Category: Fantasy Page 1 of 34

Grandpappy’s Corner: How the Grinch Stole Christmas! (Audiobook) by Dr. Seuss, read by Walter Matthau: A Great Read by One of the Greats

Grandpappy's Corner Logo with the Cover of How the Grinch Stole Christmas! by Dr. Seuss

How the Grinch Stole Christmas!

by Dr. Seuss, read by Walter Matthau

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: June 27, 2006
Format: Unabridged Audiobook
Length: 12 minutes
Read Date: December 13, 2024

An Audiobook of Seuss?

I repeatedly saw an advertisement on some social media site from Penguin Random House for this audiobook, and honestly didn’t see the point—isn’t half the reason to read a Seuss that distinctive artwork? Why lose that? And who could possibly tackle the narration?

Curiosity got the best of me and I clicked. Walter Matthau? And Libro.fm was selling it for less than $2? Well, okay.

What’s How the Grinch Stole Christmas! About?

The Grinch Frowning

Yeah, okay. That was a dumb question.

So, what did I think about How the Grinch Stole Christmas! Audiobook?

Really, there’s no question what I think about the story itself. Or Seuss’ rhymes, invented words, and everything else.

The essence is what did I think of Matthau’s narration? First, it’s so strange to hear his distinctive voice and accent rather than Thurl Ravenscroft and Boris Karloff. It’s hard to remember that Seuss never intended his Scrooge to sound like them.

Once you get past that (and it’s easy)…Matthau is so good at this. He’s just naturally crotchety (or at least he seems that way, he was probably a real charming guy), and that makes him an excellent choice for this book and this character. That’s not to say that he can’t pull off the character change, because he’s a pro (and not always a grump).

This is a great way to spend 12 minutes—and it’ll easily become something I regularly return to. And I can’t wait to introduce this to the Grandcritter when he’s got the attention span.

Give up a cup of coffee and get this.

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Word and Spirit: Selected Writings in Biblical and Systematic Theology by Richard B. Gaffin, Jr.:Righteous Gems

I can’t put this one off any longer—if I could, I promise you I would (I’ve delayed it a few weeks already). I’m out of my league here, but I’ve got nothing else to write about. And I really need to write something about this.


Cover of Word and Spirit by Richard B. Gaffin, Jr.Word and Spirit:
Selected Writings in Biblical and Systematic Theology

by Richard B. Gaffin, Jr.; edited by David B. Garner & Guy Prentiss Waters

DETAILS:
Publisher: Westminster Seminary Press 
Publication Date: December 1, 2023
Format: Hardcover
Length: 723 pg.
Read Date: January 7, 2024-September 22, 2024

The word atonement does not occur in Paul’s writings.’ But no concern is more central for him than the meaning of the death of Christ, the church’s perennial concern in its doctrine of the atonement. What does Christ’s death achieve? How is it effective for the salvation of sinners? This chapter considers Paul’s answers to such questions with an eye to the issue of continuity between Paul’s teaching and later church doctrine. How faithful to the apostle is subsequent Christian understanding of the atonement?

Contemporary Pauline scholarship is marked by a fairly widespread consensus that in its dominant and most influential expressions, traditional atonement theology departs from Paul in at least two substantial ways. First, it fails to recognize, or at least do justice to, the Christus Victor theme in Paul, that Christ’s death destroys actual slavery to sin and its consequences in the sinner. Second, its notion of the cross as penal substitution, particularly as it has been developed beginning with the Reformation, is foreign to Paul.? In my view, the first of these critiques contains some measure of truth; however, the second is wrong. As a fair generalization, historic Christianity, including Protestant orthodoxy, is weak in not recognizing adequately Paul’s teaching that the cross destroys sin in the sinner as a corrupting and enslaving power, but modern historical-critical scholarship is defective for not dealing adequately with his teaching that the cross removes the guilt and just punishment of sin.

What’s Word and Spirit About?

According to the Publisher,

Few Reformed theologians have exerted the influence in both the church and the academy that Richard B. Gaffin, Jr. has, shaping the theology and spiritual formation of generations of pastors and teachers. Until now, his most significant published works have been inaccessible to most theological readers, published in academic journals, denominational newsletters, and out of print festschrifts and essay collections. A decade in the making, Word & Spirit gathers Gaffin’s finest works of biblical and systematic theology and arranges them in a singular, organic whole that presents Gaffin’s thought and work as comprehensively and clearly as it ever has been. More than 40 essays, articles, and tracts have been compiled, including “The Usefulness of the Cross”, No Adam, No Gospel, “A Cessationist View,” and “The Work of Christ Applied”. This collection is a must-have for any student of theology.

There’s really not much else to say. It’s broken down into five sections, and I’d be tempted to say that each section was the most valuable/useful (well, at least 2-5, but maybe if I spent some time re-reading part 1, I’d reconsider that). Let’s take a quick look at each:

Hermeneutics, Biblical Theology, and Systematic Theology

This is ten articles spread out over 170+ pages, covering the basics of Biblical Theology, how it can and should interact with Systematic Theology (and vice versa).

There’s some repetition of ideas (this will be a common thread throughout each section), which makes sense as these were written as individual pieces, not as part of a book, and Gaffin’s position and ideas about these things have remained static/build on each other.

It’s vital to understand him and his work—and just good to have a handle on these ideas regardless.

Theology of Hebrews and Paul

Most of these seven articles encapsulate (and expand on) the ideas from In the Fullness of Time: An Introduction to the Biblical Theology of Acts and Paul, a book I raved about a couple of years ago. But there are teachings and texts he didn’t address there, that he does here.

This section was so rich, so helpful—the chapters “‘The Obedience of Faith’: Some Reflections on the Rationale for Romans,” “Atonement in the Pauline Corpus: ‘The Scandal of the Cross,'” “and “The Priesthood of Christ: A Servant in the Sanctuary”—were good enough that I almost re-read them immediately (and I probably should’ve).

The first article in this section, The Usefulness of the Cross is available as a PDF Free Chapter Download from the publisher, take advantage of this.

Scripture, Epistemology, and Anthropology

The first three of these six chapters might have been the most mind-stretching for me (they won’t be for everyone), and were very rewarding.

The final three were the easiest for me—and the most repetitive in the book. They focus on Biblical anthropology (as in teaching on the nature of man), focusing on the historicity and nature of Adam. I’ve read at least “No Adam, No Gospel” before—it was published as a booklet a few years ago, and I think I read the previous chapter, the Translator’s Foreword to Adam in the New Testament as well. And I didn’t mind one bit re-reading it/them. Still helpful.

Pneumatology

These seven chapters could be (should be, if you ask me) be reworked into one book. Gaffin shines in these studies—and going back to his By Faith, Not By Sight and Resurrection and Redemption, these teachings are where he’s historically helped me the most. And that streak continues here.

Reformed theologians often (and wrongly) get the reputation for not talking about the Spirit as much as other traditions, and—even worse—are considered to ignore Him. Gaffin makes it clear that everything about Reformed Theology is based on the work of the Spirit in believers’ lives and helps us understand just what that means—both theologically and practically.

The Law of God, Soteriology, and Eschatology

This section pretty much covers “everything that couldn’t fit above.” Again, I’ve read a few of these before in other publications/stand-alone works. But I don’t care.

The chapters on eschatology are gold.

The chapters on Justification and Calvin are even better—the way he talks about Calvin’s view of the relationship of Sanctification and Justification (and the way he presents the two in The Instittues even in the organization of them) is so important for us all to heed. Particularly as he roots them both in Union in Christ—as is every benefit that the believer enjoys in this life and in the resurrection.

So, what did I think about Word and Spirit?

The justification of God’s elect is unshakably secure because, in a sentence, Jesus Christ is “the same yesterday, today and forever” (Heb. 13:8). Despite the way it is often read, this is not, at least in the first place, a proof text for Christ’s divine immutability, that as God he is unchanging, though that attribute is surely in the background (see, for instance, 1:10—12).” Rather, it is most likely an affirmation of his unwavering fidelity, his abiding reliability as high priest—in his once-for-all sacrifice in the past on earth and in his ongoing present and future (cf. 7:25) intercession in heaven. That is as good a note as any to bring these reflections to a close. “Jesus Christ—the same yesterday, today and forever.” This, first and finally, is what Christians need to know about their justification when they consider Christ as their priest, not only in his state of humiliation but also in his state of exaltation.

Outside of the Foreword, Introduction, and Brief Biography (Appendix A), none of this is particularly easy reading. Nor quick. But all of it is accessible—for the depth he gets into at points, this is much more approachable than On Classical Trinitarianism (to mention a recent example).

This is probably the most personally beneficial read I’ve had in the last couple of years—sitting down with Gaffin for 30-50 minutes every week has been a great discipline and a great boon.

I should probably have more to say than that, but I can’t think of what else to say that’s not just a restatement of this: this is a fantastic book—with insights, teachings, and reminders of the things that are vital for every believer.

Highly recommended.


5 Stars
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BOOK SPOTLIGHT: Kavithri by Aman J.Bedi

I’m pleased today to welcome The Write Reads Blog Tour for the Indian Progression Fantasy, Kavithri, the first book in The Ghosts of Ethuran. If this looks as good to you from this Spotlight as it does to me, you should go to https://twitter.com/WriteReadsTours feed to see all the great things that people are saying about it. But since you’re here already, you might as well read what I have to tell you about it first.

Kavithri Tour Banner

Book Details:

Title: Kavithri by Aman J.Bedi
Genre: Fantasy
Publisher: Gollancz
Format: Hardcover/Ebook/Audiobook
Length: 448 pages
Publication Date: Oct. 1, 2024
Kavithri by Aman J.Bedi Cover

About the Book:

Meet Kavithri. Outcast. Underdog. Survivor.

Kavi is a Taemu. Her people, once feared berserkers and the spearhead of a continent-spanning invasion, are the dregs of Raayan society. Their spirits crushed. Their swords broken. Their history erased.

But Kavi has a dream and a plan. She will do whatever it takes to earn a place at the secretive mage academy, face the Jinn within its walls, and gain the power to rise above her station and drag her people out of the darkness.

Except power and knowledge come at a cost, and the world no longer needs a Taemu who can fight. So they will break her. Beat her down to her knees. And make her bleed.

But if blood is what they want, Kavi will give them blood. She will give them violence. She will show them a berserker’s fury.

And she will make them remember her name.

An no-holds-barred progression fantasy and empowering South Asian epic – featuring necromancers, djinn and visceral action sequences. An underdog story like no other, Kavithri is perfect for fans of Fonda Lee, Tamsyn Muir and John Gwynne.

‘A richly detailed, darkly gritty world’ Sunyi Dean, Sunday Times bestselling author of The Bone Eaters

‘[A] grim and relentless exploration of colonialism, power, resistance and courage’ Samit Basu

‘Seamlessly packs South Asian lore and progression fantasy into a relentless rollercoaster’ Gourav Mohanty

Book Links:

Amazon UK ~ Amazon ~ Goodreads

About the Author:

Aman J.BediAman was born in Mysore, India. He grew up in Vizag, studied in Bangalore, lived in Bangkok, completed a PhD in experimental psychology at the University of Canterbury, and has settled (for now) in Melbourne, Australia. His writing draws from modern Indian history and is influenced by writers and artists like David Gemmell, Brandon Sanderson, Takehiko Inoue, and Kentaro Miura.

Author Links:

Website ~ Twitter ~ Instagram


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

PUB DAY POST: King Arthur & The Ladies of The Lake by Vincent Pompetti: The Once and Future Graphic Novel For Our Time

Cover of King Arthur & The Ladies of The Lake by Vincent PompettiKing Arthur & The Ladies of The Lake

by Vincent Pompetti

DETAILS:
Publisher: Black Panel Press
Publication Date: November 19, 2024
Format: eARC
Length: 113 pg.
Read Date: November 9, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s King Arthur & The Ladies of The Lake About?

This is a telling of the Arthur legend with a focus on the women in his life—his mother, sisters, Guinevere, the Lady of the Lake, and so on.

It’s also a telling of the clash between (a) Celtic religion and Christianity, with Arthur trying to maintain an atmosphere that allows both to coexist. I think the version of Celtic theology reeks of anachronistic thinking, and the “new” religion also feels a little off. But it works for this telling. It’s not just about religion—but about the way it works out in the lives and attitudes of Arthur’s people.

It’s really hard to say more than that—it’s Arthur from infancy through the end of his life, the growth of his reputation and kingdom, the controversies and losses.

A Word About the Art

So I really dig the watercolor art—it works well with the subject and the feel that Pompetti’s going for with the storytelling. There’s a dreamy quality to it that matches the storytelling, the magic and the visions that drive Arthur. I don’t know if that’s just how Pompetti works, or if he chose that deliberately for this story. Either way, it’s a win.

Yeah, there’s part of me that would appreciate a good inker and some more standard art and coloring. I think that’s primarily because that’s what I was raised with and am used to. But it just wouldn’t work as well for this work.

Here are a couple of sample pages to give you a taste (obviously, click the thumbnails to see more):

Thumbnail of king-arthur-excalibur.jpeg Thumbnail of king-arthur-goes-to-war_sm.jpeg

So, what did I think about King Arthur & The Ladies of The Lake?

I tipped my hand earlier when I talked about the clash of cultures driven by religion. Whoops (in my defense, I was trying to stretch that section beyond a couple of lines). While I didn’t appreciate the historical depictions, I did think it worked for a Fantasy tale.

In Pompetti’s telling there’s a feeling of groundedness to some of the standard elements of Arthurian legend—Excalibur, Guinevere’s affair, and so on. Yet, he didn’t remove magic and supernatural elements (I did wonder if that was the direction he was going for a moment)—it’s just not entirely the way we’re used to it with this story.

Like most people, I’m game for a good Arthurian retelling—and this is a pretty good one. I think the medium hurt it a little. 113 pages works for graphic novels, but it’s hard to squeeze in a lot of depth into those pages—particularly when the art looks like his does—the pictures are larger than they’d be with other artists, so the story details have to be lighter. It’s a tradeoff that’s worth it, I wouldn’t want Pompetti’s art to be smaller.

I enjoyed this on an initial read, and the bits I reread while preparing this post held up pretty well. I think it’s one of those books that I’ll appreciate more on successive re-reads, too. I’d absolutely read more by Pompetti and would encourage you to do the same.

Disclaimer: I received a copy of this from ARC from the Author via Edelweiss, and i appreciate that, but the thoughts expressed are my own.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Nugget’s Tenth Life by Adam Holcombe: The Backstory I Didn’t Need, But Am So Glad I Got

Cover of Nugget’s Tenth Life by Adam HolcombeNugget’s Tenth Life

by Adam Holcombe,

DETAILS:
Series: Chronicles of Gam Gam
Publisher: Bounty Ink Press 
Format: eBook
Length: 32 pgs.
Read Date: September 23, 2024

There is a saying among humans that a cat has nine lives, but this is not entirely accurate. See, it is simply that cats are notoriously skilled at almost dying. It is only by the ninth time that the dying tends to stick.

What’s Nugget’s Tenth Life About?

For those who are familiar with Gam Gam the Necromancer, you are familiar with her familiar*, Nugget. If you haven’t read anything about Nugget before—let me introduce him to you.

Gam Gam is a newly graduated necromancer, despite being…well, a Gam Gam. Her familiar is a cat she revivified—I guess it’s better to call Nugget the animated skeleton of a cat—with all the memories, habits, and attitudes of the stray cat he was before he needed revivification to prowl around.

This would be his tenth life—this short story is the recounting of the previous nine lives he enjoyed (or at least lived through). It’s about his Brother, Sister, Mother, and his Sister’s two kits as well—but primarily about Nugget doing his best to help his family survive and keep their shelter.

* A phrase that I wrote without forethought.

So, what did I think about Nugget’s Tenth Life?

Maybe (very likely) I’m in the minority here. But I was not curious at all about Nugget’s life (or, lives) before Gam Gam. I was curious about Gam Gam’s backstory. I was curious about the Knight Revenant. I can see reading more about Mina. But an elderly necromancer (or any necromancer, really) with a skeleton familiar? That seems fitting and generally unsurprising—I didn’t need to know any more about him.

But now??? I’m so glad we got this. I loved that opening I quoted above and was quickly invested in Nugget’s story.

Getting that little bit of time with Gam Gam at the end reminded me how much I liked the character—and I’m now more than ready for The Wishing Stone‘s release next month so I can spend some extended time in this world.

This would make a decent jumping-on point for those who haven’t tried this series before. If you have, I probably don’t need to encourage you to give it a shot (but I will anyway).

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Pictures by J.R.R. Tolkien: A Nice Bit of Insight into Middle Earth

Cover of Pictures by J.R.R. TolkienPictures by J.R.R. Tolkien

DETAILS:
Publisher: William Morrow & Company
Publication Date: November 16, 2021
Format: Hardcover 
Length: 104 pgs.
Read Date: September 21, 2024
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Why this Book Today?

Last Spring, I read Lashaan Balasingam talk about this book at Roars and Echoes and put it on a wish list instantly. I was given a copy of it last year, but aside from glancing through it then, I hadn’t taken the time to really sit down with it. But with Hobbit Day yesterday, I made time Saturday to do just that—so I could post about it today (and maybe add this and some other things to a recurring thing like I do with Towel Day).

You should really see what Lashaan had to say about it, not only does he do a (typically) better job of it than I’m about to, but he liked it a lot more than I did.

What’s Pictures by J.R.R. Tolkien About?

Well, it’s pictures drawn by Tolkein in his spare time—when he wasn’t teaching, creating new languages, writing epic fantasies, or smoking his pipe (well, he probably did both of those at the same time).

The Publisher describes it this way:

With Christopher Tolkien as your guide, take a tour through this colorful gallery of enchanting art by J.R.R. Tolkien, as published originally in the first groundbreaking Tolkien Calendars of the 1970s.

This collection of pictures, with a text by Christopher Tolkien, now reissued after almost thirty years, confirms J.R.R. Tolkien’s considerable talent as an artist. It provides fascinating insight into his visual conception of many of the places and events familiar to readers of The Hobbit, The Lord of the Rings, and The Silmarillion.

Examples of his art range from delicate watercolors depicting Rivendell, the Forest of Lothlorien, Smaug, and Old Man Willow, to drawings and sketches of Moria Gate and Minas Tirith. Together they form a comprehensive collection of Tolkien’s own illustrations for his most popular books.

Also included are many of his beautiful designs showing patterns of flowers and trees, friezes, tapestries, and heraldic devices associated with the world of Middle-earth. In their variety and scope, they provide abundant visual evidence of the richness of his imagination.

This enchanting gallery was personally selected by Christopher Tolkien who, through detailed notes on the sources for each picture, provides unique insight into the artistic vision of his father, J.R.R. Tolkien.

How’s the Writing?

Well, it’s pretty bland. It’s just straightforward descriptions of the pictures, where it came from, where it was originally published—who added color (sometimes), and so on.

It’s not bad, it’s not good—it’s just there. And that’s good enough, this isn’t supposed to be about Christopher Tolkien’s wordsmithery—this is about the pictures.

How’s the Art?

Well, I think it’s clear why we think of Tolkien as a writer, scholar, and storyteller and not a visual artist. Don’t get me wrong—I can’t hold a candle to his drawing. But it’s nothing stellar.

But it does deliver the flavor of Middle Earth and its denizens in a way the books can’t quite manage (or does manage, in a different way). You get a real sense of the scope and scale of the world. It’s clear that Jackson and his team spent some time with Tolkien’s art and drew a lot from it—and you can see why they’d want to (beyond just trying for authenticity). I did like it—and could easily spend time studying the details.

Lashaan’s post has a couple of samples if you’re curious. But honestly, if you’re basing getting your hands on this book on the quality of the art, you might be missing the point. (still, check out the samples to get a feel for it)

If you want great fantasy art, may I suggest starting with Larry Elmore, Chris McGrath, or Isabeau Backhaus? But there’s something about seeing it from the hand of the creator, you know?

So, what did I think about Pictures by J.R.R. Tolkien?

As a book, it’s…fine. As a collection of pictures, it’s…nice enough. As a way to get to know a different side of Tolkein and how his brain, his creativity, and his personality worked? It’s pretty cool. I’d love to see sketches, drawings, and even paintings by other authors to get inside their heads (okay, no one wants inside Thomas Harris’ mind, but you know what I’m saying. Keep the visuals for Hannibal and the rest locked away.)

Am I glad that I own this? Yes. Am I glad that I finally got around to taking it out of its slipcase and really worked through it? You bet. Am I just a little underwhelmed by the whole thing? Yup.

But I will return to flip through it and pour over the contents repeatedly.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Buddy the Knight and The Queen of Sorrow by Peter David: A Tale of Friendship, Devotion, Bravery and Heart

Cover of Buddy the Knight and The Queen of Sorrow by Peter DavidBuddy the Knight and The Queen of Sorrow

by Peter David

DETAILS:
Publication Date: August 22, 2024
Format: eARC
Length: 168 pg.
Read Date: September 2, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Buddy the Knight and The Queen of Sorrow About?

Buddy the Knight is a teddy bear. A valiant teddy bear, devoted to protecting his Person from the monsters from The Realm-Under-The-Bed. He’s a knight and has spent years defending a little girl named Mieya from these fearsome foes. He’s frequently assisted by his companion, a stuffed tamarin—a mandolin-playing bard. Esteban not only fights at Buddy’s side, but his songs frequently tell the tales of Buddy’s victories.

One night before Buddy can dispatch it, a monster inscribes a rune over Mieya—one that will bring her certain doom unless Buddy can defeat the monster’s master—the Queen of Sorrows. Buddy is given an enchanted googly eye to guide him and Esteban as they journey to the heart of The Realm-Under-The-Bed to find this Queen. There are countless enemies and obstacles along the way, but they have until dawn breaks to complete their quest, so they will have to be quick as well as brave.

The Cover

I don’t do this enough, but I need to call out the cover here. Candice Broersma knocked it out of the park with this one. I just love this cover. It’s one that you want to have on your shelf/eReader.

Also, I’d buy a print if Broersma/David were to make them available.

A Little Treat

There’s a reference at one point to a series of books that Mieya read. I hope, hope, hope that kids who read this have their curiousity piqued and go ask someone (like a librarian or bookseller) what it might be a reference to and then read those books. They’ll be in for (another) treat if they do.

Just seeing the reference was enough for me.

There are other nods to fiction and movies, too—cleverly hidden throughout, and just enough to make the grown-ups reading this smile (the Captain Shakespeare/Captain Johannas Alberic nod was particularly well done). None of them made me quite as happy as the series of books she read, but that’s me. You (if you’re above the age of 15), will likely have other favorites—but you’ll enjoy all that you catch.

So, what did I think about Buddy the Knight and The Queen of Sorrow?

I know that many people think that Paladins are boring characters. I’m not one of them—just think of Sturm Brightblade, Superman, Michael Carpenter, or Paksenarrion and tell me they aren’t great to read (okay, some people have made Supes a little boring—but not all of them). Buddy the Knight is yet another entry in the Great Paladin Characters list I should get around to compiling sometime.

Esteban is one of the better comic relief sidekicks with a lot of heart, too. As funny and heartfelt as Shrek‘s Donkey with the devotion of Samwise Gamgee. The other allies and people—including the sentient magic sword—who help Buddy out are really well done, too.

The monsters, other antagonists, and (of course) the Queen of Sorrows are equally well depicted—but unlike the above, you really don’t want to spend time with them. They’re all drawn from types we’ve all seen before, but given a twist to make them feel new—and the reason we’ve all seen them before anyway is that they’re just about always compelling, and with David’s twist? They’re just what this book needed.

Throughout the book—either in flashbacks that Buddy has to his maker’s lessons or in the things the characters say to motivate each other or themselves—the reader is going to get a lot of slogans, life lessons, or morals thrown at them. I appreciated reading them—and I expect that readers 40 years (plus or minus a couple) younger than me will, too. Coming from stuffed animals probably makes them more palatable and somehow less corny than they’d be coming from an authority figure (in fiction or real life). It’s likely that some of these will get lodged in the back of a young reader’s mind and will prove beneficial later in life.

The story itself is a pretty straightforward Fantasy tale—the hero and his allies (some picked up along the way) are on a journey with a deadline to fight a powerful in order to rescue someone. As always, it too, is effective.

There’s a lightness to the prose, but it’s not a comedy—it comes across as whimsical and fantastical. It will charm you as it draws you in. We don’t really see Mieya in action and don’t get to know her, but we want her safe, we worry for her, because Buddy, Esteban, and the others are so devoted to her. We care about her because we care about the bear and the tamarin, and anything they think is important we think is important.

This is the kind of book that 10 year-old me would’ve curled up with and read and re-read. It’s also the kind of thing that my kids would’ve loved—and I’d have had a blast reading to them. And 51 year-old me was just about as captivated with it as my younger self would’ve been. I strongly recommend this to those young at heart and those young readers you happen to buy books for.

Disclaimer: I received a copy of this eARC from the author in exchange for my honest opinion.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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20 Books of Summer 2024: Wrap Up and Other Summer Reading

20 Books of Summer
It’s time to wrap up this challenge run by Cathy at 746 Books.

Last week, I honestly thought I’d be posting “well, I got 18.5 out of 20 this year.” Maybe a full 19. I guess I wasn’t too optimistic in July, either. But as of yesterday, I finished all 20 of this year’s selections. That’s the earliest I’ve completed this challenge in the four years I’ve done it.

Most of these were as good, if not better, I expected. A couple were just good enough, but I’m still glad that I read them. There was one that I DNF’d, and I do regret that–thankfully, I had a blast with the substitute. I only read 6 of my Top Ten Tuesday: Books on My Summer 2024 to-Read List (That Aren’t on My 20 Books Challenge), although, to be fair–one of them only came out Tuesday, so I haven’t had much of a chance to get it. Sure, 5 of those 6 were for a tour or an ARC that I wanted to post about by publication. The four that have no deadline attached will hopefully be tackled next month. Hopefully.

Speaking of writing about…I’ve only written about 7 of these (3 posts should’ve been posted this week, but I couldn’t quite finish them before sleep overtook me). That’s my other September goal.

Anyway, it’s done, I had fun–I read things I’ve been meaning to get to for months (if not years). Color me satisfied.

✔ 1. This is Who We Are Now by James Bailey
✔ 2. Blood Reunion by JCM Berne
✔ 3. Ways And Truths And Lives by Matt Edwards
✔ 4. The Running Grave by Robert Galbraith
✔ 5. Grammar Sex and Other Stuff: A Collection of (mostly humorous) Essays by Robert Germaux (my post about it)
✔ 6. The Camelot Shadow by Sean Gibson
✔ 7. Last King of California by Jordan Harper
✔ 8. Steam Opera by James T. Lambert (my post about it)
✔ 9. The Glass Frog by J. Brandon Lowry (my post about it)
✔ 10. The Legendary Mo Seto by A. Y. Chan (substitution) (my post about it)
✔ 11. Curse of the Fallen by H.C. Newell
✔ 12. Heart of Fire by Raina Nightengale
✔ 13. Detours and Do-overs by Wesley Parker (my post about it)
✔ 14. Bizarre Frontier Omnibus #1 by Brock Poulson
✔ 15. Howl by e rathke (my post about it)
✔ 16. Bard Tidings by Paul J. Regnier
✔ 17. Panacea by Alex Robins
✔ 18. Cursed Cocktails by S.L. Rowland (my post about it)
✔ 19. Big Trouble in Little Italy by Nicole Sharp
✔ 20. The Nameless Restaurant by Tao Wong (my post about it)

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Cursed Cocktails by S.L. Rowland: Mixing Drinks and Starting Over

Cover of Cursed Cocktails by S.L. RowlandCursed Cocktails

by S.L. Rowland

DETAILS:
Series: Tales of Aedrea, #1
Publisher: Aethervale Publishing
Publication Date: February 18, 2023
Format: Paperback
Length: 265 pg.
Read Date: July 22, 2024
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What’s Cursed Cocktails About?

The cynical side of me wants to summarize this as a gender-flipped Legends & Lattes with a couple of twists. But as apt as that is, it feels petty and dismissive.

Rhoren is a retired blood mage. I won’t get into what a blood mage is, but it’s about as pretty as the name would lead you to believe. The fact that his nickname “Bloodbane” (a nickname known throughout the nine kingdoms, I should add), is another clue. The “retired” part of Rhoren’s description is a rarity, not many blood mages survive long enough to retire. Those who do, like Rhoren, aren’t in the best of health. Rohren’s given some advice about relocating to the coast (and away from the cold) for his health. Needing a change of pace and scenery, that’s just what he does.

And it’s just the right call for him.

Being in the military (and a fairly active part of it), he didn’t have a lot of chances—or reasons—to spend his earnings, so he has a pretty nice nest egg in addition to his pension. A new place to live and a good amount of funding—just what you need to start the second part of your life.

One of the first things he does when he moves to his new city is befriend a bartender, Kallum. Kallum loves his job, but dreams of being able to be more creative with a menu and creating new cocktails.

Rhoren needs a new purpose in his life and finds an open storefront building with an apartment above it. Sure, it’s open because it seems to be haunted, but what’s a rogue spirit (if the place is actually haunted) for a guy like Rhoren? So he buys the place, moves in, and suggests a partnership with Kallum.

It’s not smooth sailing by any means from this point forward, but chasing dreams (old or new) is worth a few risks, right?

Bloodbane

Rohren doesn’t like to think about his days of service—and likes to talk about it even less. He doesn’t want anyone to know he was a blood mage—especially not Bloodbane. He’s ready to shed that name, that vocation, and the reputation that follows both.

Also, using that kind of power the way he has for decades is the biggest thing impacting his health—the very reason he had to move.

But even the best-kept secrets have a tendency to come to light—especially when events outside of Rohren’s control might call upon him to unleash his abilities.

While I really have no complaints about anything in this book, I thought this was its strongest point. Rowland depicted Rohren’s desire to get away from his past, dealing with his health (both how he’s still limited, and how he’s improving with the weather), and having to step up and tell people about his past, with sensitivity and precision. That was really well done.

The Cozy-ness

After a little peak at the hardships of those who serve and protect in the north and the hazards they face, we shift into the cozy atmosphere we’re promised in this book. And aside from a scene or two (which don’t detract that much), that atmosphere pervades the rest of the book.

There’s some light humor (including some fantastic liquor names—and a cameo from a distinctive bottle design)—there’s a warmth between the characters, a largely supportive populace in the city, and the setting is ripe for stories.

You just can’t help but feel comfortable while reading this. You really might as well be kicking back in your favorite cocktail bar while reading this (and, I should add, you really should have something to drink—not necessarily alcoholic—nearby), you just feel content and warm.

So, what did I think about Cursed Cocktails?

There’s just enough conflict and danger to keep this from being the coziest fantasy that I’ve ever read—but it’s close. In fact, one source of potential conflict never produced any (which was a relief, but also a mild irritation), making the whole thing cozier.

That doesn’t mean the book is dull—far from it. It’s just that you turn the pages for another reason—instead of being on the edge of your seat to see what happens next. You keep going to keep the warm and fuzzy feelings going. It’s here that my mostly joking comparison to Baldree’s book really comes into play, if you got into one, you’ll get into the other.

And that’s a feeling that I don’t mind in the slightest. If you need a break from mayhem and suspense in your reading—or an escape from the world at large—Cursed Cocktails will give you the oasis you need. With at least two more books in this series that promise the same kind of thing, you’d best be hopping on board—you’ll be glad that you did.


3 Stars

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The Glass Frog by J. Brandon Lowry: A Fairy-Tale-esque Fantasy for All Ages

Cover for The Glass Frog by J Brandon LowryThe Glass Frog

by J. Brandon Lowry

DETAILS:
Publisher: Trailerback Books
Publication Date: June 20, 2023
Format: Paperback
Length: 376 pg.
Read Date: July 27-30, 2024
Buy from Bookshop.org Support Indie Bookstores

Every Who is shaped by a Where.

In this case, the Where is a tiny coastal village named Seaside. from the beach there is a constant, breathy shhh-ahhh sound as the waves flow first in, then out, each exhalation coating the simple, whitewashed buildings with a fine, salty mist. Through the village center runs the Queen’s Road, a winding ribbon that traces the curving shoreline of the island nation to which Seaside belongs. Grassy, rolling hills surround the village to the north, so that when viewed from above, it appears as a single pearl on a string nestled on a bed of seagrass.

Seaside was given its unimaginative name by its unimaginative people. In fact, hostility toward creativity and change is a central feature of the Seasider mentality, a proud tradition handed down from generation to generation. They value simplicity, practicality, and—above all—uniformity. For this reason, it has been decreed that every building in the village must adhere to the same basic plan: squarish shape, white walls, dark roof. This arrangement makes it obvious which villagers are lax in their home maintenance, and are therefore not to be trusted. The same principle applies to matters of appearance, behavior, and topics of conversation. Unsurprisingly, the most popular topic of conversation is the failure of others to conform….

With the matter of Where set aside, it is time to meet our Who—Sophie Farrier, a kind-hearted and imaginative young girl who fits into Seaside about as well as a whale fits into a rowboat, and has been just as uncomfortably shaped.

What’s The Glass Frog About?

Thankfully for her, Sophie will not spend the entire novel in Seaside. But she has indeed been shaped by that village, and try as she might, she will act in the way she was shaped (both in ways she recognizes and ways she doesn’t). She’s also been shaped by books she’s read—a scandalous notion to many people in Seaside—and a devoted older brother, Damon, who has stepped up in so many ways that her deceased parents cannot and that her guardian aunt will not. Without her books and her brother, Seaside would’ve turned Sophie into a successfully conformed young woman.

Things change in Seaside one day when some kelp harvesters find an unconscious stranger who had the absolute temerity to wash up on shore. It’s rude, unheard of, and not at all fitting with the unimaginative ethos they prefer. There’s some debate amongst the villagers—with a majority wanting to send this stranger back to the sea he came from—but a couple of stalwarts (including Damon) refuse and arrange for him to be cared for by the local doctor. Sophie helps the doctor in her own way—and the doctor beings to think she might have a future in medicine.

When the stranger finally awakes, he wastes little time before he sets out to leave Seaside and resume his interrupted quest. Something about him, about what he says to her—and some drama at home—drives Sophie to follow him. Or try to, anyway. He has a pretty solid headstart and can move much more quickly than she can. Also…Sophie’s never left Seaside, so she really doesn’t know what to expect or how to interact with people who aren’t from there.

Meanwhile, a powerful group arrives at Seaside, demanding that the stranger be returned to them or the city will be destroyed. Everyone in the Village who was ready to throw him back into the sea are more than ready to give him up. If they only knew where he was.

So, what did I think about The Glass Frog?

I’m not certain who Lowry’s audience is, like the BlueInk Review cited on the back cover says, it can work for “discerning reader[s], from middle grade to adult.” I can think of readers I know/have known up and down that range who would appreciate the book, and I can’t think of any reasons to try to wave off a middle grader (which is refreshing).

It’s hard not to like Sophie—and I don’t understand why anyone would resist it—her brother is a little tougher to like, but that’s not necessarily his fault. Most people that she encounters after she leaves Seaside are pretty likable, too (with some notable, and easy-to-identify exceptions). The people of Seaside are an interesting mix—most (maybe all of them, I didn’t take a census) are good fictional characters and the reader will appreciate them as such. As people? Eh, it’s a mixed bag. But it’s a more complicated question than you’d expect from the early descriptions of the village.

I don’t believe Lowry’s prose was particularly purple at the beginning of the book, but it was headed to that end of the visible light spectrum. My notes said something like, “you’d better not use every adjective in your account too early or you won’t have any leftover for the last chapters.” I do think he got it under control pretty quickly—or I became inured to it, I’d believe either, but I think it’s the former.

There was some pretty solid comedy in this book (particularly involving the citizenry of Seaside), but it’s not a humorous fantasy in the mode of Terry Pratchett or Sean Gibson. I’d categorize it as a light, whimsical fantasy with some really funny moments. But there are some serious moments, too. A lot of heartbreak and loneliness—some self-destructive behaviors on display, too. Maybe a dash or two of romance. Plus some villainy, cowardice, avarice, xenophobia, and manipulation to balance out the acts of heroism (intentional or inadvertent). A little bit of everything, really.

I don’t know that I want a sequel to this—but I would like other books set in this work (with Sophie and those close to her showing up in the background). There’s just so much to explore, and Lowry has created a bunch of fun places and ideas to play with. Some of the minor characters from this book would be great to see again as protagonists—or at least, playing a larger role than they got to here.

But most of all, I’m curious about what the next novel (in this world or another) from Lowry will look like, I bet it’ll be worth the time—just like The Glass Frog was. You should check it out.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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