Author: HCNewton Page 607 of 629

Saturday Miscellany – 8/3

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

      This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:

    • Kitty in the Underworld by Carrie Vaughn
    • — Kitty’s series is one of the first Urban Fantasy series I read, and remains one of my favorites. This is an auto-buy. I don’t even bother to check the titles or book description, just see a new publication date and buy it.

    • The Darwin Elevator by Jason M. Hough
    • — I’ve heard nothing but praise for this one, really looking forward to it

    • Three by Jay Posey
    • — can’t remember how this got on my radar, but it looks really good

Kitty in the Underworld by Carrie Vaughn

Kitty in the Underworld
Kitty in the Underworld by Carrie Vaughn
Series: Kitty Norville, #12


My rating: 4 of 5 stars

I’m a little surprised at my rating for this one — not that Vaughn’s not more than capable of writing a four or five-star book — but based on my reactions while reading which were definitely not favorable. But my reactions were strong enough — based on the claustrophobic note frequently struck here, and how much I cared about what Kitty was doing/going through — that I knew Vaughn had delivered. Hadn’t necessarily written the book I wanted/expected, but she got the job done very effectively.

N.B. I get vaguely spoilery beyond here — I don’t think it’s too terrible, nothing I’d really have minded reading before picking up this book.

So the idea behind Kitty Drinks the Kool-Aid in the Underground is that while some vampires, and Kitty herself think the whole Regina Luporum thing is a joke, there are some who take it very seriously. So seriously, that they kidnap Kitty to get her assistance in making a major attack on Roman/Dux Bellorum.

Now, this may strike you as a particularly stupid way to get someone to help you out — as it should, it definitely strikes Kitty that way. But for whatever reason/delusion, her kidnappers don’t see it that way.

Now, over the last 11 books, we’ve seen impetuous Kitty, rash Kitty, leaping-before-she-looks Kitty — and while Ben and Cormac grit their teeth and fret, the reader just smiles, content in our knowledge that this is just Kitty being Kitty. However, in Kitty gets Stockholm Syndrome in the Underground we see Kitty being just stupid.

She gives a magic user (that she doesn’t know) access to her blood. She lets a strange vampire feed off of her. She passes up chances to escape. She lets her guard down with her captors. Now, Kitty’s generally quick to trust — which is part of her charm — but she generally has some sort of basis for that. Not here. Well, at least no rational basis. Here’s she’s just so desperate to take down Dux Bellorum, that she throws reason and caution to the wind.

She spends large amount of time being rational, thinking things through, reacting as she should — and then she seems to shut that down to work with these people. I talked back to the book a lot (this is a behavior I don’t typically engage in at all). My favorite werewolf had taken leave of her senses and was risking it all.

This book should’ve been twice as long (at least). Kitty needed more time in the cave before she acted the way she acted. The reader needed to get a better idea of the rich and colorful characters that were introduced here. It would’ve been nice to see Kitty’s pack at work trying to find and rescue her. So much of what was going on in this book was new, terribly interesting, and worthy of exploration, it’s a shame we didn’t get the chance.

Although, a longer book would’ve likely given me a stroke. So I shouldn’t complain.

For all my gripes, it was a tense, taught adventure that will have interesting (to say the least) ramifications going on. Now I have to start counting down for the next one. Can’t come soon enough.

Farewell, Dorothy Parker by Ellen Meister

Farewell, Dorothy Parker
Farewell, Dorothy Parker by Ellen Meister
My rating: 4 of 5 stars

The main character of this novel, Violet Epps,a movie critic, begins a review stating:

There’s nothing I like better than a cheesy story done well. Then when it’s over I can cheer for the triumphant protagonist free of embarrassment

I hope it’s not too back-handed of a compliment to say that in many ways Violet described my take on this book.

That said, Ellen Meister was a whole lot more successful telling her story in my eyes, than the director of A Foundling’s Story was in Violet’s estimation. This was “[semi-]cheesy story done well.”

It’s pretty clear right away (if I couldn’t tell from the book jacket’s description or design) that this book isn’t my normal cup of tea — but you stick “Dorothy Parker” in the title of anything, and I’m going to give it a second (and probably a third and fourth) look. I’m not an expert on Parker, can’t even say I’ve read half of her extant material — but I really enjoy her poems, and what stories I’ve read are among the better short stories I’ve bothered with. And anyone who’s flipped through a collection of her best quips has to see the sharper mind behind that sharp tongue. This book was clearly as much a tribute to Parker as it was the story of Violet Epps, so I had to give it a try.

I enjoyed Meister’s version Parker — both in her more somber, reflective moments as well as her more humorous/witty moments. The relationship between Violet and her niece — the heart of the book — is great, and I’d really liked to see more of it. The romance was . . . well, that’s where the cheesy really came into things.

You don’t have to read too much of this book before you know exactly how it’s going to turn out (there’s a strong chance you’d be close after reading the book description alone). But that’s okay, because Meister’s execution and characters are strong enough to carry you along.

I laughed, I cheered (inwardly) at the moments of triumph at the end of the book, I enjoyed my time with Violet, her niece and the ghost of Dorothy Parker. I was also inspired to track down some of the resources Meister recommended about her muse — as well as to re-read some of Parker’s own work. I was entertained enough that even though she doesn’t seem to work in a genre I frequent, I’m inclined to track down more by Meister herself.

61 Hours by Lee Child

61 Hours (Jack Reacher, #14)61 Hours by Lee Child
Series: Jack Reacher, #14

My rating: 4 of 5 stars

It struck me while reading 61 Hours that the Reacher series is the literary equivalent of those wandering hero TV shows that we don’t seem to have any more, like Route 66, The Incredible Hulk, Knight Rider, and even Highway to Heaven — hero wanders into a town, sees some sort of injustice afoot, takes it upon himself (and/or is forced to) confront the source of the injustice, cleans up town and leaves. I started off thinking about the Hulk, but expanded it a bit the further I got in the book. Reacher is both Banner and the monster (don’t make Reacher angry, you wouldn’t like him when he’s angry). I think I’m going to start listening to “The Lonely Man Theme” during the last chapter of all future Reacher books.

Yeah, that’s a bit rambling, sorry. But I think the same impulse that kept people coming back to those shows is what brings us to Reacher. The outsider who saves the day and moves on. What we might be powerless to see, or incapable of doing — he can, with no fear of consequences. There’s something totemic about that.

That’s exactly what 61 Hours promises and delivers. The villian was a bit more villainous than some (but he’s not the worst human being Reacher’s faced off with, just the worst lately), the mystery’s a bit of a gimme –but no one’s ever confused Reacher with Nero Wolfe, and it’s easy to see why Reacher doesn’t put the pieces together as early as the reader does. It’s possible that this is the least violent novel in the series, but you know that violence is on the way –and when it arrives, Child makes every bullet and hit count.

The title/hook is something different for Child. He basically starts a countdown at the end of the first chapter — 61 hours until something’s going to happen. And then we get frequent updates — “Fifty-four hours to go”, “Thirty-one hours until it starts”, and that sort of thing (not real quotations, just examples). Really ratchets up the tension — I can’t imagine it’d work more than once, but it really worked well this time.

Frequently, the relationships that Reacher develops/finds with people are the weak areas of the book, but Child gives us three strong ones this time around — the Deputy Chief of a small police department who knows enough to see that Reacher is a resource, the spunky elderly woman who’s the target of Big Bad, and the Major sitting in Reacher’s old desk at his old command. With each of them we see different facets of our hero at work — and seeing both what they respond to in Reacher, and what he is drawn to in them helps flesh out all four characters, but Reacher more than the rest. I’m not sure we learn a lot more about our favorite wandering ex-MP through this, but we know it better.

61 Hours is one more piece of evidence proving that Lee Child is one of the (if not the) best, the most consistent writers working today. Long live the king.

Dusted Off: Bad Luck and Trouble

Bad Luck and Trouble (Jack Reacher, #11)Bad Luck and Trouble by Lee Child
Series: Jack Reacher, #11

My rating: 4 of 5 stars

Here’s what you know going in:
Will Reacher win? Yup.
How many of the bad guys will get what’s coming to them? All of them.

What don’t you know? What kind of bad guys are there? What bad stuff are they up to? Who will Reacher’s allies be?

Nice look at a couple of years in Reacher’s backstory along with a typically gripping, pedal-to-the-metal thriller.

Dusted Off: The Hard Way by Lee Child

The Hard Way (Jack Reacher, #10)The Hard Way by Lee Child
Series: Jack Reacher, #10

My rating: 4 of 5 stars

The thing about a Reacher book is that the instant the conflict is introduced (this time, a kidnapping), you know the major plot points for the book: Reacher will rescue the kidnapped people; there will be some physical altercations and at least 1 gunfight; he will meet (and likely bed) an attractive woman; and the Bad Guy will be vanquished (likely forever); justice will triumph.

Knowing a;; this, which pretty much eliminates all suspense, you also know that it’ll still be a fun, intense, edge-of-your-seat read.

How does Child pull that off?

Don’t know. Don’t care, as long as he keeps it up.

Dusted Off: One Shot by Lee Child

One Shot (Jack Reacher, #9)One Shot by Lee Child
Series: Jack Reacher, #9

My rating: 4 of 5 stars

Darn satisfying read. Pure Child gold. Some nice twists and turns along the way, but from the time that the suspect says “Get Reacher” you know that 1. He’s absolutely innocent and 2. The bad guys are going to pay. Just that simple. So why bother going on? Cuz the next 300+ pages will be impossible to turn away from, you will be sucked in the entire time and have a blast the whole time.

That’s simply Child’s way.

Dusted Off: Persuader by Lee Child

Persuader (Jack Reacher, #7)Persuader by Lee Child
Series: Jack Reacher, #7

My rating: 4 of 5 stars

It’s really hard to say something about a Jack Reacher book–in a very real sense, if you’ve read one, you’ve read ’em all (maybe this changes after book 7, but I doubt it). But dang it all if you don’t come back for more and more and more — like Pringles, or Fritos, etc. Great action; totally outlandish, but (in the moment definitely) believable plot; lots of testosterone-y fun.

Two things I’d like to mention about this book.

First, there’s this fad in TV lately where you watch a scene or two at the top of the show, and then the chyron flashes “X days earlier” and you get to see how events led up to this, and even get a better picture of what happened. It’s a tired and overused gimmick. But in ’03 when this was published, it wasn’t. And even if it was tired then, Child does it right, and I would’ve been totally on board with it then. Great hook to begin the book. Really great.

Secondly, I couldn’t help but be impressed with the way that Child laid out Reacher’s motivation to hunt down this particular criminal in bits and pieces, scattered throughout the present day action. Sure, it was predictable after a certain point, but it was skillfully done. Giving Reacher the proper motivation each time to go after the baddie has to be a struggle, especially since it has to be sufficient motivation to get him to perform superhuman tasks. This was one of Child’s best efforts in that regard.

One more thing that I just thought of–since Parker’s God Save the Child and The Judas Goat I’ve been a sucker for a fight between big, tough hero and impossibly huge, strong, psychotic villain, and the one here delivers the goods in spades. Loved it.

Dusted Off: Without Fail by Lee Child

Without Fail (Jack Reacher, #6)Without Fail by Lee Child
Series: Jack Reacher, #6

My rating: 4 of 5 stars

Taught thriller, starts off strong and snowballs into an adrenaline-filled blast. Pure popcorn fun.

After taking a book off from it, Child develops Reacher’s character a bit by bringing him into contact with people who knew his brother before he killed. Which is nice and commendable, but it’s not his strong suit.

Most of the time, he does what he does best: he puts a target in front of Reacher, gives Reacher juuuuust enough info to keep stumbling from one clue to the next, getting closer and closer to his prey. And when he tracks his prey down things really start going Reacher’s way.

The Universe Versus Alex Woods by Gavin Extence

The Universe Versus Alex Woods
The Universe Versus Alex Woods by Gavin Extence
My rating: 3 of 5 stars

At some point (probably later than I should have) I realized 1. where the plot was leading; and 2. this was a novel with An Agenda, which the novel (and likely — but not necessarily — the author) wanted to you agree with. My reactions were: 1. Didn’t make me happy, and really wasn’t something I wanted to read, although I saw that it absolutely what the characters would do; and 2. Never gonna happen. So I had to make a decision: do I finish this or move on?

I went ahead and finished it (which, by the way, confirmed 1 & 2), and I think it was a worthwhile use of my reading time.

Alex Woods is a socially awkward child/teen, an epileptic who’d been struck by a meteor as a child (and achieved a degree of notoriety because of this). He’s figuring out his way in this world the best he can, with little guidance from his fortune-teller mother (and even then, it’s dubious guidance at best), he mostly relies on the scientist who helped him understand the meteor that struck him and his neurologist.

That is, until, he meets Mr. Peterson — an American widower, who moved to England following his service in the Vietnam War and now that he’s widowed has no intention of sticking around. From the moment he’s introduced, it’s clear that Mr. Peterson will become a fixture in Alex’s life. That the two will form an unlikely bond, and this will form the emotional core of the book. (this would be clear even if the book didn’t open with Alex entering the country with Mr. Peterson’s ashes on the car seat next to him)

One of the things Mr. Peterson does is introduce Alex to the works of Kurt Vonnegut. They discuss the books as Alex works his way through them, Mr. Peterson explaining things — both in the books and in life — for Alex’s overly literalistic way of looking at life.

The strength of this book is Alex’s voice and personality. You’re drawn to Alex, you want to understand the way he looks at life, you want to hear how he ends up in the dicey legal situation he finds himself in at the beginning of the novel. If not for his charm, his naiveté, his humor, this book would’ve ended up on my abandoned pile pretty quickly.

Obviously, this is evident throughout. The strongest example that I think of at this moment is Alex’s description of (and reaction to) being bullied is so close to the Platonic ideal, that it alone justifies at least half the time spent reading. The bullying characters, and the reactions on the part of the faculty/students of Alex’s school to his encounters with them were so spot-on, that if Extence wasn’t borrowing from his own life, his imagination is scarily correct.

The only two characters that didn’t quite work for me were Alex’s mother and his female friend from school*. Now, this is either because Alex is a teenage male and has a strange relationship with these two women (because they’re strange, he’s an adolescent male, and they’re women) or because Extence didn’t quite have the handle on them as characters as he did with the rest. I could go with either explanation — the latter seems unlikely, but it’s possible. In the long run, while I couldn’t understand either character as I wanted to, this didn’t detract enough from the book to spend much more time on the point than this. I do wish things had resulted in a clearer resolution between Alex and the schoolmate — if not a definite “they were X forever”, at least a trajectory suggesting something.

In the end, it was a pleasure to spend time in Alex’s company and hearing his take on how he grew up and started in his adult life, whatever my issues with the plot. It’s not the best book I’ve read in awhile, but I’ll keep my eye out for whatever Extence does next.

* Sorry, I’ve forgotten her name and returned the book to the library — and google’s not helping at all.

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