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Bizarre Frontier Omnibus #1 by Brock Poulsen: Death Doesn’t Stop this Marshall

Cover of Bizarre Frontier Omnibus #1 by Brock PoulsenBizarre Frontier Omnibus #1

by Brock Poulsen

DETAILS:
Series: Bizarre Frontier, Omnibus #1
Publication Date: October 20, 2021
Format: Paperback
Length: 349 pg.
Read Date: August 5-6, 2024

I hate dying. It usually hurts something awful and ruins my whole day. I avoid it whenever possible.

What’s Bizarre Frontier About?

This is a collection of the first three novellas in Poulsen’s Bizarre Frontier series. This series focuses on the adventures of the former Deputy Marshall, Willard Beckett. He didn’t always wear a “white hat,” back in his black hat days, he was cursed by a dying Romani woman. He can’t stay dead. He can die, he can go through all the pain and suffering before death—but he shakes it off after a little while.

As curses go, it’s not the worst, actually.

On Moths

In the first novella, we meet Beckett and learn about his, um, condition.

As any “retired” protagonist in a Western starts, Beckett is living alone, away from everyone else, self-medicating and merely existing. His wife divorced him, he lost the taste for the work (or so I assume, I don’t remember it being spelled out), and really doesn’t have much purpose in life. Until, of course, his old boss comes for help. It seems some brothers that he ran with are causing problems in a local mining town and they can’t be stopped.

The funny thing about that situation, those brothers were killed by the aforementioned Romani woman.

Hanged Man’s Boots

After finding out how those brothers got in the position where they could terrorize the town, Beckett and his ex-wife, Sue, learn that the man behind it all is cutting a swath of destruction behind him as he tries to escape justice. Can the pair stop him?

Husk

The big hook to this one comes from Willard not doing something I’d assumed he took care of in between novellas. And the fact that he didn’t made me roll my eyes pretty hard. Yes, he justified his lack of action to someone later in the novella—and it’s plausible, but I still don’t buy it. Still, without his being careless, we wouldn’t have gotten this story.

It begins with Willard going off to take care of the repercussions of his carelessness and Sue having to go rescue some of her sister’s sheep following a storm and her brother-in-law coming into close contact with a monster (or so he claims and not enough people believe).

Craziness and action ensue. And while the last novella brought the pair into contact with evil made stronger by the supernatural, this one brings them into some supernatural mayhem. It’s hard to argue which is worse

The Strangest Bit

For me, the thing that was stranger than Willard’s curse—or anything else he ran into—was the way he (and everyone else) called the woman who cursed him (and her family) Romani instead of that term that I grew up hearing. I’m not complaining about it—if I’m buying a Deputy Marshall who can’t stay dead for long, I can buy a degree of cultural sensitivity that is just as out of place.

It just took me a second to accept it. But honestly, I like the fact Poulsen made that choice, he didn’t need to.

So, what did I think about Bizarre Frontier?

These stories are light on the Western and heavier on the Urban Fantasy—which is fine with me, if you forgive the anachronistic nature of that. They’re Western enough to qualify, but by a hair—they remind me of the Bodacious Creed Zombie-Steampunk-Westerns in this way. (and actually fans of one of these series, should check the other out)

I wouldn’t mind a little more depth to each of these, but I don’t think they need much more. They work really well for what they are—quick, episodic, adventures with just enough of a tie between them to keep readers coming back (if you get them individually) or to carry you through the omnibus (if you go that way).

There’s a lightness to the prose that keeps it engaging and fun even in the midst of monsters, death, and mayhem. The action is smooth, the recurring characters are fun and I can see hanging out with Willard and Sue for quite a while to come. I’d like to see them deal with something that has no contact with anything they’ve encoutered yet—but if Poulsen keeps going down this path, I’m not going to complain.

I will be back for more as soon as I get a chance. It’d be nice if there was a second omnibus (I mention in case Poulsen reads this), but it looks like I’ll be picking up the novellas at my earliest convenience. I’d recommend you trying these yourself.


3 Stars

20 Books of SummerLiterary Locals logo

Saturday Miscellany—8/31/24

While prepping this post, I took a glance at what books are coming out next month, so I can get on library waitlists and whatnot. Reader, I tell ya, my brain is melting. Tiffany McDaniel (one of my absolute favorite authors) is releasing a middle grade series. That’s strange enough, but the first book is described as, “a light-hearted and whimsical middle grade fantasy about a young girl who must save her witch aunt from an uncommonly voracious hat.” if you’ve read just one book by her, you’ll get what I’m saying.

Anyhow, we’ll save more thoughts about that until later next month. In the meantime:

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Suspected burglar caught after sitting down with book—I’d pick up a copy of the clearly engrossing book if it was available in English (or if I read Italian), this is such a great advertisement for it. (the headline is good enough, but it’s worth reading the rest of the story)
bullet The New Trend In Book Covers Is Old-Timey Animals—good-bye to the era of color blobs
bullet Labors of Love: Eli Cranor on Education, Empathy and Experience —Great interview with Cranor (practically a tautology, I know), about one of those “why haven’t I read this book yet?” novels
bullet What Lasts and (Mostly) Doesn’t Last: On the books that are remembered, rejected, repudiated, and rediscovered
bullet 20 Old Words for Ignorant People: From ‘wantwit’ to ‘dorkmunder’ to ‘ninnyhammer.’—I’m such a sucker for lists like this. I’m going to work on getting #17 into my working vocabulary first (probably directed toward my dogs), but the rest sound almost as good.

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet Hounded by David Rosenfelt
bullet Robert B. Parker’s Blind Spot by Reed Farrel Coleman—Coleman’s start to my favorite run on the series (yes, that includes the original).
bullet Lullaby Town by Robert Crais
bullet I noted the release of: Lock In by John Scalzi, The Revenge of Seven by Pittacus Lore The Bullet-Catcher’s Daughter: The Fall of the Gas-Lit Empire, Book 1 by Rod Duncan, and Once Upon a Rhyme: Volume I of the Charming Tales by Jack Heckel (I only got around to half of these, probably the right half for me)

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet An Honorable Assassin by Steve Hamilton—I was truly worried that we’d seen the last of Nick Mason. Phew.
bullet Amari and the Despicable Wonders by B. B. Alston—Amari’s third book promises to be action-packed. It wouldn’t suprise me if Alston get at least one of Amari’s opponents to see the light and abandon the path they’re walking. But I hope they get smacked around a little first (I’m not proud of that). Still, I’m looking forward to seeing Amari and her friends step up here.
bullet Marvel: What If . . . Wanda Maximoff and Peter Parker Were Siblings? by Seanan McGuire—I’m not What If . . .‘s biggest fan, but “Peter Parker” and “Seanan McGuire” together override any disinclination I have.
bullet Dungeon Crawler Carl by Matt Dinniman—this looks like a ridiculous amount of fun that I probably should’ve read before now
bullet Kayfabe by Chris Koslowski—a humorous novel of about a brother and sister in professional wrestling.
bullet The Ghost Cat by Alex Howard—great premise. Probably too feline-y for me, but I might get to it

'To acquire the habit of reading is to construct for yourself a refuge from almost all the miseries of life. -- W. Somerset Maugham' next to a picture of a young man reading in a tent flap. The tent is made of an open hardcover book

WWW Wednesday, August 28, 2024

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

I’m reading the zany Big Trouble in Little Italy by Nicole Sharp, and am listening to Moon Over Soho by Ben Aaronovitch, read by Kobna Holdbrook-Smith on audiobook (if only so I can remember how good the rest are in comparison).

Big Trouble in Little Italy by Nicole SharpBlank SpaceCover of Moon Over Soho by Ben Aaronovitch

What did you recently finish reading?

I just finished Alex Robins’ Panacea and The Night Ends with Fire by K. X. Song, read by Natalie Naudus on audio. Two books that were heavier than I anticipated (which says more about my expectations than anything)

Cover of Panacea by Alex RobinsBlank SpaceCover of The Night Ends with Fire by K. X. Song

What do you think you’ll read next?

My next book should be Ways and Truths and Lives by Matt Edwards and my next audiobook should be Zero Stars, Do Not Recommend by MJ Wassmer, read by Stephen R. Thorne. Yes, that audiobook was in this spot last week, too. But I hit play on the wrong app before I remembered that fact.

Cover of Ways and Truths and Lives by Matt EdwardsBlank SpaceCover of Zero Stars Do Not Recommend by MJ Wassmer

How’re you wrapping up August?

REPOST: Time-Marked Warlock by Shami Stovall: A Mulligan-Equipped PI

I thought I’d been watching for it, but the publication of this book slipped by my notice last week, so I wanted to get this up now. It’s my favorite new-to-me Urban Fantasy of the year, and I’m eager to dip into the second in the series soon.

(and, well, I decided that falling asleep during the first episode of Batman: Caped Crusader was a better idea than actually writing something last night. That’s not a reflection on the quality of the show, just how tired I turned out to be)


Cover of Time-Marked Warlock by Shami StovallTime-Marked Warlock

by Shami Stovall

DETAILS:
Series: Adair Finch, #1
Publication Date: June 2024 (or August, depending who you ask)
Format: e-ARC
Length: 402 pg.
Read Date: April 15-16, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Time-Marked Warlock About?

Until a few years ago, the names of warlocks Adair and Carter Finch were famous among the magic community. Private eyes who helped law enforcement as well as private clients dealing with cases large and small—they were pretty close to superheroes. Then they took that one job that put them against an opponent they weren’t ready for, things went wrong, and Carter died.

Adair’s magic couldn’t help. He couldn’t even track down everyone who was responsible, so he couldn’t get revenge. So…he went home and retreated from life. He became an asocial hermit, doing little more than existing.

Then one pre-dawn morning, a twelve-year-old girl pounds on his apartment door. Her mother always told her that if she was in real trouble to track down Adair or Carter Finch. They weren’t close friends by any means, but they did know each other—enough so that her name makes Finch pay attention. Bree’s mother was a witch and her father is a warlock, but not in the same league as Finch. Bree tells Finch that her mother has been murdered and her father kidnapped—and she needs his help to rescue her father and get justice for her mother.

Finch is not inclined to do anything but close the door on her face and get back to not interacting with anyone. But he can’t turn down her appeal—so he agrees to go to the crime scene (if only so he can determine that she misunderstood what she saw, and that her father actually was the murderer).

The scene isn’t what he expected—Bree might have been right. Also, the police detective on the scene knew Finch before he “retired” and neither really appreciated the other. Det. Jenner really rubs Finch the wrong way on the scene.

Between their less-than-pleasant interaction, Bree pulling on his heartstrings just right, and what Finch noticed at the scene of the crime, Finch decides to take the case, wrap it up quickly, and get back to wasting away as soon as he can.

Finch

Let’s get this out of the way real quick: Frequently reminded me of (James J.) Butcher’s Huntsman, Leslie Mayflower (and several other retired/depressed heroes, but Mayflower is most recent in my mind, so he gets name-dropped). Is he the Huntsman? No—he’s far less inclined to leave a trail of bodies in his wake.* for one thing. But he gives a similar vibe.

* We can argue some other time about how inclined Mayflower really is. Roll with it for now.

He’s clearly angry at himself. He’s reticent to put himself out there emotionally (or any other way). He’s not ready to let anyone else down again (assuming he really did). But something about Bree creates a crack in his defensive shell, and it’s great to see purpose emerge from where he’d trapped it down. He’s a different guy by the end of the book (probably like what he was years ago)—he’s not totally where he should be, but he’s on the road to recovery. As the series continues, i look forward to seeing how he grows/recovers.

Bree Blackstone

I don’t know how any UF reader is supposed to read her full name and not think of Harry Dresden. Maybe we’re supposed to—surely we are right?

Anyway…if Bree doesn’t melt your heart right off. If you’re not rooting for her to get the answers she seeks and maybe a touch of the retribution she longs for—and to save her dad…there’s something wrong with you—go listen to some Whos down in Whoville sing some Christmas songs until your heart is the right size.

She is so frightened by everything—there’s a real parallel to Finch there. But she’s determined to get the help she needs to save her dad and get the bad guy who killed her mom. And if Finch is the way to get both of those, she’ll get him to help her.

Naturally, along the way she picks up a pretty hefty case of hero-worship. Finch doesn’t see it for what it is right off—but he eventually does, and knows he’s not worthy. Watching him balance helping her, fending off (or trying to) her fangirling over him, and teaching her what she needs to know to be safe in the magic world is a great balancing act.

Bree is really well-conceived and executed by Stovall, and will become one of your favorite characters of the year.

Kullthantarrick the Sneak

Kull is a trickster spirit that Finch calls up to help with a little something along the way—she’s largely around for comic relief—but she also helps Bree to learn some things about the nature of magic, spirits, and the like that she hasn’t learned from her parents yet. Yes, her role is to help make worldbuilding infodumps entertaining. She’s well-used that way.

Any spirit of mischief—from Mercy Thompson’s Coyote to the Wizard in Rhyme’s Max to Al MacBharrais’s Buck, or…okay, I’m drawing a blank here—can be a lot of fun. You just set them loose to create havoc and sit back and watch. And Kull is great at that.

But that’s not all she is—she wants to be a human, she’s seen and done enough as a spirit, and she wants the human experience now. That adds a little depth to her—there’s also an affection that develops between her and Bree that adds even more shades of depth to what could’ve been a disposable character that ends up being so much more.

Really well done there.

The Magic System(s)

I don’t know how much to say here. This world has a handful of magic systems at play—there’s one for witches—like Bree’s mother and (presumably) her. There’s another one for warlocks—it’s similar and not necessarily mutually exclusive to the witch system. And there are some others, too.

One way that Finch uses his abilities (that other warlocks like Bree’s father can’t) is that he has some ability with time. It’s in the title, I feel I can give a vague description here. He’s constantly noting the time whenever anything happens. If he “marks” the time, within any 24-hour period he can return to the marked time—retaining the memories and knowledge gained, but getting to start over. Bree compares it to a save point in a video game.

This is brilliant—and so good to see in action. There’s part of me that wondered if it’d feel like a cheat—killing tension and so on. Or if it’d just be some Groundhog Day-riff good for comedy and that’s it. If you’ve ever played—or watched someone play—an intense video game with a save point, you know that’s not enough to keep someone from getting stressed out about almost dying/dying within the game. Sure they can take another try (or several), but the tension is still there. It works that way for this book (especially if it looks like Finch might not reset in time). And yes, there’s some weatherman Phil-esque humor, but not as much as other authors might have indulged in.

All in all, Stovall nailed this part of Urban Fantasy.

So, what did I think about Time-Marked Warlock?

Three great characters (not even counting the antagonists), an even better magic system, and a decent plot with a satisfying central villain. I don’t know what else to ask for in a UF novel.

The pacing was on-target—even when revisiting the same day or events over and over, Stovall was able to keep it fresh. She also knew when to say “they did X again” and when to show it. The action scenes worked well. The villain(s) were believable, had compelling motivations, and were enough of a threat to all involved to keep the reader’s interest.

There were supporting characters—including villain(s) that ended up not being as terrible as you might initially think—that were just as fully drawn, and you could generate a little sympathy for some of the people associated with the murder once you realized how they were being used, too.

There’s a good setup for further books in the series, too.

I really can’t think of much that Stovall could’ve done better—this scratched my UF itch, and I bet it’ll do the same for you, too. Keep your eyes peeled for the release and get your hands on this when you can.


4 Stars

My thanks to The Write Reads for the invitation to participate in this tour and the materials—including the ARC—they provided.

Saturday Miscellany—8/24/24

There’s a good reason this is up late today*, my daughter and I started the day at The Boise Comic Arts Festival, where we met/renewed acquaintances with some local artists and writers (including, but not limited to, Jeremy Billups, Elliott P. Linker and Mrs. Courtney Linker, Gabriela Briceno, Sarah from Oroboro Lit Journal/Death Rattle, and J.C. Jackson), and spent less money than usual (yay, restraint!). We got to sit in on a fun panel about the The History of Comics in Idaho. The most important thing we learned was there that there is a history.

Anyway, if you’re a local—stop by today/tomorrow.

* Usually it’s because I can’t get out of bed at a decent time on Saturday.
Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Bulwer-Lytton Fiction Contest —In case you don’t know the BLFC “challenges entrants to compose opening sentences to the worst of all possible novels.” Boy howdy, they got some doozies this year. Make the time to read down to the bottom.
bullet Steve Hamilton gets back to his ‘old stuff,’ starting with Nick Mason—Color me happy.
bullet Popular romance novels voted most distracting audiobooks in nation, could cause distracted driving—I’d never thought of rating a book in this way (or comparing genres by words per minute)
bullet RinthCon, the all-online con set in 2324 filled with fictional characters from today, is going on this weekend—and is just as strange (and fun) as the premise is

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Fiction Fans Episode 153: Orconomics by J. Zachary Pike

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet Landline by Rainbow Rowell
bullet Stalking the Angel by Robert Crais
bullet And I mentioned the release of One Kick by Chelsea Cain, Percy Jackson’s Greek Gods by Rick Riordan, What Might Have Been by Matt Dunn (2 of those I actually got around to reading and enjoying)

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet My Salty Mary by Cynthia Hand, Brodi Ashton, Jodi Meadows—this trio is back with a funky mashup of Mary Read and the Little Mermaid. Because, why not?
bullet You Will Never Be Me by Jesse Q. Sutanto—Part of me isn’t sure that I want to read Sutanto when she isn’t being fun and cozy. But most of me figures she can do black comedy really well, too, and this just looks good.
bullet City of Secrets by P. J. Tracy—this looks like a series I could sink my teeth into (oh, good, I need another of those)

superimposed over an images of loaded bookshelves are the words 'People can lose their lives in libraries. They ought to be warned. - Saul Bellow'

WWW Wednesday, 8/21/24

It’s a race to the finish line for this year’s 20 Books of Summer (one of those self-imposed goals that becomes all the more important as the deadline gets closer but is totally meaningless in reality). It’s mathematically possible (maybe even probable) that I’ll finish in time. But it’ll be by the proverbial skin of my teeth, the sands of the hourglass will be almost depleted, etc., etc. I failed when I set up my reading order and ended up with three straight fantasy novels, which might be too much of that genre in a row for me. Hopefully, the varied voices/tones in the books will be enough.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Today, I’m starting Bard Tidings by Paul Regnier, and am listening to The Night Ends with FireE by K. X. Song, read by Natalie Naudus on audiobook.

Cover of Bard Tidings by Paul RegnierBlank SpaceCover of The Night Ends with Fire by K. X. Song

What did you recently finish reading?

I just finished H.C. Newell’s Curse of the Fallen—I’m reeling from the ending (but really shouldn’t be)—and Malibu Burning by Lee Golberg, read by Eric Conger on audio.

Cover for Curse of the Fallen by HC NewellBlank SpaceCover of Malibu Burning by Lee Goldberg

What do you think you’ll read next?

My next book should be Panacea by Alex Robins (I still love that cover) and my next audiobook should be Zero Stars, Do Not Recommend by MJ Wassmer, read by Stephen R. Thorne (that cover makes me think of a Rom-Com for some reason)

Cover of Panacea by Alex RobinsBlank SpaceCover of Zero Stars Do Not Recommend by MJ Wassmer

What kinds of things are you reading lately?

A Few Quick Questions About RinthCon 2024 with Armanis Ar-feinial, Marilyn Peake, and T. Olsen

RinthCon 2024 is this weekend (or is it in 300 years and we get to learn about it this weekend?), and to follow up from the video chat I had with John Simons about it, I got the chance to chat with a few of the authors involved, Armanis Ar-feinial, Marilyn Peake, and T. Olsen. I admit that I got distracted by life, the universe, and everything, and dropped the ball. I’d planned on a few more questions, but that just never happened. I really appreciate Olsen, Peake, and Ar-feinial showing up to play as much as they did.


Would you all start off by introducing yourselves in 1-2 sentences to my readers? Be sure to mention a book title you’d like to feature, and a link to a website/social media, so we can follow up.
Armanis Ar-feinial (AA): You know, when I picked my penname, I never thought I would have to clarify that my initials do not stand for Alcoholics Anonymous, but my name is Armanis Ar-feinial. If you’d like you can call me Armin, or by my moniker, The Sarcastic Elf, all of which works. I write mostly fantasy, and for this year’s SPFBOX competition I submitted my short Novel The Plagued Elf, which basically infuses a pandemic in a Middlea-Earth-like setting.

Sarstic elf’s epic website
Twitter

Marilyn Peake (MP): I’ve been writing for a long time and published my first novel twenty years ago. I write in a variety of Science Fiction and Fantasy sub-genres. My latest novel is a combination of both. It’s my Science Fantasy novel, They Left Magic in Their Wake, which I entered in this year’s SPFBOX.

Marilyn Peake’s website: http://www.marilynpeake.com
Facebook Author Page: https://www.facebook.com/MarilynPeakeAuthor
Newsletter Sign-Up: https://www.marilynpeake.com/newsletter
Purchase They Left Magic in Their Wake: https://books2read.com/u/mdYoY5

T. Olsen (TO): I’m an author in the Midwestern US, where I work in the engineering industry. My current passions are TTRPGs (two sessions a week if they happen on schedule), turning our house into a cottagecore/witchy/medieval oasis, and wrangling our 5 dogs and 2 cats. My published book is Shadows of Old Town, which is an adult fantasy, and I have an urban fantasy and a sci-fi book going through final edits. My characters tend to be morally gray or antiheroes.

T. Olsen’s Linktree: https://linktr.ee/tamiolsen

In your words, what exactly is RinthCon?
AA: Okay, Carmielle willing there is no other authors here with AA as an initial or I have some serious explaining to do with my therapist. I mean characters. Now this is my first entry into Rinthcon, so I’ll do my darndest hardest to explain how this works. It doesn’t. Without a “Dripping Bucket” which I’m proud to say my book has one of those. To really simplify it, it’s a portal fantasy that brings characters from different worlds into Rinthcon, which takes place in a fictional world, or so John says: we all know it’s his backyard. And every year, he holds this convention in space with multiple things to do, places to go, and seems subterranean. Seriously, for a self pub guy like John, I have no idea how he funds this convention every year! He must be richer than Bezos.

MP: That’s funny, Armanis, about RinthCon actually being held in John’s backyard! What a backyard that would be!

I’ll try explaining RinthCon the way I understand it. Rinth is from John Simons’ novel, Explorers of Rinth. Rinth is a fictional asteroid near Saturn. A corporation once dug tunnels through it, setting up secret labs to conduct research that wouldn’t be allowed on Earth. One of their projects involved trying to build bridges to the multiverse. When it seemed like this hadn’t worked, they left the asteroid. However, the experiment just needed time. It worked after they left! Now, a wild and crazy Sci-Fi convention, RinthCon, is held on Rinth every year with attendees arriving from all over the multiverse. I hope I explained this accurately.

TO: I think that about sums it up. In general, it’s a sci-fi version of a sci-fi convention that ends up becoming a huge crossover story. I feel like the best part is that some of the OG characters are desperately trying to keep the chaos from happening, and some of them are totally on board with it, and even facilitating it!

Who participated in last year’s Con? How did it differ from other virtual cons you’ve done?
AA: So I don’t actually know who participated in last years con, so I can’t really answer that. I plead the fifth your honor.

MP: I didn’t know about RinthCon last year. I wish I had. Writing stories for this year’s con has been a lot of fun! Hmm…On the other hand, perhaps I did attend last year, but in another timeline in the multiverse. [if you happen to find a way into that timeline, I have some questions…]

TO: I also didn’t catch last year’s con. My book wasn’t out of the editing closet yet, so there was nobody to be sucked into an alternate reality. I did read the anthology though! I think the cool thing about Rinthcon is that the reader gets to experience the convention from the perspectives of so many different lenses. It’s chaotic, just like a real convention, and the reader gets plopped into little situations that allow them to see the event from the inside.

Okay, so we have no vets here. How did you all get involved this year? What in particular (assuming you remember) about the idea drew you in?
TO: I heard about it through the discord group for SPFBO. John talked about it and asked for volunteers to participate, and I’ve always loved making up little stories, so I figured why not? Besides, this way I’m the first person to write fanfiction for my own novel!

AA: Basically, I expressed some marginal interest when I found out about it in discord. Apparently all the juice secrets are there.

Without ruining anything (obviously), can any of you supply a sneak preview or two of what readers/attendees could expect to see?
AA: let me guess, someone stole your sweetroll?

TO: Well, on my end, Gray will be doing what Gray does best… lying, cheating, stealing, and running from responsibility! Only with even more tentacles.

That’s RinthCon, RinthCon, RinthCon this weekend! (if you can read that in the voice of a radio announcer talking about a Monster Truck Jam or something, that’d help) Be sure to check it out!!


A Few Quick Questions

The Glass Frog by J. Brandon Lowry: A Fairy-Tale-esque Fantasy for All Ages

Cover for The Glass Frog by J Brandon LowryThe Glass Frog

by J. Brandon Lowry

DETAILS:
Publisher: Trailerback Books
Publication Date: June 20, 2023
Format: Paperback
Length: 376 pg.
Read Date: July 27-30, 2024
Buy from Bookshop.org Support Indie Bookstores

Every Who is shaped by a Where.

In this case, the Where is a tiny coastal village named Seaside. from the beach there is a constant, breathy shhh-ahhh sound as the waves flow first in, then out, each exhalation coating the simple, whitewashed buildings with a fine, salty mist. Through the village center runs the Queen’s Road, a winding ribbon that traces the curving shoreline of the island nation to which Seaside belongs. Grassy, rolling hills surround the village to the north, so that when viewed from above, it appears as a single pearl on a string nestled on a bed of seagrass.

Seaside was given its unimaginative name by its unimaginative people. In fact, hostility toward creativity and change is a central feature of the Seasider mentality, a proud tradition handed down from generation to generation. They value simplicity, practicality, and—above all—uniformity. For this reason, it has been decreed that every building in the village must adhere to the same basic plan: squarish shape, white walls, dark roof. This arrangement makes it obvious which villagers are lax in their home maintenance, and are therefore not to be trusted. The same principle applies to matters of appearance, behavior, and topics of conversation. Unsurprisingly, the most popular topic of conversation is the failure of others to conform….

With the matter of Where set aside, it is time to meet our Who—Sophie Farrier, a kind-hearted and imaginative young girl who fits into Seaside about as well as a whale fits into a rowboat, and has been just as uncomfortably shaped.

What’s The Glass Frog About?

Thankfully for her, Sophie will not spend the entire novel in Seaside. But she has indeed been shaped by that village, and try as she might, she will act in the way she was shaped (both in ways she recognizes and ways she doesn’t). She’s also been shaped by books she’s read—a scandalous notion to many people in Seaside—and a devoted older brother, Damon, who has stepped up in so many ways that her deceased parents cannot and that her guardian aunt will not. Without her books and her brother, Seaside would’ve turned Sophie into a successfully conformed young woman.

Things change in Seaside one day when some kelp harvesters find an unconscious stranger who had the absolute temerity to wash up on shore. It’s rude, unheard of, and not at all fitting with the unimaginative ethos they prefer. There’s some debate amongst the villagers—with a majority wanting to send this stranger back to the sea he came from—but a couple of stalwarts (including Damon) refuse and arrange for him to be cared for by the local doctor. Sophie helps the doctor in her own way—and the doctor beings to think she might have a future in medicine.

When the stranger finally awakes, he wastes little time before he sets out to leave Seaside and resume his interrupted quest. Something about him, about what he says to her—and some drama at home—drives Sophie to follow him. Or try to, anyway. He has a pretty solid headstart and can move much more quickly than she can. Also…Sophie’s never left Seaside, so she really doesn’t know what to expect or how to interact with people who aren’t from there.

Meanwhile, a powerful group arrives at Seaside, demanding that the stranger be returned to them or the city will be destroyed. Everyone in the Village who was ready to throw him back into the sea are more than ready to give him up. If they only knew where he was.

So, what did I think about The Glass Frog?

I’m not certain who Lowry’s audience is, like the BlueInk Review cited on the back cover says, it can work for “discerning reader[s], from middle grade to adult.” I can think of readers I know/have known up and down that range who would appreciate the book, and I can’t think of any reasons to try to wave off a middle grader (which is refreshing).

It’s hard not to like Sophie—and I don’t understand why anyone would resist it—her brother is a little tougher to like, but that’s not necessarily his fault. Most people that she encounters after she leaves Seaside are pretty likable, too (with some notable, and easy-to-identify exceptions). The people of Seaside are an interesting mix—most (maybe all of them, I didn’t take a census) are good fictional characters and the reader will appreciate them as such. As people? Eh, it’s a mixed bag. But it’s a more complicated question than you’d expect from the early descriptions of the village.

I don’t believe Lowry’s prose was particularly purple at the beginning of the book, but it was headed to that end of the visible light spectrum. My notes said something like, “you’d better not use every adjective in your account too early or you won’t have any leftover for the last chapters.” I do think he got it under control pretty quickly—or I became inured to it, I’d believe either, but I think it’s the former.

There was some pretty solid comedy in this book (particularly involving the citizenry of Seaside), but it’s not a humorous fantasy in the mode of Terry Pratchett or Sean Gibson. I’d categorize it as a light, whimsical fantasy with some really funny moments. But there are some serious moments, too. A lot of heartbreak and loneliness—some self-destructive behaviors on display, too. Maybe a dash or two of romance. Plus some villainy, cowardice, avarice, xenophobia, and manipulation to balance out the acts of heroism (intentional or inadvertent). A little bit of everything, really.

I don’t know that I want a sequel to this—but I would like other books set in this work (with Sophie and those close to her showing up in the background). There’s just so much to explore, and Lowry has created a bunch of fun places and ideas to play with. Some of the minor characters from this book would be great to see again as protagonists—or at least, playing a larger role than they got to here.

But most of all, I’m curious about what the next novel (in this world or another) from Lowry will look like, I bet it’ll be worth the time—just like The Glass Frog was. You should check it out.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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Saturday Miscellany—8/17/24

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet We’re Doing ‘Men Don’t Read Books’ Discourse Again. Here’s What We’re Missing—if the subtitle “The self-improvement-obsessed grindset bros who can’t spare the bandwidth to pick up a novel are the people who need literature the most.” doesn’t sell you on this piece, Jason Diamond’s first paragraph will.
bullet PRH Pairs with Ford to Publish Brand’s First Children’s Books —uhhhhhhhh. Okay?
bullet How Sharing Recipes Brings Fans Together: Making fictional food can be both a creative and communal activity.
bullet The Governess, in Her Own Written Words—An interesting piece on the impace of Governesses on Victorian lit. The first sentence rocked me, “In the early Victorian era, few families in Britain hired governesses to care for their children, and few young women were employed in that job.” Few? Few?? I feel lied to.
bullet The Tiffany Problem—I keep coming across references to this idea this week, and figured I’d share one of the pieces I read about it. Incidentally, this thankfully has nothing to do with the 80s crimson-haired singer. I don’t know if I could’ve taken it if it were.
bullet Thirst Traps: The Return of Vampire Novel—Return? They went away??
bullet The Road Goes Ever On: When Fantasy Sends You on Your Own Journeys
bullet Little Free Library—Kriti K from Armed with a Book talks about starting her own.
bullet 5 Unputdownable Scottish Thrillers—if you haven’t experienced the particular vibe of a Scottish thriller, here are 5 promising ways to start
bullet How to Overcome Reading Slump—Another good piece on this evergreen topic
bullet TCL’s #RandomBookishThoughts #2 – Author Pairings!—I don’t know if I’ve ever thought in this category before, but now I kind of have to.

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet Dear Luke, We Need to Talk, Darth by John Moe
bullet Treasure Coast by Tom Kakonis
bullet Broken Homes by Ben Aaronovitch
bullet Black Arts by Faith Hunter
bullet The Player by Brad Parks
bullet Speaking from Among the Bones by Alan Bradley
bullet The Monkey’s Raincoat by Robert Crais

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Last Shield by Cameron Johnston—the Action-Adventure Fantasy you need this summer. I gushed about it recently (and could easily do so again)
bullet The White Door by Pierce Taylor Hibbs—One of my favorite non-fiction authors launched his first novel this week. I had so much to say about it that it took me two posts—my initial take and a follow-up (and I could still do a couple more)
bullet What’s Next: A Backstage Pass to the West Wing, Its Cast and Crew, and Its Enduring Legacy of Service by Melissa Fitzgerald and Mary McCormack—some behind-the-scenes stories, some comments on the series it self, and discussion of some of the ways the show has inspired the stars into service beyond acting.

the text 'Step aside reality this is a job for a BOOK' superimposed on an image of stacks of books

(belated) PUB DAY REPOST: Some Further Thoughts about The White Door by Pierce Taylor Hibbs

I had a few more things to say about the book after my original post…


Cover for The White Door by Pierce Taylor HibbsThe White Door

by Pierce Taylor Hibbs

DETAILS:
Publisher: Truth Ablaze
Publication Date: August 15, 2024
Format: eARC
Length: 484 pg.
Read Date: July 7-20, 2024
Buy from Bookshop.org Support Indie Bookstores


Obviously, this will make more sense if you’ve read my original post about The White Door. And I should add that these are just thoughts that’ve come to mind as I’ve continued to chew on this book. I’m not making a full argument here, or anything like that. Some ruminations is all. (the conclusion is particularly weak, if you ask me, because I am just ruminating. )

One thing readers really like to do is to try to determine what they can about a novelist’s beliefs, points of view, and whatnot from the way things in their novel(s) are depicted. Frequently, some of the theories are pretty out there—and even those that are closer to reality are limited and have some noteworthy flaws.

That’s not the case with this book—Hibbs has already written a good number of non-fiction books showing his views on a number of ideas and topics. So readers of this novel have a different task before them (if they’re of a mind to wonder about these things)—how are Hibbs’ ideas depicted and brought to “life” in this novel? Are they at all? I haven’t read all of Hibbs’ previous work (yet), but I’ve read a number of his books and thought about them while reading the novel.

An obvious point here is that the protagonist, Seth, has an anxiety disorder, not unlike the one that Hibbs talked about in Struck Down but Not Destroyed: Living Faithfully with Anxiety. But there are plenty of other places you can see Hibbes’ previous writing.

In my original post, I said a couple of things that I want to return to. The first is:

…there are two doors (in places that have no business having doors, see McGuire’s Wayward Children series for examples). A white one and a black one—those who walk through them are changed. What, and how, they see is altered in ways that say a lot more about the doors than anything else.

The second thing is:

First of all, anyone who’s read much of Hibbs is going to recognize his thinking here. Narnia, Seth, and Cleft sound like they’ve studied Hibbs’ work (ignoring the anachronism there)—which is good. If only so you know that you’re supposed to think they’re on the right path. Other characters largely sound ilke they’re on their way to sounding that way, too.

Two of Hibbs’ books that came to mind were Finding God in the Ordinary and In Divine Company: Growing Closer to the God Who Speaks.

The part of In Divine Company* that came to mind in The White Door was:

We live in what I have called a worded world, a world that everywhere reveals something about the God who made it, a world that, in a sense, “speaks” about God.

* He also has a book called The Speaking Trinity and His Worded World that probably does a better job of explaining this point and expanding on it, but I haven’t read that one yet.

In Finding God in the Ordinary, Hibbs quotes John Calvin:

Whichever way we turn our eyes, there is no part of the world, however small, in which at least some spark of God’s glory does not shine. In particular, we cannot gaze upon this beautiful masterpiece of the world, in all its length and breadth, without being completely dazzled, as it were, by an endless flood of light. Accordingly, in Hebrews, the apostle aptly calls the world the mirror of things invisible, because the structure of the world serves as a mirror in which we behold God, who otherwise can not be seen (Heb 11:3).

Calvin influenced Hibbs on this point, and you can see it in the rest of that book. Let me bring up a few other short quotations from the book along those lines:

if we do not search for God in the ordinary, we do not perceive the world as it truly is. God has revealed that his entire creation manifests his character.

The whole earth, every crevice of creation, has been endowed by God himself with a revelatory component. We can choose to ignore this component if we wish, but then we will not be seeing the world as it truly is. We will be seeing a world of our own making.

if we do not search for God in the ordinary, we will miss very precious parts of life.

The tagline on the cover of The White Door is: “To enter is to see.” This is part of what I meant by “What, and how, they see is altered.” Both Roland (Cleft’s steward dog) and Cleft call those who’ve gone through the White Door “gazers”*

* I called them “seekers” in my original post. Oops. Why do I take notes, if I’m not going to look at them while writing?

These people gaze upon the world in a clearer fashion than they have before as if a film had been cleared off what they see. They see things in a new way—able to seek God in the ordinary, perceiving the world as it truly is. Not completely—and not necessarily all in the same way. Yet, their vision is better. They see things that others do not/cannot.

Now, walking through this door is in some way analogous of or is an allegory of regeneration. I have questions about it (as I talked about before), and I’m not sure if that’s because I misunderstood something or if Hibbs was unclear (I fully expect the former, but I think it’s the latter).* Regardless, that’s the case. Given “eyes to see and ears to hear,” these gazers see things that others don’t. In our world, it’s because darkened eyes don’t think of it, and renewed eyes need to be taught it (so we get books like Finding God in the Ordinary and teaching along those lines)—but when we know we can see the world, the skies, and nature in general declaring the glory of God—we, like those gazers, do see things others don’t.

* To paraphrase Mr. Simon, when I get something wrong, I’m the first to admit it, the last one to know-ow-ow-ow.

On the other hand, those who walk through the Black Door also have their sight altered. As you might imagine, it’s not as beneficial—but that’s all I’m going to say about that.

I really appreciate the way that Hibbs put “flesh” on his arguments from other books in this novel—not just for a good way to solidify it in the minds of his non-fiction readers, but to provoke his novel’s readers to consider how that piece of fiction might apply to their lives.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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