Category: C-E Page 3 of 20

Authors C-E

DETAILS:
Series: Tao Trilogy, #3.5
Publisher: Hunter & River, Inc
Publication Date: April 30, 2016
Format: Kindle Edition
Length: 104 pg.
Read Date: September 10, 2022

You can do this, Cameron. You have intelligence, competence, and experience on your side.

“You’re right. I can handle this job on my own. I got this,” he huffed as he tried to make himself believe those words.

I was referring to me.

What’s The Days of Tao About?

Cameron Poe is about to graduate from college—he would’ve graduated already if he hadn’t picked up a D in Art History, of all things. To make up for that before he can start training to be a full-fledged Prophus operative, he’s taking a summer class in Greece with a couple of his friends. It’s a relaxing time in a fascinating part of the world with an interesting group of students—and a chance for one last college romance before he has to focus.

But then a Prophus agent needs immediate extraction because he has vital information to share, his life is in danger, and the Genjix are about to take their aggression to the next level throughout the world. And Cameron’s the closest thing that the Prophus have to an operative in the country.

Cameron can’t abandon his friends, though—and they won’t abandon their classmates—so he ends up dragging along most of the group on his rescue mission (why make things easy for himself?)

What did I think about The Days of Tao?

I bought this shortly after its publication, and have no idea why I didn’t read it until now (and don’t get me started on The Fall of Io). If it accomplished nothing else, it got me thinking about the series and remembering how much fun it was.

I don’t remember what I thought of them while reading them (and I’m not going to look), but I remember the Tao novels being a little longer than they needed to—that’s not a criticism, but I think they could have been tightened up a bit. Not this—the advantage of the novella—there’s not an ounce of fat to this, not one wasted word. That’s not to say that it’s all plot or anything— Beyond the action and the extraction, there are some good character moments, some necessary development of Cameron, and a couple of laughs—but this novella never slows or drags for a moment. Once the agent says he needs extraction (and, even before that), we’re off to the races and you’d better be buckled up.

Looking at this book’s place in the series, it serves to put the action and the characters (including Io) in place for The Rise of Io. Was this a necessary bridge between the Tao and Io books? Not really no. That’s one thing about these Subterranean Press books—they’re a nice bonus to completists, but people who don’t want to/are too slow to shell out the money for the nice hardcovers (and don’t want to go ebook or audiobook) don’t miss anything they need. But man, it was a nice way to spend an hour or so with some old friends. I really enjoyed this and would commend it (even at this late date) to fans of Tao and the Tan family.

3.5 Stars

The Art of Prophecy by Wesley Chu: Will Simply Blow You Away

By HCNewton

On August 30, 2022

In Fantasy, Fiction, The War Arts Saga, Wesley Chu

The Art of Prophecy

by Wesley Chu

DETAILS:
Series: The War Arts Saga, #1
Publisher: Del Rey
Publication Date: August 8, 2022
Format: Hardcover
Length: 528 pg.
Read Date: August 19-24, 2022

What’s The Art of Prophecy About?

Briefly (cuz, boy howdy, I could go on and on and on about this): There’s a prophesied Champion who will save his kingdom from the Eternal Khan, but he’s a spoiled brat who is not as skilled a warrior as he believes—and he’s even less skilled than he needs to be. But that’s okay, because the prophecy is broken—or wrong. The greatest living practitioner of magically-enhanced war arts has decided to take over his training and protection. Two incredibly dangerous women from very different backgrounds and for very different reasons have decided he needs to die.

Taishi

Taishi is almost certainly my favorite new character of 2022*. She’s elderly—exactly how old, I don’t think we’re told. In her prime, she fought the Eternal Khan to a stalemate more than once. Somewhere along the line, she lost the use of one of her arms. Her age and the loss of her arm have slowed her down and made her less effective. But not so slow that anybody but her can tell. She’s practically a force of nature. Since then, she’s pretty much retired but is strongarmed into checking in on Jian’s training. It’s hard to say what she’s less-impressed with—him or the work of his expert trainers—she’s spreading the scorn all around.

* Sure, it’s possible the next four months will bring someone better across my path, but not really likely.

She’s opinionated, set in her ways, cantankerous, and stubbornly determined. Pity those who try to get in her way. Once she determines that she needs to shepherd and educate Jian, nothing (including Jian) is going to stand in her way.

Taishi’s voice—both in dialogue or as it comes across in the narration—is strong, sardonic, and sarcastic. I loved every second of her point-of-view chapters (seeing her through other characters’ eyes was just as good, though). I was mildly annoyed every time the point-of-view changed, while still being curious about the other arcs.

Wuxia

Wuxia is my new word for the month—from at least one article online (so it must be true), I’m not a total novice when it comes to this genre—I watched the first two Kung Fu Panda movies with my kids when they first came out. But that’s it. So I don’t know how much of this story/world is Chu using or playing with or subverting the conventions of the genre. But it looks like he’s using several of them, and seems to be having fun with them (at least he’s getting the reader to have fun).

I can say that I’m pretty curious about the genre now—and intend to keep an eye out for more opportunities to expose myself to it.

Obviously, one of the defining characteristics of wuxia is the martial arts, and what’s the point of a martial-arts-based fantasy without fight scenes? The Art of Prophecy delivers those in spades. Maybe even by the bucket. I’ve always enjoyed Chu’s fight scenes, but these make the stuff in the Tao books look basic. They’re just fantastic—and littering them with the quips from the point-of-view character (either expressed or kept internal) made them all the better. I could read these all day.

So, what did I think about The Art of Prophecy?

I don’t know that I can really express how excited I am about this book. The last time I was this enthusiastic about a Fantasy novel was Kings of the Wyld, and I’ve read some really good Fantasy since then. But this is a whole different level.

I’m going to leave it at that—if I went into the kind of depth I want to, I’d either spend another week or so trying to get it all out (or would never finish because I was dissatisfied with it). I could do a couple of hundred words on the nature of prophecy and free will in this universe alone (and someone smarter than me had better do that soon)—or even the importance of honor, role, and manners (do not try to cut in line around these people). So I’m going to go shallow with this post—this is a great premise—and the execution of the premise is as great. The world-building is fascinating, and the history that’s hinted at is some of the best I can remember. I loved every one of these characters (none as much as Taishi, but that’s nothing against the others) and feel like I could’ve read a version of this book that was 50% longer just for more time with them. Probably the best action scenes I’ve read this year. It’s too long to read in a single sitting, but it’s the kind of book you want to read in one.

Stop wasting time reading about it, start reading The Art of Prophecy.

5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The Botanist by M. W. Craven: Nothing is Without Poison

By HCNewton

On July 11, 2022

In Fiction, M. W. Craven, Mystery/Detective Fiction/Crime Fiction/Thriller, Washington Poe

The Botanist

by M.W. Craven

DETAILS:
Series: Washington Poe, #5
Publisher: Constable
Publication Date: June 2, 2022
Format: Hardcover
Length: 429
Read Date: July 5-6, 2022

Poe nodded. ‘I hate locked room mysteries,’ he said.

What’s The Botanist About?

There’s little that mystery readers/watchers enjoy more than a locked-room mystery, but you can understand why someone who actually has to solve mysteries for a living isn’t quite a fan.

And that’s not good for him because there are two cases in this book involving locked room mysteries—one Poe and Tilly are assigned to, one they take because they’re asked (and would take on even if they weren’t).

It occurs to me that I should probably define the term I keep using, just to be careful. Last year, Gigi Pandian (no slouch when it comes to locked-room mysteries) provided one on CrimeReads:

Locked-room mystery: A crime has been committed in a room or other location that’s been sealed from the inside, with no way out. An example is a dead man found inside a windowless room that’s been sealed from the inside, dead from a gunshot wound that people outside the room heard fired, yet inside the room there’s no gun and no way for the culprit to have escaped. Thus a locked room is only part of the equation; the key is that the situation appears impossible.

And Poe has two cases to work through. Should be easy, right?

Case #2 (Chronologically, Anyway)

Back in 2020, when I posted about The Curator, I said: “I know it’d be pushing things to have [Estelle Doyle] play a larger role in these books than she does, but the few scenes we have with her are just not enough to satisfy.” I’m so glad to be wrong—Doyle does play that larger role here, and it’s as good as I’d hoped it’d be.

Doyle, I should probably say, is a forensic Pathologist—one of the best around. She’s Poe’s go-to person any time he had questions about something wet and organic.” She shamelessly and aggressively flirts with him, going out of her way to make him uncomfortable—we’re told that “Poe was terrified and bewitched in equal measure.” Some things never change—in 2018’s Black Summer, Poe thinks she’s “incredibly sexy and utterly terrifying.”

And she’s been arrested for her father’s murder. Her comment to the police? “Tell Washington Poe.” That’s all she has to say to get Poe on the case, subverting the work that the DCI (and the rest of the Northumbria police) have done on the case.

There’s no evidence that anyone but Estelle or her father was in the house the day he was shot. There’s also no gun. Is it any wonder that Poe hates locked room mysteries?

Case #1

So the case that DS Washington Poe is supposed to be working on is hunting down a poisoner that the press has dubbed The Botanist.

His victims are high-profile figures, generally in the news for less than admirable activities/views (a racist political analyst, etc.). He mails them a poem and a pressed flower, and then they die a few days later. It doesn’t matter what precautions they take, how involved the police are, how secure their living space is…they die. It’s that simple.

Because these are notorious figures, The Botanist quickly develops a fan base—people are celebrating him, making him into a folk hero of sorts. There’s a lot of pressure on Poe and the other detectives working the case to put an end to his career before he inspires copycats/disciples. The dynamic of a large degree of public sympathy for the killer is a new angle for this series, and I really appreciated it.

A Quick Word About Tilly

I’ve been anticipating what Poe might need next and I have a program running. It’s called RipplePlace and I expect the results in approximately ninety seconds.’

‘And what’s that?’

‘It’s a search and merge algorithm, sorting key data into lexicographical order,’ Bradshaw explained, explaining nothing.

And with that she left the room. Doyle looked at the empty doorway in amusement. ‘I think she may be my favourite person ever,’ she said.

Poe nodded. ‘You understand any of that?’ he asked.

‘Not a word.’

Tilly Bradshaw isn’t as prominent in this novel as readers are used to—and really couldn’t be, because of all the other characters running around, and the way that the story had to be paced. But even when she wasn’t “on camera” (if you will), she was a presence—people were sharing some tidbit about her, using something she’d dug up, etc.

And when she was “on camera”? It was gold. She’d pull off some sort of wizardry with tech, get some sort of data put together in a way no one else would, or would say/do something to make you grin (at least). She really is a great character. It’s hard to disagree with Doyle, she just might be my favorite.

So, what did I think about The Botanist?

Poe had seen people die before. Too many times. Perceived wisdom was that police officers became desensitised to death, but he wasn’t sure it was true. It certainly wasn’t for him. The dead stayed with him. Haunted his dreams and occupied his waking thoughts. They were the soundtrack to his life and the day he couldn’t hear them would be the day he handed in his warrant card. Poe needed to live among the dead. It was how he protected the living.

One of my favorite days the last few summers have been the day the new Washington Poe/Tilly Bradshaw book arrives—topped only by the day I get to start it. This year has been no exception—I finished it five days ago, and am still riding the high.

Time with these characters is like walking into Cheers—you know everyone, you enjoy their company, the only thing you don’t know is what escapade they’re in the middle of. Sure, Sam and the gang were never on the hunt for a serial killer,* but you get my point. Craven takes some of the relationships in new directions here, brings in some new figures, and generally keeps them from being stale—but Poe, Tilly, Flynn, and Doyle are who we’ve come to know and love(?) over the last four novels.

* Or did they? I don’t know—they got into some strange areas there in Season 11.

The cases were just great. Estelle’s case was on the easy side for the reader to suss out (and I was close to right on the motive, as right as Poe was)—but that didn’t make it any less satisfying to read. And the reveal (and the events that led to it) were pulled off so well that I’m not going to complain a bit.

The solution to The Botanist case, on the other hand, was brilliant. I don’t want to say more than that so I don’t tip off anyone, but when the pieces started fitting together enough that you could see the solution coming? I had to stop for a minute to laugh at how perfect it was—but it’s one thing to figure out how the killer’s doing something, it’s a whole nother thing to catch him. Craven’s ending was fantastic—when I was finished, I wrote my last note: “the last 30 pages made me happier than almost anything else this year.”

For me, one of the best parts was how much of this book is dependent on characters other than our protagonists. Absolutely, the cases don’t get solved without Poe and Tilly—their investigations, research, bold moves, etc. are essential. But the secondary characters are are who provide the brilliance, the plans, and the insights that stop the Botanist and set up the dynamite conclusion. The day isn’t saved without our hero, but Poe doesn’t save the day. Fans of the series aren’t going to mind it because of the way that Craven has constructed this universe—he’s set up the other characters to be the kind of people that operate at Poe’s level (if not beyond it), so by all means, let them shine. Also, it makes the whole series more grounded, more believable if it’s not always Washington Poe who solves everything.

Clearly, I loved this. I strongly recommend it—and everything Craven’s written. Now it’s time for me to start waiting for my favorite day of the summer of 2023.

5 Stars

The Cutting Season by M. W. Craven: A Fast, Satisfying Read in this Dynamite Series

By HCNewton

On April 18, 2022

In Fiction, M. W. Craven, Mystery/Detective Fiction/Crime Fiction/Thriller

The Cutting Season

by M.W. Craven

DETAILS:
Series: Washington Poe, #3.5
Publisher: Constable
Publication Date: April 14, 2022
Format: Kindle Edition
Length: 105 pages
Read Date: April 15-16, 2022

What’s The Cutting Season About?

In lieu of writing a synopsis, how about the first four paragraphs?

It started with an old lady.

An old lady who had stepped in front of a train.

There were gangsters and bent cops and a contract killer called the Pale Man, but they were not as important as the old lady. And neither was the dead good man who turned out to be a dead bad man.

In the years that followed, some people would forget about the old lady. They would forget that, if it was not for her, none of this would have happened. Nobody would have been murdered. Nobody would have dangled from a meat hook in a cold warehouse. Nobody would have called in the Pale Man.

There you go—there’s murder, there’s drama in a warehouse, there’s a man known by a title, and a dead woman. There’s your hook. Add in a detective from the National Crime agency—Washington Poe, who’s called in to help with the murder investigation (although he usually investigates serial killers)—and his friend/colleague who is a wizard with tech—Tilly Bradshaw—and you’ve got yourself the makings of a great thriller.

Quick Reads

The Cutting Season was one of eight novellas published this year as part of The Reading Agency’s Quick Reads program.

Quick Reads provide a route into reading that prioritises great story telling and adult-focused content while ensuring the books are written in an accessible and easy to read style. The books are written by some of the most popular authors in the UK – including Andy McNab, Jojo Moyes, Anne Cleeves, Ian Rankin and Benjamin Zephaniah – so they can be a brilliant entry point to new genres, authors as well as the spark to reignite or build up the joy of reading.

The Quick Reads programme has collaborated with over 30 publishers to produce a total of 135 titles since 2006 (many still available to borrow from your public library or buy from The Reading Agency’s bookshop) with over 5 million copies distributed and over 6 million library loans.

That just sounds fantastic, doesn’t it?

So, what did I think about The Cutting Season?

This is a novella—short, sweet, to the point. Well, not that sweet—there’s a lot of dead people and threats to health and well-being. So it’s short and to the point. Think of it as a Washington Poe/Tilly Bradshaw novel in espresso form.

It’s got everything you want—a disturbing killing, Poe’s antics, Tilly saving the day—and as a nice bonus, there’s a chapter at the beginning where Poe is enjoying himself at the office with co-workers, so we get to see there’s more to him than just the single-visioned man we see when he’s on the case (a great way to introduce Poe and Tilly to new readers).

Given the streamlined way this story had to be told to fit, there weren’t any twists or nuance—for a 105-page novella, I’m fine with that. I think this’d work well to introduce Poe and Tilly to a reader who hasn’t done much in the genre before—and I could definitely see this convincing someone who really doesn’t read novels to give one in the series a shot.

As is to be expected from a M.W. Craven work, I strongly recommend this. I had a blast reading it, you will, too.

4 Stars

Light Years from Home by Mike Chen: A Tale of Three Siblings

By HCNewton

On February 22, 2022

In Fiction, Mike Chen, Science Fiction

Light Years from Home

by Mike Chen

DETAILS:
Publisher: Mira Books
Publication Date: January 24, 2022
Format: Hardcover
Length: 345 pgs.
Read Date: February 11-18, 2022

For Jakob, it meant days where time had no meaning, one lifechanging revelation after another. Were there aliens? Yes, there were so many aliens, a number so overwhelming that even now he still didn’t know the name of every species working under the Seven Bells flag. Were there bad aliens? Yes, and it turned out that Dad’s sci-fi shows got some of those traits right—plus mechs from the few years when he indulged in anime—along with holographic displays, faster-than-light speed, smart communication tech that quickly adapted to English, and other things.

It was all of that mashed into one overwhelming reality, something that made him question if he hadn’t taken the best/worst drugs of all time.

Fifteen Years Ago

Evie, her older twins, Kass, and Jakob are on a camping trip with their father. When Jakob and his father step away for a private word (Jakob’s thinking of dropping out, and their father is giving him a talk).

Then everything changes. Jakob and their father disappear. Three days later, their father reappears, disoriented and confused. But there’s no sign of Jakob—he’s eventually declared dead, and the family is shattered.

Evie

Evie’s following their father’s theory, Jakob was taken by aliens. She’s moved away from the family and joined up with others convinced that aliens have visited the planet. They research reportings, scientific phenomena, and do a webcast.

When her group notices phenomena in the area near where Jakob disappeared that matches the same strange readings from that night, Evie can’t contain her excitement, so she scrapes together enough money to fly across the country so she can look into it first-hand.

Kass

Kass had the opposite reaction, her brother’s always been a ne’er-do-well, he has no commitment, no follow-through—always getting by on his charm. She assumes that Jakob found some people to hang out with, leach off of, and was off having a great time while the family fell to pieces.

She stayed home, finished her degree, and is now taking care of their mother in the earliest stages of dementia while working as a therapist, helping others do for their families what she couldn’t do for her own.

She’s not thrilled about her sister’s impending arrival—Kass can’t believe Evie’s wasted her potential with this nonsense and has abandoned her family to do so. She wants nothing to do with it, or the inevitable request for financial assistance that comes with any visit with Evie.

Jakob

Jakob actually was taken by aliens—his father was accidentally taken up in the same transporter stream. He’s serving in an intergalactic war—he’s hiding briefly on earth until he can get some vital information to his side.

Or at least, that’s what he tells his sister when he returns. Kass has other ideas. She keeps using words like delusions and psychosis.

A Family Affair

The book hops around, being told from the perspective of each sibling—we get to know them, what they’ve been up to for the last fifteen years, and how they relate to each other. Whatever outlandish story Jakob is telling, what evidence and theories that Evie has about him, and whatever their mother is going through, the focus is the family—particularly on the siblings. The hurt they’ve caused the others, the neglect they’ve shown towards one another, the utter lack of trust that exists between any of them.

But they can’t fight the pull toward each other—to help each other, even as they’re proclaiming their disgust and disappointment.

Chen’s known for writing family drama, and to date, none of his families have had as much drama as these three.

Yes, there’s the FBI running around, accusations of fraud (and possible terrorism), and some pretty intense action—laced with SF goodness (as you expect from Chen). But the story is at it’s core, a story about these three siblings trying to find some healing. Or at least a definitive way to say goodbye.

So, what did I think about Light Years from Home?

I thought it was a great way to tell this story, I thought the characters were interesting and the situation was very compelling—bringing in their mother’s deteriorating condition was a wonderful addition (in terms of storytelling, I’m not saying I find dementia entertaining).

Yet, I had the hardest time getting involved with the story or characters. I thought it was a great read, but I just didn’t care. Or I didn’t think I did. But I found myself on the edge of my seat at the right moments and getting misty at the end. Without my noticing, Chen had wormed his characters into my heart—including the one, I’d easily have said the book didn’t need.

I’ll note that I just talked to a friend, who had an entirely different reaction to the beginning of the book (hasn’t finished it yet, but I can’t imagine he’ll disagree with what I said about the ending). This suggests, as I imagined, this is a Me-problem, not a Chen-issue.

I think this book worms its way into the SF/Speculative Fiction genre differently than Chen’s previous works. And maybe that was my hitch—maybe. I think it’s great that his works are so stand-alone, that there’s not even a Mike Chen-template like so many other stand-alone authors fall into.

With Mike Chen, you never know what you’re going to get beyond: interesting and fresh premise and emotionally satisfying ending. Light Years from Home lives up to that and has me eagerly awaiting his 2023 release to see where he’s going next.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Crime/Mystery/Detective/Thriller Fiction of 2021

By HCNewton

On January 10, 2022

In DC Maggie Jamieson, Lee Goldberg, M. W. Craven, Mystery/Detective Fiction/Crime Fiction/Thriller, News/Misc., Nick Kolakowski, Noelle Holten, The Stonebridge Mysteries

Finally, we’re at the end of my 2021 wrap-up, it feels like I’ve been at this for a month. I really need to get faster at this.
2021 Favorite Crime Fiction
38% of what I read last year falls into the category of “Mystery/Detective Fiction/Crime Fiction/Thriller,” so I have to consider it apart from everything else when I put together my Best-Of Lists, or just about everything else would get ignored. Even if I went with a Top 15-20 instead of a Favorite 10, maybe 2-3 books from the previous lists would’ve made it along with all of these (and a couple that just missed this list).

Once again, I’ll note that I limit my lists to things I read for the first time. I’d be willing to guarantee anyone reading this page will enjoy at least 6 of these (which six will vary from reader to reader, however). I’m tempted to say that all the listed books are guaranteed for everyone, but people’s tastes are too varied, so I’ll hedge my bet. Try these, and you’ll be glad you did.

(in alphabetical order by author)

Born in a Burial Gown

by M. W. Craven

My original post
Should I just start calling this list An M. W. Craven Novel and 9 Others I Loved Last Year? This just narrowly beat out the latest Poe/Tilly for this spot. This novel introduces a very damaged detective trying to prove that he deserves to be where he is (and his team does, too). DI Fluke is a great character—well, they all are. The prose just sings, the novel’s well-paced and cleverly put together. The killer, the motive, the victim, the reveals (both in the way they were handled and what was revealed), the fairly satisfying (by design) ending, the sweet and then very satisfying denouement—and anything else I didn’t mention—it’s all just as good as you could hope for.

5 Stars

Gated Prey

by Lee Goldberg

My original post
It was only after I narrowed down this list that I realized that Eve Ronin showed up on last year’s list, too. I clearly have a thing for this series. Eve is still learning how to be a detective while making headlines by being involved in high-profile cases. This book mixes observations about celebrity culture, a couple of great mysteries, continued problems in the Los Angeles County Sheriff’s Department, and Eve (once again) failing to balance work and life (or at least work and health). Rookie detectives aren’t the typical focus of a series, but really should be (at least if this series is any indication)

4 1/2 Stars

The Appeal

by Janice Hallett

My original post
The reader is on the same level with the characters who are trying to solve things in this epistolary mystery—we get to read the evidence at the same time as the trainee lawyers that we focus on do. That alone makes this an inventive read. Then Hallett adds in a fantastic cast of characters involved in a small town’s local community theater and a crowd-funding effort for a small child’s cancer treatment. You start out knowing something criminal happened, and gradually start to figure out what the crime was and how it involves those characters. It’s a truly inventive way to tell this kind of story and a great story. It’s the kind of book that’s easy to overhype as you talk about it, so I’m shutting up now.

5 Stars

August Snow

by Stephen Mack Jones

My original post
Readers here know that one of my greatest weaknesses is a good P.I. novel, and “discovering” August Snow was just a treat for me. There’s something about this book—one of those ineffable things that just sang to me—that reminded me of the first time I read a Dennis Lehane Kenzie and Gennaro book, or Joe Ide’s I.Q., or Crais’ Elvis Cole. There’s something just so right—so absolutely classic P.I. and incredibly fresh about the voice—that I felt at home.

From an atypical beginning with the prospective client that ends up without anyone being hired, through the morass of financial crimes and murder, to the explosive ending—with the increasing sense of dread and apprehension of an ensuring emotional gut-punch—August Snow is a fantastic series debut, that would be an equally fantastic tenth novel in a series. It’s fantastic, period.

5 Stars

Love & Bullets: Megabomb Edition

by Nick Kolakowski

My original post
This is technically a violation of my “only new to me” books, Kolakowski took his three Love and Bullets novellas and added a little new material to turn them into a novel. I found the experience different enough reading them as a novel, that I’m going with it. It’s just a blast to read. I had fun with every novel on this list, but for sheer entertainment value, I think this one tops the rest.

Love & Bullets is a fast-moving thrill ride. It’s funny. It has occasional moments of sweetness (very transient). The story and characters are visceral—you can see the action, you can practically hear Bill’s quips and feel Fiona’s patience evaporating at them (while she does love him for them). It will get a much-beloved (or much-disparaged) band’s music stuck in your head during one fight scene. Really, it covers almost all the senses—and given where they spend a lot of time, you’ll be glad it leaves the other two out.

4 1/2 Stars

The Jigsaw Man

by Nadine Matheson

My original post
DI Anjelica Henley is your typical detective so focused on the job that everything else in their life is a tertiary concern at best, she makes horrible choices in her personal life, and seems to make enemies wherever she goes. One such enemy is a serial killer she put away some time ago, but then new bodies start showing up that look like the work of that killer. Did she put the wrong man away? Is this a copycat? Or something worse? The Jigsaw Man is a dark, unsettling read—there are two pages toward the end that may be the most disturbing pages I’ve ever read. And yet…there’s something very appealing about the novel—it’s gripping and compelling, it’s also entertaining. The pacing was perfect. The characters were well-drawn and felt fresh. It’s the kind of book that makes you ignore responsibilities–and possibly food and hygiene–or at least want to until you finish.

5 Stars

The Curious Dispatch of Daniel Costello

by Chris McDonald

My original post
(really this spot belongs to all Series: The Stonebridge Mysteries, but we’ll use this as a synecdoche (or did I mean metonym? I’m can’t remember)). I’ve been calling this a Cozy for People Who Don’t Like Cozies. It’s about a pair of guys in their twenties, trying to figure out their lives. They’ve spent too much time watching Sherlock and the like, and when one of them discovers a dead body at a wedding they’re attending, they take it upon themselves to solve the murder. Which leads to them doing that again in a few months—and again, and again. They really don’t have any business doing this kind of thing, but it turns out that they have a knack for it. This novella (and those that follow) is a quick burst of fun—a witty whodunit with a couple of unlikely amateurs on the case.

4 Stars

Suburban Dicks

by Fabian Nicieza

My original post
A disgraced journalist struggling to find some sort of professional redemption (not to mention a better paycheck) and a pregnant mother of four (who gave up her lifelong dream of being an FBI profiler to raise a family) pair up to investigate their suburb’s first murder in decades because the police department just isn’t up for it (assuming they’re not too crooked to do the job right). You get a great mix of dark comedy, social commentary, and clever mystery as the pair unearth secrets that have been buried for generations on their way to solve the murder of a gas station attendant. From the great opening scene to the fantastic last line (probably the best I read last year), and all points between, this was easily one of my top reads of the year.

5 Stars

Dead Secret

by Noelle Holten

My original post
Like Eve Ronin (above), DC Maggie Jamieson, is driving herself to exhaustion. She’s just that driven. This book features Maggie and the rest of the team on the hunt for a killer and trying to find (hopefully in time) their missing DCI, which means no downtime for Maggie or anyone else. You’ve got a pretty grizzly beating death to start off with and then you the police’s natural inclination to focus all resources on the missing DCI. Just those two storylines would be enough. But then Holten throws in a third storyline—a person in desperate need of help, a survivor of (as far as anyone can tell) of domestic violence—a reminder that policing isn’t about arrests, it isn’t about only maintaining social order—it’s about people like this woman who showed at Lucy’s front door, it’s protecting and serving the public. This is the kind of thing that both (fictional and real) civilians and the (fictional and real) police need to be reminded of, and here it elevates the rest of the novel by its presence.

4 1/2 Stars

The Thursday Murder Club

by Richard Osman

My original post
What can I possibly say about this that hasn’t been said before? This book is just great—it’s about a group of friends in a retirement community who spend a few hours a week looking over police cold cases (one of the group is a retired police officer, and these are her files) and then a murder happens in their community. They trade in their cold cases for this very warm one right away. I can’t think of a thing about this novel I didn’t like—it was touching, amusing, honest about the circumstances that these characters found themselves in, but life-affirming, too. There’s a lot of profundity mixed in with the amusement—and a clever mystery, to boot! This is not one to pass up.

5 Stars

My Favorite Non-Crime Fiction of 2021

By HCNewton

On January 7, 2022

In Alex Verus, Benedict Jacka, Fiction, General Fiction/Literature, Jo Perry, Mike Chen, News/Misc., Roddy Doyle, Science Fiction, Seanan McGuire, Toby Daye, Urban Fantasy

2021 Favorite Non-Crime
Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s almost 40% Crime/Thriller Fiction, and Urban Fantasy has only topped 20% once in the last decade—it was 16% the last two years, SFF combined for about 14% in 2021.

Which is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own.

As always, re-reads don’t count—only the works that were new to me.

(in alphabetical order by author)

We Could Be Heroes

by Mike Chen

My original post
A super-hero and a super-villain become friends after meeting (as civilians) at a support group meeting and delve into their shared past to figure out how they got their powers and who they used to be. That old story. 🙂 In typical Chen fashion, the SF/super-hero elements are just an excuse to tell a story about friendship, memory, and identity. It’s a story about people, who just happen to be super-powered.

4 Stars

Love

by Roddy Doyle

My original post
This is about as close as you can get to a novel without a plot. You’ve got a pair of old friends, getting together for drinks (many, many drinks) and to catch up on each other’s lives. They end up revisiting their past (as you do), arguing about what really happened then, and seeing how it’s impacted where they are now. There’s more to it, but that’ll do for our purposes. The novel is primarily told through dialogue (although we do get memories and internal commentary from one of the men). As is to be expected from Doyle, that dialogue sings. You can practically hear it jump off of the page–I’m not sure I could conjure up a mental image of anyone in the book, but I know exactly what they’d sound like.

4 Stars

The History of Tom Jones, A Foundling

by Henry Fielding

My wrap-up post for the project
I read most of this in 2020, but didn’t finish it until 2021, so it goes on this list. Just for the (mostly rewarding) time spent on this book, it deserves a spot on this list. It’s not really the kind of book I thought it would be, but it’s so much more interesting. I’ve said enough about this book, I don’t really have it in me for more–it’s a classic, anyway, what can I say that hasn’t been said for hundreds of years?

5 Stars

All the Lonely People

by Mike Gayle

My original post
This is nothing but an all-out attack on the cockles of your heart. I described it to a friend, “Imagine a book by Fredrick Backman–but instead of a crotchety old Swedish man, it’s about a lonely man who left Kingston for London in the 50s.” It’s so heartwarming, so Capra-esque, so…eh, you get the point.

5 Stars

Not Awkward

by Matthew Hanover

My original post
Hanover’s third Wallflowers novel came out last year and shows real growth as a writer, while not losing any of the charm, heart, and likability of his previous novels. Just before his wedding, Scott goes to the funeral for his ex’s father, and somehow ends up spending a few days with the family. Not Awkward is a warm and heart-filled story about revisiting the past, finding healing (whether or not you thought you needed it), and embracing a future that doesn’t look like you expected it would (and is probably better). It’s the kind of book that’ll make you feel a little better about life for a while—and who doesn’t want to read something like that?

4 1/2 Stars

Risen

by Benedict Jacka

My original post
The twelfth and final book in the Alex Verus series blew me away. It’s one of the best series finales I remember reading. It was hard to say good-bye to this world and these characters, but Jacka did such a satisfying job with this novel that it took some of the sting out of it.

5 Stars

When Sorrows Come

by When Sorrows Come

by Seanan McGuire

My original post
If (and that feels like a big “if”) October Day is going to get a Happily Ever After, it’s going to be years down the road. Thankfully, she got a “Happy Right Now” by marrying Tybalt. That’s pretty much what this novel is–a big dollop of happiness (with Toby putting down a palace coup along the way). It was so nice seeing that.

5 Stars

Headphones and Heartaches

by Wesley Parker

My original post
Percy’s a teen who gets put into Foster Care after his mother’s latest OD. While she’s in a treatment program, Percy comes to trust and love his foster mother–a woman with a huge heart, who takes in this boy and gives him a safe place to be for the first time in his life. This is a sweet book, a touching book—an occasionally hilarious book (with some truly cringe-worthy beats)—I guess it’s best summed up as a very human book. Parker got me to feel all sorts of things for these characters, to a degree I didn’t expect or was prepared for.

5 Stars

Pure

by Jo Perry

My original post
(sure, you could make the case that this is Crime Fiction, but I don’t buy it) After Ascher gets quarantined in her late aunt’s retirement condo during the early days of COVID. She sneaks around volunteering for a Jewish Burial Society, and then becomes convinced that one of the women she helped with was the victim of foul play. So Ascher tries to figure out what happened and who is responsible–again, while sneaking around the retirement community’s quarantine. This is a mystery novel about something—it’s more than a whodunit (assuming there was something for a “who” to have “dun”). It, like pretty much everything Perry writes, is about death and how we deal with it as humans (and one neurotic and grieving Mini-Pinscher). THere’s more to chew on, too, but that’d be telling…

This is one that’s going to stay with me for a while.

4 Stars

In Ten Years

by Ian Shane

My original post
A contemporary When Harry Met Sally that makes me just as happy as the movie ever did. Tried and true plotlines that felt fresh thanks to Shane’s light touch and ear for dialogue. It contains what’s probably my favorite chapter of 2021–and more than a couple of my favorite lines. I wanted to race through it to see how it ended, and I wanted to slow down to savor it (the impulse control side lost–what do you expect from someone who tagged himself “Irresponsible”?).

5 Stars

Fortune and Glory: Tantalizing Twenty-Seven by Janet Evanovich: Stephanie’s on a Treasure Hunt

By HCNewton

On December 30, 2021

In Fiction, Janet Evanovich, Mystery/Detective Fiction/Crime Fiction/Thriller, Stephanie Plum

Fortune and Glory:
Tantalizing Twenty-Seven

by Janet Evanovich
Series: Stephanie Plum, #27

Paperback, 332 pg.
Pocket Books, 2021

Read: December 25-27, 2021
Grab a copy from your local indie bookstore!

Ranger stopped for a light and looked at me. “How about you? What’s in your bucket list?”

I was stumped. I didn’t have a bucket list. My bucket was empty.“I haven’t gotten around to making a bucket list,” I said. “Do you think that’s a personal failure?”

“No. You’re busy living every day. That’s a personal triumph.”

“It doesn’t feel like a triumph. It feels like I’m moving through my life with no important goals or aspirations.”

“What do you consider to be an important goal?”

“Being a doctor or a vulcanologist or a marine biologist or finding the Ark of the Covenant.”

What’s Fortune and Glory About?

Fortune and Glory continues the storyline kicked off in Look Alive Twenty-Five, this time Stephanie and Grandma Mazur are hunting for the treasure—whatever it may be (no one is telling) that the La-Z-Boy Gang had tucked away. Two of the surviving members are on the hunt for the clues that lead to it, too—and they’re not playing by Marquess of Queensberry Rules.

Naturally, Stephanie also has three skips to track down for Vinnie’s Bail Bonds—one of whom decides that Stephanie needs a bodyguard and devotes himself to that. Sure, Stephanie could use a bodyguard, but probably not one who has a handful (or more) of anxiety disorders that prevent him from doing much of anything.

Dodging gangsters and chasing down FTA’s, just another day in the ‘Burb for Stephanie Plum.

A Backdoor Pilot?

Evanovich has a new series starting next year about a recovery agent, Gabriela Rose. We get to meet Gabriela here because she’s been hired to recover the same treasure than Stephanie and Grandma are on the hunt for.

She’s slick, she’s skilled, she’s apparently successful—she’s pretty much the anti-Stephanie. She’s what Ranger could be if he didn’t have his whole company, either.

Gabriella’s not in the novel much, just enough to introduce her to Evanovich’s readers. But she plays a vital role when she’s around.

I enjoy it when there’s overlap between an author’s series/works, but this felt cheap.

A Change in the Offing?

Stephanie spends a lot of time considering her life, her career, her future…nothing she hasn’t done before, but it felt a bit more serious this time—going so far to ask herself “Who am I?”. Even her newfound bodyguard sees that she wants to change her life.

The presence of Gabriela and some new turmoil in her relationship with Morelli adds fuel to this self-reflective fire.

So, what did I think about Fortune and Glory?

This was fine. This was okay. It was amusing. I appreciate the ambition of the storyline (but glad Evanovich wasn’t ambitious enough to try to extend it). For a series this old, to try something like this for the first time? Pretty impressive.

I don’t know that I found anything funny, though—which isn’t good for a comedic series like this.

It’s not quite as good as the last couple of Plum novels, but not as weak as some of the others. Good enough to read and recommend, but just that good. If I actually believed this round of self-reflection was going to result in a change, I might be more optimistic about things, but I expect that #28 will be more of the same. Which isn’t necessarily bad, it’s just nothing to be excited about.

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Better Off Dead by Lee Child and Andrew Child: Readers Would Be Better Off Without this Reacher 2.0 Mess

By HCNewton

On December 14, 2021

In Fiction, Jack Reacher, Lee Child, Mystery/Detective Fiction/Crime Fiction/Thriller

Better Off Dead

by Lee Child and Andrew Child
Series: Jack Reacher, #26

Hardcover, 325 pg.
Delacorte Press, 2021

Read: December 7-9, 2021
Grab a copy from your local indie bookstore!

What’s Better Off Dead About?

Continuing the westward journey he started back in Past Tense, Reacher finds himself about as close to the US/Mexican border as you can get in one of the smallest towns we’ve seen him in.

He encounters an Army vet hunting for her twin—who has gotten himself mixed up with some sort of smuggling operation—that might be getting into something more serious. Michaela Fenton gets Reacher to help out with a scheme to put her face-to-face with the head of the operation.

Things go south, and before you know it, it’s Reacher against this shadowy organization trying to save the Fenton twins and put an end to a plot that’s either an act of political protest or deadly attack (Reacher’s assuming the latter).

That doesn’t make a lot of sense—but trust me, something as convoluted as this plot doesn’t make it easy to summarize in a coherent fashion.

So, what did I think about Better Off Dead?

I strongly considered listing all my problems with this—but why bother? Venting my spleen might make me feel better, but I don’t want to spend the energy on it.

Let me try to be concise—it was a giant, implausible, mess. The original plan that Reacher and Fenton come up with to take down the bad guy makes every single machine that Rube Goldberg drew seem efficient and straightforward. I couldn’t believe that Reacher would sign on to it—and even after he started voicing concerns, he still went along with it. Reacher’s known for his brawn, but his brain has always been—up to this point, anyway–just as important (if not more so). This was just dumb.

I was annoyed very early on, texting a friend, “Worst.Reacher.Ever.” Although I noted that the Child brothers had 250 or so pages to make me change my mind. I really wanted them to. But man, those short stories about pre-teen/teenager Reacher in New York City or Okinawa look really good to me now.

The least troublesome part for me was the voice—Lee Child tended toward the third-person, but occasionally used first to great effect. This time, first-person didn’t help matter—and while I haven’t read any readers complain about it, a lot of what I have seen people complain about I think would’ve worked if it was in the third-person (and/or wouldn’t have been part of a third-person narration).

There were some good scenes, a handful of chapters that worked for me, in fact.* But they were a distinct minority. Still, in trying to be fair, I’d say if this was a thriller by a relative newcomer? I’d be more positive about it (not much more, but more). But Andrew Child (née Grant) has a dozen novels under his belt and Lee Child has twice that—also this is a Jack Reacher novel. There are standards that must be upheld.

*I’d planned on talking about some of those, but this post is longer than I’d intended it to be already, so let’s leave it at “the whole thing wasn’t a dumpster fire.”

I knew that there’s be some growing pains as Lee backed off to let Andrew take over, but this was worse than that. The Sentinel wasn’t perfect, but it was something to work from. Better Off Dead was a major setback and will take some work to recover from. Sadly, I bet that no one’s going to make Andrew buckle down and do that work (please, please, someone prove me wrong).

I walked away from the interview I heard with them a few weeks ago with the impression that Andrew doesn’t typically work with the “no outline” approach of Lee—maybe if he didn’t try to ape that style, he’d be better off. There were a few times in my notes I wondered if they’d changed their minds about where the plot was going.

Give this one a pass—go back and read/reread 61 Hours, Nothing to Lose, Personal, or…you know what? Anything from The Midnight Line or earlier. It’ll be time better spent.

2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Dark Hours by Michael Connelly: Ballard Tackles a Pair of Tough Cases in this Timely Novel

By HCNewton

On December 2, 2021

In Fiction, Harry Bosch, Michael Connelly, Mystery/Detective Fiction/Crime Fiction/Thriller, Renée Ballard

Finally…I’d hoped to get this posted no later than November 17th. But every time I started writing something, I ended up overthinking or was distracted. I’m not sure the end result is that coherent, but…it’s finished. I can live with that.

The Dark Hours

by Michael Connelly
Series: Harry Bosch, #24/Renée Ballard, #4

Hardcover, 388 pg.
Little, Brown and Company, 2021

Read: November 12-15, 2021
Grab a copy from your local indie bookstore!

It was like a bag of popcorn cooking in a microwave. A few pops during the final countdown of the year and then the barrage as the frequency of gunfire made it impossible to separate it into individual discharges. A gunshot symphony. For a solid five minutes, there was an unbroken onslaught as revelers of the new year fired their weapons into the sky following a Los Angeles tradition of decades.

It didn’t matter that what goes up must come down. Every new year in the City of Angels began with risk.

The gunfire of course was joined by legitimate fireworks and firecrackers, creating a sound unique to the city and as reliable through the years as the changing of the calendar.

What’s The Dark Hours About?

It opens on December 31, 2020—Renée Ballard and a fellow detective are partnered up for the night—it’s a kind of all-hands-on-deck kind of night. These two are also part of a team on the trail of a pair of serial rapists that they’re calling the Midnight Men.

But on this night, they’re called out to a shooting death. Ballard’s role is to be the initial investigator and then pass off the case to the homicide detectives after the weekend—but she’s hoping she can keep it longer (their work on a different case could allow for that). There’s a match for the bullet—the same gun was used in an old unsolved case, investigated by Harry Bosch.*

Isn’t it always reassuring to see that no matter what kind of super cop he is, there are cases that Bosch couldn’t close?

The two put their heads together and quickly find a new angle for Bosch’s case as well as a promising line of investigation for Ballard’s.

Meanwhile, the Midnight Men strike again, and this time, there’s something a little different that Ballard picks up. A string she starts pulling that proves to be instrumental.

With Bosch to bounce her ideas off of, as well as a backup she can trust, Ballard gets her chance, once again, to bring a little light to the dark hours of the night.

Bosch

While this is by and large a Renée Ballard book, there’s enough about Harry Bosch to keep a fan satisfied. He’s doing okay with his medical condition, Maddie’s well (and is dating someone, so isn’t spending as much time with Bosch), he’s pretty much holed-up during COVID, studying old case files.

Not at all-surprisingly, when Renée’s path crosses with his, he’s ready to jump into action. Sure, he always is, but add in a lockdown-induced cabin fever? It’s a wonder that Harry wasn’t calling his mentee daily to see if she needed help with anything (although it’s clear that the two have kept in touch).

In the past, the pair have done a better job of keeping Harry’s involvement under the radar, but between Bosch’s Cabin Fever, Ballard’s need to make fast progress on the cases, and her lack of trust for any other detective at the moment they throw that out the window. Which does come back to bite Ballard (as it should).

The 2021-ness of It

… this was the new LAPD—officers stripped of the mandate of proactive enforcement and waiting to be reactive, to hit the streets only when it was requested and required, and only then doing the minimum so as not to engender a complaint or controversy.

To Ballard, much of the department had fallen into the pose of a citizen caught in the middle of a bank robbery. Head down, eyes averted, adhering to the warning: nobody move, and nobody gets hurt.

I don’t remember Connelly’s books being so obviously of the moment until last year’s The Law of Innocence which ended just as lockdowns were starting in California.

Connelly’s books have always felt contemporary—other mystery series might feel 5-10 years out of step, but not Connelly. Although, even the older books largely felt like they could’ve taken place a couple of years ago (except for the technology involved). But The Dark Hours has to be a 2021 novel—Ballard, Bosch, and the city are going through things that could only have happened after the protests of 2020 and the COVID-19 pandemic.

It makes things feel more immediate, but does it hurt readers in 5-10 years? Fair Warning, also published last year, could take place anytime after 2010 (maybe earlier). A lot of the other books felt timely to their context, but even now they don’t feel that dated. Will these?

I don’t know if this is a strength or a long-term weakness, but it is, as far as I can remember, a change.

However, seeing Renée having to adapt to COVID restrictions (no more living on the beach!) and struggling with the changes (temporary? long-lasting?) that the protests of Summer of 2020 about policing in America have brought to the LAPD is great to see. Connelly is able to show a department in flux, which can’t have been an easy tightrope to walk.

So, what did I think about The Dark Hours?

Ehhh…I’m not sure what to say here.

In the moment, while I was reading, it was typical Connelly—I was gripped, I was riveted, I couldn’t wait to see the murder solved. I was less invested in the rape case because once Ballard starts to get a little traction, once she starts to learn a little bit about these guys, I was repulsed. I really didn’t want to learn more—I just wanted them locked away—I even said something to a friend like “can’t we just get a quick, miraculous, resolution to this by page 180 and spend the rest of the book focusing on the murders?” Great job by Connelly creating some very horrible criminals, but I don’t want to spend time thinking about them.

But it’s not his best work—I’m not sure it’s not up to his par, even. The more I think about it, the more I’m bothered by parts of the story and storytelling. The Epilogue, by the way? It’s a scene from a TV show. Working on Bosch, Lincoln Lawyer, and Bosch: Legacy have impacted Connelly at least a little and it shows here.

I thought the stuff about the impact of COVID and the protests was fantastic—and you get no simple answers about the past/present/future of policing in LA. I’m just not sure the rest of the novel was as good as we’ve come to expect from Connelly (I’m open to being corrected by others who read it, though).

Good—but not good enough—I guess is my takeaway. Still, time with Bosch and Ballard? Always time well spent.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.