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Bone Canyon by Lee Goldberg: Eve Ronin Digs Up Bones, Secrets and Ugly Truths in this Great Follow-Up

Bone Canyon

Bone Canyon

by Lee Goldberg
Series: Eve Ronin, #2

eARC, 288 pg.
Thomas & Mercer, 2021

Read: December 20-23, 2020
Grab a copy from your local indie bookstore!

What’s Bone Canyon About?

A wildfire was wiping out good swaths of L.A. County as the last novel wrapped up. Now, just a few weeks later, several things that were hidden pre-fire have been exposed—some of those things are human remains. Eve Ronin and her partner are called out to the site of one such discovery. They’re able to identify the remains, they belong to a young woman who’d reported being raped and soon disappeared six years previously.

Eve assumes there’s a link between the rape, disappearance, and her death. This is solidified when it’s determined the woman was murdered. Even if it proves untrue, she needs to start her investigation somewhere, so she starts by looking over the initial investigation and is less than impressed with the way it was handled. So, she plunges into re-investigating the rape and disappearance while also trying to get a handle on this murder. It’s not long before she’s getting pressured to drop the rape angle.

When another group of remains is found in the same general area—these belonging to an older woman, things get more complicated. How many murderers is she looking for?

Duncan “Dunkin’ Donuts” Pavone

I only gave Eve’s partner four sentences in my post about Lost Hills, I think I should’ve spent a little more time on him, I have a sneaking suspicion that he’s the secret weapon in this series. He seems like a Spenser’s Frank Belson-type (I have to admit I see Ron McLarty, TV’s Belson, in my mind during his scenes). He’s a slob, constantly covered in crumbs (donut or otherwise), cynical, seemingly lazy—but at heart a dedicated and good detective. Watching him at work in the interrogation room should be enough to make anyone doubt the image he projects.

When we first meet him, he’s got his eyes on his retirement date and is counting down to it, which is why he’s saddled with the homicide detective no one wants as a partner. He seems to tolerate Eve and will sprinkle some tips and cynicism her way. But that’s about it. By the end of the first novel, there’s more than toleration at work. By the time Bone Canyon opens, he’s really trying to mentor her, trying to guide her, and prepare her as much as possible for her future (not that he’s obvious about it, or even willing to admit it, but it’s there). In a lot of this novel, it’s clear that he cares for Eve as a partner, and is likely more concerned with the future of her career than she is. He won’t necessarily agree with all of her wild theories, but he’s at least willing to entertain them, to look for evidence to back them up.

It’s a nice shift, and if she can win Duncan over, there’s reason to hope that she can get others in the Department to work with her.

While I’d been hoping that Goldberg would find a way to keep him in the series after his retirement (somewhere around 100 days after this novel), I wasn’t sure he would. I guess I’m still not positive that he will, but Goldberg provided a way to do so. I’m relieved—Eve needs a cop she can trust in her life, even if he’s retired.

Which leads me to:

Cop or Politician?

Several times, superiors in the Sheriff’s office, a friendly D.A., and her own mother accuse Eve of playing political games with this case for her own career advancement. In Eve’s mind, she’s not making political moves for her own gain, but for the sake of the case. It’s all about justice for the victims, she insists. She doesn’t trust anyone in the Department, so she has to go at things in her own way.

Sure, she made some moves circumventing the chain of command to keep things moving, to prevent leaking and anyone stopping her. But she denies being overtly political about this, and only admits it in retrospect. Which I found a little odd, remembering something she thought about the Harry Bosch audiobook she was listening to in Lost Hills:

[Bosch’s] problem, she thought, was that he didn’t know how to play politics. She’d already proven that she could.

As much as Eve thinks of herself as a loner—due to circumstances forcing her into the role, rather than that being her nature—there are events here to teach her that ain’t necessarily true. She’s never going to win any popularity contests (Duncan will testify that she’s unlikeable), but if she pays attention, Eve’s going to find more allies. She doesn’t have to be Renée Ballard.

* We know she’s a Harry Bosch fan, I wonder what Eve thinks about Ballard.

…or Is She a Media Star in the Making?

The other thing that’s constantly being thrown at Eve is her social media stardom—the viral video that got her promoted into the Homicide Division was just the start. Someone leaked video of her heroics at the close of the previous novel which just compounded things for her. So many of her fellow detectives and deputies just assume she’s all about getting fame and glory for her own advantage (many of these people are just jealous and would do whatever they could to get a share of her fame so they could cash in on it). It’s truly the last thing she wants, unlike the other accusation.

Ironically, her family is pushing her to embrace this notoriety and cash in on it (mostly for their selfish benefit, not her good)—and both an agent and a TV Writer/Producer are circling her. Everyone’s telling her that a series/movie is going to happen no matter what, if she wants any influence on how it happens, she has to sign up.

Goldberg had already firmly established that this series takes place in the shadow of the Entertainment Industry, would-be actors, film crew members, bona fide stars, and others (like a fellow detective) wanting to get into the industry. So this subplot doesn’t feel out-of-place at all, it’s the world Eve Ronin deals in.

I really like this aspect of the story—as long as it doesn’t become too dominant—and watching Eve try to figure out how to use her notoriety to help (or at least, not hinder) her police work is as interesting as watching her figure out how to survive as a political animal.

Now, that’s a nice touch…

There’s a little treat for readers of Goldberg’s Ian Ludlow series. I loved it. But if you’re not reading that series, don’t worry, you won’t even realize that you missed something.*

* Still, I should take a beat to ask you why you aren’t reading the Ian Ludlow books. You should fix that. Click here to see what I’ve had to say about those.

So, what did I think about Bone Canyon?

This rocked. I think it was a step up from Lost Hills, which I’m pretty sure was the best thing Goldberg has written. He does all the same things that made Lost Hills a success and then progressed them a little bit. I raced through these pages—both because the prose invites you to and because I just had to see how it all ended.

Eve’s a great character—she’s flawed, she has a lot to learn, but she has potential as a detective and is driven to fulfill that potential. Her cases are twisty enough to keep you guessing and turning pages. and Goldberg’s writing is at his best.

I liked Lost Hills enough that pre-ordered this book as soon as I could, and have already done the same for the third book, knowing only its title (I’d buy books 4 and 5 right now, too, for what it’s worth). They’re that good—and I think you’ll likely agree. Jump on the Eve Ronin train, you’ll be in for a great ride.

Disclaimer: I received this eARC from Thomas & Mercer via NetGalley in exchange for this post—thanks to both for this, but aside from giving me something to opine about, this didn’t impact what I said.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Catch-Up Quick Takes: Dash & Lily’s Book of Dares; Undeading Bells; Paranormal Bromance; My Calamity Jane

The point of these quick takes post to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Dash & Lily's Book of Dares

Dash & Lily’s Book of Dares

by Rachel Cohn, David Levithan, Ryan Gesell (Narrator), Tara Sands (Narrator)
Series: Dash & Lily, #1
Unabridged Audiobook, 6 hrs., 40 min.
Listening Library, 2010
Read: November 14-17, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
I picked this up as the result of “I need something to listen to and the library’s app just happened to have it at the top of the list.” This was about the time that the Netflix series was about to launch, so a good part of my Twitter feed was talking about it. I’d read something by Levithan years ago and had good memories, figured I’d try it out.

It was adorable. It was sweet. Pure silly fun. The narrators did a pretty decent job convincing me that they were teenagers. I think Lily can do better than Dash, but that’s probably just me. I doubt I’ll continue on in the series, but I’m glad I gave this a shot.

3.5 Stars

Undeading Bells

Undeading Bells

by Drew Hayes, Kirby Heyborne (Narrator)
Series: Fred, The Vampire Accountant, #6
Unabridged Audiobook, 11 hrs., 34 min.
Tantor Audio, 2020
Read: November 9-13, 220
Grab a copy from your local indie bookstore!

(the official blurb)
The wedding is nigh—Fred’s just got a little to take care of first. He’s got to hire someone to help him deal with his rapidly expanding business, he has to submit to some tests from the Blood Council, Amy needs some help with her new business model, and so on. But the main event is the wedding—which brings out friends (old and new) and enemies (old) alike.

This is the same kind of book that I’ve come to expect—fairly episodic with a nice through-line, amusing stories, an overall “blue sky” feel, with some fun situations for our Vampire Accountant to get himself out of.

I appreciated the new hire on the accountancy side, her particular supernatural type was a lot of fun. I also was impressed by what we learn about the Sheriff of Boarback. That was a simply great idea. I’ll also admit to being touched by the last few pages of the book, Fred’s in uncharted territory for him, and he does it well—public Displays of Affection and a little bit of rebelling.

I’ve spent most of this year dipping into this series when I needed a fun palate cleanser, and now I’ve caught up. Apparently, he’s working on the next book now, so I know I’ll be able to come back at some point, but…man…what am I supposed to do in the meantime.

3.5 Stars

Paranormal Bromance

Paranormal Bromance

by Carrie Vaughn, Neil Hellegers (Narrator)
Series: Kitty Norville, #12.5
Unabridged Audiobook, 2 hrs., 11 min.
Tantor Audio, 2018
Read: October 26, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Three guys who never should’ve been turned, and likely wouldn’t have survived as vampires if they weren’t in Rick’s Denver, are the focus of this novella. Since they’ve been turned, they camp out in their basement apartment and live largely human-ish lives. Basically, they’re the kind of guys who need advice from Kitty Norville, but who’ve never called into her show (or even listened)

Because they’re clearly the weakest, most pathetic excuses for Vampires (one sells collectibles online, another reviews video games) they’re targeted as a way to Rick by an enterprising reporter. While dealing with that, Sam starts to fall for a mortal—exactly the kind of woman he would’ve dreamed about dating as a human, but now he’s still feeling like she’s out of his league.

Watching Sam and his roommates deal with his friendship with the woman on the one hand and then the reporter on the other brings out the kind of fun that Vaughn didn’t often get to show in the Kitty-verse. It was a pleasant way to spend a few hours while packing/cleaning—and like I’ve said, any time in the world of Kitty Norville is a pleasant time.

3 Stars

My Calamity Jane

My Calamity Jane

by Cynthia Hand, Brodi Ashton, Jodi Meadows, Sophie Amoss (Narrator)
Series: The Lady Janies, #3
Unabridged Audiobook, 13 hrs., 28 min.
HarperAudio, 2020
Read: August 31-September 3, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Man…of all of these in this post, this is the hardest to not write a lot about. I’m not sure this is my favorite of the series, but in many ways, it’s stronger—definitely an improvement over My Plain Jane (which I liked, don’t get me wrong).

Wild Bill’s Traveling Show is just a cover for him, Calamity Jane and Frank Butler to hunt garou throughout the Wild West. Annie Oakley is unaware of this, but is a crack shot and needs to make money (or get married off to someone she can’t stomach). She ends up signing on to the show, just in time for it all to fall apart. The group ends up in Deadwood, where a supposed garou-cure is being peddled.

Sure, Calamity Jane is the focus of the book, but for me, it’s all about Annie Oakley, she was a delight, and her stumbling romance was as sweet as you could ask for. I also loved that we got an Al Swearengen who never made me think of Ian McShane once.

These goofy supernatural alt-history books are just a lot of fun, and I’m eager to see what they do with Mary, Queen of Scots.

3.5 Stars

2020 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Sentinel by Lee Child and Andrew Child: A New Era for the Series Kicks Off with this Presciently Timely Thriller

The Sentinel

The Sentinel

by Lee Child and Andrew Child
Series: Jack Reacher, #25

Hardcover, 351 pg.
Delacorte Press, 2020

Read: December 10-14, 2020
Grab a copy from your local indie bookstore!

“…Someone’s got to [help him].”

“And that someone’s you?”

“I guess so.”

“Why is that?”

Reacher shrugged again. “I’m the one who’s here.”

What’s The Sentinel About?

After a quick (and only slightly violent) stop in Nashville, Reacher finds himself in a smaller city, Pleasantville. Before he can even get a cup of coffee, Reacher sees a group of people act as if they’re about to abduct a man on the street. He stops it from happening and then finds himself arrested.

After he’s released, Reacher meets the man he rescued and they start to talk. His name is Rusty and he’s the freshly dismissed IT manager for the city. He was fired because the city was hit by a ransomware attack, which is crippling the city government and causing problems throughout Pleasantville. With only one or two exceptions, the entire populace hates him because of this, convinced that he had a role in the attack. Rusty’s determined to prove he had nothing to do with it, and if the city leaders had just listened to him, it all could be avoided. He just doesn’t have it all worked out about how he’ll do that.

Reacher, on the other hand, thinks more is going on. The people who tried to abduct Rusty aren’t disgruntled citizens, they were professionals. Why would professionals care about this? Reacher determines he has to stick around and get to the bottom of it.

Explosions, gunfire, and fisticuffs ensue as Reacher gets closer and closer to discovering what really went on, and hopefully clearing Rusty’s name.

A Trend that Needs to End

Reacher’s no Luddite, he just doesn’t care about technology/computers/the Internet/etc. When he has to, he can use them a little, but relying on them is just not in his makeup.

But last year’s Blue Moon, and this year’s The Sentinel hinge on cybercrimes (at least after a fashion). Which makes sense, this is what thrillers are about right now. But Reacher doesn’t belong in this world. He can get by—especially if he has help—but readers need a break from cybercrimes. We need a book or three of Reacher not needing to depend on someone and their laptop.

The Thing Everyone’s Talking About

Unless you’ve been living under a rock (which seems like a smart move in 2020, to be honest), you know that Lee Child has started backing away from writing and is handing over the reins to his brother Andrew. As part of that, the two co-wrote this book, a first for both (I believe).

So automatically you know (or at least you should), this is going to feel different than a typical Reacher novel (although, Lee Child’s been good about changing the flavor to one degree or another in each book). And it does—Reacher’s a bit talkier than we’re used to (although he still says nothing fairly often); the prose isn’t as sharp, as punchy; and so on. It’s not bad, it’s just not Lee Child (which ought to be patently obvious).

While it’s not strictly a Lee Child book, with his style, it’s still good. The plotting is as good as Child at his prime, the fights are as well choreographed and violent, and Reacher’s essence is unchanged. At the end of the day, Lee Child picked his successor (unlike Robert B. Parker, Ian Fleming, etc.), if he’s satisfied, I can get used to this new style (while Andrew Child catches his stride)

So, what did I think about The Sentinel?

Reacher’s general approach to driving was to find someone else to do it. He was capable of operating a vehicle, in a technical sense, The army had provided thorough training. He’d never killed anyone with a car. At least not by accident. He’d never had any collisions, Not unintentional ones. His problem was mainly one of temperament, Good driving called for a balance of action and reaction, speed and restraint, measurement and control. A middle ground, stable and sustained. Reacher on the other hand was built for extremes. His default was to move extremely slow or extremely fast. One moment he could appear languid, lazy, almost comatose. The next he could erupt into a frenzy of action, furious, relentless, for as long as necessary, then relapse into serene stillness until the next threat presented itself.

The Sentinel has all the things you need in a Reacher novel—an individual in need of help, a physical challenge (actually, one of the toughest I can remember for him), a truly evil antagonist (you’ll have multiple reasons to root against this guy), and plenty of justice for Reacher to mete out.

Is it Reacher at his best? No. But he hasn’t been at his best for a couple of years anyway. Is it Reacher that provides solid adventure? Yup. Even a mediocre Reacher is entertaining (and this isn’t at that point), it’s going to take Andrew a little bit to fit into his brother’s mold (or as close to it as he wants to go), I’m willing to let him figure out how to do that, and will jump back for #26 as soon as I can.


3.5 Stars2020 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Last Stand in Lychford by Paul Cornell: A Tense, Taut Conclusion to this Series (that I really don’t want to see conclude)

Last Stand in Lychford

Last Stand in Lychford

by Paul Cornell
Series: Witches of Lychford, #5

Kindle Edition, 192 pg.
Tor, 2020

Read: November 24, 2020
Grab a copy from your local indie bookstore!

What’s Last Stand in Lychford About?

When I talked about the last book, The Lights Go Out in Lychford, I said:

The conclusion was simply fantastic and heart-wrenching—with a last line that will drive you to the online bookstore of your choice to try to order the conclusion immediately.

And it picks up right from that point—Lychford has seen plenty of trouble and conflict the last few years, but this time, it’s for all the marbles.

It’s not supposed to be a final showdown between other-worldly forces and the defenders of the town. It’s supposed to be some of the other-worldly forces just rolling into town, wiping out humanity in Lychford before moving out to the rest of the planet. But the crafty, wily, and stubborn trio that we’ve been following for the past few years have a thing or two to say about that. They may not be fully ready for what’s coming their way, but that’s not going to stop them—and as usual, we see that they’re pretty good at adapting to whatever circumstances they find themselves in.

The New Characters

What better time than the last volume of a series to introduce three major characters? (well, maybe 2 major and one minor—no pun intended). We meet both a new fairy and a new mortal (and her daughter) who both play significant roles in the final confrontation.

The fairy’s quite possibly the most helpful representative of the species we’ve encountered, as far as Autumn and Lizzie are concerned. He’s pretty entertaining as far as the reader is concerned. So that’s a win all around.

The human, Zoya, is a newish resident of Lychford—struggling to keep her and her young daughter afloat. She’s fully aware that strange things happened in town a few weeks before we meet her, but she doesn’t understand it—and is in no rush to understand. All she cares about is finding rent money so she and Jas aren’t evicted. I can’t get into her role in things but Zoya’s background, her personality, and circumstances make her a pleasant and important addition to this world and I’m glad we got to see her.

I don’t have much to say about Jas, but I enjoyed her. She was a fun burst of innocence in grim circumstances.

Autumn and Lizzie

Naturally, the most important characters to the book are our returning protagonists. Lizzie’s always been my favorite character, the one I could relate to most in this series. But…there’s a lot of what she does in this installment that just annoyed me, it didn’t feel like the same character to me (it’s likely just my mood at the time). At the same time, I connected more with Autumn here than I’m used to.

Overall, though, I appreciated their character arcs (contained in this book and over the series, both). These two women—rebuilding a friendship, learning about a whole new (to them) world of magic and strangeness and fantastical beings—are not really de rigueur in Urban Fantasy. I enjoyed them for their novelty, but more than that, I thought they were solid, well-rounded, believable characters that were just a lot of fun to spend time with.

You Might Want to Read this Next to an Open Window

There’s a claustrophobic feel to a lot of this book as Lychford is cut off from the rest of the world, and it gets worse as the book goes on. But there’s one scene in particular where Autumn is micrometers (maybe nanometers) away from probable doom. Cornell nailed that scene in a visceral way.

So, what did I think about Last Stand in Lychford?

This was exactly the conclusion this series needed. Cornell nailed the landing—teaching us a lot about the world (much of which we’d guessed, but now we know) and surprising readers the way things wrap up, while making it all feel inevitable and right. All along, this has felt like the most real, the most possible Urban Fantasy series—and even as cataclysmic events unfold, Cornell somehow makes it feel a whole lot more believable than any UF I can think of.*

* I think I said something similar about Amber Benson’s Witches Echo Park series—and the two series have a similar feel, but I think Cornell does a slightly better job of it.

This series about a tiny English town standing between two worlds, as humanity’s (unwitting) defense against beings from other worlds, other realities has really been a blast. I heartily encourage you to go back to Witches of Lychford and dive into this series.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Criminal Collective by Russell Day: Great stories about People at Their Worst

Criminal Collective

Criminal Collective

by Russell Day

Paperback, 268 pg.
2020

Read: November 16-20, 2000

Murder is just another service the nation’s capital has to offer. Like any service industry, you get what you pay for. Less than a grand, in some quarters, will buy you a thug with a baseball bat and a good swing. And at no extra cost they’ll usually tell all their friends about it then spill their guts to the police, once they’re hauled into an interview room.

Creating a dead body is the easy bit. Making it vanish, without questions, now, that’s skilled work. If you pay the extra, someone like me will make the body, the evidence and any troublesome connections melt away, like snow in a heatwave.

What’s Criminal Collective About?

This is a collection of shorter stories from Russell Day, one of my favorites in Crime Fiction. There’s really not much more that I can say, but it seems to brief to move on at this point, so let me just steal from the back of the book:

Do you struggle to know the best place to bury a dead gambler?

Do health care professionals laugh at your attempts to fake a slipped disc?

Do your weapons choices leave you embarrassed at punishment beatings?

If the answer is yes, then Criminal Collective is the book for you! Nineteen stories, each one written to help navigate the tricky etiquette of being a scumbag in the 21st century.

Never again be left nonplussed by the rules of Roadkill Roulette!

Never again mistake your German Virgins for your Automatic Nuns!

Never again leave your fingerprints on a golok!

Criminal Collective! Permanent solutions in an uncertain world.

Doc Slidesmith and Yakky

All the troubles I’ve had over the years have been handed to me by the living not the dead.

There are three Doc Slidesmith stories (one might be novella-length, I’m bad at judging that). For me, these are the highlight of the collection—one of my highlights of the year (have I mentioned how much I love Slidesmith?).

There’s “The Tattooist, The Tarot, and Bang-Bang the Clown,” in which someone ducks into the wrong shop while running from the cops. That was plenty of fun. Then there’s “Not Talking Italics,” which I wrote about two years ago, and loved just as much this time around. Seriously, a short story should not be this good.

The novella (or so) piece is called “Coming Up with a Because (A Game for Three Payers). The three players are A Tattooist, A Nurse and A Solider and we focus on each of these in rotation as the novella tells what happens when a figure from Doc’s past comes looking for a favor. I spent more than a few pages convinced I was a step or two ahead of Doc. That was a mistake. I’m tempted to go on and on here, but it’d just be the ravings of a fanboy…

Doc Slidesmith—you won’t find an amateur sleuth smarter or more enjoyable to read about.

SF Stories

There are two stories that are a SF/Crime Fiction hybrid. Neither of them did much for me. Not that either were bad, I just didn’t connect with them. I’m betting if I tried them again in a couple of months, they’d click with me.

However, both made a reference to the “protein wars.” I’d love to read a story/novel/series about them, the idea intrigues me.

So, what did I think about Criminal Collective?

“I never wanted a different life, Dad,” Liam said. “I was trying to change who I was. I wanted to be someone who wanted the life I had.”

I’ve read that line a few times since I read that story. I think I’m going to have to read it a few more to fully digest it.

There was one other story besides the SF ones that didn’t wow me. All three were okay, though. Not a bad one in the bunch. And the highs more than made up for the not-very lows.

Some of these elicited chuckles, some were disturbing (I mean, put the book down and think about something else for a bit disturbing*), there were a few that had an emotional punch that seemed out of balance compared to the brevity of the story—which speaks to how quickly Day can pull the reader in, and get you invested in some pretty unsavory characters.

* That’s not an exaggeration.

I’d love to talk about some of the stories in detail, but to do so would involve spoiling them—but if you get this book as you should, you’re in for a real treat when it comes to “Click. Size Zero. Delete”, “Reduced to Clear”, and “Colon: Full Stop” in addition to the Doc Slidesmith stories.

As always, Day’s ability with voice and style is at the forefront here—it’d be easy to believe that nineteen authors contributed to this anthology rather than one author creating nineteen distinct voices.

Basically this was a treat from beginning to end, and as always when it comes to Russell Day, I strongly recommend this and encourage you to pick it up.


5 Stars

PUB DAY REPOST: The Law of Innocence by Michael Connelly: To Prove He Didn’t Do It, Haller has to Prove Who Did

The Law of Innocence

The Law of Innocence

by Michael Connelly
Series: Mickey Haller, #7

eARC, 416 pg.
Orion, 2020

Read: September 26-27, 2020
Grab a copy from your local indie bookstore!

What’s The Law of Innocence About?

On his way home from celebrating a win in court—a precious finding of “NG” (Not Guilty), Mickey Haller is pulled over in a traffic stop that quickly goes south and Haller finds himself in the back of the patrol car while the officer opens his trunk to discover a dead body—it turns out to be a former client of Haller’s who happens to owe his former defense lawyer a hefty amount of money.

It’s clearly a frame-up. There’s no reader who will buy Haller committing the crime in this way—sure, it’s possible that Haller would be driven to murder by something (for the sake of argument), but he wouldn’t do it this way. He’s too slick, too clever for that. Thinking like that is well and good for readers of Crime Fiction, it’s not how the police think. If you get all the evidence pointing at someone, they’re likely to be guilty, especially if there’s no evidence pointing in another direction.

Which is what happens here. So from his cell in the Twin Towers Correctional Facility, Haller has to plan his own defense. Sure, he knows all the conventional wisdom and jokes about defending yourself, but defending people in court is what has defined Mickey Haller for his adult life and there’s no way he can let someone else take the lead on this. It’s the fight of his life—literally a fight for his life—and Haller has to be the one doing the fighting.

Haller can’t count on a “reasonable doubt” defense. It won’t be enough to get a “Not Guilty” verdict, not if he wants to be a defense lawyer ever again, he can’t go into court with the world thinking he got off on a technicality. Haller has to prove he’s innocent, and the only way he can do that is by finding out who’s guilty, and proving that in court.

The prosecuting attorney is no slouch—frequently in legal fiction, you get someone who’s clearly there to play Washington Generals to the series protagonist’s Harlem Globetrotters, putting up a token case for the defense attorney to use as a way to show off all his tricks. But Dana Berg, star prosecutor for the Major Crimes Unit is hard, smart, and utterly convinced that Haller is guilty. So convinced that she’s not above using as many tricks and sneaky moves as Haller. She’s a worthy opponent which makes it all the better.

Hail, Hail, the Gang’s All Here

Mickey’s friends and family won’t believe this accusation—he’s not a killer. They know this and show up to help—many of them probably would if they had some doubt about his guilt, but we all know that Haller’s half-brother. Harry Bosch, wouldn’t have anything to do with him if Bosch thought there was a chance he was a killer. But Bosch is as involved as Cisco, Haller’s own investigator is. Lorna’s there, as well as Jennifer Aronson. I wasn’t terribly impressed with Aronson the last time we saw her in The Gods of Guilt, but she’s come a long way since then and is key to Haller’s defense.

It keeps going, Maggie “McFirece” McPherson, his ex-wife, and his daughter, Haley, are stalwart supporters, too—and Maddie Bosch even pops in. I’ve always liked Haley and enjoyed her a lot here. You’ll never see me say anything against Maggie’s character, either. Connelly created a great family for Haller back in The Lincoln Lawyer and they continue to pay off here.

While it’s great to see everyone show up to support and help—and Haller needs all that he can get—it’s his novel, it’s his fight, it’s his life in the balance and the novel’s focus is solely on him. With a character like Bosch, he’s a constant threat to steal the reader’s (and likely the writer’s) attention—but he doesn’t even come close. It’s all about Mickey Haller.

Isn’t this just like Fair Warning?

I was slightly afraid of that when I read the blurb for this—do we really need two books from Connelly in 2020 where the protagonist is suspected of a murder that there’s no chance at all that he committed? I figured Connelly would pull it off, but, yeah, there was a degree of trepidation on my part going into it.

Here’s where they were different—in Fair Warning, McEvoy being suspected is just his way into the mystery, and the shadow of suspicion may linger over him, but it’s never really much more than that. But here, Haller being the suspect is the whole novel—he’s only the suspect for a couple of days (which we don’t even see), he’s the accused for all but the first chapter. That makes all the difference, there’s no way to compare the experiences of McEvoy and Haller.

Current Events

This book takes place at the close of 2019 and over the first few months of 2020, and through news reports in the background and some conversations between characters we get glimpses of what’s going on in American culture at the time—specifically, the impeachment and reelection bid of Donald Trump and the early days of the spread of COVID-19. Neither makes a significant impact on the plot, but they act as part of the background, nailing the events of the novel to a specific moment.

I wondered for a while if this would make the novel dated in years to come, making it too “of the moment” to last. But the more I think about it, the more I think adds some flavor, some perspective to the novel, and the way that Connelly uses the current events to ground the novel. I ended up really liking the way he did it. Sure, Haller’s very few and quick comments about the President may put off some readers, if they couldn’t have guessed Haller’s political leanings, they haven’t been paying attention.

So, what did I think about The Law of Innocence?

If I hadn’t been approached to be on this tour, what would’ve likely happened is this: I’d buy The Law of Innocence on release day and had been really excited about it, but would’ve set it aside so I could catch up on some backlog—and it would’ve ended up languishing away on my shelf unnoticed. I’d have probably have made it my last book of 2020 or first of 2021 as a little treat to myself. And I would’ve been mad at myself for that once I got to about the 20% mark (if not earlier). For this to be available and unread would be just wrong.

There’s a one page (or so) introduction/foreward that’s just dynamite, followed by a really strong first chapter, and then starting in chapter 2, we’re off to the races. It’s just unrelentingly good, gripping, fast-paced, smart, and tension-filled from that point through to the jaw-dropping end. Sure, you may be confident that Haller would prevail, but you can never be sure for a moment how that might come to pass—and any time you start to think you know? You quickly discover that was hubris.

Connelly is one of the best in the business, but he’s not satisfied with coasting on his reputation or his laurels, he’s constantly striving to prove that he’s one of the best around—and usually succeeds at it. The Law of Innocence has him doing just that. The prose is lean and tight, the characterizations are spot on, the pacing is perfect and you just can’t put this down. I had a lot going on last week when I read this and several things I needed to accomplish—and I ignored almost every single one of them just so I could finish this. I gave myself five days to read this and finished it in two. Between the story, the characters, and the way Connelly put this together, I had no choice.

A lot of the legal thrillers I’ve read over the last couple of years save some of their best moments for things the lawyers get into outside of the courtroom, The Law of Innocence doesn’t do that. Yes, there are some good moments with Haller and the team investigating things, or while Haller is incarcerated. But the best moments of the novel take place in the arena that Haller comes most to life—in the courtroom, facing off against a good prosecutor, in front of a smart judge and a jury that he can only hope to persuade. Haller’s good at putting the pieces of a puzzle together (especially when Bosch and Cisco give him the right pieces), he can get a witness to give up just the right information, but he shines when he’s using the rules of the court, rules of evidence and the laws of California to further his own ends.

If you’ve been through the wringer with Haller before, you have an idea of what to expect—and you won’t be disappointed. If you’ve never spent time with the Lincoln Lawyer before this, you’re in for a treat. Either way—The Law of Innocence is one of the best thrillers of 2020 and you need to get your hands on it.


4 1/2 Stars

Disclaimer: I received this eARC from Orion via NetGalley and Compulsive Readers in exchange for this post—thanks to all for this, but the opinions offered above are solely mine.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you.


My thanks to Tracy Fenton and Compulsive Readers for the invitation to participate in this tour and the materials (including a copy of the novel) provided.

The Law of Innocence by Michael Connelly: To Prove He Didn’t Do It, Haller has to Prove Who Did

The Law of Innocence

The Law of Innocence

by Michael Connelly
Series: Mickey Haller, #7

eARC, 416 pg.
Orion, 2020

Read: September 26-27, 2020
Grab a copy from your local indie bookstore!

What’s The Law of Innocence About?

On his way home from celebrating a win in court—a precious finding of “NG” (Not Guilty), Mickey Haller is pulled over in a traffic stop that quickly goes south and Haller finds himself in the back of the patrol car while the officer opens his trunk to discover a dead body—it turns out to be a former client of Haller’s who happens to owe his former defense lawyer a hefty amount of money.

It’s clearly a frame-up. There’s no reader who will buy Haller committing the crime in this way—sure, it’s possible that Haller would be driven to murder by something (for the sake of argument), but he wouldn’t do it this way. He’s too slick, too clever for that. Thinking like that is well and good for readers of Crime Fiction, it’s not how the police think. If you get all the evidence pointing at someone, they’re likely to be guilty, especially if there’s no evidence pointing in another direction.

Which is what happens here. So from his cell in the Twin Towers Correctional Facility, Haller has to plan his own defense. Sure, he knows all the conventional wisdom and jokes about defending yourself, but defending people in court is what has defined Mickey Haller for his adult life and there’s no way he can let someone else take the lead on this. It’s the fight of his life—literally a fight for his life—and Haller has to be the one doing the fighting.

Haller can’t count on a “reasonable doubt” defense. It won’t be enough to get a “Not Guilty” verdict, not if he wants to be a defense lawyer ever again, he can’t go into court with the world thinking he got off on a technicality. Haller has to prove he’s innocent, and the only way he can do that is by finding out who’s guilty, and proving that in court.

The prosecuting attorney is no slouch—frequently in legal fiction, you get someone who’s clearly there to play Washington Generals to the series protagonist’s Harlem Globetrotters, putting up a token case for the defense attorney to use as a way to show off all his tricks. But Dana Berg, star prosecutor for the Major Crimes Unit is hard, smart, and utterly convinced that Haller is guilty. So convinced that she’s not above using as many tricks and sneaky moves as Haller. She’s a worthy opponent which makes it all the better.

Hail, Hail, the Gang’s All Here

Mickey’s friends and family won’t believe this accusation—he’s not a killer. They know this and show up to help—many of them probably would if they had some doubt about his guilt, but we all know that Haller’s half-brother. Harry Bosch, wouldn’t have anything to do with him if Bosch thought there was a chance he was a killer. But Bosch is as involved as Cisco, Haller’s own investigator is. Lorna’s there, as well as Jennifer Aronson. I wasn’t terribly impressed with Aronson the last time we saw her in The Gods of Guilt, but she’s come a long way since then and is key to Haller’s defense.

It keeps going, Maggie “McFirece” McPherson, his ex-wife, and his daughter, Haley, are stalwart supporters, too—and Maddie Bosch even pops in. I’ve always liked Haley and enjoyed her a lot here. You’ll never see me say anything against Maggie’s character, either. Connelly created a great family for Haller back in The Lincoln Lawyer and they continue to pay off here.

While it’s great to see everyone show up to support and help—and Haller needs all that he can get—it’s his novel, it’s his fight, it’s his life in the balance and the novel’s focus is solely on him. With a character like Bosch, he’s a constant threat to steal the reader’s (and likely the writer’s) attention—but he doesn’t even come close. It’s all about Mickey Haller.

Isn’t this just like Fair Warning?

I was slightly afraid of that when I read the blurb for this—do we really need two books from Connelly in 2020 where the protagonist is suspected of a murder that there’s no chance at all that he committed? I figured Connelly would pull it off, but, yeah, there was a degree of trepidation on my part going into it.

Here’s where they were different—in Fair Warning, McEvoy being suspected is just his way into the mystery, and the shadow of suspicion may linger over him, but it’s never really much more than that. But here, Haller being the suspect is the whole novel—he’s only the suspect for a couple of days (which we don’t even see), he’s the accused for all but the first chapter. That makes all the difference, there’s no way to compare the experiences of McEvoy and Haller.

Current Events

This book takes place at the close of 2019 and over the first few months of 2020, and through news reports in the background and some conversations between characters we get glimpses of what’s going on in American culture at the time—specifically, the impeachment and reelection bid of Donald Trump and the early days of the spread of COVID-19. Neither makes a significant impact on the plot, but they act as part of the background, nailing the events of the novel to a specific moment.

I wondered for a while if this would make the novel dated in years to come, making it too “of the moment” to last. But the more I think about it, the more I think adds some flavor, some perspective to the novel, and the way that Connelly uses the current events to ground the novel. I ended up really liking the way he did it. Sure, Haller’s very few and quick comments about the President may put off some readers, if they couldn’t have guessed Haller’s political leanings, they haven’t been paying attention.

So, what did I think about The Law of Innocence?

If I hadn’t been approached to be on this tour, what would’ve likely happened is this: I’d buy The Law of Innocence on release day and had been really excited about it, but would’ve set it aside so I could catch up on some backlog—and it would’ve ended up languishing away on my shelf unnoticed. I’d have probably have made it my last book of 2020 or first of 2021 as a little treat to myself. And I would’ve been mad at myself for that once I got to about the 20% mark (if not earlier). For this to be available and unread would be just wrong.

There’s a one page (or so) introduction/foreward that’s just dynamite, followed by a really strong first chapter, and then starting in chapter 2, we’re off to the races. It’s just unrelentingly good, gripping, fast-paced, smart, and tension-filled from that point through to the jaw-dropping end. Sure, you may be confident that Haller would prevail, but you can never be sure for a moment how that might come to pass—and any time you start to think you know? You quickly discover that was hubris.

Connelly is one of the best in the business, but he’s not satisfied with coasting on his reputation or his laurels, he’s constantly striving to prove that he’s one of the best around—and usually succeeds at it. The Law of Innocence has him doing just that. The prose is lean and tight, the characterizations are spot on, the pacing is perfect and you just can’t put this down. I had a lot going on last week when I read this and several things I needed to accomplish—and I ignored almost every single one of them just so I could finish this. I gave myself five days to read this and finished it in two. Between the story, the characters, and the way Connelly put this together, I had no choice.

A lot of the legal thrillers I’ve read over the last couple of years save some of their best moments for things the lawyers get into outside of the courtroom, The Law of Innocence doesn’t do that. Yes, there are some good moments with Haller and the team investigating things, or while Haller is incarcerated. But the best moments of the novel take place in the arena that Haller comes most to life—in the courtroom, facing off against a good prosecutor, in front of a smart judge and a jury that he can only hope to persuade. Haller’s good at putting the pieces of a puzzle together (especially when Bosch and Cisco give him the right pieces), he can get a witness to give up just the right information, but he shines when he’s using the rules of the court, rules of evidence and the laws of California to further his own ends.

If you’ve been through the wringer with Haller before, you have an idea of what to expect—and you won’t be disappointed. If you’ve never spent time with the Lincoln Lawyer before this, you’re in for a treat. Either way—The Law of Innocence is one of the best thrillers of 2020 and you need to get your hands on it.


4 1/2 Stars

Disclaimer: I received this eARC from Orion via NetGalley and Compulsive Readers in exchange for this post—thanks to all for this, but the opinions offered above are solely mine.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you.


My thanks to Tracy Fenton and Compulsive Readers for the invitation to participate in this tour and the materials (including a copy of the novel) provided.

BOOK SPOTLIGHT: The Law of Innocence by Michael Connelly

I’m excited to welcome the Book Tour for new Lincoln Lawyer thriller, The Law of Innocence by Michael Connelly this morning—proof that even publishing behemoths need help getting the word out. I’ve got this little spotlight post and my take on the novel coming along in a bit. But let’s start by learning a little about this book, okay?

Book Details:

Book Title: The Law of Innocence by Michael Connelly
Publisher: Orion (UK)/Little, Brown and Company (US)
Release date: November 10, 2020
Format: Hardcover/Ebook/Audiobook
Length: 416 pages
The Law of Innocence

Book Blurb:

The brand-new blockbuster crime thriller from Michael Connelly – the #1 Sunday Times, New York Times and international bestseller.


Heading home after winning his latest case, defense attorney Mickey Haller – The Lincoln Lawyer – is pulled over by the police. They open the trunk of his car to find the body of a former client.

Haller knows the law inside out. He will be charged with murder. He will have to build his case from behind bars. And the trial will be the trial of his life. Because Mickey Haller will defend himself in court.

With watertight evidence stacked against him, Haller will need every trick in the book to prove he was framed.

But a not-guilty verdict isn’t enough. In order to truly walk free, Haller knows he must find the real killer – that is the law of innocence…

About Michael Connelly:

Michael Connelly

A master of the genre’ – Stephen King

No one writes a better modern thriller than Connelly’ – Evening Standard

America’s greatest living crime writer’ – Express

‘A superb natural storyteller’ – Lee Child

 

Michael Connelly, the bestselling author of thirty-five novels with over seventy-four million copies sold worldwide, is also the executive producer of Bosch, an Amazon Studios original based on his bestselling character Harry Bosch. In January 2019, Connelly launched the true-crime podcast The Murder Book which takes listeners inside a real-life Hollywood Homicide cold case with unprecedented access to the detectives themselves.


My thanks to Tracy Fenton and Compulsive Readers for the invitation to participate in this tour and the materials (including a copy of the novel) provided.

Pub Day Repost: Rattlesnake Rodeo by Nick Kolakowski: Out of the Frying Pan, Into the Fire

Rattlesnake Rodeo

Rattlesnake Rodeo

by Nick Kolakowski
Series: A Boise Longpig Hunting Club Noir, #2

eARC, 162 pg.
Down & Out Books, 2020

Read: September 8, 2020


In 2018, I read my first book by Nick Kolokowski, Boise Longpig Hunting Club, which is pretty much everything you think it is from the title. In the two years and change since then, I’ve read five other books by Kolokowski—well, six now. That alone should be an indication of what I think about his stuff.

What’s Rattlesnake Rodeo About?

This is the sequel to Boise Longpig Hunting Club, taking up minutes after it. Spoilerly talk about BLHC—bounty hunter, Jake; his sister, Frankie (a gun smuggler); and ex-wife/fiancé, Janine (who has nothing to do with criminals); are kidnapped by a group of super-wealthy people, and set loose in an Idaho forest while they’re being hunted. Jake and Frankie are a lot more resourceful than anyone expected—and Janine has depth that no one expected—and they end up killing all the hunters.

We rejoin them in this book headed back to Boise. They have a number of emotions and thoughts running through their minds at this time—as they should—the most prominent of them is: how are we going to get away with this? There’s no way that they didn’t leave all sorts of DNA, fingerprints and other sorts of evidence behind that’ll make forensic techs happy. And there will be scores of techs, investigators, agents and what have you at the crime scene—very rich, very important people died up there and someone is going to have to pay for that. Oh, and Frankie wants fries. You work up an appetite fighting for your life.

Karen

They quickly learn about one person who not only has links to the Longpig Hunters, evidence about Jake and Frankie’s involvement, and a reputation to make people quake in their boots. Like Prince, Madonna, or Hawk (to bring it back to crime fiction), she’s known by one name: Karen.

Quick aside: I wonder if in early drafts, she was called something like Margo or Helen, but given, well, all of 2020, Kolakowski decided to go back and change it. Or did he have enough foresight months ago to go with that?

Back to the book: Karen offers them a deal, they do one incredibly horrible task for her, or she ruins the lives and reputations of Jake, Frankie, and Janine. They have no choice…they have to find an Option C.

Gunfights, treachery, and (obviously) rattlesnakes ensue.

Frankie and Her Troops

In almost every novel I’d normally read, Frankie and her employees would be the targets of the protagonist, not their ally. But I’ve gotta say, for a bunch of gun-running criminals, benefiting from the miseries of others (and being a means to innocents being killed at the hands of their customers), they’re a lot of fun. There’s a fun sense of camaraderie and some good banter among them. They’re a pretty effective squad, too. Kolakowski could write a pretty entertaining series featuring these guys. And not just because they’re led by a man who always wears a rubber gorilla mask.

Which is fitting, considering how cool their boss is. Spenser has Hawk, Kenzie and Gennaro have Bubba, Elvis Cole has Joe Pike, Walt Longmire has Henry Standing Bear, Joe Pickett has Nate Romanowski, Sunny Randall has Spike, and Jake has Frankie. The “not-bound by the same laws and ethics that the series protagonist is” so that the protagonist can keep his/her nose clean and still get the job done. They’ll cut the corners, they’ll take and make the shots that no one else will, they’ll be the ones to use lethal force when their friend just can’t bring themselves to do it—and they won’t feel guilt (at least not enough to interfere with their ability to get things done).

Frankie is, as far as I know, the only female lethal sidekick, in crime fiction. Through grit, determination, skill, and panache—Frankie is what ultimately keeps her brother and sister-in-law breathing. It’s just fun to see a female in this role, particularly one that fits. I could never see Sunny Randall go toe-to-toe with some of the dudes she needs to without Spike (or Jesse, or Richie, or Richie’s family)—but I can see Frankie (like Lori Anderson or Charlie Fox) do it without blinking.

The Setting

I’ve talked a little about this in the other book, but it’s fun for me to see the region I’ve lived my whole life in depicted so well in these pages. I enjoy anyone finding a way to bring a crime novel to life outside of Boston, NYC, New Jersey, Chicago, Miami or LA—Elmore Leonard, Jason Miller, Craig Johnson, C. J. Box, Darynda Jones, and G. M. Ford have/continue to do a good job of that, but there needs to be more*. Kolakowski brings my corner of the world into that fold (Jayne Faith did it in Urban Fantasy, and Wesley Chu set a Tao book near where the climax of this novel took place). It’s nice not having to use my imagination much when picturing a scene, at the same time—if I’d never been anywhere near this place, Kolakowski depicts it well enough that someone from Michigan, Mississippi, or New Mexico would have no problem seeing what he’s going for.

* I don’t pretend that’s an exhaustive list, still feel free to add others I should get to know.

So, what did I think about Rattlesnake Rodeo?

You could feel the dread coming off of Jake and Frankie as they thought about the police and (probably) feds coming for them after surviving the last novel, you could feel their hatred (for Karen) and revulsion for their task for her, and you could sense the chaos, smell the smoke, and taste the air from the big scenes at the end of the novel. There are significant portions of this novel you experience as much as you read. You’ve gotta love that.

There was one death that totally caught me unprepared and left me stunned. The violence felt a little more grounded than the genre demands, but Kolakowski knows when to loosen the reins and let things go a little over the top. Which is just fun.

At the same time, there’s a great sense of enjoyment to this novel—to the characters, what they do, and how they go about it. It’s the kind of action novel that gets your fists pumping as much as anything else.

Just the fact that the novel starts with the trio worried about all the evidence they left behind made this a winner—how many characters in novels worry about that sort of thing? Add in the characters—from the oddity of Monkey Man, to the implausibly competent Frankie, to the quiet strength of Janine, to the terror that is Karen—and the great balance of tones, and you’ll see why Kolakowski is my favorite US indie Crime Novelist.

I strongly recommend Rattlesnake Rodeo, whether or not you read BLHC first, it’s a fun ride.

Disclaimer: I received this eARC from the author in exchange for this post and my honest opinion, I appreciate the opportunity.


4 Stars

Happy Birthday, Archie!

My annual tribute to one of my favorite fictional characters (if not my all-time favorite). I’ve got to do an overhaul to this soon, but it is slightly updated and tweaked from last year.

On Oct. 23* in Chillicothe, Ohio, Archie Goodwin entered this world—no doubt with a smile for the pretty nurses—and American detective literature was never the same. He’s the narrator (and, I’d argue protagonist) of the questionably named Nero Wolfe mysteries. While the eccentric and overweight genius might be what brings people to the series, it’s Archie’s wit, attitude, and snappy narrative voice that brings people’s back.

* About 34 years ago, no matter what year it is that you read this.

Since I was in Middle School, if I was suffering a slump of any kind (reading, emotional, physical), time with Archie Goodwin could get me out of it. There were a few years that when I got sick, I’d grab a Nero Wolfe novel to help me get through it (along with the Vitamin C and Chicken Noodle soup), and you can’t tell me it didn’t work. Noted critic Jacques Barzun says it well:

If he had done nothing more than to create Archie Goodwin, Rex Stout would deserve the gratitude of whatever assessors watch over the prosperity of American literature. For surely Archie is one of the folk heroes in which the modern American temper can see itself transfigured. Archie is the lineal descendant of Huck Finn.

While Archie’s about as far from a teetotaler as you can get, to commemorate his birthday, I’m toasting him in one of the ways I think he’d appreciate most—by raising a glass of milk in his honor.

Who was Archie? Archie summed up his life like this:

Born in Ohio. Public high school, pretty good at geometry and football, graduated with honor but no honors. Went to college two weeks, decided it was childish, came to New York and got a job guarding a pier, shot and killed two men and was fired, was recommended to Nero Wolfe for a chore he wanted done, did it, was offered a full-time job by Mr. Wolfe, took it, still have it.” (Fourth of July Picnic)

Long may he keep it. Just what was he employed by Wolfe to do? In The Black Mountain he answers the statement, “I thought you was a private eye” with:

I don’t like the way you say it, but I am. Also, I am an accountant, an amanuensis, and a cocklebur. Eight to five you never heard the word amanuensis and you never saw a cocklebur.

In The Red Box, he says

I know pretty well what my field is. Aside from my primary function as the thorn in the seat of Wolfe’s chair to keep him from going to sleep and waking up only for meals, I’m chiefly cut out for two things: to jump and grab something before the other guy can get his paws on it, and to collect pieces of the puzzle for Wolfe to work on.

In Too Many Women, he’s a bit more concise and describes himself as the:

heart, liver, lungs and gizzard of the private detective business of Nero Wolfe, Wolfe being merely the brains

In Black Orchids, he reacts to an insult:

…her cheap crack about me being a ten-cent Clark Gable, which was ridiculous. He simpers, to begin with, and to end with no one can say I resemble a movie actor, and if they did it would be more apt to be Gary Cooper than Clark Gable.

Over at The Thrilling Detective, he’s described this way:

If Goodwin hadn’t gone to work for Wolfe, he’d certainly have his own agency by now (and temporarily does, in one novel). Far more of the traditional eye, Goodwin is a tough, handsome guy with a photographic memory, a .32 under his well-tailored suit (and sometimes an extra .38 in his overcoat pocket), and a well-developed appreciation for the ladies. And, in the opinion of more than a few cops, officials and stuffed-shirt executives, a mouth that ought to be nailed shut permanently. (Wolfe isn’t immune either – part of Goodwin’s job, as he sees it, is needling the fat man into taking cases, if only to make sure the bills get covered.) He’s not the deductive genius that Wolfe is, but a smart and tenacious op with a good right hook, and a decent and personable man. Most of all, in his narration of the books, he’s a helluva storyteller; it’s his view of the world, and his interaction with Wolfe, that keeps us coming back for each new mystery.

The Archie Goodwin FAQ is less succicnt but does a good job of laying out the facts.

I’m not the only Archie fan out there:

  • Someone pointed me at this post, The Wit and Wisdom of Archie Goodwin. There’s some really good stuff here that I was tempted to steal, instead, I’ll just point you at it.
  • Robert Crais himself when writing an introduction to a Before Midnight reprint, devoted it to paying tribute to Archie—one of the few pieces of anything written that I can say I agree with jot and tittle.

In case you’re wondering if this post was simply an excuse to go through some collections of Archie Goodwin quotations, you wouldn’t be totally wrong…he’s one of the fictional characters I like spending time with most in this world—he’s the literary equivalent of comfort food. So just a couple more great lines I’ve quoted here before:

I would appreciate it if they would call a halt on all their devoted efforts to find a way to abolish war or eliminate disease or run trains with atoms or extend the span of human life to a couple of centuries, and everybody concentrate for a while on how to wake me up in the morning without my resenting it. It may be that a bevy of beautiful maidens in pure silk yellow very sheer gowns, barefooted, singing “Oh, What a Beautiful Morning” and scattering rose petals over me would do the trick, but I’d have to try it.

I looked at the wall clock. It said two minutes to four. I looked at my wrist watch. It said one minute to four. In spite of the discrepancy, it seemed safe to conclude that it would soon be four o’clock.

Description:I shook my head. “You’re flattering me, Inspector. I don’t arouse passions like that. It’s my intellect women like. I inspire them to read good books, but I doubt if I could inspire even Lizzie Borden to murder.”

She turned back to me, graceful as a big cat, and stood there straight and proud, not quite smiling, her warm dark eyes as curious as if she had never seen a man before. I knew damn well I ought to say something, but what? The only thing to say was ‘Will you marry me?’ but that wouldn’t do because the idea of her washing dishes or darning socks was preposterous.

“Indeed,” I said. That was Nero Wolfe’s word, and I never used it except in moments of stress, and it severely annoyed me when I caught myself using it, because when I look in a mirror I prefer to see me as is, with no skin grafted from anybody else’s hide, even Nero Wolfe’s.

If you like Anglo-Saxon, I belched. If you fancy Latin, I eructed. No matter which, I had known that Wolfe and Inspector Cramer would have to put up with it that evening, because that is always a part of my reaction to sauerkraut. I don’t glory in it or go for a record, but neither do I fight it back. I want to be liked just for myself.

When a hippopotamus is peevish it’s a lot of peeve.

It was nothing new for Wolfe to take steps, either on his own, or with one or more of the operatives we used, without burdening my mind with it. His stated reason was that I worked better if I thought it all depended on me. His actual reason was that he loved to have a curtain go up revealing him balancing a live seal on his nose.

It helps a lot, with two people as much together as he and I were, if they understand each other. He understood that I was too strong-minded to add another word unless he told me to, and I understood that he was too pigheaded to tell me to.

I always belong wherever I am.

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