Category: Blog Series Page 47 of 218

WWW Wednesday, June 12, 2024

Whoops, I almost forgot about this. Blame M.W. Craven.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

I literally had to force myself to close The Mercy Chair by M.W. Craven and put some distance between me and so I could get this post (and tomorrow’s) ready. I’m closing out Paper & Blood by Kevin Hearne, read by Luke Daniels on audiobook—I’m more eager than I was a couple of days ago for the third installment in this series (and I was pretty eager then). Also, this might be the best thing that Luke Daniels has ever done (and that’s no small feat).

Cover image of The Mercy Chair by MW CravenBlank SpaceCover image for the audiobook of Paper and Blood by Kevin Hearne

What did you recently finish reading?

I just finished E. Rathke’s Howl and I’m Afraid You’ve Got Dragons by Peter S. Beagle, read by Shaun Taylor-Corbett on audio. Am I allowed to say that I enjoyed it more than The Last Unicorn? It feels like the kind of thing I should whisper—or maybe only admit to someone in a parking garage while standing in the shadows.

Cover image to E Rathke's HowlBlank SpaceCover to the audiobook of Peter S Beagle's I'm Afraid You've Got Dragons>

What do you think you’ll read next?

My next book should be for The Teachings of Shirelle: Life Lessons from a Divine Knucklehead by Douglas Green and my next audiobook should be The Bitter Past by Bruce Borgos, read by James Babson.

Cover image for The Teachings of Shirelle by Douglas GreenBlank SpaceCover for the audiobook of The Bitter Past by Bruce Borgos

What has found its way to the top of your TBR?

LITERARY LOCALS: A Q&A About Writing in Idaho with Christi Nogle

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Christi Nogle is another one of those writers who took me introducing myself with “I’m probably not going to like your [mostly horror] stuff” with a smile. I think if I read horror, I’d have a blast going through her backlist. She’s got some events coming up in the next couple of weeks (dates are listed below). Local readers should make a point of going to meet her.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
Hi! I’m a fiction writer, focusing on horror and horror-adjacent work. You can follow my writing journey at christinogle.com and at linktr.ee/christinogle

My first novel, Beulah from Cemetery Gates Media, won the 2022 Bram Stoker Award® for Superior Achievement in a First Novel and was one of five Shirley Jackson nominees in the Novel category for that year. The book has also been translated to Spanish by Dilatando Mentes Editorial. Beulah is a ghost story set in a fictional town of Beulah, Idaho. I’ve written two more novels also set in Idaho, which I hope will be available soon.  

I‘ve had almost a hundred short stories published in a variety of magazines, anthologies, and my fiction collections from Flame Tree Press: The Best of Our Past, the Worst of Our Future, which is a current 2023 nominee in the Bram Stoker Awards®, Promise: A Collection of Weird Science Fiction Short Stories, and One Eye Opened in That Other Place.  

I’ve co-edited two anthologies of horror, science fiction, and fantasy stories: Mother: Tales of Love and Terror with Willow Dawn Becker and Wilted Pages: An Anthology of Dark Academia with Ai Jiang, and I work as an Associate Editor for the horror fiction podcast PseudoPod.

Are you a native Idahoan? What is it about Idaho that keeps you here?
I moved to Idaho at the age of ten and have lived here ever since. Previously, my family moved around the country a lot.

I’ve stayed in Idaho because my family lived here, and now that my family members have passed, I have wanted to move closer to the ocean, but suppose I stay here because this still feels like my only home.

“Feels like my only home.” Is possibly the best answer I’ve received to this question.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
Yes, I have a wonderful writing group here in Boise, the Sawtooth Alliance of Women Writers. [That name is a great way to say you’re an Idaho-based group without using the word Idaho. Also, I dig the initials.] I’ve known some of the members since college in the nineties and have been colleagues with others for almost that long, so it is a very comfortable and supportive group. The members of this group were among those who first encouraged me to send my work out for publication, and it has been wonderful to share my writing news and celebrate theirs each week. I’ve been meaning to check out the creative writing group at my local library, too, but so far I haven’t happened to be free during their monthly meeting time.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
Just lately I have begun appearing at local events such as library book fairs, the library’s ComicCon event, readings, signings at Rediscovered Books and Barnes & Noble, and the like. One of the most successful events for me was a reading at the Star library hosted by Tina Johnson—the attendees were so receptive and kind! Krampus Con Bizarre Bazaar at ABU Games in Boise was fantastic as well. The well-attended event featured comics, art, books, games, and cosplay, and as you would imagine there were a good number of people open to talking about horror. On June 15, I will be signing at Rediscovered Books 11:00-12:30. June 29, I have plans to do a signing at local author Brian McBee’s store, Kuna’s Book Habit from 12-2:00.

I desperately wish there were more of a local horror community here and am always envious when I see that fellow horror writers can go to regular horror events in New England, the Pacific Northwest, and California. I’ve wanted to start a local group for some time, and I ran a workshop through The Cabin called “The Art of Dread: Crafting Contemporary Horror” in hopes of meeting and cultivating some horror friendships here in Idaho. I then began looking for other Idaho horror writers on Facebook in hopes of starting an Idaho Horror Writers Association (HWA) chapter. There simply weren’t enough people, but just recently, the Wyoming-based horror writer Josh Hanson and I were able to open a chapter of the HWA for the “Inland North States” region including Idaho, Montana, Wyoming, and North and South Dakota, so I hope that will lead to more regional opportunities as well as more local and semi-local friendships. The HWA has been the most important organization of the several I belong to, as it offers opportunities to mentor and be mentored, other fascinating volunteering opportunities, and has put me in contact with some of my favorite writers. If any local writers reading this are thinking of joining the HWA, please reach out to me through my website contact form or through any social media and I’ll be happy to help you join our chapter.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world? 
My local friends read my work, and I’m trying to meet more readers locally, but most of my readers are from other parts of the U.S. and the U.K. Due to the translation of Beulah, I am also happy to have some readers and reviewers in Spain. I don’t read Spanish, but I can read their comments and reviews due to online translation, and it’s wonderful to see the response to the book.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
It’s been a bit challenging for me to be based here instead of in one of the places mentioned above that have a greater number of horror writers and readers. That said, there are some generous organizations in the area that have helped me, such as our local literary center The Cabin and the Alexa Rose Foundation—I’ll be in the Alexa Rose residency at The Common Well starting in November, and I hope to be offering a new workshop though The Cabin soon. We have a great library system here, and we have the wonderful independent bookstore Rediscovered Books.
With the Inland North States chapter, you’re on the front line of addressing one of the biggest challenges. I’ve had a few other authors talk about “maybe” starting something or wanting something that meets their genre/subgenre/specialty—it’s good to see that someone making progress in that direction, too.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
Yes, I think you would recognize a lot of the natural features of Idaho in my work, such as climate, the plants that grow here, the landscape. My settings are often rural or semi-rural and are drawn from the small towns where I’ve lived in Idaho as well as the country settings in Illinois and Indiana where I lived as a child.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers? 
There’s no one book that expresses everything that would need expressing about the state, but Educated: A Memoir by Tara Westover comes to mind. Westover’s work with theme of isolation really spoke to me.
Great pick.

Thanks for doing this–I hope you enjoyed it!


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Saturday Miscellany—6/8/24

I’m still trying to figure out my energy levels and how to manage them during my recovery, so I slept through most of my typical social media hours this week (and more of my reading/blogging hours than I’m comfortable with). This resulted in a skimpy list this week. But the show must go on, I hear. (and what I do list is worth your time, I think)

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet It’s Time We Added Full Credit Pages to Books: Maris Kreizman on the Importance of Acknowledging the Labor That Goes in a Single Title—I’d be down for that.
bullet Five Years On: Reflecting on Dead Inside—Noelle Holten looks back on her debut’s anniversary. (it was such a good read, if you haven’t tried it yet, you really should)
bullet Disabled and Neurodivergent Books out in 2024—a handy list for those who’d be interested
bullet My Problem With Audiobooks—I absolutely get this.
bullet On Mimesis and Stories—another batch of good thoughts from Peat Long
bullet On My Radar: May 2024—Literary Escape’s Monthly Wrap-up of posts and reviews we all should’ve read last month.

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week? (and a fun week it was)
bullet No Colder Place by S.J. Rozan—the fourth Lydia Chin/Bill Smith
bullet The Lives of Tao by Wesley Chu—it was that long ago I read this?
bullet Kill Fee by Owen Laukkanen—I miss this series…
bullet Robert B. Parker’s Cheap Shot by Ace Atkins—Parker. Atkins. ’nuff said.
bullet Night Broken by Patricia Briggs—Mercy Thompson’s 8th adventure
bullet I also spent some time talking about some Puritan works Heaven on Earth by Thomas Brooks—an all-time fave—and The Christian’s Great Enemy: A Practical Exposition of 1 Peter 5:8-11 by John Brown
bullet I mentioned the release of strong>Those Who Wish Me Dead by Michael Koryta and the fun compilation, strong>FaceOff edited by David Baldacci

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Mercy Chair by M.W. Craven—the 6th Poe and Tilly novel, reportedly the darkest. No small feat there. Life is preventing me from getting to it at the moment, so I’m bit cross with life. (apparently available in the U.S. in September for those who aren’t addicted enough to order from overseas.)
bullet Traditions of Courage by Jeffrey H. Haskell—the 7th in the Grimm’s War series, and I’m not going to read anything about it, because I’m now 3 behind. Ugh.

Superimposed on a picture of full bookshelves, 'The Odd thing about people that have Lots of Books is that they always want More.'

BOOK SPOTLIGHT: The Legendary Mo Seto by A. Y. Chan

I’m very pleased today to welcome The Write Reads Spotlight Blitz for this nifty-looking MG novel by A. Y. Chan, The Legendary Mo Seto! It came out this week, so you have no excuse not to run out and grab it so you have something to read this weekend!

Book Details:

Title: The Legendary Mo Seto
Publisher: Aladdin
Format: Hardcover/Ebook
Length: 320 pages
Publication Date: June 4, 2024
The Legendary Mo Seto Cover

About the Book:

Mo Seto, martial arts movie star! Has a nice ring to it doesn’t it? If only there wasn’t a height restriction to audition. But 12-year-old Modesty (Mo) Seto has never let her height get in the way before, not when she became a black belt, or when she fought the meanest boy in her class, and she’s not going to let it stop her this time! Now if only she can figure out a way to grow five inches and fool everyone at the auditions… Join Mo on an adventure (and audition) of a lifetime and find out if powerful things really do come in small packages!

Why I wrote this book – A. Y. Chan

I started training in taekwondo when I was six and, growing up, I longed to read books about kick-butt girls doing kick-butt things, but there really weren’t as many as I had hoped for. The idea for this book has been percolating in my head ever since. I wish to inspire kids not only to be brave and never give up, but also to be proud of who they are.

My inspiration for my story came from a real city-wide competition, where, like Mo, my protagonist, I faced off against a bigger, stronger boy during the final match. At that time, pairings were determined by belt-level and age, not by weight class. I ended up losing. I remember feeling so crushed by my second-place finish, and I kept replaying the fight in my head, wondering what I could have done differently.

I was also inspired by martial arts movies—especially the stunt actors and body doubles, and the thugs in the background serving as punching bags for the protagonist. As an introvert, I never wanted to be the main character…but to get beat up by the main character? That seemed awesome. After achieving my black belt in Taekwondo, I explored other types of martial arts and came away with an appreciation for the similarities and differences in the different forms, and how each has a unique philosophy linking the physical to the mental (and spiritual). Martial arts is about discipline and practice, but it’s also about respect (for oneself and for others) and integrity. And, of course, indomitable spirit, the all-encompassing light within us all that shines with determination and hope and an unshakable optimism for a brighter tomorrow.

Best,
A.Y.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Simon & Schuster ~ Goodreads ~ Publishers Weekly review ~ Kirkus Reviews review ~ The Children’s Book Review

Mo Seto Action Pose

About the Author:

A. Y. ChanA.Y. Chan is the author of The Legendary Mo Seto, a story about a 12-year-old female martial artist who auditions for a movie role opposite her favorite martial arts movie hero—only to find out she’s too small for the role. Growing up in Canada’s Greater Toronto Area, A.Y. read all the middle grade and young adult books she could get her hands on. To this day, those remain her favorite genres. After achieving her black belt in Taekwondo, she explored a range of other types of martial arts, and she draws upon her experiences in learning new techniques and philosophies to inspire her writing. These days, she continues her martial arts training some mornings, writes in the afternoons, takes long walks to muddle out plot points, and falls asleep reading.

Author Links:

Twitter/X ~ Instagram ~ Facebook ~ Website ~ The Children’s Book Review Interview

Mo Seto Director Chair
My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

WWW Wednesday, June 5, 2024

Yesterday, I told some people that anything I posted this week was a result of me being unable to get anything written about Robin Sloan’s Moonbound, and while this is a regular post for me—it’s still true. I’m taking time away from staring at an empty text file to put this together. Hopefully, there’s another post today, I really need to get something out there about this.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

I’m reading Bad Actors by Mark Pepper and am listening to The Ink Black Heart by Robert Galbraith, read by Robert Glenister on audiobook.

Bad ActorsBlank SpaceThe Ink Black Heart

What did you recently finish reading?

I just finished Craig Johnson’s First Frost and the last audiobook I finished was Dark Days by Derek Landy, read by Rupert Degas.

First FrostBlank SpaceDark Days

What do you think you’ll read next?

My next book should be the new Poe and Tilly novel, The Mercy Chair by M.W. Craven. It’s probably my most anticipated read of the year, and I cannot wait to open it up. My next audiobook should be I’m Afraid You’ve Got Dragons by Peter S. Beagle, read by Shaun Taylor-Corbett.

The Mercy ChairBlank SpaceI'm Afraid You've Got Dragons

The Secret & Hunting Virgins: Two Short Stories by Wayne Hawk: I Read It So You Don’t Have To

The Secret & Hunting VirginThe Secret & Hunting Virgins:
Two Short Stories

by Wayne Hawk

DETAILS: 
Publisher: Page Publishing
Publication Date: September 10, 2020
Format: Paperback
Length: 80 pg.
Read Date: May 9, 2024

What’s The Secret & Hunting Virgin About?

These are two short stories, sort of linked by protagonists purporting to possess some unique spiritual role/status. They’re thrillers best described as a mix of realism and SF/Fantasy. That’s really all I can think of to link them.

The Secret

This story follows a man who cannot keep a secret as he takes a road trip to visit his father one last time before he dies. At his father’s deathbed, he learns a secret that will change the world. Somehow surviving a hail of bullets that don’t prevent him from learning this secret, he’s instead imprisoned on trumped-up charges and put into solitary confinement (while never explaining why the government doesn’t use one more bullet once there’s a clear shot). Will he be able to outwit the guards and other prison officials to broadcast this secret?

Hunting Virgins

This is both an experiment into how often—and in how many ways—the word “virgin” can be used in a 33-page story as well as the story of a team of hard-partying hazardous-tree removal experts. At some point, their leader has a religious conversion and leaves this profession to start a church on the other side of the U.S.

A decade later, he returns with an offer too good to be true (literally). He recruits his old team—plus his beautiful and virtuous daughter who shouldn’t be anywhere near these louts—to go with him to a portion of Siberia to clear part of a forest heretofore untouched by logging in exchange for a small fortune. Why Russian loggers are incapable of doing this for far less, we’re not told. Nor why any company thinks that logging in an area so difficult to get to makes any sense at all, especially when the expenses incurred to do that are so large.

But maybe their dangerous profession and the well-known hardships of the Siberian climate aren’t the most deadly things that lay in wait for them…

So, what did I think about The Secret & Hunting Virgin?

I honestly can’t tell you which story made me angrier—the plots were disappointing, unoriginal, and somehow nonsensically inexplicable at the same time. The characters were utterly unlikeable at best and contemptible (in an uninteresting way) most of the time. The writing was dry and uncompelling—and the ineptness of the prose was only challenged by its lack of clarity for the least appealing part of it.

The ways that Christian—or pseudo-Christian and near gnostic—ideas are scattered throughout these two stories are just as off-putting as the rest of the elements of this writing. I can’t tell if Hawk is really trying to tell stories with Christian themes* or if he’s just using the trappings of those themes the way that Pierce Brown uses the trappings of the Roman Empire to tell his stories. Either way, he fails.

* I’m using Christian in the broadest and most watered-down possible sense here.

“The Secret” features a couple of people with delusions of grandeur comparing themselves to Apostles to bring the world one of the tiredest ideas this side of Whitley Strieber. I wondered a few times if I’d have liked it more if Hawk hadn’t tried to compress the events into such a short space, but had developed them fully and let them breathe. But I just don’t see any evidence that he’s capable of doing that. He spent more time on this than he should’ve.

“Hunting Virgins” is even worse—these tree-removal experts have the maturity of the main characters of the 80s Porky’s films* and should be trusted with power tools to the same extent. There’s nothing about them that says megacorporations should shower them with money to do anything—and when things start to go wrong for them, there’s nothing about the situation to make the reader care.

* I can’t believe that I remembered these things existed, either. Or that anyone ever used the word “film” to describe them with a straight face.

Why did I finish? I was curious—and the book is crazy short. Also, I spent enough money on this volume that I couldn’t let myself just walk away. I regret the whole thing and hope I’ve convinced you to avoid this experience.


1 Star

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LITERARY LOCALS: A Q&A About Writing in Idaho with Melaney Taylor Auxier

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This is going to look a little different than most of these posts, Auxier took my first round of questions and mashed them into a few paragraphs. I did ask some follow-ups that I didn’t think worked as well if I tried to incorporate them into those paragraphs, so you’re getting a hodge-podge I guess. It’s basically a nice monologue that I interrupt a few times.


Great questions! I’m just going to jump right in and go for it.
My parents were married 3 months out of high school and 9 months later started having a family. In order to support us, my dad joined the military. The Navy took us from CA to SC, with Illinois being ‘homebase’ of sorts since mom and dad both had family there. After 7years in the Navy, dad worked for an international company that moved us every 2-3 years. I’ve lived in 8 states and Europe, graduating HS from an international school in The Netherlands. I associate each place with a specific local food, lol! I would definitely say all these places play a part in my writing. I have now lived in Idaho for 20 years, so while not a native, I do love being here. I love the view of the mountains in all the seasons, sometimes snow-covered, or silhouetted in sunrise and sunset. It never gets old. I’m always in awe. Seeing elk in the wild fascinates me too. I love to watch them.

Yeah, probably not technically a native, but that’s long enough to get you honorary native status, right? What kind of food would you associate with Idaho? (or does that only work with the nations you lived in?)
The food I associate with Idaho, or at least my part of Idaho has changed since I first got here. There was this little Mom and Pop burger and shake place that we had to hit up if someone came to visit, if we were celebrating, or just out running errands on a Saturday, lol! But it has since changed hands, I’ve had to give up gluten and dairy, and it just isn’t the same. So now I’d have to say huckleberries. Since we’ve been here so long, we know where and when to pick them and load up the freezer bags to eat them all through the winter months in our own homemade df/gf baked goods and shakes.

I feel like I’ve been a storyteller my whole life. There were great negative consequences in my family for telling a lie but writing (or telling) a story for ‘entertainment’ was okay. I loved writing assignments in school. I would write my own song lyrics or mini stories in a tiny ‘office’ I made in my closet, complete with a tin can pencil holder. Back then, an author to me was like a movie star or a president or something. I didn’t know just anyone could become an author, that you could actually go to college to learn to write. I imagined authors were like, appointed or something or you were just born an author but that it was something ordinary me couldn’t be. This did not stop me from writing my stories, though.

Fast forward through many moves, a couple husbands, 6 kids, lots of animals, and I finally figured out anyone can be an author!
How long have you been publishing? What was it that made you take that step?
I think the timing was just right. For years I went to conferences, classes, tutorials, read writing books, etc. I was in my first critique group of very talented mentors. We believed traditional publishing was the only real way to publish a book. But when that disbanded, I queried agents only to be rejected because my books were ‘too quiet’, not edgy, no one died of a horrible disease, no abuse and I didn’t cater to what was ‘hot’ in the market at the time. (like werewolves and vampires) My current critique group got together and our computer genius talked to us about Amazon’s KDP. She said, I think I can do this. (meaning the uploading) So she taught me how to use Canva for my illustrations in my picture books and covers for my novels, worked her magic for the longer books uploading all those words and ta-da! I fulfilled a dream of being a published author. I wasn’t getting any younger, I was tired of waiting for a bunch of 20-somethings to decide what the next hot topic was going to be to force upon readers. So I write what I want, do my own marketing (which you have to do whether you are traditionally published or indie), set my own release dates. I have a great support system and it keeps it fun and exciting.

I have a weekly critique group I faithfully attend with a couple other authors that I have been friends with for many years. We each have a role in the group that highlights our strengths. One is great with story consistency and description, another is our computer genius. I am the grammar and punctuation police. We were all once a part of a bigger critique group that has since disbanded for various reasons. But we took away the foundation of that group into this one and are very productive because of it. If any author would like tips on setting up their own critique group, they can reach out to me through my website melaneytaylorauxier.com I’m always happy to share pointers and tips with other writers.
Oh, I love the idea of a critique group with specialties like that!

Small town Idaho definitely plays a big part in my middle grade and adult fiction. It’s a recurring setting that just inserts itself into my brainstorming sessions. Just about anything can spark an idea for a new book. The main character of my picture book “Don’t Judge O’dell by his Smell” was inspired by an actual stinkbug standing on its head as I did laps on the trail around our property a couple summers ago. The house that John lives in, in my book “Not Jingleheimer”, is based on a 100 year old home in my own small Idaho town.

I generally have more than one project going at a time. Currently I’m finishing up a (hopefully) humorous adult fiction. I have 3 picture books I’m working on, as well as a plot outline for another middle grade, and a play adaptation of my adult fiction, “Bad Coffee and Paws in Your Face.” It’s always good to have something else to work on when you get stuck on your current story.

I love participating in author events. I like meeting the other local authors and chatting with them. I like meeting the avid readers. There is always something new to learn by listening to others. It’s a wonderful surprise to hear from someone, “This is my child’s favorite book!” or “I bought your books online but I don’t have this new one! I have to get it!”

I have my full library of books on my website and on Amazon. My biggest surprise so far was when I randomly sold a book to someone in the UK! No idea who it is! But how exciting to see that on my Amazon sales.
I bet!

If I can tell a story that brings a smile or a chuckle out of someone or simply entertains them for a little while, I’m a happy author.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
I’ve tried to find Idaho-based books to send as gifts over the years and the ones that get all the hype are not what I’d consider the best. I’m not usually a big fan of Romance but I love the way author Sarah Hill incorporates small town Idaho into her books. ‘Since You’ and ‘Caterpillars in Glass Jars’ are a good example of this.

Margaret Fuller has a set of trail books and identifying Idaho berries and such that she has done extensive research for. For any outdoor enthusiasts, these are a must-have.

And I’d have to say, ‘(NOT) Jingleheimer’ , my middle grade fiction, is a fun book based in Idaho that is great for young readers or the young at heart, good for a chuckle or 2.

I do have a question for you, HC. I’d love to know how you got your name for your website. I’ve come up with my own theory but only you know the real story (wink)
I’m curious about your theory, of course. 🙂 There was a webcomic called Unshelved that several years ago had a strip about teaching kids to read irresponsibly (they even had a tshirt to that effect that I really lament not getting). It was just a phrase that stuck in my head. Basically, it’s about reading things I’m interested in, not what “I’m supposed to” read. What Alan Noble describes as reading based on whimsy.
When I first saw ‘Unshelved’ it made me think ‘crazy for books’ in a good way. If we didn’t have avid readers, there’d be no need for avid writers. I love those words, ‘Reading based on whimsy’.

Thanks for your time and participation!
Thanks for the questions! That was fun!


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Saturday Miscellany—6/1/24

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Why Are Debut Novels Failing to Launch?
bullet Banned Book of the Week—Digital Public library of America announced a new campaign this week
bullet Fletch Inhaled Twice: Reflecting on the influence of I.M. Fletcher and his creator, Gregory Mcdonald—I might quibble a bit here and there, but the only real problem with this piece is how short it is
bullet Five for Them, One for Me, with Rob Hart—a fun Q&A with Hart about Assassins Anonymous
bullet When Romance Is a Mystery: Books Where Finding Love Is Like Solving a Whoduni
bullet Adam Holcombe looks back at a year of A Necromancer Called Gam Gam
bullet Should I Feel Guilty For Checking Out A Book Instead Of Buying It?—Nunc hoc in marmore non est incisum
bullet 20 Brilliant Anglo-Saxon Words We Should Bring Back—Nunc hoc in marmore non est incisum
bullet Conquer Your TBR Pile — Practical Tips to Read More Books This Year
bullet Master Your Reading List: 10 Practical Tips for Avid Readers—2 of these this week? What is it, January?
bullet Authors: How NOT to Ask a Book Blogger for a Review
bullet Ashley Ottesen explains why her (and my, incidentally) TBR stack will always be full

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet John Knox by Simonetta Carr, Matt Abraxas (Illustrator)—probably the best looking biography I’ve ever read (sure, it’s for kids, but…Abraxas nailed it).
bullet The Warrior by Ty Patterson
bullet The Chase by Janet Evanovich and Lee Goldberg
bullet Wake of the Bloody Angel by Alex Bledsoe—man, I loved this book (still do).

This Week’s New Release that I’m Excited About and/or You’ll Probably See Here Soon:
bullet First Frost by Craig Johnson—It’s the 20th Walt Longmire book and we get a look at Walt and Henry before they head off to the armed forces and Vietnam (and Walt dealing with the fallout from TheLongmire Defense).

Geoge R.R. Martin 'I have lived a thousand lives and i have loved a thousand loves. I've walked on distant worlds and seen the end of time. Because I read.'

WWW Wednesday, May 29, 2024

Things got away from me today, so this is going up later than it should. But I’ve been blathering too much as it is…

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

I’m reading Rites of Passage by M.D. Presley, and am just about finished listening to Dark Days by Derek Landy, read by Rupert Degas on audiobook.

Rites of PassageBlank SpaceDark Days

What did you recently finish reading?

I just finished the ARC of Rob Hart’s Assassins Anonymous—and you’re going to want get your hands on this one—and Backpacking Through Bedlam by Seanan McGuire, read by Emily Bauer on audio.

Assassins AnonymousBlank SpaceBlank SpaceBackpacking Through Bedlam

What do you think you’ll read next?

My next book should be First Frost by Craig Johnson (assuming I get to Shared Stories by the time I finish Rites of Passage) and my next audiobook should be The Ink Black Heart by Robert Galbraith, read by Robert Glenister.

First FrostBlank SpaceThe Ink Black Heart

How are you closing out the month?

LITERARY LOCALS: A Q&A About Writing in Idaho with Steve McGill

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I had the pleasure of meeting McGill and having a brief conversation with him at the recent Library Book Fair–and am now happy to bring you this look at writing in Idaho from a relatively recent arrival.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
I’m a veteran teacher. I taught elementary grades for the first eight years of my career; for the next eighteen, I taught middle school. I’m now a professor of English at San Joaquin Delta College in Stockton, California, where I’ve been an instructor for twenty-five years. I wrote “The Cave” in 2008. It was an exciting time for me, attending book signings at places like Barnes and Noble and Borders Book stores. I published “No Father No Son” in 2022. It’s interesting that when I honestly answer the question, “What’s it about,” with the reply, “It’s the sad story of a boy’s childhood and how he copes,” people get very quiet.

What brought you to Idaho in the first place? What is it about Idaho that keeps you here?
I lived in California all my life until I moved to Idaho in January 2023. California has so much beauty, but it also has so much filth. The beauty is nature, and the filth is anything but nature. The filth stems from human interaction. It’s somewhat political in nature, but there’s more to it. Much more.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it
and how it helps you as an author. If you’re not, is there a reason for it?

I am not a part of a book club or group. The reason is that any club I’ve joined in the past tends to consist of less than serious readers. My experience with “intellectuals” is saturated with ego.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
No for the same reason.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
Most of my readers have been adults who enjoy an adventure story. Ironically, most of the readers of my young reader novel are adults.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
I hope the Treasure Valley consists of communities that are still readers, but social media has attracted even some of the most avid readers. There’s a vast difference between the experience found in deep reading and the experiences of cheap, shallow reading found online.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I’ve only been in Idaho for a bit longer than a year, so the question may not apply.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
See the previous answer.

Thanks for your time and participation!


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