Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 109 of 154

Mortal Causes by Ian Rankin

Mortal CausesMortal Causes

by Ian Rankin
Series: John Rebus, #6
Hardcover, 310 pg.
Minotaur Books, 1994
Read: July 15 – 18, 2017

When he’d washed his eyes last night, it had been like washing behind them as well. Always it came to this, he tried to do things by the books and ended up cooking them instead. It was easier, that was all. Where would the crime detection rates be without a few shortcuts?

Before Rebus gets to his shortcuts, he’s called to investigate a homicide. A particularly grisly one, reminiscent of some that Rebus saw in Northern Ireland when he was serving there.

It’s his familiarity with that execution that gets him loaned to a special squad also investigating the homicide, especially as it seems tied into some gun smuggling. Rebus isn’t pleased at all to be the new guy — much less, the temporary new guy — on a team, as much as he seems to appreciate some of the individuals on the team (while others make him think more fondly of Chief Inspector Lauderdale). The investigation takes him to Northern Ireland to collect some intelligence, to a dangerous neighborhood, and he brushes up against an American who’s funneling guns of all kinds to (and through) Edinburgh.

In the midst of all of this, Rebus has some drama in his personal life — nothing involving his tenants or brother, but things with Patience Aitken aren’t going as smoothly as one might want (are they ever?) — and there’s another woman who has Rebus in her sights (the guy isn’t a catch, from what I can tell — how does this happen so regularly?).

Throw in an appearance by Big Ger Cafferty while the bodies are piling up and you’ve got yourself a story.

I’m not sure why I don’t have much to say about this one. Maybe because we live on this side of the Good Friday Agreement? But that doesn’t seem to ring true. Rebus is Rebus, Clarke is Clarke, Holmes is Holmes, Farmer Watson is off the wagon, but still pushing his bad coffee . . . the new squad ha some interesting characters, but we don’t spend much time with them. There are some great and colorful characters we brush into during the investigation, too. I don’t know. I liked it, but I can’t think of anything to say beyond that.

There’s a lot to commend in this novel, from great lines like: “He’d had wrong hunches before, enough for a convention of the Quasimodo fan club”; to the wide-ranging sources of trouble for Rebus; to the horrible history and equally horrible present behind the crimes — this is a solid and haunting novel. Something about this was a little off, I’m not sure what — at least as I think back on it, it doesn’t seem as fully developed as the last two. But in the moment I was gripped. I’m not saying that this isn’t fine, I just know Rankin can do better.

—–

3.5 Stars
2017 Library Love Challenge

The Mask (Audiobook) by Taylor Stevens, Hilary Huber

The MaskThe Mask

by Taylor Stevens, Hillary Huber (Narrator)
Series: Vanessa Michael Munroe, #5

Unabridged Audiobook, 13 hrs., 54 min.
Random House Audio, 2015
Read: June 1 – 6, 2017


I spent a lot of time being annoyed with Michael in this novel — more time being annoyed with Miles, however. Well, that’s not true — events keep Miles off of the board for most of the book, so let me say that I spent more time annoyed with him while he active. I get that communication is hard for them, and I guess it was good to see that Miles was human, too — even his ability to understand Michael’s needs and desires has limits.

But I’m getting ahead of myself.

So Michael’s got her head on right after The Catch and goes to join Miles in Japan. He’s there in a strange corporate security consulting gig that he really won’t clue her in on. They spend a few months together, him working days and her trying not to get bored and learning Japanese. The latter of those two works a whole lot better than the former. She needs something to do — and not in the “I’ve gotta kill someone or take drugs” kind of way she did back in The Vessel. She just needs something to occupy her time while he’s putting in 15 hour days. Which isn’t dong their relationship any good. Before she can have it out with him, he gets arrested for murdering someone at the tech company he’s working for. If she had tried to talk, if he’d explained himself a little better — if they had communicated at all . . . so much of this novel wouldn’t have happened. Too many books/movies/TV shows rely on this poor interpersonal communication to force plots forward, it really gets on my nerves.

First, we get a little lesson in Japanese jurisprudence, which by itself was enough to convince me that I don’t want to end up arrested in Japan (not that I really want to be arrested anywhere). Then Michael goes to work to clear his name, no one else is going to. The hoops she has to jump through make her previous adventures seem easy — sure, she was in more peril in most of the previous books, but it seemed easier for her to get around and get the information she wanted. Cultural and corporate protocols are tougher to beat by bribery, sensuality and violence than other things, I guess. Throw in some underworld figures and you’ve got yourself a thriller worthy of Monroe. I really enjoyed this story once Miles got arrested and things got moving — Stevens is getting better at plot intricacies.

There’s a great corporate espionage plot throughout with an operative that could probably sustain her own novel if Stevens ever got around to it. I’m not sure I can say more than that without messing something up. But as despicable as I find (some of) her methods, they made for good reading.

About the time that I’d given up on Michael doing more than outwitting her opponents, she got sucked into a very violent confrontation. I didn’t spend a second thinking that she was in trouble, but man, she had to work hard to eliminate these guys. There’s that scene in The Vessel where Stevens cuts away from the action, and we don’t get to see Michael kill her captives, we just know she’s about to do something and then Miles comes along later and finds the aftermath. This fight scene was probably pretty similar to that — but there’s no cut. We get the whole thing.

I should take a moment to talk about Hilary Huber, but I can’t say anything about her narration than I’ve said before. Now that I’m caught up with these, I’m going to have to track down some other books that she’s narrated.

I never expected a happily ever after scenario between Michael and Miles — but I expected something better than this (not that this is in any way, shape or form the end of their relationship), and that took some of the shine off this book for me. Otherwise, this was very entertaining, gripping, and so on — a Michael Monroe thriller that tops its predecessors, and deepens our understanding of Michael. Not much more to ask.

—–

3.5 Stars

Open Apology to Susan Barton and Robert Germaux

Public screw up, public apology.

I’ve been out of town for a couple of days (roughly 5 pm Tuesday to 11:40pm Thursday) for some medical screening and evaluations for one of my kids (long story, not that relevant, but if you’re super curious, feel free to check out The Backup Kidney blog). To help keep things alive during that time, I signed up for a couple of Book Tours — posts that are pretty much prepared by someone else, and can be scheduled well ahead of time.

One of those was for the entertaining read, One by One by Robert Germaux, as put together by Susan Barton. Those posts went up Thursday, technically yesterday now. Monday while packing, I finished putting those together, got them scheduled to post and checked another item off my pre-trip To Do list, and thought no more about them.

They looked fine, everything worked in Preview mode.

Then this morning, somewhere between a chest X-Ray and an echocardiogram (I’m not exactly sure when), I got an email from Ms. Barton that things weren’t looking right — no images were showing up — and could I please fix that. Well, no, I was on a spotty and slow connection with only my phone — I really couldn’t even get a reply composed given all that was going on. I was 400+ miles and 13-14 hours away from being able to sit down and fix things.

I don’t know what happened, again, it all looked good Monday night. I didn’t bother to troubleshoot — I just uploaded the files with different names and changed the coding on the posts. I believe things are displaying correctly now. I sure hope so. If not, I’ll try again as soon as I get home from work tomorrow — and then, I don’t know, try self-immolation.

I’ve given the explanation, now the apology — I’m very sorry, Ms. Barton and Mr. Germaux. I said I’d do something and I didn’t deliver. The “irresponsible” in the blog title is supposed to mean that I read whatever, with only a regard for what catches my eye, not in an effort to better myself or be literary or live up to whatever standard — it’s not supposed to be an ethic.

GIVEAWAY: One by One by Robert Germaux


We hope you’ve enjoyed these posts today, and are interested in the book. Click here to enter the Rafflecopter giveaway for One by One by Robert Germaux

One by One by Robert Germaux

And so we bring this Book Tour stop to the point where the material wasn’t pre-made, here are my thoughts on the novel. Short version: I enjoyed it.

One by OneOne by One

by Robert Germaux
Series: A Daniel Hays Mystery, Book 2
Kindle Edition, 342 pg.
2017
Read: July 12 – 13, 2017

Daniel Hays and his Special Assignment Squad — a Major Crimes squad set up to help smaller cities in the county around Pittsburgh — haven’t had a lot to do since being formed. That changes when the chief him Hampton Township has a strange homicide show up. He doesn’t need the help necessarily, but is concerned that the strangeness of the murder indicates that there could be something “big” coming. Another few homicides (at least) with the same strange element.

There’s a note left on the corpse, it reads “Blue is Better” and has a big, red check mark underneath. Daniel and his partner agree, they probably don’t need to be involved, but should be familiar with the investigation, just in case.

Good thing, too — because one week later in a very different part of the county, here’s another murder. With another note. Now things are getting serious and the SAS has to jump into action.

There’s no connection between the victims that they can find, no clues, no anything for them to go on. Just the notes, and repeated homicides on Fridays.

From there, we get an interesting twist or two there, some wrong turns, until after a lucky stroke, all the pieces fall together.

The characters are nice to spend time with, professionals who get along and work for the common good. They could possibly be a little more interesting if they were a little less professional, if there were a glitch or two in the teamwork. One by One falls into something like a “blue-sky” drama on TV — like NCIS, Burn Notice or White Collar, not the grittier Homicide, The Wire, or Bosch. This is not a dig at One by One to compare it to those shows — people love them, I’ve watched every episode of NCIS and enjoyed over 87% of them. But readers should go into this with eyes open — just because it’s a detective squad working multiple homicides, don’t go in expecting Michael Connelly, Owen Laukkanen, or Ian Rankin — expect Chris Grabenstein, David Rosenfelt, Aaron J. Elkins (check my archives, you’ll see that I’ve really enjoyed all those authors — again, this isn’t a knock, this is me describing where this belongs on a spectrum).

That said, Germaux could’ve given us a little more sense of urgency, had the characters seem less casual in their approach to this work. They did a lot of run of the mill, interviews with people that didn’t get them anywhere — even just showing more of that, would’ve been something. Maybe all of the smaller departments weren’t as cooperative with the task force. It wouldn’t have to be much, the book could’ve used a little something to intensify the drama. This was a good read, a light and enjoyable mystery; it’s thiiis close to me saying it’s a must read, but instead, I’ll leave it as a good read. You will enjoy it.This is a quick, easy story with a nice puzzle and some charming characters. I planned on reading the previous novel in the series, Small Talk, I just hadn’t got around to it — I’m going to work a little harder on that now.

If nothing else, read it for the recommendation on your new favorite version of “Over the Rainbow.” Wow.

Disclaimer: I received a copy of this book in exchange for my participation in the Book Tour.

—–

3.5 Stars

Robert Germaux Author Interview

Please tell us about One by One

 

This is a very frustrating case for Daniel and his squad. There are multiple victims who appear to have almost nothing in common, and although the killer leaves a “clue” at each crime scene, those clues likewise appear to be completely disconnected from each other. It’s only through hard work and determination that Daniel and his colleagues eventually realize that they need to change their focus in order to catch the killer.

 

Since One by One is your follow-up novel to Small Talk, what new character developments can readers expect from main character Daniel Hayes and his team?

 

We learn more about Daniel’s previous life as a professional athlete, and we meet a journalist who covered Daniel in that life, a man whose skills Daniel calls upon to assist the police in their hunt for the killer. In addition, we follow Daniel’s developing relationship with bookstore owner Lauren Cavanaugh.

 

I thoroughly enjoyed the dual POV in Small Talk. I loved how you got inside the killer’s head. Can readers expect something similar in One by One?

 

In Small Talk, Daniel and his squad had an idea who their killer was fairly early on in the case. The problem they faced was proving their suspect was actually the killer. Thus, a major part of the plotline in that book involved the way Daniel and the killer interacted with each other, which is why I used the killer’s POV occasionally. In One by One, though, the squad has no idea who their killer is until near the end of the story, so the emphasis is on the hunt for that person as opposed to any interactions the killer has with Daniel.

 

Where do your story ideas come from?

 

Everywhere! It doesn’t take much to ignite a spark in my fertile imagination. Sometimes I have to do a lot of research, as was the case with both Small Talk and One by One, because to the best of my knowledge, my social circle has never included any serial killers. But in Leaving the LAW, a Jeremy Barnes novel I’ll be releasing in the future, I relied heavily on my experiences teaching in an inner-city Pittsburgh high school that the police called Gang Central.

 

What do you think makes a good suspenseful mystery?

 

The answer, in part, lies in your question. Suspense. I like to read books that keep me guessing. Along with that, I think readers have to be involved with the characters in a novel, to care about what happens to those characters, even the bad ones. I want the good guys to win and the bad guys to lose.

 

 

ABOUT ROBERT GERMAUX

 

Both my parents were readers. I’m talking stacks-of-books-on-their-nightstands readers. So it’s no surprise that an early age, I, too, became an avid reader. Everything from sports books (especially baseball) to Nancy Drew to the Hardy Boys to almost anything about distant and exotic places. And although I’ve always enjoyed putting words on paper, the writer in me didn’t fully emerge until I retired after three decades of teaching high school English. I quickly wrote two books aimed at middle school readers, at which point my wife urged me to try a novel for adults. As is usually the case, Cynthia’s idea was a good one. Over the next few years, I wrote several books about Pittsburgh private eye Jeremy Barnes, including “Hard Court.” Along the way, I took a brief hiatus from the detective genre to write “The Backup Husband,” the plot line of which came to me one day when I was playing the What-if game. On that particular day, the question that occurred to me was, What if a woman suddenly realized she might be in love with two wonderful men? After “The Backup Husband,” I wrote “Small Talk,” my first novel about Pittsburgh police detective Daniel Hayes. I then switched gears again with “Grammar Sex (and other stuff),” a book of humorous essays. Now I’m back with “One by One,” the second Daniel Hayes mystery, which will be released on June 1st. You can find all of my books on my Amazon Author Page.

In our spare time, Cynthia and I enjoy reading (of course), seeing Broadway plays and musicals, watching reruns of our favorite TV shows, such as “Sports Night” and “The Gilmore Girls,” and traveling to some of those distant and exotic places I used to read about as a child. So far, we’ve been fortunate enough to walk in the sands of Waikiki, swim in the warm waters of the South Pacific and enjoy a romantic dinner in Paris.

I love interacting with my readers and getting their input on my stories and characters. Please feel free to contact me on my website.

 

One by One by Robert Germaux Book Excerpt

Ellen Tishler was killed in her home in Hampton Township, about twelve miles north of Pittsburgh, but still within Allegheny County. My team works out of Zone 3 in the city, so in the normal course of events, we wouldn’t have had anything to do with the case. We were called in because the chief of police in Hampton thought it might be something SAS should be handling.

The chief’s name was Benjamin Roberts. He was a shade under six feet, with dark hair cut very short and the beginnings of a little potbelly, but still in good shape for a guy chasing sixty. His uniform was neat and clean, his tie perfectly knotted, his shoes spit-shined. Ex-military, I was guessing. Roberts had a reputation for being old school all the way. He even conducted inspections at the start of most shifts. He also had a reputation as one of the sharpest cops in the county.

It was three o’clock on a sunny September afternoon when Henry and I arrived at the two-story brick colonial on Edgerton Drive in the upper-middle class neighborhood. The chief greeted us at the door.

“Ben Roberts,” he said, shaking my hand. “Thanks for coming, Detective Hayes.”

“It’s Daniel,” I told him. “And this is my partner, Henry Reynolds.”

Roberts nodded at Henry, then motioned for us to enter the house.

“I appreciate you gentlemen driving out here,” he said. “I hope I’m not wasting your time.”

“You’re not,” I said. The three of us were standing in a small foyer. I could hear people talking and moving around in what I assumed was the living room, down the short hallway and to the left.

“When you called,” I said, “you indicated you thought this might be a case for the Special Assignments Squad.”

“Yeah,” he said. “Crime scene’s got kind of a weird look to it. My department doesn’t handle many major crimes, but I’m pretty sure this isn’t your run-of-the-mill homicide. Anyway, c’mon in and have a look.” He led us down the hall and around the corner, and Henry and I got our first look at Ellen.

If it wasn’t for the small hole in the middle of her forehead, it would have been easy to assume that she had simply dozed off while reading that month’s issue of Beautiful Homes, which was lying on the floor next to the large floral-patterned wingchair. Ellen was slumped in the chair, her head tilted to one side, her right hand dangling over the armrest. Her eyes were closed, and there was no noticeable blood.

“Small caliber,” I said. “Maybe a twenty-two.”

Roberts nodded and said, “That’s what I was thinking. Probably a revolver.”

“So no shell casings,” I said.

“And no exit wound,” said Roberts. “Bullet must have bounced around in her head a bit. We’ll find what’s left of it at autopsy.” He shrugged. “Might not be enough to identify or match. We’ll see.”

Henry and I stood for a minute to take in the scene. Ellen appeared to be in her mid-to-late seventies. She was wearing an expensive-looking dark green pants suit, with low-heeled brown shoes. Her white hair was nicely coiffed, as though she’d recently been to a salon, and there was a string of pearls around her neck. I doubted if this was how she dressed for an afternoon at home.

“Who found the body?” I said.

“Next door neighbor, woman named Alice Cloakley. She and the deceased were supposed to go out for lunch today. Ms. Cloakley came over around noon, found the front door ajar, came in and discovered the body.”

“Ms. Cloakley still around?” asked Henry.

Roberts nodded towards the back of the house.

“She’s on the patio. I figured you’d want to talk to her.” He paused, shifted his weight from one foot to the other. “There’s something else. It’s the main reason I contacted you.”

He’d been carrying a large plastic evidence bag, and now he held it up for Henry and me to see.

“We found this on the body.

 

ABOUT ROBERT GERMAUX:

Both my parents were readers. I’m talking stacks-of-books-on-their-nightstands readers. So it’s no surprise that an early age, I, too, became an avid reader. Everything from sports books (especially baseball) to Nancy Drew to the Hardy Boys to almost anything about distant and exotic places. And although I’ve always enjoyed putting words on paper, the writer in me didn’t fully emerge until I retired after three decades of teaching high school English. I quickly wrote two books aimed at middle school readers, at which point my wife urged me to try a novel for adults. As is usually the case, Cynthia’s idea was a good one. Over the next few years, I wrote several books about Pittsburgh private eye Jeremy Barnes, including “Hard Court.” Along the way, I took a brief hiatus from the detective genre to write “The Backup Husband,” the plot line of which came to me one day when I was playing the What-if game. On that particular day, the question that occurred to me was, What if a woman suddenly realized she might be in love with two wonderful men? After “The Backup Husband,” I wrote “Small Talk,” my first novel about Pittsburgh police detective Daniel Hayes. I then switched gears again with “Grammar Sex (and other stuff),” a book of humorous essays. Now I’m back with “One by One,” the second Daniel Hayes mystery, which will be released on June 1st. You can find all of my books on my Amazon Author Page.

In our spare time, Cynthia and I enjoy reading (of course), seeing Broadway plays and musicals, watching reruns of our favorite TV shows, such as “Sports Night” and “The Gilmore Girls,” and traveling to some of those distant and exotic places I used to read about as a child. So far, we’ve been fortunate enough to walk in the sands of Waikiki, swim in the warm waters of the South Pacific and enjoy a romantic dinner in Paris.

I love interacting with my readers and getting their input on my stories and characters. Please feel free to contact me on my website.

One by One by Robert Germaux Book Tour

Welcome to the One by One by Robert Germaux Book Tour stop here at The Irresponsible Reader. We’ve got this spotlight post here, and coming up over the next few hours, we’ve got a nice little excerpt from the book, an interview with Robert Germaux, then my own take on the book, and finally we’ll have a way to enter a giveaway for the book! (the links will work once the posts go live).

Print Length: 342 pages
Publisher: Robert Germaux (May 26, 2017)
Publication Date: May 26, 2017
Sold by: Amazon Digital Services LLC
ASIN: B071PBX39B

ABOUT THE BOOK:

The victims appear to have had nothing in common, other than the fact that, as one officer put it, somebody wanted them dead. And that somebody left a “clue” at each crime scene, but as those clues began to accumulate, Detective Daniel Hayes and his hand-picked squad soon discovered that the clues appeared to have even less in common than did the victims. In order to catch his prey, Daniel realizes he has to change his focus and concentrate on an entirely different aspect of the case by following a twisting trail that eventually leads to a face-to-face encounter with the killer.

 

PURCHASE ONE BY ONE ON AMAZON HERE

ABOUT ROBERT GERMAUX:

Both my parents were readers. I’m talking stacks-of-books-on-their-nightstands readers. So it’s no surprise that an early age, I, too, became an avid reader. Everything from sports books (especially baseball) to Nancy Drew to the Hardy Boys to almost anything about distant and exotic places. And although I’ve always enjoyed putting words on paper, the writer in me didn’t fully emerge until I retired after three decades of teaching high school English. I quickly wrote two books aimed at middle school readers, at which point my wife urged me to try a novel for adults. As is usually the case, Cynthia’s idea was a good one. Over the next few years, I wrote several books about Pittsburgh private eye Jeremy Barnes, including “Hard Court.” Along the way, I took a brief hiatus from the detective genre to write “The Backup Husband,” the plot line of which came to me one day when I was playing the What-if game. On that particular day, the question that occurred to me was, What if a woman suddenly realized she might be in love with two wonderful men? After “The Backup Husband,” I wrote “Small Talk,” my first novel about Pittsburgh police detective Daniel Hayes. I then switched gears again with “Grammar Sex (and other stuff),” a book of humorous essays. Now I’m back with “One by One,” the second Daniel Hayes mystery, which will be released on June 1st. You can find all of my books on my Amazon Author Page.

In our spare time, Cynthia and I enjoy reading (of course), seeing Broadway plays and musicals, watching reruns of our favorite TV shows, such as “Sports Night” and “The Gilmore Girls,” and traveling to some of those distant and exotic places I used to read about as a child. So far, we’ve been fortunate enough to walk in the sands of Waikiki, swim in the warm waters of the South Pacific and enjoy a romantic dinner in Paris.

I love interacting with my readers and getting their input on my stories and characters. Please feel free to contact me on my website.

In The Still by Jacqueline Chadwick

In The StillIn The Still

by Jacqueline Chadwick
Series: Ali Dalglish, #1
Kindle Edition, 422 pg.
Fahrenheit Press, 2017
Read: July 8 – 11, 2017

Maybe the easiest way to describe this book is to say that I had to stay up so late finishing — because there was no way I was putting it down — that I fell asleep the next night writing up a post about it.

When I’d just started this book, I tried to describe it to my wife and this is what I came up with (and still think it works): Imagine Where’d You Go, Bernadette?, but instead of a delightful novel about a genius architect with zero social skills who leaves her profession to raise her child in Seattle, where she has no friends, no life outside of her house and an antagonistic relationship with her neighbors; this is a delightful novel about a genius forensic psychologist with zero social skills who leaves her profession to raise her children in a small town in Vancouver, BC, where she has no friends, no life outside of her house and an antagonistic relationship with her neighbors — and there’s a serial killer.

Yeah, that’s glib and shallow — but it’s kinda true.

Ali Dalglish is our genius former psychologist, she’s enjoying an early morning cigarette when the woman she’s been annoyed by and has antagonized for months shows up at her back porch needing to use her phone. Marlene’s dog has just found a body on the beach, and she doesn’t carry a cell phone. Ali hands her the phone and takes off to try to secure the scene — a good move, as it turns out, because the local police aren’t up to it. They don’t even take her name and address, much less a statement, before they send her home. Ali has already seen enough to conclude that this was no accident or a death by natural causes. This was murder. But the only one that hears her is Marlene.

Neither woman is inspired to confidence by what they see from the local police, and although police with more experience in this sort of thing are on their way, the two decide to investigate the murder on their own. Probably not the wisest choice they could make, but it’s an entertaining one. After a quick glance at the victim, Ali puts together a pretty thorough profile of the killer, and she knows this isn’t his first kill. The two ladies play amateur sleuths, nosing around their suspect pool’s houses and setting up opportunities to observe them. The specialists agree with their suspect lists and profile — even if they take longer to compile them than Ali. They’re also able to confirm many of her theories. Which only emboldens Ali and Marlene to keep at it — even as they brush up against reckless and dangerous plans (although they have some very safe ones, too).

When the book starts, Ali and Marlene can’t stand each other; but events conspire to keep them together, and before either realize it, a friendship is forged — one that I love, the interplay between the two is just fantastic. There’s sort of a Felix/Oscar-vibe between the two, just intensified. Ali also strikes up a friendship/mutual admiration society with one of the investigators that will probably progress interestingly as it continues. In the shadow of the murder, Ali is able to get out of her house and integrate a little with her town in a way she hadn’t found possible before.

Now, there is a dark side to this novel, there is a serial killer running around, after all. Ali’s profile of him is on the mark, we never get as much detail about what makes him tick as other writers give — and I’m fine with that. I wouldn’t have minded a little more, but what we got was good enough. Chadwick stayed on the right side of exploitative writing about the victims and their deaths. We got enough to see that he was a monster, but there’s no relishing in the suffering. There’s one scene where a stranger accidentally finds his way into the dungeon the killer keeps his victims in. This is such a good scene, it’s so powerful and the details are just perfect. What happens to this poor guy, on the other hand . . . On the whole, there’s not much in this part of the novel that we haven’t seen before (really, aren’t most serial killer stories pretty similar?), but it’s the way that Chadwick tells the story that sets it apart from the rest and elevates it.

There’s a great red herring. Dealt with in a way that almost no one else in crime fiction does. The police pretty much know he’s a red herring, but they have to spend the time to investigate him so they can write him off. This was done so well — don’t get me wrong, I don’t enjoy that character, I really didn’t like reading one particular scene with him. But what he does to the overall plot was great — even once he stops being a red herring, he still has a pivotal role to play.

For a first novel, this is put together really well. I was worried in the first few pages, because it was overwritten in a really off-putting way — thankfully, I realized it was because we opened with the killer’s POV. I’m not sure why it is that so many fictional serial killers are written that way, but it works. There were moments where we weren’t reading his POV that Chadwick dipped her toe into overwriting, but it was never too much, and after a few chapters it went away (or I got used to it). That aside, the plotting is brisk, the characters are alive, the humor is real and unforced, the pacing is great — I really can’t say enough good things about it.

I don’t remember ever having as much fun, being so entertained by a serial killer story — not for a second did this become some sort of feel-good romp, don’t misunderstand me. The horror is real, the stakes are high, but there’s a humanity running through this that I just fell under the spell of. There are two more books in this series coming out in the next few months, and you can believe I’ll be jumping on them.

—–

4 1/2 Stars

The Force by Don Winslow

Oh fer cryin’ out loud, after I finished writing this, I noticed that the publisher’s description starts with the same quotation I started my post with. I swear I didn’t steal the idea.

The ForceThe Force

by Don Winslow

Hardcover, 479 pg.
William Morrow, 2017

Read: June 26 – 29, 2017

Our ends know our beginnings but the reverse isn’t true.

If Denny Malone’s beginning knew his ending, would it have prevented anything? Or would Malone have convinced himself he could find a work-around? Probably the latter.

Denny Malone is a one of NYPD’s Finest — a detective sergeant, and the head of a task force (known as “Da Force”) on the front line of the War on Drugs. He and his team — who’ve been together for years — rule Manhattan. Sadly — and perhaps naturally — they’re corrupt. They take (and are given) money, drugs, weapons and more from criminals (of all levels), lawyers and others. They pass on some of these to lawyers, city officials and other cops — and keep a whole lot for themselves. Through their methods, they do keep some sort of peace on their streets — sure, they pass on some of the violence and poison on to other parts of the city, but that’s not their concern.

After doing this for years, the wheels start to come off — it’s tough to say what the first domino (to mix metaphors) was to fall, but once it does, there’s nothing stopping the rest — as much as Malone may try. The result is one of the most powerful crime novels I’ve read in years.

The characters are rich, fully developed and they seem like they could step out of the book onto the streets of NYC with no trouble. You are sickened by them, want to see them stopped — yet start to understand them, like them as people, and — despite yourself — hope at least some of them get away with it all. At one point, I was laughing at their banter like we were all old friends hanging out, and it bothered me how much I enjoyed them as people (that faded somewhat in a few pages).

This book feels like the love child of Tom Wolfe’s The Bonfire of the Vanities and Nicholas Pileggi’s Wiseguy. You really feel like you understand how the city of New York is run — at least parts of it: the police, elements of the criminal world, and parts of the criminal justice system. Not how they’re supposed to run, but the way it really is. He achieves this through a series of set pieces and didactic pericopes. Three quick examples: you get Malone musing on how the way that cops have to learn how not to care about citizens and criminals, because otherwise, they’ll end up hating them. A great section showing how The Force goes out on the town to celebrate. The following quotation about the attitude of a prosecutor and Malone about his creative use/understanding of the truth while testifying:

Because the real truth that they both know is that without cops “testilying,” the DA’s office would hardly get any convictions at all.

This doesn’t bother Malone.

If the world played fair, he’d play fair. But the cards are stacked against the prosecutors and police. Miranda, Mapp, all the other Supreme Court decisions, give the advantage to the skels. It’s like the NFL these days–the league wants touchdown passes, so a defensive back can’t even touch a receiver. We’re the poor defensive backs, Malone thinks, trying to keep the bad guys from scoring.

Truth, justice and the American way.

The American way is, truth and justice maybe say hello in the hallway, send each other a Christmas card, but that’s about the extent of their relationship.

You throw that kind of stuff in with a compelling plot, believable characters, striking details and Winslow’s voice? You’ve got yourself a dynamite book.

If someone had told me this was non-fiction, I’d believe it (maybe I’d balk at some of the details of his personal life being told in a Non-fiction book, but otherwise…). It rings true — and I spent most of the book just hoping that Winslow was exaggerating and fearing that he was holding back. The whole thing feels real, it seems ripped from the headlines, and is beyond engaging — it’s engrossing, it’ll take over your mind, make you see deception and corruption everywhere.

Winslow nailed it. It’s just mindbogglingly good. I’m going to over-hype it if I keep going — so I’ll leave it at that. Get this book and then strap in for one of the best reads you’ll have this year.

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5 Stars

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