Category: G-L Page 10 of 17

Series G-F

My Favorite 2017 New (to me) Characters

A few weeks ago, I started to describe someone as one of the best characters I met this year. Which got me to thinking about and honing this list. I’m limiting myself to characters I met this year, otherwise I don’t think there’s be much room for anyone — Spenser, Hawk, Scout, Harry Dresden, Toby Daye, Ford Prefect etc. wouldn’t really allow anyone else to be talked about. These might not be my favorite people in their respective books (although most are), but they’re the best characters in terms of complexity, depth and story potential I doubt I’d like most of them in real life (and can’t imagine that any of them would enjoy me), but in novels? I can’t get enough of them.

(in alphabetical order by author)

  • Aimee de Laurent from Skyfarer by Joseph Brassey (my post about the book)– she’s smart, she’s driven, she’s compassionate, she’s powerful, she’s fallible. She also flies around in a spaceship and does magic.
  • Lori Anderson from Deep Down Dead by Steph Broadribb (my post about the book)– She’s more than Stephanie Plum without the Lucy Ricardo DNA. She’s a tough lady, a dedicated mom, and more. This bounty hunter will impress you with her guts, get your sympathy with her plight, and make you cheer as she bests her opponents (I should probably add “make you wince as she takes some brutal beatings).
  • Ali Dalglish from In the Still by Jacqueline Chadwick (my post about the book)– Ali is a certified (and possibly certifiable) genius. She’s a criminal profiler working in Vancouver, BC after nearly a couple of decades away to raise her kids. But when a serial killer’s victim is found near her home, she’s drug back into the professional world she left with the investigation. She has the most creative swearing this side of Malcom Tucker, a fantastic and fast mind, a jaded look at life, and a sense of humor that’s sure to please. Early in In the Still, she asks questions of a police officer in a public forum and pretty much ruins the poor guy — it’s one of the best scenes I read all year. If you can read that far in the book and not become a Ali fan at that point, there’s something wrong with you. If I was ranking these, I’m pretty sure she’d be #1.
  • Nick Mason from The Second Life of Nick Mason by Steve Hamilton (https://wp.me/p3z9AH-2NI)– A convicted non-violent criminal gets released early from an Illinois prison only to find himself in a different type of prison to work off his debt for being released, making him lose the “non-” in front of violent. He’s a great character, on the verge (always on the verge) of redemption and falling further.
  • Dervan du Alöbar from A Plague of Giants by Kevin Hearne (my post about the book is forthcoming) — I could’ve named about half of the point-of-view characters from this book, but Dervan eked out a win. He’s a widower in mourning. A former soldier, wounded in duty, turned scholar, turned . . . well — that’s a long story. There’s something about his coming to grips with the new reality, his new vocation, his self-awareness and growth in his personal life just really clicked with me. He’s basically an unqualified fantasy hero, forced to step up and play a role in saving civilization (which actually describes many people in this book, but that’s for another day).
  • Isaiah Quintabe from IQ by Joe Ide (my post about the book)– South-Central LA’s answer to Sherlock Holmes. We meet IQ early in his career and, via flashbacks, see him begin to develop the gifts that will make him the super-detective he’s destined to become. He’s such a great take on this character, I can’t believe no one beat Ide to the punch.
  • Anci from Down Don’t Bother Me by Jason Miller (my post about the book) — yeah, her dad, Slim, is the series start and protagonist. He’s the one that goes trough all the hardship, the beatings, the investigative moves, not his 12-year-old daughter (who isn’t a young Veronica Mars clone, or Rae Spellman). But Anci is the heart and soul of the books — she’s why Slim goes to work in this field, and why he comes back. She’s smarter and wittier than any 12-year-old has any right to be (but believably so), she’s Slim’s conscience, and his reason for doing what he does.
  • LeAnne Hogan from The Right Side by Spencer Quinn (my post about the book)– comes back from Afghanistan after near-fatal injuries, and isn’t fit for the civilian life she’s thrown back into. She begins to deal with her grief and anger while hunting for the child of a dead friend with the help of a stray dog. She’ll break your heart.
  • John Rebus from Knots & Crosses by Ian Rankin (my post about the book)– Wow. How do I sum up Rebus? 2017 was the 30th anniversary of Rebus’ creation and the first year I read him. He’s a wonderful, complex character. He smokes too much, he drinks too much, he ignores the rules and regulations (and maybe even the laws) in his ongoing effort to forget about himself and his life by pouring himself into his work. Tenacious with a capital “T”, he may not be the smartest police detective you ever read, but he makes up for it through not giving up (although he’s pretty smart — especially when not drinking).
  • Hob Ravani from Hunger Makes the Wolf by Alex Wells (my post about the book)– Tough does not begin to describe this biker. She’s all about surviving on this planet that’s not at all conducive to survival — from the environment, to the economics, to the politics — there’s just nothing on the planet that wants her or her fellow Ghost Wolves to survive. But somehow she does.

The Crossing by Michael Connelly

The CrossingThe Crossing

by Michael Connelly
Series: Harry Bosch, #18

Mass Market Paperback, 384 pg.
Vision, 2016

Read: December 23 – 25, 2017


Harry Bosch has been forced into retirement, but he hasn’t lost sense of his mission — to find killers and make sure they are brought to justice. But he’s trying to fill his day with rebuilding and restoring an old Harley-Davidson. Which basically means that his half-brother, Mickey Haller, doesn’t have much work to do when he tries to convince Bosch to do some investigative work for his defense of an innocent man.

There is one huge hurdle — Bosch feels it’s a betrayal of everything he spent his career doing. Haller assures him that anything that hurts his case that they find they’ll turn over to the prosecution, which helps. But what really gets Bosch on board is his mission — if Haller is correct and his client is innocent, that means the guilty are going free and that just doesn’t sit well with him. So after meeting with client and reading through the file, Bosch jumps to the other side, something he knows he’ll never be able to live down, and that will burn some bridges with his former colleagues.

Bosch has to learn to work without the badge — how to access people, places and information (and parking!) without the LAPD standing behind him. But the essence is still the same, follow the evidence, make sure there are no loose ends, and adapt quickly — but now there’s less bureaucracy, and less of a need to justify following a hunch.

I loved seeing Bosch fighting his instincts to open up to the police, to want to hand things over to them whenever he can, rather than to keep information for Haller to use at trial. Bosch just can’t think of defending someone, his focus is all offense. I had a little trouble believing how little communication there was between the two during Bosch’s work — and, really, I wanted to see more of Haller — but I think a lot of that had to do with Bosch’s guilt over working for the accused and his different perspective about what to do with his suspicions about someone else.

There’s some great stuff with Maddie — Bosch is trying so hard to be a good father, but just doesn’t understand everything his daughter’s going through on the verge of high school graduation. He knows exactly how to get a witness (however reluctant) or a suspect to talk, he understands just what makes them tick, but his daughter is so frequently a mystery to him. I know some didn’t like Maddie’s addition to the series, but I love the interaction between the two.

At this point, I don’t need to talk about Connelly’s skill — that’s more than evident to anyone who’s read more than 20 pages of one of his 30-ish books. What we have here is the latest way he’s found to keep Bosch fresh, to keep the series from repeating itself. And it works so well — crisp writing, perfectly paced, not a word wasted, and a resolution that’ll satisfy fans of Bosch and Haller. I’ve been kicking myself for not getting to The Crossing when it was first released, and I’m more than happy I’ve found the time to read it — it’s so good to spend time with Bosch again. This will work for readers new or old — as long as they’re looking for a strong detective story.

—–

4 Stars

Set in Darkness by Ian Rankin

Set in DarknessSet in Darkness

by Ian Rankin
Series: John Rebus, #11

Hardcover, 414 pg.
Minotaur Books, 2000

Read: December 8 – 12, 2017


This has all the elements of a good Rebus novel — and then some.

We’ve got a murder that took place so long ago that there are almost no living witnesses or suspects, a very contemporary murder, Rebus in political trouble, Rebus being self-destructive, and a couple of cases that have nothing whatsoever to do with the murders — oh, and Big Ger Cafferty shows up to do something horrible (and something helpful).

Farmer John is near retirement and comes up with an assignment to keep Rebus out of his hair — he’s part of a task force overseeing security on the construction for the impending Parliament. This construction uncovers a murder victim and Rebus and the rest of the task force begin investigating. They can barely get started when another corpse shows up. This one is very fresh, and very connected to a prominent family — politically and culturally. I’m not going to get into this much more than that — there’s a lot of good stuff in these cases, most of which we’ve seen variations of before. This doesn’t make it bad, it’s very Rebus-y material, told the way we’ve come to expect.

The part of the book that fascinated me were the crimes that had little to do with the murders. Siobhan Clarke starts off the book doing some work on a sexual assault case that isn’t really hers, and then witnesses a suicide of a homeless man. This homeless man turns out to have plenty of money in the bank and a history that cannot account for that. Clarke threatens at times to take over the book with her investigations. Not just from her investigation, but the way that one uniformed officer describes her as “one of Rebus'” and the introspection, speculation and reaction to that observation causes in Clarke’s life and work. (Incidentally, Clarke taking over the novel would be fine with me)

One of the storylines is perfect — there’s almost no interaction with any police characters, and resolves largely off-screen. Basically the way that most storylines actually resolve in the world. There are payoffs in the novel as a whole, but not in the way you’d expect.

Really well-constructed with almost no dull moments, puzzles that you can’t suss out at first glance, and a whole lot of great characters. There’s not a lot for the courts to deal with at the end of this book, but that doesn’t mean that there’s no justice found for any victims.This isn’t the best Rebus novel I’ve read, but it’s really, really good.

—–

4 Stars

2017 Library Love Challenge

Death is Not the End by Ian Rankin

Death is Not the EndDeath is Not the End

by Ian Rankin
Series: John Rebus, #10.5

Hardcover, 73 pg.
St. Martin’s Minotaur, 1998

Read: December 4, 2017


I used Goodreads’ ordering of the Rebus series to determine when I read this novella — other sites might have led me to read this before Dead Souls, as it was published. I might have gotten more out of this book if I’d read it in that order, but it might have hurt the novel. I’m not sure.

Basically, this is one of the subplots of Dead Souls — Rebus’ looking for the missing son of a people he knew in school — in its original form. It’d be modified, expanded, and given a different ending in the novel. There’s a subplot, mildly related, involving organized crime and gambling — in much the same way that other crimes were associated with the missing person’s case in Dead Souls.

It is interesting to see how Rankin wrote something, and then came back a couple of years later and repurposed it. But that’s about all I have to say for this. It was interesting — but the version in the novel is better. The subplot didn’t do much for me, either. It was okay, but it really didn’t seem necessary.

The completist in me is glad I read it, but I think I’d have been okay with missing it, too.

—–

3 Stars

2017 Library Love Challenge

The Midnight Line by Lee Child

The Midnight LineThe Midnight Line

by Lee Child
Series: Jack Reacher, #22

Hardcover, 368 pg.
Delacorte Press, 2017

Read: November 23 – 24, 2017

“But this particular guy won’t talk to me?”

“I would be surprised.

“Does he have no manners?”

“I wouldn’t ask him over to a picnic.”

“What’s his name?”

“Jimmy Rat.”

”For real?”

“That’s what he goes by.”

“Where would I find Mr. Rat?”

“Look for a minimum six Hariey-Davidsons. Jimmy will be in whatever bar they‘re outside of.”

Three days after Make Me, Reacher hits the road — and a few hours into that, he’s already trying to track someone down. That conversation leads to the following:

There was a bar in a standalone wooden building, with a patch of weedy gravel for parking, and on the gravel were 7 Harley-Davidsons, all in a neat line. Possibly not actual Hells Angels as such. Possibly one of the many other parallel denominations. Bikers were as split as Baptists. All the same, but different.

(don’t worry, I’m not going to tell the whole story in this detail, I just really enjoyed the writing here).

Reacher goes into the bar and then has a pleasant chat with a member of the local law enforcement community and a productive chat with Mr. Rat. In between those chats he may have engaged in a physical confrontation with the owners of those motorcycles, I’ll let you guess what happened there. It was fun to read, I assure you. What led to him looking for Jimmy the Rat? Pretty simply, he saw a female West Point class ring in a pawn shop window. That’s not an easy thing to earn/deserve. Reacher figures that there’s got to be an interesting story behind such a ring ending up in a pawn shop — and maybe some fellow alumnus needs a hand, one that he can give. Jimmy the Rat is just the first link in a chain of indeterminate length back to this graduate.

Because he’s not an idiot, Jimmy points Reacher in the right direction: a laundromat in Rapid City. Also, because he’s not an idiot, before Reacher is on his way, Jimmy calls in a warning to that laundromat. Jimmy’s a rat, but he’s a survivor, too. This laundromat is owned by a guy named Scorpio, who is absolutely not Rapid City PD’s favorite small-business owner, if they could, they’d shut him down. This warning phone call, they hope, will be the harbinger of something — his downfall, or something to give them enough ammunition to arrange his arrest and downfall. Either way, the PD is fine.

Reacher has a quick conversation with Scorpio, who also points him in a direction. Reacher interacts a bit with a member of the local PD about him, as well — pointing out something that someone should’ve noticed already. There’s a PI who’s also pretty interested in Scorpio, but Reacher doesn’t get to chat with him, at least not then. When he turns up in Wyoming a few hours behind Reacher, on the other hand . . .

Reacher ends up with one of the stranger ad hoc teams he’s had to track down this woman — and the extra-legal steps he has to take to help her aren’t in his normal wheelhouse. But you go the extra mile for some people, and it’s definitely in-character and understandable for him to do what he does. There’s some interesting introspection early-on that I’m not used to seeing, and hope we get more of.

Here’s a major weakness to me (normally, I’d shrug this off, but Child gets held to a higher standard): too many people don’t know what “Bigfoot” is. If this took place in the UK or France or something, I could buy it. But in South Dakota? Sorry, not buying it.

The Midnight Line features more female characters than your typical Reacher novel — and none of them are damsels in distress. Yeah, most of them need a little help — but so do the males. Reacher’s life is even saved by one of the women. These are all strong, confident and capable women — not that the Reacher novels have ever been lacking in that regard, we just don’t normally get that many of them at once.

I don’t keep a spreadsheet or any kind of detailed notes on these things, but this might be one of the least violent Reacher novels ever. Make no mistake, Reacher has not turned into a pacifist and when he needs to punch, elbow, kick or headbutt (so soon after the concussion tests? tsk.) he does so very effectively, but I just think his count is a bit low this time).

Also, thanks Andy Martin, “Reacher said nothing.” now jumps out at me every time it shows up. How it never jumped out at me before, I’ll never know — but wow.

I really enjoyed this — it didn’t blow me away in the same way that Make Me did, but very little does. It was a lot better than Night School, however. Reacher’s knight-errant act is as satisfying as ever — maybe even moreso in this conclusion that features more details on his acts of compassion than his violence (the last violent act happening “off-screen,” although we get to see the aftermath). It was a fast read, full of action, great scenery and believable bad guys. I can’t think of much else to say — Reacher fans should love this, people new to Reacher should finish this with a desire to plunder the back-list, and everyone will start counting the days to #23.

—–

4 Stars
2017 Library Love Challenge

Dead Souls by Ian Rankin

Dead SoulsDead Souls

by Ian Rankin
Series: John Rebus, #10

Hardcover, 406 pg.
St. Martin’s Press, 1999

Read: November 10 – 13, 2017

For the best part of an hour, Rebus had been trying to blink away a hangover, which was about as much exercise as he could sustain. He’d planted himself on benches and against walls, wiping his brow even though Edinburgh’s early spring was a blood relative of midwinter. His shirt was damp against his back, uncomfortably tight every time he rose to his feet.

This might actually be the high point for Rebus in this novel — at least as far as the way he feels goes. The bad news is, this is from Chapter 1. Clearly, Jack Morton’s influence has clearly ended. Rebus is moments away from doing something he’ll regret almost instantly and that will have ramifications on everything he does for the foreseeable future, some of which will likely haunt him for more than that.

Which almost seems par for the course, I realize as I type that.

Anyway, Dead Souls focuses on crimes against children and what that can do to them — not just at the moment they’re victimized, but years later. There are also unintended (and fully intended consequences of crimes against adults throughout the book — Rebus’ own hands aren’t entirely clean here. Rebus’ actions in the opening pages cast enough of a shadow on him that his very brief involvement on another case is used by the defense to cast a shadow on the police’s investigation. He’s also tasked to investigate the apparent suicide of a police detective, informally, anyway. His main task is to work with Siobhan Clarke and a rookie to be a very obvious police presence to a convicted multiple-murderer, recently released and deported from the US back to Scotland. They really can’t do anything other than be visible for a few days until money runs out on the operation, but no one who knows this killer has any doubt that he’ll strike again, and the police are trying to discourage that. Unofficially, Rebus makes things uncomfortable for a pedophile in his new home — an act that will not go well and will spiral out of control — and he’s helping an old girlfriend look for her missing son.

Confused? Yeah, sure, I am — and I wrote that summary. Somehow, Rankin is able to take all that mess and assemble it into a novel that actually makes sense — with all of these stories being tied together, not just with over-lapping themes, but in reality in some sort of 6 degrees of separation fashion — even excluding DI Rebus. It’s really very impressive watching how Rankin weaves every strand of story and character in this novel — it always is, but this web seems more intricate than usual.

The other police in this novel interest me — I won’t go down the list, but those who can’t see why he cares about something, those who can’t understand why he’d do something with so little regard to consequences are on one end — the other end is filled by people (like Clarke) who know exactly what kind of man he is, and without approving or participating in the less-than-savory aspects his methods, can use him and them for good.

…he wondered why it was he was only ever happy on rewind. He thought back to times when he’d been happy, realising that at the time he hadn’t felt happy; it was only in retrospect that it dawned on him. Why was that?

There’s very little light in this novel, there’s introspection, there’s despair, there’s hatred, fear, prejudice, and opportunists taking advantage of all of that. But somehow the book never seems slow or ponderous — just Rebus chugging along, doing his thing. There’s also some strong action — some we see as it happens, but most we hear about after the fact (years or days alter). If you stop and think about how many criminal seem to “get away” with their crimes (as defined by not being charged/tried), it’s not that satisfying. If you think about the book in terms of Rebus (and through him, the reader) understanding what happened and why — it’s satisfying, not really cheerful, but satisfying in that regard.

The souls that are dead here have been killed by various means and methods over time — some realize that’s what they are, some haven’t a clue — some come to realize it in these pages (and some try to revitalize themselves). By and large, they’re dead souls walking, and seem intent on taking others with them. The question is: is DI Rebus among them?

I’m really not sure if I’ve said anything worthwhile about the book — it’s impressive, immersive and will not let you go — even days after finishing it. I don’t know that this is a bad one to be your first Rebus novel — you may be willing to cut him more slack for his questionable actions if you’ve got a history with him than you would be otherwise, however. For me, this is just further proof that Rankin is one of the best and is getting better (or was, at this point in his career anyway)

—–

4 1/2 Stars
2017 Library Love Challenge

Righteous by Joe Ide

RighteousRighteous

by Joe Ide
Series: IQ, #2

Hardcover, 326 pg.
Mulholland Books, 2017

Read: November 3 – 4, 2017


Isaiah Quintabe is back with a couple of dynamite cases. IQ ended with Isaiah stumbling upon the car that killed his brother. So about half of this book is devoted to Isaiah’s renewed efforts to find the man who killed his brother. He quickly concludes that Marcus was not killed in an accident, as he’d believed and the police had included. Rather, it’s pretty clear to him that Marcus was targeted by the driver. So now, Isaiah starts digging — he finds more suspects than he’d prefer, and he starts to have some questions about Marcus’s lifestyle/livelihood.

That story alternates with an actual paying case — Marcus’ girlfriend (and the object of Isaiah’s teenaged affections) comes calling for Isaiah’s help. Her little sister, a gambling addict, and her equally addicted boyfriend are in trouble — they’ve got a Loan Shark gunning for them, and have resorted to some freakishly stupid lengths to get the money they need to get him off their case. These lengths have made them the target of some of the nastiest, deadliest, coldest criminals you’ve ever read. So, Isaiah and Dodson head to Vegas to help them. Dodson is fairly assertive here, not wanting to be relegated to sidekick and PR status, but to been seen as an equal to Isaiah — more of an Elementary‘s Joan Watson than Doyle’s John, without the student-vibe (or Dr. Eric Foreman to Dr. House . . . ugh, there are just too many versions of Holmes to walk an unbeaten path). Which is not to suggest that Ide’s blossoming partnership here is just a retread or a rehash, Dodson just reminds me of Joan a little. There’s a dynamic between these two that you don’t often see in detective duos, outside of police shows where two are forced to work together — a mix of partnership, antagonism, respect, and rivalry.

So why does Isaiah bring him along? Because he’s growing as a person, realizing that he needs social connections, other people in his life — he has a new dog, but that’s not enough. There’s even a longing for something like Dodson’s new family. His work, his trying to make something out of the wreck his life became after Marcus’ death — that’s not enough (nor is it finished) — he wants people around, and Dodson’s the first step.

There’s a couple of criminals wandering around Vegas making life horrible for several people that I’d love to see again — [spoiler] we won’t, and they got what they deserved — but man, I enjoyed them so much. All the “bad guys” (and, wow, were there a lot of them) were much more than your typical mystery novel baddies (even really well-written ones!). They were fully fleshed-out, individuals, with believable (and contradictory) self-interests and motivations.

As compelling as the baddies are, Isaiah is better. And in this book (like IQ) we see one of the ways that Ide is superior to Arthur Conan Doyle. In A Study in Scarlet, we see Holmes as the successful version of himself — on the verge of being a legend, really. Like Athena fully formed, emerging from Zeus’ skull. But IQ is still learning, still fallible — yes, he’s achieved a large measure of success and notoriety, but he’s still making mistakes. He’s good, but he needs more discipline, more patience, less ego, etc. In Righteous, as in IQ, we get the equivalent of Miller’s Batman: Year One and Barr’s Batman: Year Two. He’ll get to the point where his mistakes are more rare and less obvious, no doubt — but he’s not there yet. Combining this aspect of the character and the nascent social life and you’ve got a lot of fodder for character growth.

I’ve recently started reading (for those who don’t read every post) the John Rebus books, plugging my way through the 30 years of history of the character. I’ve received various encouragements from long-time Rebus readers to stick with it, the best is yet to come (not that I was in any danger of dropping it), and that I was reading something special. I can easily see myself giving similar encouragement to someone just starting these books in a decade or so. Isaiah is one of those characters that I can see myself reading for years to come. Between Isaiah and Dodson as characters, and Ide’s style and skill — this series is one to read.

—–

4 Stars
2017 Library Love Challenge

Y is for Yesterday by Sue Grafton

Y is for YesterdayY is for Yesterday

by Sue Grafton
Series: Kinsey Millhone, #25

Hardcover, 483 pg.
Marian Wood Books/Putnam, 2017

Read: October 24 – 27, 2017

…all I had to do was return the retainer and that would have been the end of it.

But I was already hooked. The little terrier in my nature was busy chasing after the problem, throwing dirt up behind me as I dug my little hole. There was a rat down there somewhere and I would have it for my very own.

It’s this attitude that won me to Kinsey’s side, and has kept me reading her.

Fritz McCabe has just been released from prison — ten years after being given the maximum sentence for being part of a murder as a high school student. Now his parents are being blackmailed with the threatened release of a videotape (seeming?) to show him (and the others involved in the murder) participating in a sexual assault on a drunk/high younger girls. If this tape leaks, he will be put back in prison, doing adult time. The legal bills will destroy his family, and they know that the blackmailer’s demands will eventually do the same. Kinsey’s hired by the parents to put an end to the blackmail. She is, rightly, horrified by the events on the tape, but wants to help the parents.

While she investigates what happened to the tape for the decade-plus since the murder (and the brief time between the making of the tape and the murder), Kinsey investigates the events surrounding the creation of the tape (how consensual was it?, was it just a joke by all involved?) — and keeps brushing up against the murder. What actually happened? We get flashbacks to the day of the murder (and the lead up to it), so that we see a lot more than Kinsey will get exposed to through memories, dishonest witnesses, and news stories. It’s pretty obvious to the reader what actually happened in 1979, and what’s probably going on in 1989, early on — we don’t get the full picture until Kinsey does, but then it’s just confirmation. The final reveal on this was nevertheless very satisfactory — possibly the best part of the book.

Meanwhile, the serial killer from X is still lurking around, trying to find some of the evidence he left behind — and is harassing Kinsey while at it. This is by far the most interesting of the stories, but it can’t seem to keep Kinsey’s attention the way it should. She even notes that herself — clearly it’s something she doesn’t want to think about, and who can blame her? But how do you not think about it? The ending to this story wasn’t as satisfying to me, but it worked, and wasn’t (exactly) what you’d expect.

The flashbacks didn’t work as well for me as they have in previous novels, I’m not sure that I can put my finger on why, but Grafton didn’t pull it off as well. It could be related to the fact that everyone in this story was thoroughly unpleasant — the only person you could kind of like was the girl you knew was going to die. Actually, I liked her a lot — even though in the opening chapter I knew she was going to be dead for a decade by the time Kinsey gets involved. One other member of the group who served time related to the murder has made the best of his life that he can following his release from prison — he’s really turned his life around, and I could admire him (in 1989).

Once things heat up on the serial killer side of things, I really liked everyone involved — it was a collection of great characters. As I write this, I realize just how much I wish the book focused on this story (I honestly didn’t realize that until now). It is really hard to talk about, however, beyond what I’ve said already, so I’ll just leave it at that.

There’s a few things going on in her personal life — with Henry, her cousin, Jonah, etc. I’m not going to bother with it, typical judgmental, cantankerous Kinsey — and that’s about it. I don’t think I’ve ever got too concerned about historical accuracies in these books before, but there were a couple of things that people said that just didn’t seem like 1989 to me, maybe mid-90s. But it didn’t distract me too much or take me out of the story for too long (which is the make or break thing for me when it comes to this kind of thing).

It wasn’t bad, but it sure wasn’t good — Y is for Yesterday will scratch the itch that long-term Kinsey fans have, but won’t do much for newer readers.

—–

3 Stars

2017 Library Love Challenge

The Hanging Garden by Ian Rankin

The Hanging GardenThe Hanging Garden

by Ian Rankin
Series: John Rebus, #9

Hardcover, 335 pg.
St. Martin’s Press, 1998

Read: October 4 – 6, 2017

Rebus couldn’t get so excited. The whole enterprise had shown him a simple truth: no vacuum. Where you had society, you had criminals. No belly without an underbelly.

It’s just that kind of chipper optimism that keeps readers coming back to the Rebus books, isn’t it? The events in The Hanging Garden sure aren’t going to change his mind. There are three investigations at the core of this book (although another is referred to repeatedly) — but far more than 3 crimes.

The first is an investigation into an older gentleman who is suspected to be a former Nazi officer who was involved in the slaughter of an entire town in the waning days of WWII. Because of Rebus’ penchant for taking historical deep-dives when most police officers wouldn’t, he’s assigned to investigate this man. There are individuals from various organizations, governmental entities, and the press who are pressuring the accused and Rebus on this front.

The second involves an up and coming gangster — Tommy Telford’s smarter, quicker, and crueler than Rebus and the rest are used to dealing with — he’s also a genuine rival to Big Ger Cafferty (especially since Cafferty’s in prison). There’s a prostitute, a victim of human trafficking, that Rebus focuses on, trying to get her out of Telford’s control while using her to take him down. This becomes laden with some personal baggage (see below) and Rebus takes some risky moves that have some devastating consequences.

Lastly, Rebus’ daughter, Sammy is struck by a car in a hit and run and spends days in a coma. Based on a witness’ statement, Rebus becomes convinced that she was targeted thanks to her involvement with the prostitute and/or being his daughter. Either way, Rebus is out for blood — if only he knew who he was after. He strikes a deal to get criminals looking for the perpetrator while he’s helping/prodding the official police investigation. It really doesn’t matter which side of the law finds the driver, as far as he’s concerned, the end is the only important thing.

I’m not sure we needed the Nazi storyline — which by the way, is based on a real atrocity — but it serves to muddy the waters for Rebus and distract him. So it did play its part, and was good enough that I’m not complaining. Telford is a wonderful (fictional) criminal — I don’t want this guy walking around in my world, but in a novel? Love him. And the Sammy story — obviously, this is the emotional core to the book and is really well done.

When you have that many plates spinning, it’s hard to keep them going — and to do so in a way that balances the story telling to keep the reader engaged and not confused. Throwing in the personal aspects make it all the harder for Rankin — Clarke and Templar are involved with the police actions, and Jack Morton plays a significant role, too (and I finally liked him). Plus you have Sammy (mostly seen in flashbacks), Rhona (her mother) who comes to look after her comatose daughter. Patience Aitken is around as well — what she ever sees in Rebus, I’ll never know, it’s clearly a horrible match.

The way that Rankin has put this one together made it very difficult for me to talk about (I’ve tried to get this post written at least a dozen times). But that doesn’t mean it was hard to read — once I was in 10 pages or so in, there was no stopping. It’s a heckuva read, and I really can’t express more than that.

Rebus — mostly sober throughout, for a change — has some strong moments of self-assessment and self-examination, and is able to see/express things about himself and his approach to his work that many readers probably have intuited but it’s nice to have the man himself realize. Including one insight into himself that enabled me to finally figure out what makes Rebus and Harry Bosch different — something I’ll hopefully return to soon.

I didn’t expect that this would live up to Black and Blue, and it didn’t. But it wasn’t a let-down in any sense — it was a different kind of story, a different kind of crime, and different motivations for John Rebus. Still, the essentials are there: Rebus, his outlook, his tenacity, his humor, and his demons. Crime fiction doesn’t get much better than this.

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4 Stars

2017 Library Love Challenge

Ghost Hero by S. J. Rozan

Ghost HeroGhost Hero

by SJ Rozan
Series: Lydia Chin & Bill Smith, #11

Hardcover, 325 pg.
Minotaur Books, 2011

Read: October 13 – 16, 2017


So, Lydia Chin is approached by a potential client who is clearly lying about his identity about some paintings that are rumored to be in New York, and potentially on sale soon. This client really wants to establish a name for himself in Contemporary Chinese Art, and owning these paintings — preferably before they go on sale — will go a long way toward that. Here’s the trick, no one knows if they really do exist, or where they might be. Still the rumors persist, and in the “where there’s smoke, there’s fire” kind of thinking, they’ve got to exist. The trick is that the artist was killed in the Tiananmen Square protests of 1989. The client wants her to find them, prove they’re real (ideally), and help him get the leg up on the competition.

Like I said, Lydia doesn’t trust the man, and doesn’t understand why he picked her, but his cash is good and she’s curious (about him, the paintings, why he might want the paintings). So she takes the case, but doesn’t know where to start. Luckily, her partner, Bill Smith knows just the guy to talk to — another Chinese PI. Second generation ABC, from the Midwest, Jack Lee has an art degree and mostly looks into stolen and questionable art. Really, he’s the ideal PI to look for these paintings — and it turns out that someone else thought so, too and already hired him to do that. The three decide to work together on this, each playing to their own strengths.

From there, they dive deep into the New York Art Scene — at least those that brush up against Chinese Art — there are people who care about art, people who care about influence and money, and those who really, really care about art. Some care so much that Jack Lee gets shot at more than once. There are other threats as well — the idea that Chau might still be alive is a pretty hot political topic, and various governmental entities seem interested in what Lydia is up to.

The case is pretty interesting — and the various people that the trio interacts with are so interesting, so colorful, occasionally so despicable. The solution that Lydia cooks up is worthy of Blackadder’s Baldrick, but I kind of liked it. It works as a solution in a novel (I hope nothing like this would happen in real life). The ultimate reveal was a bit too obvious, but I still enjoyed it — and the rest of the mystery made up for it.

I’ve said time and time again, I love reading the back-and-forth between Lydia and Bill — adding Jack to that seems like a gamble. Thankfully, it worked wonderfully, he fits in with the two of them so wonderfully well that you wish he’d been around for a couple of novels previously to this. It almost doesn’t matter if the plot behind the book was entertaining, just get the three of these guys around a beverage or two and it’s worth it.

On the one hand, I’m kind of with Lydia in not understanding why someone would come to her to look for this — art isn’t her thing. On the other hand, she dealt with art dealers in China Trade, Chinese heirlooms in Reflecting the Sky, missing jewels in The Shanghai Moon (which yeah, is sort of precious minerals, but the art aspect of the Moon seems as/more important than the gems). So it’s not like she’s an utter novice. Sure, going to Bill Smith or Matt Scudder would seem like a bad move — but Lydia’s a good choice for this case (not as obvious a choice as Jack Lee, I grant you). And how could I not think of another PI in New York?

There was one thing I was disappointed in: I was truly hoping/expecting that this book would contain a clue (if not more) about why this was the last book to be published in the series — and given the 6 years that have passed since then, it seems pretty likely that this was it for the series. I’m assuming that it wasn’t planned, but can’t find any information about it (which means that someone’s going to come along in half an hour with a link to 15,000 words about the reason for this.) Update: A few hours after posting this, Rozan assured me that the series is not over, which is great to hear

A fun, fast-paced read that is enjoyable, engaging and all around entertaining — which is pretty much a great way to describe any novel from Lydia Chin’s point of view. Give this one a shot and then pick up the others (or pick up the others, and then this one — either way).

—–

4 Stars

2017 Library Love Challenge

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