Category: Authors Page 99 of 124

Kindness Goes Unpunished by Craig Johnson

Kindness Goes UnpunishedKindness Goes Unpunished

by Craig Johnson
Series: Walt Longmire, #3

Paperback, 336 pg.
Penguin Books, 2014
Read: April 1, 2015
3.5 Stars
I hate covers that are just images for TV/movie adaptations, don’t you? Blame my local library for this one.

It’s a sure sign that I need to spend more time reading Johnson than watching the show based on this series in that I’m consistently surprised at how funny these books are. Sure Henry Standing Bear’s dry wit is there, Vic is brash and inappropriate — amusing enough — but the narration, Walt himself? I chuckled a lot.

So, Walt and Henry (and Dog!) are off to the City of Brotherly Love to visit Walt’s daughter, Cady, meet her boyfriend, and for Henry to do something at a museum (just an excuse to see Cady). Oh, and conveniently enough, to meet Vic’s family (three police officers, one former police officer, and one attractive mother). After arriving in town, Walt doesn’t even get to see Cady before she’s brutally attacked and hospitalized.

Naturally, Walt stumbles upon the one person in Philadelphia who’s more knowledgeable and interested in Indians than Henry. It’s that interest (obsession?) and his connection to Walt that makes Walt the best man to track down the man who put Cady in the hospital (and other assorted nefarious acts). That’s a level of coincidence that you just buy — like Gideon Oliver vacationing somewhere that a set of bones surprisingly shows up; Nero Wolfe needing information from someone who’s a sucker for orchids; or that every falsely accused murderers that Andy Carpenter stumbles upon happen to own a cute dog.

There’s enough twists, turns — and one seeming unnecessary but entertaining diversion (that turns out to be not so ancillary) — to satisfy any mystery reader. Even out of water, this fish can swim. There’s some very interesting things that go on in the character’s personal lives that should make things interesting down the road (and that I can’t talk about while remaining spoiler free) — enough to make this more than a tale of a father’s vengeance.

The first chapter (only one in Wyoming) is great — Walt totally failing to connect with an elementary school classroom, a fun and prototypical Absaroka County shootout, and other things that make up a typical day for Sheriff Longmire on the eve of his trip.

I’ve enjoyed each of these Longmire books — but I’ve taken a really casual approach to them, I think one a year so far is my rate. Kindness Goes Unpunished has convinced me that has to end, I’m pretty sure I’ll catch up with Johnson before the year is up.

—–

3.5 Stars

Pocket Apocalypse by Seanan McGuire

Pocket ApocalypsePocket Apocalypse

by Seanan McGuire
Series: InCryptid, #4


Mass Market Paperback, 341 pg.
DAW, 2015
Read: March 14 – 17, 2015

Airplanes: essentially buses that fly, and hence have the potential to drop out of the sky at any moment, spreading your insides — which will no doubt become your outsides sometime during the collision — across whatever you happen to have been flying over. Since we were flying mainly over ocean, I was sure the sharks would appreciate our sacrifice.

So where, pray tell, are Alex and Shelby flying off to? Her home country of Australia, to help out her family and the cryptozoologist group/alliance/whatnot they’re part of deal with the continent’s first outbreak of the werewolf virus. Unlike everyone else there, Alex has dealt with werewolves before, and he’s a Price — that has some benefit (although how much is debatable, as he soon learns). He’s also going to meet Shelby’s family for the first time. It’s pretty unclear which of these two items are the most hazardous to his health.

We’ve had a lot of exposure to the idea that the Price family isn’t like the Covenant — in motives or means. Now we’re introduced to the Thirty-Six Society, who aren’t as nasty as the Covenant is to cryptids; but nowhere near as interested in understanding and cooperating with them as the Prices are. Also, they’re not so sure that the Price’s are all that different than the Covenant (which is really odd to think about from the point-of-view of the reader). So, all told — they’re not to interested in a know-it-all Price coming in from the U. S. to tell them how to take care of a problem. Particularly when that Price is sleeping with one of their own, and perhaps leading her away from them.

I did tire a bit — more than a bit, to be honest — with the way that Alex and various members of the Tanner family had the same conversation over and over about his allegiances, intentions toward Shelby, and methods. I realize in Real Life™ that you do repeat yourself, but so much of these conversations were essentially “second verse, same as the first,” and got pretty darn tiring. It would’ve been better if Alex wasn’t quite as right as he was all the time, too.

But that’s the backdrop, really. The very real likelihood that Australia is going to be overrun with werewolves in the coming weeks is the main concern (although I’m not convinced the word count would reflect that). With so much exposure to Patricia Briggs and Carrie Vaughn (not to mention Jim Butcher, Kim Harrison, Kevin Hearne, and so on) it’s easy to forget that werewolves used to be a horror movie staple. Leave it to McGuire to remind me that werewolves are generally thought of as monsters. These werewolves are pretty monstrous, and what they do to their victims isn’t pretty.

We don’t see as many of the native cryptids as we get hints of them — the couple that we do see are pretty interesting, but I could’ve used more. As with any inCryptid novel, you have to talk about the Aeslin mice. If for no other reason than they’re fun. This is probably their best showcase yet — they’re more than comic relief here, they help out — in a way that Alex could never have predicted. Some of the raw-est emotion (and not just joy and rapture over a new religious observance) comes from these little guys. I honestly don’t know if I’ll ever tire of these mice.

Occasionally, the humor feels forced — as if McGuire’s done a word-count since the last quip and shoves one in. This is typical for the series, and still occasionally works, oddly enough. But McGuire’s narrative flows better — and is funnier — when she allows the humor to flow naturally (as much as anything as crafted as one of her books is “natural”) and not imposed on the text.

This novel contains the word “denuded” more than I can recall ever seeing in a single work — there was one chapter, in fact, that nailed that record — but “denuded” showed up later, too. It doesn’t matter one way or the other, but it showed up so frequently (and so rarely anywhere else) that it couldn’t help but make an impression.

I don’t know why, but it took me forever to really “get into” this one. From page 1 it looked interesting and entertaining, but I kept putting it down after a half a chapter or so. When it did pick up, I didn’t take the time to jot it down because I didn’t want to stop reading, but I think it was a little after page 100. From that point on, I was into it the way I expected to from the get-go, and it kept my interest to the end. I think I like this more than the others (maybe Discount Armageddon was as good), and really look forward to the next one — it’ll be good to see Verity again.

—–

4 Stars

Review Catch Up: Uneasy Relations; Skull Duggery; Dying on the Vine by Aaron Elkins

So, in the last couple of months, I’ve read Gideon Oliver 15-17 and haven’t had a chance to write them up. Might as well tackle them in one post, right?

Some general thoughts that apply to them all, before moving into specifics.

As always with this series, these books are fun, clever, and not terribly violent. All of which are a nice balance to some of the darker things I read — and I know I could find darker yet in this genre. Say what you will about cozies (and I don’t know if these are technically cozies, but they’re at least cozie-adjacent), they’re a darn sight more entertaining than the noirest of noirs.

Not just by the sly and witty narrative, Gideon Oliver books remind me of the Nero Wolfe mysteries — he never ages, he can always find a away around the stickiest of situations and outsmart law enforcement without getting into trouble (Gideon’s better at this than Wolfe, and much prefers working with than in competition with them), and while Elkins will surprise you frequently by the solutions to the mysteries, he never cheats. Can’t take this list too far, because at the end of the day Gideon isn’t Wolfe and neither would find the comparison all that flattering.

Judging by his anthropological research, I’m guessing Elkins has done similar research into the way various law enforcement agencies work around the world. Particularly with the latter two of these, I really enjoyed getting glimpses into the police methods and structures of these countries — ditto for Unnatural Selection, but I don’t think I mentioned that when I reviewed it (and am too lazy to go look).

I’ve said it before, and I’ll say it again, reading these books are a like visiting with old friends, and I can’t wait to do it again.

Uneasy RelationsUneasy Relations

by Aaron J. Elkins

Hardcover, 288 pg.
Berkley Hardcover, 2008
Read: December 10, 2014

I’m glad he doesn’t return to this well too often, but when Elkins decides he’s going to invent a fictional (no doubt inspired by a real) major archaeological find, he does it right. Serving as the backdrop for this puzzle, this find sounds like the kind of thing I read about in various and sundry Anthropology textbooks in college. Throw in some satirical takes on publishing, literary agents, and academics and this becomes a really fun read. Oh yeah, and the murder — there’s that. That was a good puzzle, too.

I can’t get into it, but the site of the major find is really the star of this one, and it’s pretty cool. The solution to the murder was a nice twist, and the Skeleton Detective was as clever as ever.
3 Stars

Skull DuggerySkull Duggery

by Aaron J. Elkins
Hardcover, 281 pg.
Berkley Hardcover, 2009
Read: February 21, 2015

This one gets a bonus 1/2 star for the mentions by both Gideon and Julie that if he’s around, a skeleton (at least a skull) will appear to keep him busy (and would probably deserve the bonus without those mentions). I also appreciated the “just another day in the office” aspect of the attempt on Gideon’s life. At this point, he should really take out a bigger life insurance policy any time he leaves the country.

A week’s vacation in a little, out of the way, Mexican village turns deadly for Gideon and Julie. I really enjoyed the setting and the backstory on this one, even more than the forensics.

This one was almost painfully easy to figure out the killer — although the actual motive was trickier than I thought, but after The Reveal, it totally made sense. Despite that, I thought this was one of the better ones in this series that almost never has a lesser entry.
3.5 Stars

Dying on the VineDying on the Vine

by Aaron J. Elkins

Hardcover, 294 pg.
Berkley Hardcover, 2012
Read: February 28 – March 3, 2015

The whole band’s back together for this one — John & Marti, Julie & Gideon in old-school Italian wine country. The intrigue and informatin about the wine production (rephrase) reminded me of the behind the scenes look at coffee production from Twenty Blue Devils (although that subject is nearer and dearer to my heart). While I’m not a big wine person, I know I’d rather drink a bottle (one glass at a time, I’m not a Philistine) from the hands and craft of the traditional elements of the Cubbiddu, not the mechanical/mass produced stuff they started putting out — which I’m guessing Elkins agrees. Although, I can probably only afford the latter.

John navigating the local cuisine was a highlight for me, and probably speaks to my juvenile humor.

The mystery itself? Typical Elkins, smart enough to keep you guessing, compelling enough to keep you turning the pages, and not as important as the characters — new and old — and their interactions.

Heckuva lotta fun.
3 Stars

Stone Quarry by S. J. Rozan

Stone QuarryStone Quarry

by S. J. Rozan
Series: Lydia Chin & Bill Smith, #6

Hardcover, 276 pg.
Minotaur Books, 1999
Read: March 3, 2015I feel a little awkward about this one, because I haven’t found (read: made) the time to review the previous book in the series, but I just finished this one and didn’t want to put it off, in case I forgot the experience. So far, the Bill Smith novels in this series haven’t thrilled me — they’re interesting, they deliver what they promise, it’s fun to see these two from a different perspective, etc. But I just don’t like them as much as the Lydia Chin novels.

Until now. (you saw that coming, didn’t you?)

And honestly, reading the book jacket copy saying that Rozan had won two pretty prestigious awards, both for Bill Smith books befuddled and annoyed me. But I think I’m over that now.

Like the other Bill novels, Rozan tends to get a bit more writer-y, more noir-ish, a bit more moody than the Lydia novels which tend to be more plot and character-driven.

We’re not in New York City this time — Bill’s been hired to work for someone upstate near the fishing cabin he retreats to from time to time. So we’re plunged into a new world — a world Bill is familiar with, but a stranger to. The case he’s investigating is quickly overshadowed by other events that concern people Bill’s semi-close to, and it’s not long before the bodies start to pile up, the secrets and lies start to get exposed, and Bill is repeatedly assaulted. Small town politics, police corruption, corporate — and garden variety — criminals are everywhere, and a few (relatively) innocent people are caught up in it all.

There’s been some progress/advancement/development/insert your own word in both the professional and personal relationships between Bill and Lydia, that’s obvious. But it’s all happening between the books — which is an interesting way to go about it, keeps the books focused on the mysteries and from changing into something else. Not that I’d necessarily mind what it changed into (and still may), but I appreciate the approach.

Something about Stone Quarry — and, no, I can’t tell you what, I wish I could — struck home with me — the ambiance, the characters, Bill’s reactions, the story, the strong sense of place (and the tie between the characters and the place) — in a way that nothing else in this series has. In reading breaks between the last few chapters, for some reason my mind when to the experience of reading Lehane’s A Drink before the War and Parker’s A Savage Place. Neither one of those books, or this one, have much in common at all — but they all left me feeling the same way. There’s a bit of melancholy, a sense of dissatisfaction (with the events — not the book), yet knowing that the author put you right where he/she wanted you the whole time and brought you to those feelings. Now, I don’t think this book is as good as those two (which is not a criticism, almost nothing can touch those two for me), but this was really satisfying.

—–

4 Stars

Gemini Cell by Myke Cole

Gemini CellGemini Cell

by Myke Cole

Nook, 384 pg.
Ace, 2015
Read: February 4 – 9, 2015He started off strong three novels back, but Myke Cole is one of those authors who gets discernibly better with each book (I assume that will stop at some point — not that I’m in a rush for it), and this one seems like a major step beyond Breach Zone. So when I say this is a well-written book, I mean really well-written. But man, I really didn’t enjoy this book. It’s not his fault, well, let me rephrase it: it’s not Cole’s abilities or voice this time. I don’t know what it is. I guess I just don’t like the story or the characters all that much, as skillfully as they’re delivered to us?

Early on in the Great Reawakening, years before (possibly many) the Supernatural Operations Corps is in full swing, the U. S. Government has begun to use magic resources for its own ends (and, presumably, other nations are doing the same). One of these resources is a magician who can take the recently killed and unite their body and mind (slash soul?) with the mind (slash soul? again) of a long-dead warrior to create a Firestorm-like entity to use as the ultimate special-forces operator. Because somehow, this union gives them super-strength and abilities, while not feeling any pain or bleeding. As they’re technically dead, they can use them for anything, and if things don’t go right on the mission — oh well, what’s one more corpse? It’s a little more complicated than that, but that’ll do for now.

So, we have Jim Schweitzer, loving husband, doting father, and SEAL. His professional artist wife, Sarah, doesn’t fit in with the other Navy wives, and is really tired of not knowing where he is, when he’ll be called upon for a mission, and so on — puts her foot down. Family or Team. Just as he’s about to choose, a hit squad of people who shouldn’t know who he was, somehow find out and invade their home, wounding Sarah and their son and killing Jim. Giving the magician a fresh subject. Jim turns out to be one of the best (if not the best) of this reanimated soldier project, partially because he holds on to his humanity and memories better than most.

Sarah and Jim’s team member Steven, grieve his death (unaware that he’s not totally dead) and support each other in this time — while trying to figure out just what happened to his body, which is mysteriously not available for burial.

There’s one character we spend far too much time with given what happens to him/her by the end of the novel. One character who might as well be twirling a mustache in a couple of scenes. Mostly, everyone is this mix of motives, morality and action which are probably intended to depict the gray-ish nature of us all, but frequently come across as the products of an indecisive narrator. Jim battling his new soul-mate for control is just the most obvious example of the good vs. bad in all of us.

Cole explores similar themes to his past work — how honorable people/soldiers can function in inherently less-than-honorable conditions and systems. Who, ultimately, do soldiers fight — and why they do so. Cole’s said that this is to be a not at all subtle metaphor for PTSD, and I can see that — I’m just not sure it’s a helpful one (yet).

While I said Cole’s at the top of his writerly game, this isn’t a perfect book. At least once, he repeated a metaphor within a couple of pages (I don’t normally get that picky, but that one really took me out of the moment). And his sex scenes? Not good. They’re not Tom Wolfe bad, don’t get me wrong. But they read like . . . exactly like a sex scene written by a guy who’s better suited for describing Special Operations forces eliminating high-value enemy targets.

My major beef with this book is the magic. We’re four novels into this world by now, and the previous three have established some pretty clear rules for magic — at least the types of magic usually displayed in the U.S. But it’s clear that there might be variations throughout the world. So, it’s believable that we’d find another type of magic here. Also, this takes place quite a while before the Shadow Ops series, so changes may have occurred between now and then — if magic can appear and reappear, it can evolve, right? But it still feels too different (realizing I might have misunderstood this book, or the three others) — particularly the different (deeper?) magic that comes into prominence in the final chapters. I’m not saying there’s not a decent explanation for this, there very well may be — but given what we know about the universe this just doesn’t work. Which shouldn’t take away from the really strong and effective way that Cole used this bending/breaking of his own rules, because the last couple of chapters were great.

See what I mean? I can’t decide what I think about Gemini Cell — and I’ve been thinking about this for a couple of weeks, started writing this three days ago (you probably can’t tell that a lot of effort was put into this, but trust me). At this point, the only thing I’m sure of is that I’ll be back for the sequel, Javelin Rain, and hopefully that’ll wash all this away.

—–

Rating: I’m still not sure — somewhere between 2.5 – 4.5, I think.

Robert Crais’ The Promise Delayed Again?

Since I talked about the last one, I figured I’d better talk about this one, too. According to an e-mail I received yesterday, and an update to the Robert Crais Facebook page, we’re looking at another delay for The Promise by Robert Crais: November 10. Which makes it almost exactly 1 year late.

I don’t know if it’s a publication thing, Crais putting some more finishing touches on it, or what — it’s just aggravating. Nevertheless, I’ll wait. I can be patient to let Crais and his publisher put out the book they want to, make sure it’s right, however hard that’s getting to be.

Still . . .

Saturday Miscellany – 2/7/15

Grawlix! If I didn’t know better, I’d say that The Universe, The Matrix, Loki, Coyote, Murphy’s Law or the Greek ghost Thespis was messing with me and keeping me from getting anything written or posted here. I’m a little stunned that I got this compiled, really. Hopefully, next week will be better.

Here are some odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:

  • Funny Girl by Nick Hornby — Hornby continues to explore celebrity, this time in the 1960’s with an up and coming actress. Not really what I’d have expected from him next, but I’m not sure what I did expect.
  • The Way Into Darkness by Harry Connolly — the Third and final installment in The Great Way saga. Hearing so many good things about this one already!
  • Covenant’s End by Ari Marmell — bittersweet — a new Widdershins Adventure, but sadly, it’s the last.

Lastly, I’d like to say hi and welcome to abhinavmajumder for following the blog this week. Thanks to Theinexorablenerd for the interaction.

Audio from The Severed Streets by Paul Cornell

Recently, I received an email from someone at Audible.com:

I saw your great review of THE SEVERED STREETS and I wanted to make sure that you are aware that the book is also available as an audiobook from Audible Studios. I’d love to offer you a clip from the audiobook to post on the website alongside the review as multimedia content for your readers.

Seems like a good idea to me! I wasn’t aware that they had the book — but if asked, I’d have guessed they did — what don’t they have? Still, it sounds like a good idea (and hey, she called my review “great”). I added it to my review, but thought I’d throw it up, here, too. Seems more likely that people would see it.

The Severed Streets was one of my favorite books last year (see my review, and my 2014 Honorable Mentions), and I’d strongly recommend you trying it.

Anyway, here’s the clip, sounds pretty good to me. If you’re an audiobook person, listen to the sample. If you’re not an audiobook person, you still might want to give it a try — maybe you’re an audiobook person but don’t know it.

Review Catch Up: Beautiful Redemption; Breach Zone; Chasing the Prophecy; Fiddlehead

I’ve got a backlog of 40-plus reviews I’ve been meaning to write — some of them, I just have to admit aren’t going to get done. But I’m going to try my level best. The four books I’ve decided to tackle in one fell swoop are the concluding novels from series I enjoy, and yet I’ve had trouble reviewing them. On the whole, there’s no reason for it — I should’ve had at least a few paragraphs of material on these, but I can’t seem to muster it (especially given how much time has gone by).

But I do want to clear these off my to-do list, so, without further ado, a few words on these series finales:

Beautiful RedemptionBeautiful Redemption

by Kami Garcia and Margaret Stohl

Paperback, 451 pg.
Penguin Books, 2012
Read: November 19 – 20, 2013

On the one hand, this was not at all like the rest of the series — and yet it was a very fitting conclusion. Garcia and Stohl wrapped up everything that needed wrapped up, answered every lingering question (not always as I expected), and generally, did so in an emotionally satisfying way. I wouldn’t have thought that this book would lead to a spin-off series, but it fits.

If you’re into Paranormal YA, this was a very satisfying conclusion, and probably the best of that genre I’ve read.
4 Stars

Breach ZoneBreach Zone

by Myke Cole

eBook, 384 pg.
Ace, 2014
Read: January 31 – February 04, 2014

I really, really liked all of Myke Cole’s Shadow Ops series — a gritty, believable mix of Contemporary Military and Fantasy, and yet, I’ve never reviewed one of his books. Don’t ask me why.

This, the conclusion to the trilogy, is just outstanding. You know how at the end of (pretty much) every fantasy novel, there’s this big, epic battle that takes up most of the last ¼ – ⅓ of the novel? That’s pretty much this entire book. Okay, not really — there’s plenty of backstory, character development and wrapping up the trilogy. But while reading, it sure felt like it was an epic fantasy battle on the streets and in the waters of New York. Somewhere in there, Cole looks gain at questions of patriotism, duty, ethics and morality — and how people of integrity can try to harmonize them all (and, more often, how those with integrity can’t harmonize them all). Seriously, awesome stuff.
4 Stars

Chasing the ProphecyChasing the Prophecy

by Brandon Mull

Hardcover, 512 pg.
Aladdi, 2013
Read: December 2 – 5, 2013

Wow — Mull concluded his Beyonder’s trilogy in a fantastic fashion. Given the target audience, I couldn’t believe how many deaths there were in this book. But, not in a gory or exploitative way. Just a huge body count. But, the core of this book remained the same: these two Beyonders, Rachel and Jason, risking everything for the sake of Lyrian. There’s sacrifice, honor, loyalty, and courage — all the necessary elements of a tale full of heroes — natives and Beyonders, warriors and children, those with many lives and those with only one to lose. Which is not to say it’s not fun — there’s a lot of fun to be had by the characters and the readers. Great way to go out.
4 Stars

FiddleheadFiddlehead

by Cherie Priest

Paperback, 368 pg.
Tom Doherty Associates, 2013
Read: November 12 – 14, 2013

Nice looking book — love the cover, the layout and the graphics are great. I miss the brown ink — what gives, Tor? Sure, the content is the important thing, it’s just nice when the package it’s wrapped in is nice to look at. Speaking of content — this (like the rest of this group) is a fitting — and thrilling — conclusion to the series. Lincoln (wheelchair-bound following the unsuccessful assassination attempt at Ford’s Theater) and President Grant working together near the end of the Civil War to protect a freeman scientist who built an early computer — the eponymous Fiddlehead. Fiddlehead is the best chance to end the War without making everything worse. The presidents, with the assistance of Pinkerton agent Maria Boyd and intelligence from — well, everywhere else this series has focused — in order to begin to deal with the Rotters. I think it’s possible that Boyd is my favorite character in the series — in the Top 3, anyway.

I just didn’t want this series to end, I understand it needed to, but man…just didn’t want that.
4 1/2 Stars

Foxglove Summer by Ben Aaronovitch

Foxglove SummerFoxglove Summer

by Ben Aaronovitch
Series: The Rivers of London, #5


Mass Market Paperback, 323 pg.
Daw Books, 2015
Read: January 9 – 10, 2014

“Hail the conquering hero,” said Beverly and held up her bottle to clink.
Sic transit Gloria mundi,” I said, because it was the first thing that came into my head — we clinked and drank. It could have been worse. I could have said, “Valar Morghulis” instead.

It’s always a pleasure to spend some time in the pages of a Peter Grant/The Rivers of London novel, but Foxglove Summer is probably the most pleasurable entry in the series since Midnight Riot (The Rivers of London for non-US types). I’m not sure I can put my finger on why that’s the case, but that’s not something I’m going to worry about. Unlike Peter’s mother, who

never saw a gift horse that she wouldn’t take down to the vet to have its mouth X-rayed — if only so she could establish its resale value.

Two young girls have vanished in a small village slightly north of London, and Peter’s sent to make sure that the (supposedly) no longer active wizard in the area had nothing to do with it. Having done so, he decides to stick around and see if he can help with some of the routine/mundane work needed.

Naturally — well, I should say, Supernaturally, it’s not long before The Powers That Be ask him to see if there’s an angle to the case that’s more up his alley than theirs. Peter finds some undeniable evidence of magic at work and things get going from there.

Nothing against London — but loved this breath of fresh air in this novel. For example, Peter’s dealing with different superior officers to not want to deal with magic/supernatural — these don’t have the antagonism that usually shows up in London, they just don’t want anything to do with it. The town is full of interesting types — including traveling fair ride owners, tavern keepers, farmers, and vacationing journalists.

As always with this series, the sheer amount of British Police acronyms and assumed knowledge of structure and procedures are a hurdle many US readers won’t want to try (I’ve been told this by a few who I’ve tried to get to read these books) — it’s a little effort, and easily worth it to overcome.

My major — only? — gripe is that Peter’s not making a lot of progress with his magic, he seems to be pretty much where he was three novels back. Yes, he’s more confident, yes, he’s able to apply his knowledge of magic with some good old-fashioned police ingenuity — but his abilities and skills are still rookie-level. Without Beverly as magic back-up, he’d be in trouble. The two of them — plus one local cop out of his depth, but committed to work — are able to handle things.

Yeah, it was nice not to focus on Lesley and the Faceless One (which isn’t to say their shadows don’t loom over a good chunk of the book), but it’s clear that they’ll be back in a really big way soon. Which I’m looking forward to, as nice as it was to have this mental palate cleanser here. Foxglove Summer was great mix of police procedural, Urban Fantasy and Folklore — both traditional and contemporary (the area’s obsession with UFOs is great) — with Aaronovitch’s deft humor, pop culture references and tight plotting. We’ve got ourselves a winner here.

—–

4 Stars

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