Classic Spenser: The Godwulf Manuscript by Robert B. Parker

Classic Spenser

The Godwulf Manuscript

The Godwulf Manuscript

by Robert B. Parker
Series: Spenser, #1

Mass Market Paperback, 204 pg.
Dell, 1973

Read: January 25-27, 2020

Grab a copy from your local indie bookstore!

Driving back to Boston, I thought about my two retainers in the same week. Maybe I’d buy a yacht. On the other hand maybe it would be better to get the tear in my convertible roof fixed. The tape leaked.

I came to this series about thirteen (possibly fourteen) years late, but to be fair, I would have been thirteen (possibly fourteen) when I started reading it. I wouldn’t have been able to appreciate Spenser without having spent some time with Leroy Brown, Jupiter Jones/Peter Crenshaw/Bob Andrews, Tabitha-Ruth Wexler and others (as I’ve invoked Brown, I hope I remember to draw a line between Sally Kimball and Spenser’s version when I discuss Promised Land). The Godwulf Manuscript wasn’t the first novel I read in the series, I’m going to guess I’d read three or four others before I found this in a used book store. I did find, I now know, a copy with the original cover (as seen above). A year or two later, I loaned it to a friend who proceeded to lose it. I got over it (probably because I didn’t care about things like early editions then) and despite losing that copy, that friend later became my first college roommate, and I didn’t kill him in his sleep for it. Not even once.

That excursus down memory lane means nothing to you, but I put it there in case that friend reads this post. I hope he remembers the Klingon proverb, bortaS bIr jablu’DI’ reH QaQqu’ nay’.

I’ll hold off on talking more about my background with this series for now, but the fact I’ve been reading, and re-reading, and re-re-reading, and re-re-re-reading these books since 1986 (possibly 1987) probably gives you a pretty good idea what I think of them. I could probably write lengthy posts on the first twenty novels in this series without reading them again—but where would be the fun in that? Of the twelve Spenser novels I’ll be revisiting this year, this one is in my bottom two and I’ve read it at least fifteen times, and I don’t see me stopping reading it anytime until I start sleeping the big sleep.

Yeah, that was a purposeful Raymond Chandler allusion. Why? Because this whole novel is a giant Chandler allusion*. From naming his main character after a British poet; to Spener’s attitude, demeanor, voice, etc.; to the opening paragraphs; and so, so much more this whole book screams Parker’s debt to and affection for Raymond Chandler. Spenser as a Shadow of Philip Marlowe will ebb and flow over the years, but I don’t think it’s ever more pronounced than it is in these pages.

* Yeah, there are other influences afoot in these pages, I realize. But Chandler is the primary influence, and this isn’t a dissertation. I don’t have the time to be exhaustive, I have at least 9 other posts I want to complete this week and if I don’t cut a corner or two, I won’t be able to get to them.

So what are these two retainers mentioned above? The first comes from an unnamed university that bears a striking resemblance to Northeastern (Parker’s employer when this was released). An illuminated manuscript has been stolen and is being held for ransom. The problem? (or at least one of them) The University doesn’t have the kind of cash the ‘script-nappers want. They do have a suspect, however, a radical political group on campus: SCACE (Student Committee Against Capitalist Exploitation). Catchy, eh? Spenser starts looking into the group, focusing on a couple of the leaders.

Within a few hours, one of those leaders is dead and another is the prime suspect for the murder. She’d called Spenser for help right after the murder, and he believes her (for compelling reasons you should read for yourself). This leads to the second retainer, her father—a pretty successful capitalist, it should be noted—hires Spenser to clear her for the murder.

The hunt for the manuscript and the murder will end up involving a cult, a couple of very dysfunctional marriages, drug dealing, a couple of hitmen, and a mob boss. Basically, Spenser has his hands full.

While there are many aspects of this novel that Parker will tweak for future installments, there’s a lot that he establishes here that he’ll revisit. Spenser gets fired because of his attitude (as demonstrated by his ignoring—rightly—the University’s insistence that he leave faculty alone), his being fired doesn’t stop him from sticking with the job, however. There’s a shootout in an unpopulated area near Boston*. Spenser cooks a pretty decent meal for himself (not quite Fritz Brenner’s level, but close enough for a guy cooking for one), and proves himself more literate than anyone looking at him would assume. The climactic fight will be echoed in upcoming books, featuring someone who has no business fighting anyone taking on a hardened criminal of sorts solely on the basis of love and desperation. Parker does get away from this, which is good—if only for the sake of variety—but man, I love it every time he uses this.

* My knowledge of Massachusetts geography comes wholly from the novels of Parker, William Tapply and Dennis Lehane, so I can’t be more specific than “unpopulated”.

Spenser physically roughs up a couple of college kids and verbally pushes around an older man. Each incident is followed by Spenser berating himself. This is the kind of thing that you don’t see a whole lot in the hardboiled world before Spenser’s debut. Parker will do a more subtle job in the future of showing that while Spenser will resort to violence when necessary, he doesn’t relish it (except when he knows the recipient is guilty of something) and regrets the act. But here, it’s pretty clear that Parker’s trying to show that Spenser isn’t unfeeling about acts of aggression.

There are things that show up here that will disappear—Spenser sleeps with two different women and is fairly casual about it. He’ll later become a paragon of monogamy, but that’s a couple of years away. Still, he’s less of a player next time we see him. He’s also a bit more antagonistic to most of the police that he encounters than he’ll be in books to come. Some of that is a shift in Spenser, some of that is a growth in the relationships he develops with individual members of BPD.

The main thing that sticks around in the future are some of the characters—we meet people here that Spenser still knows and interacts with on a regular basis. Spenser flirts a lot with the secretary for the head of Campus Security, and we’ll see her later. A reporter for the Campus newspaper gives Spenser a lot of help and information about various people/groups on campus, her name is Iris Milford and when Ace Atkins brought her back in 2015, I may have let out an audible whoop. We meet Spenser’s lawyer, Vince Haller, who not only helps Spenser, but the college student being framed. Haller will eventually disappear from the stage (I realize as I write this), but he’s a frequent presence for a long time to come.

But the three big recurring characters are Lt. Martin Quirk, Sgt. Frank Belson and Joe Broz. Spenser and Belson (a homicide detective) have some history and clearly respect (and even like) each other. Belson’s smart, appears lazy (appears), perpetually has a cheap cigar in his mouth (I think that’s a characteristic in this novel, if not, it will be next time we see him). Belson’s superior is Lt. Quirk. Quirk is a very no-nonsense cop, he’s driven, almost humorless, and has no use for private investigators, but sees a little value in Spenser and begins to trust him a bit over the course of this novel. Joe Broz, on the other hand, couldn’t be less a homicide detective if he tried—you could argue Broz (and his employees) are responsible for the continued careers for a handful of homicide detectives. He’s a crime boss of some notoriety and viciousness. At this point (and for some time to come), he’s the most powerful mobster in Boston (although we will soon meet competition). Spenser will be a thorn in Broz’s side for a long, long time.

It occurs to me that I haven’t described Spenser himself. He’s a former professional boxer (not that good, but he did get his nose broken by someone who was very good); a Korean War vet; a former Massachusetts State Trooper, assigned to the DA’s office in a County that fluctuates depending on Parker’s memory; and now a Private Investigator. He’s very literate, he likes to cook (as I mentioned), he drinks a lot, thinks he’s funnier than anyone else does (except the readers of the novels)—which brings him a lot of grief. We don’t get a lot of insight into it in this novel, but honor’s very important to him and it will influence the way he deals with clients, victims, criminals and everyone else along the way. He’s very much a latter-day knight.

I’m not sure that the mystery is all that clever, but the strength of this book is riding along with Spenser as he goes around annoying people until someone does something that he can catch them at (a strategy he’ll spell out in the future, but follows here). I love the voice, I enjoy the character, and watching him go about his business is a pure joy for me.

I haven’t discussed the action/fight scenes yet, and Parker’s approach to them (particularly in the first 15-20 of the series) has always greatly appealed to me. Parker has to address violence, given his chosen genre–and Spenser is a violent man. But in months to come, we see the character address that in such a way to give us insight into why Parker uses it the way he does (I think). So I’ll put a pin in this for now (also, this is long-winded enough at this point that I’ll take any excuse to wrap things up).

I, obviously, highly recommend this book—but I’ll be the first to say that the second is much better and the fourth and fifth in this series are better yet. You don’t have to start with this one for future books to make sense—in fact, you might appreciate Spenser more if you start later on. But for my money, you’re not likely to find many characters as compelling in contemporary (or at least late-Twentieth Century) hardboiled fiction. For introducing the character to the world/the world to the character of Spenser, The Godwulf Manuscript is well-worth the time. Even if it wasn’t the start of something big, it’s still entertaining enough for me to encourage you to read it.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Opening Lines: The Godwulf Manuscript by Robert B. Parker

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I’ll throw it up here. Dare you not to read the rest (plus the 39 novels to follow by Parker (not to mention the 8+ by Ace Atkins)).

from The Godwulf Manuscript by Robert B. Parker:

The office of the university president looked like the front parlor of a successful Victorian whorehouse. It was paneled in big squares of dark walnut, with ornately figured maroon drapes at the long windows. There was maroon carpeting and the furniture was black leather with brass studs. The office was much nicer than the classrooms; maybe I should have worn a tie.

Bradford W. Forbes, the president, was prosperously heavy—reddish face; thick, longish, white hair; heavy white eyebrows. He was wearing a brown pin-striped custom-tailored three-piece suit with a gold Phi Beta Kappa key on a gold watch chain stretched across his successful middle. His shirt was yellow broadcloth and his blue and yellow striped red tie spilled out over the top of his vest.

As he talked, Forbes swiveled his chair around stared at his reflection in the window. Flakes of the season’s first snow flattened out against it and dissolved and trickled down onto the white brick sill. It was very gray out, a November grayness that is peculiar to Boston in late fall, and Forbes’s office seemed cheerier than it should have because of that.

He was telling me about the sensitive nature of a college president’s job, and there was apparently a lot to say about it. I’d been there twenty minutes and my eyes were beginning to cross. I wondered if I should tell him his office looked like a whorehouse. I decided not to.

“Do you see my position, Mr. Spenser,” he said, and swiveled back toward me, leaning forward and putting both his hands palms down on the top of his desk. His nails were manicured.

“Yes, sir,” I said. “We detectives know how to read people.”

Forbes frowned and went on.

“It is a matter of the utmost delicacy, Mr. Spenser”—he was looking at himself in the glass again—”requiring restraint, sensitivity, circumspection, and a high degree of professionalism. I don’t know the kind of people who usually employ you, but…”

I interrupted him.

“Look, Dr. Forbes, I went to college once, I don’t wear my hat indoors. And if a clue comes along and bites me on the ankle, I grab it. I am not, however, an Oxford don. I am a private detective. Is there something you’d like me to detect, or are you just polishing up your elocution for next year’s commencement?”

Forbes inhaled deeply and let the air out slowly through his nose.

“District Attorney Frale told us you were somewhat overfond of your own wit.”

Angel Eyes by Ace Atkins: Spenser’s 47th Novel Finds him in L.A. and Feels as Fresh as Ever

Angel Eyes

Robert B. Parker’s Angel Eyes

by Ace Atkins
Series: Spenser, #7

Hardcover, 305 pg.
G.P. Putnam’s Sons, 2019

Read: November 20-21, 2019

In the passing light, I noticed the welts on her wrists, chapped and bloody.

She’d been tied up for a long time.

Chollo noticed them, too.

“Should we kill him?” he said.

“Too easy.”

“You will never change, amigo,” he said. When will you learn? Some people live without rules. And sometimes killing a bad man is the only way.”

“I have other ideas for [him].”

Chollo nodded. “And I am listening”

The day that Hawk, Chollo (and a few others) stop trying to convince Spenser to just kill the bad guy and be done with it—or the day that he listens to them—is the day we’ll all know the series has run its course. Which will hopefully be around the time my future grandchildren start reading the series.

But far before we get to that point, we should probably start at the beginning.

A friend of Susan’s is worried about her daughter, who lives in L.A. and has gone missing. She’s beside herself, so Spenser flies out to find her with Zebulon Sixkill’s help. The book opens with Spenser and Z being let into Gabby’s apartment by her ex-boyfriend and still-agent, Eric Collinson. Collinson is typically the kind of twerp that Spenser would enjoy messing with, but he’s on his best behavior (probably to keep Collinson talking).

Collinson keeps insisting there’s nothing to worry about, that Gabby’s probably just off on a quick Mexican vacation or something. Still, he surreptitiously leaves her laptop behind for Spenser to “find.” Between what Z’s tech-wizard friend finds on the laptop, what Z and Spenser get from the LAPD (in the person of our old acquaintance Samuelson) and Gabby friends/former boss, there are two avenues of investigation for them to dive into. A powerful studio executive and a multi-level personal development group that’s somewhere in-between Scientology and NXIVM (far closer to the latter). But before they can dig too far into things, some heavies representing a third party show up and the lead starts flying.

And I ate it all up.

It’s dangerous enough that Z isn’t enough to help Spenser out. Chollo (now a small-businessman), Bobby Horse and Mr. del Rio put in appearances and render assistance in varying amounts.

I could easily keep going along these lines for 6-10 more paragraphs, but I’d better show some restraint and leave things there and move onto other parts of the book.

In addition to the hunt for Gabby, we get a little bit of Spenser’s jaded view of the entertainment industry (largely in the same vein as we saw in A Savage Place and Stardust, just up-to-date); a lot of references to movies and stars that are so irrelevant to contemporary Hollywood that most of the characters don’t get them; and a very jaded (but likely accurate) look at “The Industry” post-#MeToo.

Also, we get a hint or two at what Z’s been up to since he left Boston and Atkins has completely left the possibility open for someone to start a Sixkill series, already populated with a cast of characters to carry a book or two. I’m ready to buy at least 5 of them in hardcover right now.

The last little things that I’ll mention are that we get a nice update on Mattie Sullivan, but we need to see more of her soon. Plus, there’s a cameo that filled my heart with joy here—that’s all I’m going to say about it.

Atkins is in fine form, which comes as no surprise to anyone. I didn’t spend too much time comparing him to Parker as I read it, but you can’t help but do it. It’s a fast, breezy style, but there are depths to be plumbed (unlike several of Parker’s latter Spensers). It’s just a pleasure to bask in the language, dialogue, and characters.

At this point, when it comes to an Atkins Spenser novel, it’s really just a question of how much I’m going to like it, it’d be impossible (I wager) for him to deliver something that I won’t like. I liked this one plenty. A fine story, a setting the character hasn’t been in for a while, a chance to catch up with old friends . . . Angel Eyes is as satisfying as you could ask for. Could you start with it? Sure. You wouldn’t get all of the references, but none of them would impact your appreciation of the story. The only danger in starting with Angel Eyes is that you’d probably feel compelled to go back and read the previous 46. Which actually sounds like a lot of fun to me.

I hemmed and hawed over the stars on this one. If I had a 4 1/4 graphic, I probably would’ve employed it. My initial impulse was 4 Stars, but when I stop and think about: there was one page where I laughed out loud (at least a chuckle) multiple times (I really want to talk about it in detail, but don’t want to ruin anything); the way Atkins pulled in every L.A. reference possible (plus some other Spenser-canon references) without making it feel like checking off a list; and the feeling of dread and worry Atkins was able to elicit (which really doesn’t happen all that often in long-running series)…I’ve gotta give it that extra bump (and now that I’ve actually written that list, I’m thinking of bumping it up another).


4 1/2 Stars

2019 Cloak & Dagger Challenge

Universal Monster Book Tag


Witty and Sarcastic Book Club tagged me in her little creation—a tag based on Universal’s Classic Movie Monsters. There’s a lot of recency bias in my pics, but oh well—I liked the list. I really need to do more things like this, it was fun.

While trying to come up with the last couple of entries for this, I took a Facebook break and read a couple of posts on a Nero Wolfe fan group, and realized I could fill my blanks from that Corpus. Then it occurred to me that I could do one of these with entries only from the Nero Wolfe series. Or, the Spenser series. Huh. (I’d have trouble with some other series depending how you define “sequel” below). Watch me control the impulse.

bullet Dracula: a book with a charismatic villain
The Silence of the Lambs
My Pick: Gotta go with Hannibal Lecter in The Silence of the Lambs, every other charismatic villain I can think of pales in comparison.
Bonus Nero Wolfe Pick: (yeah, so much for restraint—this was a fun additional challenge) Paul Chapin in The League of Frightened Men (my post about the book)
Bonus Spenser Pick: The Gray Man in Small Vices

bullet The Invisible Man: A book that has more going on than meets the eye
The Last Adventure of Constance Verity
My Pick: The Last Adventure of Constance Verity by A. Lee Martinez (my post about the book)
Bonus Nero Wolfe Pick: Even in the Best Families
Bonus Spenser Pick: Early Autumn

bullet Wolf-Man: A complicated character
Needle Song
My Pick: Doc Slidesmith in Needle Song (my post about the book)
Bonus Nero Wolfe Pick: Can I just use Nero Wolfe? Eh, Orrie Cather in A Family Affair
Bonus Spenser Pick: Patricia Utley in Mortal Stakes

bullet Frankenstein: A book with a misunderstood character
The Unkindest Tide
My Pick: The Luidaeg in The Unkindest Tide by Seanan McGuire (my post about the book)
Bonus Nero Wolfe Pick: Over My Dead Body (my post about the book)
Bonus Spenser Pick: Hawk, A Promised Land

bullet The Bride of Frankenstein: A sequel you enjoyed more than the first book
Stoned Love
My Pick: Stoned Love by Ian Patrick (my post about the book)
Bonus Nero Wolfe Pick: The League of Frightened Men (yeah, that’s the second time this shows up, but it’s the sequel…) (my post about the book)
Bonus Spenser Pick: God Bless the Child

bullet Creature from the Black Lagoon: An incredibly unique book
A Star-Reckoner's Lot

(there’s a better cover now, but this is the first)

My Pick: A Star-Reckoner’s Lot by Darrell Drake (my post about the book)
Bonus Nero Wolfe Pick: Some Buried Ceasar (my post about the book)
Bonus Spenser Pick: A Savage Place

bullet The Mummy: A book that wraps up nicely (see what I did there?)
Every Heart a Doorway
My Pick: Every Heart a Doorway by Seanan McGuire (my post about the book)
Bonus Nero Wolfe Pick: This applies to almost every one of them, I’m going to go with The Doorbell Rang
Bonus Spenser Pick: The Judas Goat

I’m not going to tag anyone, but I’d encourage any reader to give it a shot. I’d like to see your lists.

Also, I’ve been thinking for awhile I needed to do a re-read of the Spenser series. This post has convinced me I really need to get on that.

Pub Day Repost: Blood Feud by Mike Lupica: Sunny Randall’s Back in this Promising Reintroduction

Blood FuedRobert B. Parker’s Blood Feud

by Mike Lupica
Series: Sunny Randall, #7
eARC, 352 pg.
G. P. Putnam’s Sons, 2018
Read: October 5 – 9, 2018

I have a complicated relationship with Sunny Randall. Readers of this site have been frequently exposed to my love for Robert B. Parker’s Spenser and Jesse Stone novels, both by Parker and the continuations by Ace Atkins and Reed Farrel Coleman (let’s overlook Michael Brandman’s contributions for the moment). I enjoyed his stand-alone works, and I thought the first couple of Virgil Cole & Everett Hitch books were fun (I haven’t tried the Robert Knott continuations). Which leaves us with Sunny.

Sunny Randall, the story goes, was written to be adapted into a film series for Parker’s chum, Helen Hunt (incidentally, I’ve never been able to envision Helen Hunt in a single Sunny scene, but that’s just me). She’s a private investigator; a former cop; part-time painter (art, not house); emotionally entangled with her ex-husband, but can’t live with him; lives in Boston; and enjoys good food. But she’s totally not a female Spenser — she doesn’t like baseball, see? I’ve read all the books — some multiple times — and while I enjoyed them, I’ve never clicked with Sunny the way I have with others. Including every other Parker protagonist. Most of her novels are mashups and remixes of various Spenser novels, entertaining to see things in a different light — but that’s about it. Frankly, the most I ever liked Sunny was in the three Jesse Stone novels late in Parker’s run (but both characters are better off without each other).

So when it was announced that Mike Lupica would be taking up the reins of this series I was intrigued but not incredibly enthused. I only know Lupica from having bought a few of his books for my sons when they were younger. I didn’t get around to reading any of them, so he’s really a new author for me. And sure, I was a little worried about a YA/MG author taking the reins of a “grown-up” series. But not much — if you can write a novel, you can write a novel, it’s just adjusting your voice and language to be appropriate for the audience.

Enough blather — let’s talk about Blood Feud. Since we saw her last, Sunny has had to move, Richie (her ex-) has gotten another divorce (giving them the chance to date or whatever you want to call it) and has replaced her late dog, Rosie, with another Rosie. Other than that, things are basically where they were after the end of Spare Change 11 years ago (for us, anyway, I’m not sure how long for her, but less time has passed you can bet).

By the way — does anyone other than Robert B. Parker, Spenser and Sunny really do this? Your dog dies, so you go and get another one of the same breed and call him/her the same name? Is this really a thing?

Then one night — Richie is shot. It’s not fatal, but was done in such a way that no one doubts for a moment that it could have been had the assailant wanted it to be. For those who don’t know (or don’t remember), Richie is the son of an Irish mob boss, although he has nothing to do with the family business. He’s given a message for his father — his shooter is coming for him, but wants him to suffer first. This kicks off a race for the shooter — Sunny, the Burke family and the police (led by Sgt. Frank Belson) are vying to be the one to find the shooter.

Before long, the violence spreads to other people the Burkes employ — both property and persons are targeted by this stranger. It’s clear that whoever is doing this has a grudge going back years. So Sunny dives into the Burke family history as much as she can, so she can get an answer before her ex-father-in-law is killed. Not just the family history — but the family’s present, too. As much as the roots of the violence are in the past, Sunny’s convinced what the Burkes are up to now is just as important to the shooter.

Richie’s father, Desmond, isn’t happy about Sunny sticking her nose into things. Not just because of the crimes she might uncover — but he really wants to leave the past in the past. But as long as someone might come take another shot at Richie, Sunny won’t stop. This brings her into contact with several criminal figures in Boston (like Parker-verse constants Tony Marcus and Vinnie Morris) as well as some we’ve only met in Sunny books.

There are a couple of new characters in these pages, but most of them we’ve met before — Lupica is re-establishing this universe and doesn’t have time to bring in many outsiders, but really just reminds us who the players are. Other than the new Rosie, I can’t point at a character and say “that’s different.” He’s done a pretty good job of stepping into Parker’s shoes. Not the pre-Catskill Eagle Parker like Atkins, but the Parker of Sunny Randall books, which is what it should feel like (( wouldn’t have objected to a Coleman-esque true to the character, just told in a different way). I think some of the jokes were overused (her Sox-apathy, for one), but it wasn’t too bad. Lupica did make some interesting choices, particularly toward the end, which should set up some interesting situations for future installments.

The mystery was decent enough, and fit both the situations and the characters — I spent a lot of the novel far ahead of Sunny (but it’s easier on this side of the page). I enjoyed the book — it’s not the best thing I’ve read this year, but it’s a good entry novel for Lupica in this series, a good reintroduction for the characters/world, and an entertaining read in general. If you’re new to this series, this would be as good a place to hop on as it was for Lupica.

I want better for Parker’s creation (but I think I’d have said that for most of Parker’s run with the series), and Lupica’s set things up in a way that we could get that in the near-future. He’s demonstrated that he has a good handle on the character he inherited, the question is, what can he do with her from here? I was ambivalent about this series coming back, but I can honestly say that I’m eager to see what happens to it next.

Disclaimer: I received this eARC from Putnam Books via NetGalley in exchange for this post — thanks to both for this.

—–

3.5 Stars

Blood Feud by Mike Lupica: Sunny Randall’s Back in this Promising Reintroduction

Blood FuedRobert B. Parker’s Blood Feud

by Mike Lupica
Series: Sunny Randall, #7eARC, 352 pg.
G. P. Putnam’s Sons, 2018
Read: October 5 – 9, 2018

I have a complicated relationship with Sunny Randall. Readers of this site have been frequently exposed to my love for Robert B. Parker’s Spenser and Jesse Stone novels, both by Parker and the continuations by Ace Atkins and Reed Farrel Coleman (let’s overlook Michael Brandman’s contributions for the moment). I enjoyed his stand-alone works, and I thought the first couple of Virgil Cole & Everett Hitch books were fun (I haven’t tried the Robert Knott continuations). Which leaves us with Sunny.

Sunny Randall, the story goes, was written to be adapted into a film series for Parker’s chum, Helen Hunt (incidentally, I’ve never been able to envision Helen Hunt in a single Sunny scene, but that’s just me). She’s a private investigator; a former cop; part-time painter (art, not house); emotionally entangled with her ex-husband, but can’t live with him; lives in Boston; and enjoys good food. But she’s totally not a female Spenser — she doesn’t like baseball, see? I’ve read all the books — some multiple times — and while I enjoyed them, I’ve never clicked with Sunny the way I have with others. Including every other Parker protagonist. Most of her novels are mashups and remixes of various Spenser novels, entertaining to see things in a different light — but that’s about it. Frankly, the most I ever liked Sunny was in the three Jesse Stone novels late in Parker’s run (but both characters are better off without each other).

So when it was announced that Mike Lupica would be taking up the reins of this series I was intrigued but not incredibly enthused. I only know Lupica from having bought a few of his books for my sons when they were younger. I didn’t get around to reading any of them, so he’s really a new author for me. And sure, I was a little worried about a YA/MG author taking the reins of a “grown-up” series. But not much — if you can write a novel, you can write a novel, it’s just adjusting your voice and language to be appropriate for the audience.

Enough blather — let’s talk about Blood Feud. Since we saw her last, Sunny has had to move, Richie (her ex-) has gotten another divorce (giving them the chance to date or whatever you want to call it) and has replaced her late dog, Rosie, with another Rosie. Other than that, things are basically where they were after the end of Spare Change 11 years ago (for us, anyway, I’m not sure how long for her, but less time has passed you can bet).

By the way — does anyone other than Robert B. Parker, Spenser and Sunny really do this? Your dog dies, so you go and get another one of the same breed and call him/her the same name? Is this really a thing?

Then one night — Richie is shot. It’s not fatal, but was done in such a way that no one doubts for a moment that it could have been had the assailant wanted it to be. For those who don’t know (or don’t remember), Richie is the son of an Irish mob boss, although he has nothing to do with the family business. He’s given a message for his father — his shooter is coming for him, but wants him to suffer first. This kicks off a race for the shooter — Sunny, the Burke family and the police (led by Sgt. Frank Belson) are vying to be the one to find the shooter.

Before long, the violence spreads to other people the Burkes employ — both property and persons are targeted by this stranger. It’s clear that whoever is doing this has a grudge going back years. So Sunny dives into the Burke family history as much as she can, so she can get an answer before her ex-father-in-law is killed. Not just the family history — but the family’s present, too. As much as the roots of the violence are in the past, Sunny’s convinced what the Burkes are up to now is just as important to the shooter.

Richie’s father, Desmond, isn’t happy about Sunny sticking her nose into things. Not just because of the crimes she might uncover — but he really wants to leave the past in the past. But as long as someone might come take another shot at Richie, Sunny won’t stop. This brings her into contact with several criminal figures in Boston (like Parker-verse constants Tony Marcus and Vinnie Morris) as well as some we’ve only met in Sunny books.

There are a couple of new characters in these pages, but most of them we’ve met before — Lupica is re-establishing this universe and doesn’t have time to bring in many outsiders, but really just reminds us who the players are. Other than the new Rosie, I can’t point at a character and say “that’s different.” He’s done a pretty good job of stepping into Parker’s shoes. Not the pre-Catskill Eagle Parker like Atkins, but the Parker of Sunny Randall books, which is what it should feel like (( wouldn’t have objected to a Coleman-esque true to the character, just told in a different way). I think some of the jokes were overused (her Sox-apathy, for one), but it wasn’t too bad. Lupica did make some interesting choices, particularly toward the end, which should set up some interesting situations for future installments.

The mystery was decent enough, and fit both the situations and the characters — I spent a lot of the novel far ahead of Sunny (but it’s easier on this side of the page). I enjoyed the book — it’s not the best thing I’ve read this year, but it’s a good entry novel for Lupica in this series, a good reintroduction for the characters/world, and an entertaining read in general. If you’re new to this series, this would be as good a place to hop on as it was for Lupica.

I want better for Parker’s creation (but I think I’d have said that for most of Parker’s run with the series), and Lupica’s set things up in a way that we could get that in the near-future. He’s demonstrated that he has a good handle on the character he inherited, the question is, what can he do with her from here? I was ambivalent about this series coming back, but I can honestly say that I’m eager to see what happens to it next.

Disclaimer: I received this eARC from Putnam Books via NetGalley in exchange for this post — thanks to both for this.

—–

3.5 Stars

No . . . just . . . No (or Initial Thoughts on Netflix’s announced adaptation of Atkin’s Wonderland)

According to Variety and Deadline stories today, another actor has been tapped to take on the role of Robert B. Parker’s Spenser: Mark Whalberg. He’ll be starring in Peter Berg’s movie for Netflix, an adaptation of Wonderland — the second novel Ace Atkins wrote about the Boston sleuth — as the potential first in a series.

I’m not Whalberg’s biggest fan, but given the right material, he’s good and he can pull of the physicality needed (and then some, but, whatever). And I have more trust in Peter Berg than most directors (Battleship notwithstanding). And the source material is great.

BUT. . .

From Deadline‘s story:

The movie will differ from the novel, in that it begins with Spenser emerging from a prison stretch, stripped of his private investigator license. Here, he gets pulled back into the underbelly of the Boston crime world when he uncovers the truth about a sensational murder and the twisted conspiracy behind it.

Stripped of his PI license after a prison stretch???? I know that adaptations have to make changes to the character, that’s the whole point of adapting. But this is striking at the core of the character. Spenser a felon? That’s a deal breaker. That makes almost all the changes in The Dresden Files series seem acceptable. It’s like making Edward a werewolf and Jacob a vampire. Or using an animated tiger in Life of Pi à la Bedknobs and Broomsticks. I’m having trouble here, okay? You can get the gist of what I’m saying.

So, I’m happy for the Parker Estate, Ace Atkins and anyone else who made some money off this. I’m happier yet for anyone who discovers Parker/Atkins/Spenser because of this.

But…nope. Just flat-out no. Count me out.*

*(which everyone knows is a giant lie, I’m totally going to watch this because I’m weak, I’m a sucker, and a Spenser-addict)