Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 1 of 156

BBNYA 2026 SEMI-FINALIST SPOTLIGHT: Lianna and the Hombit by Valinora Troy

I’m very pleased today to welcome The BBNYA 2026 Semi-Finalist Spotlight Tour for AUTHOR’s TITLE! This book made it to the semi-finals, so you know there’s something good going on–but before getting to this Spotlight, let’s start with a word about BBNYA.
BBNYA Spotlight Tour Banner

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists (18 in 2026) and one overall winner.The Book Bloggers’ Novel of the Year Award 2026 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.
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Book Details:

Title: Lianna and the Hombit by Valinora Troy
Genre: Fantasy, Mystery
Age Category: Middle Grade
Format: Hardcover, Paperback, eBook, Audiobook
Length: 255 pg.
Publication Date: January 29, 2026
Cover of Lianna and the Hombit by Valinora Troy

About the Book:

A grieving girl in need of a friend. A magical creature with a secret task. Can they end the ancient curse threatening their new home?

When 13-year old Lianna, devastated by the loss of her father, is sent to the distant land of Nivram, she finds her new home and guardian every bit as horrible as she expected. When she meets a magical birdlike creature called a hombit, they strike an alliance: Lianna will help it complete its secret mission if it helps her get home.

But her plan goes awry and she accidentally awakens a creature that threatens both her and her new home. Lianna must uncover family secrets to avoid a terrible fate…
A heart-warming story of the healing power of friendship when all seems lost.

What is the opening line? It was late afternoon when the mail coach clattered through the town gate, rattled over cobbles and rumbled to a halt.
What’s a fun fact about the book? The hombit (a magical creature that looks like a small glass bird) has a secret mission – which it has forgotten
What food or drink pairs best with the book? Every kind!

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Bookshop.org ~ Goodreads ~ The Story Graph

About the Author:

Valinora Troy
Valinora Troy is a children’s fantasy author from Ireland with an MA in Creative Writing, specialising in writing for Children & Young Adults. She is the author of four middle grade fantasy adventures, two writing guides for young writers and a collection of short stories for children. Short-listed for the Staróg Prize in 2023, her books have been long- and short-listed for various awards. She was selected as a panellist for the CYBILS (Children & Young Adult Bloggers Literary Award) in 2021. She regularly gives talks and holds writing workshops in schools and libraries, and has served as a Reading Ambassador for Louth Libraries in 2025 and 2026 for the #IrelandReads Campaign.

Website ~ Bluesky ~ Instagram ~ Twitter


My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

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Archie Goodwin on Voting

For the 3 of you who are unaware, it’s Election Day in the U.S., so I thought I’d share this little bit from Archie Goodwin to commemorate it.

Archie GoodwinThe most interesting incident Tuesday morning was my walking to a building on Thirty-fourth Street to enter a booth and push levers on a voting machine. I have never understood why anybody passes up that bargain. It doesn’t cost a cent, and for that couple of minutes, you’re the star of the show, with top billing. It’s the only way that really counts for you to say I’m it, I’m the one that decides what’s going to happen and who’s going to make it happen. It’s the only time I really feel important and know I have a right to. Wonderful. Sometimes the feeling lasts all the way home if somebody doesn’t bump me.

–Archie Goodwin
from A Family Affair

BBNYA 2026 SEMI-FINALIST SPOTLIGHT: Faith of their Fathers by Samuel M Sargeant

I’m very pleased today to welcome The BBNYA 2026 Semi-Finalist Spotlight Tour for Samuel M Sargeant’s Faith of their Fathers! This book made it to the semi-finals, so you know there’s something good going on–but before getting to this Spotlight, let’s start with a word about BBNYA.
BBNYA Spotlight Tour Banner

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists (18 in 2026) and one overall winner.The Book Bloggers’ Novel of the Year Award 2026 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.
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Book Details:

Title: Faith of their Fathers by Samuel M Sargeant
Genre: Historical Fiction, Thriller
Age Category: Adult
Format: Paperback
Length: 352 pg.
Publication Date: July 11, 2024
Cover of Faith of their Fathers by Samuel M Sargeant

About the Book:

False God.

At the dawn of the 11th Century in a small Icelandic settlement, these words, daubed in blood, herald the arrival of a killer. Soon, a spate of murders threatens the fragile peace between pagans and a growing Christian minority. Arinbjorn, a young pagan farmer resolves to track down the killer before the community is permanently torn apart. His investigations will draw in Freya, an isolated housewife whose secrets could either condemn or free her.

Meanwhile in Norway, King Olaf Tryggvason has his own designs upon Iceland and its people. War is rife in Scandinavia, and a Christian Iceland would bolster his control over the region.

Only one thing is certain: these murders will change Icelandic society forever.

What is the opening line? The blood looked black in the moonlight.
What’s a fun fact about the book? It is based upon medieval Icelandic sagas.
What food or drink pairs best with the book? A peaty whisky
What music pairs best with the book? Anything by Howard Shore, or music by Wardruna

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Samuel M Sargeant
Samuel Sargeant is a Senior Lecturer in Creative Writing at the Open University. His main areas of interest include historiography and its relationship to historical fiction: with a special focus upon the history of adaptation. He is currently researching the samtíðarsögur (contemporary sagas) of medieval Iceland. He is viewing these broadly historiographical texts as acts of creative writing and using them in the development of his novels set within this period.

Website ~ Bluesky ~ Instagram ~ Twitter


My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

The Book Bloggers’ Novel of the Year Award 2026 Semi-Finalist badge

Paper Murder by Ian Robinson: An Angel of Vengeance?

Cover of Paper Murder by Ian RobinsonPaper Murder

by Ian Robinson
Series: DI Nash and DS Moretti, #5
Publisher: The Book Folks
Publication Date: July 16, 2026
Format: Paperback
Length: 211 pg.
Read Date: October 6, 2026

What’s Paper Murder About?

Nash and Moretti, fresh from losing a case in court (a case, they knew needed some more work before taking to trial, but didn’t get the chance to do so), are called to the scene of a murder. The crime scene is carefully composed, for lack of a better word, the body was posed, there were origami pieces left by the hands—it has all the marks of someone who took their time, wasn’t concerned about being interrupted or overheard, and very likely left little to nothing for the SOCO folks to pick up on.

If that wasn’t bad enough, the victim is the defendant who walked away free that day. The pressure—and maybe some suspicion is coming their way.

And then another body shows up with the same pose and origami shows up. This one is also a recently freed criminal—tied to the same organized crime family.

So they’ve got a vigilante targeting one group—or someone from a competitor posing as a vigilante. Either way, if something doesn’t happen soon, the criminals are going to start their own investigation—and they’re not going to be nice and respectful of rights or anything as they go about it.

Why did I pick this up? Why did I keep reading?

I picked this up because it’s an Ian Robinson book, and I will read anything this man puts out. Also, I’ve enjoyed the Nash and Moretti thrillers up to this point, and would’ve given it a shot regardless of the author.

I kept at it for the usual reasons: I wanted to find out who the killer was—and more importantly, how Nash and Moretti figured it out, and how they caught (presumably) the killer.

What does this book tell us about humanity?

If anything, Paper Murder is about limits. These detectives have limits—the other teams of police they interact with have limits, the people in the killer’s life can only do so much, too. Some of these are limits of budget, some are of time, some are related to the ability to do the same kind of soul-crushing job day after day.

Some of these, like budgets, are easy to figure out and stay within (even when you don’t want to). Others will sneak up on a person unaware—the trick is to find them and do something to prevent hitting the limit too hard—or sailing past it to your own detriment.

Nash and Moretti both have to reckon with—and respond to—the limits of what they, as people, can do. The series has been pointing at this for awhile, but Robinson underlines it in bold this time.

So, what did I think about Paper Murder?

This novel delivered just what you want. Some odd murders, just spooky enough to get your attention—not so horrific that you want to turn away. A calling card from the killer you just have to pay attention to. A twisty way for solid police work to find the answers, a couple of lucky breaks along the way, and a very satisfying conclusion.

There’s at least one point, but I think it’s two (I only wrote one down), where the police state something as a working theory and/or fact that hadn’t been brought up before. Just out of the blue, “where’d you get that idea in the first place? And when did the team decide to go with it?” Yes, the theory/fact pushed the story in the right direction, but it felt like Robinson cut a conversation or two along the way—and for a book that seems so good at procedure, jumping a few steps feels out of character. Did this ruin anything for me? No. Did it take me out of the scene and make me go back to check and see if I missed something? Yes.

There’s some solid character work here, if I had to nitpick—there’s not enough of Nash and Moretti together, more of them running around on their own (particularly Moretti), or with other detectives from their team or others. One of the keys to this series for me has been the two of them, and while I understand the choices behind separating them as much as they were, it did diminish my experience a bit.

Solid British police procedural work. If you haven’t taken a ride with Nash and Moretti yet, there’s no reason this can’t be your first, it works fine as an entry point. If you’ve dabbled in this world before, you know what to expect—and you’ll get it. A good mystery that feels authentic as anything out there. I recommend it.

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PUB DAY REPOST: The Key to a Killer by Olivia Blacke: Solving Cordelia’s First Murder Mystery—Her Own

Cover of The Key to a Killer by Olivia BlackeThe Key to a Killer

by Olivia Blacke

DETAILS:
Series: Ruby and Cordelia Mysteries, #3
Publisher: Minotaur Books
Publication Date: October 20, 2026
Format: eARC
Length: 368 pg.
Read Date: October 7, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s The Key to a Killer About?

With two solved murders under their belt, it’s time for Ruby and Cordelia to focus on one closer to home—very close to home. It’s time to talk about Cordelia’s murder.

Cordelia begins to remember more about that fatal night—which starts to point them in the right direction.

All they have to do is hope her memories continue to come back, while they’re distracted by industrial espionage, marital difficulties (obviously, not either of theirs), Cordelia’s brother, Ruby’s budding romance, workplace struggles, new ghost abilities (better said, Cordelia learning about abilities she had), a series of break-ins at their apartment building, some questionable political moves, a persistent journalist, and a few other things. Most of which could point to the solution to their puzzle. But might not.

Why did I pick this up? Why did I keep reading?

I grabbed this to read because I’d read the first two books in the series and had to find out what happened next. I’ve been curious (as Blacke wanted the reader to be) about Cordelia’s murder since her first book. It wasn’t too long before Blacke made it clear to the reader that she didn’t die accidentally or by her own hand (no matter what Cordelia’s ghost might have thought), so I just had to know whodunit.

Also, I’d read Blacke’s last 5 books, and have found her to be a completely reliable author, and I’m now predisposed to pick up something with her name on it without much thought.

I kept going because I like the characters, first and foremost, and enjoy spending time with them. Curiosity (see the opening paragraph of this section) was obviously a driving force, too. But Blacke kept putting them in interesting circumstances, things that raised more questions than they answered, and watching the two bounce around from red herring to red herring to a thing that actually matters, just not in the way they thought…Blacke got everything right this time.

What does this book tell us about humanity?

I think The Key to a Killer—like the rest of the series, actually—has two important themes about humanity. The first is trust. Extending trust to the right people, cutting off that trust when we should, and then relying on those we’ve trusted. If we act like islands (think Simon and Garfunkel’s “I Am a Rock”), we flail. Both Ruby and Cordelia are proofs for that.

The second is the need to not be alone. Ruby needs people to keep her out of her head and for safety. Cordelia needs people to care for, to help her not make self-destructive choices, to just be around. The isolation she wrapped herself in wasn’t good for her. Ruby was likely headed in a similar direction before she and her new roommate got together.

I guess really, both of those could be summed up in a need for community of some sort—the people in their building, their coworkers, fellow ghosts, family. Now, it’s clear that not everyone in the building or at work should be depended on—and ghosts can be less than reliable (just like the living)—but in actual community is where humans, living or not, thrive.

So, what did I think about The Key to a Killer?

I do think the first in the series, A New Lease on Death</b was more entertaining—the humor was a bit more pronounced, the fun of watching the two figure each other out, and so on—made for more fun. Death at the Door was a bit more tense, with more implied danger. But Blacke topped the others here with heart and intrigue—the threat of violence seemed both more pressing and less likely (I think this has to do with the number of allies that Ruby has picked up by this time). She took everything she’s done so far and kicked it up a notch or two (except maybe the humor—but that could be in an “eye of the beholder” situation this was more about earnest effort), as she should. The result is a novel that’s just a little bit more satisfying than its predecessors.

I’m assuming that this is the end of the road for this duo. I’d be very pleased to find out that I’m wrong, but it feels like this Blacke has tied up enough that she can leave them to un-recorded adventures. If that’s the case, this is a satisfying end-point for the pair. We see them in good places, with a lot tied up, some good closure on lingering questions about Cordelia’s life (beyond the question of “who killed her”)—and Ruby in a good place, too.

Obviously, learning more about Cordelia’s final days gives the reader a lot to chew on. Without wanting to give too much away, learning what we do about her married boyfriend is rather revealing—and I’m glad Blacke went the way she did with that. In the end, she’s a more complex and flawed character than she seemed to be when we first met her spectral form.

There’s one clue that took Ruby frustratingly long to figure out—and I’m less than happy with one of her subplots was left (there’s something to be explored if Blacke goes for a fourth book). But overall, the arc she’s been on is very well done. Honestly, those two points are my only complaints about this book.

I don’t know if this is the best book to jump into things with—but it would work for someone looking for a ghosty-cozyish mystery for October. I think you’d be better off with three of the books to give you a solid ghosty story from the beginning. Obviously, I think most of the audience for this will be those like me who just want the big question about Cordelia answered and who look forward to the adventures up to that reveal (which was done so nicely).

I’m looking forward to whatever Blacke has coming next, too. I think most readers of this book will be, too.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Key to a Killer by Olivia Blacke: Solving Cordelia’s First Murder Mystery—Her Own

Cover of The Key to a Killer by Olivia BlackeThe Key to a Killer

by Olivia Blacke

DETAILS:
Series: Ruby and Cordelia Mysteries, #3
Publisher: Minotaur Books
Publication Date: October 20, 2026
Format: eARC
Length: 368 pg.
Read Date: October 7, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s The Key to a Killer About?

With two solved murders under their belt, it’s time for Ruby and Cordelia to focus on one closer to home—very close to home. It’s time to talk about Cordelia’s murder.

Cordelia begins to remember more about that fatal night—which starts to point them in the right direction.

All they have to do is hope her memories continue to come back, while they’re distracted by industrial espionage, marital difficulties (obviously, not either of theirs), Cordelia’s brother, Ruby’s budding romance, workplace struggles, new ghost abilities (better said, Cordelia learning about abilities she had), a series of break-ins at their apartment building, some questionable political moves, a persistent journalist, and a few other things. Most of which could point to the solution to their puzzle. But might not.

Why did I pick this up? Why did I keep reading?

I grabbed this to read because I’d read the first two books in the series and had to find out what happened next. I’ve been curious (as Blacke wanted the reader to be) about Cordelia’s murder since her first book. It wasn’t too long before Blacke made it clear to the reader that she didn’t die accidentally or by her own hand (no matter what Cordelia’s ghost might have thought), so I just had to know whodunit.

Also, I’d read Blacke’s last 5 books, and have found her to be a completely reliable author, and I’m now predisposed to pick up something with her name on it without much thought.

I kept going because I like the characters, first and foremost, and enjoy spending time with them. Curiosity (see the opening paragraph of this section) was obviously a driving force, too. But Blacke kept putting them in interesting circumstances, things that raised more questions than they answered, and watching the two bounce around from red herring to red herring to a thing that actually matters, just not in the way they thought…Blacke got everything right this time.

What does this book tell us about humanity?

I think The Key to a Killer—like the rest of the series, actually—has two important themes about humanity. The first is trust. Extending trust to the right people, cutting off that trust when we should, and then relying on those we’ve trusted. If we act like islands (think Simon and Garfunkel’s “I Am a Rock”), we flail. Both Ruby and Cordelia are proofs for that.

The second is the need to not be alone. Ruby needs people to keep her out of her head and for safety. Cordelia needs people to care for, to help her not make self-destructive choices, to just be around. The isolation she wrapped herself in wasn’t good for her. Ruby was likely headed in a similar direction before she and her new roommate got together.

I guess really, both of those could be summed up in a need for community of some sort—the people in their building, their coworkers, fellow ghosts, family. Now, it’s clear that not everyone in the building or at work should be depended on—and ghosts can be less than reliable (just like the living)—but in actual community is where humans, living or not, thrive.

So, what did I think about The Key to a Killer?

I do think the first in the series, A New Lease on Death</b was more entertaining—the humor was a bit more pronounced, the fun of watching the two figure each other out, and so on—made for more fun. Death at the Door was a bit more tense, with more implied danger. But Blacke topped the others here with heart and intrigue—the threat of violence seemed both more pressing and less likely (I think this has to do with the number of allies that Ruby has picked up by this time). She took everything she’s done so far and kicked it up a notch or two (except maybe the humor—but that could be in an “eye of the beholder” situation this was more about earnest effort), as she should. The result is a novel that’s just a little bit more satisfying than its predecessors.

I’m assuming that this is the end of the road for this duo. I’d be very pleased to find out that I’m wrong, but it feels like this Blacke has tied up enough that she can leave them to un-recorded adventures. If that’s the case, this is a satisfying end-point for the pair. We see them in good places, with a lot tied up, some good closure on lingering questions about Cordelia’s life (beyond the question of “who killed her”)—and Ruby in a good place, too.

Obviously, learning more about Cordelia’s final days gives the reader a lot to chew on. Without wanting to give too much away, learning what we do about her married boyfriend is rather revealing—and I’m glad Blacke went the way she did with that. In the end, she’s a more complex and flawed character than she seemed to be when we first met her spectral form.

There’s one clue that took Ruby frustratingly long to figure out—and I’m less than happy with one of her subplots was left (there’s something to be explored if Blacke goes for a fourth book). But overall, the arc she’s been on is very well done. Honestly, those two points are my only complaints about this book.

I don’t know if this is the best book to jump into things with—but it would work for someone looking for a ghosty-cozyish mystery for October. I think you’d be better off with three of the books to give you a solid ghosty story from the beginning. Obviously, I think most of the audience for this will be those like me who just want the big question about Cordelia answered and who look forward to the adventures up to that reveal (which was done so nicely).

I’m looking forward to whatever Blacke has coming next, too. I think most readers of this book will be, too.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Bark Humbug by David Rosenfelt: Andy Carpenter Gets Pulled Back In (again)

Cover of Bark Humbug by David RosenfeltBark Humbug

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #33
Publisher: Minotaur Books
Publication Date: October 13, 2026
Format: eARC
Length: 320 pg.
Read Date: September 30-October 2, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Bark Humbug About?

The sister of a murder suspect comes to Andy’s home. Her brother had adopted a dog through his dog shelter a couple of years before, which had led him to follow Andy’s career. So when he became the focus of a police manhunt, he wanted Andy to help coordinate things when he turned himself in. Well, hopefully to go all the way and defend him in court, but they’d start with surviving surrendering himself to the police.

Things there didn’t go quite as planned, and Andy got upset and was caught on camera saying he’d defend Jon. So he’s stuck with a job—which might not be all that bad, it’d give him something to think about other than all the holiday music his wife’s about to start playing—it’s Halloween season, time for her to break out the Bing Crosby. Also, Andy believes Jon.

Jon’s accused of murdering the mayor—and gubernatorial candidate—with a sniper rifle, making an incredibly difficult shot. Sadly, one that the US Military taught him to make. That, and a whole lot of evidence, is pretty daunting for Andy and his legal team—but since when has that stopped them?

They do find a lot of evidence of other criminal activity afoot that could point to other suspects—but will it be enough? Is Andy capable of (another) Christmas miracle? And just what happens to someone who makes our genial attorney mad?

The Years are Passing

This is one of those series where very little changes—the dogs never age (thankfully); Andy, Pete, and Vince eat like college students and don’t have health issues; Edna is on the verge of retirement constantly; Sam’s senior citizen helpers are just as old as they’ve ever been, and so on.

However…Ricky is aging. Nowhere near in real-time, but it’s happening. He’s got a girlfriend, he’s taking vacations with his friends over the holidays, and even the frequently oblivious Andy is noticing it.

On the one hand, having Ricky around was a breath of fresh air back when it happened—and seeing him grow up could add some variety to things. Also, it’s hard to keep writing him out of things so he’s not in danger, or his activities aren’t a distraction from the case. Maybe aging him will allow Rosenfelt to bring him into the plots just a bit, too.

The Return of Marcus

When I talked about Dead Men Don’t Play Fetch earlier this year, I noted that Marcus was returning to his mysterious and dangerous roots after a few books where Andy and the reader learned a little more about him, got a glimpse into his personal life, and actually understood what he was saying.

This book took a major step in that direction. Andy understood a little bit of what Marcus said (although we didn’t get it in dialogue form, just described in the narration), but not most of it.

And whoo-boy, Marcus was back to his near-superhero levels of intimidation and violence. I think there was one book with more violence from him (many years back), but this has to be second place on the Marcus-as-Batman meter.

While I liked getting to know Marcus more, I like this “classic” version of him, too.

So, what did I think about Bark Humbug?

The humor in this volume seemed a little more crisp and fresh than it has lately (not that I’ve even had problems with it, but it’s felt tamer). The cultural references are more current, as well (some of them, anyway).

The courtroom action is as solid as ever—Andy keeps the judge and the prosecution on their toes. But keeps things friendly with the D.A., which is a nice touch.

Andy and his team have to do things we’re not used to them doing to get to the truth—although there are plenty of typical antics going as well.

Basically, I guess I’m saying that Bark Humbug gives the reader everything we’ve come to expect in an Andy Carpenter book, but just a little more.

This is a dose of holiday-themed fun (much to Andy’s chagrin) with a very twisty mystery on tap. This case, more than any other in a long time, challenges our team. The last few chapters are as tense as I can remember this series being—maybe not since the first dozen or so. New readers or old won’t be saying “Humbug” to this ending (or anything before then).

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Waiting for LeClerc by Vern Smith: Who Stakes Out the Stakeout?

Cover of Waiting for LeClerc by Vern SmithWaiting for LeClerc

by Vern Smith

DETAILS:
Publisher: Runamok Books
Publication Date: July 19, 2026
Format: Paperback
Length: 107 pg.
Read Date: September 25-26, 2026
Buy from Bookshop.org Support Indie Bookstores

Cecil eyed the yellow jacket, swinging at it, missing. “So what’re you trying to tell me?”

“That it’s time for you to take the lesson I’m teaching today.” Alex held both hands closed on his own chest, opening them to Cecil. “That it’s time for you to accept your shortcomings and learn from these teachable moments.”

“Okay, I’ll bite again.” Cecil nodded impatiently. “What today’s lesson, pards?”

“That, sometimes, things are not as we perceive.”

What’s Waiting for LeClerc About?

The detectives of Smith’s gritty Canadian noir, Scratching the Flint are back and doing their thing in this novella. Cecil and Alex are on a stakeout, sitting in a just-disguised-enough van waiting to catch a drug deal going down that’s connected to a money laundering business. I should stress upfront that it doesn’t matter if you haven’t encountered these two before—everything you need is included in the novella.

Outside the van, two customers are waiting for LeClerc, completely unaware that they’re being used. Not just by the detectives as bait for LeClerc. But they’re also being used as bait by LeClerc.

See, he’s not oblivious to what the police are doing—so with a pair of binoculars and some Radio Shack-level equipment (pretty sure he wouldn’t pay Radio Shack prices)—he’s watching and listening to the van and his customers

And well, what we have is a Beckett-level wait that will not end the way that any of the characters expect.

Grounding in the Particulars he

Scratching the Flint took place in the months leading up to 9/11, this is on the first anniversary of it. At least in part, this reflects shifting attitudes toward certain crimes, attitudes toward Police, and so on. But more than anything else, this serves to ground the works in a particular time. This isn’t a vague time-frame—it’s definite: September 11, 2002.

There are also references to two well-known drug users/addicts. One was in the news at the time, the other had a connection to one of the characters—this gives Smith the chance to use these to discuss attitudes toward the headline maker, and to tell us something about the one with the connection.

All in all—this makes everything that Smith is doing here smack of realism. Where some people would give us a vibe of early-2000s, drop a pop culture reference or two, and then keep things vague when it comes to particular people and/or would invent a celebrity name to use. Smith doesn’t give us solid, real times and people, which just adds to the atmosphere and character work.

So, what did I think about Waiting for LeClerc?

Oh, this was good. Yes, the title does tell you a lot about the plot—but not so much that you don’t want to read it. And boy, the temptation is to say more than that, but why disrupt Smith’s brilliance at work?

This might be one of the lowest-action noir works I’ve read. Pound-for-pound (as it’s a novella, it’s important to stress that), the sentences committed to action/violence/etc. are not that much more than you’d get from an Agatha Christie or Rex Stout novel. When you compare that to Scratching the Flint…Smith is practically throwing his versatility in your face.

The action that happens means something. It’s arresting. It takes you unaware and rattles you. As it should.

The dialogue is fantastic. Paragraphs could be written about every conversation, and I easily could’ve read a version of this that takes place over nine hours instead of three (although I’d have a really hard time believing LeClerc’s customers would wait that long). In discussions over books, music, religion, clothing, odors…you learn so much about these people in very few words—and more than once you’ll smile.

The other big takeaway from this is the danger in underestimating your target. And noir is always good at that.

This novella deserves more, but you have to dig into scenes, motives, and events in a way that’d ruin the impact. So, I won’t—I’ll just tell you that you’re missing out if you pass this up.

Disclaimer: I received a copy from the author—my thanks to him for it. However, this is a book I chose to read and write about, and my opinions are my own.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Quick-Take Catchups: The Leftovers from May

I’m even behind on my catch-ups…this summer really did a number on my organization. Let’s see if I can get some of it back. Again, I want to remind the reader that the point of these quick-takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Cover of The Frame-Up by Gwenda BondThe Frame-Up

by Gwenda Bond, read by Shannon McManus (Narrator)

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: February 13, 2024
Format: Unabridged Audiobook
Length: 11 hrs., 3 min.
Read Date: May 4-6, 2026

This was a solid heist novel with just a dash of magic thrown in. Honestly, I’m not sure the magic was necessary—Bond has enough going on with the dash of romance, the family drama (increased by a “can’t go home again” story arc), and the art heist.

But throwing in the magic just kicked everything up a half a notch, if not a full notch. So I’m not complaining–I’m just trying to say that the criminal found family of it all was enough.

This is my second novel by Bond—and it’s enough to make sure that I’ll take a second look at other books by her.

Cover of The Terminal List by Jack CarrThe Terminal List

by Jack Carr, read by Ray Porter

DETAILS:
Series: The Terminal List, #1
Publisher: Simon & Schuster Audio
Publication Date: March 6, 2018
Format: Unabridged Audiobook
Length: 12 hrs., 24 min.
Read Date: May 7-11, 2026

Ugh. How did this get so popular? I’m not really that willing to spend time on talking about it. I can’t think of a single moment that I enjoyed–even Ray Porter couldn’t save it. I kept listening to see if it climbed up out of the horrible pit to make it to “extraordinarily mediocre.” Also, because I wanted to be able to tell someone that I gave it a full try.

Both are choices I regret. Cookie-cutter action from a Gary Sue super-soldier. Completely uninspired and derivative. And there are how many sequels???

Cover of The Arkadians by Lloyd AlexanderThe Arkadians

by Lloyd Alexander, read by Words Take Wing Repertory Co

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: November 9, 2010
Format: Unabridged Audiobook
Length: 5 hrs., 49 min. 
Read Date: May 18-19, 2026

I feel disloyal to my grade-school self in giving a Lloyd Alexander book a “meh.” But this one pretty much deserved it. Alexander’s playing around with Greek myths fell pretty flat for me, I didn’t connect with the characters, the story (especially the results for each character) was predictable, and the whole thing felt written by a formula. I did find some scenes amusing and/or effective, but I doubt I’ll return to this one again and again. (I probably will give it one more chance down the road, just to be sure it wasn’t my mood)

Cover of Booked by Alison GaylinBooked

by Alison Gaylin

DETAILS:
Series: Sunny Randall, #13
Publisher: G.P. Putnam's Sons
Publication Date: May 12, 2026
Format: Hardcover
Length: 320 pg.
Read Date: May 25, 2026
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This was entirely too quick to read–but I find that’s a thing with Gaylin’s Sunny book–she just gets in the groove and you’re rocketing through the thing. I really liked what she did with the recurring characters here, especially Blake. I’ve given up hope of a decent Richie storyline, but I didn’t mind this one. As far as the latest Malanie Joan drama–this might be my favorite use of her. The mysteries involved were pretty well executed, and I bought the way that Sunny finally uncovered the link that tied it all together. I’d seen the link (or something very much like it) coming for several chapters, but wasn’t sure Gaylin would pull off Sunny’s discovery. I think I’ve learned now to trust her. No Sunny Randall book has ever blown me away–but Gaylin makes me happy to see the series continuing and delivers a satisfying read every time.

Cover of Cultish by Amanda MontellCultish: The Language of Fanaticism

by Amanda Montel, read by Ann Marie Gideon

DETAILS:
Publisher: Harper
Publication Date: June 15, 2021
Format: Unabridged Audiobook
Length: 8 hrs., 21 min.
Read Date: May 21-26, 2026

This was truly disappointing—the subtitle made me think it would be one thing, and while the text would occasionally tip that way, it didn’t stick with it. Honestly, you should go read what Kathy @ 746 Books had to say about it. She captured my ideas better than I could.

Cover of Unread by Oliver JamesUnread:
A Memoir of Learning (and Loving) to Read on TikTok

by Oliver James

DETAILS:
Publisher: Hachette Audio
Publication Date: February 24, 2026
Format: Unabridged Audiobook
Length: 7 hrs., 10 min. 
Read Date: May 26-27, 2026
  1. James’ achievement—as well as his openness about the life experiences that got him to this point—should be celebrated. Seriously, I’m impressed and would love to sit and chat with him about it.
  2. Everyone should be upset at the education system that failed him—and almost certainly fails many others like him every year.
  3. There’s a lot to commend about this book.
  4. This is not good book. There’s too much redundancy that feels like it was included to make an arbitrary word count. The timeline is a bit muddy, and would’ve been better to follow had it been presented linearly. If it were a series of blog posts, or a book half the length, I wouldn’t have complained.
  5. To reiterate: this is a criticism of the book, not of the author, what he’s doing or how he’s doing it.

Cover of Starship Troopers by Robert A. HeinleinStarship Troopers

by Robert A. Heinlein

DETAILS:
Publisher: Ace
Publication Date: June 27, 2006
Format: Paperback
Length: 288 May 25-27, 2026
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There’s a lot to like in this—there’s a lot to be disappointed in, too. I was pretty much in until the big battle scene. But after that? It all fell short after that. Heinlein clearly had things he wanted to say about the role of a citizen, the role of the military, war, and so on—and he used this book to say them through various mouthpieces. Sadly, most of what we got was talk, theory, just ideas, unlike similar books that put the talk into action (albeit fictional, it’s more than just haverings).

I walked away dissatisfied. I know I open myself up to ridicule, mockery, and disdain for that—but that’s how it is. Others who’ve clearly been influenced by this novel have done a better job with it (e.g., Scalzi, Hurley, Card).

Cover of After the Fall by Edward AshtonAfter the Fall

by Edward Ashton, read by John Pirhalla

DETAILS:
Publisher: Macmillan Audio
Publication Date: February 24, 2026
Format: Unabridged Audiobook
Length: 9 hrs., 56 min.
Read Date: May 28-29, 2026

Maybe because of Ashton’s reputation, I went into this with expectations that were too high. Because I felt like I should enjoy what I was hearing more than I did throughout the whole book–and there’s no reason for me to think like that. It was a solid premise, and Ashton (and Pirhalla) did a good job in executing it. But the whole time I kept thinking, “he’s about to knock my socks off in the next development/chapter/scene,” and that never happened. There’s a lot to praise here, but it never made the jump from “pretty good.” And since I came in expecting more and didn’t get it, the book felt like a letdown. I don’t think I’m being fair to the book, but…

Cover of Remington Platypus by Steve NashRemington Platypus

by Steve Nash

DETAILS:
Publisher: Northodox Press
Publication Date: July 31, 2025
Format: eBook
Length: 362 pg.
Read Date: May 28-30, 2026

I really thought I’d written a full post about this, and I’m rather annoyed to find out that it doesn’t exist.

This is a fairly-standard, but well-executed, Police novel about a grizzled detective who does what it takes to get the job done—sort of a Harry Bosch figure. Although he’s on better terms with his superior and some of his colleagues. He’s taking on a drug supplier and goes too far, resulting in him being transferred to a small town, his hometown, where he struggles to fit in—except for the few who remember him. There he encounters some crimes that lead him right back into investigating the same supplier. And things get ugly from there.

But here’s the thing—all the creatures are animals. Animals who have formed a parallel society to humans, complete with schools, police services, and drug gangs. There are some animals who haven’t taken this civilization thing to heart—and remain wild and without speech, higher thoughts. We’ve seen a lot like this before, but not like this.

Combining these two tried-and-true story types is just brilliant. You make these people instead of animals and most of the novel works just fine. You take out the crime element and just leave the inter-animal conflicts in and it’d be a pretty cool story. The mashup of the two elevates this to something else. The only comparison that jumps to mind is the comic Fables combining crime fiction and fairy tales.

Raven was raving about this last year, and it’s easy to see why. You need to check out their post.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

20 Books of Summer 2026: Wrap-Up

20 Books of Summer banner--the text 20 books of summer and your host: AnnaBookBel above the picture of sunshine on an open book in a field of flowers
Annabel from AnnaBookBel carries on the work started by Cathy of 746 Books . You can read her kick-off post here.

Phew. By the skin of my teeth–I finished the last book of my 20 at 6pm yesterday. A month ago, I said “I should finish by the end of the month with some wiggle room.” Not a lot of wiggle room, it seems. But at least I didn’t have to stay up to midnight to finish. Even better, I’ve written about fifteen of them. I think that might be my best number in the years I’ve done this challenge–hopefully I can nail the other 5 within a week. All in all…this has been a big success. Thanks to AnnaBookBel for doing this again.

On a semi-related front, but I read six of my Top Ten Tuesday: Books on My Summer 2026 to-Read List (That Aren’t on My 20 Books Challenge) list, too. It’s not the best I could’ve done there–but I’ll take it.

This summer, my 20 were:

✔ 1. The Devils by Joe Abercrombie (My post about it)
✔ 2. Trade of Blood by Robert Jackson Bennett (My post about it)
✔ 3. Eyes of Empire by JCM Berne (My post about it)
✔ 4. Cold Iron Task by James Butcher
✔ 5. Eaters of the Dead by Michael Crichton
✔ 6. Dungeon Crawler Carl by Matt Dinniman (My post about it)
✔ 7. Detained: A boy’s journal of survival and resilience by D. Esperanza and Gerardo Iván Morales (My post about it)
✔ 8. What’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service by Melissa Fitzgerald and Mary McCormack (My post about it)
✔ 9. Killer Vibes by Jack Friday (My post about it)
✔ 10. Manitou by Glen Gabel (My post about it)
11. Wool by Hugh Howey
✔ 12. Eternal Blades by Vlad V. Imakaev (My post about it)
✔ 13. First Mage on the Moon by Cameron Johnston (My post about it)
✔ 14. Left Hand of Darkness by Ursula K. Le Guin
✔ 15. The Shadow Carver by Nadine Matheson (My post about it)
✔ 16. Squeaky Clean by Callum McSorley (My post about it)
✔ 17. Dial A for Aunties by Jesse Q. Sutanto (My post about it)
✔ 18. Crownfall by Michael Vadney (My post about it)
✔ 19. We Be Dragons by Michael Weitz (My post about it)
✔ 20. Everybody Wants to Rule the World Except Me by Django Wexler

How has your summer reading been? If you took part in this, how’d it go? Or if you just had a “we’ll see what comes” plan, how did that work out for you?

20 Books of Summer '26 Chart August Check-in

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