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Class Clown by Dave Barry: A Chuckle-Filled Peek Behind the Curtain

Cover of Class Clown by Dave BarryClass Clown:
The Memoirs of a Professional Wiseass: How I Went 77 Years Without Growing Up

by Dave Barry,

DETAILS:
Publisher: Simon & Schuster
Publication Date: May 13, 2025
Format: eARC
Length: 256 pg.
Read Date: May 4-6, 2025
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What’s Class Clown About?

It’s really all there in the subtitle: it’s Dave Barry’s memoirs about his career as a professional wiseass—primarily through his humor column, but he’s found other outlets for it, too.

Here’s some of the jacket copy to help beef that up:

America’s most beloved wiseass finally tells his life story with all the humor you’d expect from a man who made a career out of making fun of pretty much everything.

How does the son of a Presbyterian minister wind up winning a Pulitzer Prize for writing a wildly inaccurate newspaper column read by millions of people?

In Class Clown, Dave Barry takes us on a hilarious ride, starting with a childhood largely spent throwing rocks for entertainment—there was no internet—and preparing for nuclear war by hiding under a classroom desk. After literally getting elected class clown in high school, he went to college, where, as an English major, he read snippets of great literature when he was not busy playing in a rock band (it was the sixties).

He began his journalism career at a small-town Pennsylvania newspaper where he learned the most important rule of local journalism: never confuse a goose with a duck. His journey then took a detour into the business world, where as a writing consultant he spent years trying, with limited success, to get corporate folks to, for God’s sake, get the point. Somehow from there he wound up as a humor columnist for The Miami Herald, where his boss was a wild man who encouraged him to write about anything that struck him as amusing and to never worry about alienating anyone…

Class Clown isn’t just a memoir; it’s a vibrant celebration of a life rich with humor, absurdity, joy, and sadness. Dave says the most important wisdom imparted by his Midwestern parents was never to take anything too seriously. This laughter-filled book is proof that he learned that lesson well.

His Origin Story

The first four chapters are the most autobiographical part of the book—a little less than 50% of it. Here we cover his parents, his childhood, schooling, and early career—from his first newspaper job, his detour through business education, and then finding his way back to journalism and becoming a humor columnist.

This is all the nitty-gritty stuff—what were his parents like? (nothing like you’d guess) What did his childhood entail? (bad jokes and throwing things) What did he write before making money with booger jokes? And so on.

This was the more educational—in a good way, I stress—part. He wrote about is parents, in particular, with warmth and humanity. He was open about some of their struggles, but with sensitivity. I really appreciated the way he talked about his marriages—past and present—very briefly, yet definitively. There is some humor, but it’s largely self-directed, or at the culture he and his parents were in.

This is really the kind of thing you come to a memoir for, and Barry did it well. He quotes some of his more serious (and some of his less-serious) columns here to show what he’s said about these things in the past.

Topical Memories

A little over half the book is devoted to what I’m describing as “Topical Memories”—he has a chapter on things like “My Readers,” “Politics,” and “Books, Music, and Movies.” In these, he relates a collection of stories and anecdotes from all over his career along these lines.

So we get stories about the great things his readers have sent him—and some of the less positive things they’ve said. Scandals he created—inadvertently or not. How he was involved in Obama’s first inaugural parade, or had Bruce Springsteen sing backup for him, how he accidentally offended an audience of Russians by screening one of his films. I particularly enjoyed him talking about his feud with his Neil Diamond-loving readers (I’m a pretty big Diamond fan, but thought Barry’s jokes were good and deserved, for what it’s worth)

There are several extended quotations from his columns here—and we get a lot of the stories behind the columns, too. Not the nuts-and-bolts of how he wrote them, but what led to them.

If the Origin Story chapters were educational—this was recess. Just a lot of fun and goofing off, telling wild stories and recounting past glories (and blunders). It was exactly the kind of thing that Barry readers pick up his books for.

The Appendix

I don’t frequently talk about appendices; they’re supplemental material, and I prefer to focus on the main portion of the book, but every now and then, one comes along that demands attention.

For example (as you might have guessed), this appendix. It was a hoot—its title is “A Good Name for a Rock Band.” Barry (like many of us) will frequently pick up on a phrase from something he quoted and say it would be a good name for a rock band (also known by the super-easy and memorable acronym WBAGNFARB). After discussing this practice a bit, Barry gives a non-exhaustive, but extensive list of some of those bands.

I think reading them in context is best—but you definitely can appreciate them in a different way with no context whatsoever. They are definitely more ridiculous that way.

It’s worth picking the book up from the shelf at your local bookstore/library just to read those few pages. (Of course, you’d be better served by reading the whole thing). Even people who don’t have a background with Barry will find some laughs there.

So, what did I think about Class Clown?

I’m fairly certain at this point in my life that I’m hardwired to enjoy Davy Barry’s writing, and that I don’t have the neuroplasticity to change that. No matter what apps for seniors I try. So maybe take this with a softball-sized grain of salt.

I really enjoyed this book. A lot—and on several levels.

Part of me would’ve liked a little more depth, a little more digging into details of his life, maybe his approach to writing. But it’d just feel strange knowing that much about Barry—and we all know what happens to a joke when you dissect it, knowing too much about how his sausage is made might not be that entertaining. Really, for Dave Barry—this is about as deep as we want. Every time I started to say “I wish he’d given us more about X,” I stopped myself and realized that no, this was just the right amount.

So no, it’s not as self-revealing as say, Patrick Stewart’s or Matthew Perry’s books—and that’s good.

This is a great way to get to know Barry a little better—given the nature of his work, a lot of us have had a para-social relationship with him before that was a phrase people used. It’s nice for us to deepen that relationship to a degree—before we get back to jokes about exploding cows, questionable song lyrics, or whatever.

I heartily encourage readers of Dave Barry to pick this up—even casual readers will have fun with this, you don’t have to be a die-hard like me. He’s one of a kind, and it’s great to bask in that for a little while.

Disclaimer: I received this eARC from Simon & Schuster via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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One Death at a Time by Abbi Waxman: You’ll Laugh All the Way to the Morgue

(not that you actually go to a morgue in this book, I was just struggling with that headline)


Cover of One Death at a Time by Abbi WaxmanOne Death at a Time

by Abbi Waxman

DETAILS:
Publisher: Berkley
Publication Date: April 15, 2025
Format: eARC
Length: 400 pg.
Read Date: April 11-15, 2025
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What’s One Death at a Time About?

Natasha Mason is a twenty-something still trying to figure out what to do with her life—her alcoholism led to her leaving law school, and now she’s paying bills by delivering food and doing other gig economy standbys in L.A., and making sure she makes at least one meeting a day.

At one of these meetings, a vaguely familiar-looking woman shows up—and is not the friendliest of people. She seems—well, is—more concerned about getting her court-mandated signature than in anything else. Mason volunteers to be this woman’s interim sponsor. Now this older woman had been sober before, but on the night that led to the court-mandated meetings had a blood-alcohol level that stunned a rowdy twelve-step meeting into silence. She’d also come out of a blackout next to the dead body of a former lover/decades-long antagonist and what was probably the murder weapon. For a night she couldn’t remember—it’d clearly been eventful.

The next morning, Mason shows up at the gate of her obviously well-off sponsee. Thanks to some time on the internet, Mason knows her to be Julia Mann—a former box office star, now a lawyer taking on cases for as many Davids as she can in a city of Goliaths. Oh, and in between careers, she’d been in prison due to the death of her husband—the former business partner of the dead man she’s currently suspected of killing.

This meeting didn’t go the way Mason suspected—for one, Julia Mann’s housekeeper is an amazing cook, as Mason learned. Also, the two kept butting heads—Mason wanted to talk about Julia’s sobriety, but Julia was rather fixated on the murder. And yet…something clicked between the two. In between verbal jousts,* Julia ends up hiring Mason to be her personal assistant and help with the investigation. Mason justifies this to herself as a way to stay near Julia and keep her sober. The chance to eat more of Claudia’s cooking and make more money than an app can pay doesn’t hurt.**

Before you know it, these two have got themselves involved in a separate murder investigation (another David for Juila to work for), arson, tensions around Julia’s former career in the film industry, tensions around Julia’s future career in the film industry (she wants none of it, but no one seems to care), brushes with organized crime, multiple reasons for both or either of them to ditch their sobriety, and more things that I can fit into this rambling sentence.

* The back-and-forth between these two is reason enough to try this book. Waxman will supply several others, it should be noted.
** Yes, this makes two books in as many months about an LA-based delivery driver turning amateur investigator.

The Murder Mystery(ies)

Murder mysteries surrounding the film industry tend to have a few things in common—secrets, petty grievances that get nurtured into full-blown rivalries (or worse), scandals (for an industry reputed to be filled with amoral hedonists, there really are a lot of moral scandals), and organized crime.

One Death at a Time ticks all of these boxes—and a few others that I should’ve listed above, but forgot to. This may be Waxman’s first mystery, but she clearly understands the genre and knows how to construct a classic whodunit in a contemporary setting.

You get all the twists, turns, red herrings, and layers upon layers of competing motives for multiple suspects that you need—doled out in just the right pacing with dollops of shocks and action along the way. The final reveal is satisfying, and every loose plotline is tied up. It’s a textbook example of the genre—pleasing in every way.

The Humor/Tone/Relationships

This might be a clumsy way to tackle these ideas, but it’s where I am.

Yes, Waxman is known for Rom Coms—or Rom Com-adjacent—books, so we all know she’s funny. This seemed to me to be more overtly comedic. There are jokes—many of them—not just funny situations and loveable, quirky characters doing goofy things. Don’t get me wrong, there are plenty of those (as well as non-lovable, quirky characters).

This reads like Dave Barry’s kind of crime novel, with the restraint of a Richard Osman. The verbal jousting is great, and the physical comedy is almost as good. The situations are frequently ridiculous, but never so much so that you get taken out of the moment.

The technical term that best describes Mason is “wiseass,” and one with poor impulse control. Someone who doesn’t know how to keep her trap shut, powered by Waxman’s wit is a fun character to read. Julia’s no slouch in that department either, but she’s more mature, she knows that she should pick her targets with care—and is therefore usually more effective.

The rest of Julia’s team (I will not tell you about them, so you can meet them properly) and some of the other characters the reader encounters have drier wits, largely fitting into the typical Waxman model. Oh, except this one actress…nope. You wouldn’t believe me if I tried to describe her.

Mason’s support system consists of the meetings she attends, her sponsor, and her cat. Julia has a strong team of employees and friends (the Venn diagram there has a large area of overlap)—they’re just not that effective on the sobriety front, but they make up for that with their loyalty. Julia also has a pretty strong network of former friends, employers, and employees in and around the film industry. These are loyal to their grudges against her and their own self-interest—however, they (or at least most of them) want her to succeed in her search for the killer, so they can move on with their lives and careers.

You combine all of this—with a (slowly) growing relationship of affection, trust, and appreciation between our protagonists—and you’ve got yourself a great basis for comedy with heart.

Sobriety

One thing that Waxman never made light of in all of this was the sobriety of the characters. Yes, Julia would mock Mason’s approach to being her sponsor, but that was about the characters’ personality differences—both of them took it seriously.

Not all of the characters appreciated the struggle and what the characters did to preserve it—but none of the comedy was about the drinking.

The opening meeting did get me to chuckle frequently, but that was character-based humor. The book never gets preachy at the reader, just to each other.

So, what did I think about One Death at a Time?

I had a blast with this—if you couldn’t tell. This is my fifth Waxman novel, so I went into it expecting that I would. I just wasn’t sure how much I’d enjoy it, because of the genre. But if I didn’t know who she was before I picked this up, I’d be scouring the library for her Abbi Waxman now.

It does—as it should—feel very different than her previous works. I’d say this is closer to last year’s Christa Comes Out of Her Shell than the rest, but even saying that, this is different. The stakes are (obviously) higher for these characters; there are potentially lethal consequences for failure. Which might explain the more heavy-handed approach to the comedy.

I think I’ve said everything I wanted to above—the mystery part is really well done; the characters are well-designed and well-excecuted, the relationships between them are strong and obvious—you like the people you’re supposed to like enough that you wish you sat around the room with them, watching them go back and forth while eating whatever wonderful treat/meal Claudia has prepared. Also, it’s funny. That’s a one-two-three combination that I’ll always enjoy and recommend.

This feels like a standalone, but it could easily spawn a sequel or more. If it does, I’ll be first in line. If it doesn’t…well, that’s okay, too. It works really well either way.

Basically, reader, if any of the above tickles your fancy—you need to add this to your TBR. I practically guarantee you’ll have a great time.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post, which contains my honest opinion—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Miracles by C.S. Lewis: A Pleasant, If Not Particularly Helpful, Read

Further Up and Further In A Year with C.S.Lewis


Cover of Miracles by C.S. LewisMiracles: A Preliminary Study

by C. S. Lewis

DETAILS:
Publisher: Collier Books
Publication Date: 1960
Format: Mass Market Paperback
Length: 168 pg.
Read Date: March 2-9, 2025
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…the shock comes at the precise moment when the thrill of life is communicated to us along the clue we have been following. It is always shocking to meet life where we thought we were alone. “Look out!” we cry, “it’s alive.” And therefore this is the very point at which s many draw back—I would have done so myself if I could—and proceed no further with Christianity. An “impersonal God”—well and good. A subjective God of beauty, truth and goodness, inside our own heads—better still. A formless life-force surging through us, a vast power which we can tap—best of all. But God Himself, alive, pulling at the other end of the cord, perhaps approaching at an infinite speed, the hunter, king, husband—that is quite another matter. There comes a moment when the children who have been playing at burglars hush suddenly: was that a real footstep in the hall? There comes a moment when people who have been dabbling in religion (“Man’s search for God”!) suddenly draw back. Supposing we really found Him? We never meant it to come to that! Worse still, supposing He had found us?

So it is a sort of Rubicon. One goes across; or not. But if one does, there is no manner of security against miracles. One may be in for anything.

What’s Miracles About?

In this book, Lewis sets out to defend the idea of miracles. The possibility of them. He flat out says he won’t defend the historicity of Christian miracles—that’s not his field (of course, neither is theology, but that doesn’t stop him). He wants to lay the groundwork. If he can convince the reader that miracles are possible—even better they expect them and appreciate the relationship between them and Christianity—well then, he hopes the reader will—like Lewis himself did—examine the claims of Christianity on a more reasonable and ready basis.

The Direction of the Argument

First, Lewis starts with Supernaturalism vs. Naturalism (and it’s here that he might be at his best for the book)

Belief in miracles, far from depending on an ignorance of the laws of nature, is only possible in so far as those laws are known. We have already seen that if you begin by ruling out the supernatural you will perceive no miracles, We must now add that you will equally perceive no miracles until you believe that nature works according to regular laws. If you have not yet noticed that the sun always rises in the East you will see nothing miraculous about his rising one morning in the West.

His point is essentially that his readers will fall into two camps: those who will refuse to accept a miracle because they can’t happen or those who are willing to accept there are—or at least might be—supernatural possibilities in the world. If you are a committed reader in the former camp, there’s nothing that Lewis can do or say to make you change your mind. He will, at least, help you to see that—and lay out the possibilities of a supernatural explanation.

If you’re open to a supernatural explanation for things—like a miracle. Then Lewis has some things he’d like to talk to you about.

…it is mere confusion of thought to suppose that advancing science has made it harder for us to accept miracles, We always knew they were contrary to the natural course of events; we know still that if there is something beyond Nature, they are possible. Those are the bare bones of the question; time and progress and science and civilisation have not altered them in the least.

Then he moves into Christian miracles—or at least the miracles that Christians claim as part of their story—their Scriptures, their religion.

…you cannot [remove miracles] with Christianity. It is precisely the story of a great Miracle. A naturalistic Christianity leaves out all that is specifically Christian.

This is, he suggests, part of the path that he took to get to where he is.

If at any point along the line of argument, Lewis loses you, he will not ask you to accept his conclusion—or at least he has no basis to do so. Otherwise…

So, what did I think about Miracles?

You are probably quite right in thinking that you will never see a miracle done: you are probably equally right in thinking that there was a natural explanation of anything in your past life which seemed, at the first glance, to be “rum” or “odd.” God does not shake miracles into Nature at random as if from a pepper-caster. They come on great occasions: they are found at the great ganglions of history—not of political or social history, but of that spiritual history which cannot be fully known by men. If your own life does not happen to be near one of those great ganglions, how should you expect to see one? If we were heroic missionaries, apostles, or martyrs, it would be a different matter. But why you or I? Unless you live near a railway, you will not see trains go past your windows. How likely is it that you or I will be present when a peace-treaty is signed, when a great scientific discovery is made, when a dictator commits suicide? That we should see a miracle is even less likely. Nor, if we understand, shall we be anxious to do so. “Nothing almost sees miracles but misery.” Miracles and martyrdoms tend to bunch about the same areas of history—areas we have naturally no wish to frequent. Do not, I earnestly advise you, demand an ocular proof unless you are already perfectly certain that it is not forthcoming,

I enjoyed it—this was the second or third post-Narnia book I read by Lewis, and it’s one of them I’ve returned to the most. It’s also less and less effective to me the more times I read it. I just don’t like his line of argument. Nor do I appreciate some of what he says about the Scriptures. But, I do enjoy reading this.

There are two major aims for an apologetic work, as I’ve heard from a few apologetic professors/writers. The first is to present a defense for the faith to unbelievers—to convince them, to provide evidence for the faith to them, or at least to show that Christianity has a rational basis (things along those lines). The second aim is to buttress the confidence of the believer that they haven’t taken a blind leap of faith, that their convictions can stand against a hostile culture—or a disinterested one. I don’t see this working to well with the unbeliever (outside of maybe stressing that they’re committed to not accepting the possibility of miracles), rather the strength of his book falls into the latter category.

I appreciate what Lewis attempted to do here. I enjoy seeing him think through these things, and generally have a good time with his language. But it’s not the best thing he penned, and I’m not sure it’s all that useful.

Still, I like it. And anyone who’s going to name a chapter what he called Chapter 9? I want to spend a little time with.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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HC Chats with M.D. Presley about Laurel K. Hamilton

Covers of The Inner Circle novels by M.D. PresleyLast year, you’ll have seen the name M.D. Presley here a few times–thanks to the first two books in his Inner Circle UF series. We had a fun chat last week that I bring to you today. Matt introduced me to the work of Laurel K. Hamilton and her influence on the genre.

Of course, better than that, would be checking out her site and work for yourself. But you might as well start with this chat.

M.D. Presley Links:

Website ~ Bluesky ~ Facebook ~ Rites of Passage (Inner Circle book 1) ~ Worldbuilding Nonfiction


Are you a Reader of Things and want to chat with me about an author/series/something other than promoting your own work (which we will do, just not primarily)? I’d love to keep trying this, but I’m not ready to start pestering people about it. So please let me know.

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PUB DAY REPOST: Installment Immortality by Seanan McGuire: G-G-G-Ghosts!

Cover of Installment Immortality by Seanan McGuireInstallment Immortality

by Seanan McGuire

DETAILS:
Series: InCryptid, #14
Publisher: Tor Books
Publication Date: March 11, 2025
Format: eARC
Length: 432 pg.
Read Date: February 12-17, 2025
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Obviously, there are some spoilers about the previous novel in the series, Aftermarket Afterlife to follow. And, you could probably say the same for the series as a whole. Take that into consideration if you read beyond the period at the end of this sentence.

What’s Installment Immortality About?

In the months that it took Mary to put herself back together after the attack on their training headquarters, the Covenant hasn’t been quiet. In fact, as they knew a ghost was involved in the attack, some of them have been targeting ghosts up and down the East Coast.

The anima mundi, still rebuilding its control, recruits (to put it nicely) Mary to stop them and rescue what ghosts she can. Mary gets permission to bring along some help from her family (the kind of help that can’t, say, get stuck in a ghost jar)—she doesn’t intend to, but she ends up bringing along Elsie and Arthur who have a need to do something, anything, to help them move on from their mother’s death.

So begins a cross-country trip filled with more danger than they expect (and they expect a lot).

More Mary

This book, like its predecessor, has done a fantastic job of showing the place of Mary in this family. She’s far more than just a quick message-delivery-system, or a genie that can show up at just the right time (she never really came across that way, but it’d be easy to see her filling those roles). It’s both heart-warming and heart-tugging.

She’s also changed a lot—thanks to Annie’s intervention at the Crossroads, and because of her new/growing relationship to the anima mundi. And there are more changes on the horizon—which will be fun to watch as people like me have become more invested in her after the last book.

I thought I had several things to say about Mary here, but just about all of them would need to be redacted. I really enjoyed our time with her, and while I expect that we’re going to be spending a few books focused on other characters after this one (Verity or Elsie are my guesses, which means it’ll probably be Alex), I’m looking forward to seeing what this new part of her life—ahem, afterlife—brings us.

Elsie and Arthur

Poor Arthur—I thought I had a pretty good handle on what was going on with him after the last book, but of course, there’s a lot more afoot than we could’ve known. With plenty of time with him—to see him interact with Mary and his sister, we get to hear a lot more from him and understand things from his perspective.

Then we learn even more from some outsiders. We’re going to have to spend some more time with Arthur soon, because leaving him where McGuire did is not comfortable.

Elsie, on the other hand, surprised me. I figured that like with Alex and Annie—and even the babysitter—when she got a chance to shine, she’d step up and show herself to be exactly the kind of kick-ass heroine that the Prices and Healys seem to specialize in. I won’t get into details, but she’s not cut from the same cloth as her cousins—but that doesn’t mean she should be taken lightly. It’s just that there’s an element of diversity even here that I wasn’t expecting, and I’m glad to see. I think it would’ve been boring to see her transform into a variation of Verity or Alice.

More interestingly than that for her was seeing her relationship with Arthur and how she’s reacting toward the Aeslin mice in their home.

So, what did I think about Installment Immortality?

This was a little bit of a let-down after the Aftermarket Afterlife. It was primarily a follow-up to it, tying up loose ends and getting us all ready for whatever is next. As such, it’s not going to be as good, it can’t be as powerful, and it should help the reader catch our breath. Also, saying it’s not quite as good as one of the best books in this series is not much of an insult.

But, oh man…there were so many things that are great about this book. For one example, there’s a conversation between Mary and one of the Aeslin Mice that is incredibly strange. And if you remember that we’re talking about a conversation between a ghost and a sentient, talking mouse with a perfect memory…strange should be expected. Not this level of it.

Of course, we get to meet new Cryptids, and more than a few ghosts. Their perspectives on the Prices, on the war with the Covenant, on Mary and the Crossroads (many don’t believe the Crossroads are gone, for example), and so on, are fascinating. It’s a good reminder—that we occasionally get, but not as strongly as we do here—how much people don’t instinctively trust this family. But we also get a variety of reactions to them along those lines.

This was very satisfying in terms of long-term character arcs, the war arc, and so on. Installment Immortality was also satisfying on its own terms. There’s some good supernatural, ghosty action. Some good reminders that the dead should not be messed with. Strong character development—no one leaves this book the way they came in. And some sweet moments that remind you that everyone can use a dog in their life.

This is not a book to jump into the series with, unless you want to spend a lot of time confused—Aftermarket Afterlife would function far better for that (as would starting at the beginning). But for long-term fans, this is exactly what they were looking for.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.


4 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Where the Bones Lie by Nick Kolakowski: Down These Mean Streets People Must Still Go

Cover of Where the Bones Lie by Nick KolakowskiWhere the Bones Lie

by Nick Kolakowski

DETAILS:
Publisher: Datura Books
Publication Date: March 11, 2025
Format: eARC
Length: 304 pg.
Read Date: February 26-Narch 1, 2025
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What’s Where the Bones Lie About?

Dash Fuller used to work for a man he compared to Mr. Wolfe from Pulp Fiction, and in his employ would clean-up various messes by celebrities and other movers-and-shakers in L.A. Eventually the work got too much for him and he walked away. He tried to find a new career in Stand-Up comedy, but that’s not going so well. He’s doing better at drinking copious amounts of bourbon to numb himself, and then scurrying around picking up money from delivery driving and other gig jobs at the end of the month to pay his bills.

After one, shall we say, not-good night at a local comedy club two significant things happen for Dash. First, his old boss, Manny, shows up to badger him into doing one more job for him (he’d like more, but will settle for one, for now).

The other spins off of both—another audience member there picks up on some of what Dash does that night (but not all of it, he’s pretty good at what he does) and offers to hire him. After several years where the family had to assume he was dead, Madeline Ironwood’s father’s body has recently been discovered in a barrel found as a nearby lake has receded thanks to water shortages in the state. She’d like Dash to look into it and see if he can figure out what happened to him.

Ken Ironwood was a smuggler, and probably other things. He’s been missing since she was a young girl. He’s noteworthy enough that a true crime docuseries has started recently streaming about him, but not so noteworthy that Dash would’ve heard of him without the billboards all around town (that Madeline had to point out to him). The suspect list was so large that the LAPD and FBI gave up trying to pare down without more to go on than a missing man.

It’s not a lot for Dash to go on, but the money is okay, and it’s something that gets him out of town for a little bit.

The Traumatized Knight

I think it’s pretty obvious that Dash is supposed to be in the Hammett model more than the Chandler, but I’m more familiar with Chandler, so I’m going to lean on what I learned from L.A.’s hardboiled detective/detective-like characters from him.

Dash is a knight—a knight in tarnished, battered, and filthy armor. But a knight nonetheless—he knows how many of his choices didn’t match his ideals and ethics. His ex wondered if the good person inside him could be found—and Dash wonders the same.

This has taken a toll on him—one job in particular, but there’s also the cumulative effect from years of this—and has left him traumatized and self-medicating. This is also common to the hardboiled investigator, but given Dash’s cultural context it seems more apparent (and something he’s more willing to reflect on).

The job that Manny sends Dash on at the beginning brings all the trauma to the surface (it was close to it already, but this gave it the needed nudge). While the focus of the novel—and Dash’s attention—is Madeline’s case and her father’s fate, Dash’s struggles are a shadow over everything he does, over many of his choices (like the one to take the case), and will even interfere with his thinking on occasion.

Again, you see this all over Marlowe’s adventures—but it’s between the lines—I expect the same could be said about Hammett’s characters. But with Dash it’s clearer, it’s acknowledged, and understood—at least by some of the characters.

The Environment

California’s repeated droughts lay the foundation of the investigation into Madeline’s father’s death. The heat in L.A. as Dash and Madeline drive northward is oppressive. Wildfires threaten that city, close in on Dash and Madeline at important junctures in their search—and play a significant outcome in the endgame of that storyline.

This is possibly the most environmentally aware detective novel I’ve read. I’ve read “eco novels” that do a less effective job of addressing these issues. Part of what makes it so effective is that Kolakowski doesn’t get preachy with it, he doesn’t beat you over the head with it—it’s just seamlessly woven into the tapestry of this novel, no more noteworthy than Dash’s bad jokes, or the threat of bent cops. But it’s there. Everywhere.

I’m Glad Someone Asked

One question that had been running in my mind throughout was why Dash turned to Stand-Up, and his narration didn’t choose to reveal it, while it revealed so much about other things.

By the time that someone asked him, I was overjoyed that someone else (even if they’re fictional) had to know. The answer was satisfying enough, and in many ways didn’t tell us anything we couldn’t have/shouldn’t have figured out on our own (especially by that point in the novel), but hearing it from Dash was good.

So, what did I think about Where the Bones Lie?

This just might be the best thing Kolakowski has written so far. Which is likely a sentence I’ve written before—and I meant it then, but time has gone on and Kolakowski has gotten better.

I didn’t end up saying anything about the job that Manny hired Dash for that kick-started this whole novel, it doesn’t take long for Dash to take care of it, and we get an idea of some of the things he’s done in the past (more importantly, some of what he hasn’t done). Some of what he’s seen. This is developed through the course of the novel, too. But it gives us a taste of his old life and shows that he has the tools to build on.

Madeline’s case is the first job he’s ever had for a positive goal—to accomplish something. He’s not trying to prevent embarrassment or scandal—he’s not trying to save some studio a bunch of money, or rescue someone’s reputation, or prevent someone from facing legal charges. Sure, he has the skills—but he has to learn to use them in a different way. Which is a great place to put a character.

The supporting characters are great—particularly the “bigger bad”s (which is all I’m going to say about them). I would love to spend more time with the closest thing that Dash has to a friend, in particular.

With Chandler—like more modern writers like Ellroy or Connelly—you get a real sense of L.A. or California. And Kolakowski delivers the same here. He’s done some really specific geographic work in the past, but outside of geographic markers, I don’t know that I “felt” the area like I do here. (I want to stress that this isn’t intended as a criticism of his earlier work, it’s a compliment and observation about this one).

As far as the ending or resolutions to the various plotlines—some I saw coming, because Kolakowski prepared the reader for them. Some hit me like they came out of the blue (they didn’t, really, but they felt like it). All were satisfying in ways I didn’t expect really. There were lines that you could see Chandler writing—if not word for word, at least close paraphrases. The spirit of that age lives on in these pages.

His history suggests that the next work by Kolakowski will be something else entirely—probably not a cozy, but something he hasn’t delivered yet. But if he wants to do more like this, I’ll be first in line for it. Meanwhile, you should focus on getting this book in front of your eyeballs.

Disclaimer: I was provided with this ARC by the author in exchange for my honest opinion. The only impact this had on what I said about the book was that I could say it before I could buy a copy.


4 1/2 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST CUZ: Payback Is Forever by Nick Kolakowski: There’s a lot of opportunity in doom.

I didn’t quite finish my post about Kolakowski’s upcoming release last night (read: I wrote 2 paragraphs that probably need revision/expansion). So, let’s revisit this bold crime novel instead.


Payback Is ForeverPayback Is Forever

by Nick Kolakowski

DETAILS:
Publisher: Shotgun Honey Books
Publication Date: March 24, 2022
Format: Kindle Edition
Length: 170 pg.
Read Date: March 29-30, 2022

What’s Payback Is Forever About?

Miller’s a thief, a fairly successful one. This comes in handy because he’s not as successful when it comes to gambling. He needs to pay a debt, so he takes a job with a couple of strangers. They betray him, the job goes wrong, and Miller (and the cash) escape without his partners. They don’t know his name or home base, so he figures he’s safe for a little bit.

He’s soon contacted by a figure from his past, Rick Redfield:

“I’ve entered into an arrangement with some… men of violence, shall we say. Which means I need the services of the most violent man I know. Which is you.”

“I’m no bodyguard.”

“No. You’re capable of terrible acts, and that’s the necessary thing here. Besides, bodyguards ask too many questions.”

With the promise of a large payday on the horizon, Miller’s in—and soon finds himself involved with some Nazis who escaped from Germany in the waning days of the war, Nazi hunters, and a few more dead bodies than Miller was prepared to deal with.

Supporting Cast

Miller and most of the characters that he deals with are of a fairly typical sort—you’ll recognize the types easily. They’re interestingly-drawn and well-used, but they’re types.

Then there’s Jill Reilly—she’s Miller’s love interest and is a secretary in the Medical Examiner’s office. Given the proper circumstances, she’d probably make a pretty good Examiner herself—but between the education, she’d need, and the rampant chauvinism in the office, that’s probably not going to happen. Reilly feels like she’s got one foot in the Girl Friday type, but with a rebellious streak that keeps the other foot out of the type.

The other character that stands out as not fitting into a typical mold is Scott, Redfield’s friend who acts as a liaison to the outside world when Redfield needs to stay out of the light. He’s a timid, uncertain man—who needs to use a ventriloquist’s dummy, Colonel Longshanks, to communicate those things that are too much for Scott to handle. Miller has no patience for either of them—but can force himself to work with Scott. The Colonel on the other hand…

There was a moment where I wondered if Scott/Colonel Longshanks would over-take Monkey Man as my favorite strange Kolakowski character. He didn’t, but that he was in the running says something about the character development in this short novel.

The Hidden Agenda

If what I’ve described seems pretty straight-forward, it is. If anyone’s read Kolakowski before, that’s not how he rolls. Right?

There is something else afoot here. I don’t know that it added much (if anything), but it didn’t hurt anything either. Maybe if I was in a different mood when I read this I’d have a more positive take on the “something else,” but right now, I can take it or leave it.

The material with Miller, the Nazis, Nazi Hunters is enough to focus on and keep you entertained. If you happen to get the rest of it, that’s gravy.

So, what did I think about Payback Is Forever?

This feels like the kind of pulpy thrillers from the 1960s and 70s I’ve read—just in a post-WWII setting with a dash of Nathanael West thrown in. It’s a surprisingly effective combination, and I’d have read another 200 pages of it without blinking. Although I do think this lean, mean, streamlined approach is far more effective.

Miller’s absolutely the kind of character you want in this setting—his morality is stuck in the gray—it’s a pretty dark gray, but he’s not a full-on villain. And he’s thinking about reforming, at least a little.

There were two scenes—or parts of scenes—that make this more than a quick, fun read. There’s a visual in the last big gunfight that’s so ridiculous, so comical, in the middle of a big action scene that makes you want a film version immediately (but it may be better in your imagination).

Before that there’s another scene that I can’t describe—you start it assuming X might happen, and yet when X does happen you still sit up and pay attention because you can’t believe that Kolakowski actually did that. And then over the next 3 or 4 paragraphs, the shocking scene becomes something so unexpected that you have to read it a couple of times to make sure you read it right. Cackling while you read it every time makes the comprehension a little difficult.

A solid, stylish thriller with Kolakowski’s style and sense of character is exactly what I needed to read last week, and Payback is Forever delivered. Do yourself a favor and pick it up.


4 Stars

Installment Immortality by Seanan McGuire: G-G-G-Ghosts!

Cover of Installment Immortality by Seanan McGuireInstallment Immortality

by Seanan McGuire

DETAILS:
Series: InCryptid, #14
Publisher: Tor Books
Publication Date: March 11, 2025
Format: eARC
Length: 432 pg.
Read Date: February 12-17, 2025
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Obviously, there are some spoilers about the previous novel in the series, Aftermarket Afterlife to follow. And, you could probably say the same for the series as a whole. Take that into consideration if you read beyond the period at the end of this sentence.

What’s Installment Immortality About?

In the months that it took Mary to put herself back together after the attack on their training headquarters, the Covenant hasn’t been quiet. In fact, as they knew a ghost was involved in the attack, some of them have been targeting ghosts up and down the East Coast.

The anima mundi, still rebuilding its control, recruits (to put it nicely) Mary to stop them and rescue what ghosts she can. Mary gets permission to bring along some help from her family (the kind of help that can’t, say, get stuck in a ghost jar)—she doesn’t intend to, but she ends up bringing along Elsie and Arthur who have a need to do something, anything, to help them move on from their mother’s death.

So begins a cross-country trip filled with more danger than they expect (and they expect a lot).

More Mary

This book, like its predecessor, has done a fantastic job of showing the place of Mary in this family. She’s far more than just a quick message-delivery-system, or a genie that can show up at just the right time (she never really came across that way, but it’d be easy to see her filling those roles). It’s both heart-warming and heart-tugging.

She’s also changed a lot—thanks to Annie’s intervention at the Crossroads, and because of her new/growing relationship to the anima mundi. And there are more changes on the horizon—which will be fun to watch as people like me have become more invested in her after the last book.

I thought I had several things to say about Mary here, but just about all of them would need to be redacted. I really enjoyed our time with her, and while I expect that we’re going to be spending a few books focused on other characters after this one (Verity or Elsie are my guesses, which means it’ll probably be Alex), I’m looking forward to seeing what this new part of her life—ahem, afterlife—brings us.

Elsie and Arthur

Poor Arthur—I thought I had a pretty good handle on what was going on with him after the last book, but of course, there’s a lot more afoot than we could’ve known. With plenty of time with him—to see him interact with Mary and his sister, we get to hear a lot more from him and understand things from his perspective.

Then we learn even more from some outsiders. We’re going to have to spend some more time with Arthur soon, because leaving him where McGuire did is not comfortable.

Elsie, on the other hand, surprised me. I figured that like with Alex and Annie—and even the babysitter—when she got a chance to shine, she’d step up and show herself to be exactly the kind of kick-ass heroine that the Prices and Healys seem to specialize in. I won’t get into details, but she’s not cut from the same cloth as her cousins—but that doesn’t mean she should be taken lightly. It’s just that there’s an element of diversity even here that I wasn’t expecting, and I’m glad to see. I think it would’ve been boring to see her transform into a variation of Verity or Alice.

More interestingly than that for her was seeing her relationship with Arthur and how she’s reacting toward the Aeslin mice in their home.

So, what did I think about Installment Immortality?

This was a little bit of a let-down after the Aftermarket Afterlife. It was primarily a follow-up to it, tying up loose ends and getting us all ready for whatever is next. As such, it’s not going to be as good, it can’t be as powerful, and it should help the reader catch our breath. Also, saying it’s not quite as good as one of the best books in this series is not much of an insult.

But, oh man…there were so many things that are great about this book. For one example, there’s a conversation between Mary and one of the Aeslin Mice that is incredibly strange. And if you remember that we’re talking about a conversation between a ghost and a sentient, talking mouse with a perfect memory…strange should be expected. Not this level of it.

Of course, we get to meet new Cryptids, and more than a few ghosts. Their perspectives on the Prices, on the war with the Covenant, on Mary and the Crossroads (many don’t believe the Crossroads are gone, for example), and so on, are fascinating. It’s a good reminder—that we occasionally get, but not as strongly as we do here—how much people don’t instinctively trust this family. But we also get a variety of reactions to them along those lines.

This was very satisfying in terms of long-term character arcs, the war arc, and so on. Installment Immortality was also satisfying on its own terms. There’s some good supernatural, ghosty action. Some good reminders that the dead should not be messed with. Strong character development—no one leaves this book the way they came in. And some sweet moments that remind you that everyone can use a dog in their life.

This is not a book to jump into the series with, unless you want to spend a lot of time confused—Aftermarket Afterlife would function far better for that (as would starting at the beginning). But for long-term fans, this is exactly what they were looking for.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.


4 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Abolition of Man by C. S. Lewis: What Can Happen When a Bad Review Copy Falls Into the Right Hands

Further Up and Further In A Year with C.S.Lewis

Cover of The Abolition of Man by CS LewisThe Abolition of Man: Reflections on Education with Special Reference to the Teaching of English in the Upper Forms of Schools

by C. S. Lewis

DETAILS: 
Publisher: Macmillan Publishing Company
Publication Date: September 1, 1978 
Format: Paperback
Length: 91 pg.
Read Date: February 2, 2025
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This thing which I have called for convenience the Tao, and which others may call Natural Law or Traditional Morality or the First Principles of Practical Reason or the First Platitudes, is not one among a series of possible systems of value. It is the sole source of all value judgements. If it is rejected, all value is rejected. If any value ts retained, it is retained. The effort to refute and raise a new system of value in its place is self-contradictory. There never has been, and never will be, a radically new judgement of value in the history of the world.

What’s The Abolition of Man About?

This starts off with starts off as a review of a textbook or two, “Teaching of English in the Upper Forms of Schools” (to quote the subtitle). He has strong objections to the direction (and the foundation) these books are taking. From there he shifts into English schooling/thinking in general, and the deficiencies he sees in it and what he fears it means for the nation as a whole.

This centers on the idea that English teachers and schools are abandoning objective truth, which he mounts a defense of while writing about what he thinks will happen to a society that abandons it.

English Education

This begins, as I said (as does the subtitle) by reviewing a couple of textbooks used in English classes in the upper grades. Lewis had been sent review copies of them and took issue with a lot of what he said.

Lewis (in a move I could never duplicate) doesn’t want to seem ungrateful for these copies, so disguises the authors and titles before he starts explaining the problems. I don’t know if his original audience could see through his thin disguises—or if that just became clearer later. I suspect the former.

From what he tells us about these books, I think he was being too generous in his appraisal. This was some lousy curriculum.

I’d have appreciated more along these lines—but I get why Lewis moved on to other things.

The Tao

As Lewis begins to leave the realm of English education toward looking at education—and thinking—as a whole, he begins to utilize and develop his concept of a Tao:

It is the doctrine of objective value, the belief that certain attitudes are really true, and others really false, to the kind of thing the universe is and the kind of things we are.

As the quotation that opened this post indicates, this comes in many names—Natural Law, Natural Revelation, “Traditional Morality,” and so on.

With the Tao, as assumed and/or believed throughout the world for most of human history, we get absolutes. We get objective values, objective truth. As we begin to neglect or throw off the concept of objective truth for subjectivity—or, worse yet, “pure” Reason on its own. We lose the basis of all civilization, the basis of the value of life and individual rights, and so much more.

While I think he could’ve been more thorough in his explanation of the Tao and in explaining his arguments—t’s hard not to look at the world around us today, as it’s developed (devolved?) since the early days of WWII when these lectures were delivered, and not think that Lewis was on to something.

One Issue that Troubles Me

In order to avoid misunderstanding, I may add that though I myself am a Theist, and indeed a Christian, I am not here attempting any indirect argument for Theism. I am simply arguing that if we are to have Values at all we must accept the ultimate platitudes of Practical Reason as having absolute validity: that any attempt, having become skeptical about these, to reintroduce value lower down on some supposedly more ‘realistic’ basis, is doomed. Whether this position implies a supernatural origin for the Tao is a question I am not here concerned with.

As good as this sounds—as reasonable, as open-minded, as whatever you might want to call it—I’m unconvinced that this is a position that a Christian can self-consciously hold (without trying to call into doubt Lewis’ faith, I just think he’s inconsistent on this point).

I have trouble holding that a consistent position regarding Practical Reason—or anything else, whatever “Values” you might choose—having absolute validity separate from the inspired Christian Scriptures is possible. I realize those of us who hold that kind of thinking are a minority in the history of the Church, but I can’t argue myself out of it. Lewis’ attempt to build his argument—his Tao—in this way is the part of this book that keeps me from getting super-excited about it.

The Appendix

The appendix features quotations from a variety of ancient (and less ancient) texts from around the globe illustrating that several civilizations held to certain positions on a variety of issues. This isn’t to prove the existence of his Tao (or whatever you want to call it); it’s to demonstrate that it exists in the way that “everyone” holds to something very much like each other in certain aspects.

I don’t know if I can take it as confidently as Lewis did—but I get what he’s trying to show, and can appreciate it

So, what did I think about The Abolition of Man?

I remember the first time I read this—in 1992 or 1993—and a few times since that this argument, this look toward the objective and the importance of it, while not absolutizing Science or much of anything else, hit me hard, impressed me, and really formed a lot of my thinking.

I wasn’t as impressed this time (at least a decade since my last reading)—don’t get me wrong, it’s good, and I share a lot of the concerns and convictions with Lewis. But I wonder if he goes as deeply as we need today. It’s not enough to argue for a vague absolute—we need to understand the absolute, and where it comes from. There’s also the question of what do we do when we cannot agree on absolutes in a civic society, how do we approach this with wisdom and grace. I believe Lewis would have a lot to teach us—even if I objected to some of it. I understand that given the nature of this book (written version of lectures), his cultural context, and the enemies (literal and figurative) he had in mind, why we don’t get that book here.

Also, even the English curriculum he critiqued is better than a lot of what is given today (by all sorts of stripes of schools).

That said—this is a superior work to The Problem of Pain that takes advantage of Lewis’ strengths in a way the other couldn’t while not exposing many of his weaknesses as the previous book did. He’s got better works waiting for me, and I’m eager to get to them.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Aftermarket Afterlife by Seanan McGuire: Things Get Serious

This is long-overdue. But half of what I do in these posts is figure out what I think of a book—and since about 30 minutes after finishing this book, I’ve known what I had to say (although I’m pretty sure I had the title in mind since I was about 1/3 of the way in, which is a shame, because “Adventures in Babysitting” is right there). Knowing exactly what I want to say makes writing a post hard, there’s no discovery for me. But, I’ve got an ARC for the next book waiting for me, so I had to get serious about things and get this out of my head so I can dive into it.


Cover of Aftermarket Afterlife by Seanan McGuireAftermarket Afterlife

by Seanan McGuire

DETAILS:
Series: InCryptid, #13
Publisher: Daw Books
Publication Date: March 5, 2024
Format: Trade Paperback
Length: 299 pg.
Read Date: March 21-27, 2024
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What’s Aftermarket Afterlife About?

Just before I started writing this (or started again…this is something like the 15th attempt since March of last year), I took a glance at what I wrote about Backpacking Through Bedlam. This was either a mistake because I said everything there that I was about to say to start this post and now I have to come up with something new. Or it was smart because now I can cut out a lot of things and point you to that instead.

I’m lazy enough to lean toward “mistake.” But let’s see what I can do instead.

Lest we think that the Covenant of St. George in general and Leonard Cunningham in particular have just been twiddling their thumbs while we’ve been focused on Annie’s adventures (although we see some of Leonard there) or the end of Alice’s quest, we learn very quickly that they’ve been active. They’ve been gathering intelligence and plotting. The result is a shock-and-awe campaign that takes the family and their cryptid (and human) friends and allies unaware—and results in several injuries, deaths, and loss of property. Probably more damage, too.

But before we can get to that, Thomas and Alice (and Sally) arrive at the Portland-area compound for a reunion/(re)introduction. This goes so incredibly poorly that the reader will initially be relieved by the attacks because you foolishly think that means things are going to get more entertaining.

All this results in Mary, of all people, coming up with a plan to take the action to the front door of the Covenant.

Luck Runs Out

I’m not sure that I noticed it during my initial reads of the series—but in the last couple of books, as I listen to them on audio, I keep hearing about the strange luck the family has. And honestly, even if I hadn’t used the word luck—it’s hard not to think that. Verity and her friends/family/loved ones (same for her brother and sister and their friends/loved ones) largely escape the novels unscathed.

The thing about luck is…it runs out. This can be seen in the way that Sarah’s rescue of Artie at the end of Calculated Risks isn’t as successful as we might have thought at the time. And for another telling piece of evidence is pretty much this entire novel.

Choice of Mary

I was initially surprised to see Mary the family’s babysitting ghost as our POV character for this one. I expected another of the Price kids to get the slot (it’s been too long since we spent real time with Alex, for example). But I wasn’t going to complain—if only because it was nice to see her backstory.

In retrospect, there was no other choice. The reader (and McGuire) needed someone who could rapidly move between the various parts of the country to see everything going on and to take part in the action in some (not all) of the places the Covenant was acting. Thanks to her being the major actor, we get a little more insight into what happened to the animus mundi following Annie’s defeat of the Crossroads.

There are a couple of other things that only Mary could contribute to this story, but I can’t talk about those. So, as I expected but didn’t see going in, McGuire didn’t have a choice in POV character. It just had to be her.

Hail The Aeslin Mice

It’s really hard not to feel bad for these guys (when they’re not making you smile) throughout the series. This is probably the hardest novel to get through because of what happens to them. Their losses—different from the losses the family takes, and almost worse—are so hard to watch. Ditto for the family talking about them.

What’s even worse is the note that the race as a whole likely doesn’t have many more generations left. I’m sorry…I’m just not okay with that. I hope/trust that we’re going to find out how wrong those predictions are.

So, what did I think about Aftermarket Afterlife?

When I put this down I said something—I don’t remember what—but my daughter seemed shocked at my reaction. I was stunned, I didn’t expect most of what I spent the last hour or so reading (or the hours previous to it) and I guess that came out forcefully. And I’m still in that frame of mind almost 11 months later. I’m stunned by what McGuire did here.

The InCryptid books have always been (in my mind) the lighter of McGuire’s series—Toby’s for drama and excitement, the Wayward Children are to fill you with whimsy and heartbreak, and Verity/Alex/Annie et al are for some goofy action and strange critters.

I should know McGuire better than that. She’s never going to just let something be light entertainment. Still, I wasn’t prepared for this escalation. I should’ve been. The signs have been there since the end of Chaos Choreography. I’m not going to get into all the ways she gut-punches the readers here. But there are several. Some small, some huge, some of indeterminate size as of this time.

Still, McGuire deals with the various personalities, histories, abilities, interests, and everything else like a master. The writing is quirky as it needs to be without taking away from the drama or heartbreak. Mary is a great character and it’s good to see her come into her own, and we see a lot from other family members that we haven’t spent enough time with, too—ll while catching up with old friends. This is McGuire at peak performance.

Installment Immortality is due soon, and I have no idea what to expect from it—nor from the series going forward. But it’s going to be a very different kind of entity than we’ve seen before. I can’t wait for it.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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