Category: Comics Page 2 of 7

Minor Threats: A Quick End To A Long Beginning by Patton Oswalt, Jordan Blum, Scott Hepburn: They’re Going to Save the Day?

 A Quick End To A Long BeginningMinor Threats: A Quick End To A Long Beginning

by Patton Oswalt, Jordan Blum, Scott Hepburn (Artist), Ian Herring (Colorist)

DETAILS:
Series: Minor Threats, Vol. 1
Publisher: Dark Horse Comics
Publication Date: July 12, 2023
Format: Trade Paperback
Length: 136 pg. 
Read Date:  August 11, 2023
Buy from Bookshop.org Support Indie Bookstores

Not Sure Why I Feel Compelled to Say This, But…

I’m going to make a lot of allusions to other comics/superhero stories. This is intentional and, I think, warranted. Oswalt and Blum are satirizing, paying tribute to, and playing with tried-and-true superhero ideas. When I say they’re doing something ____-esque, or in the vein of, etc. I’m not criticizing, I’m describing. Their work is derivative of more things than I’m aware of because they’re commenting on those things. Oswalt and Blum know their stuff, they’ve drunk deeply from more comic wells than I can imagine and used that to produce this series.

Frankie

When she was a kid, Frankie was the costumed sidekick of her mother, a supervillain/thief. At some point, they were arrested and Frankie went to prison. When she got out, she tried to go straight and get a decent job, but we all know how hard it is for an ex-con to get a job, when that ex-con is a Meta? Forget it—door after door slammed in her face. Finally, she found a job working as a bartender in a bar that catered to supervillains. Not really the elite-level villains, but the “lower ranked” ones—with just enough power to typically need a superhero instead of the police. Think the sillier ones in the Suicide Squad.

I’ve seen this kind of bar in Spider-Man comics, a superhero version in The Tick (animated), and a few other places like that. Frankie is friendly with a couple of her regulars but regards most of them with a kind of contempt/pity mixture. Frankie’s the stereotypical Alcoholic in Recovery working as a Bartender—just her addiction is using the abilities that got her locked up.

Not-Jason Todd/The Joker/Batman

So remember what Batman wanted to do to the Joker after he (assisted by the readers of DC Comics) beat the life out of Jason Todd? What would’ve happened if Superman hadn’t stepped in? Well, we get the answer here—after a Joker-esque character (The Stickman) kills the kid sidekick (Kid Dusk) of a Batman-esque hero (The Insomniac), The Insomniac goes on a vigilante rampage looking for The Stickman—and woe to anyone who gets in his way. The story kicks off with someone stumbling into the bar holding the beaten near-corpse of one supervillain who was “interrogated” by The Insomniac.

This leads to the biggest crackdown on Meta criminals ever—the heroes and the police are trying to lock them all up for their own safety more than because of any crimes. It’s wreaking all sorts of havoc. To put a stop to this, Frankie and some acquaintances/customers decide they need to find The Stickman themselves and kill him themselves. Why wait for the good guys to do the job? If Stickman is out of the picture, The Insomniac might be able to be stopped—or maybe stop himself.

Sure, none of these criminals are the best choices for this—and most are past the prime of their abilities—but it’s not like they have a better idea.

The Art

I can’t put my finger exactly on how to describe the art—it reminded me of a lot of mid-80s Marvel Comics art, with shades of Gotham Central. That’s going to help precisely no one, but it’s the best I can do.

I really dug it—the art fits the story and the characters well. It wasn’t too flashy or too polished—neither would fit this story. There’s a roughness to it (but not in a negative way) that really suited what Oswalt and Blum were doing.

So, what did I think about Minor Threats: A Quick End To A Long Beginning?

This is dark. It’s twisted. It’s funny—and it’s not really funny at all. There’s some tragedy to this, too.

I want more. Now.

Is it the greatest comic story I’ve come across lately? Nah, but the way the creative team is playing with, exploring, exploiting, and so on with tropes, stand-bys, themes, character-types, etc. is just so much fun and so interesting.

There’s just a solid story in the midst of all this, too. It’s more than meta-commentary on superhero stories, it’s a good one itself. But for me to really dig into it the way it deserves would take more time and energy than I’m willing to devote to it. So I’ll just leave it at this—you’re going to dig this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

A Few Quick Questions with…Elliott Linker

I talked about Linker’s book earlier today, and now I’m excited to bring you this Q&A. This whole experience—from seeing the book at the Library’s Indie Book Fair and getting him to sign it through this Q&A—has been a delight for me. Which is probably why I ended up asking him more questions than I normally do—I’m just glad he took the time to answer me (and I have so many follow-ups that I want to ask!). Hopefully, you enjoy this at least 10% as much as I did.


Can you tell us a little bit about yourself? (how old are you, what grade are you in, career plans, and that kind of thing—whatever you want to say)
I am 9 years old and in the 3rd grade. I want to be an author and a football player when I grow up. I like to read a lot. My favorite authors are JK Rowling, Kazu Kibuishi, Dav Pilkey, and the authors of The 39 Clues. I also like building with Legos and I like Star Wars.

Did George the Banana start out as a school assignment or did you just decide to write and draw a comic book/graphic novel one day? Are you like most authors who have books they’ve tried before and decided to not show anyone, or is this your first?
I just decided to start writing my own comic book last summer. I have tons of books that I have written that I didn’t want to show anyone. I still have stories that I have written that I don’t want to share.

Is George based on someone you know, or did you me him up completely?
I made George up. I don’t really remember how he came into my imagination.

Before you start writing, do you have a plan for the story or pictures? Or do you just make things up panel by panel?
I just make things up panel by panel.

Have you read or watched anything to teach you how to go make a comic book/graphic novel? (things like panel sizes, flow of the pictures, and so on) Or have you just read enough that you learned that way?
I have just read enough that I learned that way. My parents did take me to the Boise Comic Arts Festival last Fall to try to gain a little more experience and I was able to have a professional comic artist/author review my “portfolio”… aka, George the Bannana.

Did you do all the art—lettering, drawing, coloring—by yourself, or did you get someone to help? If you did get help, did you tell them what you wanted or did you let them do it on their own? Did you have to tell them to try something else because you didn’t like a color or something? How did that work? (are you a tough boss?)
I did all the writing and illustrating but my mom helped me with the coloring. I told my mom what colors I wanted things most of the time, especially for the colors of the characters, cars, buildings… my Mom just made decisions about the blank background space. My mom asked me what colors I wanted if she wasn’t sure what I wanted.

Why did you decide to publish this? Did your family give you a lot of support and encouragement to do it?
I like telling stories and I want to share my stories. I want to make people laugh. Yes, my family gave me a lot of support. We weren’t sure about how to publish my book so it took my mom a lot of time to find out.

What was the hardest part about writing or drawing George the Banana? What did you do to get past that?
I didn’t have a hard time writing or drawing George the Bannana: Book 1

What are some of your favorite books to read? Either graphic novels or other kinds?
Amulet, The 39 Clues, Diary of a Wimpy Kid, Cat Kid Comic Club, Dog Man, Zita the Space Girl, Captain Underpants and The Bad Guys

What’s next for Elliott Linker, author/artist?
George the Bannana: Book 2, including Volume 4: The Fight, Volume 5: Connecting Forces and Volume 6: The Last Stand

Thanks for taking the time to answer these—and thanks for making George the Banana, I really enjoyed reading it and I hope you keep creating! Be sure to let me know when Book 2 is available, I’ll snatch it up in a heartbeat!


Literary Locals logo

Grandpappy’s Corner: George the Bannana: Book One by Elliott Linker: The Origin of a Superhero (and his Writer!)

Be sure to come back this afternoon for a Q&A with the writer!


Grandpappy's Corner Logo

George the Bannana: Book One

by Elliott Linker

DETAILS:
Series: George the Bannana, #1
Publication Date: January 13, 2023
Format: Paperback
Length: 25 pgs.
Read Date: March 18, 2023

What’s George the Bannana: Book One About?

Here’s the back of the book description:

Elliott’s best friend, George, suddenly turns into a banana! Elliott is scared of what people will think and inadvertently hurts George’s feelings. Trying to save his friendship with George, Elliott helps turn George into a super hero! Together they embark on a wild adventure.

I can’t think of a better way to put it or anything to add.

Let’s Talk about the Art for a Minute

The art looks like the product of an elementary school artist, so it’s rough, a little haphazard, and lacking in detail. Granted. It’s also dynamic, consistent (even the anonymous bad guys look the same from panel to panel), and engaging.

The coloring and shading are really well done, and elevate the work. The action scenes really work well—and Linker makes the wise move to take a break for the occasional cloud full of “Bam” “Kick Kick” “Punch Punch” “Kapow”—leaving it to the reader’s imagination (and saving him a lot of work).

Best of all, the art fits the story.

So, what did I think about George the Bannana: Book One?

This made me so happy to read—it’s clearly the product of an imaginative youth expressing himself. The story is ridiculous in the way that only a child can let one be—feeling both out of control with random elements, yet somehow sticking to an outline. Linker knows what the arc of a superhero story should be and executes it—he may not quite understand how to get from Point A to Point B, but he gets there through sheer determination and will (and this is the most enjoyable part for me).

Linker was 8 when he created this work—9 when he published it, which is just great. It also makes me want to focus on something in the description—Elliott isn’t the superhero, he’s the side-kick (who will need to be rescued). He’s also the guy who was a jerk to his best friend. Big choices that say a lot about the author.

I’ve got to say, I don’t know how many kids would take a moment to have George confront Elliott with how he made him feel when George became a banana (I’m certain I wouldn’t have at his age). That one moment made this a winner in my book—but so did many of the others.

The bonus of including a preview of Book Two in black and white for the reader to color? Very clever and very fun.

The entire time I read this, the back of my mind kept saying “He must have had such a blast writing and drawing this.” That joy was infectious so I had a blast reading it, and I can’t imagine any adult having a similar reaction. One of Linker’s contemporaries probably would, too—and maybe find the inspiration to tell their own story, too.


3 Stars

Grandpappy IconLiterary Locals logo

Rivers of London: Deadly Ever After by Celese Bronfman, José María Beroy (Pencils), et al.: A Couple of Brooks Wrangle With Unleashed Fairy Tales

Deadly Ever AfterRivers of London: Deadly Ever After

by Celese Bronfman, José María Beroy (Pencils) (and several other people)

DETAILS:
Series: The Rivers of London
Publisher: Titan Comics
Publication Date: January 24, 2023
Format: Paperback
Length: 112 pgs.
Read Date: March 18, 2023

What’s Deadly Ever After About?

Two of Beverly’s sisters, the twins Olympia and Chelsea Brook, are hanging out with some people they just met around a campfire. It’s just a relaxing moment—when one of the group suddenly starts trying to eat them all. Olympia tries a magic whammy on him, which doesn’t help too much, but the others are able to capitalize on this and subdue him.

Over the next couple of days, others in the group suddenly start acting strangely—an actor quits his current project, dresses up like a frog, and starts to make nature documentaries; another takes a bite of an apple and goes to sleep like Snow White.

The sisters try to get some help from the Folly, but they’re too busy. Abigail gives a quick consultation but isn’t that helpful. So the sisters have to figure out what’s afoot on their own and try to set things right.

What About Peter, Nightengale, etc.?

They’re pretty deeply involved in some strange case and we see them briefly here and there—I’m curious about what they’re up to, but I really don’t want either a comic or a novel/novella to tell us—I just want to live with the random and odd images.

How’s the Art?

The art for the Rivers of London has never been the strongest—it’s good, it’s dynamic, it moves the story along, and helps tell the story. But by and large, it’s not the greatest comic art in the world—I’ve never disliked it (I don’t think), but I’ve rarely been wowed by it either. It’s good, not great.

That’s what we have here—capable art that tells the story, conveys the emotions, and occasionally elicits a grin.

(all of this reads to me like the most sinistral left-handed compliment—I’m not trying to be that way, I’m apparently just having one of those days)

So, what did I think about Deadly Ever After?

I love the idea of getting stories in this world that only have a tangential connection to Peter and the rest. We all know that the entire Demi-monde/Supernatural world doesn’t revolve around the Folly. Things like this have to happen, before Peter was recruited, we know that Nightingale didn’t have time to handle everything—people cleaned up after themselves. And that’s what the twins try to do here—and mostly succeed.

I guess I really don’t have much to say beyond that—not only do I love the idea of this kind of story, I appreciated this example of them. We get a great magic story, meet some new people, and spend some time in this world that readers love. Can’t ask for more than that.

Sure, I hope to see more of the ol’ gang next time, but regular doses of the world outside like this one would be a good thing.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My Favorite Non-Fiction Books of 2022

Favorite Non-Fiction 2022
My 2022 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 9 instead of the nigh-obligatory 10 for the second year in a row. These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Go Back to Where You Came FromGo Back to Where You Came From: And Other Helpful Recommendations on How to Become American

by Wajahat Ali

My original post
I’m just going to remix some of what I said originally, this book was a great mix of memoir, social commentary, and satire—with a little sprinkling of a more general humor thrown in. The way he shifted between the genres was fairly seamless and quite effective—his own story (and that of his parents) were good illustrations of the societal ills he wanted to point to. Ali’s story is the kind that Americans love to tell and hear about success—even if his telling points to many of the flaws in our society. Through grit, determination, perseverance, and endurance, Ali pushes through all sorts of cultural, societal, legal, medical, and circumstantial challenges to arrive where he is. Because he believes in what we can be as a people, based on our (incredibly inconsistently applied and demonstrated) ideals and aspirations. It’s the kind of story we need to see, hear, and read more of.

4 Stars

Black Nerd ProblemsBlack Nerd Problems:
Essays

by William Evans & Omar Holmon

My original post
There are several strengths to this book—the first is the wide scope of the genres and ages of the pop culture they nerd out about. The second is the variety of the ways they express their appreciation (or lack thereof) for these cultural artifacts. Some of these essays are just silly, some are humorous, some touching, some sober—no two are alike in most ways. I wish I could write like this.

4 Stars

A World Without A World Without “Whom”: The Essential Guide to Language in the BuzzFeed Age

by Emmy J. Favilla

My original post
Sure, I disagreed with some of her takes—I’m less enamored with the idea of language as a ruleless entity than she is. But I found it impossible not to enjoy this—even when I thought Favilla was wrong about some particular note of grammar, I appreciated the way she thought about the idea and presented it. Mostly, I enjoyed reading about the process involved in creating and maintaining a style sheet for an entity as big and particular as Buzzfeed. The lists are the kind of thing I could read on a daily basis. As I wrote, “If you’re the kind of person who gets worked up about getting your phrasing juuuuuust right or are bothered when someone doesn’t. If you think reading tributes to commas and em dashes is a good time. Or if you’re curious about why someone would want to eliminate whom or is fine with letting the English subjunctive mood die…this is the book for you.”

(and, yes, I’m still planning on the tattoo inspired by the book)

3.5 Stars

The Stories Behind the StoriesThe Stories Behind the Stories: The Remarkable True Tales Behind Your Favorite Kid’s Books

by Danielle Higley, David Miles (Illustrator)

My original post
I don’t know if I read a better-designed book last year (or the year before). It’s a treat for the eyes. But more importantly, the content is as good—if not better. I can see the book appealing to (and being understood) younger readers curious about some of the books they’ve read or seen at a library. It also was entertaining and edifying for a, um, more seasoned reader familiar with almost all of the books. I was surprised by some of what I read, learned something about all but one of the 20+ books covered and walked away with a hankering to go back and read some of these.

4 Stars

Good TalkGood Talk: A Memoir in Conversations

by Mira Jacob

My original post
Okay, this was pretty well designed, too. This graphic memoir really hit me on several levels. The art is simple, but very effective. The story of Jacob’s life is one that needs to be told—for the sake of those who can relate to remember they’re not alone, and for the sake of those who can’t relate at all to help build some empathy. The framing device of trying to explain race in the U.S. to a biracial child trying to understand the world around him is much-needed, and probably more so all the time. This was more powerful than I expected (and had some great moments of lightness, too!)

4 Stars

The World Record Book of Racist StoriesThe World Record Book
of Racist Stories

by Amber Ruffin & Lacey Lamar

My original post
Back at race again…this time looking at subtle and not-so-subtle, clueless and intentional, probably well-meaning and just mean, ways that one family has to deal with racism on a day-to-day basis. There’s enough silliness to make this book endurable because there are some anecdotes here that are stunningly awful. A strong follow-up to last year’s book.

4 Stars

Friends, Lovers, and the Big Terrible ThingFriends, Lovers, and the Big Terrible Thing

by Matthew Perry

I haven’t found time to write about this book yet, so I’m having trouble boiling things down into a concise paragraph. I’ve been a huge fan of Perry’s since episode 2 of Friends (and was a decently-sized fan based on the pilot), so I was drawn to this right away, but really wanted a break from celebrity memoirs and put off getting it until I read that the book focused so much on the “Big Terrible Thing.” There’s some stuff about his acting career—highs and lows, the usual behind-the-scenes, stuff. But this book is primarily about his mental health problems, his addictions, and the many, many ways he’s hurting himself and those around him. I wouldn’t call this a “warts and all” kind of portrayal of Perry, more of a “warts (and some other things)” look at him. There’s some hope and optimism, too, but it’s tempered.

4 Stars

How to Be PerfectHow to Be Perfect:
The Correct Answer to
Every Moral Question

by Michael Schur (Writer, Narrator)
with: Michael Schur, Kristen Bell, D’Arcy Carden, Ted Danson, William Jackson Harper, Manny Jacinto, Marc Evan Jackson, Jameela Jamil, and Todd May

My original post
This is a solid introduction to ethics and some of the major schools of thought behind contemporary approaches (with historical precedents). The kind of thing you might get in a 100-level course in college. But told in a very approachable way that will no doubt bring a smile to the reader’s/listener’s face occasionally. It’s not perfect, but it’s good. It’s thoughtful, but accessible. And it can—should?—act as a launching pad for further reading and study for those who want to dig in.

4 Stars

E.B. White on DogsE. B. White on Dogs

edited by Martha White

This is another one I haven’t had time to write about yet. I went in assuming this would be a good read—and got that. This is a collection of essays, shorter pieces, and letters written by White about (or mentioning) dogs. There are some solid gems here—honest laughs, amusing thoughts, and devotion to these animals that humans are so strongly drawn to. Readers of this blog know that I love good writing about dogs, and that’s exactly what we get here. There are a handful of things I’m not sure were worthy of including in this book other than for the sake of completeness, but I’m not going to complain.

4 Stars

Terry’s Crew by Terry Crews and Cory Thomas: Brings a Much-Needed Dose of Encouragement and Enthusiasm to the Page

Be sure to check out the rest of the highlights, reviews, and other posts associated with the Tour here.
Terry's Crew Tour Banner

Terry's CrewTerry’s Crew

by Terry Crews, Cory Thomas (Illustrator)

DETAILS:
Publisher: Little, Brown Books for Young Readers
Publication Date: November 8, 2022
Format: eBook
Length: 208 pg.
Read Date: November 4, 2022

What’s Terry’s Crew About?

Our protagonist, Terry, is a bright, energetic (very energetic) kid with big dreams. Huge dreams. He even has a name for them, and when he speaks, you can hear the capitalization—Big Dream Plan.* He is basically the living embodiment of joie de vivre. We meet him the day before he starts a new Middle School on the other side of town—he’s qualified for a scholarship and his parents are hoping this is his ticket to a better life.

* Yes, this is a graphic novel, so you can literally see the capitals, but those around him hear the capitals.

Not that there’s anything wrong with the life he has—demanding, strict, but caring and supportive parents. An older brother who always has his back (although he’s human and stumbles), who has the same hopes for Terry that he does. He even has a small-time criminal from the neighborhood looking out for him. It’s a good life, but his parents still hope that his talents and ambitions can give him a better (read: financially secure and in a better neighborhood).

Okay, that’s more space than I thought the introduction was going to take, let’s get moving. His new school is dazzling—there’s clearly money being spent on all levels here. And most of the students come from it, too. It seems to take Terry a while to figure that out, and when he does, it doesn’t seem to phase him.

Terry has a hard time making friends at first but is given a chance to get in with the “in crowd” (I’m sure no one says that anymore, but I’m not going to try to pretend I know what people say), by bullying a kid. It goes well enough, but he feels horrible about it and tries to make things right the next day. This leads to Terry landing a small group of potential friends (including the kid he bullied) and puts him firmly in the “out-crowd.”

An extra-curricular group activity proves the perfect outlet for Terry’s creativity (which needs a large outlet, the kid cannot stop creating), but it seems to be damaging his grades. His mother puts an end to that—which causes some family tension and forces Terry to be even more creative in his approach to the extra-curricular activity.

Things go on from there—basically, this is about Terry getting his feet wet in a new world of opportunity, learning how to navigate it, making some real friends, and learning to appreciate the support and direction of his parents.

The Tone of the Book

Terry’s pretty naïve—or at least he comes across that way. He’s so caught up in his dreams and the possibilities of the future that he really doesn’t seem to notice or understand the harsher realities around him. His big brother does a good job of helping him navigate through this without opening his eyes.

This gives the whole book a similarly hopeful and almost starry-eyed tone and feel. But the art is thoughtfully used to make sure the reader sees the reality—the looks on the faces of characters around him, the changes in the economic status of his environments, the run-down nature of his neighborhood’s buildings, and so on. Terry’s eyes are on the bright future, but he’s living in a very real now, and the art serves well to show that both of these things are true.

It feels like I’ve already transitioned out of this section into the next, let’s make it official:

A Word About the Art

Cory Thomas is a huge part of what makes this graphic novel work. From his capturing the dual worlds that Terry lives into his character designs and the sense of energy conveyed on the page, Thomas really brought this to life.

As usual, I struggle to describe the artwork, so forgive me if any of the positive things I’m trying to say here don’t sound positive.

Thomas’s artwork isn’t polished and full of fine detail—these aren’t beautiful panels like you’d get from George Pérez or someone in his school. The penciling and inking are rough, the lines are jagged—they convey an energy, a youth, and a vitality more like Bill Watterson (and the more I think of it, the more I like my floundering here landed on Watterson as a comparison).

The expressions on the character’s faces alone make me want to commend his artwork here, from Terry’s almost ever-present smile (in various wattages) to the doubt or cynicism depicted on others, these characters pop off the page.

So, what did I think about Terry’s Crew?

In interviews (and in many of his performances), Terry Crews comes across as someone with an indefatigable optimism, an infectious enthusiasm, and a near-unrelenting positivity. I get the impression that this is a fully intentional outlook on his part and I can’t help but admire it. This book encapsulates that outlook and brings it to life in this fictional Terry.

Yes, I wondered if the book ends up being a little Pollyanna-ish in the end, but I think that was the goal—and who doesn’t need a little sunshine? I had a lot of fun reading this—I think it’s difficult not to. Terry, his friends, family, and others (including the nefarious neighborhood supporter) show that with support, encouragement, and teamwork, small dreams can come true—with the assurance that comes from that. If you can make enough of those small dreams come true, even a Big Dream Plan is possible.

This worked for me, someone decades past the target audience, I’d like to think—and I hope—that this will bring some encouragement into the lives of the Middle-Grade audience, too. I recommend picking this up and putting it in the hands of the Middle Grade (maybe even younger) reader in your life.


4 Stars

About the Book:

Actor-author-athlete Terry Crews digs into his childhood in Flint, Michigan, to tell a story of fitting in and finding your place in his showstopping debut middle-grade graphic novel, the start of a series.

Young Terry Crews has a Big Dream Plan: He wants to become a MULTIHYPHENATE. That means he wants to be an artist. And a football player. And a musician. And maybe a NASA scientist, too! OK, maybe it’s ambitious, but his parents worked hard so he could go to a new school—Rock City Academy, a prestigious institution (read: rich kids go there) where he’s sure he can make his mark at the talent show. He plans an elaborate performance with his new friends, Rani, a passionate engineer, and Xander, a shy kid with a head like an encyclopedia.

Along the way, Terry’s plan is threatened by his grades, which slip below Mom-and-Dad-approved levels, as well as the schemes of the school’s football star, Rick, who won’t stop until Terry quits the talent show altogether. No matter what challenges he faces, though, Terry knows that he always has his crew to back him up.

Purchase Links

Goodreads ~ Amazon ~ Barnes & Noble ~ Book Depository ~ Indigo ~ IndieBound

About the Author:

Terry Alan Crews (born July 30, 1968) is an American actor and former American football player. He is best known for playing Julius on the UPN/CW sitcom Everybody Hates Chris, Sergeant Terry Jeffords on the NBC comedy Brooklyn Nine-Nine, and for his appearances in Old Spice commercials, as well as films such as Friday After Next, Idiocracy, and The Expendables series. He is a host of America’s Got Talent.

Author Links

Twitter ~ Instagram ~ Goodreads ~ Facebook

 


TBR and Beyond Tours
My thanks to TBR and Beyond Tours for the invitation to participate in this Book Tour and the materials (including the book) they provided.

BOOK SPOTLIGHT: Terry’s Crew by Terry Crews and Cory Thomas

Today I’m very pleased to welcome the Book Tour for the graphic novel, Terry’s Crew by Terry Crews and Cory Thomas (which happens to publish today, something you should take advantage of). It’s a fun read and I’m happy to spend some time today highlighting it. Along with this spotlight post, I have my take on the graphic novel later this morning. (That links will work when the post goes live.) Be sure to check out the rest of the highlights, reviews, and other posts associated with the Tour here.

First, let’s take a look at Terry’s Crew.
Terry's Crew Tour Banner

Book Details:

Book Title: Terry’s Crew by Terry Crews and Cory Thomas
Publisher: Little, Brown Books for Young Readers
Release date: November 8, 2022
Format: Hardcover/Trade Paperback/Ebook
Length: 208 pages
ISBN: 9780316499989
Terry's Crew Cover

About the Book:

Actor-author-athlete Terry Crews digs into his childhood in Flint, Michigan, to tell a story of fitting in and finding your place in his showstopping debut middle-grade graphic novel, the start of a series.

Terry’s Crew is a true delight from beginning to end. It’s sure to provide a much-needed mirror and sliding glass door for countless kids.” —Angie Thomas, author of The Hate U Give

“A delightful, powerful, readable retelling of Terry Crews’s adolescence. Readers young and old will be captivated.”
—Sharon M. Draper, author of Out of My Mind

“A must read for all those kids who allow themselves to dream in a variety of big ways. Bravo!” —Pablo Cartaya, author of The Epic Fail of Arturo Zamora

Young Terry Crews has a Big Dream Plan: He wants to become a MULTIHYPHENATE. That means he wants to be an artist. And a football player. And a musician. And maybe a NASA scientist, too! OK, maybe it’s ambitious, but his parents worked hard so he could go to a new school—Rock City Academy, a prestigious institution (read: rich kids go there) where he’s sure he can make his mark at the talent show. He plans an elaborate performance with his new friends, Rani, a passionate engineer, and Xander, a shy kid with a head like an encyclopedia.

Along the way, Terry’s plan is threatened by his grades, which slip below Mom-and-Dad-approved levels, as well as the schemes of the school’s football star, Rick, who won’t stop until Terry quits the talent show altogether. No matter what challenges he faces, though, Terry knows that he always has his crew to back him up.

Purchase Links

Goodreads ~ Amazon ~ Barnes & Noble ~ Book Depository ~ Indigo ~ IndieBound

About the Author:

Terry CrewsTerry Alan Crews (born July 30, 1968) is an American actor and former American football player. He is best known for playing Julius on the UPN/CW sitcom Everybody Hates Chris, Sergeant Terry Jeffords on the NBC comedy Brooklyn Nine-Nine, and for his appearances in Old Spice commercials, as well as films such as Friday After NextIdiocracy, and The Expendables series. He is a host of America’s Got Talent.

Author Links

Twitter ~ Instagram ~ Goodreads ~ Facebook


TBR and Beyond Tours
My thanks to TBR and Beyond Tours for the invitation to participate in this Book Tour and the materials (including the book) they provided.

Bunnicula: The Graphic Novel by James Howe, Andrew Donkin, Stephen Gilpin: The Children’s Classic Brought to Life in a New Format

Bunnicula: The Graphic NovelBunnicula: The Graphic Novel

by James Howe, Andrew Donkin, Stephen Gilpin (Illustrator)

DETAILS:
Publisher: Atheneum Books for Young Readers
Publication Date: August 29, 2022
Format: Paperback
Length: 128 pg.
Read Date: October 22, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Bunnicula: The Graphic Novel About?

This is easy—it’s a graphic novel adaptation of the modern classic, Bunnicula: A Rabbit-Tale of Mystery by James and Deborah Howe.

For those who missed this when they were kids, briefly, it’s the story about a dog (Harold) and a cat (Chester) reacting to a rabbit that their family brings home after finding him in a movie theater. The rabbit has some distinctive patterns on his fur that remind the kids (and Chester) of a classic Dracula-type vampire, so they name him Bunnicula.

Chester’s a literary type, with a taste for classic horror. Between his look, Bunnicula’s nocturnal habits, and the fact that every vegetable in the house starts being drained of its juices, Chester becomes convinced that the new pet is a vampire and tries his best to warn the family and destroy the intruder before he harms the family. Harold’s around as the voice of reason and tries to mitigate Chester’s shenanigans before his new little buddy gets hurt. Hilarity and shenanigans ensue.

Stephen Gilpin’s Work and the Look of the Book Overall

When I saw this on the bookstore shelf, I was intrigued because the original novel was such a favorite of mine—and then my kids, too. I had no real intentions of buying it because I could always just grab the novel again to revisit, but I picked it up to give it a quick glance and the art blew me away, and I had to buy it. Chester looked good, I clicked immediately with the character design for the Monroes (particularly the boys), Bunnicula was spot-on…

But the clincher for me was Harold. He might as well have been a werewolf drinking a piña colada at Trader Vic’s, because his hair (and everything else) was perfect. Sure, now it’s expected that the dog will be my favorite character in a book—but that wasn’t my default when I first encountered the book. But it took little time for him to be my favorite character in the series*. So when Gilpin knocked that character out of the park, he won my affection. Sure, it’s based on the illustrations from the original book, but he owned it and brought the look to life.

* It’s very likely that Harold laid the groundwork for my appreciation of canine protagonists, like Chet and Oberon.

Sometimes, I wonder what the point is behind doing a graphic novel adaptation of a written work—does it really add anything? This one did—there are some nice updates (Harold uses a computer, etc.) and some visual jokes and flourishes that could only be made in this format. Gilpin clearly made the most out of what Howe and Donkin gave him.

So, what did I think about Bunnicula: The Graphic Novel?

It’d be hard (but not impossible) to make something faithful to the letter (as much as space allows) and the spirit of the novel that didn’t make me happy. But this one wowed me—it brought me back to the day I first discovered this great band of people and critters decades ago, recapturing and repackaging the magic.

I’m not sure that it’ll have that impact on everyone—I don’t know if an 8-10 year-old picking it up in 2022 is going to get hooked on the series, for example. I can’t imagine how one doesn’t, but I don’t know if they will.

I wasn’t sure how to rate this, how much of my reaction to it was based on memory and nostalgia and how much was this new work. But I know how I felt while reading it and I saw how my (now adult) children’s eyes lit up when I showed them this version of the book, and I had to go with the full five stars.

Adult fans who remember the book—grab this, you’ll have a blast. It’ll probably work its charms on younger readers, too—and hopefully will work to bring them to the original series.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Good Talk: A Memoir in Conversations by Mira Jacob: Explaining Race in the U.S. to a Child

Good TalkGood Talk:
A Memoir in Conversations

by Mira Jacob

DETAILS:
Publisher: One World
Publication Date: March 25, 2019
Format: Hardcover
Length: 349 pg.
Read Date: October 5-6, 2022
Support Independent Bookstores - Visit IndieBound.org

Sometimes, you don’t know how confused you are about something important until you try explaiing it to someone else.

What’s Good Talk About?

It’s 2014 when the book opens, Mira Jacob’s son Z is six and he’s asking Mom a lot of questions (because he’s six). They start off talking about Michael Jackson—Z is obsessed with him. Z eventually asks about Jackson’s skin color—Z is half-Jewish, half-Indian and has several questions about skin color that stem from this (and likely predate this, but what do I know) which leads to questions about race, race relations, and what he sees on the news. Jacob’s committed to being open and honest with Z, but struggles knowing how much she should say—and how optimistic she should be about the state of the US in terms of Ferguson, MO, and a lot of the rhetoric surrounding the 2016 elections.

The memoir comes in as Jacob recounts several scenes from her childhood/young adulthood that shaped her. Her parents immigrated from India in the 60s (a week before MLK was assassinated) and took up residence in Albuquerque. We get a few scenes from her childhood and teen years before moving to adulthood, dealing with misunderstandings, assumptions, and unintentional rudeness based on her background. Eventually, she finds herself in New York City trying to make it as a freelance writer and dating. This is all told with frankness and humor. The kind of humor that reminded me of Amber Ruffin/Lacey Lamar’s You’ll Never Believe What Happened to Lacey from last year—you laugh so you don’t have to cry.

The Art

I really don’t know how to describe the art here, but this is a graphic memoir, so it’s a major component of the book. So I’d better try.

I saw someone on Goodreads use the term “mixed media,” and without researching it, I think it’s close enough to use as a description (maybe not technically right?). Please note that this is me trying to describe it, not being dismissive as it may sound. It’s like Jacob drew nice, but not fantastic, paper dolls of each character (some at different ages, others static) and put them on top of photographs or drawings of various locations and added speech bubbles.

I just saw that she has an Instagram account that uses images from the book (in addition to the regular Instagram stuff), so I figure I can “quote” something to show what I’m talking about:

This is nowhere near the kind of art that appeals to me in graphic novels/memoirs etc. Give me something dynamic, something with some flair, something I can bask in. But…this really worked for me. It helped give this a “documentary” kind of feel (don’t ask me to explain this, but it struck me that way). This isn’t about the glitz or the pictures jumping off of the page, it’s about a woman having tricky conversations with her loved ones—and complete strangers, sometimes. The focus is on the words, but the images help carry you along.

So, what did I think about Good Talk?

Sometimes, you go along with it and pretend nothing happened. Sometimes, you hold your breath until the feeling of wanting to believed passes. Sometimes, you weigh explaining against staying quiet and know they’re both just different kinds of heavy. Sometimes, when it’s your mother-in-law—a woman you started calling Mom the day you got engaged because you admired the ferocity with which she loved her children, and maybe even wanted some of it for yourself—you look ahead and see all the years of birthdays and graduations and weddings that will be shadowed by things that she can’t imagine about your life. Sometimes, you can’t hold your breath long enough.

I typed “I really enjoyed this book”, but I’m not sure that’s the appropriate response. I don’t know that supposed to enjoy this—but her style and humor are really engaging and there’s enough hope in there that it feels natural to say. I feel okay saying that this is a good read—it’ll make you think, it might make you grin, and it’ll definitely make you wince.

Right away, when Jacob goes to visit families in India and they tell her that her skin tone (darker than her parents’ or her brother’s) marks her out as not as attractive or a good prospect for marriage, you can tell she will pull no punches. And you can understand why she wouldn’t want to. It’s one of the many, many things that guys like me on Scalzi’s Lowest Difficulty Setting don’t have to think of. There are many sections of the book that hit the same way—like the chapter where she talks about being mistaken for “the help” at a party her mother-in-law was hosting. The above quotation is part of that—she decides mid-way through the conversation that she’s not going to try to explain what happened, nor argue about it. Constantly having to explain your experiences—your life—to people who don’t get it has to be a kind of exhausting that I can’t imagine.

But there’s a lot of humor and hope here, too—not all of it at the expense of clueless white folk saying dumb things. There’s the chapter about getting her dad to use marijuana to help the pain of his cancer treatment, for example. It’s funny and heart-warming. Until he dies, of course, reminding you that this isn’t that the hope is tinged with reality.

I really recommend this book—it’s a deceptively easy read, and you shouldn’t let the style or format fool you into racing through it. There’s a lot to chew on, a lot to reflect on—and a perspective that should be listened to. Even if you can’t relate to her struggles, can’t agree with her politics, and find the whole discussion unsettling. Maybe especially then.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Spider-Man’s Social Dilemma by Preeti Chhibber: A Fun Time with Everyone’s Favorite Webhead

Spider-Man’s Social DilemmaSpider-Man’s Social Dilemma

by Preeti Chhibber

DETAILS:
Publisher: Marvel Press
Publication Date: July 26, 2022
Format: Hardcover
Length: 325 pg.
Read Date: September 6, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Spider-Man’s Social Dilemma About?

So this is a Peter Parker in High School story—he’s been Spider-Man for 6 months or so, he’s fought some bigger villains, but he’s still got a lot to learn. J. Jonah Jameson is campaigning against him. He’s learning how to balance school and web-slinging. It’s definitely set in 2022, and isn’t in a comic timeline or one from any of the movie universes. It feels a little like the early Ultimate Spider-Man, but MJ is closer to the MCU version.

Sandman and Beetle have attempted to steal a 100+-year-old device that is powered by something alien (or so rumor has it). But both of them are acting a little strangely lately—Peter can’t say what it is exactly, but they’re more violent, more determined. He’s still able to hold his own against them, but it’s a little work.

So, what did I think about Spider-Man’s Social Dilemma?

I really don’t have a lot to say about this—it’s a fun Spider-Man story. And who needs more than that? But let me try…

It’s fun and fast-paced, with good action. Chhibber combined tried-and-true Spider-Foes with a new threat, I appreciate mixing the two rather than just giving us one more ride with the Green Goblin—or someone we’re not at all familiar with. The action scenes are handled deftly and you can see them as clearly as if a Romita or a Bagley were bringing them to life.

Chhibber clearly knows this universe well and has a strong affection for the series—and that shines through. I may not have been able to keep up with the comics over the last decade or so, but Spider-Man has long* been my favorite, and to see him handled like this does my heart good.

* In this case, long = since 1980.

Yeah, this is targeted for an MG audience—but it didn’t feel that way. It felt more All-Ages to me. A classic Spider-Man story—with requisite numbers of laughs, action, and optimism. If Marvel Press has Chhibber return (and the stage is set here for a sequel), I’ll be first in line for this. It was a blast.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Page 2 of 7

Powered by WordPress & Theme by Anders Norén