Category: K-O Page 17 of 22

We’re All Damaged by Matthew Norman

We're All DamagedWe’re All Damaged

by Matthew Norman

Paperback, 268 pg.
Little A, 2016

Read: June 8 – 9, 2016

It’s a cruel fact that if your wife cheats on you, the guy will have a name like Tyler. Something cool–something your parents never would have had the guts to name you.

This particular Tyler is involved in Andy Carter’s wife leaving him (he’s not the cause, as Harry Burns’ buddy, Jess, would remind us, “Marriages don’t break up on account of infidelity. It’s just a symptom that something else is wrong.”). Karen uses the symptom as an excuse to dump Andy at an Applebee’s in the funniest and most tragic first chapter since Tropper’s This Is Where I Leave You.

Actually, there are several similarities between this book and This Is Where I Leave You — which is not to say that Norman’s ripping Tropper off or anything (although, it’d be a good book to steal from). It deals with some similar themes in a similar tone with similar heart. A few times Norman made me think of Tropper (I bet next time that the next time I re-read Tropper’s book, I’ll think of Norman’s).

Following the Applebee’s disaster, Andy sort of fell apart, I’ll spare you the details because Norman does a much more entertaining job of relating them than I could. But long story short, he quits his nice job and moves to from Omaha to New York and becomes a bartender, and is sort of adopted by a stray cat named Jeter (as has been well established, I’m not a cat person, but I liked Andy’s relationship — for lack of a better term — with Jeter). While licking his wounds — or whatever — he pretty much cuts off communication with his family and friends. Not out of spite or anything, but it just seems to take too much energy.

For a while now, I’ve had to keep reminding myself that I’m a nice person. Like, nice nice. Midwestern nice. Half the people who signed my high school yearbook told me so–it’s documented. A few of them even mentioned that I should never change, never ever. I once helped a blind lady walk across a grocery store parking lot in the rain. I used to run 5Ks on Saturday mornings to fight cancer and juvenile diabetes and all of that horrible shit.

Time moves on, as it tends to outside of SF novels, anyway. Before he knows it, Andy’s being stood up for a blind date and he gets a call that his grandfather is about to die. A grandfather that Andy’s pretty much ignored for over a year. So Andy goes home, after promising his boss/friend that he won’t have anything to do with Karen.

Want to bet he keeps that promise? Yeah, me neither.

He doesn’t recognize his parents, the kind of house they live in, or the notoriety his mother (a conservative radio talk show host) is enjoying. His grandfather, suffering from dementia (amongst many other things), doesn’t recognize him, either. Andy is recognized by his former best-friend/ex-brother-in-law, his brother, his parents, his ex-father-in-law, a few people he’s never met. Including someone claiming to be his sister. Oh, and Tyler.

She calls herself Daisy, “smeller of books and a marker-upper of books,” and actually has a pretty good reason to calling herself his sister. But she has other plans for him — inspired by the stories his grandfather’s been telling her, Daisy has decided to fix Andy. She sports multiple tattoos, has no discernible source of income, and marks up books. Really, not the kind of person a respectable young man should be associated with — even a formerly respectable young man. But man, I really, really liked Daisy (marking up books notwithstanding), I can almost guarantee you will, too.

You’ll probably like Andy, his grandfather, father, niece and ex-friend, too. Forget about liking Tyler, just not going to happen. I’m not sure where you’ll come down on Mom. I’m not sure where I come down on mom, either.

I’m not sure you’re supposed to have a firm opinion about her, either. My one complaint with the book has to do with Mom. The novel takes place in the weeks leading up to the
Obergefell v. Hodge
decision, and since Mom’s a conservative talk show host on the verge of nationwide fame, the case is mentioned a lot. No one, on either side of the issue, deals with it in a substantive manner — it’s all sound-bites and bumperstickers. Frankly, something so important should’ve been dealt with gravitas, not in sloganeering and cartoonish representatives. Sadly, by and large that’s all that the Internet, TV and radio gave us — so that really Mom (and her vocal opponents) were realistic representations of a lot of our country. Not the best part of it, sadly, just a large part. I can’t fault Norman for focusing on them just because they were realistic just because I wish they weren’t.

So, while maybe coming out of the ruins he’s made of his life and personality, Andy mends some fences, further ruins some more, connects with his father in a way he hadn’t in a long time, and maybe even gets a little closure. He also makes a fool out of himself, gets punched, and has to attend his grandfather’s funeral. Thanks to Daisy’s pushing, he may not be living a good life — but it’s one a lot more interesting than just wallowing in the past.

At a certain point, you pretty much figure out exactly how things are going to go in the book — and you’ll be right (except for the once or twice where you’ll be really wrong). But it doesn’t matter, because things work out the way they should, and Norman works them out in a pleasant, engaging style.

I liked Andy’s ambivalent relationship to technology — the imaginary conversations he has with Siri made me grin. And then there’s his first brush in months with Facebook.

I’ve given it some thought, and, seriously, there’s just no way Facebook can be good for you. I’m sure there have been studies, so this probably isn’t some brilliant revelation, but I’ll say it anyway. On the surface, it’s harmless enough, I guess. How bad can it really be with its endless baby posts, food pictures, and beachy foot selfies? But it’s not that simple. Mixed in with all of its silly bullshit, Facebook is the literal manifestation of all our regrets, looping and looping, for free, on our computers and phones. People who should be gone and safely out of forever are there again, one cryptic little glimpse at a time, reminding us of all the things we should or shouldn’t have done.

Seriously, Norman deserves some sort of literary prize for the “literal manifestation of all our regrets” line, right?

There’s also a cameo in here that was such a nice touch.

This was a very amusing book — frequently funny. This was also a touching book — I might have gotten misty once or twice. More than anything else, this was engaging — I was right there with Andy the whole time, cringing when he was being stupid, grinning when he was being charming or mature. I enjoyed this one so much that I can’t quite figure out how to say it. Norman belongs up there with Nick Hornby, Jonathan Tropper, Rainbow Rowell and Jennifer Weiner — he can make you laugh, make you cry, make you feel, all while telling a pretty good story. I should go back and re-read his other novel, just to be able to prove this. But until I do, just take my word for it and give this a shot.

—–

5 Stars

In Medias Res: The Asset by Shane Kuhn

as the title implies, I’m in the middle of this book, so this is not a review, just some thoughts mid-way through.

—–

The Asset
The Asset

by Shane Kuhn

This is not the Shane Kuhn you know. Well, sort of. This is a standalone thriller about Airport/Airplane Security, Terrorism, and the USA’s efforts to keep the friendly skies, well, friendly. It’s not as fun and funny as The Intern’s Handbook or Hostile Takeover (or whatever they’re called in your part of the world). BUT it is just as well-written and suspenseful — and a little easier to believe, actually.

There are hints, suggestions, indicators, and other things pointing to an immanent terrorist attack on the U.S., and not enough people are taking the situation seriously. At least, least that’s the point of view of Kennedy, the security expert and protagonist, who is taking it very seriously. Taking place over 64 days (not a spoiler, that’s literally the 2nd line — although, there could be some action that takes place after that). Will Kennedy be in time to stop it? How will he? this is a pulse-pounder, a nail-biter, a “oh, crud — do I really have to go to work tomorrow? Do I actually need to sleep before then?” kind of book.

I think I’d prefer it to be harder to believe than the other two books, come to think of it.

I’m almost at the mid-way point of the ARC (with thanks to Simon & Schuster and Shane Kuhn) and I’m telling you now, you want to pre-order this, get on your library’s wait-list, or whatever (legal) thing you do to get your hands on a book. It comes out on July 12, you want to be ready for it.

Indexing (Audiobook) by Seanan McGuire, Mary Robinette Kowal

Indexing AudiobookIndexing

by Seanan McGuire, Mary Robinette Kowal
(Narrator)
Series: Indexing, #1

Unabridged Audiobook, 13 hours
BrillianceAudio, 2015
It could easily be argued that I’ve said enough (if not too much) about Indexing. So I’m not going to talk about the story, the writing, and so on, beyond this: not listening to this episodically like I read it, highlights strengths and weaknesses. For example, it’s minor, but the way she has to re-introduce the cast in every episode gets pretty tiring when you hear them all minutes apart — but you don’t really notice at all when you read them every 2 weeks.

The book as a whole is developed better and more fully than I realized initially — the whole thing is a lot more connected than I realized. I’d been intending to kick back and read the whole thing sometime to see how it held together, and I’m glad I got the chance to with the audiobook. It’s really a much stronger whole than I realized.

The main thing I want to talk about is Mary Robinette Kowal (that’s three audiobooks in a row from her, I have to take a break before I just assume that every audiobook is by her). She was fantastic. Her Sloane wasn’t anything like the Sloane in my head, but far superior. The rest of the team was spot on — but the best was Henry. The little inflections of her voice when Henry was closest to her Story, when she was at her most Snow White-ness, added so much to McGuire’s words. I really couldn’t believe how much more I got out of it through her interpretation of the character. Just outstanding.

If you haven’t read the stories or book yet, I do recommend them — but if you get the chance, go with the audio instead. A recommendation I never thought I’d say about any book and audiobook.

—–

4 Stars

Every Heart a Doorway by Seanan McGuire

Every Heart a DoorwayEvery Heart a Doorway

by Seanan McGuire
Series: Wayward Children, #1

Hardcover, 169 pg.
Tor.com, 2016

Read: April 16, 2016

“. . . we went through. We came out on this moor that seemed to go on forever, between the mountains and the angry sea. And that sky! I’d never seen so many stars before, or such a red, red moon. The door slammed shut behind us. We couldn’t have gone back if we’d wanted to — and we didn’t want to. We were twelve. We are going to have an adventure if it killed us.”

“Did you? asked Nancy. “Have an adventure, I mean?”

“Sure,” said Jack bleakly. “It didn’t even kill us. Not permanently anyway. But it changed everything.”

One of my favorite book bloggers to read (and not just because our tastes are similar) began his take on Every Heart a Doorway by saying:

Sometimes we either meet a book (or a novella, in this case,) that is precisely the right fit for your soul, (at the moment,) or just happens to be original enough right when you need it, that it fills your life and your mind with brightness and joy.

For me, this is one of those pieces. To muddy the waters even more, I’m an unabashed fan of the author and I’m likely to pick up all of her writings without even checking the subject matter because I simply trust the woman to steer me to any shore.

If I didn’t start off by quoting that, I’d end paraphrasing/plagiarizing it.

So here’s the deal in a world where portal fantasies are possible, and children all over the world are going through them — à la Lucy Pevensie et al., Dorothy Gale, September, Quentin Coldwater, Alice, Jason Walker, etc. — and, sadly (?) most of these children end up back home. Some of them are glad to be back in this world and want to put their adventures behind them — a lot of them don’t want to be here anymore and want to return to wherever it was they went. Both kinds of children have a hard time coping in this world and need help. Eleanor West’s Home for Wayward Children is for the latter kind.

Nancy is a girl recently returned, and is very different than the girl her parents have been missing. They want her fixed, they want their daughter back — not whoever this person is with different attitudes, actions, clothes, etc. — West doesn’t promise that (but she may have allowed them to think she’ll do that, just so she can help Nancy), but she can help Nancy adjust to this world. So she joins the small student body at the private school/treatment center. The last thing Nancy wants is to be fixed, to be that girl again — which just means she fits in here, with returned kids from all over the country, who’ve been in all sorts of worlds. As Nancy begins to understand the nature of these other worlds, the effects they have on children, and why many of them want to leave again, so do we.

It turns out, all of the residents of West’s Home are going to learn that you can have plenty of adventures here, too. And that’s all I’m going to say about that.

I really liked all of these children — the adults we met, too, actually — Jack in particular. But every one of them — even the less-than-nice ones — are great characters and I’d have gladly spent another 200 pages with them, easy.

The writing is incredible — not that I’ve ever had any real problems with McGuire before, but she kicked it up a notch here — and is writing a different kind of story than I’m used to, so she writes differently. This book took me longer to read than it should’ve, because I had to go back and reread several sentences/lines/paragraphs — not because I needed to read them again for clarification, but because they were so perfect, so quotable, so . . . something. I’m not going to start quoting beyond what I opened with, because I don’t know if I could stop — Laura got two of them I made notes about. You could literally be amused, melancholy, horrified, feeling whimsy, and nervous within a couple of paragraphs — only to turn the page and start all over again. Not because she was jerking you around or anything, it’s just that kind of story, that kind of playing with language, just that kind of broken reality.

McGuire gave us such a satisfying ending — complete, tidy, fitting, bittersweet, heartwarming — and then I read another paragraph or so, and it’s so much better (and all of the above to the next degree) once you got to the actual ending. Then I closed the book and I teared up a little — for no reason at all, really, but it felt really appropriate.

Can I say this is positively Gaiman-esque without making it sound like McGuire’s derivative in any way? I don’t want to even hint at suggesting that — but man, if you like Neil Gaiman’s stuff — get this. If you’ve ever read a portal fantasy and wondered what happened to the kids afterwards– get this. If you like things that are good, and don’t mind magic in your reading — get this.

—–

5 Stars

Chaos Choreography by Seanan McGuire

Chaos ChoreographyChaos Choreography

by Seanan McGuire
Series: InCryptid, #5

Mass Market Paperback, 345 pg.
DAW, 2016

Read: March 24 – 25, 2016

Hey, wow, who’d have thunk it — a positive review of a Seanan McGuire novel from The Irresponsible Reader?!? Next thing, I’ll be telling you that the sky is blue, water is wet and J. J. Abrams likes lens flares. But what do you want from me? Seanan McGuire is a great author who consistently puts out fun reads. The only reason that she hasn’t taken over the world yet is that she doesn’t want to.

Oh, spoiler alert: I’m probably going to be giving very positive reviews to two other McGuire works in the next week or two.

So what can I say about this one? It’s probably the most enjoyable, most entertaining, most emotionally resonant, best all-around entry in the InCryptid series to date.

Verity and Dominic are living with her parents, which is going about as well as you could expect, and trying to get used to life outside of NYC when Verity gets a call from the reality show she came thiiiiiis close to winning before we met her in Discount Armageddon (well, her cover identity got a call, technically). They’re doing a best-of season, and need her to round out the cast.

Next thing they know, they’re working up a new cover for Dominic and heading for L. A. Where we meet Verity’s long-lost besties, a would-be frenemy (if anyone took her seriously), and a few cryptids.

We get the return of the lady Dragons — both the group we met in Discount as well as L.A.’s very own, plus a few others. The cryptid cultures of L. A. (and the West in general) developed in very interesting ways. Sadly, one of the things that seems to be pretty popular are snake cults — there’s one that seems to be pretty serious about things and are using human sacrifices to power a spell.

Which means that Verity has to do a little more than just dance, she has to find the cultists before it’s too late. She calls upon friends new and old, Dominic, even the Aeslin mice and a Price that we’ve heard of, just never met. Leading to a final confrontation that’s one for the ages — and nothing will be the same again for the Prices family. I’m not so sure that it’ll be the same again for anyone.

I’d happily read about any and all of the new cryptids we meed here again, and most of the humans, too (not the evil ones, just for the record). McGuire’s assembled a great bunch of characters for this one.

I love the fact that not only do we get to see the Aeslin mice developing new religious celebrations, but we see them in action — putting their tiny little lives on the line to save the day. I also like to see Verity coming to grips with the choices she’s been making the last few years, what that means for her, and what place dancing and the rest have in her life.

Major kudos to McGuire for getting me to give a rip — not much of one, but still — about dance competitions. I don’t get dance — I mean dancing, I get. I’m no good at it, but I get. But watching dance — any form – I just don’t see the appeal. But for a few pages here and there I was almost interested in Verity’s other career. That’s a pretty major accomplishment.

Now I’ve just got to settle in and wait a year for lil’ sister Antimony’s first novel. Is it 2017 yet?

—–

4 Stars

A Few Quick Questions With…M. T. Miller

I posted about M. T. Millers’s Risen: First Book of the Nameless Chronicle yesterday (if you didn’t read it, take a moment now — or skip what I said and go get the book). Miller was kind enough to participate in a Q&A with me. I asked some Risen-specific questions and then a couple less-so. I kept it short and sweet, because I’d rather he work on his next book than take too much time with me, y’know?

What got you into writing? Who are some of your major influences? (whether or not you think those influences can be seen in your work — you know they’re there)
Misfortune got me into writing. Due to an unforeseen death, me and my SO found ourselves severely lacking in currency, so I took a ghostwriting gig to plug the leak and save the ship. After some time, having seen quite a bit of the more popular stuff first hand, I decided I was just as good. Time will tell if I was right.

As for my major influences, I’d say those would be George R. R. Martin, Scott Lynch, and on a less conventional note, whoever it is that did the story for the Nier/Drakengard series of games. I think his name is Yoko Taro. I see their presence quite clearly in my work. Martin taught me how to swing the axe, but to do it effectively as opposed to liberally. Lynch helped me with the same thing, but did so with the wit and style I can only hope to match some day. As for Yoko Taro, well. . . he taught me how to handle unhinged characters in a way that works.

How many stories do you have in mind for this? I assume you know what’s going on with Nameless — who he is, where he’s from, what kind of supernatural being he is and so on — how hard is it to give your readers bits and pieces of this information here and there? How long before he figures it all out? Sister Chastity seemed to know — did she? (feel free to not answer those last two — or to make your answer as teasing as you want)
The whole story is planned to run for some six installments, each longer and more complex than the last. For instance, book two will be roughly twice the size of the first one. Of course, I might increase or decrease the number in the future by splitting or fusing story arcs. We’ll see.

I’ve found it much easier than expected, and more fun for that matter, to spread little clues about. I’m not a very subtle person; I go straight for the throat, and I feared that the whole mystery thing would suffer for it. Luckily, I seem to have gotten it under control. At least for now.

Several big reveals will happen sooner than you might think, but answers always come with more questions.

The Sister has seen her fair share of weirdness, but her relation to the Nameless was more defined by his charity than what she knew or didn’t know.

In the writing of Risen, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
I never expected the epilogue to come out as good as it did. I wrote it in one sitting, and it came out absolutely perfect. It still gives me the chills.
“Horace” is a great name, but not a common one — is there a story behind your selection of it?
There’s a story behind every name, even the lack of one. For me, the name “Horace” invokes the Old West, the American Civil War, and the like. Given that the Nameless Chronicle is more or less “Old West meets apocalyptic fantasy,” it just felt right.

Risen by M. T. Miller

RisenRisen: First Book of the Nameless Chronicle

by M. T. Miller
Series: The Nameless Chronicle, #1

Kindle, 87 pg.
2016

Read: March 11, 2016


This kicks off with one of my favorite first chapters in months. Sure, it only takes a second or two to know what’s going on in it, but it’s really well done, even if it isn’t a mystery (I’m not sure it was supposed to be, but it seemed that way). Risen grabbed me right off and didn’t let go until the end.

Our protagonist is suffering some sort of amnesia — he doesn’t know who he is, where he is — even when he is. He finds himself in a city that’s definitely seen better days. It’s pretty much the poster child for dystopian ruins — Chicago in Divergent, for example. But with fewer people (maybe).

He enlists the assistance of a homeless man to guide him through both the culture and geography of this city and the surrounding. They encounter a street gang that seems to run just about all the city, a severely under-staffed church that seems to be just about the only place in town not run by the gang, and an extended family (of sorts) that lives outside the city.

And by “encounter,” on the whole, I’m speaking of the violent type. Nameless remembers very little, but he seems to remember how to fight. Each fight does tell us a little more about the world and Nameless, so they’re not just fun bits of gratuitous violence.

There’s some supernatural stuff going on (not just in this city, but on the other side of the country), possibly Spiritual forces (in the religious sense), and . . . who knows what all, really?

All this is told with grim humor and a strong narrative voice that keeps the reader engaged in the story and characters — not just in the “I wonder what’s going on in this strange world” kind of way. Even knowing practically nothing about Nameless (making me a lot like him), I liked him as a character and want to read more about him.

My one complaint is length — just about everything is too short. The story is too short, most of the scenes are, too. But I’m pretty sure that’s just my wanting more for myself — to give us longer scenes would ruin the pacing, would mess with the way Miller’s constructing the series. And really, when you get down to it “I wanted more!” is more of a compliment than a complaint — but I’m calling it one nonetheless.

A fast, gripping read that’ll leave you wanting more. A perfect little palate-cleanser between heavy reads. I’m eagerly waiting for further adventures of Nameless and finding out more about him and his world.

Disclaimer: I was provided a copy of Risen by the author in exchange for an honest (and, it turns out, over a month overdue) review.

—–

3.5 Stars

Indexing: Reflections, Episode Ten: Untold Truths by Seanan McGuire

Indexing: ReflectionsIndexing: Reflections, Episode Ten: Untold Truth

by Seanan McGuire
Series: Indexing, #2.10

Kindle
47North, 2015
Read: December 15, 2015

We’ve all read enough/watched enough Body Swap stories to know how this goes down. Henry wakes up in a body that’s not hers, makes her way to the Bureau, to try to get her team back.

She has to convince more than a few people that’s she who she claims to be. The fact that there are people who work there who have the ability to tell if she’s telling the truth, should make things easier — and probably does.

McGuire doesn’t let things get too bogged down with this identity test. Between humor, one seriously creepy version of Moaning Myrtle, and the sense of impending doom, things keep moving well.

The plot didn’t advance a lot, but what little bit that happened was much needed and a positive sign for the next installment. Except for the last few paragraphs, which will hopefully be the first thing addressed in episode 11, because that’s just not okay.

—–

3.5 Stars

Indexing: Reflections, Episode Nine: Feline Cobbling by Seanan McGuire

Indexing: ReflectionsIndexing: Reflections, Episode Nine: Feline Cobbling

by Seanan McGuire
Series: Indexing, #2.9

Kindle
47North, 2015
Read: December 2, 2015

Just what I needed after “Holly Tree,” Sloane puts the pieces together, and the bad guys show their hand. But wait, there’s more — a fascinating narrative incursion, and some real tension — both physical danger and a heart and soul in jeopardy.

The incursion was a “Puss in Boots,” which just gets our characters out of the office and into a situation where things can happen. Which isn’t that uncommon this second series, but is frustrating. I’d have loved to see more with this Marquis of Carabas tussling with the Sloane and the team. Still, what McGuire did instead? So much better.

I really can’t say more about this one (like the last couple) without ruining the whole thing, so I’ll just leave it as: exciting, intriguing, and what we learn about what Birdie and Elise makes this series all the more interesting. As for what Sloane learns about herself? Fuhgeddaboudit.

I expect that Episode Ten will be all about Henry and that we’ll have to wait until Eleven to see what happens as the result of this one, and that’s going to drive me crazy. Even if I like Episode Ten a whole lot more than I have the last couple of Henry-centric episodes. And maybe people who aren’t Henry or Sloane will have something to do.

—–

4 Stars

Indexing: Reflections, Episode Eight: Holly Tree by Seanan McGuire

Indexing: ReflectionsIndexing: Reflections, Episode Eight: Holly Tree

by Seanan McGuire
Series: Indexing, #2.8

Kindle
47North, 2015
Read: November 19, 2015
Henry finds a way back home — of sorts, and at a great cost. We learn a whole lot about Sloane, about the early days of the ATI (and it’s predecessors) — and I even expect a lot of this to come back and be relevant.

I just don’t know what to say about this installment. Was it interesting? Yes. Does it set up all sorts of things for the future in terms of character, plot, and everything? Oh yeah.

But, it didn’t grab me, didn’t get me invested, didn’t do anything really for me at all, but I think I know where it tried to and it just didn’t succeed. All it managed to do is whet my appetite for Episode Nine.

—–

2 1/2 Stars

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