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The World’s Last Night by C.S. Lewis: An Interesting (if Somewhat Scattered) Collection that Starts Off With a Banger

Further Up and Further In A Year with C.S.Lewis

Cover of The World's Last Night by C.S. LewisThe World’s Last Night
And Other Essays

by C. S. Lewis

DETAILS:
Publisher: HarperOne
Publication Date: February 14, 2017
Format: Paperback
Length: 122 pg.
Read Date: August 3-10, 2025
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What’s The World’s Last Night About?

This is a collection of essays by Lewis, quite simply. I don’t know that they belong together more than that. GIven the original date of publication (1952), he was alive when this was collected, but I have no idea if he was involved in the selection—I am curious about that. So much so that I’ve written 3 more sentences (including this one) about it than I intended to.

Here’s what the jacket flap on my copy says:

In these seven satirical yet poignant essays, C.S. Lewis tackles the temptations of evil. He challenges readers to decide how they would live on thew world’s last night and writes, “We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are ‘on’ concerns us much more than to guess about the scenes that follow it.” The infamous Screwtape makes a special appearance with a toast that explores the prospects for exploiting evil. Blending irony, humor, and paradox, Lewis tackles religion’s most difficult and intriguing questions regarding immorality, belief, and the meaning of prayer.

I’m also not sure “satirical” applies to all seven essays. But I didn’t come here to pick a fight with anyone involved with putting this together. So let’s move on with a quick look at each essay (the premise should be clear for most from the title).

The Efficacy of Prayer

I loved this essay. I’m glad I read the collection, if only for this—sadly, the rest of the collection really didn’t live up to it. But I’m okay with paying most of the $17 I spent on the book for this essay. It’s one I will be returning to.

On Obstinancy in Belief

This is sort of a Science v. Faith (a ridiculous debate). Lewis made some pretty good points, and it was generally good. But I’m not sure it’s a home-run.

That demand for our confidence which a true friend makes of us is exactly the same that a confidence trickster would make. That refusal to trust, which is sensible in reply to a confidence trickster, is ungenerous and ignoble to a friend, and deeply damaging to our relation with him. To be forewarned and therefore forearmed against apparently contrary appearance is eminently rational if our belief is true; but if our belief is a delusion, this same forewarning and forearming would obviously be the method whereby the delusion rendered itself incurable. And yet again, to be aware of these possibilities and still to reject them is clearly the precise mode, and the only mode, in which our personal response to God can establish itself. In that sense the ambiguity is not something that conflicts with faith so much as a condition which makes faith possible. When you are asked for trust you may give it or withhold it; it is senseless to say that you will trust if you are given demonstrative certainty. There would be no room for trust if demonstration were given. When demonstration is given what will be left will be simply the sort of relation which results from having trusted, or not having trusted, before it was given.

Lilies that Fester

This is an interesting take on anti-intellectualism and related ideas. It really feels like it could be a recent composition.

There’s a paragraph about a child reading Science Fiction that sold me.

Screwtape Proposes a Toast

I was just going to refer you to what I wrote about this as an add-on to The Screwtape Letters, but apparently, I never finished that post. So, um, that won’t work.

This fell short of the original Screwtape material. It doesn’t have the wit, the insight. It feels like a sequel to The Abolition of Man crammed into Screwtape’s mouth, and it didn’t work nearly as well.

Good Work and Good Works

Second-best essay in the batch.

‘Good works’ in the plural is an expression much more familiar to modern Christendom than ‘good work’. Good works are chiefly alms-giving or ‘helping’ in the parish. They are quite separate from one’s ‘work’. And good works need not be good work, as anyone can see by inspecting some of the objects made to be sold at bazaars for charitable purposes. This is not according to our example. When our Lord provided a poor wedding party with an extra glass of wine all round, He was doing good works, But also good work; it was a wine really worth drinking, Nor is the neglect of goodness in our ‘work’, our job, according to precept. The apostle says everyone must aot only work but work to produce what is ‘good’.

Religion and Rocketry

Huh. Interesting take on extraterrestrial life, etc. I’m not sure what else to say.

The World’s Last Night

There are many reasons why the modern Christian and een the modern theologian may hesitate to give to the doctrine of Christ’s Second Coming that emphasis which was usually laid on it by our ancestors.

It’s hard to believe that someone in the 20th Century could start an essay about escathology that way. But there it is, in black and white.

We must admit at once that this doctrine [of the Second Coming] has, in the past, led Christians into very great follies. Apparently many people find it difficult to believe in this great event without trying to guess its date, or even without accepting as a certainty the date that any quack or hysteric offers them. To write a history of all these exploded predictions would need a book, and a sad, sordid, tragi-comical book it would be.

I’ve read some of those books, and he describes them well.

Overall, this is a really good look at the doctrine of the Second Coming and Judgement and how we should act before then—and why we should do so.

So, what did I think about The World’s Last Night?

I liked this more than some of what I’ve read by Lewis this year, but it doesn’t hold a candle to him at his best. There are moments of brilliance. Moments of spiritual insight and wisdom. Some moments of wit and common sense (which should never be sneezed at). Some moments where you wonder why he has impacted so many (including myself) in such a strong and lasting way.

Still, it’s worth the time—not just for completistis, either. Just know going in that not every essay is going to wow you.

I’m tempted to give it 4 Stars just for the first essay, but let’s not get carried away by such a strong start.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Saturday Miscellany—8/23/25

I really should’ve saved a couple of things from last week’s list for today…oh well, it’ll be faster for both of us this way.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet ChatGPT Shaming Is Making Our Writing So Much Worse: In the age of A.I. paranoia, people are cutting em dashes, skipping metaphors, and leaving in typos to prove their human.—If it’s a choice of defending my writing as human generated or cutting an em-dash, I’ll go to the gibbet! Leaving in typos? Stuff of nightmares.
bullet Convince Audible to revise it’s New Royalty Model—I’m not going to tell you if you should sign this or not. Or if this should alter your audiobook practices (but there is a libro.fm link in my sidebar and I get a little something from it if you subscribe). But you should give this a read just to understand what Audible is doing.
bullet Linda Castillo on Keeping Her Kate Burkholder Series Fresh and Frightening After 17 Books—I’m way behind in that series and I’m not so sure she’s pulling it off. But maybe I’m in a middling-time for her and things will freshen up. Still, it was interesting to read.
bullet Andy Peloquin and some fellow authors clearly had some fun at WorldCon as seen in Let’s ask random authors some questions…Part One!!
bullet SFF books featuring Characters with Disabilties – Top Ten Tuesday!—2 solid picks here and 8 that probably are, too. Feed your TBR!
bullet Speaking of feeding your TBR, it’s time for Narratess Indie August Sale. My TBR is embiggened!

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Book Off! Season 14, Ep. 13 JD Kirk and MW Craven—I haven’t listened to a Book Off! in ages, this was a good one to get back into it with. Loads of fun.

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet 212 by Alafair Burke
bullet Seconds by Bryan Lee O’Malley
bullet Veiled by Benedict Jacka
bullet Go Set a Watchman by Harper Lee—Nunc hoc in marmore non est incisum
bullet Lastly, I mentioned the releases of: Hallow Point by Ari Marmell; Zero World by Jason Hough; Last Words by Michael Koryta; Zeroes by Chuck Wendig; and Percy Jackson’s Greek Heroes by Rick Riordan

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet A Mother’s Guide to the Apocalypse by Hollie Overton—”a post-apocalyptic mystery exploring the unshakeable bond between mothers and daughters and the sacrifices we make for the people we love.” This looks intense and riveting

Books are proof that even fictional friendships can heal very real loneliness. bookswithvicandandie on Threads

WWW Wednesday—August 19, 2025

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Mushroom Blues by Adrian M. Gibson Cover of The Dragon and the George by Gordon R. Dickson
Mushroom Blues
by Adrian M. Gibson
The Dragon and the George
by Gordon R. Dickson, read by Eric Burgher

I’m finally dipping into Gibson’s first book. This is a dark and messed-up world. Really enjoying it so far.

So far, The Dragon and the George is doing a lot of things right. It’s doing a lot of things so-so as well. Still, it’s plenty of fun.

What did you recently finish reading?

Cover of Leveled Up Love by Tao Wong & A. G. Marshall Cover of Blood Rites by Jim Butcher
Leveled Up Love
by Leveled Up Love by Tao Wong & A. G. Marshall
Blood Rites
by Jim Butcher, read by James Marsters

Wong & Marshall’s SF/LitRPG/Rom-Com mashup was feel-good fun.

I don’t know that Blood Rites ranks up with Butcher’s best, but the high points of this are so high, I just don’t care.

What do you think you’ll read next?

Cover of Light From Uncommon Stars by Ryka Aoki Cover of The Keeper of Lost Causes by Jussi Adler-Olsen
Light From Uncommon Stars
by Ryka Aoki
The Keeper of Lost Causes
by Jussi Adler-Olsen, translated by Lisa Hartford, read by Erik Davies

Aoki’s book seems to be quite the genre mashup, looking forward to seeing how/if it works.

Netflix’s Dept. Q got me interested in the source material, The Keeper of Lost Causes. Time for some Nordic Noir.

Are you working through anything good?

(belated) Saturday Miscellany—8/16/25

Hate to let the streak end (although it was for a worthy cause), especially because I had the biggest list I’d come up with in a few weeks.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet The authors who make millions through self-publishing: Three British writers reveal how they built successful careers without agents or conventional publishers
bullet C.S. Lewis in the Age of Bleakness: Awe, Wonder and the Power of Enchantment
bullet Our Golden Age of Reading (Online)
bullet Review Bomber Review Bombed—hate to see it (no, not really)
bullet Book Review: ‘Mississippi Blue 42’ takes readers into excesses and corruption in big-time college athletics—some review, some profile, generally good stuff about Cranor and his latest
bullet We All Miss Mass Market Paperbacks: It’s partly nostalgia, but there really is something special about those books…—Templeton makes it hard for me to finish the post I’ve been playing with about Mass Market Paperbacks
bullet 5 Fun Tips and Tricks To Focus on Your Physical TBR: Feeling overwhelmed by your physical TBR piling up all around you? Here are fun tips and tricks to dwindle your physical TBR.
bullet How I Read Star Ratings—some good thoughts from Pages Unbound’s Krysta
bullet Blogiversary #8—Carol’s Reading Ladies Book Club hit a milestone last week. Congrats!
bullet When Fiction Meets Reality: I Guessed the Inspiration for a Book and Now It’s Living Rent Free in My Mind
bullet Dungeons and Dragons Romance Books—I can think of a few people who’d like these

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet How I Library Episode 20: Penn Jillette—Fun in general, and Jillette offers one of my favorite anti-book ban arguments

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet Texts from Jane Eyre by Mallory Ortberg—Nunc hoc in marmore non est incisum
bullet Indexing: Reflections, Episode 1: Forbidden Doors by Seanan McGuire
bullet Spell or High Water by Scott Meyer
bullet The Redeemers by Ace Atkins
bullet Hidden by Benedict Jacka
bullet The Winter Long by Seanan McGuire
bullet And I mentioned the releases of: Indexing: Reflections by Seanan McGuire; You’re Never Weird on the Internet (Almost) by Felicia Day; Who Do You Love by Jennifer Weiner; and The End of All Things by John Scalzi

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Final Vow by M.W. Craven—If there’s a book I’ve been looking forward to more this year, I can’t think of it. Just waiting on international shipping. Oh, right, about the book—Poe and Tilly are on the hunt for a sniper who is on a spree of random shootings.
bullet The Bone Raiders by Jackson Ford—Ford tries his hand at epic fantasy, “a wild band known as the Bone Raiders harness the power of gigantic, fire-breathing lizards to defend their homeland.”
bullet The Society of Unknowable Objects by Gareth Brown—”a trio of seemingly everyday people are members of a secret society tasked with finding and protecting hidden magical objects—ordinary items with extraordinary properties. “

'One does not simply read books--one climbs inside them and lives there.'
Image credit: Grammarly

A Few Quick Questions With…Adam Holcombe

A Necromancer Called Gam Gam Tour Banner
Okay, we’re wrapping up my Tour Spot for A Necromancer Called Gam Gam with some actual new content! (gasp!!) Holcombe was gracious enough to take some time out from camping to answer a few quick questions for me…I hope you enjoy these answers!


Why don’t you take a moment to introduce yourself to the readers, and tell us about your path to publication?
Hello all! I’m Adam Holcombe, author of the Chronicles of Gam Gam series as well as the upcoming sci-fi epic, Bounty Inc. My path to publishing is much like the tick’s path to getting burned off of someone. Except the people I latched onto were all very nice and helped me instead of burned me! I’m very grateful for that.

But what I mean specifically is that I was able to follow some of my favorite indie authors through social media, and ended up finding ways to get involved, such as an accountability thread on a Discord server where I ended up getting to know some of my favorite people. With their help, I was able to find my way to publishing A Necromancer Called Gam Gam, and much of my success is owed to how kind and wonderful everyone in this community has been to helping ticks like me grow into our own authors.

Who are some of your biggest writer inspirations/influences. Whether or not we readers can see them, but you know they’re there.
Two of my biggest inspirations to writing come from different media sources than the traditional book, actually. The first is Eiichiro Oda, the mangaka for One Piece, and the second is James Gunn, writer and director of the Guardians of the Galaxy movies, among several other things. And both of these are for very similar reasons: they both blend humor and emotion so seamlessly it’s incredible how it works, and it’s what I’m constantly striving for myself. I want to create a story that leaves one laughing before they suddenly find themselves silenced by a powerful, heart-wrenching scene. And then maybe ending on a laugh, I don’t know, guess you’ll have to read to find out!

That’s not to say I don’t have authors who are inspirations to me as well! In the same vein of things, M.L. Wang writes emotion so well, she’s been one of the few authors who have ever really brought tears to my eyes. Krystle Matar writes characters so well, it’s hard to imagine they invented these people, they feel real, pulled straight from whatever plane of existence Krystle can peer into. C.M. Caplan can dial the unhinged to eleven and just make it work, something that is so very hard and something I hope to get the chance to do more and more as I continue writing. Those are just a few, but so many stories I’ve read, and authors I’ve talked to have influenced my work in tiny ways, and will continue to do so as I keep pushing more out.

I want to ask about tone—because you strike this balance (or do an intricate dance around and between tones, whichever metaphor you prefer) between cute/cozy and emotionally-wrought with a side of creepy. Was this something you had in mind from the beginning? Was this something you discovered along the way and then wrote/rewrote to turn into it? Or is this just Adam Holcombe in a nutshell?
Ha, maybe my previous answer gave some of this away, but deep/serious moments and light/silly moments are two things I work hard to balance and I’m happy to see that it seems to be working from your perspective! For A Necromancer Called Gam Gam, there were a few ideas I wanted to incorporate from the beginning that set up this balance, but so much of the actual work came when the writing started. If something felt too creepy and too serious when I wanted it to be lighter, I would adjust and make sure something silly was incorporated so it wouldn’t go too far in one direction. And in the same way, if it was getting too whimsical, I’d look for a way to ground things once more. It took a lot of toying to get the feel that I was satisfied with.

This is the point where I like to ask about a supporting character or two that caught my attention. But you’ve done a good job of taking these supporting characters and giving them short stories. When did you decide to do those? Was it because of people like me who were asking questions about them, and this was a quick and effective way to shut us up? Do you have any plans to keep these coming? I think The Wishing Stone provides several potentials.
A lot of authors offer a newsletter magnet, usually a novella of sorts that ties into their story and brings people to their newsletter while also giving readers a chance to try their work and hopefully hook them. I wanted to do something similar, but with A Necromancer Called Gam Gam already being a novella, it felt odd doing a second novella to sell the first. Or giving away that for free to join a newsletter that had nothing else to offer. In the end, the idea came from several anthologies I’ve read where the authors would tie the short story into a series of theirs, giving the reader a taste and a chance to hop onto that series if they liked what they read. A short story seemed a lot more doable for coupling with A Necromancer Called Gam Gam than a second novella or something similar might be.

So, I decided to look at which characters I felt really deserved more backstory, and started with Sir Gibblet in The Knight Revenant, and of course Nugget would need more story in Nugget’s Tenth Life. He’s demanding like that. I also wanted to provide these stories for free, so that anyone who wanted to see what the Chronicles of Gam Gam was about could easily do so. And, for people who are better at reading physically, I also decided to provide them in the physical copies so a reader wouldn’t have to read it digitally if they have a preference. After the first book, pairing up with The Knight Revenant, I thought it would be a lot of fun to do this for each book in the series. Each main book is planned to be partnered with a short story to expand on side characters that don’t get to hog as much spotlight.

The Wishing Stone offers up a lot of fun decisions on who can be next, but as a sneak peak just for you and your readers, the next short story will be following Emil who runs into some shenanigans in the city after the events of the second book.

You display a certain knowledge of knitting—and I like the way that Gam Gam uses it to describe magic. Is this the result of research for the character? Or is this a hobby that you inserted for the image of an elderly necromancer?
Okay, so a peek behind the curtain here, I know nothing about knitting. Give me yarn and two knitting needles, and you’ll get a big ol’ knot back. Maybe the two knitting needles, too. I owe everything knitting related to my wife, who is a huge fan of knitting, crocheting, and many other forms of crafting. I’ll do my own research, but then I run it by her, and she helps me phrase it in a way that actually makes sense. Her teaching me what a perl was probably tested her patience.

Interestingly enough, not that long ago I had to ask her about some big cable knitting thingy to see if it made sense to exist yet in the world of Gam Gam, and she got a big kick out of me trying to talk about it and ask about it. She even dared to say I “was cute.” In the end, though, I decided that in a world with enchanted, magical items, the big cable thingy can exist too. (The big cable thingy is circular knitting needles for those who know more than me.)

I have a guest question from Jodie at Witty and Sarcastic Book Club. I think I read somewhere that Gam Gam started as a D&D character idea, was that a natural jump from the game to writing? Do any of your other characters share that origin? Does being a DM affect how you write/structure a story?
Gam Gam certainly started as a D&D character, but she was quite a bit different! One of my favorite things about D&D is being able to play as ridiculous and fun characters, and sometimes, I take that to the extreme. How she came about was that I wanted to be the party’s grandma if I ever played her, baking cookies, and caring for everyone, but I needed to figure out what kind of class this grandma would be. The funniest to me was having her raise the dead as a Necromancer because it was such an odd combination. And lastly, it’s fun to be insane, so I originally had her animating the bones of some dear loved ones. This was not in a cute way, but a rather horrifying way. At the time, I was a forever DM (meaning I never played characters, so all my character ideas lived and died quickly, never finding freedom on the fields of imagination and dice rolling), so when I had a character idea I was obsessed with, she kind of stuck around until I talked about Gam Gam and was coerced into writing about Gam Gam.

The transition was relatively natural, but I had a character and no story. And the character was a bit insane, so that definitely needed adjusting. Maybe it could have worked, but that was the character I wanted to be to mess around with my friends, not necessarily the one I wanted to read about. I tamed her down, gave her an actual reason for being a necromancer, and found a story that fit just right for her, and the rest came quickly after that. I’m much happier with Gam Gam the story character than I probably would have been had she remained the D&D character.

Right now, Gam Gam has earned the sole distinction as D&D character turned book character. I have a lot of influences from D&D coming into my books (a character in Bounty Inc. is kind of like a lizardfolk or dragonborn, and I have a different character in the third Gam Gam book that is kind of like another creature from the world of D&D), but nothing so direct as the Gam Gam transition. I don’t know if it will be likely either, that seemed to kind of be a one shot wonder that worked in the right place at the right time. I’m getting to play characters now, but it feels like their stories belong in my D&D group, not a story, and so they’ll likely not see the page.

Being a DM feels like writing mostly worldbuilding with the barest frame of a story at times. I can control what my players do to a point, but we never really know where the story is going, and I don’t want to pull them away from something interesting, especially if I’m also very interested. Whereas, for writing, I usually need some beats of plot to really begin on it, and that tends to be central (after I’ve already figured out characters, I do need those before plot). So, my brain actually splits these completely apart, and I tend to not overlap them in many ways. Like, what works for D&D doesn’t always seem to work for a story and vice versa. I’ve had many a great story moments ruined because my players just did other things haha. It feels less like one builds on the other, and more that they compliment each other in completely different ways, and I love that because I’m not always feeling like I want to write one way verses the other. This is, of course, a disclaimer that this is from my own experiences of how I DM and write my own way, and this definitely varies between authors/DMs.

While we’re here, do you want to give a plug for Bounty Inc.? What’s on the horizon for Adam Holcombe, author, after that?
Yes, I would love to! Next on my release docket is a huge swing away from Chronicles of Gam Gam with Bounty Inc. This was the book I was working on before A Necromancer Called Gam Gam came knocking on my brain, so it’s been cooking for some time. If you’re interested in a sci-fi epic that has the same blend of humor and seriousness as Gam Gam, but brought into a more action-packed, vulgar adventure through space, helping to improve the galaxy one bounty at a time, then be sure to check it out! It releases October 15th, 2025!

I am also hard at work on The Knitting Club (book 3 of Chronicles of Gam Gam) and hoping to have that out early next year (though that may be pushing it). I plan to send that out to beta readers by the end of the month. Emil’s short story will be sometime in there too, I’m sure.

I have plenty more Gam Gam and Bounty Inc. left in me, I just need to find the time to work on it all!

Thanks for your time and participation! I’m a big fan and I hope we get to keep reading your work for years to come!
Thank you so much for having me and for enjoying your time with Gam Gam and Mina! I hope to be around for years to come, I’ll need them for everything I have planned.


A Few Quick Questions

BOOK SPOTLIGHT: A Necromancer Called Gam Gam by Adam Holcombe

I’m very pleased today to welcome The Write Reads Blog Tour for Adam Holcombe’s, A Necromancer Called Gam Gam! Now, I read this back in 2023, so in addition to this Spotlight, I’ll be reposting what I said then–I’ll also be reposting what I said about the first two short stories in the series, “The Knight Revenant” and “Nugget’s Tenth Life“. But it’s not just re-runs here today, nosiree Bob! I have A Few Quick Questions with Adam Holcombe coming up in a little bit, too! (these links will actually work when the posts go up). If you take a look at the feed for https://twitter.com/WriteReadsTours over the next few days, you’ll see a lot of bloggers who had interesting things to say about it. A Necromancer Called Gam Gam was the 2nd Place Finalist for the 2024 Book Blogger’s Novel of the Year Award, so you know there’s a lot of good to be said about it–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists (16 in 2024) and one overall winner.

BBNYA Finalist Badge 2024

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.

A Necromancer Called Gam Gam Tour Banner

Book Details:

Title: A Necromancer Called Gam Gam
Genre: Fantasy
Age Category: Adult
Format: Paperback/Ebook/Audiobook
Length: 110 Pages
Publication Date: May 30, 2023
Cover of A Necromancer Called Gam Gam by Adam Holcombe

About the Book:

A grandmotherly necromancer seeking resolution for her past with the help of her loyal entourage: an undead cat and a spectral knight.

A girl on the run from the Eternal Empire for the mysterious power she possesses.

When a chance encounter pulls them together, Gam Gam will do what it takes to protect Mina from the rogue sergeant hounding her–including raising the dead. As long as they’re dressed for the occasion.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Adam HolcombeAdam Holcombe daylights as a programmer and moonlights as an author. After spending years toying with the idea of writing, he decided to fully commit and work toward releasing his first novel. Then Gam Gam got in the way, and his first novel became his first novella. The novel will come later. When he’s not locked in a cold basement, typing away, he can be found hanging out with his wife, his dog, and his tortoise or playing D&D or board games with friends.

BlueSky ~ Patreon ~ Instagram ~ TikTok ~ Goodreads


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

REPOSTING JUST CUZ: Grave Cold by Shannon Knight: She Sees Dead People

The third book in this trilogy just released this week, and since I can’t talk about it yet (hopefully soon), I figured I’d repost this to remind people of the series.


Cover of Grave Cold by Shannon KnightGrave Cold

by Shannon Knight

DETAILS:
Publication Date: May 2, 2023
Format: e-Book
Length: 394 pg.
Read Date: May 16-21, 2025

Where Does Grave Cold Take Place?

In a dystopian future the geography of the (what we’d now consider) the Western U.S. looks much different—states are a thing of the past, and two major population centers are the District of Utah (which does contain Salt Lake City) and the District of Portland (Oregon, not Maine). There are people who have been Genetically Modified for one reason or another—and in the D.P. they’re largely feared and ostracized because of what they are and what they can do.

D.P. is where the action takes place in the novel—and it feels like it came out of Portland, OR, too. And not just because Voodoo Doughnuts still exists. Yes, even in a quasi-dystopia people want their donuts. Maybe they need them more than we do, come to think of it.

There’s a lot of the tech, etc. that one usually associates with more utopian-looking/feeling SF. And maybe for many people it’s just that. But D.P.’s government is definitely of the dystopian type (and, boy howdy, do we learn more about that as the book continues), and the area outside the District feels that way, too, filled with mutants and who knows what else.

If you’re one of those readers who really gets into worldbuilding, you’re going to be happy with this read.

What’s Grave Cold About?

Cait’s a beautician with a lot flair and very little money. She’s scraping by, barely. When she sleeps (which she tries not to), the dead come to her and talk to her, trying to get her to do things. So…it’s easy to understand why she doesn’t like to sleep.

A man named Nyle sneaks into Portland after having been prevented legal entrance by a guard—and he’s not the only one like him who has been denied entrance. Nyle, however, is older, more experienced, more powerful, and probably more determined. He and those like him are called “ravens” (although there are other, more contemporary(?) names like “ferrymen”)—they’re tasked with freeing the spirits of the dead from their bodies. It’s been so long since they’ve been permitted in D.P. that Nyle has been compelled to come so he can do his work.

He and Cait have a strong rapport right away, she has some friends (and some family she has a troubling relationship with), but not that many. The two of them click right away, and Cait helps Nyle change his appearance so he can hide from the authorities. He tells her that she’s not Genetically Modified, she has supernatural abilities like him—she’s a necromancer.

While it’s not the same power, it’s close to his and he has experience with necromancers and guides her to use her abilities better.

Working together, they begin to free the spirits of the dead and learn why ravens have been blocked from entering D.P.—those spirits are being used by newly developed technology. This pits the pair against the authorities and other powerful people.

Here’s the Thing

I don’t get magic/paranormal/supernatural systems like this one where someone/something is required to separate souls from bodies at/around/near death. Whether it’s this book (and it’s oncoming sequel), Amber Benson’s Calliope Reaper-Jones series, the TV show Dead Like Me, or any of the other examples I had in mind for weeks to bring up that disappeared as soon as I started composing this post. It just doesn’t make any sense to me.

This doesn’t mean I don’t enjoy these works of fiction. I just don’t understand what ties these non-corporeal entities/substances/existences/whatever to the body at or after death and why someone has to come along and separate them.

So I guess I’m saying two things here—1. If you’re like me on this point, you can still get into this book. I honestly didn’t think about it while reading the Grave Cold, it’s only when I think about the book/system that it gives me pause. 2. If you’re not like me…can you explain this?

So, what did I think about Grave Cold?

I cannot describe it to my satisfaction, but Knight has embued this novel with an atmosphere, a texture that you can’t help but feel as you read. Her descriptions are pretty sparse, but at the same time, I really think I know what Cait’s environs look and feel like.

It’s difficult to think of spirits as capable of being mistreated or abused—they’re spirits of dead people, right? But in Knight’s world that’s exactly what’s happening. Abusing the dead ranks right up there with elder-abuse somehow. As Nyle says,

“It’s easy to see the dead as non-persons when you’re alive. It’s harder when you know them.”

Instead of going on to whatever is next once the spirit is released, the former citizens of D.P. are trapped and exploited.

While this story is dark and harrowing, there’s a real pleasure (and sometimes lightness) in watching the friendship between Nyle—a centuries-old being—and Cait deepen and grow stronger. It’s a tricky thing to attempt (much less pull off), but Knight does it well.

Great world-building, questionable (to me) magic system—but it’s cool to see in action, some well-designed characters (including all of them that I didn’t mention here), a plot that moves well and is intricate enough that you’re kept wondering where it’s going until the end. Knight has written (on my blog) about coming up with the sequel, so I know one is coming. And I’m looking forward to it—at the same time, were this a stand-alone, it’d be very satisfactory as one.


3.5 Stars

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The 2024 Self-Published Authors Appreciation Week Logo was made by Witty and Sarcastic Book Club

2025 WWW Wednesday—August 12, 2025

Family and the need to do things to “make money” to “pay bills” like my webhost and “buy books,” really limited what I could do today. But hey, I got this up.

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of When the Moon Hits Your Eye by John Scalzi Cover of Blood Rites by Jim Butcher
When the Moon Hits Your Eye
by John Scalzi
Blood Rites
by Jim Butcher, read by James Marsters

I’m probably going to finish Scalzi’s latest tonight–it’s delightfully weird and plenty of fun. Not his best, but it’s good enough.

Blood Rites has a lot of cringe-y moments. More than I remember. But…some fantastic lines, and a story that makes up for the winces.

What did you recently finish reading?

(I was really hoping this wasn’t just going to be a rehash of last week’s “What do you think you’ll read next?”)

Cover of Mississippi Blue 42 by Eli Cranor Cover of This Dog Will Change Your Life by Elias Weiss Friedman
Mississippi Blue 42
by Eli Cranor
This Dog Will Change Your Life
by Elias Weiss Friedman

I’m very curious about how Cranor builds on this book for a series–but hey, I like Special Agent Rae Johnson that there’s no doubt that I’m back.

Was The Dogist’s book a little much sometimes? Yes. But it was sweet and full doggie goodness.

What do you think you’ll read next?

Cover of The Crew by Sadir S. Samir Cover of The Dragon and the George by Gordon R. Dickson
The Crew
by Sadir S. Samir
The Dragon and the George
by Gordon R. Dickson, read by Eric Burgher

I’ve heard nothing but good (if not great) things about The Crew, and I’m glad I finally get to dive in. If only so my friends who are harassing me for not getting to it yet have to quiet down.

While browsing at the library, this title jumped out at me. The premise looked promising, hope it was a worthwhile gamble.

Are you reading anything good?

Grandpappy’s Corner: Martin Luther by Simonetta Carr, Troy Howell (Illustrator): A Brief and Compelling Look at the German Reformer’s Life

Yes, this is going to sound a lot like last week’s post about Patrick of Ireland—hard not to when you have a good, consistent writer∞you’re going to think similar things.


Grandpappy's Corner Logo with the Cover of Martin Luther by Simonetta Carr

Martin Luther

by Simonetta Carr, Troy Howell (Illustrator)

DETAILS:
Christian Biographies for Young Readers 
Publisher: Reformation Heritage Books
Publication Date: October 25, 2020
Format: Hardcover
Length: 63 pg.
Read Date: August 3, 2025

What’s Martin Luther About?

It’s all there in the title, simply put—it’s a biography of Martin Luther written for young readers.

Carr begins with Luther’s family and education, as well as his early career, before moving into his work as a Reformer. Recounting the tumultuous days of his earliest work and time in hiding before moving on to the slightly-less tumultuous times of success and raising his own family.

This is more detailed than the Patrick of Ireland book I discussed last week, both in describing the events of Luther’s life and his teachings. This is easily explained by the fact that we have many, many, many more documents about and by Luther than we do of Patrick (particularly contemporary to him).

By Luther Himself

Carr reproduces a little bit from Luther’s Small Catechism so the reader can hear from the man himself. This must’ve taken some effort to decide what to choose. Given the audience, this is probably the best—it’s Luther at his most basic, bringing the core of his teachings to the forefront.

As it should’ve—especially for older readers—it drove me to dip into the catechism as a whole. Naturally, it has its flaws (as Luther was 1. Human and 2. Not Reformed*), but that was an unexpected bonus from reading this work. Almost always a reward to re-read some Luther.

* That’s mostly a joke

Let’s Talk about the Art for a Minute

Howell’s art is warm and approachable. While not leaning into the whole “children’s book” feel of art, it really works that way. But his illustrations would be fine in a book for older readers, too (those that use colored illustrations, anyway). It did make me go check his website and add at least one book to my to-buy list.

The rest of the illustrations are photographs of European landmarks, reproductions of contemporary depictions of some of the major players in this story. It really reminds me of the kind of things that illustrate textbooks (for children or college students, and in-between). It solidifies the impression that this is a book for children to take seriously, and not just some fluffy bit of entertainment (see below).

How is it to Read Aloud?

It’s fine. It’s not really written to be read aloud—any more than any book for children of reading age and up are. There’s nothing wrong about the text for reading to someone else, but it’s not desiged for it like books for younger children are.

It’s a little dry for that, really—possibly dry for reading to yourself, too. Which is probably good considering the aims of the book.

So, what did I think about Martin Luther?

I really enjoyed and appreciated it. Carr had a lot of material to choose from when deciding what to write about, and tackled not only the typical “main items” but also addressed some of the murkier things in his life/writing as well. I was surprised, for example, that she touched upon his late-in-life anti-Jewish writings (and relieved/encouraged that she was so clear about the problems with that). I was also not expecting her to bring forth the controversies with Karlstadt, either.

There are nuances and details she had to leave out due to space and the maturity of her audience—but she does a good job in keeping the clear details clear and laying the groundwork for reading/learning as her readers grow.

Yes, it is a bit dry. It’s not a book written to talk down to a child, or even written to appeal through a gimmick. It takes the material seriously and expects the audience to, too—I’m pretty sure that’s the point. I found this a rewarding read, and I’m eager to introduce the grandcritters to it when they’re a little older, and would recommend it to any reader 7-12 (the target range), and even older.


3.5 Stars

Grandpappy Icon

Saturday Miscellany—8/9/25

Happy Book Lover’s Day, everyone!

Got a short list this week–I don’t know if I’m just missing posts (very likely), or if everyone’s got the August blahs (even liklier), or a societal collapse ennui (incredibly understandable)–but I did find a few things that I wanted to be sure to share.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Jane Austen was a satirist – why isn’t she treated like one?—This is a great question. Maybe if I’m prodded into re-reading her, I’ll focus on that part. (and it would take something like John Cena shouting in my ear while shoving the collected works into my chest to prod enough). Would love to read comments by Austen-appreciators about this piece
bullet What happens when Stephen King and Maurice Sendak join forces? Joe Hill has some thoughts.—I’ve had this book on my radar, and was already planning on actually purchasing a Stephen King book (something I haven’t done since the 90s!), but I enjoyed this video enough to save it for today. Also, Mina Moo Bozic’s comment should make you smile.
bullet “Reading,” a Poem by Emily Skillings

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Fiction Fans The Great Gatsby by F. Scott Fitzgerald feat. Krystle Matar—”Your hosts are joined by Krystle Matar to discuss The Great Gatsby by F. Scott Fitzgerald. They wonder why no one talks about Gatsby being a crime lord, throw around wild F. Scott conspiracy theories, and rank the characters from least shitty to most shitty. (It’s all of them. They’re all the most shitty)” I haven’t had a chance to listen to this yet, but I’m looking forward to it, I just have to make the time. Although, “no one” talking about Gatsby being a crime lord is a bit of an exaggeration. It’s not terribly suprising that podcast hosts that focus on SF/F don’t read Crime Reads (or similar places) regularly, as shown in one example or two regularly.

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet Long Black Curl by Alex Bledsoe—One of the best Tufa novels (which is saying something)
bullet Thank You, Goodnight by Andy Abramowitz—another absolute banger of a novel
bullet Luckiest Girl Alive by Jessica Knoll
bullet I mentioned the release of a handful of books: Kitty Saves the World by Carrie Vaughn; Veiled by Benedict Jacka; Combat-Ready Kitchen: How the U.S. Military Shapes the Way You Eat by Anastacia Marx de Salcedo — This book looks great, but man…I tell you, I’m not sure I want to learn what she has to say.; School for Sidekicks by Kelly McCullough; Con Academy by Joe Schreiber; Whirligig by Magnus Macintyre; and A Better Way to Die: The Collected Short Stories by Paul Cornell

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Bones & Betrayals: Silence of the Dead by by Andi Ewington/Erica Marks—a buddy PI novel in a fantasy world. Worked for me on several levels, it’s one of those books I’m telling everyone about—along the lines I did here
bullet Mississippi Blue 42 by Eli Cranor—this is a “series debut starring a rookie FBI agent who finds herself caught in the tangled web of a college football empire—and the bloody greed that fuels it.” I’m halfway through this now…and I’m vaguley annoyed I have to do anything else until I’m done.
bullet Automatic Noodle by Annalee Newitz—1. Fantastic cover. 2. “You don’t have to eat food to know the way to a city’s heart is through its stomach. So when a group of deactivated robots come back online in an abandoned ghost kitchen, they decide to make their own way doing what they know: making food—the tastiest hand-pulled noodles around—for the humans of San Francisco, who are recovering from a devastating war.” Then there’s some sort of pushback. Mike Finn argues against this being classified as “cozy” and makes me more interested than I already was.
bullet That Christmas and Other Stories by Richard Curtis (yes, that Richard Curtis), Rebecca Cobb (Illustrator)—I really enjoyed the movie based on these stories and was curious what they looked like in their original form–now I can (but I’ll probably wait until December to do more than skim it).

thebeachbookblog i don't undertand people that don't read. like you're just living in this real world all the time. are you ok?!

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