REPOSTING JUST CUZ: Like a Champion by Vincent Chu

The post I had pretty much ready for today had to be scrapped, the more I thought about it, the less I agreed with it. And I was just too knackered to finish anything else. So…it’s time for a Summer Re-run.


Cover of Like a Champion by Vincent ChuLike a Champion

by Vincent Chu

eARC, 238 pg.
7.13 Books, 2018

Read: January 31 – February 2, 2018

The man across from Henriette read a book. It was a very big book, a Hunger Games or Game of Thrones kind, with a sword and flame and chess piece on the cover. Dean had never read such a big book. The man was on the very last page and Dean felt guilty suddenly for spying on him during this personal moment, but he did not stop. It was not often, he reasoned, that he would get the opportunity to observe another person at the exact moment they finished a book, a big one at that. But, after the last page, the man, without so much as a satisfied nod or pensive stare, shut the thing and immediately put in his iPhone buds. This disappointed Dean.

That’s just one of any number of paragraphs throughout these stories that don’t advance the plot, reveal or describe much in the way of character — but man, the little bit of flavor they add to the story makes it worth it. And don’t you just want to shake the man who finished the book by the shoulders and ask what is wrong with him? The guy appears for one paragraph, and I have a strong reaction to him. With short stories, you don’t typically get to do that kind of thing the way you can with novels, because every word has to count — and typically, that’s what Vincent Chu does, but every now and then, he stretches a bit. Typically, like the best short fiction writers, Chu gets his bang for his buck when it comes to his words — tight, economical prose that strikes just the right tone each time.

But I’m getting ahead of myself. Like a Champion is a collection of eighteen short stories featuring all sorts of people — underdogs in one sense or another — getting a taste of victory. Some of this victory is very short-lived, some is quite Pyrrhic, but it’s there. The stories are varied in tone, in voice, in setting, in types of character — and that’s such a strength. Some will make you smile, some laugh, some are sad, some are tragic, some are somber, all are incredibly human.

There’s a lot I could talk about — if I could, I’d spend a few hundred words on “Squirrels”, the fourth story in the collection. I don’t know why, but that one sealed me appreciation for this book, and it stands out as a high point for me. There’s just something about it that worked for me, the same kind of thing that lead me to write three papers for three separate courses in college about one Updike short story. There were a couple of other stories that I could point to that were as as outstanding, but I’ll stick with “Squirrels” — a story about one man’s childhood basketball triumph in the midst of defeat — because I enjoyed it more.

With one exception (at least one that I noticed, I might have missed others), these are independent of each other. The two stories that are connected are so different in tone and subject matter that it takes you by surprise when you notice the connection — but it really works (and the connection is of a lesser importance, that not much changes if you don’t make the connection). It was a nice little touch, I would’ve liked a part three, however.

I’m not crazy about Chu’s depiction of older characters. Maybe if I only got one of the stories in this collection featuring an older character — I wouldn’t have commented. Or if I took a few more days to read this than I did, it wouldn’t have stood out to me as much, but when you get the same note or two being played so often with elderly characters it sticks out.

I don’t usually spend much time talking about the publisher of the books I post about, but when it comes to some indie presses, I should. A couple of months ago, I know I posted a link to a profile of 7.13 Books in a Saturday Miscellany, and before that I talked about another short story collection they put out. And come to think of it, I have one more book from them on my schedule in the coming weeks. If Like a Champion is indicative of what they are publishing (and it seems to be), there’s something in the water there, folks, keep an eye out for their books.

Like with every collection — be it full of short stories, essays, poems — there are some in this collection that don’t work for me — two because I didn’t get what he was going for; a couple that I’m pretty sure I got what he was going for, and just didn’t care for it. And I’m very sure that many people will get those I didn’t and will like the ones I didn’t care for — and even dislike the stories that I enjoyed, and maybe even someone’s nuts enough to not care for the ones that filled me with joy. There’s enough variety in these to appeal to all sorts of tastes — and that’s a compliment, Chu’s nothing if not versatile. But on the whole, this is a great collection of short stories, full of compassion, humanity, and talent. You’d do well to grab this one.

Note: I received a copy of this eARC in exchange for my honest opinions as expressed above.

—–

4 Stars

WWW Wednesday—June 3, 2026

This is the third (and, I think, final) “hey, what am I reading” kind of post for the week. If I’d planned better, maybe I could’ve broken them up more. But I didn’t. So at least I can move on now.

<img class=”aligncenter” src=”http://www.hcnewton.com/irrreader/wwwweds.jpg” alt=”The WWW Wednesday logo with the Irresponsible Reader pilcrow icon in the corner />

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of The Devils by Joe Abercrombie Cover of What’s Next by Melissa Fitzgerald and Mary McCormack Cover of Some Sort of Justice by Peter Grainger
The Devils
by Joe Abercrombie
What’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service
by Melissa Fitzgerald and Mary McCormack
Some Sort of Justice
by Peter Grainger, read by Gildart Jackson

I heard just a little bit of the alternate history involved in Abercrombie’s fantasy novel on Monday. That alone seems worth cracking it open.

I’m about 10% into What’s Next, and already I’m glad I finally stopped putting this off.

It took less than 20 minutes of listening to Gildart Jackson for me to be content in Grainger’s world again. Ahhh…

What did you recently finish reading?

Cover of Three Hitmen and a Baby Hart by Rob Hart Cover of Finlay Donovan Crosses the Line by Elle Cosimano
Three Hitmen and a Baby
by Rob Hart
Finlay Donovan Crosses the Line
by Elle Cosimano, read by Angela Dawe

The latest installment in the Assassins Anonymous series is just as fun, action-packed, and full-of-heart as its predecessors. Hart pulls no punches here (unlike his characters, who are trying to avoid all that).

The Lucy and Ethel of amateur detectives are up to their usual antics. I think this was better than their recent excursion to Atlantic City, which tested my patience.

What do you think you’ll read next?

Cover of The Brothers McKay by Craig Johnson Cover of Double Whammy by Carl Hiaasen
The Brothers McKay
by Craig Johnson
Double Whammy
by Carl Hiaasen, read by George K. Wilson

This is possibly the longest that I’ve let a new Walt Longmire gone unread in years. Hope to crack it open no later than this weekend.

I’ve been curious about Hiaasen for ages. This just showed up as a new addition to my library’s audio collection. Figured I might as well try it.

How are you all starting the month?

Quick-Take Catchups: The Leftovers from March

I’m a few weeks behind on this, but that “To Write About” stack is still calling. Time for me to do a few more of these—emphasizing pithiness, not thoroughness.


Cover of Rabbit Cake by Annie HartnettRabbit Cake

by Annie Hartnett, read by Katie Schorr

DETAILS:
Publisher: Blackstone Publishing
Publication Date: March 7, 2017
Format: Unabridged Audiobook
Length: 7 hrs., 7 min. 
Read Date: March 9-13, 2026

This is told from the point-of-view of a very bright 10-12 year-old girl (named Elvis) grieving the recent death of her mother. She has an older sister who is having some pretty severe mental health challenges (likely inherited from the mother)—and it’s unclear about Elvis’s mental health, too.

This covers roughly a year in the life of the family—dad and the two daughters trying to deal with it (our protagonist has an internal calendar in her head for when she’ll be done grieving). There’s some mild comedy, some strong emotional moments–all learned.

I think I came into it expecting something different than what it was. I thought it was…fine? A little better than fine—I enjoyed it, and assume many people will click with it better than me.

Cover of The Cyclist by Tim SullivanThe Cyclist

by Tim Sullivan, read by John Heffernan

DETAILS:
Series: The DS Cross Mysteries, #2
Publisher: W. F. Howes Ltd
Publication Date: November 4, 2021
Format: Unabridged Audiobook
Length: 7 hrs., 26 min.
Read Date: March 13-16, 2026

I think I read this too close to the previous one—it seemed to hit a lot of the same notes for the same reason. I get that we’re not going to see a lot of growth in DS Cross. That’s just not him. But it feels like the characters around him should be learning from their time with him—and how does his father not know how to introduce changes to him at this point in life?

The mystery felt a little more convoluted than complex—but the solution was pretty satisfying (although I was faster by a few chapters than our DS), as was the reveal.

Wholly satisfying and entertaining—just not quite what I was expecting. I’m hoping with a little more distance that the third mystery won’t be overshadowed by The Dentist the way this was.

Cover of Blind Date with a Werewolf by Patricia BriggsBlind Date with a Werewolf

by Patricia Briggs, read by Holter Graham

DETAILS:
Series: Alpha and Omega
Publisher: Penguin Random House Audio Publishing Group
Publication Date: October 21, 2025
Format: Unabridged Audiobook
Length: 8 hrs., 5 min. 
Read Date: March 17-18, 2026

I’ve read one (maybe two) of these stories in various anthologies before—they’re all fine. Asil is a fun character to read, but I don’t know that he’s enough to sustain my attention for that long. Well, maybe if there was a novel-length plot—but this series of stories gets pretty redundant quickly. I think the gimmick turned me off a bit, too.

The characters that Asil interacts with are amusing enough, I suppose. Asil seems better as a supporting/secondary character. There’s some nice character growth for him, and I’m curious to see what that looks like in Briggs’ future works.

Cover of The Spellshop by Sarah Beth DurstThe Spellshop

by Sarah Beth Durst, read by Caitlin Davies

DETAILS:
Publisher: Macmillan Audio
Publication Date: July 9, 2024
Format: Unabridged Audiobook
Length: 12 hrs., 29 min. 
Read Date: March 18, 2026

You’ve got a librarian—with a sentient talking fern—who is chased from the Capitol city during a coup. She returns to the home her parents abandoned when she was a child and sets up a jam shop/black market potions shop. Adventure and found-family ensue.

Okay, this is technically (according to some, anyway) a romance. And I know some of my readers will be scared away by this. It’s pretty tame on that front—and I just don’t mean it’s PG. I mean, the love story is pretty tame and mixes in pretty well with everything else that one could be forgiven for not thinking of it as a Romance. Like I do.

I had a blast with it, and am looking forward to getting my paws on Durst’s follow-up.

Cover of Nav'Aria: The Marked Heir by K.J. BackerNav’Aria: The Marked Heir

by K.J. Backer

DETAILS:
Series: Nav'Aria, #1
Publication Date: January 18, 2019
Format: Paperback
Length: 390 pg.
Read Date: March 26-31, 2026
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This is a fun, sort of porthole fantasy—Darion has been sent by his parents to Earth with some caretakers. He doesn’t know he’s from this different world—he just thought his parents had weird hobbies for him—martial arts, a lot of time in the forest, hunting, and so on.

There’s very little new or unexpected to this story—it doesn’t matter, it’s done well and is entertaining. It’s a very comfortable read in that sense. You’ve got a noble king and queen, a jealous upstart relative, loyal countrymen, oppressed citizenry…yada yada. We’ve all read it, we all like it (otherwise we’d find another genre). It’s in the telling, and some of the small touches. Backer shines there.

For example: The relation between dragons and unicorns—which we’re going to explore more in volume two—is pretty interesting. And unicorns at the top of the power structure? That’s cool.

And we’re not talking plush unicorns with rainbows and flowers. We’re talking big, strong animals who know that pointy thing can be used for. They have other cool magic abilities, too. Really, the unicorns alone are worth reading this.

My concern is that Darion seems to be shedding his Earth-ness for Nav’Arian as fast as Peter Pevensie did when he went back to Narnia in Prince Caspian, I’d like to see that hanging on a little longer. Otherwise, instead of Earth, he might as well have been sent to live in a hovel in a small town to hide. I’m back for more soon.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Counting My Literary Chickens Before They Hatch: My June TBR

June's TBR: Counting My Literary Chickens Before They Hatch next to a drawing of a stack of books
Yes, there’s a lot of overlap between this and my 20 Books of Summer post (as one would expect), but there’s some divergence, too. There’s no overlap between this and my Books I Can’t Believe I’ve Never Read Yet post (as one would hope).

Cover of The Devils by Joe AbercrombieThe Devils

by Joe Abercrombie

Holy work sometimes requires unholy deeds.

Brother Diaz has been summoned to the Holy City, where he is certain a commendation and grand holy assignment awaits him. But his new flock is made up of unrepentant murderers, practitioners of ghastly magic, and outright monsters. The mission he is tasked with will require bloody measures from them all in order to achieve its righteous ends.

Elves lurk at our borders and hunger for our flesh, while greedy princes care for nothing but their own ambitions and comfort. With a hellish journey before him, it's a good thing Brother Diaz has the devils on his side.
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This book has been taunting me for months–I just haven’t been able to squeeze it in. But now, I “have” to have it read for Fantasy Book Club.


Cover of An Egg Is Quiet by Dianna AstonAn Egg Is Quiet

by Dianna Aston, illustrated by Sylvia Long

This stunningly beautiful and wonderfully informative book from award-winning artist Sylvia Long and author Dianna Hutts Aston makes for a fascinating introduction to the vast and amazing world of eggs. Featuring poetic text and an elegant design, this acclaimed book teaches children countless interesting facts about eggs. Full of wit and charm, An Egg Is Quiet will at once spark the imagination and cultivate a love of science.
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For those of you who think this looks like an entry from last month, you’re right. Turns out that even Picture Books have wait lists at the library. I did pick this up the other day, though. So I will get it done.


Cover of Last Stop on Market Street by Matt de la PeñaLast Stop on Market Street

by Matt de la Peña, illustrated by Christian Robinson

On Sundays, CJ and his nana ride the bus across town to their stop on Market Street. But today, CJ’s not happy about it. Today, he’s wondering out loud why they have to wait in the rain and why they don’t have a car like his other friends. But it’s Nana who opens young CJ’s eyes and shows him the real beauty in the world around them—the spirit of the bustling city, the music in everyday life, and the magic of their often overlooked neighbors.
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This is a promising entry in the 25 Greatest Picture Books of the Past 25 Years list.


Cover of Dungeon Crawler Carl by Matt DinnimanDungeon Crawler Carl

by Matt Dinniman

You know what’s worse than breaking up with your girlfriend? Being stuck with her prize-winning show cat. And you know what’s worse than that? An alien invasion, the destruction of all man-made structures on Earth, and the systematic exploitation of all the survivors for a sadistic intergalactic game show. That’s what.

Join Coast Guard vet Carl and his ex-girlfriend’s cat, Princess Donut, as they try to survive the end of the world—or just get to the next level—in a video game–like, trap-filled fantasy dungeon. A dungeon that’s actually the set of a reality television show with countless viewers across the galaxy. Exploding goblins. Magical potions. Deadly, drug-dealing llamas. This ain’t your ordinary game show.

Welcome, Crawler. Welcome to the Dungeon. Survival is optional. Keeping the viewers entertained is not.
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Has anyone heard of this thing? Looked fun, thought I’d give it a shot, despite not seeing anything about it anywhere online.


Cover of Du Iz Tak? by Carson EllisDu Iz Tak?

by Carson Ellis

Du iz tak? What is that? As a tiny shoot unfurls, two damselflies peer at it in wonder. When the plant grows taller and sprouts leaves, some young beetles arrive to gander, and soon—with the help of a pill bug named Icky—they wrangle a ladder and build a tree fort. But this is the wild world, after all, and something horrible is waiting to swoop down—booby voobeck!—only to be carried off in turn. Su! With exquisitely detailed illustrations and tragicomic flair, Carson Ellis invites readers to imagine the dramatic possibilities to be found in even the humblest backyard. Su!
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The librarian (who seemed to be at the end of a long day and tired–almost checked out), paused when he saw this in my stack, “Oh, this one is so fun,” brightening up a bit. With an endorsement like that, I’m eager to read this one (and this is sincere, even though it sounds sarcastic to me).


Cover of What's Next by Melissa Fitzgerald and Mary McCormackWhat’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service

by Melissa Fitzgerald and Mary McCormack

A behind-the-scenes look into the creation and legacy of The West Wing as told by cast members Melissa Fitzgerald and Mary McCormack, with compelling insights from cast and crew exploring what made the show what it was and how its impassioned commitment to service has made the series and relationships behind it endure.
 
Step back inside the world of President Jed Bartlet’s Oval Office with Fitzgerald and McCormack as they reunite the West Wing cast and crew in a lively and colorful “backstage pass” to the timeless series. This intimate, in-depth reflection reveals how The West Wing was conceived, and spotlights the army of people it took to produce it, the lifelong friendships it forged, and the service it inspired. 
 
From cast member origin stories to the collective cathartic farewell on the show’s final night of filming, What’s Next will delight readers with on-set and off-camera anecdotes that even West Wing superfans have never heard. Meanwhile, a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor, creating an aspirational White House beyond the bounds of fictional television. 
 
What’s Next revisits beloved episodes with fresh, untold commentary; compiles poignant and hilarious stories from the show’s production; highlights initiatives supported by the cast, crew, and creators; and makes a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead.
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I’ve been wanting to read this since the publication was announced–and my pre-ordered autographed copy has been sitting 3 feet from my desk for a year-and-a-half. Enough of that nonsense.


Cover of Manitou by Glen GabelManitou

by Glen Gabel

In the remote forests of north Idaho, forest ranger Roy Farmer knows hardship intimately. Battling alcoholism and haunted by a tragic past he can't outrun, he stands atop a fire tower in the Bitterroot Wilderness, ready to end his life-until a violent summer storm sends a cartel plane crashing into the mountains around him.

Drawn reluctantly into the investigation, Roy discovers a cache of narcotics and a severed limb belonging to a missing pilot. The deeper he digs, the more he uncovers: a web of corruption in the nearby town of Lazarus, a brewing cartel war between a ruthless assassin and a violent biker gang, and a string of grisly murders that defy any human explanation.

As the bodies mount and the community fractures, Roy is forced to uphold a promise he made-and confront a malevolent entity that shows no remorse, no hesitation, and no fear.
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Gabel sold me on this book while it was still being written. Now it’s out and I get to see how justified that sale was.


Cover of Some Sort of Justice by Peter GraingerSome Sort of Justice

by Peter Grainger, read by Gildart Jackson

When Caroline Thorpe succeeded in casting doubt on the verdict of the inquest into her brother’s death, she could not have anticipated what would follow.

Freddie was Earl Thorpe of Burnham, and as the Kings Lake detectives, headed by DCI Cara Freeman, soon begin to realise, influential people have gone to considerable lengths to cover up a potential scandal surrounding the young man’s death.

Their investigation will take them from Norfolk into the capital, and from idealistic young campaigners to people at the heart of government. The stakes have never been higher for the detectives from Kings Lake Central.

I love the way that this book was set up in Grainger’s The Late Lord Thorpe in the companion series. Now that DC Smith has demonstrated a crime was committed, it’s time for his old pals at Kings Lake to take it over. Also, more time with Grainger and Jackson–going to be a highlight of the month for sure.


Cover of Eternal Blades by Vlad V. ImakaevEternal Blades

by Vlad V. Imakaev

One snowy night in Idaho, Maks Kolba’s life ends on a lonely road. But death is only the beginning.

When a cosmic battle between a dragon and a winged warrior collides with Maks’s world, he becomes bound to Eight—a living blade having its own will, memories, and agenda.

But Eternal Blades never rest, and neither will the darkness hunting him.

From school hallways to midnight duels, monsters and secrets stalk him at every turn. His friends demand answers. Watchers whisper about destinies and initiation trials. Every fight drags Maks deeper into a game played by beings who never die—while he simply wants to be himself.

Perfect for fans of coming-of-age fantasy, Eternal Blades blends heart and high-stakes adventure into an unforgettable saga where the fate of many worlds rests in the hands of one boy.

Imakaev and I had a brief convo at the Nampa Library’s Book Faire and it seemed like a sure-fire win.


Cover of The Brothers McKay by Craig JohnsonThe Brothers McKay

by Craig Johnson

When Pepper McKay, one of the most hated men in Absaroka County, is found murdered on his ranch in Crazy Woman Canyon, suspects aren’t in short supply. But Sheriff Walt Longmire’s attention is on those who had gathered for a family meeting that evening, McKay’s very different sons: a smooth-talking charmer, a cosmopolitan journalist, a reclusive monk, and a half-Native ranch hand who keeps the place running. Each had a motive. Each claims he’s innocent.

As Walt investigates what happened that night at the O-Kay Lodge, he’s pulled into a tangle of old grudges and long-buried secrets. Then the case takes a sharp turn: a second body surfaces, and a wildfire tears through the canyon, trapping Walt and forcing him into a fight for his life as both the killer and the elements close in.
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As I assumed last month, thanks to the release date (May 26), I didn’t get to this last month. But the time is ripe now.


Cover of Squeaky Clean by Callum McSorleySqueaky Clean

by Callum McSorley

From a hard-hitting and brutally funny new voice in crime writing comes the first in a new series starring DI Alison McCoist - the least popular detective in the Glasgow police.

Half the Glasgow copshop think DI Alison McCoist is bent. The other half just think she's a fuck-up.

No one thinks very much at all about carwash employee Davey Burnet, until one day he takes the wrong customer's motor for a ride.

One kidnapping later, he and the carwash are officially part of Glasgow's criminal underworld, working for a psychopath who enjoys playing games like 'Keep Yer Kneecaps' with any poor bastard who crosses him.

Can Davey escape from the gang's clutches with his kneecaps and life intact? Perhaps this polis Ally McCoist who keeps nosing around the carwash could help. That's if she doesn't get herself killed first.

Don’t miss this propulsively readable story of two likeable but flawed characters sucked into a grim criminal underworld –think wayward Scottish police meets Breaking Bad.
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Word about this one slipped by me, but I saw someone talking about the third book in the series just before it was released, and it sounded so good, I almost grabbed it. But then my compulsion to read a series in order kicked in. So here we are…


Cover of Dead Men Don't Play Fetch by David RosenfeltDead Men Don’t Play Fetch

by David Rosenfelt

It’s defense lawyer Andy Carpenter’s dream to retire. That goal is once again thwarted when he gets a call from Lou Campanelli, an old friend who he simply cannot refuse, asking for a favor. Lou runs a rehab center, and when one of his patients, a homeless veteran, is charged with first degree murder, he needs Andy's help. And of course, Andy will also be called on to care for the accused’s dog, but that’s okay: What's one more dog?

The man that Jason Maddox is accused of stabbing to death is none other than billionaire Paul Vincent, an eccentric businessman and inventor. Bickert dedicated a great portion of his life to philanthropy, with a soft spot for dog-related causes. This led him to befriend Jason, a physicist and war hero, whose life fell apart to the point where he ended up on the streets with his dog, just trying to survive.

But why would Jason possibly have wanted to kill him? Well, for one thing, he was to receive a fortune in Vincent's will. That, coupled with the fact that Jason was at the scene, his fingerprints were on the knife, and Vincent's wallet was in his jacket, made it a slam dunk arrest.

Once again, Andy is enmeshed in a puzzling, twisty case. But in order to reunite a man and his dog, Andy will have to untangle it all.
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Of course I’m going to read the next Andy Carpenter book.


Cover of Crownfall by Michael VadneyCrownfall

by Michael Vadney

Nearly a decade under the empire's grip has left Burunt a troubled land.

Kyndel Heim knows the truth behind the Viceroy's rise to power. After years of torture, his only goal is vengeance, but to master his powers he needs a mentor, one that won't kill him first.

Major Jelert Egarro came to Burunt to build something better. Instead, his talents have become weapons in the wrong hands-and those hands are everywhere. He must choose between his ideals or survival.

Lady Amara Khar must renew her family's legacy. Sharp and ruthless, she's kept her house alive through smuggling and shadow deals, but reclaiming power means making allies as dangerous as her enemies.

In the struggle for power, justice, and survival, each of them must decide who they're willing to become.
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I featured a post by Vadney about Noblec0re in a Saturday Miscellany last month, and wanted to see him but it into action.


Cover of We Be Dragons by Michael WeitzWe Be Dragons

by Michael Weitz

It's 1986 and John Brewer spends his days working and saving for college. His weekends, though, are filled with terrifying monsters, deadly battles, and dark mysteries as he leads his friends through an epic Dungeons & Dragons adventure.

But life outside the game is far more complicated. A horrific farming accident puts people on edge; Henley is a demanding boss hell-bent on making John's life miserable; rancid small-town rumors create suspicion, and a local evangelist believes D&D is "the devil's work."

With both of his worlds-real and imaginary-under attack, will John find the courage to fight back? Is he willing to put his very life on the line?

We Be Dragons is a story about friendship, standing tall, and a D&D adventure that takes readers to a world where fighting for what's right is what life is all about.
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A mix of D&D and life in Satanic-Panic 80s? Weitz has whet my appetite.


Cover of All Systems Red by Martha WellsAll Systems Red

by Martha Wells

“As a heartless killing machine, I was a complete failure.”

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.
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This is the choice for the next SF Book Club, and I could use a refresher.


Cover of TArtificial Condition by Martha WellsArtificial Condition

by Martha Wells

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more.

Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue.

What it discovers will forever change the way it thinks…
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There’s a good chance that we’ll add this to the discussion for Book Club, too. Needed a prompting to get this off my To-Read shelf. It doesn’t open up much room, but there’s a little.


(Image by DaModernDaVinci from Pixabay)

Top Ten Tuesday: Books I Can’t Believe I’ve Never Read

Top Ten Tuesdays banner
The topic for this week’s Top Ten Tuesdays is Books I Can’t Believe I’ve Never Read.

I mean, on the one hand…I can just wave vaguely to my TBR Range and grab a random ten. But that’s too easy. I put a little thought into it (actually very little, 8 of these came to me faster than I could type) and came up with this.
David Letterman Holding up a blank piece of paper with the text 'Books I Can’t Believe I’ve Never Read'

(alphabetically by author)

10 Cover of Confessions by Augustine
Confessions by Augustine

It’s one of the most influential books in Western Christianity–people from all its branches have drawn instruction and inspiration from it. I really have no excuse for not having read it yet.

9 Cover of Don Quixote by Miguel De Cervantes
Don Quixote by Miguel De Cervantes

There was a time I could (and would) sing every line to the Original Cast Recording of Man of La Mancha–coupled with the legendary status of the novel, it makes no sense that I’ve never even tried it. Honestly, it’s the length that’s intimidated me.

8 A Photograph of Agatha Christie
Literally anything by Agatha Christie

For a mystery buff like me, it’s unthinkable that I’ve never read anything by the Queen of Crime..

7 Cover of The Count of Monte Cristo by Alexandre Dumas
The Count of Monte Cristo by Alexandre Dumas

In my defense, I did actually buy a copy of this in February. I’m getting closer to reading this one.

6 Cover of The Maltese Falcon by Dashiell Hammett
The Maltese Falcon by Dashiell Hammett

Hammett is another of those writers that boggles my mind that I’ve not gotten to yet. The Maltese Falcon is at the top of that list–I’m sure it’s different than the movie (which I love), and I’d like to see how Hammett imagined the tale.

5 Cover of A Curse of Krakens by Kevin Hearne
A Curse of Krakens by Kevin Hearne

This trilogy is just fantastic–the first two volumes rocked, I had fun, and Hearne played my heartstrings like a guitar. So why has this book remained untouched for three years? I don’t have a clue.

4 Cover of London Rules by Mick Herron
London Rules by Mick Herron

Saying this opens me up to a comment or three below and at least two texts from my friend Paul, telling me how much I need to read this (and every Slough House book since).

Yes, Paul will be taunting me. But he’s right. I should’ve.

3 Cover of Brave New World by Aldous Huxley
Cover of Brave New World by Aldous Huxley

There’s a time when I should’ve read this in High School–and almost did. But at the time, I just wasn’t up to reading dystopian fiction. And there’s been a mental block since then.

2 Cover of 1984 by George Orwell
1984 by George Orwell

Ditto.

1 Cover of The Doors of Stone by Patrick Rothfuss
The Doors of Stone by Patrick Rothfuss

I absolutely loved The Name of the Wind–it’s one of my all-time, Mt. Rushmore of books. The second book in the trilogy, The Wise Man’s Fear wasn’t as good–but still, it was great.

So, why haven’t I read the third book in the trilogy?

Really, why?

I don’t have the foggiest. I’m sure there’s a good reason.

I just wish I could figure out what it was.

PUB DAY REPOST: Nice Places by Vincent Chu: Traveling Far So Easily

Cover of Nice Places by Vincent ChuNice Places

by Vincent Chu

DETAILS:
Publisher: Forest Avenue Press
Publication Date: June 2, 2026
Format: eARC
Length: 296 pg.
Read Date: May 11-14, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Nice Places About?

When we meet Georgie, he’s about to quit his job—but his boss fires him first. It was a mutual thing, really.

Georgie has a plan—he’s going to take a year and travel the world. He got a job right out of high school and has spent more than a decade at the company—he wants to grab some of that life experience so many people grab in their late teens/early twenties. He’s knocked off course from that attempt before he makes his first flight—and stumbles into something stranger.

He meets a mixed media artist named Ant. She’s working on her M.A. and is in search of a thesis project. Some silly thing that Georgie tries inspires her—and the two concoct a crazy plan that will suit Georgie’s quest for an experience and her thesis.

Odd times ensue. And a friendship develops between the two of them that will alter the courses of their lives.

Why did I pick this up? Why did I keep reading?

Picked it up because Chu asked me nicely, and because I had fond (and vague) memories of a short story collection.

I stuck with it for two reasons—once you get into Chu’s writing, you don’t want to leave until it’s done. Chu doesn’t have a flashy style, or snappy dialogue, or a tight pace (this book would be ruined by any of those, these are not critiques)—but his writing is solid, appealing, and will carry you along without drawing attention to itself.

The other is the character and his little project; I just needed to see where it went. The relationship between Georgie and Ant—and the difficult way to characterize it—is probably more of a driving force for me.

What does this book tell us about humanity?

It’s tricky to tackle this question because that’s one of the points of the book, and to really answer it would involve ruining the book.

But I can talk about some of the things it focuses on thematically. Chu explores the idea of experiences and how we need them. Particularly shared vs. solitary experiences. The “shared” aspect comes out a lot—sometimes it’s just two or three people, sometimes it’s a family, or a group of acquaintances. Sometimes it’s something as large and vague as “the Internet reacted to X.”

You may not find yourself resonating or agreeing with everything that Georgie and Ant conclude—or any of the other points of view they encounter along the way—but you’ll enjoy the experience of thinking about them.

So, what did I think about Nice Places?

I’m not wholly pleased by the way this book ends up—but outside of a Wayne’s World-esque “mega Happy Ending,” I’m not sure I would be. But I get what Chu did, and it’s both more fitting and narratively satisfying than what I think I wanted. Note, you should not read into my comment that this has a nasty or unhappy ending—just not a “mega Happy” one.

In the beginning of the novel, I didn’t get Georgie at all, and progressed only because I trusted Chu—I was mildly amused by some of what happened to him, and then around the time his whole plan was derailed, I got hooked. By the time his ridiculous plan was hatched, I was fully invested. And that stuck with me for most of the book. What Georgie and Ant went through together was just great, and I’d have happily read another 50-70 pages of it. I admit that there was a period toward the end where Georgie seemed to wallow in ennui and depression, and I had a hard time caring at that point—his ennui was contagious. But once he re-engaged, so did I.

I’m going to avoid saying much about Ant. But almost everything the book has to say comes from her (or in reaction to her), and as a character, she’s drawn in such a way that you’re primed and eager to hear her. So well done.

The other characters are drawn just as deeply as they’re required to be—and not one bit more. But they come in and out of the story so well that you see them as deeply constructed. I wouldn’t have minded more time with some of them, but I was satisfied.

I think I got so hung up on the bigger themes and ideas (at least in my head) that I haven’t done a great job of describing just how fun the book was (with the exception of the whole ennui bit I mentioned above). It was a very enjoyable read, it just got me thinking so much that I haven’t been able to focus on the Georgie’s goofy plot (and I was rooting for it the whole time).

This whole novel was so unexpected, so creative—it’s one of those books that you just can’t guess what provoked Chu to write it, what might have inspired him. I really don’t care, I’m just glad he did.

Disclaimer: I received this eARC from the author in exchange for this post, which contains my honest opinion.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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LITERARY LOCALS: A Q&A About Writing in Idaho with Tomás Baiza

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I’m really excited to introduce you all to Tomás Baiza today. I spoke to him briefly a few weeks ago, and his books look great. Get to know him a little bit and then click the links below and give his books a look.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
I’m originally from San José, California, and have lived in a lot of different places since moving away from the Bay Area. I started writing relatively late and tend to write fairly flawed characters trying to figure out who they are, where they fit in or don’t, and what they might do about it. I’m fortunate to have had three books published: Delivery (Running Wild Press), A Purpose to Our Savagery (RIZE), and Mexican Teeth (Inlandia).

What brought you to Idaho in the first place? What is it about Idaho that keeps you here?
I came here for work and stayed in order to provide my daughter with a stable home base through high school.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I’m loosely tied with a handful of local writers. It started through Storyfort and spread into involvement with a couple of writing/critique groups. I’ve met more people through readings (my own and others) and literary events and places like Campfire Stories and Oldspeak. I’m not an innately social person, so I owe my contacts really to the kindness of others who have been very welcoming.
For the sake of those who aren’t in the area and/or are so crowd averse that they avoid all the -fort things in Boise (read: me), describe Storyfort a little – and how you’re involved. Also, I don’t think I’ve heard of Campfire Stories before – what’s that?
Storyfort is one of the various “-forts” that happen simultaneously with Treefort. It was created by Boise-area writer, Christian Winn, and is now run by Sam Berman. It’s a great series of literary events that feature national, regional, and local writers. There are feature readings, panels, and themed readings throughout the week. It’s an excellent program for both the artists and the reading public. I first got involved in Storyfort when one of my early stories was picked for a reading at one of the events. Since then, I’ve done a few readings, and I’ve had the privilege of riding the coattails of Rebecca Evans, a local writer who organizes a themed panel each year.

Campfire Stories is a monthly event that takes place from March through October. It is organized by Christian Winn and features 3-5 readers each month. Last year I was brought on to host a couple of events and I’ll do the same this year. Each month focuses on a theme. The theme can be abstract or very topical. In recent years, the Modern Hotel has hosted the event. It’s a great night where people can come early, grab dinner, and then stick around for stories.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors?
I try to stay involved with Storyfort each year, and I’m always interested in public readings. My books have all come out through independent publishers, which means they’re tragically under-marketed and the readership will always be limited, so I try to do as much in public as possible to get them as much attention as I can without being really obnoxious about it.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
Most of my readers have some kind of local tie, but I have also had people reach out from other places. I’ve done some remote class visits and random folks will occasionally contact me to comment on my writing, which is always a welcome surprise. Since I often (but not always) write through the lens of identity and Latinidad, my readership is more limited. I don’t tend to write things that are likely to have a very broad audience.
Most of the authors I’ve talked to about class visits are people going into elementary schools to read to the children—Latinidad vibes or not, you don’t strike me as that kind of author (by all means, set me straight if I’ve misjudged you). So what kinds of classes are you visiting? Writing classes?
I’d LOVE to go into classrooms and talk to kids, but since my writing is pretty adult, I don’t get those kinds of requests. I’ve done some remote talks with college writing courses and I’ve really enjoyed the experience. In one case a class was reading a collection of environmental stories that had one of my stories (“A Seal’s Song”). One of the students enjoyed it enough to track me down on Instagram. She ended up working with the instructor to have me Zoom in. In other “visits,” I’ve spoken with early writers on the ups and downs of publishing. I have a lot of hard-earned experience there, so I hope that those talks are helpful to the students.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
It’s a small community with a lot of scrappy, talented writers. It can be both supportive and intensely and passively competitive. Depending on your mindset, that “fishbowl” environment can be either motivating or dispiriting, or both.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I write from the perspective of a dyed-in-the-wool Californian who happens to live in Idaho. I write as an outsider because that’s my natural voice and perspective, for better and for worse. I definitely don’t try to larp around as an “Idahoan.” This is a great place that I’m fortunate to have found for as long as I’m here.
I love the idea of Idahoan LARPing…what comes to mind isn’t very flattering, but I’m amused by it.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
It’s not Idaho, per se, but I always recommend Edward Abbey’s DESERT SOLITAIRE to anyone who’s interested in the American West and our attitudes towards the environment. He had a few problematic views, but I’ve always loved Abbey’s rebellious, anti-establishment perspective. He lived his values, which I respect.
I’d never heard of this book before, but it looks promising—and at least fairly Idaho-adjacent (beyond the obvious literal adjacentness)
Yeah, Abbey was a GREAT writer. I don’t always love how he depicts women and particularly Native people in his stories, but I do believe that his writing has done far more good than harm. I think what resonates with me the most is that he was a white dude destined for privilege who decided that it was far more important to challenge evil systems of exploitation than settle into a comfortable writer’s life. It shows in his writing.

Thanks for your time and participation! Hope you enjoyed it!


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MUSIC MONDAY: “Running” by Rose Betts

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Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

Don't Panic

20 Books of Summer 2026: Commence

20 Books of Summer 2026
Annabel from AnnaBookBel carries on the work started by Cathy of 746 Books . You can read her kick-off post here.

Initially, I was going to use this as time to catch up on my “Read Everything I Buy in 2026 in 2026” goal, but then I remembered things like my book clubs and NetGalley. So I had to accept some setbacks there. I’ve got an ambitious, but easily achievable list.

I’ve frequently used the unofficial US Dates for Summer—Memorial Day to Labor Day, but Memorial Day has already passed. So, I’ll go along with the “official” June 1-August 31.

There’s still time to join in the fun—if you’re into this kind of thing. (there are 10 and 15 book versions, too)

This summer, my 20 are going to be:

1. The Devils by Joe Abercrombie
2. Trade of Blood by Robert Jackson Bennett
3. Eyes of Empire by JCM Berne
4. Cold Iron Task by James Butcher
5. Eaters of the Dead by Michael Crichton
6. Dungeon Crawler Carl by Matt Dinniman
7. Detained: A boy’s journal of survival and resilience by D. Esperanza and Gerardo Iván Morales
8. What’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service by Melissa Fitzgerald and Mary McCormack
9. Killer Vibes by Jack Friday
10. Manitou by Glen Gabel
11. Wool by Hugh Howey
12. Eternal Blades by Vlad V. Imakaev
13. First Mage on the Moon by Cameron Johnston
14. Left Hand of Darkness by Ursula K. Le Guin
15. The Shadow Carver by Nadine Matheson
16. Squeaky Clean by Callum McSorley
17. Dial A for Aunties by Jesse Q. Sutanto
18. Crownfall by Michael Vadney
19. We Be Dragons by Michael Weitz
20. Everybody Wants to Rule the World Except Me by Django Wexler

(subject to change, as is allowed, but I’m going to resist the impulse to tweak as much as I can).

What do you think of this list? Any warnings—or anything you think I should be really excited about?

20 Books of Summer '26 Chart

Looking Back at May 2026

I read 24 titles (X up/down from last month, 1 up from last May), and I’m a little behinder on my To-Write-About List. My TBR progress was meager, but was progress nonetheless. Was a fun month, but not necessarily productive.

The Month in Reading
May Calendar
(thanks to Bookmory for the image)

TBR Piles

Audio E-book Physical Goodreads
Want-to-Read
NetGalley
Shelf/ARCs/Review Copies
End of
2025
4 89 112 192 11
1st of the
Month
3 88 132 200 6
Added 1 5 10 4 4
Read/
Listened
2 1 9 3 2
Current Total 2 92 133 201 8

My TBR Range
TBR Range Chart
If you actually want to be able to read that, click on the chart for a larger version.
Breakdowns:
“Traditionally” Published: 22
Self-/Independent Published: 2

Genre This Month Year to Date
Children’s 1 (4%) 14 (11%)
Fantasy 5 (21%) 20 (16%)
General Fiction/ Literature 3 (13%) 14 (11%)
Mystery/ Suspense/ Thriller 6 (25%) 31 (25%)
Non-Fiction 3 (13%) 10 (8%)
Science Fiction 3 (13%) 12 (10%)
Theology/ Christian Living 2 (8%) 10 (8%)
Urban Fantasy 1 (4%) 13 (10%)
“Other” (Horror/ Humor/ Steampunk/ Western) 0 (0%) 1 (1%)

Review-ish Things Posted
Books of the Month

Other Recommended Reads

Other Things I Posted

Spotlights/Cover Reveals

Music Mondays

WWW Wednesdays

Saturday Miscellanies


Enough about me—how Was Your Month?


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