Category: Authors Page 6 of 116

This Weekend Sees Re-release of Boise Longpig Hunting Club by Nick Kolokowski: A Gritty, Violent Visit to Idaho

Cover to Boise Longpig Hunting Club by Nick Kolakowski'Boise Longpig Hunting Club

by Nick Kolakowski’

DETAILS:
Series: Jake Halligan, #1
Publisher: Rock & a Hard Place Press
Publication Date: June 30, 2024
Format: eBook
Length: 210 pg.

A Second Edition?

On June 30, Rock & a Hard Place Press will be putting out the second edition of one of those books I haven’t been able to stop thinking of in almost six years. This will be followed by the republication of the sequel, Rattlesnake Rodeo later this year, and the third in the series, Righteous Trash, next year.

I was very excited to read about this—not only is this a heckuva read that I’m hoping finds more readers, I’m eager to read more about Jake and Frankie. Kolakowski has been nothing but generous with his time (and books) since then and it’s great to see good things happening for him.

I’ve read this book twice (and am tempted to do it again this weekend) and it’s just a blast. Also, I have to say that Kolakowski’s fictionalized Boise/Southwestern Idaho/Eastern Oregon is closer to reality than any I’ve come across. And since most of those others are from people who live here, for a New Yorker to get the geography and populace so accurately is really impressive.

For more—check out this interview Rock and a Hard Place conducted with Kolakowski.

What Did I Say About Boise Longpig Hunting Club Back When It Was First Released?

Jake Halligan is a bounty hunter—more in the Lori Anderson/JT mold, than a Stephanie Plum-type—in Boise, Idaho, and the immediate environs. He’s got a kid, an interesting relationship with his daughter’s mother, and a sister that . . . well, you just have to meet her. But think Bubba Rogowski without the size and clinical diagnosis.

Jake’s a Vet, having served in some of the worst conditions Iraq has to offer. He’s smart, he’s careful—he has people he cares about, so he has to be—and he has a conscience. It doesn’t stop him from doing his job, but it can stop him from enjoying it. Early on in the novel, we find Jake after a rough week at work—and a less-than-friendly exchange with the local police—on the whole, his life is looking pretty good, even if Janine (his ex-wife, fiancé, and mother of his child) made him pay a social call on some neighbors. When they get home, Jake finds a dead woman in his gun safe. This plunges Jake into a hunt for a killer—as well as an explanation. He’ll find both—and probably wish he didn’t. It’s a violent, nasty hunt full of crazy characters, drug dealers, Aryan assassins, corrupt police—and people who are even worse than them.

Along for the ride is Janine—I can’t say enough about Janine as a character. From her attitude towards a house without books, to her hidden strength and anxieties—and all points in between. Then there’s Frankie, his sister—she’s cocky, funny, and vicious—she’s the biggest gun dealer in Idaho, not even close to legal, and the law can’t touch her. The law can’t even find her. She’s surrounded by associates/employees who are almost as colorful as she is (some even more so)—and is definitely the person you want at your side (or back) in a firefight.

Which is good—because they’re going to find themselves in a few.

Kolakowski has a great way with his characters—they’re real, they’re human—and they’re larger than life in a way that you’ll absolutely buy, as well as enjoy. When the action starts, it is gripping and exciting—you’ll keep turning pages. When there’s a lull in the action, you can bask in the character moments. I’m not really sure what else can I say beyond that. This is the whole package, you get to spend time with interesting people being interesting, and when they take a break from that, it’s because fists or bullets are flying—or maybe something explodes.

My one gripe—and it’s not much of one before we get back to me saying nice things. The ending is abrupt. I’m not sure if I can think of a well-known book/movie to compare it to. You’re just reading along, hoping that Jake, Frankie, Janine, and the rest survive this mess, and then before you really realize what happened, it’s over. You know who survives—and who doesn’t—and the book ends with very little wrap-up (actually the wrap-up happens before the ending—that remark will make sense when you read it). Kolakowski had a story to tell and he didn’t drag out the ending, much like his protagonist would approach things, I expect. He got the job done and moved on. I would’ve preferred a little more time after the main events are over—there are things I want to know about the immediate aftermath. There aren’t loose ends left untied, I’d just like to see what they look like after they’re taken care of. You can make a strong case that this is the way to end a book—when things are done.

It’s not often that I can evaluate an author’s use of geography—I know that Robert B. Parker and Dennis Lehane have tweaked Boston, I understand that Butcher goofs re: Chicago’s neighborhoods, etc. but I don’t know that reading the books, I learn that later. It’s rare when I’ve been somewhere a book has been set—a little bit with the Mercy Thompson books (but I’m better at noting pronunciation on the audiobooks that no resident would recognize), I noted that Wesley Chu fumbled a smidge Eastern Oregon in the third Tao book, and that Marilynne Robinson’s Housekeeping was creative with the facts, etc. But by and large, this book takes place in the area I’ve lived in most of my life, so I feel that I can actually comment—and Kolakowski nailed it. Not just the details, but he’s got the feel, he’s got the atmosphere, the attitude toward change, and the out-of-state money that’s bringing the change. he’s changed business names and whatnot, but I can still recognize them—I love seeing this kind of detail brought to life. I’m trusting that his depiction of local crime is hyperbolic, however.

I’m a little worried that it’s as accurate as the rest, actually . . . but we’ll move on.

There’s a visceral feel to this novel and these characters—people in places most don’t think about showing skills, interests, and circumstances that you don’t normally associate with that area. Just a guy trying to make a decent life for his family and himself, who finds himself in dangerous situations. I couldn’t help but think of Jason Miller’s Slim in Little Egypt series while reading his. Jake’s far more capable than Slim, and is far less likely to end up on the wrong end of a beating. But there’s a very similar ethos in the books, and fans of one should grab the other right away.

I’m not going to belabor the point anymore, I think it’s clear that I enjoyed the heck out of this—it’s fast, it’s energetic, it’s fun. Go grab a copy of it.

Basically, Get Your Hands On The New Edition


4 Stars

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Dog Day Afternoon by David Rosenfelt: Understanding Marcus

Cover for Dog Day Afternoon by David RosenfeltDog Day Afternoon

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #29
Publisher: Minotaur Books
Publication Date: July 2, 2024
Format: eARC
Length: 304 pg.
Read Date: June 20-21, 2024
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What’s Dog Day Afternoon About?

Overall, I’m not sure that the body count in this book is that much higher than in other books in this series—but the way it opens is very different. The instigating crime feels like something straight out of a mass-shooter video your HR people make you watch annually (assuming your workplace is similar to mine, I guess)—it’s cold, calculated, with a casual disregard for human life we don’t often see in this series. (Andy says something similar at one or two points).

So you’re left wondering—how does Andy get roped into representing the accused? (although many readers are going to read that scene and pick out the places the defense is going to take advantage of). This is where Marcus comes in.

Andy learned about this earlier, but we readers learn about this now—Marcus mentors young people in his neighborhood who have had a rough time of it and have run afoul of the law in the past. They need some help, some guidance, and some favors—Marcus provides this.

He also helps a couple of those he mentors to adopt a dog from the Tara Foundation. One of these two is accused of the crime—Marcus comes to Andy for help, and he gets it. That Willie also vouches for the accused helps—there’s no chance that Willie agrees to let one of their dogs go to someone capable of this crime.

That’s not evidence he can introduce in court, but it’s compelling for Andy. Now he just needs to find something that will be compelling in court.

Marcus

Marcus can’t become too well-rounded of a character—we need him in the shadows, doing things that defy belief. But we can learn more about him than we have prior to this.

We see that he can have attachments to people other than Laurie (and by extension, Andy). We see just how far he’s willing to go to help someone.

I was interested in this book because I’ve enjoyed almost every one of its predecessors enough that I don’t bother to see what they’re about before I add them to the TBR list. But once I noted that this one featured Marcus like that—my excitement grew. I love watching the character at work, and to see him in a different situation than we’re used to made my day. Also, we got just what the doctor ordered from a Marcus-centric book.

So, what did I think about Dog Day Afternoon?

I cannot believe that I’ve read 29 books in this series (plus a few in a spin-off). Twenty-nine. That’s just insane. Now, am I going to say that they’re all as fresh as they were in 2002 when Open and Shut came out? Of course not. But they have their moments when they feel that way.

* According to my logs, I read it in 2011—I’ve been with these characters for 13 years. Mind-boggling.

So, Rosenfelt has his work cut out for him to do something to keep the audience engaged. Over the last few books, he’s worked on deepening the relationship between Andy and Marcus, which has been nice. This book takes a big step forward in that. I don’t know that we’re going to see much more than this anytime soon—you need to preserve some of Marcus’ mystique to keep him nearly-superhuman in Andy’s (and the reader’s) eyes. Similarly, we readers can know Hawk a little better than when Spenser first ran into him in Promised Land—but not too much.

So, we’d better enjoy what we get here, right?

And naturally, that’s really easy. Other fun bonuses—Andy getting along with the prosecutor. Cory clearly being annoyed with Sam Willis wanting to get in on the action. Even some of the Andy and Tara interactions felt a little different (not unusually so, and not negatively). There was also the attempt of a law firm to hire the most reluctant lawyer in the world—that did bring a smile to my face.

There’s a good mix of the tried and true Andy bits, fun material with our old friends, a clever mystery, a new side of Marcus, and Rosenfelt’s trademark zippy prose. It’s easy to see why this series has gone on as long as it has—and may it continue to do so.

Can you hop on here? Absolutely—and you’ll have the fun bonus of a healthy backlist to work your way through once you get done with this one.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST CUZ: The Kaiju Preservation Society by John Scalzi: Delivers Everything the Title Promises

Things are afoot at Irresponsible Reader HQ that made posting today impossible. However, I started the audiobook for this just for something to do. I remember thinking it was great, but I’d forgotten just how ridiculously fun this book is. Incidentally, Wil Wheaton is a fantastic choice to read this.


Kaiju Preservation SocietyThe Kaiju Preservation Society

by John Scalzi

DETAILS:
Publisher: Tor Books
Publication Date: March 14, 2022
Format: Hardcover
Length: 258 pg.
Read Date: April 1-4, 2022
Support Independent Bookstores - Visit IndieBound.org

You have no idea how difficult it was for me to not say, ‘Welcome to Jurassic Park!’ to all of you just now.”

Jurassic Park didn’t end well for anyone in it,” I pointed out. “Book or movie.”

“Well, they were sloppy,” Tom said. “We’re not sloppy. And, they were fictional. This is real.”

What’s The Kaiju Preservation Society About?

Jamie Gray drops out of his Ph.D. program (writing a dissertation on utopian and dystopian literature) thanks to a quarter-life crisis that gets him to want to make a lot of money. So he goes to work for a tech startup, starts to make decent money, and gets fired just as COVID lockdowns start. He starts scraping by on his savings and meager work for a food-delivery app.

Until he delivers shawarma to Tom one day—the two were acquaintances in college, and they have a brief conversation where a couple of things come out—Jamie hates delivering food, and the NGO that Tom works for has an immediate need of someone on his team. He doesn’t give Tom a lot of information, but that the work involves travel and large animals. His team is set to depart soon, and they can’t without a full team. They just need someone who can, and is willing to, lift things. Tom points out his nice condo as proof that they pay well. Jamie signs on.

A few days later, Jamie and a few other new people on the team find out what the initials in KPS stand for—after it’s too late for them to back out. They’ve traveled to a parallel Earth populated by Kaiju for a six-month stint at one of the human bases.

Obviously, like the book and movie referenced above, things go wrong. They just have to for the sake of a novel, right? (but up until then, I think I could’ve made a case for this being an entire novel without that—it exists as one for longer than I expected—and I would’ve liked it just as much as the one Scalzi delivered).

The Science Fiction-y bits

Given Tom’s work, and Jamie’s, Scalzi’s able to gloss over a lot of the how-they-eat-and-breathe (and other science facts…la! la! la!) stuff, but he does reference things like the square-cube law when it comes to enormously big creatures. Jamie’s new friends include scientists who can deliver some of the biology, chemistry, etc. that are needed for the story—but when it’s needed, they’re always explaining it to the liberal arts guy on their team, so the reader doesn’t have to wade through the heady stuff (something Michael Crichton could’ve used, for example).

It’s not a perfect way to deal with these things, but it sure works well, and Scalzi feeds it to the reader in his usual charming way, so I embraced it.

Pop*.* Fiction

In his Author’s Note, Scalzi states:

KPS is not, and I say this with absolutely no slight intended, a brooding symphony of a novel. It’s a pop song. It’s meant to be light and catchy, with three minutes of hooks and choruses for you to sing along with, and then you’re done and you go on with your day, hopefully with a smile on your face. I had fun writing this, and I needed to have fun writing this. We all need a pop song from time to time, particularly after a stretch of darkness.

I’d been describing it as a popcorn movie in a book. He says pop song. It’s pop-something.

It’s the movie you escape to in the middle of a heatwave and forget about the oppressive weather, the sun, and everything else to enjoy the heat and some pure entertainment. It’s the song you find yourself overplaying because it’s just so catchy until you get sick of it (although you can’t help singing along) and abandon it for years until it comes up on some random mix and you become obsessed with it again for a couple of weeks.

What I found striking about Scalzi saying that is that it reminds me of Seanan McGuire’s comments about the last Toby Daye novel—she needed to write something like that (and I enjoyed it for similar reasons to this one). Are we going to see more books like this from other authors soon? Did 2020/2021 gift us a slew of authors writing happy books as a way to shake it off? (I wonder if Winslow’s Free Billy fits here).

Frankly, I hope so.

So, what did I think about The Kaiju Preservation Society?

“Why isn’t he eating us?” I asked. We were now close enough to Edward that this was not an entirely irrelevant question.

“He’s asleep,” Satie said.

I glanced over at him. “Asleep?”

“They sleep, yup.”

“How can you tell when he’s asleep?”

“He’s not eating us, for one,” Satie said. “You can’t see his eyes, for another.”

I love popcorn movies, I love pop songs like that…and well, you can probably see where that’s going. I’m not the world’s largest Kaiju fan (don’t actively dislike them, either), but it really doesn’t matter, this book skips all that and jumps right to the pleasure center of the brain the same way a catchy tune can.

Reading The Kaiju Preservation Society reminded me of the first time I read Ready Player One (before the movie, distance, and the sequel made me take a second/third/fourth look at it). Or Snow Crash (a wise reference for Scalzi to make early on). It sort of reminded me of the first time I read High Fidelity, too. The catchy, irreverent narrative; the snappy dialogue; the first-person narrator you click with right away*…it just took me a few pages to know that I was going to find nothing but joy in these pages.

*or probably never.

And really, I don’t have a lot to say about the book beyond this. It brought me joy for a couple of days. Thinking about it now is doing the same thing. Go get your hands on this text-based dopamine hit in your preferred medium (I bet Wheaton’s audiobook narration is perfect), sit back, and enjoy yourself.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

First Frost by Craig Johnson: Walt and Henry Get Their Kicks…

Cover to First Frost by Craig JohnsonFirst Frost

by Craig Johnson

DETAILS:
Series: Walt Longmire, #20
Publisher: Viking
Publication Date: May 28, 2024
Format: Hardcover
Length: 317 pg.
Read Date: June 3-4, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s First Frost About?

This is a dual-timeline novel—which isn’t altogether new for the Longmire books. In the present time, the shootings that ended The Longmire Defense* are being looked at, and Walt’s possibly facing criminal charges.

* I don’t think it’s much of a spoiler to say that. Most Longmire books end with one.

In the other timeline—which gets most of the ink—we watch Walt and Henry try to drive cross-country after graduating college in California so they can report for Basic Training on the East Coast. A road mishap and a bit of bad navigation on Walt’s part result in them getting stuck in a small Arizona town for a few days, where they find some trouble.

Now

On the one hand, I get the antagonism that Walt and Vic show toward the proceedings because it’s instinctual to get defensive when someone’s questioning your actions (and, well, Vic’s antagonistic about a lot). But it seems excessive—Walt’s enough of a believer in doing things The Right Way (in contrast to his grandfather or Lucian, for example), that he should be in favor of this exercise.

That said…it’s clearly motivated by politics and big-money-fueled corruption. So maybe it’s justifiable for them to push back against this. I’m not entirely convinced that the way this stage of the investigation ends is really less corrupt than the way it starts.

Then

It’s 1964 and the first thing we see is Walt and Henry surfing one last time before taking off on their drive to Oklahoma for Henry to see some family and then to their respective bases. Everything that happens in California is vintage Johnson and if he’d maintained that quality, I’d have been very happy.

But once Walt breaks something in their truck when he breaks to avoid a dog in the road (coyote, Henry insists), I think the whole thing goes to pot. Walt thinks something’s hinky in the tiny and sparsely populated town they find themselves in. Rather than just waiting for the truck to get fixed so they can hit the road, he starts asking questions and annoying all the wrong people.

Meanwhile, Henry plays tourist, checking out the abandoned Japanese Internment Camp nearby (which, of course, ends up playing a role in what Walt’s stirring up) and flirting with a local young woman.

It’s not long before people are starting to end up dead and Walt’s life becomes endangered.

So, what did I think about First Frost?

If I think about this as Johnson’s tribute to Route 66 (and, boy howdy, was it one) and a way for him to talk about Japanese Internment Camps, I like this more. If I think about this as a Longmire novel, my regard diminishes. I do frequently enjoy Johnson multitasking—talking about Van Gogh’s murder, the Sturgis rally, Native American Women going missing, and so on, while telling a Longmire story—so that’s not it. I just don’t think the stories were executed as well as Johnson usually does.

Both stories wrapped up too easily—a little too _____ ex machina (I can’t tell you what non-deus entities were involved). At the same time, the 1964 story took a little too long to come to its resolution. I’m not sure how that’s not contradictory, but it’s not (at least in my mind).

I believe the major function of the present storyline was to set-up a future novel or two (see also: the first time Walt and Henry watched Lolo Long’s niece, Jayla, play basketball)—so I could come around to appreciate what Johnson was doing here. But what we saw in First Frost left me wanting.

The 1964 story ultimately suffered from what a lot of prequels do—it’s hard to believe that the Walt and Henry who just finished college act so much like Walt and Henry with their respective military trainings and decades of experience do. I had no problem when we looked at Walt as an MP (in whatever book that was), I think Johnson got it right there, ditto for rookie Walt in The Western Star.

I’m actually not entirely wild about the portrayal of the Cheyenne Nation in the 1964 Story, actually. Almost all of it seemed off—but I think it’s a good thing, it shows that life, experience, and maturation changed Henry.

Obviously, time and re-reads/listens might change what I think about it, but on the whole, this one gets a “not bad” from me. I am curious about the stories I think were set up and think we could be in for some fun there (and a potentially good way to get Walt out of Absaroka County to keep the body count from rising).

Long-time fans will find enough to satisfy them, people curious about the series should start elsewhere.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BLOGIVERSARY REPOST: P is for Peril by Sue Grafton

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week. I hope you’ve enjoyed this stroll down Amnesia Lane as much as I did.


P is for Peril (Kinsey Millhone #16)P is for Peril by Sue Grafton
Series: Kinsey Millhone, #16

My rating: 3 of 5 stars

Well, this is totally not surprising at all…a solid mystery novel, with plenty of satisfying twists and turns from Sue Grafton.

A name from the past (and one of my favorite Grafton books) refers Kinsey for another missing persons case — against her better judgement, she takes it and before too long finds herself in the middle of broken family politics, pouty teenagers, a potential stalker, and cases of grand theft, fraud, murder, and a handful of other brushes with human frailty and depravity.

I did rather enjoy all these voices from the 80s complaining about the labyrinth that is Medicare/Medicaid/other federal health regulations — if they only knew!

I do wish, and I don’t think I’ve complained about this before, but Kinsey blabs way too much — to friends (especially new ones), to suspects/interviewees/sources, and even to clients. Maybe it fits with the research that Grafton’s done about proper P.I.-ing, but man. Every time she starts to divulge information I want to reach into the book and slap my hand over her mouth. Seriously, lady, keep it to yourself.

The conclusion to this one is atypical — we don’t get resolution to any of they mysteries she’s involved with; well, we sort of get resolution to one of them, but it has nothing to do with any sleuthing on Kinsey’s part. The rest of the mysteries are solved by Kinsey, but we don’t see the resolution of the story line — we don’t even get the (often) heavy-handed wrap up where she reflects on the events of the novel. Nope. Not saying that’s good or bad (honestly, I’m not sure). It’s just not par for the course. Not sure why Grafton did it that way, but it worked this time (could get to be tiring if she keeps it up)

BLOGIVERSARY REPOST: Blood Trade by Faith Hunter

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week.


Blood Trade
Blood Trade by Faith Hunter
Series: Jane Yellowrock, #6
My rating: 4 of 5 stars

Jane Yellowrock is slowly, but surely, becoming a real favorite of mine. In the beginning, she struck me as a fairly generic vampire hunter, with an obnoxious streak and a complicated ethnic/childhood background that was passed off as interesting. Nothing special, but good enough to keep reading.

But lately, I’ve found myself anticipating the next installment. Blood Trade resolved a few dangling plotlines from previous books, developed a couple more, and set the stage for at least 2-3 more books in the series. And while doing so, provided a story with good action, some nice twists, and some genuine heart.

I really, really liked the new characters introduced here — two former classmates of Jane’s back from her Christian school days and the child of one of those classmates. It was good to see Jane through the eyes of people that didn’t primarily know her as a vampire killer.

Jane’s relationship with Eli and the Kid grew in a positive way, and I really like the shape of their relationships, and hope they continue to develop in this fashion.

One thing I hope Hunter improves on — although I don’t see it happening — is the romance front. I couldn’t care less about Jane’s vacillating between various romantic (using the term as broadly as possible here) interests here. It’s tedious, Jane’s usually shown as little more than base desires, and constantly self-sabotaging. If there was some growth there, some change at least, I might feel differently. But Hunter shows no sign of moving off this point, and I bet I’m one of the few who don’t like it. So I need to continue to deal with it.

BLOGIVERSARY REPOST: Pros and Cons: A Short Story by Janet Evanovich & Lee Goldberg

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books (or, I guess, stories) I blogged about this week. This post got me my first comment here—from Goldberg himself! I did go on to love the series (at least until Goldberg moved on), so the first thing I predicted came true.


I spent the better part of an hour writing a different review this morning — it wasn’t as good as I wanted it to be, but I’d worked on it a lot. And then I lost it. One stupid, wrong and mostly stupid click of the mouse and …poof. Didn’t have time to try to recreate it, but wanted to post something new today. And hey, I just purchased the Evanovich/Goldberg short story, Pros and Cons. Perfect! That’d fit the bill. Right? well…

—–

Pros and Cons: A Short Story (O'Hare and Fox, #0.5)Pros and Cons: A Short Story by Janet Evanovich and Lee Goldberg
Series: Fox and O’Hare, #0.5
My rating: 2 of 5 stars

I’ve been eagerly awaiting The Heist since it was first announced — I’m a big fan of both Janet Evanovich and Lee Goldberg, so when this short story prequel was released I couldn’t resist.

I probably should have found the will power. This, at best, was not bad. Amusing at times, but most of the humor felt forced. Even then, the humor was overly broad most of the time. Worse than that, the story was chock-full of exposition dumps that are almost worthy of Dan Brown.

That said, I’ve read almost 30 books by these two over the years and have no doubt that the novels are going to be better. The primary characters — Agent O’Hare and scoundrel Fox, are promising and chock-full of potential. Sure, I’m a little less enthused about The Heist than I was yesterday, but I’ll get over that once it’s in my hot little hands.

Short version: Skip this tease, come back for the real thing.

BLOGIVERSARY REPOST: Gone Tomorrow by Lee Child

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week. This was apparently the first book I discussed here—something I don’t remember looking up until I prepped this.


Gone Tomorrow (Jack Reacher, #13)Gone Tomorrow by Lee ChildSeries: Jack Reacher, #13
My rating: 4 of 5 stars

4.5 out of 5 really. Not sure why I’m holding that .5 out, but let’s say it wasn’t perfect — just so, so close.

On the one hand, this was a typical Jack Reacher novel* — Reacher sees a wrong that needs righting, a question that needs answered, someone who needs a little help, a little vengence that needs meting out, and he takes care of business, period. On the other hand — this was more intense, had more twists and turns, with higher (personal) stakes than your typical Reacher novel.

So, I guess it was a typical Reacher novel — just turned up to 11.

It’s really hard to say much about this Gone Tomorrow without spoiling the whole thing. But I’m going to try a bit: From the outset, it’s hard to tell who Reacher is working for until a little over halfway through the book (I think–didn’t take notes); everyone (everyone) lies to him about all sorts of things — but there’s enough truth mixed into the lies that I didn’t just spoil anything there; the violence (at least on Reacher’s part) is a bit more concentrated than usual, but once it starts…whoa, Nelly.

The biggest difference in this one is the looming specter of various counter-terrorism agencies and entities, functioning in the full protection and powers given by the Patriot Act and so on. Reacher and other characters in this book aren’t reticent to voice their complaints with these powers and the curtailment on citizen rights, honestly, to an extent that surprised me. While Reacher’s not directly in opposition to these agencies (he never would be that), his purposes and theirs do not directly align. Which gives an extra layer of danger for him — if Reacher’s not careful, he can disappear like he’s never existed before.

Basically the only other thing I can say without spoiling the crap out of this is simply: With Gone Tomorrow, Child, once again, shows that he and Reacher are the best around.

——-

* And a typical Jack Reacher novel is a great read, so don’t take this characterization as a complaint.

Towel Day ’24: One Closing Item (Indulge a Grandpappy)

Towel Day

Grandcritter Towel Day '24
The indoctrinationtraining has begun…the kid’s got promise.

Towel Day ’24: Scattered Thoughts about Reading The Hitchhiker’s Guide to the Galaxy Trilogy

(updated and revised this 5/25/24)

Towel Day
I’ve been trying for a few years now to come up with a tribute to Adams. This isn’t quite what I had in mind, but it’s a start. In my mind, this is a work in progress, but I’m posting it anyway. Next year’s version will be better—or at least more complete.


Some time in 7th or 8th grade (I believe), I was at a friend’s house and his brother let us try his copy of the text-based Hitchhiker’s Guide game, and we were no good at it at all. Really, it was embarrassing. However, his brother had a copy of the first novel, and we all figured that the novel held the keys we needed for success with the game (alas, it did not help us one whit). My friends all decided that I’d be the one to read the book and come back in a few days as an expert.

I fell in love with the book almost instantly and I quickly forgot about the game. Adams’ irreverent style rocked my world—could people actually get away with saying some of these things? His skewed take on the world, his style, his humor…and a depressed robot, too! It was truly love at first read. As I recall, I started re-reading it as soon as I finished it—the only time in my life I’ve done that sort of thing.

It was one of those experiences that, looking back, I can say shaped my reading and thinking for the rest of my life (make of that what you will). Were my life the subject of a Doctor Who or Legends of Tomorrow episode, it’d be one of those immutable fixed points. I got my hands on the next three books as quickly as I could (the idea of a four-volume trilogy was one of the funniest ideas I’d encountered up to that point), and devoured them. I do know that I didn’t understand all of the humor, several of the references shot past me at the speed of light, and I couldn’t appreciate everything that was being satirized. But what I did understand I thought was brilliant. Not only did I find it funny, the series taught me about comedy—how to construct a joke, how to twist it in ways a reader wouldn’t always expect, and when not to twist but to go for the obviously funny idea. The trilogy also helped me to learn to see the absurdity in life.

Years later when the final volume (by Adams) was released, I’d already cemented what I thought about the books from these frequent re-reads. I’m not sure that <b>Mostly Harmless</b> changed things much (except for making me think for the first time that maybe I didn’t want him to write more in this series). His non-Hitchhiker’s work illustrated that he was capable of making you see things in a new light–either with a smile or a sense of regret—even when he wasn’t writing the trilogy, even when he was writing non-fiction. It was never the setting or the genre—it was Adams.

But here on Towel Day—as with most of the time I talk about Adams (but I need to change that), it comes down to where I started—the Trilogy. I read the books (particularly the first) so many times that I can quote significant portions of them, and frequently do so without noticing that I’m doing that. I have (at this time) two literary-inspired tattoos, one of which is the planet logo* featured on the original US covers. In essence, I’m saying that Adams and the series that made him famous have had an outsized influence on my life and are probably my biggest enduring fandom. If carrying around a (massively useful) piece of cloth for a day in some small way honors his memory? Sure, I’m in.

So, Happy Towel Day You Hoopy Froods.

* I didn’t know it at the time, but Adams didn’t like that guy. Whoops.

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