Category: Literary Locals Page 3 of 8

DETAILS:
Series: Moon Men, Book One
Publisher: Bert Books
Publication Date: November 18, 2022
Format: Paperback
Length: 416 pg.
Read Date: July 8-12, 2024

What’s Steam Opera About?

I’m both tired and apt to meander too much when trying to answer this question, so I’m just going to lift the answer from Lambert’s website:

London, England, 1894

Patrick Smythe lives a comfortable life in London coming up with new inventions. His close friend Thomas Melton finances many of these ventures and together they advance technology. Geoffrey Trenton takes the occasional investigative work after retiring from Scotland Yard.

Airships fill the sky

The world is on the move with dirigibles and Zeppelins hauling freight and passengers. On land and sea people travel at will in an era of plenty.

Unbridled invention fills the laboratories

New discoveries fill the news as scientists probe past the boundaries of human knowledge. Every field advances as knowledge of the natural world drives new innovation.

Telescopes scan the heavens

The Royal Observatory at Greenwich has a new telescope and the astronomers are using it to view the universe. Even when they’ve been told to take the night off. A strange discovery and a brutal murder draws Trenton out of retirement to investigate.

And we want to go to the moon!

Patrick develops his most ambitious project: a trip to the moon and back! With Thomas’s help securing financing and Trenton running security, what could possibly go wrong? But a mysterious organization wants to prevent this and will go to any length to stop them!

My Big Complaint

The next section will touch on a maybe larger concern. Or maybe it’s a quirk. I’m not sure. But I had an easier time getting over it than this part. There’s a quick arc that introduces us to the future security chief for this endeavor—it starts out pretty interesting, maybe more interesting than the “go to the moon” story at that point. And just as that story gets your hooks into you…it’s dropped. I do think that I can see where and how Lambert is going to pick it up again in the future. But the way he abandoned the story in this novel was abrupt and off-putting.

Lambert is capable of better.

Um…Where’s all the Steam?

You call something Steam Opera, you set it in the latter 1800s in London, you make it about inventors and engineers (among others), you give it that color scheme and cover design—you sorta indicate to your reader that this is going to be a Steampunk novel.

But we really don’t get one—we get a lot of Zepplins and dirigibles, science that’s more advanced than it should be, and the rest of it is pretty era-appropriate. No gadgets, no science that’s hard to pull off on this side of the Industrial or Digital Revolutions. Sure, there are plenty of people wearing goggles—but that’s about it. This is the least Steam-punky Steampunk I think I’ve read.

And I know Lambert can pull off Steampunk gadgets—Aether Powered demonstrated that clearly. So why not here?

Really, why not?

So, what did I think about Steam Opera?

Okay—all I’ve really said after the description sounds negative, and I don’t want to sound that way. Because once you get past the above quibbles (which is really pretty easy), this is a perfectly entertaining read.

This is easily the most ambitious of Lambert’s first three novels, and his writing has improved over what his first books delivered (and I liked those I want to stress). His characters, prose, eye for detail, and imagination are better represented here (as is a capability to carry a story for another 100 pages or so than he has in the past). If he keeps improving like this, he should get the fanbase he deserves.

Lambert does a good job with the pacing—sometimes it seems he speeds up more than is advisable, and occasionally he swings the other way—but overall, he keeps things moving well enough to keep you engaged while dipping into some pretty technical areas (even if the technology is made up). It’d have been very easy for him to get so into the technical descriptions that he’d kill any momentum and turn this thing into a slog. All things considered, he made the right choices on that front.

And the technical bits themselves? I think Lambert really succeded there—both the way he adapted Zepplin-esque technology to mimic the work that the Atlas and other rockets did in our timeline and in the way he described their flight while still in Earth’s atmosphere—I bought it all. It seemed plausible enough for this world (moreso than, say, the music devices that The Ministry of Peculiar Occurrences enjoyed, for example)—particularly the in-flight moments.

I wouldn’t have minded some more named characters—and some female characters would’ve been good to see*. This is very much a book about Moon Men. However, the characters we did get were engaging and interesting (even the antagonists). The more time we spent with all of them, the more I wanted to spend time with them—which is always a good sign.

* The lack of female characters probably deserves its own section, I now realize—but what more is there to say? Yes, the Victorian-era was dominated by men in engineering and business, so it helps things ocme across as more realistic to not have women around. But if we’re going for that level of realism…maybe keep everyone on Earth?

What we learn in the closing pages and what leads up to them is came out of nowhere—or so it seems, but really didn’t. What’s better is it sets up the next book and satisfies your curiosity about “Why is this a Book One?” Sure, it creates a whole bunch of new curiosity about Book Two (and maybe beyond, I’m not sure how long Lambert is thinking), but that’s the point. As long as you give me some answers, you can add all the questions you want.

In short, I had plenty of fun with this book and this world, and am eager to return to it. As good as Lambert’s next release, Relics of War, looks—I can’t help but be irked that it’s not Moon Men Book Two. I really want to know where he’s going with this. But that’s a problem for future-H.C. Present-H.C. is happy to recommend this to you and strongly suggests you become familiar with the very pleasant experience that is reading a James T. Lambert novel.

3 Stars

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LITERARY LOCALS: A Q&A About Writing in Idaho with R.M. Scott

By HCNewton

On August 6, 2024

In A Few Quick Questions With..., Literary Locals

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I met and had a nice chat with R.M. Scott this spring, and now I’m very happy to bring you this quick chat about her writing.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
Hi Wonderful Readers!

I am R.M. Scott, a young adult and children’s author.

My first traditionally published novel is Unseen.

It is a captivating tale of sixteen-year-old Alaia, a gifted healer. She can cure her father from a lung disease given enough time, but instead she must disappear, because the Inquisitor has accused her of practicing magic.

She flees with Mateo, the Inquisitor’s nephew, in a forbidden romance, but the young healer must learn to use her herbal knowledge to fight back to save those she loves. Even those she’d believed were already lost.

It is influenced by Basque culture and the European witch hunts of the 17^th century, but it is a sweet and adventurous, young adult read.

www.rmscottauthor.com
Amazon.com: Unseen: 9781942856825: Scott, R M: Books
Unseen – Kindle edition by Scott, R. M. . Literature & Fiction Kindle eBooks @ Amazon.com.
Unseen by R. M. Scott – Audiobook – Audible.com
Unseen (Paperback) | The Rediscovered Bookshop (rdbooks.org)
www.instagram.com/rmscottauthor
www.facebook.com/rmscottauthor
www.twitter.com/rmscott99

Are you a native Idahoan? What brought you to Idaho in the first place? (answer whichever question applies) What is it about Idaho that keeps you here?
I was born in Idaho Falls on the coldest night of the year. There were power outages, snow, and storms. All the heat in the maternity ward was routed to the babies to keep them alive, and I was one of them. So yes, I am a native Idahoan. I’ve traveled to Europe, Asia, Central America, and all over the U.S., but the Northwest is more than where I am, it’s simply who I am. Home. A connection of life and being.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I joined SCBWI (Society of Children’s Book Writers and Illustrators) after meeting a local author at Hastings. It has been huge for me. I met other authors that helped mentor me in critique groups. I grew in my skill and craft. I took courses and attended conferences, still do.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I like to attend the Idaho Writer’s Guild conference held annually in Boise. There are usually agents to pitch work to and classes on craft. SCBWI also has great conferences, with a focus on writing for children. It has conferences occasionally in Idaho, and annually or semi-annually in Utah, Seattle, Portland, and other areas.

Utah also has a couple amazing conferences that I’ve attended – LTUE (a must if you’re a Brandon Sanderson fan) and the Storymakers Conference. The Storymakers Conference has an annual competition called the Whitney Awards. I was honored to be a finalist in 2022 where I got to meet Brandon Sanderson in person. And yes, I am a fan.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
My audience is wide-ranging in age groups and geographical areas. For example, readers of my book have ranged from 11 to 90-years-old. My book is at different libraries across the U.S. I’ve had readers in the U.K. as well.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
When you attend large conferences, you realize how much a “small fry” you are. There are definite advantages to big areas with big names and big conferences. However, sometimes I see being from a smaller venue as an advantage because you’re not as easily discouraged by how intense the competition can be. You’re more likely to try simply because you’re a little unaware of it.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I think writing is an expression of the soul. It’s hard to divide it into who you are and the story. It’s intertwined. Sometimes I can tell where an author is from quite easily from the choice of words, perspective, and storytelling. All our experiences shape our viewpoints, and I’m no different. I do believe kindness and helping others is part of being Idahoan and that is always going to be an undertone in my writing.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
For those who have grown up hearing about their pioneer ancestors, I enjoyed Walk on Earth a Stranger by Rae Carson. It’s a young adult novel with a magical twist influenced by covered wagons, walking the Oregon trail, and the gold rush.

Good looking pick!

Thanks for your time and participation! Hope you enjoyed it! Readers, be sure to click on at least one of those links above and check out Scott’s work out!

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LITERARY LOCALS: A Q&A About Writing in Idaho with Norelle Smith

By HCNewton

On July 30, 2024

In A Few Quick Questions With..., Literary Locals

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I met Norelle Smith at the Nampa Library’s Book Faire this Spring. She has written so many different kinds of books that I’m not going to try list them–I’d skip something. But…well, I’ll let her get into that.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
Norelle Smith is my ‘pen name’. Growing up, never had I thought I’d be writing books. As a matter of fact, my 4^th grade teacher didn’t think I’d amount to anything. I was slower learning than most kids, but once I caught on, I was on a roll. I graduated from high school with a GPA of 3.8 I love to read as much as I love to write. Let’s get down to my books.

I retired a decade early and I started writing. Why? Well, I shared my life story with a friend one day, her reaction was “Wow, you need to write a book.” But who wants to read a memoir about Norelle Smith? Someone you’ve never heard of! So I decided to write through different characters in different stories. Each book (with the exception of the teen book and children’s books) have a piece of my life in them. Then I built a fictional story around it. Some books have more truth than others, regardless, they’re fiction novels. My hope in writing my story, is not only to entertain the reader but to touch or change a life or two (or more). I’ve walked down some horrible roads, and if my bad choices can help someone else, I’m willing to share most things.

Three of my books are with a co-author, SPW Mitchell, who is also from Emmett Idaho. Wonderful writer. I had no idea what I was doing when I decided to write IF Untold, so he mentored me and we wrote the book together, passing it back and forth to each other. He wrote so well together; we wrote That One Day together as well as Voices in the Dark. We both write our novels independently now. He has his hands in other things while writing. He’s starting to write, produce and direct short films. I’m very excited for him.

I have three other books that I wrote solo – The Gap Between Us, Viola and Deceitful Hearts, which should be available September 1^st. And more to come.

My books are available on Amazon, as well as my website – norellesmithbooks.com

Are you a native Idahoan? What brought you to Idaho in the first place? (answer whichever question applies) What is it about Idaho that keeps you here?
I’m not a native Idahoan, however, I have been here for several decades. Almost right out of high school (and trust me, that’s a long time ago!) I married (too) young, and when I came here, I was married to a guy that has Idaho roots for many generations. His great great-grandfather was an Idaho State Senator back in the 1950’s, if I remember right. They were one of the early families in the town of Council as well. What keeps me here? I’ve been here most of my life. This is where my daughters and grandkids are. And I’m now married to a man who is a native of Emmett, Idaho, which is where I live. He also has roots here back generations. We even have a road here in Emmett named after his grandmother’s side of the family: Vanderdasson Rd. The weather is great, I love having all four seasons. Although, I’m a summer girl and wish summer would last a little longer. I’m surrounded by everything: the river, the mountains and the forest are right behind me. Many lakes are a short drive away. And if I need to drive into the city, it’s just over the hill. With all of that, why leave?

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I’m not tied to any local author group; however, I do have some other local authors that I’m friends with. I would love to participate with one/or more of the groups, but honestly the only thing that keeps me from it is my writing schedule. Typically, I’m up about 1 or 1:30 am, and start writing. When the rest of the world is still sleeping, although this morning I did sleep in. Until 3am 😊. I’ve been asked many times why I write that early. Simple: It’s quiet and there are no distractions – and I get distracted easily! During the summer when the nights stay hot, I’ve been known to write outside under the stars. THAT is wonderful. Many ideas come on those nights, when I sit back and let my mind wonder. (So if there are any local groups that meet in the morning or early/midafternoon, please let me know. I’ll be there!)

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
In terms of local events, I’ve done several book signings and library local author promotions. I also enjoy going to holiday bazaars and craft sales, whether I sell just a few books or dozens, talking with people at those is always fun. I’m eager to attend some out of the area. It’s interesting that it’s so enjoyable for me, because I’m an introvert and a homebody. Probably most writers are, maybe that’s why we talk on paper so easily. I’m working on a new children’s book series with a man named Bill Atalla. Once those books launch, I expect to be going out of the area to promote not only those books, but the ones that I’ve already written as well. More to come on that series.

It will be launching soon, and Bill and I will be making one or more videos to launch the series. It’s funny how we met.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
I thought that most of my readers would be local, but I’m finding that not to be true. I was surprised when I had a review on the amazon page from the UK for my first book, IF Untold.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
I don’t think living in the Treasure Valley has either challenges or advantages. With my laptop, I can write from anywhere. Often, I write when I’m waiting in the parking lot to pick up my grandkids from school. I believe any challenges that I have fall on me, I’m still learning and improving my writing. Also, trying to figure out the marketing side of being a writer. The marketing side is the most challenging part, not my location. I must say, it’s incredible how supportive the Treasure Valley community and libraries are of local authors.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I don’t (or at least haven’t yet) mentioned Idaho in my books. Horses and small-town living are mentioned in a couple, but there are two books that you don’t see much of the content in the rural communities (at least not where I live), so I decided not to. Now that doesn’t mean I won’t change it up later 😊 And yes, there are two local authors that I know of that do mention Idaho in their books, one in particular has Idaho towns mentioned in every book that I’ve read of hers. I’m a big fan and have had the opportunity to do a book signing with her and meet with her for coffee.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
The list is too long to mention individual books so how about two authors – Duane Peterson is a local author (I believe he passed away end of last year). He lived in Emmett but was originally from Cascade. He wrote several history books about Valley County, and he has more than a dozen western novels (fiction). The second is Robin Lee Hatcher, who I mentioned above. Robin writes Christian Fiction romance. Most of the books I’ve read she’s written the story in Idaho towns. Both are incredible writers!

Thanks for your time and participation! Hope you enjoyed it!

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LITERARY LOCALS: A Q&A About Writing in Idaho with Jerome Goettsch

By HCNewton

On July 9, 2024

In A Few Quick Questions With..., Literary Locals

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Goettsh’s memoir had only been in print for a couple of weeks before I met him at the Library Book Fair. I wish I’d noticed that before I sent him my questions–I’d have tweaked them a little bit–not that there’s any problem with his responses, I’d just have framed things in light of the date.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
I’m a veteran of 9 years in the Marine Corps, 16 years in the Army, and 7 years working as a Navy civilian. I did 2 tours of duty in Vietnam. The first tour the book is based on as a rifleman and Fire Team Leader for 13 months, and a second tour for 12 months in ordnance. Over 25 years in the military I worked as a rifleman, an ordnance man, a military policeman, a rifle, and shotgun coach, and in administration. As a civilian for the Navy, I worked on the docks unloading munitions off ships and as a document editor. I edited operations manuals for navigation systems on nuclear submarines.

What brought you to Idaho in the first place? What is it about Idaho that keeps you here?
My wife and I moved here 21 years ago to be with our children. We have 2 children, 2 grandchildren, and 2 great-grandchildren in Idaho now.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
This is all very new to me. I’m learning to tread the waters of authorship. I have a Facebook page: The Cocoa Kid, and I belong to a few Facebook groups: The Writer’s Forum, Writers For Writers, and Creative Writing. Also, the Kindle Community is very supportive.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I did my first book fair at the Nampa Library where we met. I made a few good contacts there. I’ve been talking with local librarians and hope to have something in the future. I need to reach out to new bookstores and book clubs. It’s challenging balancing my book promotion with my artwork.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
My readers are from all over the US, but mostly veterans like myself. However, I like to point out the book is not just all about the war. It’s not all shoot ’em up bang bang. It’s about a young man’s journey from childhood to war. About struggle, loyalty, and sacrifice in the face of adversity. It’s about survival and moving on.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
It’s not just Treasure Valley. It’s the book community in general. Lots of people are going to e-books. Paperback books are slowly but surely going the way of hardback books. They will be obsolete collectors’ items someday. I’m not a Luddite; or a technophobe in today’s vernacular. I’m going to be putting an e-book version out soon.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I consider myself an Idahoan as I’ve been here 21 years now. I have family and roots in Idaho. But I was born and raised in Green Bay Wisconsin. Later I lived in Milwaukee Wisconsin, Chicago Illinois, Dallas Texas, Phoenix Arizona, and California. After joining the military I was stationed in California, Texas, Virginia, Oklahoma, and Indiana. I did 2 tours (still not sure why they call them tours) in Vietnam. I’ve visited Mexico, Japan, China, Greece, Africa, and most of Western Europe. Working as a civilian for the Navy I traveled to Washington DC, Washington state, New York, Florida, and Georgia. I’m like a sponge, and have picked up some of the customs and language of most everywhere I’ve been.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
I’m a rockhound and photographer, as well as a writer and artist. I love to explore Idaho, so I have several books such as Rockhounding Idaho, Roadside Geology of Idaho, and books on Idaho’s history. I found reading about how Idaho’s Capitol was moved from Lewiston to Boise most interesting. I would highly recommend reading about the State Capitol’s history. Overall I’m a history buff, and I’m in the habit of reading a few books at a time. I like to pick one up and read a chapter or two, then put it down, pick up another, and repeat. I am presently reading Eiffel’s Tower by Jill Jones, The Greater Journey by David McCullough, and a book written in 1890, How the Other Half Lives by Jacob A. Riis. Riis was part of a movement that led to changes in society such as the Audy Home that I was locked up in, and which is in my book. Riis wrote his book in 1890 and the Audy Home was created by the women of Hull House in 1899.

Thanks for your time and participation! Hope you enjoyed it!

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Grandpappy’s Corner: Under the Barnyard Light by Carla Crane Osborne, Brandon Dorman (Illustrator): A Quiet, Wintry Night’s Chores

By HCNewton

On July 2, 2024

In Fiction, Grandpappy's Corner, Literary Locals, YA/MG/Children's Books

Under the Barnyard Light

by Carla Crane Osborne, Brandon Dorman (Illustrator)

DETAILS:
Publisher: Gogonago
Publication Date: November 17, 2020
Format: Hardcover
Length: 26 pg.
Read Date: June 29, 2024

What’s Under the Barnyard Light About?

This book follows a young girl as she takes care of some farm chores on a cold and wintry night.

Let’s Talk about the Art for a Minute

No slight intended toward the text, but the art here is the star of the show. That’s a commentary on the art, not the text. Few authors would be able to compete (not that it’s a competition). Dorman’s just fantastic. In these pages, he combines realism with a style that will appeal to the younger readers. The colors might not be bright enough and the art “loud” enough to get the youngest readers, but he’ll draw in those north of two (I think). It looks painted, not drawn and colored.

When I checked out his website, I realized I’d held other books that he’d illustrated and/or done the covers for–several of them, actually. My kids even owned some of them growing up.

How is it to Read Aloud?

Like Every Dreaming Creature, this book seems to demand a quiet reading voice–this is a book for settling down for the night (or at least a nap).

I will admit that the first time I read this myself, I got distracted by the rhyme scheme and ended up spending more time paying attention to it and trying to suss out the pattern. Take it from me–don’t do it. Just read it line by line–or couplet by couplet–while being ready to deal with frequent non-rhyming lines. If you go looking for a pattern or a rhythm, you’ll be lost.

Just sit back, adopt a hushed tone, and read. If you do that, you’ll find it to be a nice, soothing read. The text–and the art–are gentle and cozy. You read it that way and you’ll be set.

What did the Little Critter think of It?

He seemed to like the pictures, but had no patience for the book, we only got three pages into it before he was finished. In fairness, he’s young–and I picked a wrong time to try it. He wasn’t in the mood for a quiet book.

But I’m confident that when I try again, he’ll be fine with it.

So, what did I think about Under the Barnyard Light?

I enjoyed this–it did make me think of Every Dreaming Creature and settling down for the night–it’s a quiet book, it’s a calming book. Between the atmosphere, the soft edges of the art, and the way the text carries you along–I imagine this is going to be a bedtime favorite for many. Including the grandcritter in a few months.

This definitely inclines me to read more by Osborne, I’m curious to see what she does with different kinds of stories (for example, I doubt Pony Express is the kind of book you curl up with on your way to sleep).

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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LITERARY LOCALS: A Q&A About Writing in Idaho with Carla Crane Osborne

By HCNewton

On July 2, 2024

In A Few Quick Questions With..., Literary Locals

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It sometimes seems like half of the local authors I encounter write books for young children–which is great, it’s just not what I ever expect (I will learn one day). Carla Crane Osborne’s work for children is about as Idaho as it gets (from my limited exposure to it, anyway). I hope you enjoy this quick Q&A with her.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
My name is Carla Crane Osborne and I am an Idaho Children’s Book Author. I write children’s books based on my experiences growing up on a farm in southern Idaho. I currently have 5 books out and another 2 in the works! I sell my books through my own website, www.gonasreadingranch.com, Amazon.com, and I regularly post about my books, animals, and projects on social media. You can find me on Instagram and Facebook at Gonas Reading Ranch!

Are you a native Idahoan? What brought you to Idaho in the first place? (answer whichever question applies) What is it about Idaho that keeps you here?
I am a native Idahoan! I was born and raised in Burley, Idaho and that is where I grew up alongside my siblings on my parent’s farm. We grew crops and had livestock and we all grew up learning how to tend to and care for the crops and animals and it gave us a sense of responsibility from a young age. Life on the farm as a child was the best experience, in my opinion, and it is the inspiration for my books! We worked hard and we played even harder when the work was done. It allowed us the freedom to expand our imaginations and be as creative as we wanted because we could wander and explore and make up our own little worlds.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
Being a full time mom, grandma, and author has not left me a ton of time to get as invested in local groups as I would like. However, I do try to attend local events as often as I can and always enjoy chatting with the other local authors!

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
Most of the events that I attend are local author meet and greets, book fairs, and local school events! I love being able to connect with our community and other local authors. My favorite activity is when I am invited into a school to do book readings with the kids! I love to share my books when they are still in progress and get feedback from the children. A lot of times I end up using bits and pieces of ideas that the kids give me and find a way to include them in my books. I have been to some author events outside of the Treasure Valley, mainly in my hometown, Burley and a couple in Coeur d’Alene. I have done a couple author meet and greets in Burley and a couple author events in CDA. My books are carried in the library and at a lovely little books store called, Fig Pickels in CDA, and I love being invited to attend author get-togethers, meet and greets, or book signings that are put on by either place.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
Most of my readers are local. I sell the most books here at local events and I have my books in quite a few of the local libraries as well! I also like to donate books to our local hospitals and toy drives, so I believe most of them end up somewhere in the valley.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
I think the biggest challenge to being a author in the Treasure Valley, or just in general, is the fact that we live in an increasingly digital age. I feel that a lot of times it is easier for parents to use a digital media to entertain kids than it is to sit down and read to them. However, I think that in the Treasure Valley, we have a large population of people who are shifting to a mindset of slowing down and taking more time to do things like sitting to read with their children. I see a lot of parents on social media talking about their children’s education and incorporating more books, outdoor learning, and practical, functional learning and it’s really encouraging to see! There’s nothing that can replace the feeling of holding a real book in your hand!

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I definitely think that I bring Idaho to my books! The books are all about growing up on a farm and a lot of us in Idaho can relate to that! I think it especially shines through with the illustrations in my books. I have had the chance to work with two fantastic illustrators, Brandon Dorman and my own nephew, Michael Crane, who have captured some truly beautiful representations of Idaho landscape. From the mountains in “Alex the Wonder Lamb” to the beet fields in “Gona’s Halloween Hunt,” it all looks like something you could see within a 30 minute drive, almost anywhere, in Idaho.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
If had to choose one book that embodies the Idaho spirit, it would probably be the book that I have in the works, “Buster the Brave.” I’ll say as much as I can without spoiling the book before it comes out but, it is themed after our very own Boise State Bronco mascot, Buster. It tells the tale of a young horse who dreams of being the Boise State mascot someday and the determination and bravery it takes to overcome his fears. I think that most of us in Idaho tend to have that “fighting spirit” in us and don’t typically shy away from challenges. I am so excited for this book to be published and I hope that the people of Idaho and fans of our beloved Boise State Bronco’s, love it!

Thanks for your time and participation! Hope you enjoyed it!

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The Hijacked Conscience by Debra Peck: An Obsession for Assurance and Certainty

By HCNewton

On June 30, 2024

In Literary Locals, Non-Fiction, Theology/Christian Living

The Hijacked Conscience:
An Informed and Compassionate Response to Religious Scrupulosity

by Debra Peck

DETAILS:
Publisher: SacraSage
Publication Date: February 10, 2023
Format: Paperback
Length: 158 pg.
Read Date: June 9-16, 2024

What Exactly is RSOCD?

This book focuses on Religious Scrupulosity Obsessive-Compulsive Disorder (RSOCD) and I want to be sure that I describe it carefully and accurately. The best way to do that is to let Debra Peck do the honors (obviously, she goes into more depth, but this’ll do for starters):

The International OCD Foundation describes it as “A form of Obsessive-Compulsive Disorder (OCD) involving religious or moral obsessions. Scrupulos individuals are overly concerned that something they thought or did might be a sin or other violation of religious or moral doctrine.”’ In simplest terms, people with Scrupulosity OCD see sin where there is none.

Those who suffer from Scrupulosity usually have an overly sensitive moral conscience which causes their faith to be experienced as anxiety and fear instead of as peace. The French call it “the doubting disease.” People with Scrupulosity hold themselves to a rigorous level of spirituality and practice, not out of love or even out of obligation, but out of deep-seated fear and anxiety that not doing so imperils their eternal soul.

Like all forms of Obsessive-Compulsive Disorder, Scrupulosity is marked by unwanted and intrusive thoughts (obsessions), overwhelming anxiety that demands resolution, and either outward or internal rituals (compulsions) that relieve the anxiety for a time.

What’s The Hijacked Conscience About?

Peck tries (fairly successfully, I think) to introduce RSOCD to believers, pastors, counselors, and others to the concept. Using her own life and experiences she walks the reader through the struggles she endured (with help and hindrances from family, friends, and fellow Christians) until she was diagnosed. And how having this diagnosis—and the better treatments that came from it—have helped, and how it hasn’t (enough).

Throughout, there’s an attempt to generalize from her experience—or at least show how things she went through can be similar to things others go through.

She also brings in some of the research she and others have done about the disorder alongside her own experiences—which is essential.

I Can’t Help But Wonder…

Early on, Peck describes things that people say in response to questions and concerns raised by people with RSOCD. I’ve heard some of these given to questions by people without it—and I found them just as troublesome and almost as damaging. I put in my notes around that time—these people need a good dose of the Heidelberg Catechism (and the rest of the Three Forms of Unity/Westminster Standards). And, yes, I know—that is not a panacea here, and there’s a lot more going on than bad theology. However…it’s sure not helping them.

Peck herself says,

For those from a Wesleyan-holiness position which emphasizes that the heart can be completely cleansed from sin and living a sin-free life is the expectation of those who are “sanctified,” this can be especially debilitating.

I’ll leave it to others to deal with Wesleyen perfection and the myriad problems it has and that stem from it. But I absolutely see where it’d be debilitating to anyone honest with themselves about their spiritual condition—for someone who is compelled to be “overly concerned” with spiritual matters, debilitating seems like an understatement.

Now, people in the Wesleyan-holiness traditions don’t have a monopoly on this tendency—R. Scott Clark talks about many Evangelical strains affected by what he calls the QIRC and the QIRE—RSOCD really seems like a super-powered version of the Quest for Illegitimate Religious Certainty (with a dose of Quest for Illegitimate Religious Experience, too). Clark defines the QIRC as “the pursuit to know God in ways he has not revealed himself and to achieve epistemic and moral certainty on questions where such certainty is neither possible nor desirable.” The QIRC is problematic for anyone—you add OCD to it? And forget it—you need to fight this with medication, therapy, and better theology.

I don’t for a second believe that Reformed believers can’t struggle with this—the Heidelberg isn’t an inoculation against it. But I do wonder how it would present itself from someone within the Reformed tradition. (I’m curious about Muslims, Universalists, or Wiccans struggling with RSOCD, too).

So, what did I think about The Hijacked Conscience?

This is clearly Peck’s story—or, better, a look at RSOCD through Peck’s story. And as such, it’s good. What would’ve made this better is seeing a few other people’s stories—not the whole thing, but more. Sure, we’re told that there are others—given a couple of historical examples that are likely true, or at least possible—but as it is, it’s harder to get an idea about how RSOCD affects people who aren’t Debra Peck. It’d also be nice to see things others have done to help themselves.

Again, I know that’s not the design or intent of the book. I just think it’d have made this a stronger book—maybe that’s what a future sequel holds? (I don’t know if Peck has plans/intentions for a follow-up, I’m just spitballing here)

But as for the book we do have? It was good—it’s a solid introduction to the concept of RSOCD, a good look at how undiagnosed/untreated it can affect a person, and how—with help—someone can cope (for lack of a better term) with it. There’s even a nice little discussion on the use of medications for this, and similar, afflictions.

The writing is clear and approachable—frequently engaging and pleasant. There’s nothing to be daunted about here, just a good primer to help you weep with those who weep.

3 Stars

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LITERARY LOCALS: A Q&A About Writing in Idaho with Arnold Ytreeide

By HCNewton

On June 25, 2024

In A Few Quick Questions With..., Literary Locals

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Arnold Ytreeide made me chuckle more than I expected to reading his responses–so, obviously, I went and bought all his books immediately. Not really–but it wouldn’t have surprised me if I did.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
I come from Seattle where I was a police officer, television producer, and business man for many years. I moved to Idaho in 1988 and here found my true love. We married, and I wrote a little Christmas story for our kids. Somehow an editor at a publishing house heard about it (we never did figure out how) and asked to see it. I sent it, they called back and said they wanted to publish it, and suddenly I was a published author. That was in 1995, and the book was Jotham’s Journey.

A year after that first book came out, the publisher wanted another, then another. I just turned in the manuscript for #8 in the series, and we’re taking it to 10. Also when it was first published, New Line Cinema called me up, very excited to make Jotham into a movie. But then their company got sold, and the new owners decided – much to their disgrace and humiliation – to make a movie about a different kind of lord and some kind of ring or something. Obviously a bad move.

I also have a self-published adventure series for pre-teens, and several novels. All of my books are, at their heart if not on their shirt sleeves, Christian, though my real goal is to reach a wider market with just good stories – which I thought I had done when New Line called.

I was a university professor for 20 years, and wrote when I could, but I’m retired now and it seems like I’m always fighting a deadline. Which is a good thing – it keeps me young.

We keep up a website at JothamsJourney.com, but other than that I am shamefully little involved in social media.
I’m sure the bean-counters at New Line have spent a lot of time second-guessing that choice…

Are you a native Idahoan? What brought you to Idaho in the first place? (answer whichever question applies) What is it about Idaho that keeps you here?
School initially brought me to Idaho, but only for three years, I told everyone. I’d get my degree, and then be returning to Seattle.

Then the women who I instantly decided would be my wife walked in the door one day, and, well, here we are. She was a widow with two small children and, for their sake, we decided to make this our home.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I’m not, really. I enjoy meeting with other authors, but am so busy (with a lot of things, not just writing) that I can’t seem to make a long-term connection.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I’ve done a couple book fairs at libraries, but that’s about it. But with the advent of Zoom and the like, I also do a lot of talks to school children around the world about writing and about my books. I think my record is a high school in South Africa. Those are a lot of fun, and maybe are a way that local authors could reach out to schools and groups in the more remote parts of Idaho, or even the not-remote parts. It’s easy, and takes very little prep and no travel time.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
My Jotham series is world-wide, and that is certainly the bulk of my sales. But my self-published series (Mike Danford Adventure Series) also gets strong sales in Canda, the UK, Australia, and parts of Europe. By far, though, the biggest percentage of sales come from the U.S.

I have no way of knowing for sure, but just from the emails and comments we get, I believe I have a pretty big footprint in the HomeSchool market.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
Well, since Doerr lives and writes from here (or at least did) I’m guessing the challenges are minimal😊 I’ve been writing for forty years, and I would say that, in the past, location did actually have an impact on success. But with the internet, that has completely changed – as I said, I spoke face-to-face(ish) to high schoolers in South Africa. In the last few months I’ve taken many online meetings with publishers and movie producers, including a publisher in London. No one cared where I was. And if they want a face-to-face meeting – which is always nice and usually preferred – we can always make that happen. In January a group of three producers came to meet with us, and we actually met in a meeting room at the Nampa Library. So we seem to always work it out.

Certainly we don’t have the direct access to in-person events that we might have in large cities, but that’s about the only drawback I can see. My wife and I often meet with fans at a local Starbucks when asked, but by far these days the most contacts are through Zoom and other social media.

In fact, when New Line was all gung-ho to make Jotham, we scouted the entire south end of Idaho and mapped out shooting locations.

My Danford series is set in a fictional small town on the ocean, but much of the inspiration for that town comes from right here in Idaho. My protags are seventeen and smart, but they also have small-town ethics, and a sense of right and wrong. All of that came from right here. They do not, however, talk a lot about potatoes😊

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
Oddly enough, I’d have to say anything Zane Grey. Though the writing style is antiquated, the stories certainly are not. I read to my wife every night – an eclectic collection of most anything – and a while back we tried a Zane novel. It reminded us both of Idaho!
I’m not sure how odd that is–makes perfect sense to me.

Thanks for your time and participation! Hope you enjoyed it! (I sure did)

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LITERARY LOCALS: A Q&A About Writing in Idaho with Sarah Hill

By HCNewton

On June 18, 2024

In A Few Quick Questions With..., Literary Locals

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When I met Sarah Hill, I told her that I’d probably never read her stuff–I’m not her audience, and she probably wouldn’t appreciate the 2 Stars that I’d probably give her book. We still had a nice conversation, thankfully—and she was kind enough to take part in this. If you read her first answer and say, “I like books that can be described that way,” I encourage you to check out her stuff. You’d be paying a very nice person money when you buy her books.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
Hello! My name is Sarah Hill and I am the author of five heart-warming, small-town romances set in Idaho. I started out as a fade to black only, but after seeing that intimacy on the page can be beautiful and doesn’t mean erotica, I opened those doors in my last two books. All are available on Amazon and Kindle Unlimited, with my first two, Call of the Blue Heron & Hanging Stars on Big Willow Creek being on audio as well. You can find all my books via this link – https://linktr.ee/SarahRylie7

Are you a native Idahoan? What is it about Idaho that keeps you here?
I am not a true native. My parents moved here when I was almost two. I’ve been here over forty years, so I do consider myself all Idahoan because it’s the only life I remember having. I love Idaho, it’s four seasons, especially fall, and all it has to offer. Idaho is home and I don’t see myself ever leaving.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I have met several local authors and exchanged knowledge and experiences with them. I consider many of them friends! Though I don’t “belong” to one group in particular I do have an author tribe of women who I love getting together with whenever possible. It is filled with three from Idaho and five from Utah and they are the heart of my writing. We’ve done a retreat together and learned so much from one another. I do believe it is SO important to have close friendships with other authors. And I love having camaraderie with other authors. So much so I went to my local library and helped set up the Middleton Public Libraries Author Palooza, which is filled with so many local authors!

I tried to make it to that event—it looked nice. Tell us a little about it (or is it them, there were a couple of them, right?) Will there be another one?
There were two last year. One in May and one in October. We tested two different times to see what worked best and found October to be the winner. There will be more in coming years in October! And it was so much fun with all the authors and so many activities for the kids. We also had food trucks and coffee. I’m so proud to be a part of it.
I’ll keep an eye out in October!

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I have been to a few library events in Middleton, Nampa and Ontario. I’ve gone to the Boy’s & Girls Club, attended a private event at an author’s parent’s home and done a signing at Barnes & Noble. I’ve also traveled out of Idaho to the Tremonton Library Summer Kickoff in Utah. It was my very first event and where I got to meet many of my tribe! I plan to attend it every year!

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
I do have a good local support system, but I think a majority of my readers are from all over the US, Canada, the UK and Australia. The first time someone across the pond read and reviewed my book I was floored! But so thankful!

Do you do anything in particular in terms of marketing to reach out beyond the local area? I’m curious about how people get the word out.
I get it out to greater areas using Instagram and talking to bookstagrammers, helping me reach far beyond Idaho. I also run Amazon Ads every so often and maybe once or twice a month post on TikTok.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
Both, but not just for authors in the Treasure Valley. I think being an indie author anywhere is challenging because the majority of readers hear “indie” and think “not a real author”. And I get it, I do, but there are so many indie authors who deserve the accolades that those in big publishing houses get and many missout on their talent simply because they are independently published. To those who are scared of the word “indie” give us a chance, there really is some outstanding talent among us! But it can – also be rewarding to be an indie in a smaller community like the ever-growing Treasure Valley because many of our libraries, book stores and other events embrace and welcome us.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
All five of mine! But outside of mine the first that comes to mind is The Last Letter by Rebecca Yarros. It’s not set in Idaho but the small-town feel is there, the beautiful wooded areas, the lakes, the simplicity and a strong sense of pride for our military, which I feel many Idahoans have, is encased within those pages. It isn’t for the faint of heart though because it WILL make you cry. It will gut you and shred your heart, but it will make you FEEL like no other book has. It’s a book I will never forget.

I love how when we recommend books, we think it’s positive to say “it will gut you and shred your heart.” (and, yes, I did go look at this book on Goodreads as soon as I read this sentence…because something that effective deserves at least a glance…).

Thanks for your time and participation in this—hope you enjoyed it!

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LITERARY LOCALS: A Q&A About Writing in Idaho with Christi Nogle

By HCNewton

On June 11, 2024

In A Few Quick Questions With..., Literary Locals

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Christi Nogle is another one of those writers who took me introducing myself with “I’m probably not going to like your [mostly horror] stuff” with a smile. I think if I read horror, I’d have a blast going through her backlist. She’s got some events coming up in the next couple of weeks (dates are listed below). Local readers should make a point of going to meet her.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
Hi! I’m a fiction writer, focusing on horror and horror-adjacent work. You can follow my writing journey at christinogle.com and at linktr.ee/christinogle

My first novel, Beulah from Cemetery Gates Media, won the 2022 Bram Stoker Award® for Superior Achievement in a First Novel and was one of five Shirley Jackson nominees in the Novel category for that year. The book has also been translated to Spanish by Dilatando Mentes Editorial. Beulah is a ghost story set in a fictional town of Beulah, Idaho. I’ve written two more novels also set in Idaho, which I hope will be available soon.

I‘ve had almost a hundred short stories published in a variety of magazines, anthologies, and my fiction collections from Flame Tree Press: The Best of Our Past, the Worst of Our Future, which is a current 2023 nominee in the Bram Stoker Awards®, Promise: A Collection of Weird Science Fiction Short Stories, and One Eye Opened in That Other Place.

I’ve co-edited two anthologies of horror, science fiction, and fantasy stories: Mother: Tales of Love and Terror with Willow Dawn Becker and Wilted Pages: An Anthology of Dark Academia with Ai Jiang, and I work as an Associate Editor for the horror fiction podcast PseudoPod.

Are you a native Idahoan? What is it about Idaho that keeps you here?
I moved to Idaho at the age of ten and have lived here ever since. Previously, my family moved around the country a lot.

I’ve stayed in Idaho because my family lived here, and now that my family members have passed, I have wanted to move closer to the ocean, but suppose I stay here because this still feels like my only home.

“Feels like my only home.” Is possibly the best answer I’ve received to this question.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
Yes, I have a wonderful writing group here in Boise, the Sawtooth Alliance of Women Writers. [That name is a great way to say you’re an Idaho-based group without using the word Idaho. Also, I dig the initials.] I’ve known some of the members since college in the nineties and have been colleagues with others for almost that long, so it is a very comfortable and supportive group. The members of this group were among those who first encouraged me to send my work out for publication, and it has been wonderful to share my writing news and celebrate theirs each week. I’ve been meaning to check out the creative writing group at my local library, too, but so far I haven’t happened to be free during their monthly meeting time.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
Just lately I have begun appearing at local events such as library book fairs, the library’s ComicCon event, readings, signings at Rediscovered Books and Barnes & Noble, and the like. One of the most successful events for me was a reading at the Star library hosted by Tina Johnson—the attendees were so receptive and kind! Krampus Con Bizarre Bazaar at ABU Games in Boise was fantastic as well. The well-attended event featured comics, art, books, games, and cosplay, and as you would imagine there were a good number of people open to talking about horror. On June 15, I will be signing at Rediscovered Books 11:00-12:30. June 29, I have plans to do a signing at local author Brian McBee’s store, Kuna’s Book Habit from 12-2:00.

I desperately wish there were more of a local horror community here and am always envious when I see that fellow horror writers can go to regular horror events in New England, the Pacific Northwest, and California. I’ve wanted to start a local group for some time, and I ran a workshop through The Cabin called “The Art of Dread: Crafting Contemporary Horror” in hopes of meeting and cultivating some horror friendships here in Idaho. I then began looking for other Idaho horror writers on Facebook in hopes of starting an Idaho Horror Writers Association (HWA) chapter. There simply weren’t enough people, but just recently, the Wyoming-based horror writer Josh Hanson and I were able to open a chapter of the HWA for the “Inland North States” region including Idaho, Montana, Wyoming, and North and South Dakota, so I hope that will lead to more regional opportunities as well as more local and semi-local friendships. The HWA has been the most important organization of the several I belong to, as it offers opportunities to mentor and be mentored, other fascinating volunteering opportunities, and has put me in contact with some of my favorite writers. If any local writers reading this are thinking of joining the HWA, please reach out to me through my website contact form or through any social media and I’ll be happy to help you join our chapter.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
My local friends read my work, and I’m trying to meet more readers locally, but most of my readers are from other parts of the U.S. and the U.K. Due to the translation of Beulah, I am also happy to have some readers and reviewers in Spain. I don’t read Spanish, but I can read their comments and reviews due to online translation, and it’s wonderful to see the response to the book.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
It’s been a bit challenging for me to be based here instead of in one of the places mentioned above that have a greater number of horror writers and readers. That said, there are some generous organizations in the area that have helped me, such as our local literary center The Cabin and the Alexa Rose Foundation—I’ll be in the Alexa Rose residency at The Common Well starting in November, and I hope to be offering a new workshop though The Cabin soon. We have a great library system here, and we have the wonderful independent bookstore Rediscovered Books.
With the Inland North States chapter, you’re on the front line of addressing one of the biggest challenges. I’ve had a few other authors talk about “maybe” starting something or wanting something that meets their genre/subgenre/specialty—it’s good to see that someone making progress in that direction, too.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
There’s no one book that expresses everything that would need expressing about the state, but Educated: A Memoir by Tara Westover comes to mind. Westover’s work with theme of isolation really spoke to me.
Great pick.

Thanks for doing this–I hope you enjoyed it!

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