Fantasy with Friends: Why Is Fantasy Worth Reading?

Fantasy with Friends A Discussion Meme Hosted by Pages Unbound

Fantasy with Friends is a weekly meme hosted by the good people over at Pages Unbound. Fantasy with Friends poses questions each Monday about fantasy, either as a genre as a whole or individual works.

This week’s prompt is:

Some people argue that fantasy isn’t worth reading because it’s not about real things. What is your response?

My response boils down to: there are so many problems with that idea that I don’t know where to start. Seriously.

Bad news for Homer, Virgil, and Dante (to name a few)

Are we talking about reading fiction at all, versus a steady diet of non-fiction? I think there’s enough research–not to mention all of Western culture (and Eastern, Global Southern, and…) that speaks to the wisdom of fiction, the benefits of it, and the way that it can tell the truth in ways that non-fiction can’t. Part of that truth is talking about “real things.”

Or is this an attempt to put Fantasy in contrast to General Fiction? Are we letting Crime Fiction into this, because the turmoils of suburbanites as well as mobsters and detectives count as “real.” Coleen Hoover, Abbi Waxman, Jennifer Weiner, Frederick Bachman, John Cheever, Richard Russo, etc. talk about “real things.” But N.K. Jemison, Alix Harrow, and Robin Sloane are stuck in “make believe.” Can we talk about some Science Fiction here as “real”? William Gibson and Neal Stephenson frequently talk about things that are real enough now, they just project a little bit–do those count as real things?

Also, there’s a hidden assumption here that there’s a “worth spending time on” standard to be met when it comes to reading. Alan Jacobs talks about this in terms of “eating your vegetables” reading. How about reading just for pleasure? Who cares if the subject matter is “real” when you’re wanting a good time?

what kind of things qualify as “real,” anyway? Sure, unicorns, dragons, and the fae aren’t real. But what about concepts like love and justice? There are plenty who would say that intangibles like that aren’t real (horse pucks, I say)–can we read about those? What about non-toxic vaccines (I shouldn’t bring this up, but I’m having trouble coming up with examples)? Are those real?? (YesTheyTotallyAreAndEveryManWomanAndChildShouldBeUpToDateOnVaccines, deep breath TalkToYourMedicalProviderAndNotSomeGuyOrGalOnline)

Lastly–and this is the big one. One of the wonderful things about speculative fiction–Horror, Steampunk, Science Fiction, Fantasy, and the rest with all their various subgenres–is that we can talk about things that are real, things of the moment, things of import–without having to talk about them directly. That way lies preaching, not storytelling. But if you can talk about something real, say discrimination, by talking about the struggles of a goblin to be taken seriously by humans (including not being made a slave, not kicking around for amusement)–it’s easier for an audience to take in without feeling attacked/critiqued personally. Ol’ J.R.R. can go on about the razing of the Shire and everyone gets behind that–if he was protesting the gutting of natural resources around him, he’d have been written of as a crank–or an academic looking down from his ivory tower. Instead, he gets his readers annoyed enough they might try to do something when their own Shires are razed.

And so on.

Fantasy isn’t real? Pfui.

Okay, I could’ve gone on for a couple of full paragraphs on every point I just made there–and should’ve. But I didn’t. Those are some beginning thoughts on my end, basically, I reject the premise(s) of the notion and would invite my interlocutor to come back with something better. Or, you know, just let people read what they want. I trust the others posting here will have better thought out things to say..

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MUSIC MONDAY: “I Love a Rainy Night” by Eddie Rabbitt

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Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

Driving to the hospital for some appointment last week, we’re listening to an oldies station and this song comes on the radio. I turn it up, apologizing to my son, explaining it was a song I was obsessed with as a kid. To my shock, he replies, “Of course, it’s a great song.” Not only did he know this song, it’d been on pretty heavy rotation on his playlists recently.

So, in honor of a little unexpected bonding:

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Irreplaceable: Humanity, Vocation, and the Limits of Technology by Gene Edward Veith Jr and A Trevor Sutton: Close, but No Cigar

Cover of Irreplaceable: Humanity, Vocation, and the Limits of Technology by Gene Edward Veith Jr and A Trevor SuttonIrreplaceable:
Humanity, Vocation, and the Limits of Technology

by Gene Edward Veith Jr. and A. Trevor Sutton

DETAILS:
Publisher: Baker Books
Publication Date: October 6, 2026
Format: TEXT
Length:TEXT
Read Date: TEXT
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We may be God’s agents, but we also have our own agency. God works through us when we love and serve our neighbors, but we also resist him using the very gifts he has given us to love and serve ourselves, even when that means harming our neighbors. That is to say, we are sinners. We sin in our vocations. And we sin in and through and by means of our technology. In fact, if technology is a medium that extends and strengthens our human powers, it can extend and strengthen our sinfulness as well.

What’s Irreplaceable About?

Essentially, the authors set out to take the Protestant (particularly Lutheran) idea of vocation and apply it to the technology of the mid-2020s. Automation, algorithmic decision making, generative AI, and similar technologies make big promises—but how do they relate to human work, human service, human vocation?

How do we harness technologies as a tool and use them as such, rather than let them displace human workers and diminish them?

Where the Book Succeeds

“Chapter 1: Mediated Work: Our Tools and God’s Tools,” is the best part of the book—and it’s not even close. There’s a lot of wisdom here and it should be meditated on.

A lot of the later chapters about “Technology in ____ Vocations—dealing with work, family, society, church and so on, have a lot to offer as well. Some things that aren’t really worth talking about, too.

The more abstract the book gets, the better it is. It’s when Veith and Sutton try to get their hands dirty and deal with particulars that I find them struggling.

Where the Book Falters

Primarily it’s in what the book doesn’t do or try to address.

“H.C.,” you say, “is that fair? No book can do everything.” This is very true—it can’t and I shouldn’t expect it to. But in a book exploring ethical responses to emerging technology from a Christian perspective, I would like to see some things addressed. The ethics behind the development of this technology—the exploitation of the workers, the theft of intellectual property, the goals and methods of the producers. The impact this technology and its growth can have on the word around us—politically (both in party and governmental senses as well as in what it does to human society) and environmentally. Lastly, the effects it can have on the human mind, not just human vocation.

ChatGPT and the Writing of the Book

Chapter 3 starts with a dialogue between one of the authors and ChatGPT—copied and pasted for our benefit, as an illustration (at least partially). I thought it was interesting—particularly because I thought doing so clashed with a point made later in the chapter.

But I have to think a little—how much more of this book was done aided by it (or a similar product)? While I’d prefer the authors to be able to say straightforwardly “There was no AI involved outside this one illustration,” (or, not at all). I’d really like to read what else they got some help with.

Why did I pick this up?

To say that Gene Veith’s book God at Work: Your Christian Vocation in All of Life, was formative for me is to understate it. I can still hear passages and concepts from it as I think through things today. So another book by him related to the idea of vocation? Sign me up without hesitation or forethought. (which is literally how I got this copy, as soon as I saw the title and author, I requested it immediately)

Secondly, I’ve found myself in conversation and books this year about AI/Large Language Models/Generative AI-or whatever you want to call it. Really only one book was a conscious decision to explore it more (I really thought I could dip into things with Doctorow’s book and walk away, rather than getting curious enough to dive deeper)—and thoughts from a Christian who thinks seriously about things (as I assume his co-author did, too), seemed like a good follow-up.

So, what did I think about Irreplaceable?

While the present technological landscape will soon change, God’s plan for human work as a locus for loving our neighbors will remain. While new and difficult questions will arise with each new technological development, God’s callings on our lives and our vocational identities will remain. The more that technology changes the world, the more important it will be to discern God’s work in us and through us and how it has the power to bring about enduring faith, hope, and love.

If I had written this a day or two after finishing the book, I’d have been a lot more positive. But the more I think about it, the more problems and questions I have. So I’d better get this written now, before it becomes a pan, eh? (that was a joke, it’s not pan-worthy).

I do think the book fails to address the AI industry as it actually is, instead presenting it in a way as it’s sold on being and working. Were this book written a few years ago, before the folks at OpenAI had released anything, and instead focused on emerging technologies, social medias, and that sort of thing, I’d be speaking much more positively about it. This it too much about the idea of AI, not the reality as it now is (and seems to be headed).

I don’t need Veith and/or Sutton to be running around like a Chicken Little (even a correct Chicken Little), but I think we should take off the rose-colored glasses for a bit. I did write down a couple of times in my notes, “this is too pie in the sky.” And I probably could’ve done that more.

I like the thoughtfulness of the book. I really did think about some things in a fresher way—and anyone who can invoke the Sewing Riots, the Luddites, and Milton from Office Space within a page or two to build an argument, deserves reading.

We need more books like this, we need more people interacting with Biblical wisdom, insights from the ages past, and contemporary technology—both the doomsayers and the proponents. The conversation started here needs to continue.

Irreplaceable just didn’t deliver everything it should’ve—it took the easy way out on some topics, and skirted others. I think the authors are capable of more, and just didn’t deliver. But, I encourage those curious about addressing the ideas and issues from a conservative Protestant prospective, to pick it up and wrestle with it.

And maybe to come back and tell me where I’m wrong.

Disclaimer: I received this book as a participant in the Baker Publishing Group Nonfiction Reviewer Program—a book that I requested. However, as always here, the opinions expressed are my own.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Saturday Miscellany—10/17/26

Even years-long streaks can be broken. Time to start a new one 🙂

Odds ‘n ends about books and reading that caught my eye the last couple of weeks. You’ve probably seen some/most/all of them, but just in case:
bullet ‘Radical Street Librarian’ Quits Her Job, Then Transforms a Trolley into Mobile Library to Provide Free Books for Hundreds of Kids—I want to be her when I grow up
bullet The Death of the Bookshop wasn’t Caused by Amazon Alone
bullet The Wild Robot Author Peter Brown on What Makes a Great Read-Aloud Book—I haven’t read Brown (yet), but I want to now
bullet Do You Need to Be Surprised?—As is so often the case, Templeton says what I wish I could’ve found the words for
bullet Instant Gratification and Great Literature Do Not Mix- Ways in Which Modern Writing Styles Ruin the Art of Storytelling—The Orangutan Librarian opines
bullet Will Depicting Life’s Struggles Too Realistically in YA Demoralize Teen Readers?—Most of the YA that I read doesn’t qualify for this, but I have read enough for Krysta’s thoughts to really resonate
bullet Do Authors Deserve a Second Chance?—I was enjoying this video by Niko’sBookReviews, and made mental notes about mentioning my Pratchett experience when linked to it here–and then he talked about his almost identical experience. Which sort of felt like plagiarism (if you toss out logic). Anyway…good stuff.
bullet The Indie Author Sci-Fi/Fantasy/Horror New Release List: October 2026—A.J. Calvin’s monthly shopping list for the indie fan
bullet My Favorite Dragonlance Quotes—Witty & Sarcastic Book Club provides another nudge to get me to dive back into this world
bullet Things Readers Will Never Understand About Being an 80s/90s Bookworm—yup

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet The Anks Kumar Podcast #01 – Vernon Smith—a great convo with Smith about Waiting for LeCler and so much more.
bullet Rule Breakers of Fantasy Fiction with DB Rook—Phil Parker chats with Rook—who is always worth a listen

My favorite sentence/passage/phrase (or two) that I read this week:
They had reason to be in a good mood: the van had been found… A dog walker stumbled across it. (Praise and hallelujah to the weather-hardened dog walkers of the world! Sniffer-outers of dead bodies and dumped evidence. They’d put more criminals behind bars than Taggart and Rebus combined.) —Paperboy by Callum McSorley

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet NYPD Red 2 (Audiobook) by James Patterson, Marshall Karp, Edoardo Ballerini, Jay Snyder
bullet The Dispatcher (Audiobook) by John Scalzi, Zachary Quinto
bullet The House of Secrets (Audiobook) by Brad Meltzer, Tod Goldberg, Scott Brick, January LaVoy
bullet I Was a Bitch by Emily Ruben
bullet Venators: Through the Arch by Devri Walls
bullet Genrenauts: The Complete Season One Collection by Michael R. Underwood—incidentally, it was the only new release I mentioned that week. The fact that there’s no Season Two still eats at me (that’s not on Underwood, but the lack of audience). But Season One is good enough to relish and read now.
bullet Housekeeping by Marilynne Robinson

The Last 3 Weeks’ New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Confederacy Myth: How an Insurrection of Slaveholders Tried to Destroy the United States by Connor Williams—A (brief) history that I’m recommeding like crazy. As you can see here
bullet Bark Humbug by David Rosenfelt—a little bit of the holidays, a lot of a twisted criminal case. It’s not often that a 34th book in a series will make a reader sit up and say, “what?” I talked about it here earlier.
bullet The Thrice-Bound Fool by Christopher Buehlman—”Professional thief and inveterate trickster Kinch Na Shannack has always enjoyed a good book. But now his life, and the future of all of Manreach, depends on deciphering a very bad book indeed; a stolen, sentient tome that tries to kill him every time he opens it—and often when it’s closed.” Okay, all I needed was “Kinch Na Shannack” to want to read this. But a sentient, murderous book?? Please, please, take my money.
bullet Truth to Power by S.A. Cosby—Cosby writing Luke Cage? This Marvel Crime series keeps getting better.
bullet Dome by D.L. Orton—This will likely only make sense to people who’ve read the first two, so consider this an advertisement. “Parallel lives. Worlds apart. One time loop tearing itself apart. Every rescue rewrites the future, and every life saved leaves someone else to pay the price.”
bullet And Then There is the Bard by D W Walters—
“A party of heroes,
who are far from zeroes.
Quests to slay a dragon,
so join the bandwagon.
But with such high stakes,
do they have what it takes?”
bullet The Memory of Borrowed Books by Meg Anderson—”A sweeping, magical ode to community and the stories we leave behind, The Memory of Borrowed Books follows one librarian who discovers a hidden room of unfinished memories–and must find the one that can save her beloved library from closing forever.”

on a goldenrod background, the text 'PSA: Reading is not a competitive sport, and your reading journey won't look like everyone else's'
source: @bibliolifestyle on Instagram
After talking about my reading progress for the year here and on Social Media for the last week or so, this seemed like a good reminder.

Eating Salad Drunk edited by Gabe Henry: Who Has Time for More than 17 Syllables?

Cover of Eating Salad Drunk edited by Gabe HenryEating Salad Drunk:
Haikus for the Burnout Age by Comedy Greats

by Gabe Henry, illustrated by Emily Flake

DETAILS:
Publisher: St. Martin's Griffin
Publication Date: February 22, 2022
Format: Hardcover
Length: 207 pg.
Read Date: October 12-15, 2026
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Who has time for more
Than seventeen syllables
These days anyway?
—Gabe Henry

What’s Eating Salad Drunk?

It is, as the subtitle tells us, a collection of haiku for and about our contemporary age, written by comedians/comics/comic writers. They’re collected under the headings of Screen Time, Food, Friends & Family, Modern Romance, The Struggle is Real, Nature Calls, Entertainment, Words of Wisdom, and Self Love & Loathing.

Let me quickly state that the editor does note that the proper plural form doesn’t have an “s”, that was a stylistic choice. It’s also noted that there are several (probably the majority) of these poems that don’t fit other rules about haiku, again, it’s a stylistic choice—and for people who are looking for technicalities like that (and, truly, I wouldn’t blame them) this is not a book they’d enjoy. For people looking for some clever people trying to have fun in a haiku-ish way within many of the limits of the form, on the other hand…

The Soul of Wit

If Shakespeare was right, this book celebrates brevity. In his Introduction, Henry notes

there’s something addictive about writing within constraint. It brings out a creative ingenuity in the artist—a personal challenge to see how much can be done in a limited space.

The authors, many of which you’ll know the names of (and several you’ll start to wish you knew), embraced this challenge and came up with some very clever ways to fulfill it.

I’m not sure if this example from Aubrey Plaza is one of those (but it made me grin nonetheless):

The full moon rises.
A city sleeps peacefully.
Rats rats rats rats rats.

But you get the idea, right?

Matt Gourley, on the other hand, nails it:

Let’s talk TV shows.
Of all the big finales
Sopranos was the—

So, what did I think about Eating Salad Drunk?

I’m going to assume the experience that I (and my children) had is fairly universal: you’re somewhere between 2nd and 5th grade and you bring home from the bookstore/library a joke book (or a stack), and you tear through them—finding a new favorite every page or two. You also annoy the $*#($! out of whatever adult happens to be around you by reading several of them aloud, waiting expectantly for their howls of laughter to echo your own.

That’s what this was like for me. Although I didn’t share my favorites with anyone around me—it’s taken me decades, but I have learned some restraint. (also, my wife wasn’t around, and she’s really the only one I badger like that) Just page after page after page if grins and chuckles.

Sure, a few fell flat—but I could still see and appreciate the joke and construction, even if it didn’t really make me think “funny” or “amusing.” There also were a couple of heartfelt ones scattered throughout.

I limited myself to one chapter/topic at a time—taking hours/days between them. I think my appreciation would have diminished had I read the book in one sitting—although I was tempted to.

The decorative illustrations throughout were nice little touches, i really like Emily Flake’s style, I think I’m going to be tracking down some more of her work soon.

I heartily recommend this to you, readers. And if Henry is out there reading this—I’m more than up for another collection!

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Key to a Killer by Olivia Blacke: Solving Cordelia’s First Murder Mystery—Her Own

Cover of The Key to a Killer by Olivia BlackeThe Key to a Killer

by Olivia Blacke

DETAILS:
Series: Ruby and Cordelia Mysteries, #3
Publisher: Minotaur Books
Publication Date: October 20, 2026
Format: eARC
Length: 368 pg.
Read Date: October 7, 2026
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What’s The Key to a Killer About?

With two solved murders under their belt, it’s time for Ruby and Cordelia to focus on one closer to home—very close to home. It’s time to talk about Cordelia’s murder.

Cordelia begins to remember more about that fatal night—which starts to point them in the right direction.

All they have to do is hope her memories continue to come back, while they’re distracted by industrial espionage, marital difficulties (obviously, not either of theirs), Cordelia’s brother, Ruby’s budding romance, workplace struggles, new ghost abilities (better said, Cordelia learning about abilities she had), a series of break-ins at their apartment building, some questionable political moves, a persistent journalist, and a few other things. Most of which could point to the solution to their puzzle. But might not.

Why did I pick this up? Why did I keep reading?

I grabbed this to read because I’d read the first two books in the series and had to find out what happened next. I’ve been curious (as Blacke wanted the reader to be) about Cordelia’s murder since her first book. It wasn’t too long before Blacke made it clear to the reader that she didn’t die accidentally or by her own hand (no matter what Cordelia’s ghost might have thought), so I just had to know whodunit.

Also, I’d read Blacke’s last 5 books, and have found her to be a completely reliable author, and I’m now predisposed to pick up something with her name on it without much thought.

I kept going because I like the characters, first and foremost, and enjoy spending time with them. Curiosity (see the opening paragraph of this section) was obviously a driving force, too. But Blacke kept putting them in interesting circumstances, things that raised more questions than they answered, and watching the two bounce around from red herring to red herring to a thing that actually matters, just not in the way they thought…Blacke got everything right this time.

What does this book tell us about humanity?

I think The Key to a Killer—like the rest of the series, actually—has two important themes about humanity. The first is trust. Extending trust to the right people, cutting off that trust when we should, and then relying on those we’ve trusted. If we act like islands (think Simon and Garfunkel’s “I Am a Rock”), we flail. Both Ruby and Cordelia are proofs for that.

The second is the need to not be alone. Ruby needs people to keep her out of her head and for safety. Cordelia needs people to care for, to help her not make self-destructive choices, to just be around. The isolation she wrapped herself in wasn’t good for her. Ruby was likely headed in a similar direction before she and her new roommate got together.

I guess really, both of those could be summed up in a need for community of some sort—the people in their building, their coworkers, fellow ghosts, family. Now, it’s clear that not everyone in the building or at work should be depended on—and ghosts can be less than reliable (just like the living)—but in actual community is where humans, living or not, thrive.

So, what did I think about The Key to a Killer?

I do think the first in the series, A New Lease on Death</b was more entertaining—the humor was a bit more pronounced, the fun of watching the two figure each other out, and so on—made for more fun. Death at the Door was a bit more tense, with more implied danger. But Blacke topped the others here with heart and intrigue—the threat of violence seemed both more pressing and less likely (I think this has to do with the number of allies that Ruby has picked up by this time). She took everything she’s done so far and kicked it up a notch or two (except maybe the humor—but that could be in an “eye of the beholder” situation this was more about earnest effort), as she should. The result is a novel that’s just a little bit more satisfying than its predecessors.

I’m assuming that this is the end of the road for this duo. I’d be very pleased to find out that I’m wrong, but it feels like this Blacke has tied up enough that she can leave them to un-recorded adventures. If that’s the case, this is a satisfying end-point for the pair. We see them in good places, with a lot tied up, some good closure on lingering questions about Cordelia’s life (beyond the question of “who killed her”)—and Ruby in a good place, too.

Obviously, learning more about Cordelia’s final days gives the reader a lot to chew on. Without wanting to give too much away, learning what we do about her married boyfriend is rather revealing—and I’m glad Blacke went the way she did with that. In the end, she’s a more complex and flawed character than she seemed to be when we first met her spectral form.

There’s one clue that took Ruby frustratingly long to figure out—and I’m less than happy with one of her subplots was left (there’s something to be explored if Blacke goes for a fourth book). But overall, the arc she’s been on is very well done. Honestly, those two points are my only complaints about this book.

I don’t know if this is the best book to jump into things with—but it would work for someone looking for a ghosty-cozyish mystery for October. I think you’d be better off with three of the books to give you a solid ghosty story from the beginning. Obviously, I think most of the audience for this will be those like me who just want the big question about Cordelia answered and who look forward to the adventures up to that reveal (which was done so nicely).

I’m looking forward to whatever Blacke has coming next, too. I think most readers of this book will be, too.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday—October 14, 2026

So, my son’s recovery is going well. Which is good–but it also means that we’re hanging out in a hotel room a lot. So he’s playing video games or napping, and I’m reading (or napping). This is resulting in me finishing several books so far–with another couple of weeks to go.

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Castaway Cays by Amy Maren Rice Cover of Eating Salad Drunk edited by Gabe Henry
Castaway Cays: Curse of the Sea Serpent
by Amy Maren Rice
Eating Salad Drunk: Haikus for the Burnout Age by Comedy Greats
edited by Gabe Henry

I remember enjoying Amy Maren Rice’s world, but stepping back into it reminded me why I did. I’m having a lot of fun with this sequel.

Henry’s collection is like those old joke books I read as a kid, with just a layer of art to it so it feels appropriate for an adult to read.

What did you recently finish reading?

Cover of The Key to a Killer by Olivia Blacke Cover of The Confederacy Myth by Connor Williams
The Key to a Killer
by Olivia Blacke
The Confederacy Myth: How an Insurrection of Slaveholders Tried to Destroy the United States
by Connor Williams
Cover of Runaway Lyrics by by C.O. Bonham Cover of Unpredictable Magic by Faith Hunter
Runaway Lyrics
by C.O. Bonham
Unpredictable Magic
by Faith Hunter
Cover of The Young Necromancer's Guide to Ghosts by Vanessa Ricci-Thode Cover of Anabel's Lion by Tony Baker
The Young Necromancer’s Guide to Ghosts
by Vanessa Ricci-Thode
Anabel’s Lion
by Tony Baker
Cover of Shield of The Mothership by JCM Berne Cover of Paperboy by Callum McSorley
Shield of The Mothership
by JCM Berne
Paperboy
by Callum McSorley

I should’ve had a post up about The Key to a Killer today, but I got lazy. It’s a very satisfying conclusion to the mystery (and, I presume, the series).

I talked some about The Confederacy Myth yesterday. It’s one of my favorites of the year.

Runaway Lyrics isn’t much of what I expected (not that I was sure what to expect). A magic system based on music (among other systems in the world) is pretty interesting. A nice Fantasy with a splash of Steampunk.

Unpredictable Magic is Urban Fantasy with a splash of SF. I’m hoping this is the first in a nice series.

Ricci-Thode’s book was fun and makes me want to read other books in the series it’s set in (which have nothing to do with this book).

I’m not sure what I was expecting from Anabel’s Lion–but it wasn’t anything like what Baker delivered. It was nice, just not what I expected.

Shield of the Mothership was the best Hybrid Helix book I’ve read since the previous one. That’s supposed to be a joke, but it’s true, too. Heckuva read.

Paperboy shows that Squeaky Clean was no fluke, imagine Fargo told with a Glaswegian accent, and you’re halfway there. McSorley is so good.

What do you think you’ll read next?

Cover of Four Ruined Realms by Mai Corland
Four Ruined Realms
by Mai Corland

I’ll probably (finally) get around to the second in Corland’s trilogy next. We’ll see, like I said last week, I’m running purely on mood right now, so it’s hard to predict.

What’s reading like for you all right now?

2026 Plans and Challenges—3rd Quarter Check-In

This was supposed to go up last week, if not the one before, but…well, stuff happened. I apparently didn’t finish the 2nd Quarter Check-In, either. Whoops, it slipped my mind.

Anyway. Here we go.
a smiling anthropomorphized pilcrow gesturing at the words '2026 Plans and Challenges'
Last year was a disaster for my plans and goals…both those stated and unstated. That only bothers me a little—I had too much fun with what I did accomplish, and was so tired because of everything else in life that perspective is easy. This is a hobby—I didn’t hobby the way I wanted to. But, still, hobbying was done.

This year, I think my plans (at least the stated ones) are more achievable…I fell back on the ol’ SMART Goal model, and cut myself a lot of slack (see below)–even stating upfront that I expected to fail with at least one goal. I do really wish my Literary Locals thing had a bit more life to it, ditto for the HC Chats videos, too–but, oh well. Grandpappy’s Corner has gathered more dust than I like–and I have a stack of titles to fill it with. Still, hobbying is happening. Let’s see how the goal-meeting is going.

How’s the perennial “Cut down on my Goodreads Want-to-Read list and the unread books that I own” goal going? As of October 1:

Audio E-book Physical Goodreads
Want-to-Read
NetGalley
Shelf/ARCs/Review Copies
End of
2025
4 89 112 192 11
End of the 1st Quarter 4 88 118 202 10
End of the 2nd Quarter 2 96 130 201 7
End of the 3rd Quarter 3 97 137 209 11
End of the 4th Quarter – – – – –

a cartoon of homer simpson and his family standing next to a man that says hey look over there

I will say that I’ve really made a lot of progress on that since the beginning of the month (as much as one can in two weeks, anyway).

2026 Book Challenges


Goodreads Challenge
2026 Goodreads Challenge 3rd Quarter
So, that one’s done and dusted.


My TBR Range Challenge
Owned but Not Read Chart 3rd Quarter
There’s been incremental improvement on everything pre-2025. 2025 has improved enough to feel relieved. But let’s not talk about 2026, okay?


Reading with Wrigs
Reading with Wrigs Challenge 3rd Quarter

I’m doing better with this one than I usually am by this time of year. Conceivably–but not likely–could have this done this month.


The 2026 Booktempter’s TBR Challenge

The 2026 Booktempter's TBR Challenge

Haven’t hit a stretch goal yet, but there’s still time.


25 Greatest Picture Books of the Past 25 Years
This is a reading challenge, right? I’m doing okay. If it were a writing about challenge, I’d be in trouble.

25 Greatest Picture Books of the Past 25 Years list 3rd quarter


2026 Speccy Fiction Challenge
2026 Speccy Fiction Challenge

I’ve got one read left on this one–I’ll probably tackle it next week. So, I’m calling that a win.


Ultimate Book Nerd
Ultimate Book Nerd 2026 Challenge
I didn’t mention this one previously; I was mostly “auditing” it to see how well I’d do while not really trying. I did try a little, I will admit–especially lately. I’ve now read 44 of the 60 prompts (only need to hit 50 by mid-December), so I’m now trying to finish it–and I should have no problem doing so. (these other challenges have helped a lot). I think I’ll take this approach next year, too.


Cutting Myself Some Slack
Cutting Myself Some Slack
I added one goal after the year started. My “To Write About” pile was out of control–seriously. And it was eating away at the back of my mind. So I did two things–I started those Monthly Leftover posts–requiring myself to write a catch-up post at the end of the following month for the books I haven’t gotten to yet (e.g., At the end of February, write about January books; at the end of June, write about the May books).

That cut 252 books from my list, and so much anxiety.

I’ve gotten a little behind on my Leftover posts, I should be able to get caught up on those soon–and keep plugging away on the others.


20 Books of Summer
20 Books of Summer '26 Chart August Check-in

Got that one done with a little to spare…


How’re your reading goals/plans going so far this year?

The image for the Picture book list is taken from the article. The Book stack image by yeliao521 from Pixabay. The “finger scissors” image is from Clker-Free-Vector-Images on Pixabay.

The Confederacy Myth by Connor Williams: A Pro-U.S.A. Apologetic

Cover of The Confederacy Myth by Connor WilliamsThe Confederacy Myth:
How an Insurrection of Slaveholders Tried to Destroy the United States

by Connor Williams

DETAILS:
Publisher: St. Martin's Press
Publication Date: October 13, 2026
Format: eARC
Length: 288 pg.
Read Date: September 29-October 8, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s The Confederacy Myth About?

I’ve been struggling to find a concise way to describe this book without being too oversimplified or too detailed. Then, as I was starting this post, I noticed a couple of things on Williams’s website that helped. The last time it was updated, when he was just starting to write this book, the title was going to be Our Domestic Enemy: The Confederate Insurrection and the Civil War that Saved Our Nation, which gives a slightly different flavor than the final title. He describes the book as “leapfrogging back over a hundred and fifty years of sentimentalized stories and takes readers back to the causes, courses, and consequences of the Confederate insurrection, centering us squarely in the actions and writings of the American people as they fought the bloodiest war in our nation’s history.”

That’s a really nice way to put it. Williams tackles some of the myths about the Confederacy and the insurrection it started that have captured the imagination of many, looking at the data, the statements of people both in the USA and in the rebellion, and the results to help us see with a clear vision that the reason “the United States prevailed in the Civil War: five out of six Americans resisted the Confederate insurgency and instead put everything on the line to fight for democracy…our Republic.” (from the Publisher’s description).

The Book’s Argument

Williams, standing on things said by Lincoln, Douglas, various newspapers (loyal to the US and not), other government officials, and leaders of the rebellion, focuses on seeing the war as just that: a rebellion. One that fomented for decades—with some surprising support from within the U.S. government.

He shows how the slave states didn’t care for states’ rights before Lincoln’s inauguration—in fact, they used the federal government to override the laws of “free” states with the Fugitive Slave Act; how the would-be government of the C.S.A. didn’t believe in succession from it, making their effort to leave the U.S.A. more than a little hypocritical (as well as illegal and unconstitutional); how the insurrection was largely armed through stolen weapons and was outfought throughout the conflict. Yes, they did some major damage, but it was never a serious military (or economic) threat to the government.

Williams is also clear about the sound strategies of the U.S. Army in the West, as well as the struggles in the East (for too long). He’s not hagiographic about Lincoln or anyone else, but does emphasize the overarching goals of those loyal to the Constitution and freedom.

Why did I pick this up? Why did I keep reading?

I picked this up because I was hoping for a brief book countering the “Lost Cause” kind of thinking—and got it.

But I got so much more. On the one hand, who really thinks we need an apologetic for the U.S. in the 1860s? But that’s what this is—it’s not so much contra-Lost Cause as pro-America (which carries the former with it).

Just that slight difference of angle makes all the difference.

So, what did I think about The Confederacy Myth?

This was hard to read—especially as it covers the years pre-Ft. Sumter. Don’t get me wrong—I was well aware of all the problems that existed around slavery and the machinations of politicians around it. But in the years since I did any semi-serious reading on it, my memory had gotten too fuzzy. The United States really had fallen short of its ideals, and the politicians/courts weren’t helping much with the way they treated that issue.

Once we get to the chapters post-Sumter, it becomes easier to read, in a way. It becomes a us vs. them (or U.S. vs. Them) story, one that’s familiar. But Williams’s recounting doesn’t allow for romanticizing or glamorizing the insurrection along the way.

We don’t get a lot of post-Appomattox material, but we do get some—and can see how things might have been different (and might not have been), had Lincoln not been assassinated. It’s good to see a Congress that takes its job seriously and made sure that Andrew Johnson wasn’t able to make too much of a mess of Reconstruction and was able to move civil rights forward (not enough, but that’s a story for another time).

The number of things I highlighted and made notes about…if this were a hard copy, I’d probably have increased the weight by 50%. There’s just so much gold to be mined here.

This is a solid work, full of things we need to remember and consider today. It’s definitely going down as one of my favorites of the year and one I’ll recommend for a long time to come.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Bark Humbug by David Rosenfelt: Andy Carpenter Gets Pulled Back In (again)

Cover of Bark Humbug by David RosenfeltBark Humbug

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #33
Publisher: Minotaur Books
Publication Date: October 13, 2026
Format: eARC
Length: 320 pg.
Read Date: September 30-October 2, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Bark Humbug About?

The sister of a murder suspect comes to Andy’s home. Her brother had adopted a dog through his dog shelter a couple of years before, which had led him to follow Andy’s career. So when he became the focus of a police manhunt, he wanted Andy to help coordinate things when he turned himself in. Well, hopefully to go all the way and defend him in court, but they’d start with surviving surrendering himself to the police.

Things there didn’t go quite as planned, and Andy got upset and was caught on camera saying he’d defend Jon. So he’s stuck with a job—which might not be all that bad, it’d give him something to think about other than all the holiday music his wife’s about to start playing—it’s Halloween season, time for her to break out the Bing Crosby. Also, Andy believes Jon.

Jon’s accused of murdering the mayor—and gubernatorial candidate—with a sniper rifle, making an incredibly difficult shot. Sadly, one that the US Military taught him to make. That, and a whole lot of evidence, is pretty daunting for Andy and his legal team—but since when has that stopped them?

They do find a lot of evidence of other criminal activity afoot that could point to other suspects—but will it be enough? Is Andy capable of (another) Christmas miracle? And just what happens to someone who makes our genial attorney mad?

The Years are Passing

This is one of those series where very little changes—the dogs never age (thankfully); Andy, Pete, and Vince eat like college students and don’t have health issues; Edna is on the verge of retirement constantly; Sam’s senior citizen helpers are just as old as they’ve ever been, and so on.

However…Ricky is aging. Nowhere near in real-time, but it’s happening. He’s got a girlfriend, he’s taking vacations with his friends over the holidays, and even the frequently oblivious Andy is noticing it.

On the one hand, having Ricky around was a breath of fresh air back when it happened—and seeing him grow up could add some variety to things. Also, it’s hard to keep writing him out of things so he’s not in danger, or his activities aren’t a distraction from the case. Maybe aging him will allow Rosenfelt to bring him into the plots just a bit, too.

The Return of Marcus

When I talked about Dead Men Don’t Play Fetch earlier this year, I noted that Marcus was returning to his mysterious and dangerous roots after a few books where Andy and the reader learned a little more about him, got a glimpse into his personal life, and actually understood what he was saying.

This book took a major step in that direction. Andy understood a little bit of what Marcus said (although we didn’t get it in dialogue form, just described in the narration), but not most of it.

And whoo-boy, Marcus was back to his near-superhero levels of intimidation and violence. I think there was one book with more violence from him (many years back), but this has to be second place on the Marcus-as-Batman meter.

While I liked getting to know Marcus more, I like this “classic” version of him, too.

So, what did I think about Bark Humbug?

The humor in this volume seemed a little more crisp and fresh than it has lately (not that I’ve even had problems with it, but it’s felt tamer). The cultural references are more current, as well (some of them, anyway).

The courtroom action is as solid as ever—Andy keeps the judge and the prosecution on their toes. But keeps things friendly with the D.A., which is a nice touch.

Andy and his team have to do things we’re not used to them doing to get to the truth—although there are plenty of typical antics going as well.

Basically, I guess I’m saying that Bark Humbug gives the reader everything we’ve come to expect in an Andy Carpenter book, but just a little more.

This is a dose of holiday-themed fun (much to Andy’s chagrin) with a very twisty mystery on tap. This case, more than any other in a long time, challenges our team. The last few chapters are as tense as I can remember this series being—maybe not since the first dozen or so. New readers or old won’t be saying “Humbug” to this ending (or anything before then).

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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