Category: Blog Series Page 175 of 220

BOOK SPOTLIGHT: Rosy and Ruby by Patricia Dixon

Today I’m glad to welcome the Book Tour for Rosy and Ruby by Patricia Dixon. Along with this spotlight post, I’m happy to present a Guest Post from Dixon here in a bit.

Book Details:

Book Title: Rosy and Ruby by Patricia Dixon
Publisher: Bombshell Books
Release date: April 25, 2019
Format: eBook
Length: 387 pages

Book Blurb:

Ruby lives one-step away from poverty on a rundown, crime infested estate in Manchester, with Stella, her feckless, self centred a mother.

In the quiet suburbs of Cheshire Rosie, Ruby’s cousin, leads a charmed, middle class existence but feels suffocated by her domineering mother Doreen.

Although Stella and Doreen have little in common, they share the inability to show the love and loyalty that their daughters deserve.

Meanwhile, Olivia, a member of the elite Cheshire set, is aloof and distant, rattling around in her sprawling mansion, attending charity functions and hosting infamous bridge nights.

Her errant son Marcus lives his life in the fast lane, maximising the perks of the family firm whilst enjoying his jet setting bachelor existence, well away from the watchful eyes of his disapproving mother.

But when Ruby meets Marcus her life begins to crumble and one by one the secrets she has kept are exposed.

Can Rosie and Ruby’s bond survive? And in Ruby’s hour of need, will her cousin keep her promise, and come to her rescue?

About Patricia Dixon:

Patricia DixonPatricia Dixon was born in Manchester where she still lives with her husband. They have two grown up children and one grandson.

Ignoring her high school reports and possibly sound advice from teachers, Patricia shunned the world of academia and instead, stubbornly pursued a career in fashion. Once the sparkle of London life wore off she returned north and embarked on a new adventure, that of motherhood.

Now, almost thirty years later she has acquiesced to the wise words of her elders and turned her hand to writing. Patricia has written a total of eight novels, the latest is due for release in March 2019.

Patricia Dixon’s Social Media:

Amazon Author Page ~ Twitter ~ Facebook

My thanks to Bloodhound Books for the invitation to participate in this tour and the materials they provided.

I Want You Gone by Miranda Rijks: The Reports of Her Death are Greatly Exaggerated.

I Want You GoneI Want You Gone

by Miranda Rijks


Kindle Edition, 299 pg.
Inkubator Books, 2019

Read: April 10 – 11, 2019


There is just so much about this book that I can’t say here without ruining it. I can talk about premise, but I can’t talk about the plot much beyond that. As for characters? There’s really only one I can talk about. I really can’t talk about the minor issues I had without ruining a lot. Really, Rijks went out of her way to make this book almost impossible to talk about. Let’s see if I can figure out a way to say a little something, shall we?

Estate agent Laura Swallow gets a phone call from her daughter interrupting a first date — Mel’s away for her first term of University and checks her mom’s Facebook and sees that she’s being reported as dead. So instead of the phone calls she’s been making bewailing her loneliness, how hard it is being at school, etc., she calls to make sure Mom’s okay. Obviously, this casts a pall over the date and they call it a night.

The next day, Laura comes into work and discovers that her death is being reported in the newspaper, too. The description of her life in the death notification is unfavorable to say the least. It’s about as far from the laudatory and hagiographic words usually used as you can imagine. Laura starts to expect that this isn’t a misunderstanding, but there’s something malicious to all this. It doesn’t take too long for things to get worse — there’s someone clearly out to ruin whatever’s left of Laura’s life while trying to convince the rest of the world that she’s dead. Before long, it gets dangerous enough to be Laura that no one could help but wonder if the stories about her death were just a little early.

Laura doesn’t know who to suspect — her ex-husband? her ex-husband’s new significant other? the doctor she just started dating? a creepy client? Someone else? Laura doesn’t know what to do to find out. The reader will be a bit more objective and will have a longer suspect list that’ll include some friends that Laura can’t bring herself to suspect. Now at various points I could make a good case for any of the suspects being the person behind it all. But it turns out that my first guess was right — although there were enough red herrings that I had to keep guessing.

The characters are pretty well drawn and developed — obviously Laura more than the rest. Some of the other characters we get to know nearly as well, but not all of them. Laura’s still recovering from her sister’s death and her divorce, the events of this novel both accelerate the recovery and set it back. All in all, half the fun of this book is getting into her mind. I can’t say that I understand every choice she makes (actually there’s a few I can’t begin to understand), but it’s fun watching her make them.

I’m not convinced I buy the reactions her boss had to the whole situation — and I can’t imagine anyone having the take on the vandalism on her car that her boss and others did have (that one in particular chafed). But that’s pretty much the only false notes as far as characters go, and it did propel the plot. As far as the other characters go are concerned, pretty much anything I say would risk giving something away — so I’ll leave it at that. Even if you guess who’s behind everything, getting their motive right will be trickier, and you’re apt to second guess yourself a few times.

Rijks draws you in pretty quickly by Laura’s likeability and the strangeness of her circumstances, and then she keeps drawing you in more and more as things get stranger and more dire. If you’re not leaning forward a little bit during the last couple of chapters, you’re made of sterner stuff than I.

A great, twisty story that’ll keep you guessing as it entertains. It’s just what you want in a psychological thriller — creepy, atmospheric, with a good story with a protagonist and antagonist that you can dig your teeth into. It’s the kind of book that’ll keep you gripped and may make you lose a little sleep right up until the end, well worth your time.

—–

3.5 Stars


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: I Want You Gone by Miranda Rijks

Today I welcome the Book Tour for the creepy psychological thriller I Want You Gone by Miranda Rijks. Along with this spotlight post, I’ll be giving my take on the novel here in a bit.

Book Details:

Book Title: I Want You Gone by Miranda Rijks
Publisher: Inkubator Books
Release date: April 13, 2019
Format: Paperback/Ebook
Length: 299 pages

Book Blurb:

The only obituary you never want to read – is your own.

Laura Swallow is dead.

A life cut tragically short, says the newspaper obituary.

But that’s a lie.

Estate agent Laura did not die in a car accident. She is alive and well.

At first, Laura thinks it’s a sick joke.

But multiple announcements of her death are followed by increasingly sinister real-life events. Already fragile, struggling to recover from a recent divorce, Laura is plunged into a living nightmare.

Who can she trust? Her new lover? Her clients and work colleagues? What about her ex-husband and his smug fiancée? Can Laura even rely on her best friends? And why is it that Laura’s present troubles are so tied up with her sister’s sudden death all those years ago?

But one thing Laura is sure of – someone out there wants her to suffer. Wants her gone.

Forever.

About Miranda Rijks:

Miranda RijksMiranda Rijks is a writer of suspense novels. I Want You Gone is her first psychological thriller.

Miranda has an eclectic background ranging from law to running a garden centre. She’s been writing all of her life and has a Masters in writing. A couple of years ago she decided to ditch the business plans and press releases and now she’s living the dream, writing suspense novels full time. She lives in Sussex, England with her Dutch husband, musician daughter and black Labrador.

Up next is Fatal Fortune, the first of three books in a mystery romance series that will be published in May 2019. They feature Dr Pippa Durrant, a psychologist and specialist in lie detection, who works alongside Sussex police getting embroiled in some scary stuff!

Miranda loves connecting with her readers, so you can reach out to her at www.mirandarijks.com.

Miranda Rijks’s Social Media:

Twitter ~ Facebook ~ Website ~ Amazon Author Page

Purchase Links for I Want You Gone:

Amazon UK ~ Amazon US


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

Death Before Coffee by Desmond P. Ryan: A Veteran Detective Faces Fresh Challenges


Death Before CoffeeDeath Before Coffee

by Desmond P. Ryan
Series: Mike O’Shea, #2

Kindle Edition, 245 pg.
Copper Press Publishing, 2019
Read: April 9 – 10, 2019

Detective Mike O’Shea is a detective with a couple of reputations — many know him as a cop’s cop, one who gets the job done right. Everyone knows him as one of two detectives who were on the hunt for a prostitution ring (that specialized in underage girls) and one particular runaway teen that came thiiis close to breaking the ring before his partner was killed and he almost was, too. The killer got away and O’Shea was left with a cloud over him. No matter what he’s done since, all his achievements are colored by that failure.

We join O’Shea as he’s transferred to a new platoon, with a new partner (Ron Roberts, who can’t seem to cope with the idea that he’s not in traffic anymore – he’s the only cop that I can remember in Crime Fiction who seems to think that’s a good place to work). Before they can really get a feel for each other (beyond previous knowledge and inherent prejudice), they’re called to the scene of a homicide. A one-legged man was beaten to death and dumped in a residential area.

The uniform on scene is not the shiniest star that the Academy has produced, but O’Shea and Roberts get things started enough that when the Homicide team shows up the investigation is well under-way. DS Amanda Black is tough, smart and driven and directs this investigation like her career depends on it.

We follow — O’Shea and Roberts through the preliminary stages of the investigation, through some hiccups caused by overzealous colleagues up to the hunt for their prime suspect. We also get a few scenes with just Black. Those are insightful, but feel pretty weird — there are so few scenes without O’Shea involved that anytime he’s not “on screen” it feels strange.

Along with this hunt, O’Shea continues to deal with the investigation that made his reputation — as much as he can while staying off the radar of his superiors — a suicidal retired cop, and his family. His marriage is all but over, but his siblings, son and mother are a very present realities for him. We could’ve gotten more time with his son for my taste (and probably O’Shea’s, now that I think of it). This all takes place over the course of a few days and O’Shea seems almost as in need of a good night’s sleep and a good cup of coffee as he is in getting resolution to any of his cases.

The novel is well-paced and it takes no time at all to get sucked into the story. This has all the hallmarks of a solid crime novel and police procedural. O’Shea is the kind of old school detective that readers love, Roberts has a lot of potential as a character and Black could easily dethrone O’Shea as the series’ focus (I’m not suggesting she will, but she’s written in a way that it could happen without anyone complaining).

I do have a few issues with the book, naturally. Things that detracted from my enjoyment, things that kept me from being over the moon with is (and it had that potential), but nothing that ultimately was that problematic.

This is the second of a intended six-book series and really reads that way. Can it be read as a stand-alone? Yes, but it’d be far more satisfying as part of a series (well, I expect it would be, anyway). There are some aspects of the timeline that I’m not convinced I can buy, but maybe with some context I could. Similarly, while this book and the main plotline do have definite conclusions, it feels like Ryan just presses “Pause” on so many other things it’s a little annoying. I’m not talking cliffhangers (minor or otherwise), it’s more of a “well, we’re done talking about this for a bit” kind of feel. Whether it pushes you to the next book is irritating, probably depends on the reader.

That last idea probably ties in to the realism vibe Ryan is going for. Which is great — to a point. We all like the idea of something realistic, no matter the genre, really At least we all say we do — but aren’t so much of us really looking for types of satisfaction that reality can’t provide? Especially in crime fiction — we want the kind of resolution not available in our lives. Ryan’s depiction of himself as a realistic writer works against him as much as it works for him. He has a little note to the reader before the novel assuring the reader “I’m an ex-cop, I’ve done this stuff, this is how it is.” Pretty much insulating himself from criticism of a lot that goes on in the book unless you’re prepared to bring an armload of research to bear. That note actually prejudiced me against the book, it reeked of someone who “doth protest too much,” and just set my teeth on edge. Show me your realism, show me your authenticity and convince me of it — don’t boast about it. It took me a long time to shake that bad first impression, but I do think I was able to push past it — but I’d have liked O’Shea and the rest a lot more if I hadn’t had to.

Ryan has a strong voice and uses it to give the right details to provide a very compelling read — it’s fast, gritty and with characters that’ll stick with you after you’ve moved on to your next read. Was it as good as it could have been? No, but not because of an inherent weakness, just because Ryan didn’t do enough with his strengths — but he’s got four more books in this series to fulfill the promise. I had a good time reading Death Before Coffee and I bet you will, too.

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided — including the book, which did not influnce my opinion.

—–

3 Stars

BOOK SPOTLIGHT: Death Before Coffee by Desmond P. Ryan

Today I welcome the Book Tour for the second entry in the Mike O’Shea Crime Fiction Series, Death Before Coffee by Desmond P. Ryan. Along with this spotlight post, I’ll be giving my take on the novel here in a bit.

Book Details:

Book Title: Death Before Coffee by Desmond P. Ryan
Publisher: Copper Press Publishing
Release date: February 8, 2019
Format: Paperback/Ebook
Length: 245 pages

Book Blurb:

By 2:27 on a Thursday afternoon, the one-legged man from Room 8 at 147 Loxitor Avenue has been beaten to death with a lead pipe. Twenty-eight minutes later, Detective Mike O’Shea is testifying in a stuffy courtroom, unaware that, within an hour, he will be standing in an alleyway littered with beer cans and condoms while his new partner—the man who saved his life thirteen years ago—flicks bugs off of a battered corpse with a ballpoint pen. When a rogue undercover copper prematurely hauls in the prime suspect, Mike blows a fuse, resulting in an unlikely rapport developing between him and the lead homicide detective sergeant, a woman known for her stilettos and razor sharp investigative skills. At the end of his seventy-two-hour shift, three men are dead and Mike O’Shea is floating in and out of consciousness in an emergency room hallway, two women by his side.

Death Before Coffee, the second book in the Mike O’Shea Crime Fiction Series, weaves a homicide investigation through the life of an inner-city police detective intent on balancing his responsibilities as a son, brother, and newly single father with his sworn oath of duty. When faced with death, Mike is forced to make decisions that stir up old memories, compelling him to confront his demons while fighting the good fight.

About Desmond P. Ryan:

Desmond P. RyanFor almost thirty years, Desmond P. Ryan worked as a cop in the back alleys, poorly-lit laneways, and forgotten neighbourhoods in Toronto, the city where he grew up. Murder often most unkind, assaults on a level that defied humanity, and sexual violations intended to demean, shame, and haunt the victims were all in a day’s work. Days, evenings, midnights–all the same. Crime knows no time.

Whether as a beat cop or a plainclothes detective, Desmond dealt with good people who did bad things and bad people who followed their instincts. And now, as a retired detective, he writes crime fiction.

Real Detective. Real Crime. Fiction.

Desmond P. Ryan’s Social Media:

Twitter ~ Facebook ~ Website ~ Amazon Author Page

Purchase Links for Death Before Coffee:

Amazon UK ~ Amazon US ~ Kobo


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

A Few Quick Questions With…Ian Shane

So, I just blathered on about Postgraduate, the great novel by Ian Shane. And now, here’s a little from the Man Himself in response to some questions I had for him. I hope you enjoy. For those keeping score at home, after a few Q&As of one of my theories being validated, I totally whiffed one here. I still liked the answer, just wish I’d asked a better question 🙂

Most authors have dozens of ideas bouncing around their craniums at once — what was it about this idea that made you say, “Yup — this is the one for me.”?
First, in the interest of full disclosure, Postgraduate is semi-autobiographical. For a while, I was running an Internet classic alternative radio station (which has been offline for a couple of years). During this time, I was having a hard time finding a story I wanted to write. There would be ideas here and there, but nothing ever developed into a compelling story. On a whim, I picked up a copy of Old Records Never Die by Eric Spitznagel. It’s a memoir based on Spitznagel’s quest to rebuild his lost record collection. Not copies of the albums he lost, mind you…the actual albums. His musical mid-life crisis inspired me to write about mine.
In the writing of Postgraduate, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
I was really amazed at how quickly I wrote the first draft. I have a day job, so the amount of time I have to write is limited. I decided to track my progress on Facebook to keep myself accountable to my friends. The first night, I wrote 1330 words. The next night, I wrote 1557 words. Then it started to become a thing…how many nights can I write more than a thousand words? In the first week, I wrote 10,269 words. I started Postgraduate on October 25, 2017, and I finished the first draft on February 1, 2018. The total was 92,947 words in 97 days. I’ve never had a writing streak like that before, and I am not likely to ever have one like that again.
Danny’s reaction to the news that his favorite record store had closed (and some time ago), was one of my favorite parts of Postgraduate. Is it one of the semi-autobiographical parts of the book? Tell us a little about the store/its closing.
This is very autobiographical. There really was a Cats Record Store in my hometown (Evansville, Indiana). Cats was the place to find stuff from The Smiths or Elvis Costello. It was as I described it in the book…hardwood floors, cedar walls, and a general warm feeling when you walked in. There were two locations, on the east side and north side of town (the north side was the one I went to often). Not too long after I left town, my brother had told me that Cats had closed. I just assumed he meant the one on the east side. A few years later, on a visit to town, I decided to go to the north side and see what they had to offer. When I got there, I was grief-stricken to see the “For Lease” sign on the door. It really felt like a death.

However, showing that Cats had closed also served two subtler purposes. One, I wanted to have something unexpected to happen for Danny. It shatters the frozen-in-time, idealized image of the area around campus he had in his head. Something had to be not quite right, and that’s what I chose to be the missing ingredient.

And, as an aging Gen-Xer, I wanted to have an image of how people get music today, as opposed to how we did it when I was a college student. Hard copies, at least on a digital format, have fallen out of favor with “the kids.” I realize by saying this, I run the risk of sounding like the old guy who complains that a ticket for the moving picture show used to be only a nickel.

Why is it, do you think, that male readers respond so strongly to books about music? (your novels, Hornby’s, etc.)
I think it’s because guys (especially when we’re in our teens and 20s) have a terrible time expressing how we feel. I don’t want to get all “blame it on society,” but we were taught at an early age to not show our emotions—boys don’t cry (you know, kinda like that Cure song), and we have a hard time hashing out what was going on in our heads. It’s a thing of beauty when a songwriter reads our minds and says something more eloquently than we ever could and does it in 4/4 time. It grabs us and shakes us to our cores. In a way, music becomes a part of who we are. That’s the reason we made mixtapes to impress women. We couldn’t find the words to say we liked them and wanted to get to know them better, but Neil Finn could. So, we’d let him and the rest of Crowded House stand proxy for us for four and a half minutes.

When we read a book like High Fidelity or Postgraduate, we relate to using music as a primary coping mechanism (like Rob and Danny respectively) more than we get Heathcliff walking along the moors. While dealing with my last breakup, I listened to “Don’t Look Back in Anger” by Oasis on a continuous loop while drinking a heroic amount of whiskey. I didn’t spit out a two-page soliloquy while standing on my patio and looking at the moon. It’s just how we do it now.

I’d imagine that in a novel like this, it’d be difficult to keep from making Sam (the one that got away) an idealized woman, or Angela (the adulterous ex) into . . . an idealized harlot, I guess. Especially with this being written from Danny’s perspective. How do you walk the line?
I don’t really know if I thought about it too much while I was writing Angela and Sam. I just had a full picture in my mind who these women were…their wonderful qualities and their flaws. I had an idea of what made Danny and Angela work and what didn’t. The same was true with Danny and Sam.
Thanks for your time and willingness to let me badger you with these questions – again, I really enjoyed Postgraduate and truly hope that it finds the audience it deserves.

A Few Quick Questions With…James Bailey

I’ve had some really good Q&A’s this year — which is entirely due to those providing the A’s. Here’s one of the crème de la crème. Now I wrote about James Bailey’s book, The First World Problems of Jason Van Otterloo a week or so ago, but I didn’t have time to read and post about the sequel by today, its release date. So instead, I’ve got this little back-and-forth with the author to celebrate the release of Dispatches from a Tourist Trap. I’ll try to get something written about it by the end of this week, but I know better than to promise anything.

So sit back and enjoy this before you go to buy the book, which should have downloaded to my Kindle this morning. I’m going to go verify that as you read Bailey’s thoughtful and funny contributions below.

Most authors have dozens of ideas bouncing around their craniums at once — what was it about this idea that made you say, “Yup — this is the one for me.”? What came first, the choice to go for a YA story instead of your adult novels or the story idea?
I have so many Chapter 1’s on my computer it’s not even funny, so, yeah, I have ideas bouncing around all the time. Some of them never get any further than a few notes jotted down on a scrap of paper. The idea for Jason came to me while re-reading The Secret Diary of Adrian Mole, Aged 13 3/4 . I thought it would be fun to try something like that, but more modern. I went with email instead of a diary. I got the image for his parents from my neighbors, who are probably closer to Rob and Janice than most people would want their parents to be. They are prone to fighting, occasionally physically, in their driveway. Any time we see a police car in the neighborhood, we almost expect to see it stop in front of their house. As for Jason, I wanted a likeable (if sometimes mildly self-centered) protagonist. On my last novel, Sorry I Wasn’t What You Needed, I started with the concept of a borderline asshole for the main character. He was definitely selfish, sometimes worse. One of my beta readers tabbed him a sociopath. I did soften him a little after that. I wasn’t quite aiming for sociopath. And I think he grew enough by the end that readers wouldn’t throw stuff at him if they met him on the street. But for First World Problems I wanted someone more likeable, and hopefully Jason comes across as a decent kid.

As for the YA angle, I’m not always even sure what counts as YA. I suspect most YA books are read by adults at least as much or more than they are by teens. Is it the protagonist being young, dealing with teen trials and tribulations, or is it the reader being young? Is Nick Hornby’s Slam a YA book? (One of my favorite Hornby novels, btw.) For me, when I read something that falls under the YA umbrella there’s often a nostalgia factor in there somewhere, and sometimes a “man, I’m glad I don’t have to relive all that again” factor. But when you look back on your life, there’s something about those high school years, as good or bad as they were, that never fades. Most of us will remember life as a 14-18 year old much more distinctly than we will life as a 24-28 year old or 34-38 year old, etc. It’s a formative period. Still, once I finish off the series, I’ll probably go back to writing “adult” books. (Though when you say it like that, it sounds like adult films, which have a seriously different meaning.)

I honestly laughed out loud there. Also, I have to confess — I’ve never read Slam. I bought it when it came out, my wife read and enjoyed it. But the Hardcover is sitting on my shelf. I really need to.

Anyway, why did you choose to go with an Epistolary book? What are the specific challenges that come with it — are there specific benefits?

As mentioned in the first answer, I was riffing off Adrian Mole a little when I started this project. The first couple of drafts were all Jason. I didn’t work in replies from the other characters until later. A friend who read an early draft said it was hard to get a feel for anyone else’s personality as it was. I’m really glad I changed course, because it definitely allowed them each to show more of who they are. Drew, especially, but Gina as well. Want a challenge? How about telling your brain to ignore all the spell-checker issues when writing her responses. While I was editing the rest of the book to make sure the spelling and grammar was correct, I had to keep making hers worse. She was fun to write. I only hope everyone can decipher what she said.
Ugh! I meant to talk about Gina’s grammar and spelling — how could I forget about that? It was so nice to read intentional misspellings and atrocious sentences. I’ve read too much of both lately in theoretially edited works.

Why 2003? Why not something more current — or further back? (Feel free to mock any of my rambling about the time)

You answered this one yourself in your review, almost exactly. I had to freeze it back in a time period when it was still realistic that guys like Jason and Drew wouldn’t have had phones. If I had set this in 2018, everything would have been in texts. That would be horrible. As it is, it still requires a minor suspension of disbelief that they would write in complete sentences, but then again, they’re intellectual fellows. I could have gone a little further back in time, but not much beyond the mid-90s. Earlier than that and email would have been a stretch for the opposite reason.
I’ve often heard that writers, or artists in general, will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
I now have a 1-star review on Amazon for each of my four books. Fortunately, those are the minority. I’m not sure about the “worst,” but I do have a stupidest. A guy gave my first book, The Greatest Show on Dirt, a 1-star review. All he said was, “not about baseball. Its a dumb story about people who work at a baseball stadium,” That’s it. Well, there’s a lot of baseball in the book. Not sure what he was looking for. But here’s the kicker. He’s also the guy who left a one-star review on my second book, Nine Bucks a Pound. For that one he said, “only started it. Not very good.” He posted both reviews on the same day. My question for him would be, if you didn’t like one, why’d you bother with the other? But you can’t respond to reviewers. There’s nothing to gain from it and a lot to lose. You have to just try to tune the negative ones out. Not always easy. Then again, if most of the reviews for a book are 4 or 5 stars, and someone posts a 1 star review, to me that says more about them than it does the author or the book.

And try to find a book on Amazon that everyone liked. My favorite novel of all time, A Confederacy of Dunces, has 221 1-star reviews. That book is brilliant. It’s hilarious, creative, the characters jump off the page. How in the world that all came together in one man’s mind just amazes me. But 221 people hated it enough to rip it on Amazon. When I see people saying “This isn’t funny,” about Ignatius J. Reilly, that tells me all I need to know about them. They have no sense of humor, whatsoever.

What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
If I thought hard enough about this, I’m sure I could come up with a handful, but the first thing that pops into my head is a book called Dinosaurs and Prime Numbers, by Tom Moran. And while I might wish I had written it, if I’m honest there’s no way I could have. It’s just too zany. It’s about a time traveling detective named Walton Cumberfield, who has to solve the mystery of why an old man broke into his house after Walton beats him to death with a Guinness Book of World Records (2008 edition). It’s a bit silly at times, and if you hate puns you might struggle with it, but it’s clever, creative, and fun. Walton reminded me in some ways of Ignatius J. Reilly (two Confederacy of Dunces references in one Q&A; is that a record?). There was a second book in the series, called A Debt to the Universe, that was enjoyable, but not quite as good.

I’ve loved time-travel movies and books since I saw Back to the Future when I was 15. I’ve toyed around with some ideas for writing one myself, but I haven’t quite hit on the right storyline yet. Maybe someday.

You care to give the elevator pitch for Book Two of the Trilogy? (and maybe a hint about Book Three, if you can)
Okay, I’m hardly kidding when I say it’s easier to write a book than it is to write a blurb about that book. I’ve finally finished rewriting the one that’s going to go up on Amazon, and you’re asking for an elevator pitch, which to me connotes something even shorter, so I’m going to hack it down slightly here. If you want the fuller version, you can find it up on Amazon (the book is available now for pre-order). Anyway, here’s my elevator pitch version:

Thanks to his parents’ separation, Jason is starting his sophomore year of high school in tiny Icicle Flats, a quaint Bavarian-themed mountain village three hours east of Seattle. This town has barely changed since Janice grew up there, and she’s only going back because she has a new boyfriend, who is also her new boss.

Leaving his friends is hard, but the worst part is leaving Sian, right when things were getting good. In between visits, they exchange a lot of email and phone calls, but long-distance relationships are always challenging, especially for someone like Jason who forever seems to be digging himself into a hole. Fortunately, Drew is just an email away. If only Jason would ever heed his advice.

Jason joins an after-school book club, where he hooks up with a couple of other students who love to push boundaries. Mayhem ensues, involving the school board, the town Christmas parade, and a pirate radio station. Who ever said life in a small novelty town would be dull?

As for Book 3, I haven’t started writing it yet, but I do have some ideas. Jason’s family will expand when Rob gets remarried and a new bundle of joy appears. Fortunately for his little brother, his stepmother is a competent adult, which brings the grand total to one in Jason’s circle. His relationship with Sian will be strained once more when she heads off to Ireland as an exchange student. Jason will learn how to drive. And Rob may see a UFO. For now, I’m envisioning the book covering the summer before his junior year (picking up where Book 2 leaves off) and running through the school year. But there’s a lot TBD at this stage.

Thanks for your time — and thanks for introducing me to Jason Van Otterloo.
And thank you, for your time and the opportunity to reach some new readers.

A Few Quick Questions With…Melissa Simonson

Okay, I’ve already raved about Lingering this morning (I haven’t written it yet, but it’ll be a rave, I know that much). And now we get to follow it up with a Q&A with Melissa Simonson, the author of Lingering and a handful of other things.

I really appreciate her taking the time — particularly because she doesn’t seem to like doing these. I understand that, but enjoyed her answers — I hope you do, too. I tried something new here, I gave her a thumbnail version of one of my working theories and let her respond. That was kind of fun, I think I’ll try that again sometime. I’ll shut up now and get to the good stuff so you can go buy some of her books after reading this.

Do I want to know how close to possible this book is? Actually, never mind, don’t answer this.
I’m probably the wrong person to ask about that. I can barely work Microsoft Word or smartphones so I’m a bit of a Luddite. Every technical thing I’ve so much as touched has broken, so I try to stay away for the most part. Though I don’t think the talk/text part of the Lingering business is too outlandish…
You’ve written a good number of books prior to that, and seem to bounce from genre to genre — is there a common thread to your work? Is there a genre you want to tackle, but haven’t yet?
Yes, I don’t restrict myself to certain genres….I mainly write in the “whatever the hell I want” genre. As for common threads, I really don’t know. I suppose I wander into the dark very easily, and they’ve all got that in common.
Who are some of your major influences? (whether or not you think those influences can be seen in your work — you know they’re there)
I’m such a bad interviewee, I never know how to answer this question. Of course there are authors and books I love, but I’m not sure whether they’ve got anything to do with my own. As far as Lingering influences go–have you ever seen Ex-Machina? Go watch it if you haven’t, but the second I saw that movie I was obsessed, and it was pretty much the source of my inspiration.
I’ve shared with you my half-baked theory — did you plant seeds for people to think that way, or was I just really out to lunch? (I expect the latter) Did you try to wave red herrings in the reader’s face to keep them off their feet? Or another way of asking this is — how do you go about keeping the audience guessing while being honest with them about what’s going on?
Well, if you’re out to lunch with that theory, you’ll be in good company. I’ve heard that from many people, and I can understand why you’d have thought something along those lines, though that idea never struck me when I was writing the book. RE: keeping people guessing, well, I’m afraid I don’t have a good answer for that, either. Half the time I don’t know what’s going to happen until about five minutes before I write it. I rarely outline and tend to go in with a foggy general idea, but that’s it.
I love the Kylie-Ben dynamic. Was Ben’s niece part of the novel from the get-go, or did you find a need for her later on? What on earth possessed you to have the two of them read The Art of War together? (I love it, don’t get me wrong, but that’s an odd choice)
Yes, Kylie was always around. I don’t know why I had them reading The Art of War, it just popped into my head and I ran with it. Is it an odd choice? Maybe. I’d considered striking the whole Kylie/Ben relationship because some people had asked me what the point of them is, but. I’m stubborn.
In my not-so-humble opinion, you need to stop listening to those people. But I digress. . .

What’s next for Melissa Simonson?

I have another work-in-progress on my hard drive, so I’ll be working on that just as soon as I get over the recent deaths on The Walking Dead and in between episodes of Game of Thrones. I lead a very exciting life, I’m sure you can tell.
Thanks for your time — and thanks for Lingering. I hope you find a lot of success with it.

Crossline by Russ Colchamiro: Out along the edges, Always where they burn to be

CrosslineCrossline

by Russ Colchamiro


Kindle Edition, 336 pg.
Crazy 8 Press, 2013
Read: March 18 – 19, 2019

Marcus Powell is a test pilot — not something you think about much anymore, but SF and adventure tales have started with them long enough to strike a classic chord. You’re instantly put into a certain frame of mind — and then when you see he’s on the launching pad, well, it almost guarantees a good time. Since he hits space very early on in the book, you know things are going to get interesting right away.

Because the next thing you know, he’s zipping around the outer parts of our solar system and then he finds himself in a parallel universe on a world that’s remarkably like our own — yet is very different. Thankfully the language — and slang — is largely interchangeable so Powell can get along just fine. But the differences are very striking and could get him in serious trouble/danger.

Back on Earth — as Powell is bouncing around that other planet, we get to meet a pilot from the parallel world that came to Earth. As much as this is Powell’s book, I found this guy a lot more interesting — but we get his story told mostly in summary form, while Powell’s is told to us in much more detail. So you’d expect that he’d be the one that readers get into. Now, I do — Powell’s a great character, and if we didn’t get the other pilot’s story, I’d have been very content to read about him.

While Powell runs around that other planet, trying to figure out how to get home we get to see the societal turmoil that covers the North America-ish place. We meet a wise man who has visions, some dedicated warrior women (and men), an incredibly creative baker, and a disturbed killer. You know, the usual. As Powell aligns himself with one warring faction, he finds himself in a different kind of danger than he’s used to as he tries to find his way home. On Earth, the danger is largely off-screen and the battles take place in the boardroom and the weapons are money and influence. While Powell has to deal with explosives, bullets and knives. Both types of warfare can result in fatalities

On Earth, we also see what goes on with Powell’s wife and daughter as they deal with Powell’s absence. His wife was less than supportive before he launched, and that’s haunting her. His daughter, who shares something in common with the wiseman on that other world, never loses hope. It’s hard to know if that’s because she’s young and naive (5 or so) or if it’s because she knows more than you’d expect. I had more fun reading about Powell’s daughter than I have with pretty much any character this month, she’s simply a delight. The granddaughter of a Native American seer (of sorts), this little girl knows things she shouldn’t anf has a certainty about things she has no business knowing about. She’s the embodiment of precocious, basically. Her mother is a caring and very outspoken teacher, the two of them together make a formidable team.

Everywhere you turn, the motivation driving the characters is family — protecting, avenging, trying ot live a life worthy of them, trying to hold on to, trying to get back to, trying to provide for . . . This is at once an incredibly believable driving force for a character, and incredibly relatable one. It’s a great way to get your reader on the side of every major character. It’s easy to forget the human element in a SF adventure — the advanced science, the fantastic technology, the wormhole creation, etc. can easily become the focus. But Colchamiro doesn’t let that happen, what keeps his characters moving, what keeps them going on — it’s all realatably human.

I’ll admit, I don’t think I got all of the mystical/spiritual/supernatural aspects that Colchamiro brought to the table. I think that’s largely on me, and there are going to be readers who love that part (and I thought it an interesting approach to take_. Similarly, there’s a little plot element makes no sense to me at all. It’s brought up early on when Powell launches that is returned to a couple of times, and then comes back in a pretty serious fashion in the closing pages, and drives the last action scene. It could be cut entirely and make no difference to anything (except the aforementioned action scene would have no justification and would have to be cut — which would be an improvement). There’s no reason for it, it doesn’t help the characters or the plot at all. Maybe it played a decent role in an earlier draft, but not now. Here’s the nice thing about it — it’s so extraneous that you can just ignore it and the story doesn’t suffer at all. I’m being vague here, I know. My point is (or it was supposed to be) is that there are some problematic parts of the book — but there’s enough right going on here that it doesn’t matter.

That aside, I thoroughly enjoyed this book. I had plenty of fun with it. Colchamiro kept things moving well, he surprised me a couple of times and got me grinning and cheering. I found myself very invested in what happened with both pilots and wanted them to find what they’re looking for. Strong action, strong characters, a compelling take on the multiple worlds idea — and a whole lotta fun throughout. I can’t point to every part of this book that makes it appealing — most of it is in the intangibles. As frustrating as that might be when writing about a book, while reading it? It’s hard to ask for more.


Disclaimer: I received a copy of this book from the author and Lola’s Book Tours, which I appreciate. The opinions expressed are my own — especially the seventh paragraph.

—–

3.5 Stars

My thanks to Lola’s Blog Tours for the opportunity to participate in this tour and the materials (including the book) they provided.

Lola's Blog Tours

GUEST POST: My Favorite Space Operas (TV shows and Movies) by Russ Colchamiro

Since my novel CROSSLINE falls under the category of ‘space opera,’ the Irresponsible Reader has asked me to rank my top 10 favorite space opera TV shows and movies (I went to 15 – hey! My list!).

Before I dive in, I recognize that some of my entries may not be entirely space ‘opera,’ but, again, it’s my list, and this is how I’m doing it. Second, as expected, there’s a bunch of Star Wars and Star Trek on here.

And finally, my list is about the movies and TV shows I enjoyed the most, regardless of whether they were the technically the ‘best.’

Anyway… here goes*:

THE HOLY GRAILS
For me, the conversation begins and ends with these two movies, which to my space opera-loving eyes, hold up great after all these years. In fact, last summer I got to see Wrath of Kahn on the big screen (my first time seeing it this way since it first came out!), followed by a live Q&A with Captain Kirk himself, William Shatner. Absolutely awesome.

  • Star Trek: The Wrath of Kahn
  • The Empire Strikes Back

CINEMATIC DELIGHTS
Where I’d rank any of these solely depends on how I’m feeling at the moment, and the mood I’m in (and there are other good movies out there, too), but if I had to pick, these are the ones I go back to time and again. Including the re-releases, I think I saw Star Wars on the big screen at least a dozen times. And Aliens? Whoa. I haven’t seen it in a while, but it’ll forever go down as one of my favorite blow-me-away movies ever.

  • Star Wars
  • Rogue One
  • Star Trek: First Contact
  • Aliens

TV TALES
As far as TV space opera goes, the BSG remake and The Expanse have a lot in common, in that both have a hardcore military slant. They’re both great, with one my caveat that the final eps of BSG fell far short of its otherwise brilliant run. And The Expanse is still going, so only time will tell if the quality keeps up. The three Star Treks I have here are all great to me, in slightly different ways, accept that the original took a little bit to find its footing, and Next Gen was a semi disaster the first two seasons. And then, of course, Deep Space Nine is basically a carbon copy of Babylon 5 with more seasons and a bigger budget. Still, give me any of these shows, and I’m happy as a clam. And I’m proud to say that my 8-year twins—my ninjas—are starting to watch them, too!

  • Battlestar Galactica (remake)
  • The Expanse
  • Babylon 5
  • Star Trek: Next Generation
  • Star Trek: The Original Series
  • Star Trek: Deep Space Nine

PURE FUN
These three movies to me all belong in the same general sub-category. They’re all fun (and sometimes darn cheesy!), but ultimately leave me with a smile on my face. Get the popcorn out and let’s have a blast!

  • Flash Gordon
  • Galaxy Quest
  • The Last Starfighter

*Note: I did not include Doctor Who on my list because I haven’t seen enough of it to form an opinion, nor did I include Firefly, only because it didn’t last long enough. And while I recognize that Guardians of the Galaxy is a quality movie, it just isn’t one of my favorites.

Read the novel that was inspired (in part) by this list, Crossline by Russ Colchamiro.

My thanks to Lola’s Blog Tours for the opportunity to participate in this tour and the materials (including the book) they provided.

Lola's Blog Tours

Page 175 of 220

Powered by WordPress & Theme by Anders Norén