Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 1 of 155

Deadly Does It by Abbi Waxman: When Fear Conspires With Pride

Cover of Deadly Does It by Abbi WaxmanDeadly Does It

by Abbi Waxman

DETAILS:
Series: A Mason and Mann Mystery, #2
Publisher: Berkley
Publication Date: July 21, 2026
Format: Paperback
Length: 364 pg.
Read Date: August 5-7, 2026
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“Prison’s very dull, apart from the all-pervading fear of violence and the occasional bug in the food. Trust me, you’d hate it, not because it’s scary, but because it’s skull-crushingly boring.”

“I have no intention of going to jail.”

Julia laughed. “No one intends to go to jail, Mason, yet there they are.”

What’s Deadly Does It About?

It’s been six months or so since Mason has gone to work as an investigator/assistant to ex-actress turned activist lawyer Julia Mann. They’ve taken some cases to make money, and keep some room handy to take con cases to help people they like (and/or hurt those they don’t).

It’s the latter the comes into play when Mason’s sponsor reveals she’s been getting threatening notes, and someone seems to be following through with them—Alexa is an event planner and two of her recent events have gone spectacularly, headline-makingly bad. The threats promise to do more than just ruin her reputation soon. Julia and Mason assume it has to do with Alexa’s past—back decades ago when she was drinking, doing drugs, and some minor crimes—and was associated with people who were doing some more serious crimes. So they start looking into the past she’s tried to put behind her to uncover who’s trying to make her present unlivable.

Meanwhile, Mason’s father had a minor heart attack and she has to visit home a couple of times, connecting with her semi-estranged family. Also, Julia teams her up with a P.I.* to get some actual training rather than just fumbling around has she has been—it forces Mason to think about her future in a way that I’m not sure she’s done since she got sober, in addition to giving her some tools she needs for this case.

* The similarity between this P.I. (Teddy) and Peter Key’s mentor from Killer Vibes are pretty strong, but Teddy seems like a better guy to hang out. I’m curious if I’ll think the same after one more book featuring each.

Recovery

This book, more than One Death at a Time and similarly to the Assassins Anonymous books, is a tribute to AA and similar programs. Many things—many things near and dear to the characters—will be mocked by characters in the book—but not their sobriety and recovery. Characters will talk about getting to a meeting, their need for one, talks with their sponsor, etc.—and the investigation will stop for them to do so.

There’s even a clear need and justification to investigate people at a certain meeting, and discussion about it is shutdown by Julia so quickly it’ll make your head spin. She might get pushed to it by circumstances, she makes it clear—but it’s going to take a lot for her to go there and things never got there.

Due to the nature of the investigation, almost everyone they talk to is an addict in recovery or has been avoiding it for decades. Either way, Julia and Mason can relate to them, sympathize and empathize with them. This adds a different flavor to their interviews/conversations than you get in most P.I. novels. It endeared me to them even more than I already was.

Why did I pick this up? Why did I keep reading?

Because Abbi Waxman has been an auto-read for me since 2019 and because the fist book in this series was so good that any future books in it would’ve been a reflex pick up as well.

The short version of why I kept reading it is that I have more fun with it than its predecessor. The longer version is that when it comes to heart, humor, convincing mystery, believable characters, and compelling story-telling—this book nailed it all.

What does this book tell us about humanity?

This book is about the capacity for change, and how that capacity (exercised or not) is something we all possess. It may be major changes—like working the 12 Steps—or something relatively minor—like Julia’s cook realizing she’s a cat person and starting to pamper Mason’s cat with cooking better than many people ever get.

Mason’s father has to make some changes due to his health, Mason’s sister and Mother need to acknowledge that Mason’s made some positive changes in her life (whether they do or not, I won’t say). Mason has to make some decisions about changing her life. Many of the characters in this book have made significant lifestyle changes due to substance abuse and addiction. There might even be a couple who haven’t made the changes they need to which creates the mayhem our duo takes on.

Regardless, the opportunity is there for the taking, the possibility is there.

So, what did I think about Deadly Does It?

“I think I can still write by hand, but on the few occasions I have to, it looks like a centipede has done two lines of coke, stepped in a tiny pot of ink and scrambled across the page in a hurry to get to somewhere else. Not exactly legible.”

There was a pause.

“Thanks for the colorful image, Mason,” said Julia, “no sure who would sell a centipede the minuscule amount o¢ drugs they could take, but your rich and vivid imagination will eventually come in handy, I expect.”

The interaction between Julia and Mason—and between Julia’s employees/friends/odd family—is the heart of this novel, in terms of character growth, the plot, and for entertainment. Most of the laughs come from them interacting with each other. It’s in this that the link between Waxman’s earlier novels and this series can be seen.

But the mystery and the investigative work are no slouch. As with One Death at a Time, Waxman shows she knows away around this kind of story. Yes, I was yelling at them (rightly) to pay attention to one character far earlier than they did, and I cottoned on to the motivation to the notes before they did—but it’s only because Waxman laid out the clues so clearly for the reader.

I like these characters—including the new ones and the new layers we saw in our old friends—I thought the main story was really well executed. I think Waxman could’ve done a little more with the arc about Mason’s family, but what was there was great. And the set up for future books is clear and I look forward to seeing what she does with the seeds she planted.

This would work wonderfully as a jumping-on point for the series, but it might resonate a little better with the reader if they go back to the beginning (which isn’t that far)—but either way if you’re looking for a mystery novel with dazzling characters, some genuine humor. great dialogue, and plenty to chew on, Deadly Does It fits the bill.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST CUZ: One Death at a Time by Abbi Waxman: You’ll Laugh All the Way to the Morgue

(not that you actually go to a morgue in this book, I was just struggling with that headline)


Cover of One Death at a Time by Abbi WaxmanOne Death at a Time

by Abbi Waxman

DETAILS:
Series: A Mason and Mann Mystery, #1
Publisher: Berkley
Publication Date: April 15, 2025
Format: eARC
Length: 400 pg.
Read Date: April 11-15, 2025
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What’s One Death at a Time About?

Natasha Mason is a twenty-something still trying to figure out what to do with her life—her alcoholism led to her leaving law school, and now she’s paying bills by delivering food and doing other gig economy standbys in L.A., and making sure she makes at least one meeting a day.

At one of these meetings, a vaguely familiar-looking woman shows up—and is not the friendliest of people. She seems—well, is—more concerned about getting her court-mandated signature than in anything else. Mason volunteers to be this woman’s interim sponsor. Now this older woman had been sober before, but on the night that led to the court-mandated meetings had a blood-alcohol level that stunned a rowdy twelve-step meeting into silence. She’d also come out of a blackout next to the dead body of a former lover/decades-long antagonist and what was probably the murder weapon. For a night she couldn’t remember—it’d clearly been eventful.

The next morning, Mason shows up at the gate of her obviously well-off sponsee. Thanks to some time on the internet, Mason knows her to be Julia Mann—a former box office star, now a lawyer taking on cases for as many Davids as she can in a city of Goliaths. Oh, and in between careers, she’d been in prison due to the death of her husband—the former business partner of the dead man she’s currently suspected of killing.

This meeting didn’t go the way Mason suspected—for one, Julia Mann’s housekeeper is an amazing cook, as Mason learned. Also, the two kept butting heads—Mason wanted to talk about Julia’s sobriety, but Julia was rather fixated on the murder. And yet…something clicked between the two. In between verbal jousts,* Julia ends up hiring Mason to be her personal assistant and help with the investigation. Mason justifies this to herself as a way to stay near Julia and keep her sober. The chance to eat more of Claudia’s cooking and make more money than an app can pay doesn’t hurt.**

Before you know it, these two have got themselves involved in a separate murder investigation (another David for Juila to work for), arson, tensions around Julia’s former career in the film industry, tensions around Julia’s future career in the film industry (she wants none of it, but no one seems to care), brushes with organized crime, multiple reasons for both or either of them to ditch their sobriety, and more things that I can fit into this rambling sentence.

* The back-and-forth between these two is reason enough to try this book. Waxman will supply several others, it should be noted.
** Yes, this makes two books in as many months about an LA-based delivery driver turning amateur investigator.

The Murder Mystery(ies)

Murder mysteries surrounding the film industry tend to have a few things in common—secrets, petty grievances that get nurtured into full-blown rivalries (or worse), scandals (for an industry reputed to be filled with amoral hedonists, there really are a lot of moral scandals), and organized crime.

One Death at a Time ticks all of these boxes—and a few others that I should’ve listed above, but forgot to. This may be Waxman’s first mystery, but she clearly understands the genre and knows how to construct a classic whodunit in a contemporary setting.

You get all the twists, turns, red herrings, and layers upon layers of competing motives for multiple suspects that you need—doled out in just the right pacing with dollops of shocks and action along the way. The final reveal is satisfying, and every loose plotline is tied up. It’s a textbook example of the genre—pleasing in every way.

The Humor/Tone/Relationships

This might be a clumsy way to tackle these ideas, but it’s where I am.

Yes, Waxman is known for Rom Coms—or Rom Com-adjacent—books, so we all know she’s funny. This seemed to me to be more overtly comedic. There are jokes—many of them—not just funny situations and loveable, quirky characters doing goofy things. Don’t get me wrong, there are plenty of those (as well as non-lovable, quirky characters).

This reads like Dave Barry’s kind of crime novel, with the restraint of a Richard Osman. The verbal jousting is great, and the physical comedy is almost as good. The situations are frequently ridiculous, but never so much so that you get taken out of the moment.

The technical term that best describes Mason is “wiseass,” and one with poor impulse control. Someone who doesn’t know how to keep her trap shut, powered by Waxman’s wit is a fun character to read. Julia’s no slouch in that department either, but she’s more mature, she knows that she should pick her targets with care—and is therefore usually more effective.

The rest of Julia’s team (I will not tell you about them, so you can meet them properly) and some of the other characters the reader encounters have drier wits, largely fitting into the typical Waxman model. Oh, except this one actress…nope. You wouldn’t believe me if I tried to describe her.

Mason’s support system consists of the meetings she attends, her sponsor, and her cat. Julia has a strong team of employees and friends (the Venn diagram there has a large area of overlap)—they’re just not that effective on the sobriety front, but they make up for that with their loyalty. Julia also has a pretty strong network of former friends, employers, and employees in and around the film industry. These are loyal to their grudges against her and their own self-interest—however, they (or at least most of them) want her to succeed in her search for the killer, so they can move on with their lives and careers.

You combine all of this—with a (slowly) growing relationship of affection, trust, and appreciation between our protagonists—and you’ve got yourself a great basis for comedy with heart.

Sobriety

One thing that Waxman never made light of in all of this was the sobriety of the characters. Yes, Julia would mock Mason’s approach to being her sponsor, but that was about the characters’ personality differences—both of them took it seriously.

Not all of the characters appreciated the struggle and what the characters did to preserve it—but none of the comedy was about the drinking.

The opening meeting did get me to chuckle frequently, but that was character-based humor. The book never gets preachy at the reader, just to each other.

So, what did I think about One Death at a Time?

I had a blast with this—if you couldn’t tell. This is my fifth Waxman novel, so I went into it expecting that I would. I just wasn’t sure how much I’d enjoy it, because of the genre. But if I didn’t know who she was before I picked this up, I’d be scouring the library for her Abbi Waxman now.

It does—as it should—feel very different than her previous works. I’d say this is closer to last year’s Christa Comes Out of Her Shell than the rest, but even saying that, this is different. The stakes are (obviously) higher for these characters; there are potentially lethal consequences for failure. Which might explain the more heavy-handed approach to the comedy.

I think I’ve said everything I wanted to above—the mystery part is really well done; the characters are well-designed and well-excecuted, the relationships between them are strong and obvious—you like the people you’re supposed to like enough that you wish you sat around the room with them, watching them go back and forth while eating whatever wonderful treat/meal Claudia has prepared. Also, it’s funny. That’s a one-two-three combination that I’ll always enjoy and recommend.

This feels like a standalone, but it could easily spawn a sequel or more. If it does, I’ll be first in line. If it doesn’t…well, that’s okay, too. It works really well either way.

Basically, reader, if any of the above tickles your fancy—you need to add this to your TBR. I practically guarantee you’ll have a great time.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post, which contains my honest opinion—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BOOK SPOTLIGHT: No Saints Only Killers by Luke Deckard

This morning, I’m very pleased to welcome Paste Creative’s tour for Luck Deckard’s No Saints Only Killers. This is a slick-looking PI novel that I need to find time for on my TBR. Hopefully by the time you’re finished with this post, you’ll be thinking the same thing.

Book Details:

Title: No Saints Only Killers by Luke Deckard
Genre: Mystery, PI Novel
Publisher: MX Publishing
Release date: May 7, 2026
Length: 345 pages
Cover to No Saints Only Killers by Luke Deckard

About the Book:

American ex-pat Logan Bishop is a war-damaged, morphine-dependent private investigator.

When his estranged father, Reverend Daniel Bishop, arrives from Chicago, Logan refuses to see him—until his father is brutally attacked.

Before slipping into a coma, Daniel leaves Logan with a desperate plea: find Greta Matas-a woman tied to his past-before she’s killed.

Logan heads to Edinburgh in search of answers.

But from the moment he arrives, nothing adds up. Greta is missing. Her son is wanted for murder. And Logan is being watched.

By the police. By gangsters. By men who don’t want the truth uncovered.

As Logan is pulled deeper into a web of lies and corruption, he realises the truth may cost him his life.

Book Links:

Amazon UK ~ Amazon US

About the Author:

Luke DeckardLuke Deckard is the author of No Saints Only Killers, which was shortlisted for the Amazon New Voices Awards and a finalist at Bloody Scotland’s Pitch Perfect. He is the co-host of CINEMA SLEUTHS podcast, a reviewer for Get Your Comic ON, and mentors creative writing students at the University of Westminster.  

Author Links:

TikTok ~ Instagram ~ Threads ~ Twitter ~ Facebook ~ Bluesky ~ Cinema Sleuths Podcast


My thanks to Paste Creative for the invitation to participate in this tour and the materials they provided.

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A Trade of Blood by Robert Jackson Bennett:Two Households, Both Alike In Infamy

Cover of A Trade of Blood by Robert Jackson BennettA Trade of Blood

by Robert Jackson Bennett

DETAILS:
Series: Shadow of the Leviathan, #3
Publisher: Del Rey
Publication Date: August 4, 2026
Format: eARC
Length: 400 pg.
Read Date: July 23-29, 2026
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What’s A Trade of Blood About?

The book opens with Ana Dolabra going on a screed about why the murders of young, rich women get so much more attention—and seem to shock the general populace more—than any other murder or other crime. And anyone who’s watched cable news in the last couple of decades (or read a newspaper ever), will instantly understand what she’s saying—just one of the many ways their Fantasy world reminds a reader of ours.

Ana and her assistant, Dinios Kol. are called to investigate a gruesome murder of a young, rich woman, not-at-all-coincidentally. Well that’s officially what they’re about. But really, they’re on hand to keep an all-out feud from exploding between two rich and powerful families in the primary meat-producing canton in the kingdom. If these people go to war, it’s going to have a devastating impact on the food supply.

The victim was a young “Capulet” woman, and the presumed killer—butcher, really—is a young “Montague” gentleman. And the remaining members of their families and many of their allies and all of their servants are ready to go. Ana and Din quickly ascertain something’s fishy about the whole thing—and what Ana’s initial experiments prove gives a new definition to unnerving. But it definitely shows that there’s more to this murder than meets the eye.

The crimes multiply—especially as the pair starts asking questions about the recent past for these families. This murder is just the latest in a cleverly disguised series, and the killing isn’t done. In fact, the victim count is about to skyrocket. And if these investigators don’t stop the killings, it’s going to be even worse than that.

Before they arrive at the crime scene, Ana is afraid this case is going to be boring. By the time it’s over, I think she’d have been happier to have been bored.

Dinios Kol

As Ana’s assistant—the one who interacts with people for her, gathers clues and witnesses, and basically does all the legwork so she doesn’t have to risk over-stimulation—we’ve spent more time with Din than Ana over the course of the series. And that’s still true. So reader feel like we know him pretty well—and that’s true. (he’s also the first-person narrator, but his reporting is so frequently as dispassionate as a third-person narrator, so it’s forgettable)

But putting him in a region that reminds him so much of home? Well, now we’re really getting to know him. We’ve known since the first book that he came from a poor family and that he entered government service to pay off some debts incurred by his dead father. Well, we get more details about that—and the financial status of the family (and more about the family as well).

More than that, Din’s looking around at circumstances like he knew growing up from fresh eyes. Eyes that have seen the sea walls protecting the nation, seen a leviathan, seen areas of the kingdom that are so far away and so different from his home that it’s hard to believe they’re part of the same kingdom, seen horrible deaths and the blackness of the human heart. And, given his augmentations, he’ll never forget any of that. Now he comes back to see this area through different eyes. That’s got to do a number on him.

And his boss uses this to poke at him a little, too. In mostly good fun.

The Worldbuilding

Bennett has put on a clinic on how to do worldbuilding in the first two books of this series—and he follows it up in this third book by doing it again. I want to go on and on and on about it, but I don’t know how to do that without spoiling anything.

Let’s see if I can do this obliquely enough that Del Rey won’t get so annoyed that I won’t get approved for the next book in the series. We get introduced to a species of cattle, a feline species, some fungal types that have some fascinating properties, new religious figures, a take on a type of economy, and a sign of some truly devastating ecological problems on the horizon. And more, too.

It’s just amazing to watch him at work over these three books—and I cannot wait to see what we learn about this world next. If you thought Ana revealed some mind-blowing stuff last time (in addition to what they learned through the case, which was staggering in itself), buckle up, cowpokes.

Why did I pick this up? Why did I keep reading?

I picked this up because before the first book in this series was finished, I knew I was going to read every book in it. I finished it for the same reason—and it’s probably my favorite of the three. Which is saying something when I recall that the first two books were among my favorites of their respective years. If I’m not talking about this in December/January, I’ll be shocked.

So, what did I think about A Trade of Blood?

I really shouldn’t have had as much fun reading this as I did, because this book is grim. In a way, worse than what Michel, Abercrombie, Martin, or Fletcher put out. But the characters are great, they’ve been established so well with readers that it’s like visiting a friend. Moreover, Ana Dolabra was on fire this outing. Yeah, she’s creepifying and off-putting as usual (in addition to strange and brilliant), but she made me grin in almost every conversation, and I laughed more than once because of her.

As far as the mystery goes—Bennett got me. I repeatedly wrote in my notes who I thought—no, who I was convinced—the killer was and shot down various other theories and lines of dialogue that suggested otherwise. It’s rare I’m that convinced in a mystery novel that I’m right, although I have a pretty good average when I am that certain. I should’ve known that Bennett wouldn’t make it that easy. I was correct once, but I talked myself out of it for a far lesser candidate, and really didn’t reconsider the actual killer until unmasked.

There’s a lot of ugliness to be found in tis book, as I alluded to earlier. The motives for the crimes are bad enough. But the actions and attitudes that led to those motives are possibly worse—not to justify any of the crimes or anything—but you can take it in and say, “yeah, I see where someone could break because of that.” And then, when you take in the economic and scientific context and conditions…and where it looks like those economics and science are going to leave the populace. Well, I tell ya, “ugly” and “grim” don’t seem to go far enough.

At the end of the day, though, this is a story about very relatable people and very relatable wounds. It could be fair to say that heartbreak is at the core of it all. Bennett just wraps it up in a fantastical package.

In case I’ve been too subtle—go get this. Like now. It’d work as a jumping on point, but I think you’d be better off starting from The Tainted Cup. Either way, read all of this series.

Disclaimer: I received this eARC from Del Rey via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

20 Books of Summer 2026

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20 Books of Summer 2026: July Check-In

20 Books of Summer banner--the text 20 books of summer and your host: AnnaBookBel above the picture of sunshine on an open book in a field of flowers
Annabel from AnnaBookBel carries on the work started by Cathy of 746 Books . You can read her kick-off post here.

I only managed 6 books from the list in July–but as busy as I was, I’ll take it. If you count what I’ve accomplished in August already, I have 5.5 to go. I should finish by the end of the month with some wiggle room. Even better, I’ve written about eight of them. That’s an improvement of eight over last month, so I’ll take it. (the version of this post originally scheduled said nine there, but I had to bail on that, alas, it should be up tomorrow)

Not that it matters, but I’ve also read half of my Top Ten Tuesday: Books on My Summer 2026 to-Read List (That Aren’t on My 20 Books Challenge) list, too.

This summer, my 20 are:

My post about it

✔ 1. The Devils by Joe Abercrombie My post about it.
✔ 2. Trade of Blood by Robert Jackson Bennett
✔ 3. Eyes of Empire by JCM Berne My post about it
4. Cold Iron Task by James Butcher
5. Eaters of the Dead by Michael Crichton
✔ 6. Dungeon Crawler Carl by Matt Dinniman My post about it
✔ 7. Detained: A boy’s journal of survival and resilience by D. Esperanza and Gerardo Iván Morales
✔ 8. What’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service by Melissa Fitzgerald and Mary McCormack My post about it
✔ 9. Killer Vibes by Jack Friday My post about it
✔ 10. Manitou by Glen Gabel
11. Wool by Hugh Howey
✔ 12. Eternal Blades by Vlad V. Imakaev My post about it
✔ 13. First Mage on the Moon by Cameron Johnston My post about it
✔ 14. Left Hand of Darkness by Ursula K. Le Guin
✔ 15. The Shadow Carver by Nadine Matheson
✔ 16. Squeaky Clean by Callum McSorley
17. Dial A for Aunties by Jesse Q. Sutanto
18. Crownfall by Michael Vadney
✔ 19. We Be Dragons by Michael Weitz My post about it
20. Everybody Wants to Rule the World Except Me by Django Wexler

(subject to change, as is allowed, but I’m going to resist the impulse to tweak as much as I can).

What do you think of this list? Any warnings—or anything you think I should be really excited about?

20 Books of Summer '26 Chart July Check-in

True Romance: A Noir Anthology edited by Troy Lambert & Vincent Zandri: Love is What Makes Life Worth Living. Or is it?

Cover of True Romance edited by Troy Lambert & Vincent ZandriTrue Romance

edited by Troy Lambert & Vincent Zandri

DETAILS:
Publication Date: May 15, 2026
Format: e-Book
Length: 286 pg.
Read Date: July 1-17, 2026
Buy from Bookshop.org Support Indie Bookstores

You’ll also meet deep characters in dark places and maybe learn that love isn’t always all it’s cracked up to be. Or maybe it is…

What’s True Romance About?

Part of the blurb reads:

From quiet suburban rot to organized crime empires, from calculated seduction to explosive violence, these stories explore the dangerous intersection where love and darkness meet.

Because in noir, love isn’t salvation. It’s motive.

I wish I’d written that, because it’s such a great way to summarize this collection of noir short stories from some of the best I’ve read—like Reed Farrel Coleman and Paul D. Brazill; authors I’ve meant to read, like Frank Zafiro; to a bunch of people I’ve never heard of, but want to hear of again.

Each of these stories approaches the themes of darkness, love, lust, and romance in a different way. But all of them tell us something about the human condition—what we want it to be like, and what it really is.

So, what did I think about True Romance?

Part of me wants to take issue with the title for this—there’s very little Romance to be found here, not much love either. And sure, you can say, “well, that’s because it’s noir, HC.” And there’s a lot to be said for that. But it can be done. Know Me from Smoke by Matt Phillips is the only example I can come up with off the top of my head (which is embarrassing). Sure, it’s tricky—but it can be done.

Sadly, not by most of these authors. Paul D. Brazill’s “Red Esperanto” (which is just a cool title) probably has the best depiction of love (along with a hefty dose of lust, crime, and lying). Samantha Ripley probably comes closest to romance in “Killing in the Name Of” (but there’s a lot of violence, mayhem, and quips before that).

Most of the stories are about lust, love twisted into something else, love that’s very lost, or something else. This doesn’t mean they’re bad, they’re just not romantic. (eh, one exception—but every anthology has to have one. And each reader will pick a different one to qualify). Scott Kikkawa’s “The Buyout” is a fantastic story, but the love there…eh, I’m not sure it qualifies as romantic.

I’ve spent more words on that than I figured I would—whoops. And I still feel like I could go on—but I won’t. The writing is crisp and snappy. The stories are just twisted and noir enough to stick in your minds longer than they might otherwise. Some of these are real gems. Charles Salzberg’s “All for the Love” is written in the Second Person—which is normally a deal-breaker for me, but I didn’t really notice it until the penultimate paragraph—that’s an achievement. Zafiro’s “Ask Me Tomorrow” was just delicious.

I think I could do an entire post about Lawrence Kelter’s “Midnight Confession.” It caught me by surprise more than once.

Before I dig into each story—and I’m close to doing that, but I don’t think it’d serve the collection for me to do so—just know that this is a great anthology with some very strong stories, some decent ones, and a couple that got a “meh” out of me. Which, really, is all I’m looking for in a collection—even those that don’t really have a theme. So it really doesn’t bother me too much that this one doesn’t stick to the theme in the way I’d like it to (your results may vary, and probably will).

I’m so glad I read this and I encourage those who like a good crime fiction short story—particularly with a noir flavor—to check this out. You’ll be happy you did.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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The Irresponsible Reader On…Self-Published Crime Fiction

(updated 7/24/26)
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From the first moment that people did the strange thing of asking me to talk about their books on my blog, I’ve been impressed by the quality of a lot of what’s been published by authors going out on their own, taking all the risks, shouldering all the responsibility, and doing all the work to get their words, their dreams, their blood, sweat, and tears on to the page (paper or electronic). This should be celebrated—it’s definitely appreciated, as we’re trying to show this week.

As part of this week-long celebration, I’m continuing my habit of highlighting the self-published works that I’ve blogged about over the last few years (or meant to blog about, but at least read)—just a sentence or two. Hopefully, this’ll be enough to make you click on the link to the full post. Beyond that, it’d be great if I inspired you to add a few of these to your TBR. Also, be sure you check out the other posts over at the SPAAW Hub.

Last, but certainly not least for this week, I’m focusing on my apparent specialty: Crime Fiction–vigilantes, police, private eyes, people who have no business at all near a crime…you name it, I love this stuff. This tl;dr list also proves that I was right to break these lists down by genre.

bullet Kind Hearts and Martinets by Pete Adams—a near-to-retirement D. I. with a rag-tag team investigates terror threats, murders, and bike thefts.
bullet Cause and Effect: Vice Plagues the City (my post about it)
bullet Irony in the Soul (my post about it)
bullet Cats, Cannolis and a Curious Kidnapping by Cheryl Denise Bannerman—a mystery writer finds herself the target of a kidnapper and has to employ everything her characters have done to save her own life. Which sounds more dire than this cute novel actually ever achieves. (my post about it)
bullet The City That Barks and Roars by J. T. Bird—Anthropomorphic animals in a 1950s-esque civilization, a pair of detectives hunting for a missing colleague. (my post about it)
bullet Death Stalks Kettle Street by John Bowen—a man with pretty severe OCD is sure that people in his neighborhood are being killed, but the authorities don’t see it–and his turn is coming. (my post about it)
bullet DI Hannah Robbins by Rebecca Bradley—DI Hannah Robbins novels follow Robbins and her team as they solve murders–she’s got a great team and the novels have some of the best hooks around.
bullet The Twisted Web (my post about it)
bullet Kill for Me (my post about it)
bullet Dead Blind by Rebecca Bradley—A Detective adjusting to prosopagnosia (“face blindness”) tries to keep the condition under wraps while leading his team investigating an international organ smuggling ring. Great hook, strong execution. (my post about it)
bullet The Butcher by Nathan Burrows—a darkly comic tale about brothers struggling to keep their farm and butcher shop alive, until they develop a new sausage recipe. (my post about it)
bullet Maria’s Shadow by D.L. Cary—a Sheriff’s Detective and an FBI Agent team up against a sex and drug trafficking operation. (my post about it)
bullet The Shoulders of Giants by Jim Cliff—A rookie P.I. (inspired more by fiction than reality), is on the hunt for a missing college student. (my post about it)
bullet Bad Memory by Jim Cliff—this novella finds Jake Abraham looking into an old closed case and forces it open. (my post about it)
bullet Sharp Investigations by E.N. Crane—a comic series with a heavy-accent on mystery (or is it the other way around?), featuring a former Army MP and her K9 partner who set up a PI firm in a small Ohio town
bullet Barking for Business (my post about it)
bullet Chasing Empty Caskets (my post about it)
bullet Don’t Get Involved by F J Curlew—a slow burn of a novel about some street kids in Kyiv who find a large amount of drugs and a Scottish teacher in town to help their schools. (my post about it)
bullet Criminal Collective by Russell Day—a collection of short stories and a novella from one of my favorite crime writers. (my post about it)
bullet Bones & Betrayal: Silence of the Dead by Andi Ewington/Erica Marks—A necromancer and his partner are compelled to investigate a murder in a fairly typical Fantasy city. It’s a truly compelling mix of magic and mirth. Mystery and intrigue. And pie. Delicious, and sometimes deadly, pie. (my post about it)
bullet Jeremy Barnes by Robert Germaux—tired of teaching, Jeremy Barnes becomes a P.I. These books have a very Spenser-vibe to them and are great comfort food.
bullet Hard Court (my post about it)
bullet In the Eye (my post about it)
bullet Small Bytes (my post about it)
bullet Daniel Hays Mysteries by Robert Germaux—Daniel Hays heads the Special Assignment Squad —- a Major Crimes squad set up to help smaller cities in the county around Pittsburgh–hunts down serial killers in these entertaining thrillers.
bullet Small Talk (my post about it)
bullet One by One (my post about it)
bullet A Murder Most Fungal by Adrian M. Gibson—the personal chef/indentured servant of the commander of the occuping force in Hōppon is blackmailed into an assassination plot. (my post about it)
bullet Mushroom Blues by Adrian M. Gibson—a murder mystery set in the island nation of Hōppon, populated by fungal people and occupied by humans. A human detective and a fungal patrol officer are teamed up to investigate the murders of several fungal and half-breed children. A little SF, a little Police Procedural, a whole lotta good. (my post about it)
bullet DC Smith Investigation by Peter Grainger—I’ve listened to these on audio, but the novels are self-published. Smith is a former DCI who’s voluntarily demoted down to Detective Sergeant so he can actually work cases–in his own idiosyncratic way. There is something indescribably charming about these books, I can see myself re-reading these for years.
bullet An Accidental Death (my post about it)
bullet But For the Grace (my post about it)
bullet Luck and Judgement (my post about it)
bullet Persons of Interest (my post about it)
bullet In This Bright Future (my post about it)
bullet The Rags of Time (my post about it)
bullet Time and Tide (my post about it)
bullet A Private Investigation (my post about it)
bullet The Truth (my post about it)
bullet The Camera Man (as close as I got to posting about it)
bullet The Late Lord Thorpe (my post about it is forthcoming)
bullet King’s Lake Investigations by Peter Grainger—I’ve listened to these on audio, but the novels are self-published. This series tells what happens after DS Smith leaves Kings Lake, following those he trained and left as they form the backbone of the new Murder Squad. They’re just as good.
bullet Songbird (my post about it)
bullet On Eden Street (my post about it)
bullet Roxanne (my post about it)
bullet Missing Pieces (my post about it)
bullet Another Girl (my post about it)
bullet Catch & Neutralize by Chris Grams—Members of a vigilante group that takes down criminals who’ve gotten away with crimes against women and children find themselves in a very hairy situation. (my post about it)
bullet Fatal Forgery by Susan Grossey—as 19th Century British Policing begins to take a new shape, a magistrate’s constable investigates a new kind of financial crime. (my post about it)
bullet Ostler by Susan Grossey—Grossey brings us a 19th Century amatuer slueth hunting for a friend’s murderer, who finds so much more. (my post about it)
bullet Sizar by Susan Grossey—now a university constable, the Ostler has to solve a murder and uncover more corruption in Cambridge. (my post about it)
bullet DoubleBlind by Libby Fischer Hellmann—a PI looks into suspicious deaths following COVID vaccines while dealing with people who think she’s a wife who ran away from a cult. Eventually, she has to stop and figure out what’s going on with her doppelgänger for her own sake. (my post about it)
bullet Through the Ashes by Irene Hill—a search-and-rescue team is on the hunt for a missing child (and his oddly missing parents). (my post about it)
bullet The Secret of Rosalia Flats by Tim W. Jackson—following the death of his father, a man returns to his Caribbean island childhood home to look into what happened. (my post about it)
bullet Cooked Goose by Laura Jenski—a couple on a cross-country motor home trip discovers a body in a campground, and decides to investigate the death to “help” local law enforcement. (I thought I posted about this months ago, apparently not. Soon, maybe?)
bullet Afton Morrison by Brent Jones—the story of a Children’s Librarian with impulses to become a serial killer. No really. It’s twisted. It’s fun. It has some heart, too.
bullet Go Home, Afton (my post about it)
bullet See You Soon, Afton (my post about it)
bullet Nice Try, Afton (my post about it)
bullet Time’s Up, Afton (my post about it)
bullet Harvested by Troy Lambert—a PI starts looking into a rash of dognappings sweeping across Seattle and uncovers something chilling. (my post about it)
bullet Stray Ally by Troy Lambert—An ex-special ops soldier takes on terrorists, Aryans on the hunt, and an out of control military officer, with only his wits, experience and a fantastic stray dog. (my post about it)
bullet Teaching Moments by Troy Lambert—Max Boucher is back, this time to hunt for a stolen horse–and runs across a serial killer while he’s at it. (my post about it)
bullet Typewriter Repair Shop by Troy Lambert—a Twilight Zone-ish thriller about a repair shop and the writer who cannot stop returning there. (my post about it)
bullet You’ll Never Walk Alone by Troy Lambert—a creepy-as-all-get-out short story about a nurse maybe being stalked on her walk home from work–or is it her imagination? (my post about it)
bullet Cutthroat Cupcakes by Cate Lawley—I maybe should’ve included this on the Fantasy and UF lists, too. But Lawley describes these as cozy mysteries, so I’ll stick with that. The owner of an artisan candy shop is arrested by magic police for selling cursed items that have been used to kill someone. It’s a rough way to learn that magic exists. She works with the detective to find the actual killer to clear her name. (my post about it)
bullet Cooking for Cannibals by Rich Leder—an ex-con trying to go straight, a behavioral gerontologist, and a group of senior citizens get into hot water with an experimental drug and competing criminal organizations. (my post about it)
bullet Let There Be Linda by Rich Leder—I can’t sum this up in a sentence or two–a comic crime novel set in L.A. full of interweaving plotlines. (my post about it)
bullet McCall & Company: Workman’s Complication by Rich Leder—a struggling actress takes over her late father’s P.I. Agency (my post about it)
bullet Shadow Ranch by Rebeca Carey Lyles—A woman trapped in a polygamous cult attempts to free herself, her brother, and others. Featuring a truly despicable villain. (my post about it)
bullet Bones & Betrayal: Silence of the Dead by Andi Ewington/Erica Marks—A necromancer and his partner are compelled to investigate a murder in a fairly typical Fantasy city. It’s a truly compelling mix of magic and mirth. Mystery and intrigue. And pie. Delicious, and sometimes deadly, pie. (my post about it)
bullet The Lion’s Tail by Luna Miller, Aidan Isherwood (Translator)—a retired physician turns to a new career as a P.I. An early case turns out to be too much for her to tackle on her own and she recruits some help from people in her neighborhood, creating her own Baker Street Irregulars. (my post about it)
bullet San Diego Dead by Mark Nolan—a modern-day privateer and his dog are on the run from a vengeful drug mob. (my post about it)
bullet How the Wired Weep by Ian Patrick—you’re not going to see me say something negative about a Patrick novel, but this one is special. a gut-wrenching, taut look at a police informant and his detective handler as they try to take down a local drug lord. (my post about it)
bullet The Warrior Series by Ty Patterson—Once upon a time, I think we’d call these books “Men’s Adventure” novels. Former Delta operative (and some friends) now run a covert-ops group.
bullet The Warrior (my post about it)
bullet The Reluctant Warrior (my post about it)
bullet A Tail of Mystery by Paul Regnier—an unemployed reporter (who suddenly has the ability to telepathically communicate with his dog) returns to his small home town to try to rebuild his life. But first, he has to clear himself of suspicion for murder. Cozy-vibes and a talking dog–what more do you want? (my post about it)
bullet The Debt Collector by Steven Max Russo—a debt collector for criminals has to move to a new part of the country for all the wrong reasons. She goes looking for a job and finds trouble–the kind of trouble that comes from a couple of neighborhood drug dealers, some gang members, a bookie, a finance-bro who refuses to pay said bookie, a slightly bent cop, a low-level mobster, and miscellaneous henchman. (my post about it)
bullet The Hunted by Steven Max Russo—An Afghanistan-War vet and a former US Intelligence analyst are thrown together by circumstance while the analyst is being hunted by the very group she used to work for, framed for a crime that goes back to Afghanistan years ago. (my post about it)
bullet Dead Down East by Carl Schmidt—a part-time PI gets sucked into investigating the death of his state’s governor (my post about it)
bullet Big Trouble in Little Italy by Nicole Sharp—a bank-teller finds herself working with the FBI to take down her ex-fiance who turns out to be working for the mob. It’s fun, spicy, exciting, sweet–and did I mention spicy? (my post about it)


If you’re a self-published author that I’ve featured on this blog and I didn’t mention you in this post and should have. I’m sorry (unless you’re this guy). Please drop me a line, and I’ll fix this. I want to keep this regularly updated so I keep talking about Self-Published Authors.

Visit the SPAAW 2026 Hub to see what other Self-Published Appreciation Posts are out there.

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A Murder Most Fungal by Adrian M. Gibson: Survival Does Not Equate to Freedom

Cover of A Murder Most Fungal by Adrian M. GibsonA Murder Most Fungal

by Adrian M. Gibson

DETAILS:
Publication Date: June 16, 2026
Format: e-Book
Length: 232 pg.
Read Date: July 6-8, 2026
Buy from Bookshop.org Support Indie Bookstores

…for all the damage the Coprinian humans have done to his homeland of Hōppon, they have introduced the fungal peoples to marvels of their colonial culture: Orchestras and operas, films and theater, new genres of music and literature.

What’s A Murder Most Fungal About?

Following the events of Mushroom Blues, the occupation forces have really clamped down on the Hōpponese (aka fungals). Life seems truly miserable for most of them.

But some of them get some perks, a life that’s slightly less oppressive. For example, the chef and his kitchen team who prepare the food for the Military Governor, Duncan MacArthur. MacArthur is of the opinion that to understand his enemy (and that classification tells you a lot about his attitude towards the fungals), he must understand their culture—and the easiest way to do that is by eating their food. So day after day, Pocho Jiro and his small staff prepare the best meals possible for MacArthur and his staff and commanders—and his personal taster (because you can’t trust these people). It should be noted that MacArthur is the only one who tries to enjoy the food, the rest of the humans spend their mealtimes complaining about the food and insulting the cooks (when they’re not ignoring them)—although one new officer arrives who might share MacArthur’s interest partway through the book..

Then one of the many resistance groups threatens the life of Pocho’s only remaining family. Get this intelligence for us and we’ll let her live. And then they come back with another task—kill MacArthur.

The Food

There is harmony in these component parts, in the commingling of delicious flavors that he knows MacArthur and his guests will soon experience. If only things in a kitchen were that easy… Food never holds grudges, nor does it talk back. Food does not disrupt the flow of the song, and instead makes its rhythms possible.

Okay, I don’t have an adventurous palate—there is no way that I’d eat 98% of the dishes described in this book, I know that. But I tell you what—when I read the descriptions of the food that Pocho and his team prepare, the care they put into it, and the way that Gibson and/or Pocho describe it? I wish I could give it a taste, or even just smell and see the meals.

Even better is the way the book depicts the preparation of the food, what it means to the people working in the kitchen to do so, or even just the procurement of the ingredients. It’s just magic. It’s why people watch cooking shows—yeah, I have no idea what the things on Iron Chef or Alex Versus America or whatever taste like—but I love watching them prepare the food. This is like that, but better (if only because the chefs have had time to think about the courses and prepare them without a ridiculous time restriction).

Really, Gibson could abandon the whole Hofmann Report report to just write about fictional chefs (or maybe the occasional passionate fry cook) and I’d be in for it. Sure, Tandri or Viv can brew a heckuva cup of coffee—but Pocho’s fungalfin dishes are works of art.

What does this book tell us about humanity?

If we keep it to humans strictly—the book tells us nothing good. But there is some hope for the species if we treat the fungals Hōpponese as representatives of humanity (as the book wants us to believe).
The humans in the book are utterly despicable—and there are maybe two with a trace of decency (and one of them you have to wait for almost the entire book to encounter). They are hateful toward the Hōpponese, speak of them as animals in their presence (while barely acknowledging that presence), and harass them (at best) constantly.

Now, the Hōpponese, on the other hand. They resent their chains, resent the occupiers, and do what they can to survive under the occupation. Some try to do more than survive—but it has to be done in secret, worried about exposure. We get glimpses of their rich culture from before the occupation—which just makes the current state all the worse.

Then there are the those fomenting rebellion, and well, they’re basically what you think.

If nothing else—we get the idea that those who see people as people who treat them with respect and decency (even if they find themselves on opposing sides of a war/occupation), and those who don’t…well, they’re inhuman at best.

So, what did I think about A Murder Most Fungal ?

the restaurant industry is one that drowns in vices and addictions. Alcohol, drugs, sex, long hours, infidelity; Pocho has seen it all, done it all. But the worst offender is obsession. The addiction to pouring everything you have into an idea, a dream, a project, a craft. Pocho’s experience has taught him that his addiction to cooking has given him everything he ever wanted— success, recognition— but left little room for anything else. Friendships. Family. Love.

As good as I thought Mushroom Blues was, this is better—didn’t Gibson get the memo that second novels are supposed to be a drop in quality? Pocho is just a brilliantly conceived character, and his friendship with/mentorship of Mori is fantastic. I really wish that the circumstances of the novel let us see more of that before we had to get to the nastier stuff. But Gibson gives us enough of a taste of it that we can imagine the preceding years for their friendship—and the rest of the found family. Which makes it worse when things come to disrupt it.

I don’t think I have a criticism of this book—just glowing compliment after glowing compliment. The closest I can come is that I wanted more of everything that wasn’t the plot. More of the street market and Pocho shopping for food, more time in the kitchen with his staff—just them interacting with him and each other. The day to day stuff.

Maybe a little bit with the one officer who seemed to truly want to understand and appreciate the Hōpponese culture and language—let us see him get through to Pocho and start to form some kind of understanding. That’d have raised the stakes for the end game, too.

But that’s just me wishing for more frosting on an already wonderful cake. (and here is where we all understand my struggles keeping my A1C in check).

This is a great SF novel (I think that’s where to categorize these Fungalverse books). It’s a gripping thriller. It’s a fantastic character study of a man with great passions stuck in horrible circumstances. It’s really something you need to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Killer Vibes by Jack Friday: Weird (and Dangerous) Times in a Weird City

Cover of Killer Vibes by Jack FridayKiller Vibes

by Jack Friday

DETAILS:
Series: Peter Key Mysteries, #1
Publisher: Minotaur Books
Publication Date: July 14, 2026
Format: eARC
Length: 352 pg.
Read Date: July 6, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Killer Vibes About?

Peter Key is an aimless, small-time weed dealer in his late 20s trying to live like someone in their late teens/early 20s. And that lifestyle is falling apart for him (to mix genres, think a less put-together, but better read, version of Cameron at the beginning of Remarkably Bright Creatures).

Then in an almost deus ex machina move—a lawyer shows up to tell him that his uncle (who he barely knew) is: 1. dead, 2. left him a house, a car, and some other things, and 3. left him a pile of debt.

All Peter can hear is the house part—as he’s about 20 minutes away from being homeless at that point. The lawyer has a bunch of advice about selling the home, getting rid of the debt, and whatnot. Peter wants to just move in and do so right now.

The house is a pigsty, his uncle was clearly going through a hoarding period in his life, and there are so many real estate brokers and bankers pushing him to sell the place that it feels uncomfortable. Add in some mysterious threats and warnings—and a car or two that seems to be following him everywhere.

Peter starts wondering about all this—including the way his uncle died, and starts playing amateur detective.

It’s not long before he runs into a PI who oddly enough, offers him a job and starts to show him better ways to go about what he’s trying to do.

Things get worse for Peter from there. (But better for the reader.)

Austin

What I know about Austin is so minimal. Tres Nevarre spent some time there and probably formed my initial impressions, I’ve heard about SXSW® (and wish I had an excuse to visit it firsthand), and there’s the whole “Keep Austin weird” thing that you can’t help but hear about. So…yeah, I have very little and very shallow understanding of it.

And I’m not saying that reading one mystery novel has set me straight and I’m as close to a native as you can get.

But I feel like I have a much better—grounded, fuller, and possibly nuanced—idea about it. Assuming Friday wasn’t just blowing smoke about his own city. The mix of poverty and obnoxious wealth so close to each other; a city where super exclusive poker games are regular things for the mega-rich and Beyoncé listening parties are loud and joyfully raucous; and some third thing to really round out this list.

In keeping with the title of the book, I think we’re treated to some good Austin Vibes here. And I found that great. I don’t need another Chicago, NYC, LA, or Boston PI (not that I won’t read them!), I really like getting to know another city.

Why did I pick this up? Why did I keep reading?

I requested this from NetGalley because of the phrase in the blurb: “self-proclaimed ‘laziest private investigator in Texas.'” That was enough. Now, I’m not so sure I see him as all that lazy (yet), but that line was enough to get me interested.

Once I started reading, why did I stick with it? That’s really easy—the mystery was complex without getting convoluted, the writing was crisp and clear, the characters leapt off the page—and while Peter is woefully under-qualified to tackle the things he does in this book, somehow he gets by on instinct. That’s just fun to watch.

What does this book tell us about humanity?

All families are messy. Some families are messier than others. That’s really all it boils down to here.

The first family unit we meet in this book (a couple of brothers, plus the girlfriend of one brother) is messy enough that the prudes in the readership might wonder if they want to keep pushing on (I sure did). And, honestly? It turns out that they’re the healthiest family in the book. By a mile. (however, most will not engage the prude-reflex, I should assure you).

And yet—in some way—for most of them, the family bonds, the family loyalty, the impulse to turn to family, etc. is incredibly strong. Arguably, they are the strongest when it shouldn’t be. There are some who have severed that bond—for good or ill.

But for those who haven’t—this book shows focuses on the trouble that can bring—in multiple ways and levels.

So, what did I think about Killer Vibes?

It has been a good, long, time since I read a book that was so obviously a pilot for the rest of a series. It’s about establishing the character, getting him into a new city and trying to rebuild his life, getting involved with a PI to learn from, and then starting in that career—oh, and getting a dog. And as a pilot, it was great.

I do have high hopes for this series. But I think we’re really going to need book 2 to really get an idea what it’ll be like. This novel is too focused on Peter and his family to really get a sense for what kind of stories this is going to be made up of. We know a couple of the characters we should expect to see—Grady, his receptionist, Peter’s friend…but that’s really it. So we can make a guess or two, but…it’s hard to really know. And I’m okay with that. Killer Vibes was good enough that I’m back.

But let me focus on this as a novel. Boy howdy, this was good. As a person, Peter isn’t someone I want to get to know—I think I’d enjoy knowing them, but the getting acquainted part would be difficult for me. And I kind of felt that way about the character at the beginning, too—I was interested in what was going on with him. I also really wanted to see how he goes from the kind of petty criminal that season 1 Jesse Pinkman would look down on, to a PI by the end of the novel.

But the more time I spent with him and watching him navigate the dangerous situation he found himself in—the more I liked him. Even if you don’t like him as a character—he’s a fun bumbling amateur detective in way over his head. Nevertheless, he’s largely successful at it, too. And who can’t enjoy that?

The mysteries surrounding Peter, his house, and his uncle are rich ground for readers to immerse themselves in*. There’s really not a character that you don’t want a little more of (after chapter 2, anyway)—they’re colorful, they’re multilayered, many of them are witty, and they feel real. The stakes are believable. And Friday knows his way around pacing, plot turns/twists, and how to reveal answers/clues/partial answers in a mystery.

Killer Vibes had it all. Mystery readers are going to want to be sure they make time for this one this summer.

* I know you can’t immerse yourself in ground, but roll with it, will ya?

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Killer Vibes by Jack Friday: Weird (and Dangerous) Times in a Weird City

Cover of Killer Vibes by Jack FridayKiller Vibes

by Jack Friday

DETAILS:
Series: Peter Key Mysteries, #1
Publisher: Minotaur Books
Publication Date: July 14, 2026
Format: eARC
Length: 352 pg.
Read Date: July 6, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Killer Vibes About?

Peter Key is an aimless, small-time weed dealer in his late 20s trying to live like someone in their late teens/early 20s. And that lifestyle is falling apart for him (to mix genres, think a less put-together, but better read, version of Cameron at the beginning of Remarkably Bright Creatures).

Then in an almost deus ex machina move—a lawyer shows up to tell him that his uncle (who he barely knew) is: 1. dead, 2. left him a house, a car, and some other things, and 3. left him a pile of debt.

All Peter can hear is the house part—as he’s about 20 minutes away from being homeless at that point. The lawyer has a bunch of advice about selling the home, getting rid of the debt, and whatnot. Peter wants to just move in and do so right now.

The house is a pigsty, his uncle was clearly going through a hoarding period in his life, and there are so many real estate brokers and bankers pushing him to sell the place that it feels uncomfortable. Add in some mysterious threats and warnings—and a car or two that seems to be following him everywhere.

Peter starts wondering about all this—including the way his uncle died, and starts playing amateur detective.

It’s not long before he runs into a PI who oddly enough, offers him a job and starts to show him better ways to go about what he’s trying to do.

Things get worse for Peter from there. (But better for the reader.)

Austin

What I know about Austin is so minimal. Tres Nevarre spent some time there and probably formed my initial impressions, I’ve heard about SXSW® (and wish I had an excuse to visit it firsthand), and there’s the whole “Keep Austin weird” thing that you can’t help but hear about. So…yeah, I have very little and very shallow understanding of it.

And I’m not saying that reading one mystery novel has set me straight and I’m as close to a native as you can get.

But I feel like I have a much better—grounded, fuller, and possibly nuanced—idea about it. Assuming Friday wasn’t just blowing smoke about his own city. The mix of poverty and obnoxious wealth so close to each other; a city where super exclusive poker games are regular things for the mega-rich and Beyoncé listening parties are loud and joyfully raucous; and some third thing to really round out this list.

In keeping with the title of the book, I think we’re treated to some good Austin Vibes here. And I found that great. I don’t need another Chicago, NYC, LA, or Boston PI (not that I won’t read them!), I really like getting to know another city.

Why did I pick this up? Why did I keep reading?

I requested this from NetGalley because of the phrase in the blurb: “self-proclaimed ‘laziest private investigator in Texas.'” That was enough. Now, I’m not so sure I see him as all that lazy (yet), but that line was enough to get me interested.

Once I started reading, why did I stick with it? That’s really easy—the mystery was complex without getting convoluted, the writing was crisp and clear, the characters leapt off the page—and while Peter is woefully under-qualified to tackle the things he does in this book, somehow he gets by on instinct. That’s just fun to watch.

What does this book tell us about humanity?

All families are messy. Some families are messier than others. That’s really all it boils down to here.

The first family unit we meet in this book (a couple of brothers, plus the girlfriend of one brother) is messy enough that the prudes in the readership might wonder if they want to keep pushing on (I sure did). And, honestly? It turns out that they’re the healthiest family in the book. By a mile. (however, most will not engage the prude-reflex, I should assure you).

And yet—in some way—for most of them, the family bonds, the family loyalty, the impulse to turn to family, etc. is incredibly strong. Arguably, they are the strongest when it shouldn’t be. There are some who have severed that bond—for good or ill.

But for those who haven’t—this book shows focuses on the trouble that can bring—in multiple ways and levels.

So, what did I think about Killer Vibes?

It has been a good, long, time since I read a book that was so obviously a pilot for the rest of a series. It’s about establishing the character, getting him into a new city and trying to rebuild his life, getting involved with a PI to learn from, and then starting in that career—oh, and getting a dog. And as a pilot, it was great.

I do have high hopes for this series. But I think we’re really going to need book 2 to really get an idea what it’ll be like. This novel is too focused on Peter and his family to really get a sense for what kind of stories this is going to be made up of. We know a couple of the characters we should expect to see—Grady, his receptionist, Peter’s friend…but that’s really it. So we can make a guess or two, but…it’s hard to really know. And I’m okay with that. Killer Vibes was good enough that I’m back.

But let me focus on this as a novel. Boy howdy, this was good. As a person, Peter isn’t someone I want to get to know—I think I’d enjoy knowing them, but the getting acquainted part would be difficult for me. And I kind of felt that way about the character at the beginning, too—I was interested in what was going on with him. I also really wanted to see how he goes from the kind of petty criminal that season 1 Jesse Pinkman would look down on, to a PI by the end of the novel.

But the more time I spent with him and watching him navigate the dangerous situation he found himself in—the more I liked him. Even if you don’t like him as a character—he’s a fun bumbling amateur detective in way over his head. Nevertheless, he’s largely successful at it, too. And who can’t enjoy that?

The mysteries surrounding Peter, his house, and his uncle are rich ground for readers to immerse themselves in*. There’s really not a character that you don’t want a little more of (after chapter 2, anyway)—they’re colorful, they’re multilayered, many of them are witty, and they feel real. The stakes are believable. And Friday knows his way around pacing, plot turns/twists, and how to reveal answers/clues/partial answers in a mystery.

Killer Vibes had it all. Mystery readers are going to want to be sure they make time for this one this summer.

* I know you can’t immerse yourself in ground, but roll with it, will ya?

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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