Category: Opening Lines Page 1 of 8

Opening Lines: How to Be Good by Nick Hornby

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art, and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from How to Be Good by Nick Hornby:

I am in a car park in Leeds when I tell my husband I don’t want to be married to him anymore. David isn’t even in the car park with me. He’s at home, looking after the kids, and I have only called him to remind him that he should write a note for Molly’s class teacher. The other bit just sort of . . . slips out. This is a mistake, obviously. Even though I am, apparently, and to my immense surprise, the kind of person who tells her husband that she doesn’t want to be married to him anymore, I really didn’t think that I was the kind of person to say so in a car park, on a mobile phone. That particular self-assessment will now have to be revised, clearly. I can describe myself as the kind of person who doesn’t forget names, for example, because I have remembered names thousands of times and forgotten them only once or twice. But for the majority of people, marriage-ending conversations happen only once, if at all. If you choose to conduct yours on a mobile phone, in a Leeds car park, then you cannot really claim that it is unrepresentative, in the same way that Lee Harvey Oswald couldn’t really claim that shooting presidents wasn’t like him at all. Sometimes we have to be judged by our one-offs.

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Opening Lines: Deadly Does It by Abbi Waxman

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

It wasn’t that Mason was vain. It was just that if anyone was going to mess up her face, she wanted it to be her. She already had two piercings in one eyebrow, two in her nose and multiple holes in her ears, but the guy approaching her with a slender but very pointy ice pick seemed to think something more central was going to really pull her look together.

Not that aesthetics were his primary concern.

“I’m going to hurt you,” he said, his breath a little ragged. Mason had just punched him in the gut, and he’d taken it badly.

from Deadly Does It by Abbi Waxman

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Opening Lines: The Daughters’ War by Christopher Buehlman

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art, and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from The Daughters’ War by Christopher Buehlman:

I saw my first goblin the same day I saw my first shipwreck.

I was under sail, on my way to war.

On my way to fall in love with death, and with a queen.

On my way to lose all of my friends, and two of my brothers.

I would see a great city fall in blood and fire, betrayed by a false god.

Later, I would be commanded to die on a high stone bridge, but I would fail in this.

The rest of the First Lanza of His Majesty’s Corvid Knights would not fail.

This is not a happy story, but it is a true one.

I have no time for lies, or for liars.

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Opening Lines: First Mage on the Moon by Cameron Johnston

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

“You must meet the most interesting people on the gallows,” Whitlaw Goddard said to the black-hooded man readying his noose. The wooden stool creaked beneath his bare feet as he shifted, earning him a cuff that left his ear throbbing. The large audience chattered among themselves, making jokes and mocking, waiting for the day’s entertainment to begin.

The silent executioner didn’t dare talk with the heretic the corrupt hierarchs held responsible for conniving to land a mage on the holy moon, home of the gods. He ignored the condemned mage and pulled a length of rough rope taut, checking that it would hold the weight of his portly criminal. The man grunted in satisfaction and tied the end into a looping knot just large enough to accommodate Whitlaw’s head.

The mage shuddered and swallowed back down the sudden burn of bile. He’d never been one for pointless small talk, but with his hands bound and his magic sealed, a rising panic lent desperate energy to his tongue — as if by some miracle he might charm the dour executioner into sparing his life.

from First Mage on the Moon by Cameron Johnston

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Opening Lines: All Systems Red by Martha Wells

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from All Systems Red by Martha Wells:

I could have become a mass murderer after i hacked my governor module, but then realized access the combined feed of entertainment channels carried on company satellites. it had been well over 35,000 hours or so since then, with still not much murdering, probably, don’t know, little under movies, serials, books, plays, and music consumed. as heartless killing machine, was terrible failure. .

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Opening Lines: Go Gentle by Maria Semple

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

I slid the fried egg—extra crispy, embedded with cracked pink I peppercorns—onto a nest of baby arugula centered atop a slice of toasted sourdough. I sharpened my paring knife with a few satisfying slashes and sliced four cornichons thin enough for light to pass through. Those I placed across the warm egg, chevron-style. I capped it all off with a second piece of toast, this one thick with lemon aioli.

Or: I made a fried egg sandwich.

But how you do anything is how you do everything, and one might say my life’s work has been chasing the Platonic ideal.

from Go Gentle by Maria Semple

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Opening Lines: Murder by Memory by Olivia Waite

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from Murder by Memory by Olivia Waite:

Near the topmost deck, in a small lift with glass walls and flickering buttons, I, Dorothy Gentleman, ship’s detective, opened a pair of eyes and licked a pair of lips and awoke in a body that wasn’t mine.

It was the nails that first tipped me off. Blank bodies were just that: blank. My nails ought to have been the same color as the skin beneath—in my case, somewhere in a range of pinks, tending to florid.

Not silver, and not shaped.

This body was already inhabited.

My skin—someone’s skin—broke out in gooseflesh. Of course every human body was a horrifying collection of juices and tissues, acids and effluvia poured into a bag with a bunch of long rocks, a shambling accident of biology that made its own mysterious and often frustrating decisions without reference to the mind. They were disgusting miracles, every one. It was always a bit unsettling to wake up in a fresh form, until habit made a home of it.

But someone else’s home, and my self inside it! A nightmare. Imagine going to the washroom to be sick and having someone else’s sick come out.

I came very close to making this more than a metaphor. It took many deep, deliberate breaths for the squeamish feeling to subside.

It wasn’t supposed to be like this.

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Opening Lines: All the Best Dogs by Emily Jenkins

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

Ask anyone who has a dog and they’ll tell you that their dog is the best. Really, truly, the best dog in the world. Theirs is the best dog that ever lived, ever, ever, in the history of the known universe.

“But what if the person has two dogs, three dogs, eight dogs?” you ask.

Well, each one is still the best.

That’s how it feels. They are all the best dogs. You need to say “best” to be expressing what you feel about your dog.

Yeah, it’s not logical.

from All the Best Dogs by Emily Jenkins

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Opening Lines: Something Wicked This Way Comes by Ray Bradbury

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part). Today seemed like a good day for this.

from Something Wicked This Way Comes by Ray Bradbury:

First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: school begins. Consider August, a good month: school hasn’t begun yet. July, well, July’s really fine: there’s no chance in the world for school. June, no doubting it, June’s best of all, for the school doors spring wide and September’s a billion years away.

But you take October, now. School’s been on a month and you’re riding easier in the reins, jogging along. You got time to think of the garbage you’ll dump on old man Prickett’s porch, or the hairy-ape costume you’ll wear to the YMCA the last night of the month. And if it’s around October twentieth and everything smoky-smelling and the sky orange and ash gray at twilight, it seems Halloween will never come in a fall of broomsticks and a soft flap of bedsheets around corners.

But one strange wild dark long year, Halloween came early.

One year Halloween came on October 24, three hours after midnight.

At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands.

And that was the October week when they grew up overnight, and were never so young anymore….

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Opening Lines: Billy the Kid: The War for Lincoln County by Ryan C. Coleman

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. I have 1.2 books to get through before I can read this one, but when I uploaded it to my e-reader tonight, I caught a glimpse of this and have had to remind myself of deadlines (and the need for sleep) so I didn’t press on.

Fort Grant, Arizona Territory
August 1877

He’d never killed a man. Didn’t know what it would feel like. Didn’t know if it would turn his insides out. Turn him inside out. He didn’t know if he’d lay awake long into the night, afraid of what may come in his sleep, in his dreams. He didn’t know if he’d forever be followed by that dark cloud, a harbinger of his soul’s inevitable damnation.

He’d find out though.

Turns out killing a man doesn’t change you.

It just reveals the real you.

from Billy the Kid: The War for Lincoln County by Ryan C. Coleman

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