’s easy to dismiss Z as folly or greed. But as soon as it becomes “for reason Z and family,” both the character X and the action Y become relatable, understandable, and possibly even sympathetic.

This is on just about every page of this novel, and more than any other reason, it’s what grounds this work and draws you in.

So, what did I think about Stakeouts and Strollers?

This is just fun—Charlie’s got all the makings of a decent fictional PI, but Callie is a big distraction for him. Which makes you like him all the more—he’s such a girl dad. When it comes to Friday, he assumes a role between paternal and big brother.

A book that starts with a P.I.’s phone battery dying because he’s watching his daughter starts off with a certain tone—mildly comedic and light. Sure, there are legitimately tense and violent scenes (nothing that couldn’t show up on Prime Time TV), but the book retains that lightness. It’s practically wholesome—particularly any scene that features Charlie’s family.

The investigation itself is full of a bunch of great turns. And Charlie’s investigative chops are pretty evident.

I don’t know if this is the beginning of a series or just a fun one-off. Either way, it’s a satisfying time, and I recommend you pick it up. I’d enjoy watching little Callie grow while her dad tackles more cases. But if this is it, I can imagine that happening anyway. I expect I won’t be alone in hoping we get to see the family again.

Disclaimer: I received this eARC from St. Martin’s Press & Minotaur Books via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Saturday Miscellany—3/14/26

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet I don’t think I noticed last October when Southern Living named its 50 Books From The Past 50 Years Everyone Should Read At Least Once—an impressive and daunting list, to be sure. But I did notice that Books of Brilliance talked about that list this week: Southern Living’s 50 Best Books of the Past 50 Years: The Novels That Defined Modern Literature
bullet Why Motive Matters Even More than Truth in Crime Fiction:
Nadine Matheson mulls how to create narrative satisfaction rather than random violence
—Matheson nails this
bullet Acclaimed crime fiction writer M. W. Craven on upcoming TV adaptation —a good interview about upcoming adaptations, his MG James Bond series, and more.
bullet Popular Book Genres Seen as “Easy Reading”—a typically thoughtful post from Briana at Pages Unbound.

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet The Conversation with Nadine Matheson Coffee Break with Neil Lancaster: The Dark Heart—a fun chat.
bullet In Person With Paul Neil Lancaster—a more serious and wide-ranging conversation (that includes several great recommendations)

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet I had a light posting week due to running around getting things like fingerprints and drug tests for a then new job. But I did mention the releases of Fire Touched by Patricia Briggs; Stop the Presses! by Robert Goldsborough; The Stone Bearer by Jacque Stevens

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Butterfly Effects by Seanan McGuire—Nunc hoc in marmore non est incisum I tried to express my enthusiasm for it earlier this week.
bullet The Shadow Carver by Nadine Matheson—DI Henley is on the hunt for another grizly serial killer
bullet The Dark Heart by Neil Lancaster—As you probably guessed from the above, Lancaster has a new book out. This time DS Craigie tangles with some spies.
bullet The Best Dog in the World: Essays on Love edited by Alice Hoffman—”Fourteen beloved authors celebrate the life-changing bond with their canine companions in this heartwarming essay collection.” Something tells me that a Kleenex or eight on-hand would be a good idea.
bullet The Most Dangerous Pet Shop by Paul Regnier—”On the night of his thirteenth birthday, Tristin is pulled through an enchanted mirror into a medieval fantasy realm with no way home. Stranded in the magical town of Springhaven, the fate of his family’s otherworldly pet shop is in his hands. But dealing with snapping dragons, talking animals, and mischievous pixies is a lot to handle.”
bullet This Story Might Save Your Life by Tiffany Crum—”Best friends Benny and Joy like to say they’ve been saving each other’s lives since the moment they met. Until the day Joy disappears and Benny is suspected of murder . . .” Check out the review over at Before We Go Blog.
bullet Nobody’s Baby by Olivia Waite—A cozy sci-fi mystery novella set on an interstellar passage liner. This is the second in a series, but looks so good I’m getting my hands on the first one!
bullet Magic and Mischief at the Wayside Hotel by Elizabeth Everett—”When a magical hotel appears smack-dab in the middle of the most unmagical of worlds, the last thing the residents expect is to fall in love.”
bullet The First Step by Tao Wong—”In a spectacular world of immortals, spirit beasts, and mystical martial arts, the young farmer Wu Ying’s life will be changed forever when he is unexpectedly invited to join an elite school of cultivation.”

@SparkNotes Once again reminding you all that the Ides of March is a scam holiday invented by Big Dagger to sell more daggers

Black Bag by Luke Kennard: Funny and Surreal

I tried to come up with a punny post title about the novel carrying a lot, like a bag. Just didn’t work.


Cover of Black Bag by Luke KennardBlack Bag

by Luke Kennard

DETAILS: 
Publisher: Zando
Publication Date: March 17, 2026
Format: eARC
Length: 352 pg.
Read Date: March 7-11, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Black Bag About?

A struggling character actor (who seems to primarily pay the bills with dinner theater gigs) receives an unusual offer—a local university professor wants to hire him as part of an experiment. He is to attend three class sessions a week wearing a large black satchel—only his lower legs and feet are to be visible. He is to not interact with anyone—no speaking, no gesturing, no reacting to anything while on campus.

In exchange, Black Bag gets a roll of cash each week.

Easy enough, right? But it’s harder to not interact with other people than our actor realizes. And while this inspires him to look for other atypical roles, they’re not that easy to get (and he’s not that sure he wants them). His childhood friend—a game streamer—starts to see ways to monetize Black Bag (I’m not saying his friend’s hallucinogen use inspires these ideas, but I’m not saying they don’t). Also, another professor starts to take an interest in Black Bag for their own purposes.

So, what did I think about Black Bag?

Let me start by saying that the opening paragraphs to this are among my favorite in the last year or so—the rest of the book is worth the time, too.

Beyond that…I’m finding it difficult to really talk about what the novel seems to want to talk about without talking about events and things said in the last 10-20% of the book. I’m not sure how important it is to avoid plot points when discussing this particular novel, because the plot seems tertiary (at best) for Black Bag, but I have an aversion to doing that.

I’m not entirely convinced that Kennard has an agenda that he’s trying to push—and if he does, he’s certainly not leading anyone by horns to it—but he wants the reader to think about certain ideas/themes. Some prominent ones (I won’t try to be exhaustive here, I’d fail) are: the place of art in society and how it should try to shape discourse; the intensity of online communities—and how fragile they are; sex without emotional attachment; monetization of personal details online; post-humanism; academic politics; contemporary expressions of masculinity—and the various movements cropping up to address the “crisis” of it; the need for attachment to others.

If the plot is tertiary, the themes and issues in focus are definitely primary. I think the characters are, too. At times—and even now—I’m tempted to see the characters as flat, merely placeholders for Kennard to attach arguments/points of view on. Arguably, this is a valid reading. But each of the characters is more than that—they’re all fairly well-drawn, and the depth of each one is seen in the way they react to and interact with Black Bag. Just as Dr. Blend intended.

Do they project their desire for a get-rich-quick scheme onto it? Or perhaps they see it as a tool for sexual pleasure. One student sees the bag as a solid point to discuss the class with (at?) in place of the erratic professor. And then there’s the narrator himself, at times in danger of becoming more than Black Bag—detached from humanity, his career, his reality—losing himself to fantasy during the lectures, observing those around him, doing little more than noting their reactions to him. The more we consider how the characters respond to Black Bag, the more we see about them. And, breaking the fourth wall (the narrator does this himself, inviting the reader to do the same), the way the reader reacts to Black Bag at various points of the novel reveals something about ourselves, too.

The narration itself is deceptively breezy and light. It is possible to lose yourself in the pacing and ease of the narrator’s conversational address to the reader and gloss over details—inherently, this is a strength. It would be very easy for this book to fall over under the weight of its own pretensions, but Kennard protects it from that. It keeps the reader engaged and entertained—Black Bag is frequently funny, both in how he bumbles through life and how he describes that to the reader.

I also find myself asking at this point, how would I react to the novel on a re-read? Knowing where all of this is happening, what meaning that Black Bag finds (for example) in the experiment, how would I react to him at the beginning, and in his early sessions. As a thought experiment, I’m getting nowhere—but I can’t stop wondering.

Surreal and absurd in the best way, full of challenging ideas, and brought to life through a very oddball collection of characters, Black Bag is a novel you won’t soon forget (nor will you want to).

Disclaimer: I received this eARC from Zando Projects via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

WWW Wednesday—March 10, 2026

No post from me last week–I was probably asleep. I also took most of the week off from books, so I wouldn’t have had anything to say. But I’m over the flu now and back.

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Black Bag by Luke Kennard Cover of Rabbit Cake by Annie Hartnett
Black Bag
by Luke Kennard
Rabbit Cake
by Annie Hartnett, read by Katie Schorr

Black Bag is very likely going to be the oddest book I read this year. It’s making me think a lot, too. So…don’t take odd as a criticism/complaint. I should finish this today and to say that I have no idea what the last 25 percent is going to hold is putting it mildly.

I forgot my headphones at home yesterday, so I didn’t get any time with Rabbit Cake, I’m looking forward to getting back to it today.

What did you recently finish reading?

Cover of Stakeouts and Strollers by Rob Phillips Cover of Head Fake by Scott Gordon
Stakeouts and Strollers
by Rob Phillips
Head Fake
by Scott Gordon, read by Nick Mondelli

I’ll hopefully have a full post about Phillips’ book up tomorrow–short version, this is a completely pleasant and warm mystery featuring a girl-dad, while not being at all cozy.

Head Fake is going to be one of those books I’m talking about at the end of the year. It’s a funny and heartwarming book filled with broken people.

What do you think you’ll read next?

Cover of Ancillary Justice by Ann Leckie Cover of The Cyclist by Tim Sullivan
Ancillary Justice
by Ann Leckie
The Cyclist
by Tim Sullivan, read by John Heffernan

After Kennard gets done messing with my head, I should benefit from running into some epic SF. Don’t let me down, Leckie!

I’m trying to keep my expectations in the right place for The Cyclist, but it’s hard after the way the first book in the series wowed me.

What’ve you been reading lately?

Butterfly Effects by Seanan McGuire: The Johrlac vs. Sarah

Cover of Butterfly Effects by Seanan McGuireButterfly Effects

by Seanan McGuire

DETAILS:
Series: InCryptid, #15
Publisher: Tor Books
Publication Date: March 10, 2026
Format: eARC
Length: 432 pg.
Read Date: February 23-24, 2026
Buy from Bookshop.org Support Indie Bookstores

Huh. Didn’t see that coming.

The InCryptid series is really a series of small arcs featuring a particular narrator before we move on to the next. Back in 2020 and 2021, we got an arc featuring Sarah Zellaby. Then we moved on to a pair of books focusing on Alice and then two on Aunt Mary.

But whoops–we’re not actually done with Sarah’s arc. It wasn’t a duology after all; it was a trilogy, and McGuire’s back to tie everything up.

I didn’t think we needed that. But now I see how much we did and how the series as a whole is better for it.

So, What is Butterfly Effects About?

So, we’d learned in Sarah’s books that the Johrlac on Earth (and in the wake of destruction they’d left behind) aren’t Johrlac-proper, they’re a bunch who’d been ejected from their home world for being as awful as we’d thought. These cuckoos were practically a separate species at this point, and most of what people on Earth knew about the cuckoos or Johrlac was horribly wrong.

And basically, everyone had moved on–it didn’t matter anymore, because there were only a handful left on Earth and Sarah had removed the ticking genetic time-bombs from them.

Except…the Johrlac are a really uptight bunch and once they saw what Sarah had done, they came to Earth and arrested her to be tried for crimes against Johrlac law. They also kidnapped Arthur to be used as State’s Exhibit A in the show trial, right out of the Edo of Rubicun III vs. Wesley Crusher on “Justice.”

Back on Earth, Annie and Alice get word of this, so they grab Thomas and use some of Alice’s remaining travel spells and inter-dimensional know-how to launch a rescue mission (and Sam insists on coming along).

And things get interesting from there…

We Sing It Anyway

I almost never discuss the novellas packaged with McGuire novels–and I’m not going to do that this time, either. Primarily because it’s solely “here’s what happens because of the novels conclusion next.” So to really talk about it would be to talk about the last half-chapter of the novel in detail.

So why am I talking about it at all? Just because I’m sure some readers are like me and don’t always read the novellas. Don’t skip this one. Trust me.

Why did I pick this up? Why did I keep reading?

I grabbed this because I’ve been on board for this series since the beginning.

Why did I keep reading? Pretty much everything I have said–or am about to say–about the book. I wasn’t prepared for McGuire to revisit this storyline, and I enjoyed getting to see what she was up to. I thought the world of the Johrlac was utterly fascinating–and watching the chaos that follows Annie, Sarah, and Alice as they interact with it was as entertaining as it could be.

What does this book tell us about humanity?

That’s the tricky thing, isn’t it? Given this series, I’m going to have to broaden this idea to “people” or “persons.” Also, a good part of it is about just how non-human some of these people can be.

Yet there’s something that humans and other non-human species can relate to in the middle of all the otherness.

(also, McGuire’s a human and all of her species are going to reflect that in some way, it can’t be helped)

The culture of the Johrlac is all about the collective–but there are several individuals expressing themselves (and we can assume some others we don’t encounter) in various and sundry ways. Most of these individual expressions are small–insignificant, really. But you get enough insignificant acts, and something noticeable can happen.

That’s one of the main things this book is about. While collectives–like both the Johrlac or the Price-Healys–are important, and together can accomplish great feats. It’s the individuals involved in them, and their interests and strengths, that make the collectives powerful.

So, what did I think about Butterfly Effects?

This is one of the better books in this series lately. I do worry that we’re becoming too dependent on the Annie/Sam/Alice/Thomas antics to the detriment of the others. But also? I don’t care, because I like Annie/Sam/Alice/Thomas, and everyone else is busy raising kids, so I prefer them out of danger.

The story took a lot of twists and turns that keep you on your toes. Not just on your toes, either, there are a few outright surprises. Some of those surprises come from the fact that the main action of this novel isn’t on Earth, and our friends don’t have to pull their punches so they can stay under the radar. Annie and her fire can do a whole lot when given the chance.

But this isn’t all danger, twists, and fire–there’s a lot of fun to be had on this alien world. It’s so strange that you just can’t help but have fun.

Action, heart, and plenty of smiles. This series shines brightest when McGuire brings these elements to the forefront. Butterfly Effects is proof of that.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Counting My Literary Chickens Before They Hatch: My March TBR

March's TBR: Counting My Literary Chickens Before They Hatch next to a drawing of a stack of books
Between a couple of books that just took me longer to read than I expected, a library due date that snuck up on me–and me forgetting how long February actually is, I didn’t get three of my books from last month read. Hopefully I can do better this month (although taking a week off from writing didn’t help). Some of these books are things I’ve been waiting to get to for months, so at least I’ll be satisfied by that. This is not going to be an exhaustive list—I’ll probably read other things, too, and may not get to all of these. But as of today, this is my plan.

Cover of Nav'Aria: The Marked Heir by K.J. BackerNav’Aria: The Marked Heir

by K.J. Backer

Orphan.

Outsider.

Freak.

Labels and questions swirl in Darion's troubled mind.

Why did his birthparents abandon him?

Why is he haunted by visions of mythical beasts, a captive, and her torturer?

And why is his birthmark glowing?

Discovering his true-identity may cost Darion everything, as he is suddenly confronted with a war-ravaged Realm and the answers he has always sought.

Rav'Arians wreak havoc at the command of a sadistic usurper who led a grisly coup against the Marked Royals.

Unicorn, Centaur, Nymph, and man have joined forces to face the oncoming threat of evil, yet their forces are slipping, and hope seems lost.

Three generations interwoven throughout Nav'Arian history will reach as far as rural Oregon, to see the Kingdom unified once more.

The only question is, will the return of the Marked Heir help or hinder in the fight for Nav'Aria?
Buy from Bookshop.org Support Indie Bookstores

I’ve had a couple of fun conversations with Backer over the last year, and I’m looking forward to getting into her fiction. If only so I can see her unicorns at work. These aren’t dainty, pretty things who mean business when it comes to the pointy thing on their head.


Cover of The Lost Daughter of Sparta by Felicia DayThe Lost Daughter of Sparta

by Felicia Day, illustrated by Rowan MacColl

Helen of Troy. Clytemnestra. Timandra.

Three sisters, infamously cursed by the goddess Aphrodite to betray their husbands, are known the world over. But few know about the fourth sister: Philonoe. Lost to historical record, ancient texts say she had a different fate than her sisters. But why and how did this happen?

New York Times bestselling author Felicia Day and illustrator Rowan MacColl bring Philonoe to vivid life at last, in The Lost Daughter of Sparta. 

A magnificent hero's journey with a feminist twist, The Lost Daughter of Sparta fills in history's missing pieces with sparkling wit and pathos, thrilling adventure, and an empowering love story that won't soon be forgotten.  
Buy from Bookshop.org Support Indie Bookstores

I’m sure the time will come when one of Day’s endeavors doesn’t do much for me. I doubt it’ll be with this


Cover of Dave the Potter by Laban Carrick HillDave the Potter: Artist, Poet, Slave

by Laban Carrick Hill, illustrated by Bryan Collier

An award-winning celebration of an American hero
Dave was an extraordinary artist, poet, and potter living in South Carolina in the 1800s. He combined his superb artistry with deeply observant poetry, carved onto his pots, transcending the limitations he faced as a slave. In this inspiring and lyrical portrayal, National Book Award nominee Laban Carrick Hill's elegantly simple text and award-winning artist Bryan Collier's resplendent, earth-toned illustrations tell Dave's story, a story rich in history, hope, and long-lasting beauty.
Buy from Bookshop.org Support Indie Bookstores

This looks pretty heavy for the audience. But given the raves and awards, I’m guessing Hill pulls it off. I’m eager to see how.


Cover of Black Bag by Luke KennardBlack Bag

by Luke Kennard

In Luke Kennard’s audacious new novel, a penniless and out-of-work actor picks up a job working for Dr. Blend, a university professor who is conducting a psychological experiment. How will Dr. Blend’s students react to someone zipped into an oversized bag, sitting at the back of the lecture hall over a series of Fall lectures? The role, eagerly accepted, soon has unexpected consequences. A professor of post-humanism develops research questions of her own—in particular, can you love someone secreted away inside a black bag?—and the actor’s childhood friend forms a vision for monetizing this new situation . . .

A warped campus novel, an investigation into the crisis of masculinity, and an off-kilter love story, Black Bag is a firework of a novel: blazingly funny and profoundly humane.
Buy from Bookshop.org Support Indie Bookstores

I was supposed to read this last month, and am about one-third into it now. I do not envy future me trying to write about it. But before I worry about that, I get to enjoy this. That last sentence in the blurb? That’s so spot-on.


Cover of Ancillary Justice by Ann LeckieAncillary Justice

by Ann Leckie

 On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest.

Once, she was the Justice of Toren--a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy.

Now, an act of treachery has ripped it all away, leaving her with one fragile human body, unanswered questions, and a burning desire for vengeance. 
Buy from Bookshop.org Support Indie Bookstores

I’ve heard a lot of hype for this book/trilogy, but I don’t think I’ve paid attention to it. But a lot of the folks at the SF book club are excited to read/reread this, I assume they’re onto something.


Cover of True Color by Kory StamperTrue Color: The Strange and Spectacular Quest to Define Color–from Azure to Zinc Pink

by Kory Stamper

begonia (n.): 3 -s : a deep pink that is bluer, lighter, and stronger than average coral (see coral 3b), bluer than fiesta, and bluer and stronger than sweet william — called also gaiety

What could "bluer than fiesta" possibly mean? While editing dictionaries for Merriam-Webster, Kory Stamper found herself drawn again and again to the whimsical color definitions in Webster’s Third New International Dictionary—especially when compared to the dry and impersonal entries that filled the rest of the volume. Stamper couldn’t help but wonder: Who was the voice behind these peculiar definitions?

Meet I. H. Godlove, an erratic but brilliant up-and-coming scientist who was one of the experts Merriam-Webster hired in 1930 to help revise the dictionary to reflect a rapidly modernizing world. His fascinating life mirrors the wild and winding journey that color science, color psychology, and color production took through the twentieth century. Stamper tracks these industries as they move into the atomic age and intertwine in strange and surprising ways, spanning two world wars and involving chemical explosions, an unexpected suicide, dramatic office politics, and an extraordinary love story.

Filled with captivating facts about color words and colors themselves—did you know that the word “puke” used to refer to a fashionable shade of reddish-brown before it was associated with vomit?—and fueled by Stamper’s inexhaustible curiosity, True Color will transform the way you see the world, from black-and-white to Technicolor. 
Buy from Bookshop.org Support Indie Bookstores

I enjoyed Stampers last work, and think it’d be interesting to see her tackle this idea. Also…I am just so bad with colors that it’s embarrassing. I’m hoping I learn enough from this to not cause my wife to cringe when I try to talk about color/hue/etc.

It probably won’t happen. But it’d be nice.


Cover of The Cyclist by Tim SullivanThe Cyclist

by Tim Sullivan, read by John Heffernan

DS George Cross can be rude, difficult, and awkward with people. But his unfailing logic and relentless pursuit of justice means his conviction rate is the best on the force. So when a ravaged body is found in a local demolition site, it's up to Cross to piece together the truth from whatever fragments he can find.

The demolition began at dawn. Walls knocked over. Twisted pipes uprooted. Window frames smashed. A dead body unearthed...

DS Cross has little to go on, but from the faint tan lines on the body, and strange scars on his forearms, an identity gradually emerges: a young man; an amateur cyclist; a supply of performance enhancing drugs. But what led this man to his death? Soon, Cross has mounted an investigation that will uncover jealousy, ambition and a family tearing itself apart... An investigation that could cost him his career.

I’m trying to keep my expectations in the right place for this, but it’s hard after the way the first book in the series wowed me.


Cover of Press Here by Herve TulletPress Here

by Herve Tullet

 Hervé Tullet's delightful sensory books have sold millions of copies around the world. Here is his beloved Press Here in a beautiful hardcover edition just right for toddlers, preschoolers, and early readers.

Press the yellow dot on the cover of this interactive children's book, follow the instructions within, and embark upon a magical journey! Each page of this surprising touch book instructs the reader to push the button, shake it up, tilt the book, and who knows what will happen next! 
Buy from Bookshop.org Support Indie Bookstores

I don’t see the appeal of this one, I have to say. Which means I’m a few short pages away from understanding how mistaken I was.


Cover of Hey, Al by Arthur YorinksHey, Al

by Arthur Yorinks, illustrated by Richard Egielski

Al, a janitor, and his faithful dog, Eddie, live in a single room on the West Side. They eat together, they work together, they do everything together. So what's the problem?

Thier room is crowded and cramped; their life is an endless struggle. Al and Eddie are practically at each others throats when a large and mysterious bird offers them a new life in paradise. After some debate, they decide to accept.

Transported to a gorgeous island in the sky, Al and Eddie are soon living a life of ease and luxury. But they come to find that the grass can be a little too green on the other side. After a dramatic, nearly tragic escape from their paradise prison, both man and dog agree: there really is no place like home.
Buy from Bookshop.org Support Indie Bookstores

This came from a recommendation in a recent comment by aquavenatus. Looks like a fun book!


(Image by DaModernDaVinci from Pixabay)

MUSIC MONDAY: “Be Kind” by Zak Abel

The Irresponsible Reader's Music Monday logo

Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

Irresponsible Reader Pilcrow Icon

Page 1 of 603

Powered by WordPress & Theme by Anders Norén