Category: Robert B. Parker Page 1 of 6

Robert B. Parker’s Broken Trust by Mike Lupica: Lupica Earns Some Trust from This Longtime Spenser Fan

Robert B. Parker's Broken TrustRobert B. Parker’s Broken Trust

by Mike Lupica

DETAILS:
Series: Spenser, #51
Publisher: G.P. Putnam's Sons
Publication Date: November 28, 2023
Format: Hardcover
Length: 382 pg.
Read Date: November 30-December 2, 2023
Buy from Bookshop.org Support Indie Bookstores

We sat there in silence for a few moments, as if each of us were waiting for the other to make the next move. It often went this way with potential clients, like an awkward first date, and just how much they wanted to drop their guard.

“So how can I help you, Mrs. Crain?”

“Please. Laura.”

“So how can I help you, Laura.”

Her blue eyes were so pale as to be as clear as glass.

“That’s the thing,” she said. “You probably can’t.”

What’s Broken Trust About?

From that promising start, Laura Crain—the wife of the US’s 6th richest man—asks Spenser to help. Her husband has been acting strangely, and neither Laura nor his business partner can understand why. Their company is on the verge of completing a merger that will make them richer yet and will secure the company’s place in the electric car market.

The richer part isn’t that important—outside of the increasing opportunities for the very philanthropic couple to give even more money to causes. But strengthening the company to keep doing what it’s been doing is important to the Crains—they’re committed to this kind of environmentally friendly industry.

Spenser has a hard time starting his investigation because it’s such a vague target—maybe he can’t help her after all, but something about Laura Crain makes him want to try. He’s (reportedly, although some downplay this) almost paranoid, having outbursts—one nearly violent one is witnessed by Spenser—and his volatility puts many things at risk.

Then someone tied to the company is murdered. Spenser is threatened. Not long after that, someone else dies, too (probably another murder, even if it’s initially unclear). And now Spenser has a bigger mess to look into, assuming he can keep everyone else connected to the case safe and the target off his back.

The Obligatory Street-Cred Establishment

Each time a new author takes the reins of a Parker series, their first book is full of them establishing their bona fides when it comes to the series. They have to show that they understand the protagonist, the supporting characters, and the history of the series through references to past cases, quick/extended appearances of various supporting characters, etc. And Lupica goes above and beyond with these—almost all of them feeling like they were apropos in the moment, thankfully. I started to keep a mental list of his efforts, then I switched to writing them down when the list got long enough—then I abandoned it because I had better things to pay attention to and it was getting too long to print here.

The punchline? The dude knows his stuff and can show it off.

He even brings in a connection to Gino Fish. Given how long Gino’s been dead, that was nice. And, as difficult as it might be to justify returning to that connection, I’d enjoy Lupica finding a way to do it. I really enjoyed that particular character.

Now, I didn’t think that Sunny Randall’s quick appearance was necessary—nor do I think Richie Burke added much. But I liked how the latter was used (which may contradict what I just said about him), and it was a clever thing to do.

Martin Quirk

Martin Quirk gets a couple of good scenes here and his presence is felt outside of them, too—Belson brings him up a few times, which helps—but Quirk casts enough of a shadow it wasn’t that necessary. Part of that is due to the whole cred establishment, but not all of it, I don’t think. It also fits pretty well with this book—and you’d expect someone with his rank to be getting involved given the prominence of the people involved in these murders.

Beyond that, however, if Lupica wasn’t planting seeds for something major on the Quirk-front in the next book or two, then he faked me out pretty well. I hope he didn’t because I’m pretty curious about it—we haven’t gotten a lot of good Quirk material in a long time (since he got Spenser out of that southern jail cell back in the 90s, maybe?).

Mike Lupica

And what’s going on with Quirk is just one of the moves Lupica is making to put his own stamp on this series. And that’s one of the things I really appreciate about both the Publisher/the Estate’s handling of these authors taking over—they allow them to make changes to the characters. I’d absolutely understand if they had to keep the characters in some sort of stasis from how Parker had left them, like an ’80s TV drama or something.

I’m holding off forming an impression about what Lupica is doing with some of the characters at this point, I need to see it worked out a little more. But I do appreciate him taking ownership and making the moves.

I’ll be frank—I thought he did okay with the Sunny Randall books (the series I have the least attachment to, so I didn’t care too much how he did), and while I thought he was a step down from Coleman, he’s doing okay with the Jesse Stone books. But giving him the keys to the Ferrari of Parker’s series? That seemed like a dangerous move.

However, I think of all his Parker-verse work, this was the strongest. He rose to the occasion, and I’m greatly relieved. I hope he can continue it.

So, what did I think about Broken Trust?

He looked around. “We looking fo anything in particular?” Hawk said.

“What we’re always looking for,” I said. “Something that will make us feel smart when we find it.”

“Could be here awhile,” he said.

One of my favorite parts about almost every Spenser novel is the initial conversation between Spenser and the client. Lupica nailed it, I thought. After that strong start, things kept rolling at or near that level for just about the rest of the book.

It wasn’t perfect, by any means, but it was quite good. For example, some of the Hawk-Spenser banter is a little jokier than usual—Hawk, in particular, seems a little looser as he teases Spenser over a handful of things. It’s subtle, but it’s there. I enjoyed it—maybe too much—but I think Lupica could dial back Hawk a notch or two.

To be a little more pointed: the last page (or so) of Chapter Eighty-Three, all of Chapter Eighty-Four, and the last half of Chapter Eighty-Five (which, sadly is the last half chapter of the book) were let-downs. If you took the first half of Eighty-Five and put it earlier and made Eighty-Tree/the novel end with the conversation in Spenser’s office, I’d have been more satisfied. I can’t remember when I’ve been so specific about this kind of thing (not a habit I’m inclined to get into, either)—but that probably says how much it rankled me. I probably would’ve given the book another half-star (at least) without these pages.

Lupica did a good job with Susan—a character that can frequently be divisive, but he dealt with her well (and the conversations with her about the case didn’t drag the book down). Other than Hawk’s teasing, I thought he did a great job with Hawk and the other returning characters*.

* He did brush off one of the more tantalizing things that Atkins left for him regarding Hawk in less than a sentence, however. I think that was a mistake, but I get it, too.

As for Spenser himself? I give Lupica high marks—both for keeping Spenser vulnerable, fallible, and human while seemingly superhuman at times. There’s a point where Spenser wonders if he’s invented a red herring for himself on one line of inquiry, which was a nice touch. Spenser takes probably the least likely punch he’s received in the series to date—and I believed it (and quite enjoyed the fallout). Basically, he treated the character with the respect due, and I suspect that comes from a fellow fan’s heart.

I really liked the case—and the turns it took. I do wonder if Lupica wrote himself into a little corner and had to use a deus ex machina to get him out of it in the latter chapters. It worked well enough that I’m not complaining—nor am I wholly convinced that’s what happened. It just seems like one (which is bad enough). But the layers to the case, the motives of the potential suspects, how everything played out in the end, and the secrets that came to light (and how they came to light) were really well handled and worthy of Parker at his best.

Color me satisfied with this one, and my trust in Lupica strengthened. I think this would be a decent jumping-on point for someone curious about the character—or the idea of an aging PI still plugging away at things. Check this one out.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Robert B. Parker’s Fallout by Mike Lupica: Two Murders Rock Paradise

When I started to write this, I thought it’d be a 5 +/- paragraph post, but apparently I can’t shut up about books in a Parker series (and I did try).


FalloutFallout

by Mike Lupica

DETAILS:
Series: Jesse Stone, #21
Publisher: G.P. Putnam's Sons
Publication Date: September 5, 2022
Format: Hardcover
Length: 353 pg.
Read Date: September 7-8, 2022
Support Independent Bookstores - Visit IndieBound.org

“I guess drinking was his way of dealing with it tonight.”

“That was always my first option,” Jesse said. “And second. And third. But no matter how many times I tried, it never seemed to work.”

There was a pause at her end.

“He didn’t get into any fights, did he?”

“Just with himself,” Jesse said. “Spoiler alert? He lost.”

What’s Fallout About?

There are two murders for the Paradise Police Department to focus on in this book—and both have a lot of personal resonance.

The first is the suspicious death of Suit’s nephew. He was a senior in High School and a hot college baseball prospect—naturally, a great athlete—and had been getting better because of Jesse’s mentoring. Suit thought of Jack as a son more than a nephew and he’s devastated by this. It’s unclear if he died after a drunken fight at a party, or if he’d been driven by inner demons to end his own life. No one wants to believe the latter—but they can’t rule it out. A very not-subtle cone of silence around the team is being enforced—as that was pretty much all of Jack’s life, that means the investigation isn’t getting very far.

Some time ago, a former Paradise Police Chief moved back to town and befriended Jesse. The two regularly had dinner together, and one of the first things we see is a meal between Jessee and Charlie Farrell. The woman that Charlie’s been seeing was recently swindled out of a few thousand dollars and now it looks like scammers have targeted Charlie. He’s been retired for decades, but still has the instincts and reflexes to try to track them down himself rather than turn things over to Jesse’s crew. He must’ve been on the right track because he was killed. This shakes (an already shaken) Jesse, who sets his sights on this case so much that he turns Jack’s death primarily over to Molly. He was Chief before any of the officers we know joined the force (as far as I can tell), but it’s still about “one of their own.”

Jesse’s Battle with Alcohol

I’m not crazy about Lupica’s way of dealing with Jesse’s alcoholism compared to Coleman’s—but it’s better than Parker or Brandman did. But I really liked Jesse’s ruminations about people being able to stop drinking while the bottle still had something left, or when the option to order another glass was available. Actually, all of the material about his drinking in this book was good—better than he’s given us so far. Hopefully, the trend continues.

Miscellaneous Bullet Points

I don’t have time/inclination to expand these beyond brief paragraphs—but I felt compelled to mention a few things.

bullet Okay, the over-use/over-reliance on Crow, basically making him Jesse’s Hawk, bugs me. It also doesn’t do that any favors for the character of Crow or Jesse—and really doesn’t help Molly’s character in any conceivable way (although Lupica may have a long game there). Parker (inadvertently?) tamed Hawk by using him too much—and was well on the way to doing that with Bobby Horse and Chollo, too. And now Lupica’s doing that with Crow. Use him less (far less) and he retains his mystery, his edge, and his ability to do the things that Jesse won’t do.

bullet This isn’t evaluative, per se, I guess I’d file it as a general musing—it felt to me like this book was (for lack of a better term) swear-ier than I’m used to. Parker and the other authors in the Spenser-verse have never been reluctant to use a four-letter word when the situation called for it, by any means. It seemed like a noticeable uptick in those words. I’m not saying that Lupica’s turned into Kevin Smith or anything, it just gave everything a slightly different feel. I wonder if that’ll continue, if it was just a blip, or if I’m imagining things.

bullet It really feels like Lupica is trying to write off Jesse’s son, Cole. Had Coleman continued with the series, I’m curious about how he’d have handled the character. I’ve had so many questions about his introduction in the first place, and now it feels like Lupica’s trying to pull a Chuck Cunningham with him—sending him to law school in London and taking him out of Jesse’s life. He actually thinks, “The kid sounded happy. Leave him alone.”

bullet So Molly came clean with her husband about her fling with Crow several years ago. Now her marriage is all but over. No one has given us enough time with Molly’s husband over the previous 20 books for us to get that invested in the marriage—so putting it on the rocks doesn’t do much for the character either. I really don’t care either way, except that it feels like Molly’s character is drifting and becoming a different person. But that happens to all of us, so I can’t complain on principle, just…

bullet Yeah, Parker created his three series in a way to allow the characters to intersect—but other than the Jesse/Sunny love story, and the Sunny/Susan therapy relationship, the primary characters didn’t intermingle too much. I’m not sure if the current approach of bringing them all together so much is the right way to deal with them. I’m not sure it’s not, either.

bullet Building from that—if you’re going to bring these worlds together so much, and if you’re going to introduce and kill off a police chief that coincidentally(??) shares the last name of a frequently used supporting character who is also a cop? Someone had better say something. If only so that readers stop thinking about it. In a Spenser-verse book, if someone talks about “Farrell,” I reflexively think, “Lee.” I can’t imagine I’m alone there—I just don’t get that character name choice. I bumped on it every time it was mentioned (and, as the central death in one of the two major storylines, it came up a lot).

So, what did I think about Fallout?

This was entertaining and occasionally clever. I don’t know that I felt the emotional impact of either murder—I felt for Suit, but I’m not sure I cared too much about it. Maybe if we’d been able to focus on what Suit was going through while he was doing the investigation—keep it a Jesse and Suit thing with some backup from Molly. In the end, it became primarily a Molly and Jesse thing with Suit in the background.

I don’t know if Lupica’s capable of delivering a great Jesse Stone novel, instead, I think we’re going to get a streak of pretty good—and consistently so—novels (well, he’s probably capable, but I don’t get the impression that it’s his goal). That’s good enough for me, I might want something more, but consistently good and entertaining will sustain my interest.

I’m not sure if this is the place to jump onto the series—but it’s not necessarily a bad place. It’s the 21st in the series, but you don’t need the knowledge that comes from the previous twenty. It might help, but not that much, you’ll not miss much at all.

A good time will be had by those who take a dip into these waters.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

A Spoilery Rant about Robert B. Parker’s Revenge Tour by Mike Lupica

Okay, if you want to know what I thought about the novel as a whole, click here. Or scroll past this post to the next one. I keep a hard no-spoiler rule around here, but I had to get something off my chest…

Revenge TourRobert B. Parker’s Revenge Tour

by Mike Lupica

DETAILS:
Series: Sunny Randall, #10
Publisher: G.P. Putnam's Sons
Publication Date: May 2, 2022
Format: Hardcover
Length: 319 pg.
Read Date: May 9-10
Support Independent Bookstores - Visit IndieBound.org


Seriously, don’t read on if you’re spoiler-phobic.

Robert B. Parker’s Revenge Tour by Mike Lupica: A Tale of Two Exes

Revenge TourRobert B. Parker’s Revenge Tour

by Mike Lupica

DETAILS:
Series: Sunny Randall, #10
Publisher: G.P. Putnam's Sons
Publication Date: May 2, 2022
Format: Hardcover
Length: 319 pg.
Read Date: May 9-10
Support Independent Bookstores - Visit IndieBound.org

What’s Revenge Tour About?

Back in book 3, Shrink Rap,* Sunny Randall helped protect best-selling author Melanie Joan Hall from her stalker ex-husband. He ended up in prison by the end and Melanie Joan and Sunny have remained close—Sunny has spent a few years living in her home, in fact, as Melanie Joan’s now based in California.

* Thanks to the magic of Fiction, that was 2002. I’m not exactly sure how few years are supposed to have passed between books 3 and 10, but I know it’s not 20.

Now she’s back in Boston, preparing to shoot a Netflix series based on her Romance series. She’s been wildly successful already, but this is set to make Melanie Joan Hall huge. Naturally, this kind of attention is bringing out enemies—including one who claims that the novel that started it all was plagiarized. Sunny needs to track down this anonymous accuser, quickly and quietly.

Meanwhile, Sunny’s dad, Phil, could use a little help. Years before he retired, he arrested the son of a prominent defense lawyer and helped ensure he served a long sentence. That son was just killed in prison, and the lawyer is harassing and threatening Phil. Sunny and Lee Farrell team up to help Phil.

Sunny gets some evidence that causes her to give credence to the claims against Melanie Joan, and their relationship is strained. Then people close to Melanie Joan start being murdered because Sunny doesn’t have enough going on. So, she has to clear Melanie Joan (or definitively establish her guilt), keep her safe, find out who is behind the plagiarism and/or murders, and keep her father alive while stopping this lawyer. Sunny’s going to need all her allies—and get a few new ones—to accomplish this To-Do list and get out of this alive.

The Two Exes

One of the people with the biggest grudges against Melanie Joan is her ex-husband, serving a life sentence for his crimes against Melanie Joan, Sunny, and Richie. Sunny travels to the prison to see if he might behind this all. In fact, he knows a disturbing amount about Melanie Joan, Sunny, Richie, Jesse Stone(!), and the threats against her father. I should probably mention that recently, Melvin was represented by the same lawyer currently harassing Phil.

I remember less than nothing about John Melvin—it’s probably been 15+ years since I re-read Shrink Rap last. But based on what Lupica does with him he’s easily in the top 5 creepiest characters in the Parkerverse. And Lupica uses him as much as he can in this book. (but wisely not over-much) Why is it psychologists make the best bad guys? (see also Thomas Harris, Dennis Lehane, and a couple of other examples that will pop into my mind about 30 seconds after I publish this but that I can’t think of now)

But before John Melvin, Melanie Joan had another husband—he was her writing professor in college (feel free to cringe at that, Sunny does). Melanie Joan credited Dr. Charles Hall with helping her get her first novel into shape. So if anyone’s going to be able to clear her from these charges—or condemn her—it’s going to be him. Sadly, he’s in poor health and suffering from some sort of dementia. His current spouse (another former student) can give Sunny some information, however.

I’ve Got a Beef

I think that Lupica makes a giant misstep in this book, but to talk about them would involve spoilers. If you’re curious, I’m going to post something separately about it so I can keep this post spoiler-free. If you’re not curious, I’m not sure I blame you.

So, what did I think about Revenge Tour?

Lupica threw everything he had into this last go-round with Sunny. Almost every character he’s used makes an appearance or gets their name used a couple of times—plus a few others from the Parkerverse. The story is more intricate than anything he’s given us thus far, too.

Aside from the spoiler stuff, I don’t have much to quibble with. I think I could’ve lived with fewer TV references, they seem out of place in this universe. One would be okay, but there are more than a few. I also think the Phil Randall story resolved too easily—but it helped set up the rest of the novel, so I can see why Lupica made the choice.

At the end of the day, I was really impressed with this one. I’ve said it before, and I’ll say it again—I think Lupica did a better job with Sunny than Robert B. Parker did, and this novel solidifies that. I’d be content with him writing this series for a decade, but I have high hopes for Alison Gaylin as she takes the reins.

If you’re even a casual reader of the Sunny Randall novels, this is one not to miss.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Robert B. Parker’s Bye Bye Baby by Ace Atkins: Atkins’ Farewell to Spenser Will Not Disappoint their Fans

Bye Bye BabyRobert B. Parker’s Bye Bye Baby

by Ace Atkins

DETAILS:
Series: Spenser, #50
Publisher: G.P. Putnam's Sons
Publication Date: January 11, 2022
Format: Hardcover
Length: 304 pg.
Read Date: January 19, 2022
Support Independent Bookstores - Visit IndieBound.org

Over the years, many things have changed about my profession. I no longer kept an actual landline on my desk. Since no one had called it since a little past the first of the millennium, I discontinued the service.

My superhuman ability to scroll through microfilm was no longer in demand. Almost anything I needed to look up, from old news stories, to criminal histories, to vehicle records, could be found online. Although I missed my visits to the Boston Public Library, I’d accepted the long, boring hours at my desk, thinking about how many old cases I could’ve solved with Google.

What’s Bye Bye Baby About?

Spenser’s hired by the campaign manager for a Congresswoman during her first re-election bid. Carolina Garcia-Ramirez, aka CGR, has had enemies since she first announced her candidacy (despite its reputation, Boston has a fair share of people antagonistic to a progressive woman politician—especially if she’s a minority), but lately, the threats are more specific and indicate inside information. Despite the Congresswoman’s resistance to the idea, Spenser joins her team as both a bodyguard and to investigate these threats.

Suspects range from any number of racist and alt-right groups, lone individuals, and someone related to the campaign of her opponent—the same man she unseated during the last primary.

It’s not long before Spenser runs into FBI agents, who have a different agenda regarding the Garcia-Ramirez. Spenser wants to stop whoever’s threatening her—as soon as possible. The FBI is more concerned with leveraging these threats into making a larger case against extremists in the region. They do agree, however, that the threats are real and the Congresswoman is in real danger.

The Hawk Storyline

In exchange for helping Spender on CGR-Duty, Hawk asks him to try to track down a woman from his past. Hawk rarely (that we see) asks Spenser for help with something in exchange for his services, so that was noteworthy in and of itself. But for him to ask for this kind of favor? Double strange.

Sadly, most of the developments in this story happen off-screen. And while there are plenty of surprises in it, because it’s so off-screen, it’s too easy to overlook what’s going on. (I honestly only remembered to write something about it just before I hit “Schedule” on this post)

Too Political?

There’s a lot of talk about Atkins making this too political (not the first time it’s been said about his Spenser novels). I can only imagine this was written by people who skipped a handful of Parker’s novels, primarily Looking for Rachel Wallace.

I say that not just because it was Parker at his (arguably) most political,* but this novel was clearly influenced by Looking for Rachel Wallace—I made note of the resemblance on page 18 (but I’d wondered about it before then), and it only became clearer as the book went on.

* Double Deuce, Thin Air, and Pale Kings and Princes jumped to mind as clearly political, too. If I let myself spend time thinking about it, I’d have no problem coming up with more.

Yes, Carolina Garcia-Ramirez/CGR, is obviously modeled on Alexandria Ocasio-Cortez/AOC. The crimes planned and attempted have similarly obvious recent real-world parallels. But this is not a book that only partisans can enjoy, if they can put up with Spenser pushing back on the stances of his Republican client in The Widening Gyre*, they can put up with this. Come to think of it, The Widening Gyre is pretty important for the background to this book.

* Oh, look, another one!

Also, if taking a strong anti-racist stance is going to get someone who’s a fan of Hawk, Bobby Horse, Chollo, and Sixkill decrying the political stance. Maybe they haven’t been paying attention to the series.

Bye Bye, Atkins

“Have you found any suspects?” Susan said.

“Nope.”

“Got any leads?” she said.

“Zip.”

“Planning on doing more than just poking around and annoying people?”

“Why mess with a winning formula?”

Alas, that’s exactly what’s going to happen—the winning formula of Ace Atkins donning the Parker mantle for this series is no more, and Mike Lupica will be taking over.

Atkins is moving on so he can write some projects of his own that he doesn’t have time for while handling Spenser. That’s absolutely understandable, and I look forward to seeing what he’s going to do. But I’m going to miss him with these characters and series—I remember being about a quarter of the way through Lullaby and breathing a sigh of relief—not only was he as good as Parker, he was as good as Parker in his prime. I thought I’d be saying goodbye to a very old friend after Parker died, and Atkins let me hang on a little longer.

I’m a little worried about the series. Lupica’s doing a good job with Sunny Randall (his last one is forthcoming this year), and isn’t bad with the Jesse Stone books. But I doubt he’s going to be as good as Atkins with Spenser. I’m hoping to eat my words, though.

So, what did I think about Bye Bye Baby?

“You think these threats could be legitimate?”

“Maybe” [Wayne Cosgrove] said. “Hell, It only takes one person. It’s just a goddamn mess to see through all the noise and bluster these days. Everyone is angry. Everyone has an ax to grind. At least in the old days, a nut had to roll a sheet of paper into the typewriter or paste together some jumbled clippings from a magazine. But now all they have to do is use a dummy email account and be done.”

“The perils of sleuthing in the twenty-first century.”

It’s a little hard separating my feelings and thoughts about this book from Atkins’ entire run with this being his last, but I’m going to try.

I don’t think this was his strongest outing—nor was it his weakest—but it was as fun as you could want. Spenser’s wit was on full power, as was his gift for observation. The mid-novel fight scene was pretty good–as were the other action scenes. The campaign staff were believable and interesting—as was CGR (although her boyfriend got on my nerves, I think by design). A lot of that story was predictable, but Atkins told it well enough that you didn’t mind—there are only so many things you can do in a story about bodyguarding someone, after all. There were also plenty of unexpected things along the way, so even if the destination was clear all along, Atkins’s route to it wasn’t.

The only sour note for me was the investigation for Hawk—it felt like Atkins had a good idea at the beginning, and just didn’t have the time to develop it as he should’ve. I do wonder if he was just setting something up for Lupica. It’s the only thing that makes sense to me.

Atkins brought out all of the major characters from his run, and many from Parker’s, for one last ride—it was great to see them before the hand-off. Atkins even made one major character move (one might say it was overdue and something that Parker should’ve done).

This would work as a jumping-on point to the series—although I can’t imagine here in book 50 that there’s anyone who hasn’t tried the series but is considering it. But more importantly, it’s one for the fans written by a fellow fan, and that audience should be more than satisfied with it.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: Robert B. Parker’s Stone Throw by Mike Lupica: The Twentieth Jesse Stone Novel Shows this Series Still has Plenty of Life in It

Stone's Throw

Robert B. Parker’s Stone’s Throw

by Mike Lupica
Series: Jesse Stone, #20

eARC, 336 pg.
G.P. Putnam’s Sons, 2021

Read: August 17-18, 2021
Grab a copy from your local indie bookstore!

What’s Stone’s Throw About?

The mayor of Paradise is found dead at the site of a contentious land deal—it’s one of the most sought-after properties in Paradise, and the City is preparing to weigh in and deciding which of two buyers get to put a casino on it—while several citizens are trying to block the sale at all. The mayor is clearly sympathetic to the anti-sale voices, but it doesn’t look like he’s going to be able to do anything to stop it going forward.

And then he apparently commits suicide on that piece of real estate. Jesse’s not so sure about the suicide part, however, it doesn’t make sense to him for several reasons—his friendship with the mayor is just one of them (the fact that the left-handed man seemingly used his right hand to shoot himself would be another).

Jesse just has to decide who has the most motive to kill him—one of the buyers? The seller? The anti-sale group?

Then the leader of the conservation movement goes missing, and his girlfriend is worried. Then it turns out that Wilson Cromartie—Crow—is working for one of the casino builders. He and the Paradise Police Department have a very shaky history—his criminal past (all beyond the statute of limitations) makes Jesse dis-inclined to trust him, no matter how much assistance he rendered in finding a missing girl later. Is Crow on the side of angels this time, or could he be behind the mayor’s death?

In a case that clearly calls for someone to “follow the money” there’s so much of it flying around that it’d be easy to get lost trying that, there are no easy answers for Jesse and the rest of the PPD.

Molly

From the beginning of the series, Molly Crane has been one of the highlights of the books and of the Paradise Police Department. She’s loyal, competent, and has a big heart. She’s stood by Jesse when things were at their worst for him—covering for him as much as she could. She’s almost too perfect—except for the one time she slept with Crow. That’s pretty much the only time she’s done something wrong.

And since then—at least once per book*—Jesse has brought that transgression up. Every author—Parker, Brandman**, Coleman, and now Lupica—has had Jesse throw this in her face regularly. It’s always bothered me that it’s so constant, so frequent—the woman beats herself up for it, she’s been so good to Jesse, and this is how he treats her?

* As far as I remember, I could be wrong about that, I doubt there’s been more than 2 books without it.

** I honestly remember so little about the Brandman novels, I only assume he followed suit.

And now, Crow is back—and he and Molly interact a bit, both with others around and one-on-one. Without getting into anything, I hope that this allows Molly to get past this act of infidelity—and that Jesse stops bringing it up. Really, there’s an opportunity for closure here, and I hope Lupica takes it.

Talkin’ Baseball

I always liked that Parker wrote Jesse as someone who became a cop not because he had the drive to see justice done, to serve and protect, etc.—but because he had to re-evaluate his life after his baseball career-ending injury and then came to the career in law enforcement.

Parker treated this well, in a “road not taken” kind of way. Coleman did a good job with it—although Blind Spot was more about being part of a team, more than the sport. But Lupica? Lupica really knows how to write about this part of Jesse’s life. He has Jesse think about this a lot in the first chapter and I put in my notes, “this is the best passage in Lupica’s Parker books.” And then it comes up later in the book, too. I don’t know if it’s all the sports books in Lupica’s past, just a better insight into the mindset of the baseball player, or what—but this book has the best usage of Jesse’s former career that this twenty-book series has had.

So, what did I think about Stone’s Throw?

I wasn’t crazy about this at the beginning—it was always good, but I didn’t get sucked in right away. I also wasn’t crazy about the way that Crow was being used—it reminded me of the way that Parker took some of the danger away from Vinnie Morris, Bobby Horse, and Chollo after their initial appearances. But it started to grow on me the further I got into it—and by the last half, I was invested as I could’ve hoped to be.

And even if I wasn’t—just being back in Paradise with Jesse, Suit, and Molly is good enough.

Lupica’s got the voices down, he understands Paradise, he gets the cast of characters right and this book feels like he’s been writing Stone novels for more years than he has—I had to remind myself that this is only his second time with this series. I’d have easily believed this is the fifth.

Whether you’re new to Jesse Stone, or you’ve been reading them since the beginning, this is a novel that will entertain you and leave you looking forward to the next one.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Robert B. Parker’s Stone Throw by Mike Lupica: The Twentieth Jesse Stone Novel Shows this Series Still has Plenty of Life in It

Stone's Throw

Robert B. Parker’s Stone’s Throw

by Mike Lupica
Series: Jesse Stone, #20

eARC, 336 pg.
G.P. Putnam’s Sons, 2021

Read: August 17-18, 2021
Grab a copy from your local indie bookstore!

What’s Stone’s Throw About?

The mayor of Paradise is found dead at the site of a contentious land deal—it’s one of the most sought-after properties in Paradise, and the City is preparing to weigh in and deciding which of two buyers get to put a casino on it—while several citizens are trying to block the sale at all. The mayor is clearly sympathetic to the anti-sale voices, but it doesn’t look like he’s going to be able to do anything to stop it going forward.

And then he apparently commits suicide on that piece of real estate. Jesse’s not so sure about the suicide part, however, it doesn’t make sense to him for several reasons—his friendship with the mayor is just one of them (the fact that the left-handed man seemingly used his right hand to shoot himself would be another).

Jesse just has to decide who has the most motive to kill him—one of the buyers? The seller? The anti-sale group?

Then the leader of the conservation movement goes missing, and his girlfriend is worried. Then it turns out that Wilson Cromartie—Crow—is working for one of the casino builders. He and the Paradise Police Department have a very shaky history—his criminal past (all beyond the statute of limitations) makes Jesse dis-inclined to trust him, no matter how much assistance he rendered in finding a missing girl later. Is Crow on the side of angels this time, or could he be behind the mayor’s death?

In a case that clearly calls for someone to “follow the money” there’s so much of it flying around that it’d be easy to get lost trying that, there are no easy answers for Jesse and the rest of the PPD.

Molly

From the beginning of the series, Molly Crane has been one of the highlights of the books and of the Paradise Police Department. She’s loyal, competent, and has a big heart. She’s stood by Jesse when things were at their worst for him—covering for him as much as she could. She’s almost too perfect—except for the one time she slept with Crow. That’s pretty much the only time she’s done something wrong.

And since then—at least once per book*—Jesse has brought that transgression up. Every author—Parker, Brandman**, Coleman, and now Lupica—has had Jesse throw this in her face regularly. It’s always bothered me that it’s so constant, so frequent—the woman beats herself up for it, she’s been so good to Jesse, and this is how he treats her?

* As far as I remember, I could be wrong about that, I doubt there’s been more than 2 books without it.

** I honestly remember so little about the Brandman novels, I only assume he followed suit.

And now, Crow is back—and he and Molly interact a bit, both with others around and one-on-one. Without getting into anything, I hope that this allows Molly to get past this act of infidelity—and that Jesse stops bringing it up. Really, there’s an opportunity for closure here, and I hope Lupica takes it.

Talkin’ Baseball

I always liked that Parker wrote Jesse as someone who became a cop not because he had the drive to see justice done, to serve and protect, etc.—but because he had to re-evaluate his life after his baseball career-ending injury and then came to the career in law enforcement.

Parker treated this well, in a “road not taken” kind of way. Coleman did a good job with it—although Blind Spot was more about being part of a team, more than the sport. But Lupica? Lupica really knows how to write about this part of Jesse’s life. He has Jesse think about this a lot in the first chapter and I put in my notes, “this is the best passage in Lupica’s Parker books.” And then it comes up later in the book, too. I don’t know if it’s all the sports books in Lupica’s past, just a better insight into the mindset of the baseball player, or what—but this book has the best usage of Jesse’s former career that this twenty-book series has had.

So, what did I think about Stone’s Throw?

I wasn’t crazy about this at the beginning—it was always good, but I didn’t get sucked in right away. I also wasn’t crazy about the way that Crow was being used—it reminded me of the way that Parker took some of the danger away from Vinnie Morris, Bobby Horse, and Chollo after their initial appearances. But it started to grow on me the further I got into it—and by the last half, I was invested as I could’ve hoped to be.

And even if I wasn’t—just being back in Paradise with Jesse, Suit, and Molly is good enough.

Lupica’s got the voices down, he understands Paradise, he gets the cast of characters right and this book feels like he’s been writing Stone novels for more years than he has—I had to remind myself that this is only his second time with this series. I’d have easily believed this is the fifth.

Whether you’re new to Jesse Stone, or you’ve been reading them since the beginning, this is a novel that will entertain you and leave you looking forward to the next one.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Reposting Just Cuz: Robert B. Parker’s Fool’s Paradise by Mike Lupica: Jesse Stone takes a Murder Case Personally

Fool's Paradise

Robert B. Parker’s Fool’s Paradise

by Mike Lupica
Series: Jesse Stone, #19

eARC, 352 pg.
G.P. Putnam’s Sons, 2020

Read: September 2-3, 2020
Grab a copy from your local indie bookstore!

What’s Fool’s Paradise About?

Suitcase Simpson calls Jesse to the scene of a murder, an unidentified man has been found shot at the lakeshore. Jesse recognizes the man—they’d been at the same AA meeting the previous night. It’s not Jesse’s regular meeting, and he didn’t think this man was a regular, either. But at least they had a first name to go off of.

Suit is able to find out at least a little about what the man did after the meeting. He’d taken a taxi from the neighboring town into Paradise. He even had an address—the mansion of a rich and influential family who’d been in Paradise for ages. They’re quick to claim they didn’t know the man, or that he’d been at the house in the hours before he was shot. No member of PPD believes this, but there’s little they can do until they learn a bit more about the victim.

Jesse admits this isn’t entirely rational—but doesn’t back off from it—the fact that he and the victim came to the same meeting, both needing the help that can be found there, created a link for between the two of them. Jesse felt like he owed this man justice more than he would another victim (not that Jesse’s ever been known to not try to find justice for anyone, it’s just personal this time). I loved this little touch—it felt very true to the character and his circumstances, but something that a lot of authors wouldn’t do.

Not long after this, someone takes a shot at Jesse while he’s in his home. Soon, other members of the PPD are attacked off-duty. As always, Jesse, Molly, and Suit acknowledge that coincidences exist, but they have a hard time believing in them. So while they try to identify the murder victim and figure out what he’s going in Paradise (and that part of Paradise in particular), they also need to figure out why someone would be attacking the PPD. And are the two cases related?

A Nice Little Bonus

There’s a lot of Molly in this book. She gets whole chapters without Jesse in them, and a lot of space on her own in chapters with him. We get a little bit of an off-the-job look at Molly, as well as seeing her work part of the investigation. Yes, Jesse’s the central character and should be the focus—but any time that Lupica (or whoever) can flesh out Molly, Suitcase, or any of the others is time well spent (I like the new deputy, too—he was a nice touch). But Molly’s been a favorite since Night Passage introduced this world, and she’s rarely been used as well as the character should’ve been. It’s so nice to see that.

Lupica’s Take on Jesse Stone

I was worried about Lupica being given the reins of this series. I was such a fan of what Colman had done, saving the series from the Michael Brandman debacle—and even from some of the uneven quality that Parker had given toward the end.

But Lupica did exactly what he needed to do—and exactly what I’d hoped (and didn’t expect). He embraced the developments that Coleman introduced and built on them. He could’ve ignored them, or written around them, but he kept Jesse going to AA, he worked on the new relationship with Cole, and Paradise and the Paradise Police Department the same way Coleman had, treating that bit of the series with as much respect and influence as the first nine novels.

Stylistically, Lupica’s closer to Parker than Coleman—which makes sense, it’s the more natural way for him to write (and will likely win back some of Coleman’s detractors). It works for the series, it works for the author—all in all, it’s a good move.

I freely admit that I was skeptical and pessimistic about anyone but Coleman at the post-Parker helm of Jesse Stone and am glad to be proven wrong.

Something I was Pleasantly Surprised By

While I have thought in the past that the best use of Sunny Randall was when Parker used her in the Jesse Stone novels, I wasn’t thrilled to see her in these pages—I thought that Stone, at least, had grown past this relationship. It’s not what it was back in the 3-4 books that Parker wrote with them as a couple, but reflects where they both are now.

I’ve got to say, I liked her here. I liked her in Paradise more than I liked her in the two books that Lupica has written about Sunny. If he keeps this up, I won’t complain.

Lupica’s War on my Sanity

Sure, that’s hyperbolic. But it felt like he was doing this to just bug me.

The mansion that the taxi pulled up to that fateful night is owned by the Cain family, Whit and Lilly Cain. Whit suffered a stroke a few months back, so his wife, Lilly, is who Jesse primarily interacts with. She’s brash, confident, loud, and flirtatious.

Now, I’ve watched the Veronica Mars series more times than I should have. Season One more than the rest. Every time I read “Lilly Cain,” I couldn’t think about anything other than “Lily Kane,” Veronica’s brash, confident, loud, and flirtatious friend.

I know it’s a coincidence, that neither name is all that rare. But it didn’t feel that way.

So, what did I think about Fool’s Paradise?

I liked this so much more than I expected to. I went into this hoping I wouldn’t hate it, and it didn’t take long at all for me to realize I was enjoying it. The prose crackled and moved quickly. There was enough of Jesse’s quiet humor to keep me grinning. The relationships and banter between the characters was spot on. The cases were compelling, interestingly framed, and well-executed. Lupica tied his novel into the overall history of the series well (referencing over half of the books, I think) and established that he’s the right man for the job. I strongly recommend this—either for new readers or established fans. Robert B. Parker’s Fool’s Paradise is a satisfying read that’ll get you eager to see what comes next.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: Robert B. Parker’s Payback by Mike Lupica: Sunny Does Some Dangerous Favors for Some Dear Friends

Payback

Robert P. Parker’s Payback

by Mike Lupica
Series: Sunny Randall, #9

eARC, 352 pg.
G.P. Putnam’s Sons, 2021

Read: April 14-15, 2021
Grab a copy from your local indie bookstore!

What’s Payback About?

Sunny’s closest friend, Spike, has got himself in trouble—he needed some financial assistance to keep the doors of his restaurant open (like just about every restaurant in 2020) and let a long-time customer and friend, a hedge fund manager, loan him the money. But when Spike tried to pay off the loan, he learned the hard way that Alex Drysdale wasn’t so much a friend as he was an opportunistic toad, and thanks to clever work on the contract, Spike had defaulted on the loan almost immediately.

Spike has already let his fists do the talking (and broken Drysdale’s nose), but oddly enough, that didn’t help. So, Sunny decides she’s going to figure out a way to get Drysdale to release him. Financial crimes aren’t really Sunny’s forte—much less shady, but not criminal, financial deals—but Spike is family and she figures she can learn as she goes.

She’s barely begun digging into Drysdale and his practices when she gets a call from Lee Farrell who needs a favor. His niece, a student at Taft*, was assaulted and she refuses to talk to the police or Lee. Can Sunny help? Sunny tries to talk to her, but Emily keeps saying it was just a misunderstanding and refuses to explain anything. Lee’s worried about her, Sunny’s concerned and nosy. So while Lee deals with a major homicide investigation, Sunny starts digging into Emily’s life.

* Yup, Taft, the Parker-verse’s all-purpose university for people who don’t go to Harvard.

Before Sunny can really get anywhere with the Drysdale investigation, she’s warned off. THat warning quickly becomes direct threats against her, Spike, Richie’s son, and her father. You have to admit, that’s really not the most clever approach. Sunny warns them all to be careful and works harder to find something. One of the biggest things she finds is a link between the two cases.

Ahh, a Little COVID-19 Fiction

Early on, we’re told that this starts shortly after the pandemic is over and life has gone back to something akin to normal. But vaguely so, especially when this was written, no one had an idea when exactly this would be, so Lupica left things vague.

Also, Spike’s is in trouble because of the impact that COVID has had on restaurants.

I lost count of how many times that Sunny talked about the world falling apart and getting worse. Clearly, this is a product of 2020 (and 2021). I remember hearing and reading authors last year talking about not being sure how to address COVID in their works—if they were even going to. This is probably the best way to do it—acknowledge it happened, look at the changes/difficulties it brought about—and don’t get into the details.

Poor Lee Farrell

This is my biggest beef with the novel—and the more that I think about it, the more it bothers me.

So, Lee’s got a big case that he’s dealing with and a family member in trouble—and he’s still not in the book that much. Belson plays a bigger role than Lee does in the book, which is fine because it’s not like Belson gets a lot of use in the Atkins novels, and he shouldn’t be put out to pasture. But this was a chance for Lee to get to shine and Lupica let it pass by.

I like Lee, and have since Paper Doll (he was one of the few good things in that novel), but Parker never used him all that much—and Lupica does the same. It’s time for Lee Farrell to really get a moment.

Sunny and The Men in Her Life

There are two other things that Lupica inherited from Parker that he’s maintained—but I’d like him to move on. From Family Honor on, there’s been this tension between Sunny’s independence, being able to make it as a female in a male-dominated world/industry and her being dependent on men like Richie and Spike (and a couple of others) to help out when things get dangerous. I can see revisiting the issue from time to time, but the authors have spent so much time on it, the reader has to wonder—why doesn’t Sunny do something about it? Either step up her fitness and martial arts training, or partner up with a female who can handle the shooting and hand-to-hand stuff. They exist.

Similarly is her seemingly everlasting tie to Richie, being unable to let him go—even as it’s clear she needs to, for at least his son’s sake. Her level of commitment to Jesse Stone could use some definition as well, but that’s not going to happen as long as Richie’s around (and, I’m not sure Jesse’s capable of it). Coleman was able to get Jesse to the point where he was able to let go of Jen (a move that was more overdue than Sunny and Jesse). I’d like to see Sunny do something similar, all that therapy she’s received should be enabling her to make some tough choices.

All that said, again, these are inherited themes, ideas, and characteristics. I’m not holding them against Lupica for maintaining it (he can only do so much without getting the fans to rebel). I just think it’d be nice to see.

So, what did I think about Payback?

Lupica is locked-in on this series, he’s got a handle on the characters and the stories he wants to tell and gets it done confidently, smoothly, and with just enough flair to keep the reader hooked and turning pages. This was his best yet. I’d describe his first two novels in this series as “good, for a Sunny Randall novel.” Payback. is doesn’t get the modifier. It’s good, period.

* I’ve got both hardcovers on the shelf next to me, after getting the eARCs from NetGalley. So if that sounds a little more back-handed than I mean that to be, maybe the fact that I shelled out for them takes a bit of the sting out of it.

The prose is crisp. It’s engaging and filled with a Parker-esque clarity and wit. The story is compelling and an interesting reaction to things in the zeitgeist, and the characters are as solidly drawn and executed as they were over two decades ago when Sunny debuted. New readers or established Sunny fans alike will find enough to entertain them and will likely come back for more—just like me. I recommend Payback to you.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Robert B. Parker’s Payback by Mike Lupica: Sunny Does Some Dangerous Favors for Some Dear Friends

Payback

Robert P. Parker’s Payback

by Mike Lupica
Series: Sunny Randall, #9

eARC, 352 pg.
G.P. Putnam’s Sons, 2021

Read: April 14-15, 2021
Grab a copy from your local indie bookstore!

What’s Payback About?

Sunny’s closest friend, Spike, has got himself in trouble—he needed some financial assistance to keep the doors of his restaurant open (like just about every restaurant in 2020) and let a long-time customer and friend, a hedge fund manager, loan him the money. But when Spike tried to pay off the loan, he learned the hard way that Alex Drysdale wasn’t so much a friend as he was an opportunistic toad, and thanks to clever work on the contract, Spike had defaulted on the loan almost immediately.

Spike has already let his fists do the talking (and broken Drysdale’s nose), but oddly enough, that didn’t help. So, Sunny decides she’s going to figure out a way to get Drysdale to release him. Financial crimes aren’t really Sunny’s forte—much less shady, but not criminal, financial deals—but Spike is family and she figures she can learn as she goes.

She’s barely begun digging into Drysdale and his practices when she gets a call from Lee Farrell who needs a favor. His niece, a student at Taft*, was assaulted and she refuses to talk to the police or Lee. Can Sunny help? Sunny tries to talk to her, but Emily keeps saying it was just a misunderstanding and refuses to explain anything. Lee’s worried about her, Sunny’s concerned and nosy. So while Lee deals with a major homicide investigation, Sunny starts digging into Emily’s life.

* Yup, Taft, the Parker-verse’s all-purpose university for people who don’t go to Harvard.

Before Sunny can really get anywhere with the Drysdale investigation, she’s warned off. THat warning quickly becomes direct threats against her, Spike, Richie’s son, and her father. You have to admit, that’s really not the most clever approach. Sunny warns them all to be careful and works harder to find something. One of the biggest things she finds is a link between the two cases.

Ahh, a Little COVID-19 Fiction

Early on, we’re told that this starts shortly after the pandemic is over and life has gone back to something akin to normal. But vaguely so, especially when this was written, no one had an idea when exactly this would be, so Lupica left things vague.

Also, Spike’s is in trouble because of the impact that COVID has had on restaurants.

I lost count of how many times that Sunny talked about the world falling apart and getting worse. Clearly, this is a product of 2020 (and 2021). I remember hearing and reading authors last year talking about not being sure how to address COVID in their works—if they were even going to. This is probably the best way to do it—acknowledge it happened, look at the changes/difficulties it brought about—and don’t get into the details.

Poor Lee Farrell

This is my biggest beef with the novel—and the more that I think about it, the more it bothers me.

So, Lee’s got a big case that he’s dealing with and a family member in trouble—and he’s still not in the book that much. Belson plays a bigger role than Lee does in the book, which is fine because it’s not like Belson gets a lot of use in the Atkins novels, and he shouldn’t be put out to pasture. But this was a chance for Lee to get to shine and Lupica let it pass by.

I like Lee, and have since Paper Doll (he was one of the few good things in that novel), but Parker never used him all that much—and Lupica does the same. It’s time for Lee Farrell to really get a moment.

Sunny and The Men in Her Life

There are two other things that Lupica inherited from Parker that he’s maintained—but I’d like him to move on. From Family Honor on, there’s been this tension between Sunny’s independence, being able to make it as a female in a male-dominated world/industry and her being dependent on men like Richie and Spike (and a couple of others) to help out when things get dangerous. I can see revisiting the issue from time to time, but the authors have spent so much time on it, the reader has to wonder—why doesn’t Sunny do something about it? Either step up her fitness and martial arts training, or partner up with a female who can handle the shooting and hand-to-hand stuff. They exist.

Similarly is her seemingly everlasting tie to Richie, being unable to let him go—even as it’s clear she needs to, for at least his son’s sake. Her level of commitment to Jesse Stone could use some definition as well, but that’s not going to happen as long as Richie’s around (and, I’m not sure Jesse’s capable of it). Coleman was able to get Jesse to the point where he was able to let go of Jen (a move that was more overdue than Sunny and Jesse). I’d like to see Sunny do something similar, all that therapy she’s received should be enabling her to make some tough choices.

All that said, again, these are inherited themes, ideas, and characteristics. I’m not holding them against Lupica for maintaining it (he can only do so much without getting the fans to rebel). I just think it’d be nice to see.

So, what did I think about Payback?

Lupica is locked-in on this series, he’s got a handle on the characters and the stories he wants to tell and gets it done confidently, smoothly, and with just enough flair to keep the reader hooked and turning pages. This was his best yet. I’d describe his first two novels in this series as “good, for a Sunny Randall novel.” Payback. is doesn’t get the modifier. It’s good, period.

* I’ve got both hardcovers on the shelf next to me, after getting the eARCs from NetGalley. So if that sounds a little more back-handed than I mean that to be, maybe the fact that I shelled out for them takes a bit of the sting out of it.

The prose is crisp. It’s engaging and filled with a Parker-esque clarity and wit. The story is compelling and an interesting reaction to things in the zeitgeist, and the characters are as solidly drawn and executed as they were over two decades ago when Sunny debuted. New readers or established Sunny fans alike will find enough to entertain them and will likely come back for more—just like me. I recommend Payback to you.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Page 1 of 6

Powered by WordPress & Theme by Anders Norén