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PUB DAY REPOST: A Divided Duty by Seanan McGuire: Family Don’t End in Blood

Cover of A Divided Duty by Seanan McGuireA Divided Duty

by Seanan McGuire

DETAILS:
Series: Toby Daye, #20
Publisher: Tor Books
Publication Date: September 29, 2026
Format: eARC
Length: 384 pg.
Read Date: September 16-18, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s A Divided Duty About?

In brief—because Raysel’s not ready to come home, because she wants to keep doing therapy in a place with low expectations, and because she and Toby can work the system, the Queen decides that at the one-year mark, Raysel needs to stay in service to Toby.

Things get mighty tense at court when this is announced—tense enough that war could’ve broken out (literally). But cooler heads seemed to prevail for the moment.

Then Raysel’s mom kidnaps her. If she can’t be with her daughter legally, Luna will take Raysel out of the Queen’s jurisdiction—out of anyone’s jurisdiction—and bring her to Blind Michael’s land. With both of them with Luna’s mother in her father’s land, Luna trusts that she and Raysel will be able to stay there in peace and re-establish a connection.

But, of course, things don’t go the way Luna planned. Thankfully, Toby wasn’t going to give her a chance to do anything anyway. Or so Toby’s plan went.

What happens when neither plan goes right?

The Trauma That Keeps on Giving

So, if you’re not familiar with the events of Be the Serpent/Sleep No More/The Innocent Sleep you’re probably not reading this post. But if you are reading and haven’t read them…skip down to the next section.

One of the strengths of this series is that events matter—events from the third novel, An Artificial Night, were important to Sleep No More/The Innocent Sleep, for example. So it’s no surprise that the events of the three titles I mentioned in the last paragraph are still casting their shadows on these novels. Actually, so is An Artificial Night, now that I mention it.

In both the novel and the accompanying novella, But by Degrees, we see our heroes (and their opponents and allies) dealing with the repercussions of that trilogy—both when it comes to political fallout, psychological fallout, and emotional repercussions, and more. It’s evident everywhere and will likely take you by surprise at how those show up in these pages. The trauma from those events, mixed with what’s happened since then, combine to some twisted results—and simple new situations that are neither good nor bad, but are clearly the result of that trauma.

And honestly, I don’t think we’re done with that yet. Faerie (at least those living along the Western Coast) has a lot of healing and recovery to do.

Why did I pick this up? Why did I keep reading?

Well, I’ve read the previous nineteen books 1-3 times each, so naturally I’m going to pick up #20.

I kept reading because I can’t imagine DNFing McGuire—especially not this one. I saw a few ways for this to end, and it really wasn’t until the last moment that I was sure how it was going to go. There were a handful of surprises along the way—not just related to the plot, but because of what I talked about in the previous section.

What does this book tell us about humanity?

Underneath everything—the court intrigue, the kidnapping, the family conflict, Toby’s work—even a lot of what the Luidaeg is up to (in both the novel and novella) has to do with healing and recovery. And the genuine human need for the space and time to pursue it. Toby’s not meddling with Raysel, Sylvester, and Luna for kicks—or from some kind of vengeance (although that would be understandable). No, she’s trying to give Raysel the time and space for recovery. She’s trying to get Sylvester to see that it’s what Raysel needs and to stand up for her to Luna. As far as Luna…well, that relationship has been damaged for so long, I’m not sure that Toby has much hope of anything.

But it’s not just Raysel that needs to recover—Sylvester does. Many in his service do, too. The same can be said for the Queen in the Mists and those in her court or in her knowe. Dean’s not in great shape, either. Or…or…or… you get the idea.

I’m not trying to echo what I said above, but I sort of am. But that’s the heart of this book—that people who’ve been through something need to find a way to recover and heal. That will not look the same for everyone, but those who care for them need to try to realize what they need for that recovery and give it to them. Even if that goes against what they want (or think would be best). Those people that give you the space, time, and support to recover, to figure yourself out—they’re your family, no matter what DNA or heritage says.

This book is about both efforts to find those ways to recovery, and what happens when they’re prevented or ignored.

So, what did I think about A Divided Duty?

I’m always amazed at how quickly I start thinking of Toby’s world as a comfort—one day I’ll go in remembering it and looking for it, but it wasn’t with this book. But right away, it happened. Sure, I knew it was going to get dangerous soon—because it always does. But that’s okay, because Toby’s determination and optimism make you think it’ll be okay again soon.

Toby goes to some dark places here (in multiple senses of the word), but she doesn’t seem to let it get to her as much as she might have otherwise. Maybe that’s because she and Tybalt are in a really good place and he’s watching her back. Maybe it’s because Miranda’s at home waiting for her with May, and as long as Miranda’s good, Toby’s good. She also seems more confident in her own magic (and even learns a bit more about it).

Speaking of Miranda—she’s at a really young age now, so she’s conveniently left at home with May and the rest to look over her. But that won’t last for long, I don’t think—if only so that May can do more than cook and babysit. I’m eager to see Toby and Tybalt balance parenting and heroics.

Toby has to face some of her biggest fears, and come to grips with a job she maybe could’ve done better years ago, which was good to see her deal with. And she does so with her typical aplomb and flair—and her husband and a member of her Urchin Squad (Cassandra’s term) by her side.

Good tension, good action—a good puzzle (or two) for Toby to solve. When the penny finally dropped for me, I was flabbergasted (arguably shouldn’t have been) and delighted—McGuire played me like a fiddle. Which makes me so happy. This was everything you want in a Toby Daye novel.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Cover Reveal: Mortality Gauntlet by JCM Berne

I’m very pleased today to welcome the Cover Reveals for the Ninth Turn in JCM Berne’s The Hybrid Helix series, Mortality Gauntlet! For a lot of us, a new Rohan adventure is an autobuy anyway. But I can’t imagine that people can take just one look at this beut and move on–it needs at least two, which will hopefully spur them on to read about the book. I mean…it is a Chris McGrath cover, so calling it a beaut is a tautology. Anyhow, before we get to that, let’s learn a just a little bit about the book and author, shall we? It’ll just take a moment, and then we can all take a peak at the cover.

About the Book:

The real Hyperion was Rohan’s hero. His idol. His mentor.

Even his friend.

The shadow of that man has been Rohan’s friend, his confidante, then his rival, and ultimately his enemy.

That shadow has caused the death of innocents. Has attempted to destroy the entire human race. Cares for nothing but his own revenge.

He’s stronger than Rohan, tougher. And he’s enhanced his abilities with esoteric chemicals that shouldn’t exist. The one time they fought, he beat Rohan handily.

Savagely.

Rohan thinks he can stop his nemesis. He thinks he has what it takes to win. Enough strength. Enough Power. Enough love.

Is he crazy? Or is he smarter than anybody realizes?

When it all ends, when the dust settles and the blood dries, who will be left to grieve?

Book Link:

Amazon Preorder

 

About the Author

JCM BerneJCM Berne has reached middle age without outgrowing the notion that superheroes are cool. Code monkey by day, by night he slaves over a hot keyboard to prove that superhero stories can be engaging and funny without being dark or silly.

Author Links:

Website ~ Bluesky ~ Twitter ~ Instagram ~ Facebook ~ YouTube

and now…

The Cover

cover for Mortality Gauntlet  by JCM Berne

Kudos to this fine artist for their work on this eye-grabber:
Cover Art by Chris McGrath

Go and do the right thing–place your orders now. This comes out on October 20, and you’re going to want to get to it ASAP.

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A Divided Duty by Seanan McGuire: Family Don’t End in Blood

Cover of A Divided Duty by Seanan McGuireA Divided Duty

by Seanan McGuire

DETAILS:
Series: Toby Daye, #20
Publisher: Tor Books
Publication Date: September 29, 2026
Format: eARC
Length: 384 pg.
Read Date: September 16-18, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s A Divided Duty About?

In brief—because Raysel’s not ready to come home, because she wants to keep doing therapy in a place with low expectations, and because she and Toby can work the system, the Queen decides that at the one-year mark, Raysel needs to stay in service to Toby.

Things get mighty tense at court when this is announced—tense enough that war could’ve broken out (literally). But cooler heads seemed to prevail for the moment.

Then Raysel’s mom kidnaps her. If she can’t be with her daughter legally, Luna will take Raysel out of the Queen’s jurisdiction—out of anyone’s jurisdiction—and bring her to Blind Michael’s land. With both of them with Luna’s mother in her father’s land, Luna trusts that she and Raysel will be able to stay there in peace and re-establish a connection.

But, of course, things don’t go the way Luna planned. Thankfully, Toby wasn’t going to give her a chance to do anything anyway. Or so Toby’s plan went.

What happens when neither plan goes right?

The Trauma That Keeps on Giving

So, if you’re not familiar with the events of Be the Serpent/Sleep No More/The Innocent Sleep you’re probably not reading this post. But if you are reading and haven’t read them…skip down to the next section.

One of the strengths of this series is that events matter—events from the third novel, An Artificial Night, were important to Sleep No More/The Innocent Sleep, for example. So it’s no surprise that the events of the three titles I mentioned in the last paragraph are still casting their shadows on these novels. Actually, so is An Artificial Night, now that I mention it.

In both the novel and the accompanying novella, But by Degrees, we see our heroes (and their opponents and allies) dealing with the repercussions of that trilogy—both when it comes to political fallout, psychological fallout, and emotional repercussions, and more. It’s evident everywhere and will likely take you by surprise at how those show up in these pages. The trauma from those events, mixed with what’s happened since then, combine to some twisted results—and simple new situations that are neither good nor bad, but are clearly the result of that trauma.

And honestly, I don’t think we’re done with that yet. Faerie (at least those living along the Western Coast) has a lot of healing and recovery to do.

Why did I pick this up? Why did I keep reading?

Well, I’ve read the previous nineteen books 1-3 times each, so naturally I’m going to pick up #20.

I kept reading because I can’t imagine DNFing McGuire—especially not this one. I saw a few ways for this to end, and it really wasn’t until the last moment that I was sure how it was going to go. There were a handful of surprises along the way—not just related to the plot, but because of what I talked about in the previous section.

What does this book tell us about humanity?

Underneath everything—the court intrigue, the kidnapping, the family conflict, Toby’s work—even a lot of what the Luidaeg is up to (in both the novel and novella) has to do with healing and recovery. And the genuine human need for the space and time to pursue it. Toby’s not meddling with Raysel, Sylvester, and Luna for kicks—or from some kind of vengeance (although that would be understandable). No, she’s trying to give Raysel the time and space for recovery. She’s trying to get Sylvester to see that it’s what Raysel needs and to stand up for her to Luna. As far as Luna…well, that relationship has been damaged for so long, I’m not sure that Toby has much hope of anything.

But it’s not just Raysel that needs to recover—Sylvester does. Many in his service do, too. The same can be said for the Queen in the Mists and those in her court or in her knowe. Dean’s not in great shape, either. Or…or…or… you get the idea.

I’m not trying to echo what I said above, but I sort of am. But that’s the heart of this book—that people who’ve been through something need to find a way to recover and heal. That will not look the same for everyone, but those who care for them need to try to realize what they need for that recovery and give it to them. Even if that goes against what they want (or think would be best). Those people that give you the space, time, and support to recover, to figure yourself out—they’re your family, no matter what DNA or heritage says.

This book is about both efforts to find those ways to recovery, and what happens when they’re prevented or ignored.

So, what did I think about A Divided Duty?

I’m always amazed at how quickly I start thinking of Toby’s world as a comfort—one day I’ll go in remembering it and looking for it, but it wasn’t with this book. But right away, it happened. Sure, I knew it was going to get dangerous soon—because it always does. But that’s okay, because Toby’s determination and optimism make you think it’ll be okay again soon.

Toby goes to some dark places here (in multiple senses of the word), but she doesn’t seem to let it get to her as much as she might have otherwise. Maybe that’s because she and Tybalt are in a really good place and he’s watching her back. Maybe it’s because Miranda’s at home waiting for her with May, and as long as Miranda’s good, Toby’s good. She also seems more confident in her own magic (and even learns a bit more about it).

Speaking of Miranda—she’s at a really young age now, so she’s conveniently left at home with May and the rest to look over her. But that won’t last for long, I don’t think—if only so that May can do more than cook and babysit. I’m eager to see Toby and Tybalt balance parenting and heroics.

Toby has to face some of her biggest fears, and come to grips with a job she maybe could’ve done better years ago, which was good to see her deal with. And she does so with her typical aplomb and flair—and her husband and a member of her Urchin Squad (Cassandra’s term) by her side.

Good tension, good action—a good puzzle (or two) for Toby to solve. When the penny finally dropped for me, I was flabbergasted (arguably shouldn’t have been) and delighted—McGuire played me like a fiddle. Which makes me so happy. This was everything you want in a Toby Daye novel.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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HC Chats with K.R. Lockhaven About ALL of His Books and some other stuff

I sat down yesterday to talk to the wonderful K.R. Lockhaven about his upcoming novel Fool (you can check out the Cover Reveal here to learn a little more about the book). But before we got to that, we took a little walk down Amnesia Lane to talk briefly about his previous novels/novella.

Lockhaven is a frequent guest around these parts in written form, and I’ve written something about all of his books, but it’s better hearing it right from the source, right? We talked about a few other things and then rolled our eyes at my inability to find the mouse to end recording—at his prompting, I’m sticking with my “Do Not Edit” policy for these videos. So you can roll your eyes at my ineptitude along with me.

I forgot to talk to him about how odd it must feel to have such a brief title for the first time, and (more importantly) the Washington State Council of Firefighters Burn Foundation, sponsors of Camp Eyabsut. Go to his website to learn more about that.

The Books discussed were:

bullet The Conjuring of Zoth-Avarex: The Self-Proclaimed Greatest Dragon in the Multiverse
bullet Zoth-Avarex’s Escape Plan: A Pick-Your-Own-Path Experience
bullet The Marauders, the Daughter, and the Dragon (The Azure Archipelago, Book 1)
bullet The Foundling, the Heist, and the Volcano (The Azure Archipelago, Book 2)
bullet The Grimoire, the Gods, and the Girl (The Azure Archipelago, Book 3)
bullet Mrs. Covington’s
bullet Fool

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Reposting Just Cuz: HC Chats with Adrian M. Gibson about Jeff VanderMeer

Cover of Mushroom Blues by Adrian M. GibsonIf you’ve been on Bookish Social Medial at all in the 6+ months, I’m willing to bet you’ve seen the name Adrian Gibson or at least the cover of Mushroom Blues. You may also know him from the podcast he hosts with M.J. Kuhn, SFF Addicts. Last week, Adrian was gracious enough to struggle with StreamYard (and it was in a mood) in order that we could sit down and talk about Jeff VanderMeer–an author that I’ve been intimidated to pick up and try, but who has been instrumental in Gibson’s career. I walked away excited to try VanderMeer, and I had a good time in general. I hope you watch this and walk away thinking the same.

As I said, StreamYard wasn’t happy, so the video freezes a couple of times on both of us, but the audio is fine.

Adrian M. Gibson Links:

Twitter ~ Instagram ~ Website ~ Newsletter ~ Amazon ~ Goodreads


Are you a Reader of Things and want to chat with me about an author/series/something other than promoting your own work (which we will do, just not primarily)? I’d love to keep trying this, but I’m not ready to start pestering people about it. So please let me know.

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Deadly Does It by Abbi Waxman: When Fear Conspires With Pride

Cover of Deadly Does It by Abbi WaxmanDeadly Does It

by Abbi Waxman

DETAILS:
Series: A Mason and Mann Mystery, #2
Publisher: Berkley
Publication Date: July 21, 2026
Format: Paperback
Length: 364 pg.
Read Date: August 5-7, 2026
Buy from Bookshop.org Support Indie Bookstores

“Prison’s very dull, apart from the all-pervading fear of violence and the occasional bug in the food. Trust me, you’d hate it, not because it’s scary, but because it’s skull-crushingly boring.”

“I have no intention of going to jail.”

Julia laughed. “No one intends to go to jail, Mason, yet there they are.”

What’s Deadly Does It About?

It’s been six months or so since Mason has gone to work as an investigator/assistant to ex-actress turned activist lawyer Julia Mann. They’ve taken some cases to make money, and keep some room handy to take con cases to help people they like (and/or hurt those they don’t).

It’s the latter that comes into play when Mason’s sponsor reveals she’s been getting threatening notes, and someone seems to be following through with them—Alexa is an event planner and two of her recent events have gone spectacularly, headline-makingly bad. The threats promise to do more than just ruin her reputation soon. Julia and Mason assume it has to do with Alexa’s past—back decades ago when she was drinking, doing drugs, and some minor crimes—and was associated with people who were doing some more serious crimes. So they start looking into the past she’s tried to put behind her to uncover who’s trying to make her present unlivable.

Meanwhile, Mason’s father had a minor heart attack and she has to visit home a couple of times, connecting with her semi-estranged family. Also, Julia teams her up with a P.I.* to get some actual training rather than just fumbling around has she has been—it forces Mason to think about her future in a way that I’m not sure she’s done since she got sober, in addition to giving her some tools she needs for this case.

* The similarity between this P.I. (Teddy) and Peter Key’s mentor from Killer Vibes are pretty strong, but Teddy seems like a better guy to hang out. I’m curious if I’ll think the same after one more book featuring each.

Recovery

This book, more than One Death at a Time and similarly to the Assassins Anonymous books, is a tribute to AA and similar programs. Many things—many things near and dear to the characters—will be mocked by characters in the book—but not their sobriety and recovery. Characters will talk about getting to a meeting, their need for one, talks with their sponsor, etc.—and the investigation will stop for them to do so.

There’s even a clear need and justification to investigate people at a certain meeting, and discussion about it is shutdown by Julia so quickly it’ll make your head spin. She might get pushed to it by circumstances, she makes it clear—but it’s going to take a lot for her to go there and things never got there.

Due to the nature of the investigation, almost everyone they talk to is an addict in recovery or has been avoiding it for decades. Either way, Julia and Mason can relate to them, sympathize and empathize with them. This adds a different flavor to their interviews/conversations than you get in most P.I. novels. It endeared me to them even more than I already was.

Why did I pick this up? Why did I keep reading?

Because Abbi Waxman has been an auto-read for me since 2019 and because the fist book in this series was so good that any future books in it would’ve been a reflex pick up as well.

The short version of why I kept reading it is that I have more fun with it than its predecessor. The longer version is that when it comes to heart, humor, convincing mystery, believable characters, and compelling story-telling—this book nailed it all.

What does this book tell us about humanity?

This book is about the capacity for change, and how that capacity (exercised or not) is something we all possess. It may be major changes—like working the 12 Steps—or something relatively minor—like Julia’s cook realizing she’s a cat person and starting to pamper Mason’s cat with cooking better than many people ever get.

Mason’s father has to make some changes due to his health, Mason’s sister and Mother need to acknowledge that Mason’s made some positive changes in her life (whether they do or not, I won’t say). Mason has to make some decisions about changing her life. Many of the characters in this book have made significant lifestyle changes due to substance abuse and addiction. There might even be a couple who haven’t made the changes they need to which creates the mayhem our duo takes on.

Regardless, the opportunity is there for the taking, the possibility is there.

So, what did I think about Deadly Does It?

“I think I can still write by hand, but on the few occasions I have to, it looks like a centipede has done two lines of coke, stepped in a tiny pot of ink and scrambled across the page in a hurry to get to somewhere else. Not exactly legible.”

There was a pause.

“Thanks for the colorful image, Mason,” said Julia, “no sure who would sell a centipede the minuscule amount o¢ drugs they could take, but your rich and vivid imagination will eventually come in handy, I expect.”

The interaction between Julia and Mason—and between Julia’s employees/friends/odd family—is the heart of this novel, in terms of character growth, the plot, and for entertainment. Most of the laughs come from them interacting with each other. It’s in this that the link between Waxman’s earlier novels and this series can be seen.

But the mystery and the investigative work are no slouch. As with One Death at a Time, Waxman shows she knows away around this kind of story. Yes, I was yelling at them (rightly) to pay attention to one character far earlier than they did, and I cottoned on to the motivation to the notes before they did—but it’s only because Waxman laid out the clues so clearly for the reader.

I like these characters—including the new ones and the new layers we saw in our old friends—I thought the main story was really well executed. I think Waxman could’ve done a little more with the arc about Mason’s family, but what was there was great. And the set up for future books is clear and I look forward to seeing what she does with the seeds she planted.

This would work wonderfully as a jumping-on point for the series, but it might resonate a little better with the reader if they go back to the beginning (which isn’t that far)—but either way if you’re looking for a mystery novel with dazzling characters, some genuine humor. great dialogue, and plenty to chew on, Deadly Does It fits the bill.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST CUZ: One Death at a Time by Abbi Waxman: You’ll Laugh All the Way to the Morgue

(not that you actually go to a morgue in this book, I was just struggling with that headline)


Cover of One Death at a Time by Abbi WaxmanOne Death at a Time

by Abbi Waxman

DETAILS:
Series: A Mason and Mann Mystery, #1
Publisher: Berkley
Publication Date: April 15, 2025
Format: eARC
Length: 400 pg.
Read Date: April 11-15, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s One Death at a Time About?

Natasha Mason is a twenty-something still trying to figure out what to do with her life—her alcoholism led to her leaving law school, and now she’s paying bills by delivering food and doing other gig economy standbys in L.A., and making sure she makes at least one meeting a day.

At one of these meetings, a vaguely familiar-looking woman shows up—and is not the friendliest of people. She seems—well, is—more concerned about getting her court-mandated signature than in anything else. Mason volunteers to be this woman’s interim sponsor. Now this older woman had been sober before, but on the night that led to the court-mandated meetings had a blood-alcohol level that stunned a rowdy twelve-step meeting into silence. She’d also come out of a blackout next to the dead body of a former lover/decades-long antagonist and what was probably the murder weapon. For a night she couldn’t remember—it’d clearly been eventful.

The next morning, Mason shows up at the gate of her obviously well-off sponsee. Thanks to some time on the internet, Mason knows her to be Julia Mann—a former box office star, now a lawyer taking on cases for as many Davids as she can in a city of Goliaths. Oh, and in between careers, she’d been in prison due to the death of her husband—the former business partner of the dead man she’s currently suspected of killing.

This meeting didn’t go the way Mason suspected—for one, Julia Mann’s housekeeper is an amazing cook, as Mason learned. Also, the two kept butting heads—Mason wanted to talk about Julia’s sobriety, but Julia was rather fixated on the murder. And yet…something clicked between the two. In between verbal jousts,* Julia ends up hiring Mason to be her personal assistant and help with the investigation. Mason justifies this to herself as a way to stay near Julia and keep her sober. The chance to eat more of Claudia’s cooking and make more money than an app can pay doesn’t hurt.**

Before you know it, these two have got themselves involved in a separate murder investigation (another David for Juila to work for), arson, tensions around Julia’s former career in the film industry, tensions around Julia’s future career in the film industry (she wants none of it, but no one seems to care), brushes with organized crime, multiple reasons for both or either of them to ditch their sobriety, and more things that I can fit into this rambling sentence.

* The back-and-forth between these two is reason enough to try this book. Waxman will supply several others, it should be noted.
** Yes, this makes two books in as many months about an LA-based delivery driver turning amateur investigator.

The Murder Mystery(ies)

Murder mysteries surrounding the film industry tend to have a few things in common—secrets, petty grievances that get nurtured into full-blown rivalries (or worse), scandals (for an industry reputed to be filled with amoral hedonists, there really are a lot of moral scandals), and organized crime.

One Death at a Time ticks all of these boxes—and a few others that I should’ve listed above, but forgot to. This may be Waxman’s first mystery, but she clearly understands the genre and knows how to construct a classic whodunit in a contemporary setting.

You get all the twists, turns, red herrings, and layers upon layers of competing motives for multiple suspects that you need—doled out in just the right pacing with dollops of shocks and action along the way. The final reveal is satisfying, and every loose plotline is tied up. It’s a textbook example of the genre—pleasing in every way.

The Humor/Tone/Relationships

This might be a clumsy way to tackle these ideas, but it’s where I am.

Yes, Waxman is known for Rom Coms—or Rom Com-adjacent—books, so we all know she’s funny. This seemed to me to be more overtly comedic. There are jokes—many of them—not just funny situations and loveable, quirky characters doing goofy things. Don’t get me wrong, there are plenty of those (as well as non-lovable, quirky characters).

This reads like Dave Barry’s kind of crime novel, with the restraint of a Richard Osman. The verbal jousting is great, and the physical comedy is almost as good. The situations are frequently ridiculous, but never so much so that you get taken out of the moment.

The technical term that best describes Mason is “wiseass,” and one with poor impulse control. Someone who doesn’t know how to keep her trap shut, powered by Waxman’s wit is a fun character to read. Julia’s no slouch in that department either, but she’s more mature, she knows that she should pick her targets with care—and is therefore usually more effective.

The rest of Julia’s team (I will not tell you about them, so you can meet them properly) and some of the other characters the reader encounters have drier wits, largely fitting into the typical Waxman model. Oh, except this one actress…nope. You wouldn’t believe me if I tried to describe her.

Mason’s support system consists of the meetings she attends, her sponsor, and her cat. Julia has a strong team of employees and friends (the Venn diagram there has a large area of overlap)—they’re just not that effective on the sobriety front, but they make up for that with their loyalty. Julia also has a pretty strong network of former friends, employers, and employees in and around the film industry. These are loyal to their grudges against her and their own self-interest—however, they (or at least most of them) want her to succeed in her search for the killer, so they can move on with their lives and careers.

You combine all of this—with a (slowly) growing relationship of affection, trust, and appreciation between our protagonists—and you’ve got yourself a great basis for comedy with heart.

Sobriety

One thing that Waxman never made light of in all of this was the sobriety of the characters. Yes, Julia would mock Mason’s approach to being her sponsor, but that was about the characters’ personality differences—both of them took it seriously.

Not all of the characters appreciated the struggle and what the characters did to preserve it—but none of the comedy was about the drinking.

The opening meeting did get me to chuckle frequently, but that was character-based humor. The book never gets preachy at the reader, just to each other.

So, what did I think about One Death at a Time?

I had a blast with this—if you couldn’t tell. This is my fifth Waxman novel, so I went into it expecting that I would. I just wasn’t sure how much I’d enjoy it, because of the genre. But if I didn’t know who she was before I picked this up, I’d be scouring the library for her Abbi Waxman now.

It does—as it should—feel very different than her previous works. I’d say this is closer to last year’s Christa Comes Out of Her Shell than the rest, but even saying that, this is different. The stakes are (obviously) higher for these characters; there are potentially lethal consequences for failure. Which might explain the more heavy-handed approach to the comedy.

I think I’ve said everything I wanted to above—the mystery part is really well done; the characters are well-designed and well-excecuted, the relationships between them are strong and obvious—you like the people you’re supposed to like enough that you wish you sat around the room with them, watching them go back and forth while eating whatever wonderful treat/meal Claudia has prepared. Also, it’s funny. That’s a one-two-three combination that I’ll always enjoy and recommend.

This feels like a standalone, but it could easily spawn a sequel or more. If it does, I’ll be first in line. If it doesn’t…well, that’s okay, too. It works really well either way.

Basically, reader, if any of the above tickles your fancy—you need to add this to your TBR. I practically guarantee you’ll have a great time.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post, which contains my honest opinion—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Eyes of Empire by JCM Berne: Failing the Heck Out of His Whole Noninterference Plan (and others, too)

Cover of Eyes of Empire by JCM BerneEyes of Empire

by JCM Berne

DETAILS:
Series: Hybrid Helix, Turn 5
Publisher: The Gnost House
Publication Date: September 3, 2024
Format: Hardcover
Length: 399 pg.
Read Date: July 1-4, 2026

The native’s body was humanoid, but its head was catlike. Something like a tiger. Or a lion. Whiskers; eyes with black pupils and sclera of gold; white fur around the muzzle; long, sharp teeth. Definitely a carnivore.

Tiger? Lion? Liger? I’m fighting a liger-headed alien. My mother warned me I’d have days like this. Don’t leave Earth, she said. You’ll end up fighting liger-headed aliens on distant planets where they don’t even have breathable air or working toilets.

What’s Eyes of Empire About?

I feel very much like our friend Inigo: “Let me explain… No, there is too much. Let me sum up.” How Berne fit all this in to 399 pages without it feeling rushed or anything, I don’t know.
bulletThe station Repentant is acting stranger than usual…and that’s not good.
bullet The il’Drach Empire has wiped out most of the population of a planet—the refugees are on their way to Wistful, who doesn’t have enough room for them all—and some are in a very medically fragile state.
bullet While Ben and Marion try to deal with the immediate problems (keeping them alive), Rohan needs to find a place for them to live in the long-term
bullet Hyperion is mixed up in the wiping out of the planet, and Rohan just might have to do something about that.
bullet The il’Drach are checking to see if they need to do any more clean-up work in the area related to Hyperion.
bullet The Hybrid that decided to stick around on Wistful is having a hard time acclimating.
bullet Another wormhole opened up to another system with a couple of very funky planets. One of which supports life, and Rohan goes off to make first contact.
bullet That first contact is with a feline-human race, and first contact could’ve gone better. Which leads to Rohan having someone else to help acclimate to life on Wistful (and among more species than she believed existed in the universe)

Why did I pick this up? Why did I keep reading?

“The bad news, however, is about as bad as you could possibly imagine.”

“What? That’s impossible, I have a powerful imagination. It’s not as if you contaminated their culture and doomed the planet, right?”

Rohan shrugged.

Wei Li’s eyes widened. “Oh my.”

Ben frowned. “Really?”

Ang’s jaw dropped. “My Katya-le’s people?”

Rohan sighed. “I’m going to fix things. I will.

“I’m just not sure how.”

I picked it up because it’s a Hybrid Helix novel. I love these things. Yes, it took me too long to get back to it, because I was enforcing my “no moving on until you write about the previous book” rule—and I kept putting that one off. Now that I’ve read this, I’ve got the next book slotted for September (unless my August isn’t as crazy as I think it’ll be).

I kept reading for two reasons: 1. It’s a Hybrid Helix novel. I love these things. 2. What Berne is doing with Rohan in these pages—and setting him up to do for the next arc of the series—is fascinating. Also, the new characters/species/planets are so cool that I wanted to learn more about them. Lastly, I really enjoyed what Berne’s doing with our established secondary characters in general and how he’s mixing the new characters in with them.

Vaguely Spoiler-y Section Ahead, Feel Free to Skip to Next Section

Rohan Realizes That He’s Not John Rambo

(I’m referring the movie version, not the book version. Although, he’s clearly not that, either)

I just wanted a quiet life. Tow ships, drink tequila. Maybe find a girlfriend. Now people are trusting in me. Counting on me.

In every First Blood movie sequel, the beginning is the same—John Rambo has found somewhere quiet, away from society, where he can meditate, do some simple tasks as work, and live at peace. Something interrupts that (frequently, but not always, related to Col. Trautman) and he has to go shoot, stab, and manhandle whoever this particular movie’s enemy are.

This is really Rohan’s goal when we meet him, and it looks like it’s working (well, except for that in medias res opening to Wistful Ascending). And it’s continually his goal throughout the series. But things keep happening to interrupt that: a wormhole opens up and drops a new race on his doorstep and he has to work to keep them safe; giant monsters are coming out of the ocean to wreak havoc and destruction and he has to go help out; a nasty space vampire is running amok on Wistful and he needs to stop it; etc. It’s not quite as explodey as (and quite a bit more articulate than) Rambo’s adventures, but the outline is similar.

Each time Rohan intervenes, he takes on more and more responsibility for those around him. Unlike Rambo, who just leaves everyone else behind to get away from the world. Okay, I’m done talking about Rambo, let’s focus on Rohan.

At the same time, Rohan’s doing things to improve his power, to gain a better handle on it, so that he doesn’t have to tap into his anger (that will then be hard to control), to use it in combat-like situations.

He’s presented in this book with an opportunity—if not a responsibility—to choose another way. A way that means he won’t only be a tow-chief anymore. That he’ll embrace greater responsibility in the systems around Wistful (and connected to them by wormhole).

This really marks a step forward for the series and will set our Hybrid in a new direction for a while.

So, what did I think about Eyes of Empire?

Dr. Simivar poked at one of his still-open wounds. “Ouch.”

“Another hour in the tank and you’ll be ready to get dressed and walk around. If you can, try to avoid any significant exertion for another eight hours. Let someone else do the fighting for a while.”

“I’ll try. How will I know if I moved around too much, or too soon?”

She shrugged. “Check your feet.”

“My feet?”

“Yes. If there are puddles of blood gathering around them, you’ve done too much. Come back and we’ll get you stitched back together.”

While reading this, I remembered that I was close to the end of the first arc of the Hybrid Helix—but I wasn’t sure if that was this book or the next (and why bother looking that up when I could just keep reading?). In the last few chapters (maybe 50-100 pages) it sure felt like a conclusion of sorts was on the horizon, and even better—it felt earned, deserved, and organic. This isn’t a case of Berne deciding to change things up and forcing it on the series. Berne says this has been his plan all along, but Carlton Cuse and Damon Lindelof have rendered me incapable of trusting writers when they say things like that.

Anyway, it was a very satisfying way to take this book and series—I’m looking forward to seeing what the next arc looks like.

This is filled with all the trademark Berne flourishes—great action, great banter, interesting musical recommendations, crazy new alien creatures. Sure, the “cat people” are not that revolutionary—but their culture is (and Rohan’s misunderstanding of it was pretty amusing). And the fauna on their planet…ugh. I want to talk about it, but I don’t want to ruin anyone’s exposure to it. But they could be my favorite thing introduced in this series since we met the Ursans. I’ve been talking about the bigger arcs, and deeper things going on in the series for most of this post, but I shouldn’t neglect to say that this is just a fun read. Whatever else Berne does, that is preeminent in his books.

We also meet a disturbing new representative of the il’Drach Empire. Each time I think the Empire is as distasteful and horrible as it can be, Berne finds a new and interesting way to prove that I’m wrong. Okay, okay, they have their whole “for the greater good” justification—or really, “the lesser of two evils” justification. But, I’m not entirely certain that I buy it. I’m thinking there has to be a better way. Another way. I expect that within the next 17 books, we’re going to find out what that way is.

Really, there’s no reason (unless you’re following stupid self-imposed rules) to not grab this book if you’re into super-hero fiction, space opera, witty dialogue (internal or otherwise), and/or good fun.

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True Romance: A Noir Anthology edited by Troy Lambert & Vincent Zandri: Love is What Makes Life Worth Living. Or is it?

Cover of True Romance edited by Troy Lambert & Vincent ZandriTrue Romance

edited by Troy Lambert & Vincent Zandri

DETAILS:
Publication Date: May 15, 2026
Format: e-Book
Length: 286 pg.
Read Date: July 1-17, 2026
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You’ll also meet deep characters in dark places and maybe learn that love isn’t always all it’s cracked up to be. Or maybe it is…

What’s True Romance About?

Part of the blurb reads:

From quiet suburban rot to organized crime empires, from calculated seduction to explosive violence, these stories explore the dangerous intersection where love and darkness meet.

Because in noir, love isn’t salvation. It’s motive.

I wish I’d written that, because it’s such a great way to summarize this collection of noir short stories from some of the best I’ve read—like Reed Farrel Coleman and Paul D. Brazill; authors I’ve meant to read, like Frank Zafiro; to a bunch of people I’ve never heard of, but want to hear of again.

Each of these stories approaches the themes of darkness, love, lust, and romance in a different way. But all of them tell us something about the human condition—what we want it to be like, and what it really is.

So, what did I think about True Romance?

Part of me wants to take issue with the title for this—there’s very little Romance to be found here, not much love either. And sure, you can say, “well, that’s because it’s noir, HC.” And there’s a lot to be said for that. But it can be done. Know Me from Smoke by Matt Phillips is the only example I can come up with off the top of my head (which is embarrassing). Sure, it’s tricky—but it can be done.

Sadly, not by most of these authors. Paul D. Brazill’s “Red Esperanto” (which is just a cool title) probably has the best depiction of love (along with a hefty dose of lust, crime, and lying). Samantha Ripley probably comes closest to romance in “Killing in the Name Of” (but there’s a lot of violence, mayhem, and quips before that).

Most of the stories are about lust, love twisted into something else, love that’s very lost, or something else. This doesn’t mean they’re bad, they’re just not romantic. (eh, one exception—but every anthology has to have one. And each reader will pick a different one to qualify). Scott Kikkawa’s “The Buyout” is a fantastic story, but the love there…eh, I’m not sure it qualifies as romantic.

I’ve spent more words on that than I figured I would—whoops. And I still feel like I could go on—but I won’t. The writing is crisp and snappy. The stories are just twisted and noir enough to stick in your minds longer than they might otherwise. Some of these are real gems. Charles Salzberg’s “All for the Love” is written in the Second Person—which is normally a deal-breaker for me, but I didn’t really notice it until the penultimate paragraph—that’s an achievement. Zafiro’s “Ask Me Tomorrow” was just delicious.

I think I could do an entire post about Lawrence Kelter’s “Midnight Confession.” It caught me by surprise more than once.

Before I dig into each story—and I’m close to doing that, but I don’t think it’d serve the collection for me to do so—just know that this is a great anthology with some very strong stories, some decent ones, and a couple that got a “meh” out of me. Which, really, is all I’m looking for in a collection—even those that don’t really have a theme. So it really doesn’t bother me too much that this one doesn’t stick to the theme in the way I’d like it to (your results may vary, and probably will).

I’m so glad I read this and I encourage those who like a good crime fiction short story—particularly with a noir flavor—to check this out. You’ll be happy you did.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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Dead Men Don’t Play Fetch by David Rosenfelt: Recovery Programs, Dog Shelters, and Murder—It’s Right Up Andy Carpenter’s Alley

Cover of Dead Men Don't Play Fetch by David RosenfeltDead Men Don’t Play Fetch

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #32
Publisher: Minotaur Books
Publication Date: July 7, 2026
Format: eARC
Length: 288 pg.
Read Date: June 26, 2026
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What’s Dead Men Don’t Play Fetch About?

Andy gets called by an old acquaintance—one he feels indebted to. Lou Campanelli runs a rehab center, and one of the homeless gentlemen served there has been arrested for the murder of an eccentric billionaire. He’s in need of a defense attorney.

He’s also in need of someone to care for his dog.

Both of which are Andy Carpenter specialties.

Andy and his team come to a quick conclusion about their client’s innocence. But figuring out a defense for him…well, that’s going to take some work.

Why did I pick this up? Why did I keep reading?

I picked this up because after 31 books in the series, how do I not? Okay, I guess I have abandoned some series in the 20s. But those haven’t kept things as fresh, kept changing things (while not changing too much).

The banter between Andy and the other characters still works. Andy’s changing ideas about his work (earlier in the series he was just trying to do as little as possible, now he’s shifted to trying to retire. It’s a subtle difference, but it’s there). We’re getting to know some of these characters in new ways—even as the cast grows a little.

And the mysteries are still clever and the courtroom material never gets old.

What’s the Same? What’s Different?

As I alluded to above, to keep a series this long-running you have to balance changing things and keeping things the same to satisfy long-time fans without letting them tire of things.

Here’s a quick list of things that came to mind:
Marcus is a little more mysterious and dangerous than he’s been in the last few books. In fact, he might be his most dangerous here. He also makes a huge blunder—I’m not used to seeing that from him. I’m also not sure how it served the story. I need to think on this some more.

Sam and his hacking are reliable as ever—I’m glad that some of Andy’s crew are still uncomfortable with the legality of it, even if some of the others have given up caring.

Andy’s uneasy relationship with both the FBI and various organized crime groups continue—I wonder a little about the lengths he goes to with the latter in this book. How far is too far—and how long will he continue in the good graces of some of these mobsters?

We got very little of Edna this go-around, but the jokes made about her worked. Eddie Dowd was practically a non-entity as well. Which is a shame, he should be around for more than some of the behind-the-scenes legal work.

Not only do we have a good amount of action for the Tara Foundation here—which is always good to see—there’s discussion about the establishment of another dog rescue in town—and this one will be a nationwide chain. Rosenfelt obviously cares a lot for this kind of work, and it’s a pleasure to see him get the chance to dwell on it.

So, what did I think about Dead Men Don’t Play Fetch?

I really enjoyed this one—and really had a hard time stopping when I needed to go back to work after lunch—I’d have been much more content to finish the book then and there. Everything was firing on all cylinders for this book and It was just a pleasure to read.

Well…almost all cylinders were firing. There was a moment semi-early-on when one of the characters says something that didn’t make a lot of sense to me (I’m trying to be obscure here). After going back to check what had been said earlier with what this character said, it really seemed like a misstatement. Maybe Rosenfelt goofed and no editor picked it up. Or maybe because I had an ARC that it would be something to be fixed before the book hit the shelves.

But no. It was a clue. A very intentional thing by Rosenfelt. And boy, I felt sheepish. I really thought I was eagle-eyed by catching that. And, maybe I was. But I was so wrong in my understanding of it. Once I saw it as a clue (and no, I won’t tell you how far I was in the book before I realized that*), I really appreciated the way that Rosenfelt worked it in like he did. Even if the realization that I wasn’t so clever as I thought I was when the character goofed still smarted.

I guess everything was firing on all cylinders, but me.

It’s a clever mystery, perpetrated by believable people, with high stakes for all involved. The characters are fun and engaging. There’s really nothing more to ask for.

If Rosenfelt keeps going like this, I’m in for as many books as he cares to write. This would make a fine jumping-on point for those who like a good legal thriller (on the light side). It also works well for people who read some of the earlier books, but didn’t keep up. You’ll be fine jumping back in.

I encourage you all to do so.

* Very.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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