Bullet Points about Even Dogs in the Wild by Ian Rankin: Another winner from one of the best in the biz

Even Dogs in the WildEven Dogs in the Wild

by Ian Rankin
Series: John Rebus, #20

Hardcover, 347 pg.
Little, Brown and Company, 2016

Read: June 10 – 12, 2019

This post is overdue, and I can’t seem to find time to do it right. So, I won’t. Here’s a quick and dirty way to get it taken care of. I wish I had it in me to do a better job, but I don’t. Here’s the blurb taken from Rankin’s site:

           Retirement doesn’t suit John Rebus. He wasn’t made for hobbies, holidays or home improvements. Being a cop is in his blood.

So when DI Siobhan Clarke asks for his help on a case, Rebus doesn’t need long to consider his options.

Clarke’s been investigating the death of a senior lawyer whose body was found along with a threatening note. On the other side of Edinburgh, Big Ger Cafferty – Rebus’s long-time nemesis – has received an identical note and a bullet through his window.

Now it’s up to Clarke and Rebus to connect the dots and stop a killer.

Meanwhile, DI Malcolm Fox joins forces with a covert team from Glasgow who are tailing a notorious crime family. There’s something they want, and they’ll stop at nothing to get it.

It’s a game of dog eat dog – in the city, as in the wild.

Even Dogs in the Wild brings back Ian Rankin’s greatest characters in a story exploring the darkest corners of our instincts and desires.

If I had the time to do this properly, here are the things I’d be talking about.

  • Rebus as consultant/PI — this is really the perfect role for him, he’s not that great at procedure anyway. Calling his own shots, following his instincts, going about things, he’s a better fit for this kind of thing than a certain retired LAPD Detective.
  • This proves to be the kind of case made for Rebus — the solution lays in the past, but the ramifications are in the present.
  • Cafferty isn’t the suspect here (he’s not innocent, he never is), but he’s the victim — and maybe a concerned citizen?
  • There’s little in Crime Fiction better than Rebus and Cafferty on the same page — that’s as true here as ever.
  • Clarke’s role seemed diminished in favor of Fox and Rebus (particularly the former), but maybe that’s just me — what she does, however, allows Rebus to do what he does best
  • The Clarke/Fox friendship is an interesting one — and different from the Clarke/Rebus friendship. I’ll enjoy watching this develop.
  • I’m already really enjoying the Fox/Rebus friendship/mentorship. That’s not something anyone would’ve seen coming the first time we met Fox, or the first time we saw the two of them cross paths. The fact that they’ve got a strange friendship/mentorship going on is just wonderful.
  • There’s more going on in Fox’s personal life than we’ve really ever seen with Rebus or Clarke on an extended basis.
  • Fox’s share of the story is really strong and displays the character we’ve come to know over the past few novels, but evolving to take on some of Rebus’ better traits, but none of his . . . well, worse.
  • For a period of time, through no fault of his own, Rebus takes guardianship over a small dog. This was just fantastic and one of my favorite things to happen to him in years.

Combine all of the above with Rankin’s consummate skill and you’ve got another winner — the twentieth Rebus book and the character, the writing, and the perspective is a strong and fresh as it ever was. A sure-fire win for old fans that would probably convert a newbie, too.

—–

4 Stars

2019 Library Love Challenge 2019 Cloak & Dagger Challenge

Saints of the Shadow Bible by Ian Rankin: Rebus’ Past Comes Back to Haunt Him

Saints of the Shadow BibleSaints of the Shadow Bible

by Ian Rankin
Series: John Rebus, #19

Hardcover, 389 pg.
Little, Brown and Company, 2013
Read: April 15 – 17, 2019

           Rebus said quietly. “It made sense that we stuck up for one another back then–might not be so true now.”. . .

“. . . secrets and lies and all the other crap we’ve dealt out and been dealt. I didn’t see you owning up in there to singing your name to statements that weren’t yours. But we both know it happened a lot happened back then, and one crack in the dam might be all that’s needed . . .” Patterson paused, looking Rebus up and down. “So make sure you know whose side you’re on John.”

Rebus is officially un-retired, and very happy (at least by his standards). To be reinstated, he had to agree to be a Detective Constable again, instead of an Inspector. But he was willing (and usually still is) to take the rank cut so that he keep working. For anyone who’s read a Rebus book or two, this makes perfect sense. Buying books he doesn’t read, listening to his music collection, and police work — that’s all he has in his life. Well, okay, smoking and drinking, too. But those two can only occupy so much time.

Serving as a DC, he investigates a car that went off the road for no good reason on a straight stretch with DI Siobhan Clarke. It doesn’t take the two long at all to determine that what happened at the scene is as obvious as everyone else thinks (everyone but readers, because we all know that Rebus and Clarke together at a scene = more than meets the eye). They were called in because someone with influence exerted that influence at got detectives to investigate a seemingly routine auto accident that injured a young woman. Within days, there’s a more serious crime related to their investigation, and the two are plunged into a veritable minefield of money, politics, and family secrets.

Meanwhile, Malcom Fox is working his last Complaints case before being reorganized into detective work. He asks Clarke for help in approaching Rebus for some information related to the case. He’s looking into a murder case related to the group where Rebus served his first assignment as a rookie detective. Rebus is initially resistant to help Fox nab one of his old friends, but soon begins to think that Fox is onto something and works the case with him.

Watching the rapprochement between Rebus and Fox is great — at times it feels like things used to when Rebus was working with Clarke (in the latter stages, when they were more like equals). Fox and Clarke’s burgeoning friendship is a lot of fun to read, too. Basically, Fox’s addition to this world in general is something to be praised. I’m not 100% sold on Clarke’s rise, she almost seems more like Gill Templar than herself at times. Now, at one point, Clarke might have taken that as a partial compliment, but I don’t think so. She retains her sense of humor and instincts, but her commitment to the job might be more powerful than those instincts.

Over the last couple of books, one of the most interesting things is the rise of Darryl Christie in the Edinburgh crime world. He’s back in these pages. Not as Rebus’ target, but a presence — like Cafferty so often was. Time moves on and the young move up on both sides of the law. But as Rebus can’t let go, I can’t believe that Big Ger will roll over and let Christie take over the entire city without at least some resistance (something tells me that it’ll be very effective resistance).

I can’t think of another way to talk about Rankin’s skill. Here we are in the nineteenth Rebus book and things feel as fresh as ever — yet this is a world that the reader knows and feels comfort in. These characters and situations are old friends and Rankin’s Edinburgh is as real to me as Parker’s Boston, Connelly’s L.A. or Johnson’s Wyoming — I’ve never set foot in Scotland, but that city feels like a place I’ve frequented.

As you can’t help but expect, this is a completely satisfying mystery novel full of fantastic characters, tangled webs of lies and motives — and an excellent look at the ways policing used to be carried out and the changes it’s gone through. But more than that, it’s a little more time with one of the greats of Crime Fiction as he continues to try to stay active, an old dog learning a couple of new tricks (despite his best efforts) and not forgetting any of the old tricks.

—–

4 Stars

2019 Library Love Challenge 2019 Cloak & Dagger Challenge

Standing in Another Man’s Grave by Ian Rankin: Back in the saddle again, Out where Cafferty is a friend?

Standing in Another Man's GraveStanding in Another Man’s Grave

by Ian Rankin

Series: John Rebus, #18

Paperback, 432 pg.
Back Bay Books, 2013
Read: February 1 – 4, 2019

           Rebus had lost count of the number of cases he’d worked, cases often as complex as this one, requiring interview after interview, statement after statement. He thought of the material in the boxes, now being pared over by those around him–paperwork generated in order to show effort rather than with any great hope of achieving a result. Yes, he’d been on cases like that, and others where he’d despaired of all the doors knocked on, the blank faces of the questioned. But sometimes a due or a lead emerged, or two people came forward to furnish the same name. Suspects were whittled down. Alibis and stories unraveling after the third or fourth retelling. Pressure was sustained, enough evidence garnered to present to the Procurator Fiscal.

And then there were the lucky breaks–the things that just happened. Nothing to do with dogged perseverance or shrewd deduction: just sheer bloody happenstance. Was the end result any less of a victory? Yes, always. It was possible that there was something he had missed in the files, some connection or thread. Watching the team at work, he couldn’t decide if he would want them to find it or not. It would make him look stupid, lazy, out of touch. On the other hand, they needed a break, even at the expense of his vanity.

The book opens with Rebus at the funeral for another retired cop — it’s a strong reminder that there’s not much else in his future. A few more drinks, another handful of cigarettes, a few more unfinished books and then death. He’s got to find away to keep himself going. Having taken to retirement like a duck to the Sahara, Rebus has found work as a civilian in a cold-case unit. It doesn’t seem to be the most effective or active unit, but it’s something. True to form, he spends a lot of time butting heads with the head of the unit — who is actually a serving detective, unlike the rest of the civilians. There’s a chance when the book opens that Rebus could get re-hired as a detective, and he’s looking for anything to help that. When someone comes to visit the man who started this unit — who is now very retired and unavailable — Rebus sees his chance. He meets with this woman who claims that the recent disappearance of a young woman matches the circumstances of her daughter over a decade ago. Not just her daughter’s disappearance, but some others in the intervening years. If Rebus can demonstrate there’s a tie to these disappearances — and find out what’s happened to them and who’s responsible (preferably while the latest victim is still alive), that would go a long way to ensuring him a way back from retirement.

It doesn’t hurt that before coming to him, this distraught mother spoke to someone about the new missing person — DI Siobhan Clarke. Now, Clarke (and her boss) aren’t instantly convinced that Rebus has anything other than the desperate rantings of this woman, but she’s willing to give him enough rope to get started. Which is all Rebus needs to throw himself into things.

The latest woman to go missing has some tenuous connections to organized crime figures in Edinburgh, which may have made her a target — and also may give Rebus resources to find her that other victims’ families can’t give. He’s not shy about exploiting either option there. He also starts diving into the files and lives of the other missing women. What he finds isn’t encouraging, but it’s enough to keep investigation going. Rebus being Rebus, it’s not long before he starts finding enough strings to pull to get at least a few things unraveling. And once that starts, the rest of the case is vintage Rebus — asking questions, annoying the right (and the wrong) people, and finally putting everything together. The mystery is solved in a satisfactory way, but a lot of things were uncovered along the way that some would’ve preferred not being uncovered, relationships damaged, people hurt and lives changed. Even the positive outcomes were largely muddied, and the grays probably outnumbered the blacks and the whites.

Naturally, there’s a lot going on in this book beside the case(s). In this book, this primarily focused on three people in Rebus’ life (whether he wants them there or not).

One thing that’s new in Rebus’ retirement is that he’s picked up a new drinking buddy. Big Ger Cafferty has decided that he owes his life to Rebus (something that Rebus isn’t incredibly comfortable with). So Cafferty will take Rebus out for drinks on a regular basis. Rebus’ impression of Big Ger hasn’t changed at all, but free drinks are free drinks. so he lets Cafferty buy. The two of them being seen in public regularly together is proof to his detractors that all the rumors were true, however. This isn’t really making his case for him.

Having Rebus around is a challenge for his old friend and former mentee, Siobhan Clarke. She knows that Rebus is capable of pulling more than his fair share of rabbits from hats, and with a case/cases as messy as this, she’ll take his brand of results over nothing. But, he undercuts her leadership, he distracts her people from their tasks, and frankly, makes her look bad in front of her bosses. If she can’t control this civilian interloper, maybe she’s not the leader they thought she was. Maybe it’s just me, but I don’t think Siobhan of Exit Music and before wants to think she’d turn into the kind of DI she has, either. And Rebus makes her take stock of how much she may have “sold out” just by being around. Not that she’s become 100% by the book and in blind lockstep with the chain of command, but she’s a lot closer to it than she had been.

And, of course, we don’t say goodbye to our new friend, Malcolm Fox. We just get to see him in a new light. He’s now cast as an antagonist to Rebus. He’s not a villain, don’t get me wrong — but he’s working against Rebus, and definitely making his life harder. Of course, the way things were headed for much of this book, Siobhan might soon find herself as an antagonist to Rebus, too. It’s difficult seeing Fox in these terms, but thankfully we know we can like and trust him from his own two books, because there’s very little in these pages to commend him. But we know that Fox is a straight-shooter and he’s only got Rebus in his sights because he thinks he deserves it. Well, and maybe he got his nose bent out of shape by the man when he was in CID with him. But primarily it’s Rebus’ lifestyle — the smoking, the drinking, the going off on his own to investigate — Fox sees Rebus as a relic, the old model of detective that the service is trying to get away from. The kind of bad influence that could tank Clarke’s promising career. And then there’s his public drinking with Cafferty (not to mention all the rumors about the two of them). We know Fox is wrong — about the serious stuff anyway. But we also know he’s not totally wrong about Rebus. The only question is, will Rebus be able to win Fox over, or will he be able to work around him?

I like the Fox-Rebus dynamic, in the short-term. But I think it could get really old, really fast.

It looks like the next book will have Rebus back in CID, which is a shame. In a sense. Now, let me explain myself before Paul (and maybe others) fills my inbox/comments with objections. I’m not opposed to Rebus becoming a detective again. But I like Rebus doing cold case work. When he’s worked cold cases before — whether out of curiosity or because they’ve been reopened — he’s done really well, and the resulting books were really good. Fox did pretty good with a cold case, too, let’s not forget. In other words, Ian Rankin can write a very effective novel with his protagonists working cold cases, and I’d like to see Rebus doing nothing else for a while (especially as a civilian). Then again, we got a handful of Bosch novels doing that, why get greedy?

I enjoyed the Fox books, but this felt like coming home. It was only a few lines into the book before I think I “felt” the difference, we were back where we were supposed to be. I’m not sure how accurate that was then, but the book as a whole felt different than the Fox books did. Rankin kept a lot of plates spinning, balls in the air, or whatever cliché you want to use, here — he brought back Rebus, shook up his life a bit more, showed that Clarke was doing fine on her own, brought Fox in, showed what post-Big Ger Edinburgh was like, set up the next stage of Rebus’ career, and managed to tell a heckuva twisty murder/missing persons story. He probably accomplished a few other things, too, but that list is enough. Standing in Another Man’s Grave is just another bit of proof that Rankin is among the genre’s crème de la crème.

—–

4 Stars
2019 Library Love Challenge

The Impossible Dead by Ian Rankin: Malcolm Fox Uncovers Corruption both Past and Present

The Impossible DeadThe Impossible Dead

by Ian Rankin
Series: Malcolm Fox, #2

Hardcover, 391 pg.
Reagan Arthur Books, 2018
Read: December 24 – 26, 2018

Detective Paul Carter has been found guilty of some pretty clear-cut criminal activity. Fox and his team have been brought into investigate a neighboring force, Carter’s own, to see who might have been involved with him — or at the least covered up for him. They weren’t involved with the original investigation, but that doesn’t keep anyone from hating them as they come in for the follow-up.

Not too surprisingly, they’re getting nowhere fast. So they go fishing — not talking to the detectives they’re looking into, but witnesses and others. One of them ends up dead not long after Fox talks to him. There’s enough hinky in the crime scene, what the witness had told Fox — and the fact the detectives in charge are the same ones that Fox and his team are looking into, that Fox determines he needs to look into things.

There’s a tie between this murder and an old cold case involving a firebrand politician tied to the more militant wing of Scottish Nationalism. Fox is convinced that the two crimes are linked and he sets about proving who killed one man as a way to finding the killer of the other. This two-pronged focus of the book keeps Fox, his partners, and the readers on their toes.

Despite all the differences between the two characters (which will become even more obvious, it seems in the next Rebus book), they ultimately operate best in the same way, as lone wolves. But when Rebus goes off on his own and causes trouble, it’s just par for the course. When Fox does it, it’s out character — he’s a team player (at least he wants to be), so there’s a lot of mechanics involved in getting him off on his own. In The Complaints it took a conspiracy to isolate Fox, here, it takes one detective Fox crossed to take advantage of his tenuous link to a crime.

But on his own, Fox will do more to uncover the facts not just of the murder he’s wanting to investigate, the investigation he’s supposed to be running, and a very cold case. Yes, he does work with his friends who are still on the inside, to confirm or deepen his knowledge (and he does feed information back to them), but he’s very much on his own.

There’s a good amount of family drama again for Fox — grounding Fox and giving a dimension to the character that is good to see (even if it doesn’t always bring out the best in him).

I very much enjoyed watching Fox work — and try to stay near the system, if he can’t stay in it. The solutions to the crimes are well done — by both Fox and Rankin. We even get a little bit of a cameo-like appearance of good ol’ Rebus. Nothing about this really blew me away, but I was gripped throughout, and entertained by the whole thing. Rankin’s good enough that he doesn’t have to dazzle you as a reader to be very aware that you’re in the hands of a master. Fox would be worth following on his own, and I’m glad we got to see him for a couple of books before he comes park of the greater universe surrounding Rebus.

—–

4 Stars
2018 Library Love Challenge

My Favorite Crime/Mystery/Detective/Thriller Fiction of 2018

Once I settled on dividing this chunk of my reading out for its own list, I knew instantly half of the books that’d make it before I looked at just what I’d read in 2018. After going through that list, I had 15 more candidates for the other 5 spots. Whittling those down was hard, but I’m pretty comfortable with this list. That doesn’t mean the other 90 or so books I read in this family of genres were bad — most were great (I can think of maybe 5 I could’ve missed). But these are the crème de la crème.

Man, I wanted to write the crème de la crime there. But I’m better than that.

Not all of these were published in 2018 — but my first exposure to them was. As always, I don’t count re-reads, or almost no one could stand up to Stout, early Parker, etc. and my year-end lists would get old fast.

Now that I’m done with this, I can focus on 2019.

(in alphabetical order by author)

The Puppet ShowThe Puppet Show

by M. W. Craven

My original post
A book with some of the darkest moments I came across last year — and some of the brightest, too. The mystery was great, the character moments (not just between the protagonists) were better — great rounded, human, characters. Even after I saw where Craven was going with things, I refused to believe it — and only gave up when I had no other choice. Two (at least) fantastic reveals in this book, very compelling writing and fantastic characters. What more do you want? Washington Poe and Tilly Bradshaw are two of my favorite new characters and I can’t wait to see where they go next.

5 Stars

Needle SongNeedle Song

by Russell Day

My original post
I could pretty much copy and paste that above paragraph for this one. It never gets as dark as The Puppet Show, but the depravity displayed is bad enough to unsettle any reader. What makes this story compelling isn’t really the crime, it’s the way the crime impacts the people near it — those who lost a family member (I don’t want to say loved one) and those who are close to the suspects. Yakky and Doc Slidesmith are characters I hope to see again soon, and I want to bask in Day’s prose even more.

5 Stars

She Rides ShotgunShe Rides Shotgun

by Jordan Harper

My original post
The story of a little girl being surrounded by death and destruction, with both looming and threatening her all the time, and her discovering how to be brave. The story of a man trying to be a good father — or just a father. The story of survival. A story of revenge. A story about all kinds of violence. Wonderfully told.

4 Stars

WreckedWrecked

by Joe Ide

My original post
Not as entertaining as IQ, but it works as a novel in ways the previous two didn’t. I don’t know if I could put my finger on it, but it’s there. Wrecked is a clear step in evolution for Isaiah, Dodson, and probably Ide. It definitely demonstrates that the three are here to stay as long as Ide wants, and that these characters aren’t satisfied with being inner-city Sherlock/Watson, but they’re going places beyond that. Some good laughs, some good scares, some real “I can’t believe Ide ‘let’ them do that to Isaiah” moments — a great read.

5 Stars

A Mint Condition CorpseA Mint Condition Corpse

by Duncan MacMaster

My original post
I put off reading this for reasons I really don’t understand and haven’t forgiven myself for yet. But the important thing is that I read it — it took me a chapter or two to really get into it, but once I did, I was in hook, like and sinker. In my original post I said this is “a joy to read; full of characters you’ll want to spend days with, that you’ll want to have over for Thanksgiving dinner just to lighten things up and distract you from Aunt Martha’s overcooked yams and dry turkey; a completely fun time that’s very likely most I’ve enjoyed a book in 2018. It is escapist. It is silly. It is clever.” I also said, “Probably the 5-Star-est 5-Stars I’ve given this year.” There are a couple of books that could compete for that line, but I’m not sure they’d win.

5 Stars

My Little EyeMy Little Eye

by Stephanie Marland

My original post
Fantastic, fantastic premise. Great hook. Another great pair of protagonists (although most of their work is independent of each other). A True Crime blogger and a DI racing to uncover a serial killer, while battling dark secrets, dark pasts, and outside pressures that threaten to derail them at every turn. Marland surprised me more often and in more ways than just about any author this year. I was floored by some of them, too. A great puzzle, a great mish-mash of amateur detective and police procedural.

4 1/2 Stars

Her Last MoveHer Last Move

by John Marrs

My original post
I didn’t realize what I was getting myself into when I said yes to this Book Tour request. I’m not sure I could have — no offense to Mr. Marrs, but I don’t think I’d heard of him before. He’s definitely on my radar now. This was brutal, devastating, shocking, and just about every other adjective reviewers (professional and otherwise) overuse when describing a thriller. Marrs did so many things I didn’t think he would do. He didn’t do a lot that I thought he would (and seemed to mock the idea that he’d so some of what I wanted him to do). I spent a lot of time while reading this book not liking him very much, but so grateful I was getting to read the book. I’m still upset by some of it, but in awe of the experience.

5 Stars

Stoned LoveStoned Love

by Ian Patrick

My original post
Sam Batford, undercover cop, is back in a sequel that shows real growth from a very impressive debut. Batford is in incredibly murky ethical and legal waters — and that’s not counting what his undercover op is. Any misstep could ruin his career, end his life, land him in prison — or all three. Actually, those options hold true even if he doesn’t make any missteps. There are so many balls in the air with this one that it’d be easy to lose track of one or more. But Patrick doesn’t seem to struggle with that at all — and he writes in such a way that a reader doesn’t either. That’s a gift not to be overlooked. I liked the overall story more than it’s predecessor and think that Patrick’s writing was better here. This is a series — and a character — that you really need to get to know.

4 1/2 Stars (I remember liking it more than that…I’m sure I had a reason at the time)

Exit MusicExit Music

by Ian Rankin

My original post
I’ve spent enough time with John Rebus over the last couple of years that I knew one of the books had to end p here, I just wasn’t sure which one. Exit Music ended up on the Top 10 not so much for the main mysteries (although they put the book in contention), but for all rest of the things that the novel was about — Rebus’ moving on (not knowing how to or to where), Siobhan moving on (and not sure she wants to), and the dozen or so little things surrounding the two of them and their work. Even Big Ger was kind of moving on here — and that’s just strange to read about. Exit Music would’ve been a great way to say farewell to John Rebus, I’m just glad it wasn’t that.

5 Stars

Trouble is a Friend of MineTrouble is a Friend of Mine

by Stephanie Tromly, Kathleen McInerney (Narrator)

My original post
If not for Kirby Baxter (above), I could say this was the most fun I had with a Mystery novel this year (not to take anything away from the sequels on that front). This is just the right mix of high school hijinks, teen drama, quirky characters and writing with panache. Zoe and Digby are a great combo of smarts, recklessness and responsibility as they work their way through puzzles surrounding missing kids, drug dealing doctors, and some strange cult-like group. You can feel the chemistry between them — like Remington Steele and Laura Holt, David Addison and Maddy Hays, Cumberbatch’s Sherlock and Freeman’s Watson. Throw in their friends and frenemies and you’ve got a recipe for fun and suspense. I listened to this on audiobook (and bought the paperback for my daughter before I got to the end, I should add) and McInerney’s narration was perfect — she captured the spirit of the book and made the characters come alive.

4 Stars

The Complaints by Ian Rankin: Introducing the anti-Rebus, Malcolm Fox

The ComplaintsThe Complaints

by Ian Rankin

Series: Malcolm Fox, #1

Hardcover, 438 pg.
Little, Brown and Co., 2011

Read: November 20 – 22, 2018

I left the last Rankin book thinking, “If I didn’t know that there were more Rebus books coming, I’d be really depressed.” There are advantages to being this far behind a series. Thanks to a podcast interview I heard with Rankin around the time I started to plan my Rebus reading (I think it was this A Stab in the Dark episode), I knew that at some point, he pushed “Pause” on Rebus to introduce a new character — initially, I think, to replace Rebus. But it didn’t work out that way. Still, I wanted to read them in chronological order, so I could appreciate it when the new guy was merged into the Rebus books.

And that’s where we are now, with the introduction of The New Guy: Malcolm Fox, of the Complaints and Conduct division (aka “The Complaints”) — essentially, Internal Affairs (aka “The Rat Squad”). It’s almost like Rankin came up with a list of Rebus’ characteristics and put a “not-” in front of every one of them to create him. He doesn’t drink (because he’ll end up like Rebus does, or worse), he follows the rules (generally speaking), he gets along with and respects/trusts his superiors, he’s close with his family . . . et cetera, et cetera, et cetera. He’s a lot more likeable than Rebus, too — as a person and as a fictional character. He’s not as well-developed — this is his first book and Rebus had 17 at that point, so that makes sense. Although, typically, IAB/Complaints type characters are usually dramatic obstacles to the series protagonists and are therefore little-liked, so that was strange.

The novel starts with Fox riding high — he’s just closed a major investigation, and is doing clean up on that when he’s given a new assignment. He’ll be helping out another division — I suddenly forgot their name, but essentially, they’re the equivalent of the Special Victims Unit. So right away you know this is not going to be a fun book — a detective who polices the police investigating sex crimes. There’s just no way to paint a “fun-loving romp” face on that premise.

But before we can get too far down that road, a pretty big complication arises. (Minor Spoiler warning) The abusive boyfriend of Fox’s sister is found murdered. And guess who is the first suspect? That’s right. Better yet: guess who is one of the investigating officers? If you guessed the target of Fox’s new investigation, give yourself a pat on the back.

So Fox has to investigate a detective without him knowing about it, while being investigated by that same detective — and to keep it from looking like payback. Which is a pretty cool setup for a novel, you’ve got to admit. Better yet, it’s Rankin behind the wheel, so you know he can (and does) deliver on the setup.

The bulk of the novel is about Fox doing his best to find the killer — for his sister’s sake (primarily) — and keep himself out of the cross-hairs of the investigators. This will lead him to some very not-regulation investigative techniques, some of which might remind people of the Rankin creation that Fox isn’t. The mystery itself and the way it’s told is classic-Rankin. Lots of twists, a couple of good turns, very satisfying throughout.

Meanwhile, we get a pretty good character study/introduction to this new character through this — and through a friendship he develops with another detective during this. I really enjoyed the novel, and Rankin gave his new character a serious challenge to start with, a very cleverly constructed mystery to untangle. Fox is a worthy entry into the world of Rebus and Rankin.

I’ll leave with this — if after 2007’s Exit Music I’d have been nervous about what was to come next, I’d have been relieved after 2009’s The Complaints. Now, I’m just eager to see the two detectives on the same page.

—–

4 Stars
2018 Library Love Challenge

Exit Music by Ian Rankin: Rebus has one more shot at Big Ger before he retires

I got off-track with these books when I took my trip out of state for my son’s transplant (I was due to go to the library to pick this up the day we got the call), and it took me a bit to get back on top of things. I’m so, so glad I was able to return to this world. I missed it.

Exit MusicExit Music

by Ian Rankin
Series: John Rebus, #17

Hardcover, 421 pg.
Little Brown and Company, 2007
Read: October 17 – 18, 2018

Before I get into this, last week my son was playing some EASports game — FIFA something, I think. Anyway, I notice that he’s playing Hiberian, and my first thought is, “Hey, that’s Siobhan’s team.” That’s a sign that I’m probably reading too many Rebus novels, right? Anyway, on with this post…

           “No sign of any abandoned cars in the multistory?”

“Good point, Shiv, I’ll have someone check. Talk to you later.” The phone went dead, and she managed a little smile, hadn’t heard Rebus so fired up in several months. Not for the first time, she wondered what the hell he would do with himself when the work was done.

Answer: bug her, most likely–phone calls daily, wanting to know everything about her caseload.

I think many readers, like DS Clarke, have wondered just what Rebus will do after retirement — which is looming as this book begins. Actually, it’s more than looming — it’s 10 days away. Ten days of Rebus trying to squeeze in any last-second mentoring he can, ten days of him trying to get Clarke invested in cold cases he can’t let go of, ten days of Rebus trying to stay relevant, active . . . ten days of John Rebus trying to remain John Rebus.

John Rebus has no family left, few friends, only a handful of colleagues that trust him, no plans for retirement at all. He’s going to have to come up with something, he knows, but he can’t really contemplate that reality, much less plan for it.

But first, there’s a murder — a man without any identification on him has been found by a few pedestrians out for a late-night walk, apparently beaten to death. A literately-inclined morgue worker recognized him as a Russian exile and poet of note. Plunging Rebus and Clarke (named to lead the investigation, only because of Rebus’ impending retirement *wink*) into an investigation with international implications.

Funnily enough, a contingent of Russian businessmen is in Edinburgh looking for investment opportunities, all of which are welcomed and encouraged by members of Scottish Parliament — especially by those MSPs seeking independence. None of the MSPs have any interest in their Russian friends being hassled by detectives over a pesky little thing by murder. Even if the victim was drinking in the hotel they were staying at shortly before the murder.

But once Di Rebus finds not only a link between the victim and their hotel bar, but a link between the poet and Gerald Cafferty, and links between Cafferty and the Russian delegation? All bets are off. The clock is ticking on his career — and the ticking is getting really loud — but here’s Cafferty with some sort of connection to a murder victim? There’s no way that John Rebus can let this go (not that Siobhan Clarke is that interested in letting this opportunity pass by, either).

The investigation isn’t making too much progress, but maybe is getting far enough, when someone else connected to the case is killed. And the investigation looks like it’s dealing with a web of drugs, prostitution, blackmail, international interests, politics, a large national bank a poet, and Cafferty. Which would be a lot to deal with even without Rebus’ deadline.

While preparing for Rebus’ departure, Clarke takes a uniformed PC under her wing — he has talent and ambition — he was one of the two initial officers at the site of the original murder and wants to be a detective soon. Clarke brings him along with her to many interviews and visits to various places in the investigation, as him run errands and even do some of the grunt work (scouring through hours of audio recordings that may or may not hold relevant information). He’s an interesting character — he adds some emotional weight to some scenes, and comic relief in others.

It’s possible that Rebus is at his most introspective in these pages — he knows his career is finished and that in no time at all he’ll be forgotten by just about everyone. What’s been the point of it all?

           Outside in the car park he unlocked his Saab, but then stood there, hand on the door handle, staring into space. For a while now, he’d known the truth–that it wasn’t so much the underworld you had to fear as the overworld. Maybe that explained why Cafferty had, to all purposes and appearances, gone legit. A few friends in the right places and deals got done, fates decided. Never in his life had Rebus felt like an insider. From time to time he’d tried–during his years in the army and his first few months as a cop. But the less he felt he belonged, the more he came to mistrust the others around him with their games of golf and their “quiet words,” their stitch-ups and handshakes, palm greasing and scratching of backs.

Still, he perseveres, he gets into hot water with his superiors, with Clarke, with government officials, and — of course — Cafferty. In the end, despite the large number of detectives eventually working on the murders, Rebus is the only one to focus on the important facts (it helps that he’s not worried about what happens after the arrest, like everyone else is) and makes the important conclusions so that the cases can be closed in time for him to leave the force. It’s really a nice bit of storytelling by Rankin here, and I’d be very happy reading it even without all the hubbub around Rebus’ retirement. And then Rankin ends it with a jaw-dropping final chapter and a last line that just about floored me.

I’m so glad that I’m discovering these books now — when I know that there’s a future for Rebus (even if I’m not really sure what it is, but there are 5 books to come, at least). It can’t have been easy for Rebus fans to close this book not knowing what Rankin was going to do next.

At the same time, this remains a decent entry-book — like every other book in this series. Sure, you get more of the emotional weight if you’ve been reading about the DI for several books, but Rankin writes them in a way that the weight can be seen regardless.

I think if this were any other Rebus book, I’d rate it 4 stars for the case work, the internal squabbles with the hierarchy and the politics — but when you add in Rebus counting down the last ten days of his career, the hope of this case leading him to one more shot at Cafferty, the reflections on what he’s done and why he’s done it and what it cost . . . essentially, all the intangible things, the parts of a novel that are hard to pin down, much less describe. All that combined with a strong story, some excellent non-Rebus/Clarke/Cafferty character development (not that theirs isn’t strong as usual, but this is a new characters) — and it’s easy. Rebus retires with a 5.

—–

5 Stars

2018 Library Love Challenge