Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 1 of 153

Enemy of My Enemy (Audiobook) by Alex Segura, read by Michael David Axtell: A Lot of Devils in Hell’s Kitchen

Cover of Enemy of My Enemy by Alex SeguraEnemy of My Enemy

by Alex Segura, read by Michael David Axtell

DETAILS:
Series: Marvel Crime, #2
Publisher: Audible Studios
Publication Date: March 24, 2026
Format: Unabridged Audiobook
Length: 8 hrs., 28 min.
Read Date: April 8-13, 2026
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What’s Enemy of My Enemy About?

I don’t need a lot of words to describe this—Wilson Fisk, the Kingpin of Crime, is dead. Shot in his own home, and all the evidence points to Frank Castle as the shooter. Well, most of the evidence, anyway. Castle even lets himself be arrested without incident and seems ready to take the fall. Matt Murdock knows the facts don’t match up (for one, a police officer was also killed in Fisk’s office and Matt knows the Punisher wouldn’t do that), and can’t let him get railroaded. So he basically forces Castle to accept his representation.

It’s up to Matt Murdock and Daredevil to make sure Castle goes free and that the right killer is identified.

This was cleverly released shortly after the launch of Daredevil: Born Again season 2, but it’s not that much of a tie-in to the television series. This is the comic book version of Daredevil and the rest. It’s a minor point, but it does explain things like why we get someone so cartoonish* as Hammerhead and why certain characters are dead/alive.

* This is not a criticism, but a description. I enjoy the character.

Why did I pick this up? Why did I keep reading?

I picked this up because I like the idea of this Marvel Crime series, the strength of the Jessica Jones novel, and Segura’s reputation.

I kept at it because this is a smart mystery/legal thriller with some great comic book action. There are plenty of twists, some good curve-balls, and more uses of the word “internecine” than I typically see in a book.

How was the Narration?

There’s only one other voice I’d like to hear as Matt Murdock/Daredevil than Michael David Axtell, but I think it was good for them not to cast Charlie Cox. This was just great—he handled every character in a way that fit perfectly. I was as entertained by his performance as I was the by text.

Really well done.

So, what did I think about Enemy of My Enemy?

I had a lot of fun with this one—for everything I just said in that last paragraph.

Segura nailed every character—well, I’m not sure about [surprise name withheld] because I haven’t read much about them, but given the way he dealt with everyone else, I figure he did right by them. And the cast of characters is large. Segura dove deeply into Marvel’s Hell’s Kitchen here.

Also, he wasn’t shy about killing off characters. It’s clearly outside the Marvel canon.

There’s not much else to say—it’s a solid thriller, a captivating superhero story, and you won’t see what’s coming. Enemy of My Enemy is a heckuva ride that I easily recommend to fans of any of the characters I mentioned.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Cat on a Hot Tin Woof by Spencer Quinn: Chet Searches for an Influencer Cat

This was supposed to go up yesterday…but apparently, the key is to press the “Schedule” button. Just a friendly tip from you to me.


Cover of Cat on a Hot Tin Woof by Spencer QuinnCat on a Hot Tin Woof

by Spencer Quinn

DETAILS:
Series: Chet and Bernie, #16
Publisher: Minotaur Books
Publication Date: April 14, 2026
Format: eARC
Length: 320 pg.
Read Date: April 1-6, 2026
Buy from Bookshop.org Support Indie Bookstores


Before I get into things…that title is great (not that Quinn’s a stranger to good titles). I want to believe he wrote that title down some time ago and spent a couple of years thinking of a story to go with it.

What’s Cat on a Hot Tin Woof About?

One of the best things about the Chet and Bernie books is the wide diversity in cases they investigate—sure, the Little Detective Agency specializes in missing persons cases—but they do it all. Well, almost all. The clients they have this time are something that Bernie isn’t really ready for—and Chet would’ve been happier if they’d never run into them.

It’s a mother-daughter pair—the daughter had accidentally launched herself (well, her cat) to Internet fame and a very respectable income for a high schooler (well, more than respectable). Her mother is her business manager. Their problem? Miss Kitty is missing. Their sponsors are coming in soon to sign a new deal, and her audience is clamoring for fresh content. So the clock is ticking.

Bernie understands very little of this, but signs on—and quickly learns that despite what his clients believed—the cat didn’t slip out of the house somehow. She’s been stolen.

Naturally, it doesn’t stop with a stolen cat—more crimes turn up, as does an element of danger.

Bernie’s ex-wife, Leda, has some drama of her own, for him to deal with, too. But Bernie’s focus is on the case (although he takes time out for a fun scene to help Leda)

Why did I pick this up? Why did I keep reading?

That’s simple—while Quinn isn’t a stranger to less-impressive books, he’s incapable of writing an un-entertaining one—particularly with this series. And it’s been a while since he stumbled anyway.

Why did I keep at it? There is simply something infectious about Chet’s voice—as much as you want to figure out what happened—who kidnapped the cat and why, will they figure out the other mysteries along the way, will Bernie lose a lot of money doing something foolish, etc.—you want to stay in Chet’s head for longer than it’ll take to finish the book. This book is a textbook example of that.

What does this book tell us about humanity?

There’s a good deal here about the human propensity for making mistakes you’d regret later—if not sooner.

There’s a lot about good parenting and inadequate parenting/parents. There are a couple of good parents in this book (one came so late in the book, you’d almost despair of seeing another one ever again), and several inadequate ones. Most of those didn’t realize they were—but boy howdy, they should’ve.

What this book tells us most about humanity—and this is largely true for every Chet and Bernie book is the importance of a connection between a human and an animal. Even if it’s just a connection for a short-time. We’ve got cats, a pig, and a couple of dogs. The cats enrich (literally, in at least one case) the lives of those they stay with. Chet gets to comfort people going through rough times and gets to support Bernie. The pig? Well, it’s there. The cats and the dogs are just wonderful and will make you want your own (assuming you don’t already).

So, what did I think about Cat on a Hot Tin Woof?

It’s a Chet and Bernie book—of course, I had a good time.

I’d have liked a little more clarity on a point or two about the conclusion. But when your narrator is delightfully unreliable, that’s hard. I think about these cases in a way Chet wouldn’t bother with, so unless Bernie muses about some of the action, there’s just no way that we get the answers I want.

But you have to expect that going in, so it really doesn’t matter.

It’s been a minute since “old man Heydrich” was brought up (and I’m more than okay with that), and I think his replacement could be fun. We get some good Charlie and Leda stuff. Weatherly could’ve been in it more (but was used well). The client herself is the kind that you hope Quinn finds a way to bring back (as he does with another client here), and…well, it’s all just good.

It’s a fun mystery that will keep you smiling throughout—even when Chet solves the mystery (and doesn’t realize it)—maybe it’d be better to say that the reader solves it through Chet’s eyes—and you’re just sitting there waiting for Bernie to catch up. That’s frequently a frustrating experience when I’m that far ahead of the protagonist in a book—but here, it’s just fun.

If you’ve never met our intrepid pair of P.I.s, this would be a perfect book to jump into the series with—honestly, any of them would work, but you might as well start with this one. If you’ve been around the duo before, this is as good as you remember. Either way—check out Cat on a Hot Tin Woof.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post, which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Quick-Take Catchups: The Leftovers from February

In an effort to keep my “To Write About” pile from getting out of control, I’ve set a requirement to myself to write a catch-up post at the end of the following month (e.g., At the end of February, write about January books; at the end of June, write about the May books I haven’t gotten to yet; etc.). As always, the point of these quick-takes is to emphasize pithiness, not thoroughness.


Cover of Big Shot by Christopher FarnsworthRobert B. Parker’s Big Shot

by Christopher Farnsworth

DETAILS:
Series: Jesse Stone, #23
Publisher: G.P. Putnam's Sons 
Publication Date: February 10, 2026 
Format: Hardcover
Length: 320 pg. 
Read Date: February 19-20, 2026 
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This was a perfectly decent Jesse Stone adventure. Jesse’s fate never felt like it was really in danger—but that’s okay, it’s about the struggle, the journey, right?

I’m a little disheartened by the way that Farnsworth is dealing with Lundquist. I know he’s not Healey—and I’m glad for it, I don’t want Farnsworth or anyone else turning him into a version of him. But the version of him being all by the book and cold here, really doesn’t match with the willing-to-be-maverick we met in Pale Kings and Princes, and I don’t think we’ve been given reason for that change (and I want to say this isn’t the first time I’ve been troubled by his characterization).

I really didn’t like Molly’s depiction for good chunks of the book—Farnsworth had a plan for her, and I liked most of what she did—I just think there was a better way to set up her investigative arc. (it’s hard to talk about vaguely). I think Farnsworth is really finding difficulty with her as she grows as a police officer—I think Lupica, did, too. Hopefully he figures it out soon (I should note, I like the way he’s dealing with Suit in the same situation).

Anyway, it’s not a stellar installment in the long-running series—but it did its job well.
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Cover of Fairest Hunter by M. K. FelixFairest Hunter

by M. K. Felix

DETAILS:
Series: The Favored's Curse, #1
Publication Date: January 9, 2026 
Format: e-Book 
Length: 351 pg. 
Read Date: February 25-26, 2026

A little heavy on the romance for my taste—but that’s what it’s marketed as, so I lived with it. I’ll note it’s pure and chaste romance, with no need for doors to be closed (well, at least the primary romance…the door might be firmly shut on another).

So it’s a gender-swapped Robin Hood—who also happens to be the King’s Huntsman. So, instead of taking the (male) Snow White figure and leaving him with some dwarves, he’s left with six merry men. These men rob from the rich, give to the poor, while looking for an opportunity to take out the Evil King (who turns out to be using a bespelled mirror to work his magic).

It’s a fun story, just deep enough to justify—fast acting enough that you don’t care. I quite enjoyed it and am looking forward to reading further in the series.
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Cover of Separation of Church and Hate by John FugelsangSeparation of Church and Hate: A Sane Person’s Guide to Taking Back the Bible from Fundamentalists, Fascists, and Flock-Fleecing Frauds

by John Fugelsang

DETAILS:
Publisher: Simon & Schuster Audio  
Publication Date: September 09, 2025  
Format: Unabridged Audiobook
Length: 9 hrs., 24 min. 
Read Date: January 30-February 2, 2026
Buy from Bookshop.org Support Indie Bookstores

Okay, I’d played with doing a full post on this one, interacting with all the issues I had—but I didn’t take notes or anything as I was listening. So, I’ll try this.

First—I have a lot of sympathy toward the Fugelsang’s goals and aims. Not to the same extent as he does—but still, I lean in very similar directions and/or share concerns.

Second—this book is a mess. There’s a good deal of re-hashing of Liberal* Theology that has been answered no later than the 1920s and 30s. There’s as much special pleading and Scripture twisting in these pages as he accuses those he takes issue with of doing. His notion of the purpose of Christianity, its content, and its focus—are completely wrong and foreign to the Bible itself. (as is the case for many of his targets).

I’m glad I read it because it scratched an itch in curiosity, but…that’s the only good thing I can say about the experience.

* There’s a distinction between Liberal Theology and Liberal Politics. While the Venn diagram has some overlap (a lot of overlap for Fugelsang), they shouldn’t be confused.
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Cover of All Accounts Settled by Drew HayesAll Accounts Settled

by Drew Hayes, read by Kirby Heyborne

DETAILS:
Series: Fred, The Vampire Accountant, $9
Publisher: Tantor Media, Inc 
Publication Date: January 13, 2026 
Format: Unabridged Audiobook
Length: 11 hrs., 44 min. 
Read Date: February 25-27, 2026  
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Fred’s adventures bow out the same way they entered the scene—mildly amusing, full of kindness and hope, generosity of spirit, and community. There’s almost no suspense—which is fine, this series didn’t depend on that.

It’s just Fred facing overwhelming odds, coming up with a clever solution or two, relying on his friends (and them relying on him, too). He found a new level to his magic—which was pretty cool, I’ve gotta say. And scored some major victories. The last chapter (or was it an epilogue?) ties up a lot of loose ends and provides a glimpse into Fred’s future.

Heyborne’s narration was as good as ever.

This was a fitting and entertaining ending to this series. Glad I was along for the ride.

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Cover of Every Day I Read by Hwang Bo-reumEvery Day I Read: 53 Ways to Get Closer to Books

by Hwang Bo-reum, translated by Shanna Tan, read by Rosa Escoda

DETAILS:
Publisher: Bloomsbury Publishing 
Publication Date: December 2, 2025  
Format: Unabridged Audiobook 
Length: 3 hrs., 49 min.
Read Date: February 23-24, 2026
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This was a perfectly pleasant book. And that’s about all I have to say—there was nothing that made me think—wow! She gets it. Nothing where I thought—I’ve been trying to find the words to express that as a reader. Just a vague pleasantness—that maybe went on too long. Maybe 25-40 ways, max, would’ve worked better.

There seemed to be an expectation that the reader would be familiar with her other work(s) anytime she referenced them—and if you weren’t (or even aware of their existence), it was hard to connect with what she was saying. I can both understand that given the nature of this book she didn’t have time (or possibly the need) to add context, explain the gist of whatever she was referencing. But…it left me cold.

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Cover of Hidden in Smoke by Lee GoldbergHidden in Smoke

by Lee Goldberg

DETAILS:
Series: Sharpe & Walker, 3
Publisher: Thomas & Mercer
Publication Date: April 22, 2025 
Format: e-Book 
Length: 300 pg. 
Read Date: February 5-6, 2026 
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I feel like I should have a lot to say about this book—but I don’t. Goldberg delivers what we expect from him—a fast and fun story, some good twists, some great lines—and the return of a few characters I didn’t expect to see again.

There’s part of me that wonders about the scope of all the fires in this series—but, we’ve all seen what happens to California all too often lately. It’s sadly realistic.

I really enjoy these characters, and can’t imagine that ending. I just hope that I can find something to say about the next book (which I can’t wait for).

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Cover of A Particularly Nasty Case by Adam KayA Particularly Nasty Case

by Adam Kay, read by Andrew Serkis

DETAILS:
Publisher: Hachette Audio 
Publication Date: September 16, 2025 
Format: Unabridged Audiobook
Length: 10 hrs., 9 min.   
Read Date: February 2-5, 2026 
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This was…a mess. There’s just no character that I could enjoy spending much time with. The characters’ motivations seem inconsistent and capricious. The comedy (or what I think was comedy) didn’t work, the mystery was pretty weak, and the book seemed more interested in the chaos surrounding the murder than anything else.

Take the murder out, tell some other kind of story, and it probably would’ve worked better. And still wouldn’t have been for me—but I wouldn’t have complained about it.

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Cover of The Fact Checker by Austin KelleyThe Fact Checker

by Austin Kelley, Jacques Roy

DETAILS:
Publisher: Simon & Schuster Audio 
Publication Date: April 15, 2025 
Format: Unabridged Audiobook
Length: 7 hrs., 1 min.   
Read Date:  
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If the destination was satisfying, I think I could’ve put up with the journey. If the journey was a bit more interesting/engaging, I could’ve put up with the destination.

But a miss on both, just made this a waste of potential. I liked the premise, there were some good moments, I liked the writing—it just seemed wasted.

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Cover of City of Others by Jared PoonCity of Others

by Jared Poon, read by David Lee Huynh

DETAILS:
Series:  The DEUS Files, #1
Publisher: Hachette Audio 
Publication Date: January 13, 2026 
Format: Unabridged Audiobook 
Length: 9 hrs., 16 min.  
Read Date:  
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This is the first installment in what could become a favorite UF series. Think about the Folly (from The Rivers of London)* filled with humanoid characters from McGuire’s InCryptid series. But set in Singapore. our under-funded and overworked team deal with the supernatural side of Singapore—without letting the non-supernatural set know what they’re up to.

As things are wont to do—something goes wrong, in a very significant way—and the entire city (at least) is soon at risk.

Poon writes with a lighter touch, but he’s not afraid to let things get serious. There are some great emotional moments, and some great mystical/magical scene, too.

* It might be more accurate to describe it as Strout’s Department of Extraordinary Affairs than the Folly—but the Folly is better known.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Cat on a Hot Tin Woof by Spencer Quinn: Chet Searches for an Influencer Cat

This was supposed to go up yesterday…but apparently, the key is to press the “Schedule” button. Just a friendly tip from you to me.


Cover of Cat on a Hot Tin Woof by Spencer QuinnCat on a Hot Tin Woof

by Spencer Quinn

DETAILS:
Series: Chet and Bernie, #16
Publisher: Minotaur Books
Publication Date: April 14, 2026
Format: eARC
Length: 320 pg.
Read Date: April 1-6, 2026
Buy from Bookshop.org Support Indie Bookstores


Before I get into things…that title is great (not that Quinn’s a stranger to good titles). I want to believe he wrote that title down some time ago and spent a couple of years thinking of a story to go with it.

What’s Cat on a Hot Tin Woof About?

One of the best things about the Chet and Bernie books is the wide diversity in cases they investigate—sure, the Little Detective Agency specializes in missing persons cases—but they do it all. Well, almost all. The clients they have this time are something that Bernie isn’t really ready for—and Chet would’ve been happier if they’d never run into them.

It’s a mother-daughter pair—the daughter had accidentally launched herself (well, her cat) to Internet fame and a very respectable income for a high schooler (well, more than respectable). Her mother is her business manager. Their problem? Miss Kitty is missing. Their sponsors are coming in soon to sign a new deal, and her audience is clamoring for fresh content. So the clock is ticking.

Bernie understands very little of this, but signs on—and quickly learns that despite what his clients believed—the cat didn’t slip out of the house somehow. She’s been stolen.

Naturally, it doesn’t stop with a stolen cat—more crimes turn up, as does an element of danger.

Bernie’s ex-wife, Leda, has some drama of her own, for him to deal with, too. But Bernie’s focus is on the case (although he takes time out for a fun scene to help Leda)

Why did I pick this up? Why did I keep reading?

That’s simple—while Quinn isn’t a stranger to less-impressive books, he’s incapable of writing an un-entertaining one—particularly with this series. And it’s been a while since he stumbled anyway.

Why did I keep at it? There is simply something infectious about Chet’s voice—as much as you want to figure out what happened—who kidnapped the cat and why, will they figure out the other mysteries along the way, will Bernie lose a lot of money doing something foolish, etc.—you want to stay in Chet’s head for longer than it’ll take to finish the book. This book is a textbook example of that.

What does this book tell us about humanity?

There’s a good deal here about the human propensity for making mistakes you’d regret later—if not sooner.

There’s a lot about good parenting and inadequate parenting/parents. There are a couple of good parents in this book (one came so late in the book, you’d almost despair of seeing another one ever again), and several inadequate ones. Most of those didn’t realize they were—but boy howdy, they should’ve.

What this book tells us most about humanity—and this is largely true for every Chet and Bernie book is the importance of a connection between a human and an animal. Even if it’s just a connection for a short-time. We’ve got cats, a pig, and a couple of dogs. The cats enrich (literally, in at least one case) the lives of those they stay with. Chet gets to comfort people going through rough times and gets to support Bernie. The pig? Well, it’s there. The cats and the dogs are just wonderful and will make you want your own (assuming you don’t already).

So, what did I think about Cat on a Hot Tin Woof?

It’s a Chet and Bernie book—of course, I had a good time.

I’d have liked a little more clarity on a point or two about the conclusion. But when your narrator is delightfully unreliable, that’s hard. I think about these cases in a way Chet wouldn’t bother with, so unless Bernie muses about some of the action, there’s just no way that we get the answers I want.

But you have to expect that going in, so it really doesn’t matter.

It’s been a minute since “old man Heydrich” was brought up (and I’m more than okay with that), and I think his replacement could be fun. We get some good Charlie and Leda stuff. Weatherly could’ve been in it more (but was used well). The client herself is the kind that you hope Quinn finds a way to bring back (as he does with another client here), and…well, it’s all just good.

It’s a fun mystery that will keep you smiling throughout—even when Chet solves the mystery (and doesn’t realize it)—maybe it’d be better to say that the reader solves it through Chet’s eyes—and you’re just sitting there waiting for Bernie to catch up. That’s frequently a frustrating experience when I’m that far ahead of the protagonist in a book—but here, it’s just fun.

If you’ve never met our intrepid pair of P.I.s, this would be a perfect book to jump into the series with—honestly, any of them would work, but you might as well start with this one. If you’ve been around the duo before, this is as good as you remember. Either way—check out Cat on a Hot Tin Woof.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post, which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Murder by Memory by Olivia Waite: A Cozy Murder Mystery in Spaaaaaaaaace.

Cover of Murder by Memory by Olivia WaiteMurder by Memory

by Olivia Waite

DETAILS:
Series: Dorothy Gentleman, #1
Publisher: Tordotcom
Publication Date: March 18, 2025
Format: Hardcover
Length: 100 pg.
Read Date: March 26, 2026
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What’s Murder by Memory About?

Dorothy Gentleman is a ship’s detective on a ship called Fairweather on a centuries-long voyage. After one of her lives ended, Dorothy asked not to be put into a new body, but for her data/personality to stay “on the shelf” for a bit. But she finds herself awakened in someone else’s body.

A security protocol revived her and put her in the nearest body in order to investigate a murder.

Dorothy sets out on a series of conversations/interviews over several cups of tea, to not only find out who the murderer was (that was actually pretty easy), but why the murder happened (that’s the tricky bit in this case).

Why did I pick this up? Why did I keep reading?

I grabbed this from the library because I saw something about the sequel, Nobody’s Baby, and that sounded great. But I have developed an allergy to reading series out of order.

I kept at it because of the narrator’s voice, I was curious about the world, and it moved so fast that I really didn’t have a chance to think about dropping it (I wouldn’t have, I should stress, but I didn’t have the time).

What does this book tell us about humanity?

There’s a good deal to question about if who a person is can be reduced to software that can be uploaded and downloaded. This book isn’t the place for that—but I can’t help thinking of other books that made me ask the same question. This is sort of the sanitized version of Altered Carbon in that way—you just have to accept it unquestionably, or the book doesn’t work.

There’s a lot about grief, loss, inevitability of aging, and what betrayal and (a twisted version?) of love can drive a person to, here as well. But again, it feels like trying to dig deeper than this novella invites you to in order to ask this. It really just seems like it wants you to kick back and enjoy the ride uncritically. Just to have some fun.

And that’s 100% okay. It’s even welcome. It just makes finding something to write about difficult, you know?

So, what did I think about Murder by Memory?

The balance between worldbuilding, character, and the mystery seems off. Worldbuilding and explaining that world takes an inordinate amount of space. However…that’s not true; it’s key for this particular mystery to have the worldbuilding (the tech, the social structure, and behavior of the ship) explained.

I do think that the characters get swallowed up a bit in everything, and could be better fleshed out. The mystery itself was…fine, but your investment in the investigation hinges on learning about the ship and the technology behind the transfer of consciousness from one body to another.

That was enough for me—and enough for me to suggest that you give this a shot—but I hope for better in the next book.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Stakeouts and Strollers by Rob Phillips: Girl Dad, P.I.

Cover of Stakeouts and Strollers by Rob PhillipsStakeouts and Strollers

by Rob Phillips

DETAILS:
Publisher: Minotaur Books
Publication Date: March 17, 2026
Format: eARC
Length: 336 pg.
Read Date: March 2-6, 2026
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What’s Stakeouts and Strollers About?

Charlie Shaw, a former investigative reporter, is now a rookie P.I. His boss has him working low-risk cases as he learns the job—and because he’s a new dad. Charlie is besotted with his little girl, Callie. So much so that he does things like wear down his phone battery enough watching her on the monitor so he doesn’t have enough power to take the photos he needs to document his target’s affair.

Soon after, he’s back on the case and tracks the woman to the home of the man she’s having an affair with. Beyond getting the photos he needs to satisfy the client, two significant things happen.

First, he runs into a teenage girl who is seemingly trying to follow the same person. Secondly, he witnesses the man his target was seeing get beaten by a large man and acts to help him.

My summary is getting convoluted—that’s on me, not Phillips. Charlie tracks down the girl—Friday Finley—who didn’t turn out to have anything to do with anyone that was at the scene he met her at. She’s actually trying to track down her father, who ghosted her and her mother years ago, and is now seemingly tied to some criminals working out of a dive bar.

Charlie’s between jobs, thanks to getting the incriminating photos, so he can help Friday track down her dad. This is where things get complicated and dangerous.

Why did I pick this up? Why did I keep reading?

The cover and title caught my eye, and the premise sold me.

I kept reading because Phillips’ text is smooth and engaging, and Charlie is one of those narrators that you can’t help but like immediately, so you want to see how things turn out for him. And I can’t imagine how a reader can’t want to know what happens next for Friday once they’ve met her.

Basically, everything about the book made me want to keep going.

What does this book tell us about humanity?

The big through-line with this book is family. Sometimes we’re talking about found families, but most of this is blood family.

Some of the families are dysfunctional, some are loving and supportive, some are still figuring themselves out, some are falling apart—but this novel is just littered with families. It’s the key to practically every motivation, decision, and goal for these characters.

Family is something many of us take for granted, at least one we can undervalue, given whatever day/stage of life we’re in. But seeing these characters do all these various and sundry things because of family rings so true. When X is doing Y for reason Z, it’s easy to dismiss Z as folly or greed. But as soon as it becomes “for reason Z and family,” both the character X and the action Y become relatable, understandable, and possibly even sympathetic.

This is on just about every page of this novel, and more than any other reason, it’s what grounds this work and draws you in.

So, what did I think about Stakeouts and Strollers?

This is just fun—Charlie’s got all the makings of a decent fictional PI, but Callie is a big distraction for him. Which makes you like him all the more—he’s such a girl dad. When it comes to Friday, he assumes a role between paternal and big brother.

A book that starts with a P.I.’s phone battery dying because he’s watching his daughter starts off with a certain tone—mildly comedic and light. Sure, there are legitimately tense and violent scenes (nothing that couldn’t show up on Prime Time TV), but the book retains that lightness. It’s practically wholesome—particularly any scene that features Charlie’s family.

The investigation itself is full of a bunch of great turns. And Charlie’s investigative chops are pretty evident.

I don’t know if this is the beginning of a series or just a fun one-off. Either way, it’s a satisfying time, and I recommend you pick it up. I’d enjoy watching little Callie grow while her dad tackles more cases. But if this is it, I can imagine that happening anyway. I expect I won’t be alone in hoping we get to see the family again.

Disclaimer: I received this eARC from St. Martin’s Press & Minotaur Books via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Stakeouts and Strollers by Rob Phillips: Girl Dad, P.I.

Cover of Stakeouts and Strollers by Rob PhillipsStakeouts and Strollers

by Rob Phillips

DETAILS:
Publisher: Minotaur Books
Publication Date: March 17, 2026
Format: eARC
Length: 336 pg.
Read Date: March 2-6, 2026
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What’s Stakeouts and Strollers About?

Charlie Shaw, a former investigative reporter, is now a rookie P.I. His boss has him working low-risk cases as he learns the job—and because he’s a new dad. Charlie is besotted with his little girl, Callie. So much so that he does things like wear down his phone battery enough watching her on the monitor so he doesn’t have enough power to take the photos he needs to document his target’s affair.

Soon after, he’s back on the case and tracks the woman to the home of the man she’s having an affair with. Beyond getting the photos he needs to satisfy the client, two significant things happen.

First, he runs into a teenage girl who is seemingly trying to follow the same person. Secondly, he witnesses the man his target was seeing get beaten by a large man and acts to help him.

My summary is getting convoluted—that’s on me, not Phillips. Charlie tracks down the girl—Friday Finley—who didn’t turn out to have anything to do with anyone that was at the scene he met her at. She’s actually trying to track down her father, who ghosted her and her mother years ago, and is now seemingly tied to some criminals working out of a dive bar.

Charlie’s between jobs, thanks to getting the incriminating photos, so he can help Friday track down her dad. This is where things get complicated and dangerous.

Why did I pick this up? Why did I keep reading?

The cover and title caught my eye, and the premise sold me.

I kept reading because Phillips’ text is smooth and engaging, and Charlie is one of those narrators that you can’t help but like immediately, so you want to see how things turn out for him. And I can’t imagine how a reader can’t want to know what happens next for Friday once they’ve met her.

Basically, everything about the book made me want to keep going.

What does this book tell us about humanity?

The big through-line with this book is family. Sometimes we’re talking about found families, but most of this is blood family.

Some of the families are dysfunctional, some are loving and supportive, some are still figuring themselves out, some are falling apart—but this novel is just littered with families. It’s the key to practically every motivation, decision, and goal for these characters.

Family is something many of us take for granted, at least one we can undervalue, given whatever day/stage of life we’re in. But seeing these characters do all these various and sundry things because of family rings so true. When X is doing Y for reason Z, it’s easy to dismiss Z as folly or greed. But as soon as it becomes “for reason Z and family,” both the character X and the action Y become relatable, understandable, and possibly even sympathetic.

This is on just about every page of this novel, and more than any other reason, it’s what grounds this work and draws you in.

So, what did I think about Stakeouts and Strollers?

This is just fun—Charlie’s got all the makings of a decent fictional PI, but Callie is a big distraction for him. Which makes you like him all the more—he’s such a girl dad. When it comes to Friday, he assumes a role between paternal and big brother.

A book that starts with a P.I.’s phone battery dying because he’s watching his daughter starts off with a certain tone—mildly comedic and light. Sure, there are legitimately tense and violent scenes (nothing that couldn’t show up on Prime Time TV), but the book retains that lightness. It’s practically wholesome—particularly any scene that features Charlie’s family.

The investigation itself is full of a bunch of great turns. And Charlie’s investigative chops are pretty evident.

I don’t know if this is the beginning of a series or just a fun one-off. Either way, it’s a satisfying time, and I recommend you pick it up. I’d enjoy watching little Callie grow while her dad tackles more cases. But if this is it, I can imagine that happening anyway. I expect I won’t be alone in hoping we get to see the family again.

Disclaimer: I received this eARC from St. Martin’s Press & Minotaur Books via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Quick-Take Catchups: The Leftovers from January

In an effort to keep my “To Write About” pile from getting out of control (I’ve got another post coming up in the first week in January…or maybe later in the year about the older stuff), I’ve set a requirement to myself to write a catch-up post at the end of the following month (e.g., At the end of February, write about January books; at the end of June, write about the May books I haven’t gotten to yet; etc.). As always, the point of these quick-takes is to emphasize pithiness, not thoroughness.


Cover of Dear Committee Members by Julie SchumacherDear Committee Members

by Julie Schumacher, read by Roberston Dean

DETAILS:
Series: Jason Fitger, #1
Publisher: Penguin Random House Audio Publishing Group
Publication Date: August 19, 2014
Format: Unabridged Audiobooks
Length: 3 hrs., 55 min. 
Read Date: January 3-5, 2026
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Professor Jason Fitger is a delightful character (in fiction, please don’t sit next to him at a dinner or stand near him at a party. Or maybe don’t be in the same room with him). He’s full of himself, a little self-deluded, put-upon, and (probably) past his prime with a career going nowhere (but hey, tenure!).

We learn about him through a series of letters of recommendation he’s sending to various businesses, schools, programs, and scholarships for his students; interdepartmental emails; emails to old friends/ex-lovers/ex-wife; and maybe one or two others. I like a good epistolary novel, and this is one of them. We learn about Fitger, and a couple of his students, the moves his University is making to gut itself of the liberal arts, and more, in a way that feels incredibly authentic and very entertaining.

Still, I don’t think I could take it if the book was much longer, and I don’t know that I want to read the rest of the trilogy (but I kind of do).

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Cover of All the Best Dogs by Emily JenkinsAll the Best Dogs

by Emily Jenkins

DETAILS:
Publisher: Yearling
Publication Date: November 4, 2025
Format: Hardcover
Length: 208 pg.
Read Date: January 5, 2026
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This middle-grade novel about a bunch of kids (and a few adults) who bring their dogs to a neighborhood dog park is just delightful. Not just because the dogs are as cute and silly and loving as you want them to be. But the kids and their situations are, too. Even the ones that start off in conflict or sadness get a good dose of resolution and hope by the end (generally tied to one of these dogs). It was cute, heartwarming, and filled with good dogs—the best dogs, actually. What more do you want?

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Cover of Children of Time by Adrian TchaikovskyChildren of Time

by Adrian Tchaikovsky

DETAILS:
Publisher: Orbit
Publication Date: December 11, 2018
Format: Paperback
Length: 416 pg.
Read Date: January 14-19, 2026
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I didn’t write a full post on this because I can’t write a sentence about what I think about it without writing one contradicting it. And then one defending the first sentence. And then one defending the second. And then…

I love the concept of this book. Think the execution was wonderful. There’s so, so, so many cool things and ideas packed in here. But it’s also slow and plodding. It could be argued that 80% of the book is setup and only the last 20% is the story. That 20% (an estimate, I didn’t really do the math) is pretty cool and almost makes up for the rest.

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Cover of Everyone in the Group Chat Dies by L.M. ChiltonEveryone in the Group Chat Dies

by L.M. Chilton, Kimberley Capero

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: December 9, 2025
Format: Unabridged Audiobook
Length: 9 hrs., 36 min. 
Read Date: January 15-16, 2026
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I enjoyed (and apparently didn’t write about) Chilton’s Swiped a couple of years ago. Almost none of the charm or zaniness of that book made its way here. I’m not saying I expected a carbon copy, obviously, but this could almost have been written by someone else.

A lot of the framing of this story was well done—and the way it was ordered was, too. But I could practically see that all of the heart and character were sacrificed for the sake of clever plotting and telling. And if I have to go on without one of those pairs, I know which one it should be.

I’m not saying that I’m done with Chilton, but I won’t be in a rush for whatever’s next.

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Cover of Lit by Tim SandlinLit

by Tim Sandlin

DETAILS:
Publisher: Brash Books
Publication Date: October 22, 2025
Format: eBook
Length: 254 pg.
Read Date: January 20, 2026
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This is quotable, clever, and filled with interesting characters. It’s also a little too convoluted; it’s hard to believe some of the interpersonal relationships with the characters, and the solution is a bit of a letdown.

That said, from the first page to the last I was hooked and couldn’t stop reading it. Most of it worked in the moment, or was something I could shrug off while reading it. But when I was done and started thinking about it, I the doubts and quibbles kept growing.

Maybe Sandlin couldn’t really figure out the book he was trying to write—tone, characters, and/or outcome—he wouldn’t be the first author to do that. As much as a lot of the passages sang—the book, in retrospect, was just good enough. Read this one to enjoy the journey, not necessarily the destination.

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Cover of The Librarians by Sherry ThomasThe Librarians

by Sherry Thomas, read by Louisa Zhu

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: September 30, 2025
Format: Unabridged Audiobook
Length: 13 hrs., 45 min. 
Read Date: January 21-26, 2026
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Individually, these characters were just fantastic—plenty of quirk, plenty of heart, plenty of “I just want to live a quiet life with books and nice people” kind of energy. Sign me up for that! The murder mysteries were intriguing enough, too. But combining the characters and the murders—with too many amateur detectives running around—it all felt very soapy. Very melodramatic.

I flitted back and forth between “Oh, I really like Character X and want to see what happens to them” and “Oh, please, shut up and return to reality! Cut the melodrama!” so often I got whiplash.

I’d recommend it with several caveats and a stress on low-expectations. Then again, I could name worse.

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Cover of Through the Ashes by Irene HillThrough the Ashes

by Irene Hill

DETAILS:
Series: Joe Higgins, #1
Publication Date: April 18, 2025
Format: Paperback
Length: 239 pg.
Read Date: January 24-26, 2026

This is a solid series premiere and debut novel about a former deputy who used to serve on his area’s search-and-rescue team. Years after personal tragedy struck, he’s called on to leave his drunken stupor behind and find a missing boy. Naturally, it’s not long before this search becomes so much more.

This is Hill’s debut, and it’s not that hard to tell (particularly as she introduces characters early on). But she can tell a good story, and the characters are winners.

It’s a little on the rough side, but this is a good read, and I’m ready for the second book (and probably the third and fourth).

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Cover of Memes & Mayhem Volume II by Ashley DeLeonMemes & Mayhem II: A Comedy of Horrors

by Ashley DeLeon

DETAILS:
Series: Memes & Mayhem, #2
Publication Date: September 11, 2025
Format: Paperback
Length: 249 pg.
Read Date: January 24, 2026

Before I get into this, I thought I had posted about the first book, and I’m more than a little annoyed to find out that I didn’t. I did chat with the author briefly a couple of years ago. (I’m really bothered, I remember working on it) Anyway, this is exactly like the first book—just done a little better and is a little funnier. Experience is a good thing.

DeLeon has picked some great creepy ghost stories and tells them well—even better, she does it with a good (and oftentimes silly) sense of humor.

This is well worth your time (so is its predecessor). I had a blast with this and will do so again.

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Cover of The Serial Killer Guide to San Francisco by Michelle ChouinardThe Serial Killer Guide to San Francisco

by Michelle Chouinard, read by Stephanie Németh-Parker

DETAILS:
Series: The Serial Killer Guide to San Francisco, #1
Publisher: Macmillan Audio
Publication Date: September 24, 2024
Format: Unabridged Audiobook
Length: 9 hrs., 51 min.
Read Date: January 26-28, 2026
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This really fits in the Finley Donovan demographic. It’s a little more grounded, a little slower on the romance burn (okay, a lot slower), a little less zanier. But the same overall feel. I didn’t get as into all of the plotlines as I was supposed to—and I’d figured out the whodunit, with a pretty good (but growing) confidence in the whydunit early on. But watching our semi-intrepid investigator, Capri Sanzio, wind her way through the investigation was entertaining enough.

I didn’t buy her podcast recording at all (and it would’ve been good to see her do something other than record episodes). But the rest was okay.

It was as entertaining as you’d want this to be—not an inch more. But good enough.

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Cover of That's a Great Question, I'd Love to Tell You by Elyse MyersThat’s a Great Question, I’d Love to Tell You

by Elyse Myers

DETAILS:
Publisher: William Morrow
Publication Date: October 28, 2025
Format: Unabridged Audiobook
Length: 5 hrs., 32 min. 
Read Date: January 28-30, 2026
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This is such a strange, comforting, hilarious, and relatable collection of short pieces. Some are memoirs, some are humorous pieces, some are hard to define. All are absolutely worth your time. They will warm your heart, bring a smile to your face, and make you feel all sorts of things.

I think this would work well on the page—but do yourself a favor and get it on audio. Myers’ delivery is so good (as anyone who’s watched her videos knows), hearing her words in her voice really captures the intangibles of the book in a way that I don’t think that the page is fully capable of.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

First Do No Harm by S. J. Rozan: A Hospital’s Seedy Underbelly

Cover of First Do No Harm by S. J. RozanFirst Do No Harm

by S. J. Rozan

DETAILS:
Series: Lydia Chin & Bill Smith, #16
Publisher: Pegasus Crime
Publication Date: January 6, 2026
Format: Hardcover
Length: 320 pg.
Read Date: February 18-19, 2026
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My brother needs a lawyer,” I told Bill over the phone from the sky diving hut.

“Your brother is a lawyer. Unless it’s a different brother, in which case his brother is a lawyer.”

“It’s Elliott, he needs a criminal lawyer, and it’s for a friend.”

“That’s what they all say. What happened?”

“The friend was found at the hospital in the company of a dead body.”

“Did he make it dead?”

“No.”

“That’s what they all say. New York City? Long Island, upstate, New Jersey? ”

“That’s as far as your reach extends?”

“God no. You need Nebraska? The Leeward Islands?”

“Just testing. Manhattan.”

“The guy’s in custody?”

“Yes, and he’d rather not be,”

“That’s what they all say.”

What’s First Do No Harm About?

That’s basically all you need to know. Lydia’s brother gets a call from a coworker that he’s friendly with, who’s the prime suspect in a murder at the hospital. After Bill connects him with a good criminal lawyer, that lawyer hires the duo to do the investigating for her.

It doesn’t go well at first—there’s a lot of institutional resistance to helping them—the hospital just wants to put the incident behind them—they’re on the verge of a nurses’ strike, and the additional bad press associated with a murder is too much for them. They’re perfectly willing to let this staff member be arrested and convicted, as long as it happens fast and keeps them out of the news.

Thankfully, Lydia and Bill are good at making allies and cashing in favors—once they start learning secrets and talking to the right people (probably in the reverse order), they start finding more people who will talk to them (willingly or not), and a picture—very slowly begins to emerge.

They’ve had some real doozies of a case before—and honestly, this is one of the more straightforward cases they’ve had (if you ignore all the distractions they encounter along the way)

Why did I pick this up? Why did I keep reading?

I picked this up because it’s a Lydia Chin/Bill Smith book.

I kept reading for the expected reasons: the mystery/crimes they uncovered and their chemistry and banter. It’s also a “Lydia” book, so it’s a bit more upbeat and fun.

The way these two interact has always been something that attracted me to the books, and it continues strong here. There’s a little competition between the two of them early on about who can charm the most people connected to the case—and neither of them does very well. Dismally, really. But it’s fun to watch them go back and forth about it—it’s a nice twist on Spenser’s strategy of going around annoying people until someone does something that leads him somewhere. At least they’re (superficially, at least) trying to charm people.

But really, just getting the chance to watch the two of them talk to each other is enough to keep me reading.

What does this book tell us about humanity?

This is a tricky one, because like most PI Fiction, the core of this book is people being despicable and trying to get away with it. But there’s a focus to this one.

“Seriously,” I said, sipping the cinnamony froth off my mug, “I’ve never seen so many people doing so many nefarious things. It’s a little disheartening. No, it’s a lot disheartening. A hospital? Isn’t it a thing that medical people are supposed to at least do no harm?”

Bill shrugged. “I always thought so.”

Lydia has seen a lot of…well, a lot. Crime, corruption, organized crime, family dysfunction, murder, and so on. A lot of what she’s seen would be too much for many of us (myself included). Yet this case disheartens her. She’s seen the various and sundry corruptions, backstabbing, machinations, poor conditions surrounding the workers at this hospital—and we’re not even talking about patient care/conditions—who knows what would show up if that happened. It’s all behind-the-scenes stuff. And it gets to her. She mentions it frequently.

Even with a brother who works in the ER in this hospital, all of this mess shocks her. Bill doesn’t seem as disturbed, but I don’t get the impression that he expected it to be this bad, either. Even people like them—given their experience, profession, and what they’ve heard—they expect hospitals to be about helping people. Healing people. Not trying to profit at other people’s expense.

I think it says something about how all of us have illusions about institutions. Or that even in the best places for humanity, our collective depravity shows up. Or maybe, that despite all the nefarious things going on, there are people (like her brother) who help people—and that even those who are getting away with things still manage to do some good.

Okay, I’m not sure what this book tells us about humanity. It’s not cut and dry—and on one level, we all know that, but something that Crime Fiction is good at is reminding us all that humanity is a mess, but still some good things happen.

So, what did I think about First Do No Harm?

I thoroughly enjoyed it. I think my only complaints are that we didn’t get enough of Lydia’s brother—because I enjoyed him in his element; and we definitely didn’t get more time with the accused murderer—because he was such a fun ball of chaos and earnestness. Seriously, can he get accused of another crime soon? I’d like to see him back in this series.

Everything else was great—good red herrings, a good twisty mystery that exposed a lot of other criminal/crime-adjacent activities, some winning characters. And more than one scuzzy person that you wouldn’t have minded being guilty of the murder—sadly, some that get to keep being less-than-upstanding and successful. The final reveal of the killer? I didn’t see it coming, but in perfect murder mystery style, once revealed, I couldn’t not see it and was annoyed with myself for missing it.

As one expects, Rozan did it again. And now we get to wait for her next successful outing. This would make a fine jumping-on point for the series. I think every book in the series would, for that matter. You’ve got no excuse not to read it.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Dentist (Audiobook) by Tim Sullivan, read by John Heffernan: A Promising Series Start for a Distinctive Detective

Cover of The Dentist by Tim SullivanThe Dentist

by Tim Sullivan, read by John Heffernan

DETAILS:
Series: The DS Cross Mysteries, #1
Publisher: W. F. Howes Ltd
Publication Date: September 2, 2021
Format: Unabridged Audiobook 
Length: 10 hrs,. 12 min.
Read Date: February 10-12, 2026
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What’s The Dentist About?

DS George Cross is called to a murder scene for what the uniformed officers are assuming is going to be a simple, probably unsolvable, murder of a homeless man at the hands of another homeless person. Cross almost instantly sees some things that tell him that’s not the case at all, and saddles up for a complicated case.

It is a complicated one, too (obviously, you don’t want your novel’s protagonist to be wrong at the first thing he concludes in the book). Cross and his not-very-willing partner, DS Josie Ottey, start learning a good deal about this homeless man—who not that long ago was a prominent dentist in the area. Cross becomes convinced that this murder is tied to an unsolved case from over a decade ago and sets himself to solving both crimes.

This sets him at odds with former police detectives who investigated the earlier case, the higher ups in the Service who are looking for a quick conclusion, and parts of the dentist’s own family. Ottley supports him in this, but gets the other side, too—and will try to guide him to the “safer” conclusion (while hoping his obstinacy will show that he’s not the person she should be partnered with for the next case).

I Have to Talk About Cross and the Spectrum

We meet George Cross having a very awkward introduction to a new coworker—it doesn’t go well for either of them (and only one of them understands why). And then he finds calm in leaving that conversation to focus on the murder victim in front of him. A crime to investigate, clues to notice, a puzzle to solve—that’s what Cross needs. Not a friendly (and we’ll learn, clever) new coworker.

In many ways, Asperger’s Syndrome* is what distinguishes Cross from his peers (on the force and in Police Procedural fiction). But Sullivan never makes this out to be a super-power (as so many tend to do), or a disability for him to overcome in some inspirational manner (phew). Nor—and this is the big one—is it played for comedy (think Adrian Monk’s OCD which is portrayed comedically, tragically, and with sensitivity—often in the same scene.)

It’s just who Cross is. He is off-putting, he is borderline rude, he only realizes how to better handle a conversation at work or in private after the fact (and almost never goes back to redress things). He is hyper-focused at times, to the point of obsession. He is very self-aware of his challenges and has done many things to ease his way through them (one would argue, not enough). His co-workers and superiors are also very aware of his challenges and have done things to ease his way through them (one would more easily argue, not enough).

He’s on the spectrum, just the way that Ottley is a black single mom. The way that his father is a hoarder. The way that their civilian aid is anxious to prove herself. The way their DCI is a better politician than a detective (but one who can see when he needs to get out of the way and let detectives detect). It’s just part of him.

That’s the way this should be handled.

* I realize that “Asperger’s Syndrome” is considered an outdated term, but it’s what the novel uses, so I’m using it, too.

How was the Narration?

Well, first I had to cope with Heffernan’s pronunciation of “Asperger’s” (well, the British pronunciation, its not just his). It doesn’t really matter to me, but it, more than anything, reminded me where this book takes place (I really didn’t register the accent otherwise).

Other than that—I really appreciated and enjoyed Heffernan’s work here. He got the tension just right (when appropriate) and captured the humanity of all the characters and Cross’ investigation. He conveyed the rigor of Cross’ style and thought process as well.

I don’t know if I can separate the Heffernan’s reading of the book from my appreciation of it—it’s likely a series that I’ll have to continue on audio, because the two are joined so solidly in my mind. (and, boy, do I hope Heffernan’s got a long-term contract).

Why did I pick this up? Why did I keep reading?

I picked this read “Mind and Matters of Crime: Meike Alana Lokos at the DS George Cross Mysteries” over at The Hard Word and the series seemed like something I should give a shot.

I kept going because I was right—this is totally my thing. Some great characters, a unique way to approach a criminal investigation, and a pretty twisty mystery.

What does this book tell us about humanity?

It feels like the obvious thing here is to talk about Cross being on the spectrum, and the way that others respond to him, avoid him, get frustrated with him, and yet respect his work. Or the way that has learned to make his way in the world. This is valid and important.

It also feels too easy—and like something I could copy and paste for the next however many books there are. More than that, it wasn’t the thing that jumped out at me the most.

What really rises to the top when I think about this book are the connections between the people—what forges them, what strengths (or weakens them), and how that plays out over the course of their lives. Cross and his father have a very solid relationship—it’s predictable, it’s reliable. Cross and Ottley have a…strained and awkward relationship—but one that Cross somewhat depends on, one that Ottley frequently resents (I think she softens a bit). The relationship between Cross and his superiors isn’t what you get from other procedurals—even with “the brass” isn’t wild about a particular detective who does things their own way.

And as for the relationships between the victims, suspects, and others that Cross encounters in this case—those are firmly in spoiler territory, but watching the web be revealed—and add layers as the book goes on was really intriguing. The book really is about human relationships and much of their diversity more than just about anything else—including the murders. (although, well, they’re rooted in them, too.)

So, what did I think about The Dentist?

I was charmed instantly, by the end of Chapter One—I was sold. My appreciation and enjoyment grew from there, and I wasn’t halfway through before I knew I was at least getting the sequel to this soon. And anticipated catching up on the series by the end of 2026.

This satisfied me on every front—mystery, character, storytelling, writing, and promise for things to come. I felt like I understood Cross and Ottley, and wanted to see them ply their craft with another case or twelve.

Lastly, while DS Cross isn’t DC Smith, and no one would confuse the Bristol police with King’s Lake Central—there’s something about this book (and Heffernan’s narration) that scratched a Peter Grainger-itch in my psyche. This is good, because now that I’ve caught up with Grainger’s series, he can’t produce things quickly enough to satisfy me. Also, it’s pretty high praise in my book for Sullivan.

For readers who are into British Procedurals, atypical Detectives, and/or quality fiction. I strongly encourage you to pick this up.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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