Suppression of Powers by JCM Berne: Rohan’s Got a Lot on His Plate, a Lot on His Mind, and Many People to Fight

Cover of Suppression of Powers by JCM BerneSuppression of Powers

by JCM Berne

DETAILS:
Series: Hybrid Helix, Turn 6
Publisher: Gnost House
Publication Date: December 15, 2024
Format: Hardcover
Length: 403 pg. 
Read Date: October 5, 2026
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What’s Suppression of Powers About?

Rohan has gotten himself a secret weapon—well, a secret method, anyway—that should enable him to defeat Hyperion and get started on the rest of his not-at-all-Quixotic plan to save the sector. So, he’s locked himself up on Toth for months to work on mastering. And has either semi-adopted or been semi-adopted by a Pterodactyl-like kaiju, who he calls Terry. Getting along with Terry and doing some archeological work for the Stones are the two biggest achievements he’s made. He’s made some progress with the method, but it’s fragile at best.

But then he’s called up to Wistful to help out with some things—and then other stuff happens. There’s a drug that’s running around and doing a lot of damage to people. Wei Li is trying to arrest some dealers and Rohan wants in on the take-down. It doesn’t go as well as it should. But at least it gets him on Wistful, so he can see his girlfriend—who drops a bomb on him. Oh, also, her ex-husband is back and trying to get her attention. Some people from Wei Li’s planet are coming, and they’ve got a bigger bomb to drop.

See, they all have different readings of an important prophecy than Wei Li do. And it appears as the prophecy is starting to be fulfilled, so they want Wei Li to do something. But she doesn’t agree, and well, things get complicated.

And…and…and…many, many other things transpire. And both Wei Li and Rohan are going to have to do some major thinking and re-thinking over these 400ish pages, and make some pivotal choices, too.

Why did I pick this up? Why did I keep reading?

I needed something that I knew would be able to entertain me and to take me out of my headspace while some major things were going on around me—that I could do nothing but sit on the sidelines for. So rather than get worked up about that and feel helpless—I wanted to be able to check out totally. I knew Rohn and Berne would make that possible, so I grabbed the next in my Hybrid Helix backlog.

I kept reading it because it did the job. Also, once you start a Berne book, I don’t know how you’d stop—or why you’d want to.

What does this book tell us about humanity?

Humans are really good at yes or no thinking. Black and White. Binary stuff. And for many situations that’s enough. Not nearly as many as we think, however.

There are a few ways that this can be seen in this novel, but the primary one involves spoilers. So, sure, I possibly shouldn’t have said anything. But I find it impossible to think about anything else when it comes to this book outside of the plot points.

See also, Ted Lasso, season 4, episode 7, “Yes & Baby,” for some of the same ideas. I’m going to go out on a limb and say that I’m the first to find parallels between Alice Childton and Rohan. We’re blazing trails at The Irresponsible Reader, folks.

So, what did I think about Suppression of Powers?

I think first of all, I should say something about the cover. Because it’s great and because Ang is on it. For understandable reasons (e.g., can’t fly, is useless in space), Ang is underutilized in this series. But here we see him in all his ferocity and bravery (he’s got a smoking wound and is ready to keep going). He’s also given a lot to do in this book. For those reasons alone—this is a book for me to be excited about.

But, wait—as the man says—there’s more!

Berne brings back all the good supporting characters that he can here, and it was so good to see them. Rinth practically saved the day while remaining a sweet kid. I’ve always liked Tamara, but never as much as in this book. Ditto for Wei Li. And everybody else. Katya and Ang were fantastic—together and individually.

Every book needs at least one thing to keep the hero from focusing too much on the main conflict, and things going on with Tamara, her family, her ex, and the relationship between Tamara and Rohan fit that bill so well. It also provided a lot of entertainment value and grounds for character growth. So did the drug trade.

Finding out about the seedy Reddit-type sites that are spreading rumors and half-truths about Rohan was just so much fun. Even if they come with some downsides for Rohan. It was like the West Wing staff learning about Lemon-Lyman.com.

Great fight scenes. Fantastic banter. Good character development. A lot of space showing how the plans Rohan made at the end of the last book are going to look while being executed. Suppression of Power did everything it needed to and a little more.

Just one more bit of evidence that the Hybrid Helix series is a must-read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: The Key to a Killer by Olivia Blacke: Solving Cordelia’s First Murder Mystery—Her Own

Cover of The Key to a Killer by Olivia BlackeThe Key to a Killer

by Olivia Blacke

DETAILS:
Series: Ruby and Cordelia Mysteries, #3
Publisher: Minotaur Books
Publication Date: October 20, 2026
Format: eARC
Length: 368 pg.
Read Date: October 7, 2026
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What’s The Key to a Killer About?

With two solved murders under their belt, it’s time for Ruby and Cordelia to focus on one closer to home—very close to home. It’s time to talk about Cordelia’s murder.

Cordelia begins to remember more about that fatal night—which starts to point them in the right direction.

All they have to do is hope her memories continue to come back, while they’re distracted by industrial espionage, marital difficulties (obviously, not either of theirs), Cordelia’s brother, Ruby’s budding romance, workplace struggles, new ghost abilities (better said, Cordelia learning about abilities she had), a series of break-ins at their apartment building, some questionable political moves, a persistent journalist, and a few other things. Most of which could point to the solution to their puzzle. But might not.

Why did I pick this up? Why did I keep reading?

I grabbed this to read because I’d read the first two books in the series and had to find out what happened next. I’ve been curious (as Blacke wanted the reader to be) about Cordelia’s murder since her first book. It wasn’t too long before Blacke made it clear to the reader that she didn’t die accidentally or by her own hand (no matter what Cordelia’s ghost might have thought), so I just had to know whodunit.

Also, I’d read Blacke’s last 5 books, and have found her to be a completely reliable author, and I’m now predisposed to pick up something with her name on it without much thought.

I kept going because I like the characters, first and foremost, and enjoy spending time with them. Curiosity (see the opening paragraph of this section) was obviously a driving force, too. But Blacke kept putting them in interesting circumstances, things that raised more questions than they answered, and watching the two bounce around from red herring to red herring to a thing that actually matters, just not in the way they thought…Blacke got everything right this time.

What does this book tell us about humanity?

I think The Key to a Killer—like the rest of the series, actually—has two important themes about humanity. The first is trust. Extending trust to the right people, cutting off that trust when we should, and then relying on those we’ve trusted. If we act like islands (think Simon and Garfunkel’s “I Am a Rock”), we flail. Both Ruby and Cordelia are proofs for that.

The second is the need to not be alone. Ruby needs people to keep her out of her head and for safety. Cordelia needs people to care for, to help her not make self-destructive choices, to just be around. The isolation she wrapped herself in wasn’t good for her. Ruby was likely headed in a similar direction before she and her new roommate got together.

I guess really, both of those could be summed up in a need for community of some sort—the people in their building, their coworkers, fellow ghosts, family. Now, it’s clear that not everyone in the building or at work should be depended on—and ghosts can be less than reliable (just like the living)—but in actual community is where humans, living or not, thrive.

So, what did I think about The Key to a Killer?

I do think the first in the series, A New Lease on Death</b was more entertaining—the humor was a bit more pronounced, the fun of watching the two figure each other out, and so on—made for more fun. Death at the Door was a bit more tense, with more implied danger. But Blacke topped the others here with heart and intrigue—the threat of violence seemed both more pressing and less likely (I think this has to do with the number of allies that Ruby has picked up by this time). She took everything she’s done so far and kicked it up a notch or two (except maybe the humor—but that could be in an “eye of the beholder” situation this was more about earnest effort), as she should. The result is a novel that’s just a little bit more satisfying than its predecessors.

I’m assuming that this is the end of the road for this duo. I’d be very pleased to find out that I’m wrong, but it feels like this Blacke has tied up enough that she can leave them to un-recorded adventures. If that’s the case, this is a satisfying end-point for the pair. We see them in good places, with a lot tied up, some good closure on lingering questions about Cordelia’s life (beyond the question of “who killed her”)—and Ruby in a good place, too.

Obviously, learning more about Cordelia’s final days gives the reader a lot to chew on. Without wanting to give too much away, learning what we do about her married boyfriend is rather revealing—and I’m glad Blacke went the way she did with that. In the end, she’s a more complex and flawed character than she seemed to be when we first met her spectral form.

There’s one clue that took Ruby frustratingly long to figure out—and I’m less than happy with one of her subplots was left (there’s something to be explored if Blacke goes for a fourth book). But overall, the arc she’s been on is very well done. Honestly, those two points are my only complaints about this book.

I don’t know if this is the best book to jump into things with—but it would work for someone looking for a ghosty-cozyish mystery for October. I think you’d be better off with three of the books to give you a solid ghosty story from the beginning. Obviously, I think most of the audience for this will be those like me who just want the big question about Cordelia answered and who look forward to the adventures up to that reveal (which was done so nicely).

I’m looking forward to whatever Blacke has coming next, too. I think most readers of this book will be, too.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BBNYA 2026 SEMI-FINALIST SPOTLIGHT: A Life in Too Many Margins by S. E. Thomson

I’m very pleased today to welcome The BBNYA 2026 Semi-Finalist Spotlight Tour for S. E. Thomson’s A Life in Too Many Margins! This book made it to the semi-finals, so you know there’s something good going on–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists (18 in 2026) and one overall winner.The Book Bloggers’ Novel of the Year Award 2026 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.
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Book Details:

Title: A Life in Too Many Margins by S. E. Thomson
Genre: Literary Fiction, Contemporary Fiction, Fictional Memoir
Age Category: New Adult
Format: Hardcover/Paperback/eBook/Audiobook
Length: 330 pg.
Publication Date: November 25, 2025
Cover of A Life in Too Many Margins by S. E. Thomson

About the Book:

A darkly funny, deeply personal journey exploring life at the intersections of queerness, disability, neurodivergence, and chronic illness. It blends memoir-style storytelling with sharp humor and emotional honesty, exploring themes such as growing up misunderstood, navigating trauma, relationships, identity, and the exhausting, sometimes absurd work of trying to exist in a world that wasn’t built for you.

What is the opening line? “Day 9,997 of pain.”
What’s a fun fact about the book? I had over 75 people ask me to write it over 18 years.
What food or drink pairs best with the book? Coffee (specifically an iced mocha)
What music pairs best with the book? Lo-Fi or Lisa Loeb’s “Stay”

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Bookshop.org ~ Goodreads ~ The Story Graph

About the Author:

S. E. Thomson
S. E. Thomson is a queer, trans, autistic, and disabled writer who specializes in finding humor in places it probably shouldn’t be. He writes about identity, chronic illness, and the general chaos of being a human person with too many tabs open. Thomson’s work blends sharp honesty with dark humor because if you don’t laugh, you will absolutely cry, and he’s already done enough of that.

Website ~ Bluesky ~ Instagram


My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

The Book Bloggers’ Novel of the Year Award 2026 Semi-Finalist badge

Fantasy with Friends: Why Is Fantasy Worth Reading?

Fantasy with Friends A Discussion Meme Hosted by Pages Unbound

Fantasy with Friends is a weekly meme hosted by the good people over at Pages Unbound. Fantasy with Friends poses questions each Monday about fantasy, either as a genre as a whole or individual works.

This week’s prompt is:

Some people argue that fantasy isn’t worth reading because it’s not about real things. What is your response?

My response boils down to: there are so many problems with that idea that I don’t know where to start. Seriously.

Bad news for Homer, Virgil, and Dante (to name a few)

Are we talking about reading fiction at all, versus a steady diet of non-fiction? I think there’s enough research–not to mention all of Western culture (and Eastern, Global Southern, and…) that speaks to the wisdom of fiction, the benefits of it, and the way that it can tell the truth in ways that non-fiction can’t. Part of that truth is talking about “real things.”

Or is this an attempt to put Fantasy in contrast to General Fiction? Are we letting Crime Fiction into this, because the turmoils of suburbanites as well as mobsters and detectives count as “real.” Coleen Hoover, Abbi Waxman, Jennifer Weiner, Frederick Bachman, John Cheever, Richard Russo, etc. talk about “real things.” But N.K. Jemison, Alix Harrow, and Robin Sloane are stuck in “make believe.” Can we talk about some Science Fiction here as “real”? William Gibson and Neal Stephenson frequently talk about things that are real enough now, they just project a little bit–do those count as real things?

Also, there’s a hidden assumption here that there’s a “worth spending time on” standard to be met when it comes to reading. Alan Jacobs talks about this in terms of “eating your vegetables” reading. How about reading just for pleasure? Who cares if the subject matter is “real” when you’re wanting a good time?

what kind of things qualify as “real,” anyway? Sure, unicorns, dragons, and the fae aren’t real. But what about concepts like love and justice? There are plenty who would say that intangibles like that aren’t real (horse pucks, I say)–can we read about those? What about non-toxic vaccines (I shouldn’t bring this up, but I’m having trouble coming up with examples)? Are those real?? (YesTheyTotallyAreAndEveryManWomanAndChildShouldBeUpToDateOnVaccines, deep breath TalkToYourMedicalProviderAndNotSomeGuyOrGalOnline)

Lastly–and this is the big one. One of the wonderful things about speculative fiction–Horror, Steampunk, Science Fiction, Fantasy, and the rest with all their various subgenres–is that we can talk about things that are real, things of the moment, things of import–without having to talk about them directly. That way lies preaching, not storytelling. But if you can talk about something real, say discrimination, by talking about the struggles of a goblin to be taken seriously by humans (including not being made a slave, not kicking around for amusement)–it’s easier for an audience to take in without feeling attacked/critiqued personally. Ol’ J.R.R. can go on about the razing of the Shire and everyone gets behind that–if he was protesting the gutting of natural resources around him, he’d have been written of as a crank–or an academic looking down from his ivory tower. Instead, he gets his readers annoyed enough they might try to do something when their own Shires are razed.

And so on.

Fantasy isn’t real? Pfui.

Okay, I could’ve gone on for a couple of full paragraphs on every point I just made there–and should’ve. But I didn’t. Those are some beginning thoughts on my end, basically, I reject the premise(s) of the notion and would invite my interlocutor to come back with something better. Or, you know, just let people read what they want. I trust the others posting here will have better thought out things to say..

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MUSIC MONDAY: “I Love a Rainy Night” by Eddie Rabbitt

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Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

Driving to the hospital for some appointment last week, we’re listening to an oldies station and this song comes on the radio. I turn it up, apologizing to my son, explaining it was a song I was obsessed with as a kid. To my shock, he replies, “Of course, it’s a great song.” Not only did he know this song, it’d been on pretty heavy rotation on his playlists recently.

So, in honor of a little unexpected bonding:

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Irreplaceable: Humanity, Vocation, and the Limits of Technology by Gene Edward Veith Jr and A Trevor Sutton: Close, but No Cigar

Cover of Irreplaceable: Humanity, Vocation, and the Limits of Technology by Gene Edward Veith Jr and A Trevor SuttonIrreplaceable:
Humanity, Vocation, and the Limits of Technology

by Gene Edward Veith Jr. and A. Trevor Sutton

DETAILS:
Publisher: Baker Books
Publication Date: October 6, 2026
Format: TEXT
Length:TEXT
Read Date: TEXT
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We may be God’s agents, but we also have our own agency. God works through us when we love and serve our neighbors, but we also resist him using the very gifts he has given us to love and serve ourselves, even when that means harming our neighbors. That is to say, we are sinners. We sin in our vocations. And we sin in and through and by means of our technology. In fact, if technology is a medium that extends and strengthens our human powers, it can extend and strengthen our sinfulness as well.

What’s Irreplaceable About?

Essentially, the authors set out to take the Protestant (particularly Lutheran) idea of vocation and apply it to the technology of the mid-2020s. Automation, algorithmic decision making, generative AI, and similar technologies make big promises—but how do they relate to human work, human service, human vocation?

How do we harness technologies as a tool and use them as such, rather than let them displace human workers and diminish them?

Where the Book Succeeds

“Chapter 1: Mediated Work: Our Tools and God’s Tools,” is the best part of the book—and it’s not even close. There’s a lot of wisdom here and it should be meditated on.

A lot of the later chapters about “Technology in ____ Vocations—dealing with work, family, society, church and so on, have a lot to offer as well. Some things that aren’t really worth talking about, too.

The more abstract the book gets, the better it is. It’s when Veith and Sutton try to get their hands dirty and deal with particulars that I find them struggling.

Where the Book Falters

Primarily it’s in what the book doesn’t do or try to address.

“H.C.,” you say, “is that fair? No book can do everything.” This is very true—it can’t and I shouldn’t expect it to. But in a book exploring ethical responses to emerging technology from a Christian perspective, I would like to see some things addressed. The ethics behind the development of this technology—the exploitation of the workers, the theft of intellectual property, the goals and methods of the producers. The impact this technology and its growth can have on the word around us—politically (both in party and governmental senses as well as in what it does to human society) and environmentally. Lastly, the effects it can have on the human mind, not just human vocation.

ChatGPT and the Writing of the Book

Chapter 3 starts with a dialogue between one of the authors and ChatGPT—copied and pasted for our benefit, as an illustration (at least partially). I thought it was interesting—particularly because I thought doing so clashed with a point made later in the chapter.

But I have to think a little—how much more of this book was done aided by it (or a similar product)? While I’d prefer the authors to be able to say straightforwardly “There was no AI involved outside this one illustration,” (or, not at all). I’d really like to read what else they got some help with.

Why did I pick this up?

To say that Gene Veith’s book God at Work: Your Christian Vocation in All of Life, was formative for me is to understate it. I can still hear passages and concepts from it as I think through things today. So another book by him related to the idea of vocation? Sign me up without hesitation or forethought. (which is literally how I got this copy, as soon as I saw the title and author, I requested it immediately)

Secondly, I’ve found myself in conversation and books this year about AI/Large Language Models/Generative AI-or whatever you want to call it. Really only one book was a conscious decision to explore it more (I really thought I could dip into things with Doctorow’s book and walk away, rather than getting curious enough to dive deeper)—and thoughts from a Christian who thinks seriously about things (as I assume his co-author did, too), seemed like a good follow-up.

So, what did I think about Irreplaceable?

While the present technological landscape will soon change, God’s plan for human work as a locus for loving our neighbors will remain. While new and difficult questions will arise with each new technological development, God’s callings on our lives and our vocational identities will remain. The more that technology changes the world, the more important it will be to discern God’s work in us and through us and how it has the power to bring about enduring faith, hope, and love.

If I had written this a day or two after finishing the book, I’d have been a lot more positive. But the more I think about it, the more problems and questions I have. So I’d better get this written now, before it becomes a pan, eh? (that was a joke, it’s not pan-worthy).

I do think the book fails to address the AI industry as it actually is, instead presenting it in a way as it’s sold on being and working. Were this book written a few years ago, before the folks at OpenAI had released anything, and instead focused on emerging technologies, social medias, and that sort of thing, I’d be speaking much more positively about it. This it too much about the idea of AI, not the reality as it now is (and seems to be headed).

I don’t need Veith and/or Sutton to be running around like a Chicken Little (even a correct Chicken Little), but I think we should take off the rose-colored glasses for a bit. I did write down a couple of times in my notes, “this is too pie in the sky.” And I probably could’ve done that more.

I like the thoughtfulness of the book. I really did think about some things in a fresher way—and anyone who can invoke the Sewing Riots, the Luddites, and Milton from Office Space within a page or two to build an argument, deserves reading.

We need more books like this, we need more people interacting with Biblical wisdom, insights from the ages past, and contemporary technology—both the doomsayers and the proponents. The conversation started here needs to continue.

Irreplaceable just didn’t deliver everything it should’ve—it took the easy way out on some topics, and skirted others. I think the authors are capable of more, and just didn’t deliver. But, I encourage those curious about addressing the ideas and issues from a conservative Protestant prospective, to pick it up and wrestle with it.

And maybe to come back and tell me where I’m wrong.

Disclaimer: I received this book as a participant in the Baker Publishing Group Nonfiction Reviewer Program—a book that I requested. However, as always here, the opinions expressed are my own.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Saturday Miscellany—10/17/26

Even years-long streaks can be broken. Time to start a new one 🙂

Odds ‘n ends about books and reading that caught my eye the last couple of weeks. You’ve probably seen some/most/all of them, but just in case:
bullet ‘Radical Street Librarian’ Quits Her Job, Then Transforms a Trolley into Mobile Library to Provide Free Books for Hundreds of Kids—I want to be her when I grow up
bullet The Death of the Bookshop wasn’t Caused by Amazon Alone
bullet The Wild Robot Author Peter Brown on What Makes a Great Read-Aloud Book—I haven’t read Brown (yet), but I want to now
bullet Do You Need to Be Surprised?—As is so often the case, Templeton says what I wish I could’ve found the words for
bullet Instant Gratification and Great Literature Do Not Mix- Ways in Which Modern Writing Styles Ruin the Art of Storytelling—The Orangutan Librarian opines
bullet Will Depicting Life’s Struggles Too Realistically in YA Demoralize Teen Readers?—Most of the YA that I read doesn’t qualify for this, but I have read enough for Krysta’s thoughts to really resonate
bullet Do Authors Deserve a Second Chance?—I was enjoying this video by Niko’sBookReviews, and made mental notes about mentioning my Pratchett experience when linked to it here–and then he talked about his almost identical experience. Which sort of felt like plagiarism (if you toss out logic). Anyway…good stuff.
bullet The Indie Author Sci-Fi/Fantasy/Horror New Release List: October 2026—A.J. Calvin’s monthly shopping list for the indie fan
bullet My Favorite Dragonlance Quotes—Witty & Sarcastic Book Club provides another nudge to get me to dive back into this world
bullet Things Readers Will Never Understand About Being an 80s/90s Bookworm—yup

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet The Anks Kumar Podcast #01 – Vernon Smith—a great convo with Smith about Waiting for LeCler and so much more.
bullet Rule Breakers of Fantasy Fiction with DB Rook—Phil Parker chats with Rook—who is always worth a listen

My favorite sentence/passage/phrase (or two) that I read this week:
They had reason to be in a good mood: the van had been found… A dog walker stumbled across it. (Praise and hallelujah to the weather-hardened dog walkers of the world! Sniffer-outers of dead bodies and dumped evidence. They’d put more criminals behind bars than Taggart and Rebus combined.) —Paperboy by Callum McSorley

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet NYPD Red 2 (Audiobook) by James Patterson, Marshall Karp, Edoardo Ballerini, Jay Snyder
bullet The Dispatcher (Audiobook) by John Scalzi, Zachary Quinto
bullet The House of Secrets (Audiobook) by Brad Meltzer, Tod Goldberg, Scott Brick, January LaVoy
bullet I Was a Bitch by Emily Ruben
bullet Venators: Through the Arch by Devri Walls
bullet Genrenauts: The Complete Season One Collection by Michael R. Underwood—incidentally, it was the only new release I mentioned that week. The fact that there’s no Season Two still eats at me (that’s not on Underwood, but the lack of audience). But Season One is good enough to relish and read now.
bullet Housekeeping by Marilynne Robinson

The Last 3 Weeks’ New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Confederacy Myth: How an Insurrection of Slaveholders Tried to Destroy the United States by Connor Williams—A (brief) history that I’m recommeding like crazy. As you can see here
bullet Bark Humbug by David Rosenfelt—a little bit of the holidays, a lot of a twisted criminal case. It’s not often that a 34th book in a series will make a reader sit up and say, “what?” I talked about it here earlier.
bullet The Thrice-Bound Fool by Christopher Buehlman—”Professional thief and inveterate trickster Kinch Na Shannack has always enjoyed a good book. But now his life, and the future of all of Manreach, depends on deciphering a very bad book indeed; a stolen, sentient tome that tries to kill him every time he opens it—and often when it’s closed.” Okay, all I needed was “Kinch Na Shannack” to want to read this. But a sentient, murderous book?? Please, please, take my money.
bullet Truth to Power by S.A. Cosby—Cosby writing Luke Cage? This Marvel Crime series keeps getting better.
bullet Dome by D.L. Orton—This will likely only make sense to people who’ve read the first two, so consider this an advertisement. “Parallel lives. Worlds apart. One time loop tearing itself apart. Every rescue rewrites the future, and every life saved leaves someone else to pay the price.”
bullet And Then There is the Bard by D W Walters—
“A party of heroes,
who are far from zeroes.
Quests to slay a dragon,
so join the bandwagon.
But with such high stakes,
do they have what it takes?”
bullet The Memory of Borrowed Books by Meg Anderson—”A sweeping, magical ode to community and the stories we leave behind, The Memory of Borrowed Books follows one librarian who discovers a hidden room of unfinished memories–and must find the one that can save her beloved library from closing forever.”

on a goldenrod background, the text 'PSA: Reading is not a competitive sport, and your reading journey won't look like everyone else's'
source: @bibliolifestyle on Instagram
After talking about my reading progress for the year here and on Social Media for the last week or so, this seemed like a good reminder.

Eating Salad Drunk edited by Gabe Henry: Who Has Time for More than 17 Syllables?

Cover of Eating Salad Drunk edited by Gabe HenryEating Salad Drunk:
Haikus for the Burnout Age by Comedy Greats

by Gabe Henry, illustrated by Emily Flake

DETAILS:
Publisher: St. Martin's Griffin
Publication Date: February 22, 2022
Format: Hardcover
Length: 207 pg.
Read Date: October 12-15, 2026
Buy from Bookshop.org Support Indie Bookstores

Who has time for more
Than seventeen syllables
These days anyway?
—Gabe Henry

What’s Eating Salad Drunk?

It is, as the subtitle tells us, a collection of haiku for and about our contemporary age, written by comedians/comics/comic writers. They’re collected under the headings of Screen Time, Food, Friends & Family, Modern Romance, The Struggle is Real, Nature Calls, Entertainment, Words of Wisdom, and Self Love & Loathing.

Let me quickly state that the editor does note that the proper plural form doesn’t have an “s”, that was a stylistic choice. It’s also noted that there are several (probably the majority) of these poems that don’t fit other rules about haiku, again, it’s a stylistic choice—and for people who are looking for technicalities like that (and, truly, I wouldn’t blame them) this is not a book they’d enjoy. For people looking for some clever people trying to have fun in a haiku-ish way within many of the limits of the form, on the other hand…

The Soul of Wit

If Shakespeare was right, this book celebrates brevity. In his Introduction, Henry notes

there’s something addictive about writing within constraint. It brings out a creative ingenuity in the artist—a personal challenge to see how much can be done in a limited space.

The authors, many of which you’ll know the names of (and several you’ll start to wish you knew), embraced this challenge and came up with some very clever ways to fulfill it.

I’m not sure if this example from Aubrey Plaza is one of those (but it made me grin nonetheless):

The full moon rises.
A city sleeps peacefully.
Rats rats rats rats rats.

But you get the idea, right?

Matt Gourley, on the other hand, nails it:

Let’s talk TV shows.
Of all the big finales
Sopranos was the—

So, what did I think about Eating Salad Drunk?

I’m going to assume the experience that I (and my children) had is fairly universal: you’re somewhere between 2nd and 5th grade and you bring home from the bookstore/library a joke book (or a stack), and you tear through them—finding a new favorite every page or two. You also annoy the $*#($! out of whatever adult happens to be around you by reading several of them aloud, waiting expectantly for their howls of laughter to echo your own.

That’s what this was like for me. Although I didn’t share my favorites with anyone around me—it’s taken me decades, but I have learned some restraint. (also, my wife wasn’t around, and she’s really the only one I badger like that) Just page after page after page if grins and chuckles.

Sure, a few fell flat—but I could still see and appreciate the joke and construction, even if it didn’t really make me think “funny” or “amusing.” There also were a couple of heartfelt ones scattered throughout.

I limited myself to one chapter/topic at a time—taking hours/days between them. I think my appreciation would have diminished had I read the book in one sitting—although I was tempted to.

The decorative illustrations throughout were nice little touches, i really like Emily Flake’s style, I think I’m going to be tracking down some more of her work soon.

I heartily recommend this to you, readers. And if Henry is out there reading this—I’m more than up for another collection!

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Key to a Killer by Olivia Blacke: Solving Cordelia’s First Murder Mystery—Her Own

Cover of The Key to a Killer by Olivia BlackeThe Key to a Killer

by Olivia Blacke

DETAILS:
Series: Ruby and Cordelia Mysteries, #3
Publisher: Minotaur Books
Publication Date: October 20, 2026
Format: eARC
Length: 368 pg.
Read Date: October 7, 2026
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What’s The Key to a Killer About?

With two solved murders under their belt, it’s time for Ruby and Cordelia to focus on one closer to home—very close to home. It’s time to talk about Cordelia’s murder.

Cordelia begins to remember more about that fatal night—which starts to point them in the right direction.

All they have to do is hope her memories continue to come back, while they’re distracted by industrial espionage, marital difficulties (obviously, not either of theirs), Cordelia’s brother, Ruby’s budding romance, workplace struggles, new ghost abilities (better said, Cordelia learning about abilities she had), a series of break-ins at their apartment building, some questionable political moves, a persistent journalist, and a few other things. Most of which could point to the solution to their puzzle. But might not.

Why did I pick this up? Why did I keep reading?

I grabbed this to read because I’d read the first two books in the series and had to find out what happened next. I’ve been curious (as Blacke wanted the reader to be) about Cordelia’s murder since her first book. It wasn’t too long before Blacke made it clear to the reader that she didn’t die accidentally or by her own hand (no matter what Cordelia’s ghost might have thought), so I just had to know whodunit.

Also, I’d read Blacke’s last 5 books, and have found her to be a completely reliable author, and I’m now predisposed to pick up something with her name on it without much thought.

I kept going because I like the characters, first and foremost, and enjoy spending time with them. Curiosity (see the opening paragraph of this section) was obviously a driving force, too. But Blacke kept putting them in interesting circumstances, things that raised more questions than they answered, and watching the two bounce around from red herring to red herring to a thing that actually matters, just not in the way they thought…Blacke got everything right this time.

What does this book tell us about humanity?

I think The Key to a Killer—like the rest of the series, actually—has two important themes about humanity. The first is trust. Extending trust to the right people, cutting off that trust when we should, and then relying on those we’ve trusted. If we act like islands (think Simon and Garfunkel’s “I Am a Rock”), we flail. Both Ruby and Cordelia are proofs for that.

The second is the need to not be alone. Ruby needs people to keep her out of her head and for safety. Cordelia needs people to care for, to help her not make self-destructive choices, to just be around. The isolation she wrapped herself in wasn’t good for her. Ruby was likely headed in a similar direction before she and her new roommate got together.

I guess really, both of those could be summed up in a need for community of some sort—the people in their building, their coworkers, fellow ghosts, family. Now, it’s clear that not everyone in the building or at work should be depended on—and ghosts can be less than reliable (just like the living)—but in actual community is where humans, living or not, thrive.

So, what did I think about The Key to a Killer?

I do think the first in the series, A New Lease on Death</b was more entertaining—the humor was a bit more pronounced, the fun of watching the two figure each other out, and so on—made for more fun. Death at the Door was a bit more tense, with more implied danger. But Blacke topped the others here with heart and intrigue—the threat of violence seemed both more pressing and less likely (I think this has to do with the number of allies that Ruby has picked up by this time). She took everything she’s done so far and kicked it up a notch or two (except maybe the humor—but that could be in an “eye of the beholder” situation this was more about earnest effort), as she should. The result is a novel that’s just a little bit more satisfying than its predecessors.

I’m assuming that this is the end of the road for this duo. I’d be very pleased to find out that I’m wrong, but it feels like this Blacke has tied up enough that she can leave them to un-recorded adventures. If that’s the case, this is a satisfying end-point for the pair. We see them in good places, with a lot tied up, some good closure on lingering questions about Cordelia’s life (beyond the question of “who killed her”)—and Ruby in a good place, too.

Obviously, learning more about Cordelia’s final days gives the reader a lot to chew on. Without wanting to give too much away, learning what we do about her married boyfriend is rather revealing—and I’m glad Blacke went the way she did with that. In the end, she’s a more complex and flawed character than she seemed to be when we first met her spectral form.

There’s one clue that took Ruby frustratingly long to figure out—and I’m less than happy with one of her subplots was left (there’s something to be explored if Blacke goes for a fourth book). But overall, the arc she’s been on is very well done. Honestly, those two points are my only complaints about this book.

I don’t know if this is the best book to jump into things with—but it would work for someone looking for a ghosty-cozyish mystery for October. I think you’d be better off with three of the books to give you a solid ghosty story from the beginning. Obviously, I think most of the audience for this will be those like me who just want the big question about Cordelia answered and who look forward to the adventures up to that reveal (which was done so nicely).

I’m looking forward to whatever Blacke has coming next, too. I think most readers of this book will be, too.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday—October 14, 2026

So, my son’s recovery is going well. Which is good–but it also means that we’re hanging out in a hotel room a lot. So he’s playing video games or napping, and I’m reading (or napping). This is resulting in me finishing several books so far–with another couple of weeks to go.

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This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Castaway Cays by Amy Maren Rice Cover of Eating Salad Drunk edited by Gabe Henry
Castaway Cays: Curse of the Sea Serpent
by Amy Maren Rice
Eating Salad Drunk: Haikus for the Burnout Age by Comedy Greats
edited by Gabe Henry

I remember enjoying Amy Maren Rice’s world, but stepping back into it reminded me why I did. I’m having a lot of fun with this sequel.

Henry’s collection is like those old joke books I read as a kid, with just a layer of art to it so it feels appropriate for an adult to read.

What did you recently finish reading?

Cover of The Key to a Killer by Olivia Blacke Cover of The Confederacy Myth by Connor Williams
The Key to a Killer
by Olivia Blacke
The Confederacy Myth: How an Insurrection of Slaveholders Tried to Destroy the United States
by Connor Williams
Cover of Runaway Lyrics by by C.O. Bonham Cover of Unpredictable Magic by Faith Hunter
Runaway Lyrics
by C.O. Bonham
Unpredictable Magic
by Faith Hunter
Cover of The Young Necromancer's Guide to Ghosts by Vanessa Ricci-Thode Cover of Anabel's Lion by Tony Baker
The Young Necromancer’s Guide to Ghosts
by Vanessa Ricci-Thode
Anabel’s Lion
by Tony Baker
Cover of Shield of The Mothership by JCM Berne Cover of Paperboy by Callum McSorley
Shield of The Mothership
by JCM Berne
Paperboy
by Callum McSorley

I should’ve had a post up about The Key to a Killer today, but I got lazy. It’s a very satisfying conclusion to the mystery (and, I presume, the series).

I talked some about The Confederacy Myth yesterday. It’s one of my favorites of the year.

Runaway Lyrics isn’t much of what I expected (not that I was sure what to expect). A magic system based on music (among other systems in the world) is pretty interesting. A nice Fantasy with a splash of Steampunk.

Unpredictable Magic is Urban Fantasy with a splash of SF. I’m hoping this is the first in a nice series.

Ricci-Thode’s book was fun and makes me want to read other books in the series it’s set in (which have nothing to do with this book).

I’m not sure what I was expecting from Anabel’s Lion–but it wasn’t anything like what Baker delivered. It was nice, just not what I expected.

Shield of the Mothership was the best Hybrid Helix book I’ve read since the previous one. That’s supposed to be a joke, but it’s true, too. Heckuva read.

Paperboy shows that Squeaky Clean was no fluke, imagine Fargo told with a Glaswegian accent, and you’re halfway there. McSorley is so good.

What do you think you’ll read next?

Cover of Four Ruined Realms by Mai Corland
Four Ruined Realms
by Mai Corland

I’ll probably (finally) get around to the second in Corland’s trilogy next. We’ll see, like I said last week, I’m running purely on mood right now, so it’s hard to predict.

What’s reading like for you all right now?

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