Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 118 of 153

Debt to Pay by Reed Farrel Coleman

Debt to PayRobert B. Parker’s Debt to Pay

by Reed Farrel Coleman
Series: Jesse Stone, #15

eARC, 352 pg.
G.P. Putnam’s Sons, 2016

Read: August 20 – 22, 2016

Since the closing pages of Blind Spot, I’ve been waiting for the other shoe to fall victim to gravity. Jesse Stone has been, too. Well, after a more typical Stone novel, the wait is over — Mr. Peepers, the sadistic hitman that almost killed Suitcase Simpson and evaded Jesse, is back.

Just in time for just in time for Jesse’s ex, Jen’s wedding.

Before I forget, isn’t that a great move? Build suspense by ignoring the cliffhanger-esque ending for a whole book? In the wrong hands, that’d be annoying, but done right? Very effective.

Jesse and his lady-love, Diana (the FBI agent turned private security consultant) are off to Texas to meet Jen’s fiance, maybe get a little closure, and covertly protect Jen from the special mix of psychological and physical torture that Peepers subjects his victims to before killing them. While Jesse seems to be several steps behind, Peepers seems to be calling all the shots — he’s got all the power and is making Jesse jump through whatever hoops he wants him to.

Meanwhile, changes are afoot with the Paradise Police Department, State Homicide and Suit’s life (and a few other places) — just so we don’t all get too wrapped up in Pepper’s quest for vengeance.

As he has in the previous two novels in this series, Coleman keeps things moving at a great pace, the suspense keeps getting ratcheted up — interspersed by heartwarming, amusing, and troubling moments, so it’s not suspense overkill. There are some great character moments — especially with Diana and Jesse, Suit and a few people, Jesse and a bottle. There’s no mystery here — we all know who the villain of the piece is, the only question is how Peppers will attack and who will remain standing at the end of the book.

In his other major series, Parker introduced a paid assassin, The Gray Man, who almost killed Spenser and plagued him for a while afterwards. Mr. Peepers is far creepier, deadlier, and interesting than the Gray Man ever was. I really didn’t like being in that dude’s head as much as we were — which means that Coleman succeeded in making him a terrible person — I felt like washing my brain out with soap to get over some of the Peepers chapters.

Ace Atkins has returned Spenser to his roots (moved things forward, don’t get me wrong, it’s not just a nostalgia trip), but Coleman has taken Jesse and the rest and shaken things up — he’s stayed true to the characters, the series, the feel — but he’s pushed things ahead and has probably made more real changes to the series than Parker did since book 2 (but making things feel risky and inventive feels like the roots of this series). Actually, he’s not just changed this series — he’s done things that affect the whole of the Parker-verse. Just look at Suit — everything we need to know about what Coleman’s doing to the series is embodied there. I know Coleman’s take is not that popular with some long-time fans, but I couldn’t be happier — either with the series as it is right now, or with this book.

This was riveting, literally never a dull moment — not relentless, you can relax occasionally, even grin. But I had to force myself to put it down to do the responsible adult thing a couple of times. I expect most fans of Jesse and the PPD folks will have similar experiences with Debt to Pay.

Disclaimer: I received this eARC from G.P. Putnam’s Sons via NetGalley in exchange for this post — thanks to both for this.

—–

4 1/2 Stars

An Obvious Fact by Craig Johnson

An Obvious FactAn Obvious Fact

by Craig Johnson
Series: Walt Longmire, #12

eARC, 320 pg.
Viking, 2016

Read: July 29 – 30, 2016

4 Stars

Craig Johnson is so consistent with these books that he makes it really hard to write about them. I’ve struggled with this one for weeks — how can I say something I haven’t before? I’m not sure I can, but I guess I can start with what makes this one different from the rest.

For starters, Henry’s borrowed Walt’s set of Sherlock Holmes (without his knowledge or consent, but who cares) and spends the novel quoting Holmes at inopportune times to his buddy. I laughed every time. Walt didn’t find it that amusing — and paid him back by talking about what a silly and reckless endeavor riding motorcycles is — much less racing/jumping/etc. He had plenty of opportunity to make these kind of remarks as the two of them were in Hulett, WY for the world’s largest motorcycle rally, where Henry is attempting to recapture a victory of his younger days.

Walt’s been brought in to help with the investigation of a motorcycle crash, the small local police force is stretched beyond itself due to the rally and really can’t take it on. It seems pretty cut and dry on the surface — just a bad break and a bit of careless driving. But every time Walt looks at another piece of evidence, he finds more reasons to doubt the obvious facts.

We learn a lot about Henry in this book — but he’s not really in it all that much (at least less than he’s been in others, lately). And while he’s not really at odds with Walt, you really can’t say that he’s on his old friend’s side throughout (nor is he really acting all that rationally).

Vic comes back to Wyoming, and injects her flair into the investigation and Walt’s life. She also continues to be the embodiment of many men’s dreams between her looks, brains, language, driving and shooting. I’m not going to say if she’s my Platonic ideal, I will say that for a totally unrealistic character, she’s a whole lotta fun.

The Whodunit was pretty easy, the Whydunit was trickier (and the Accessories to the Who were more difficult, but not hard). But, hey, we don’t read these books for the puzzle — we do it to watch Walt figure things out and to spend time with our friends from the Equality State (and the nations within it). In the end, this is just what you expect out of a Walt Longmire novel — some laughs, a nice little puzzle, a little fisticuffs, maybe a little gunplay (not necessarily a shoot-out). Well-paced, well-told, all in a day’s work for Johnson.

Disclaimer: I received this eARC from Viking via First to Read in exchange for this post — thanks to both for this.

—–

4 Stars

Chasing Freedom by Marina Fontaine

Chasing FreedomChasing Freedom

by Marina Fontaine

Kindle Edition, 222 pg.
Createspace Independent Publishing Platform, 2016

Read: July 27 – 28, 2016


A few decades from now, the government of the United States (although I don’t think it’s directly called that, but it’s clear that’s what it is) has become the totalitarian regime so many fear, imposing a type of public “civility” on the citizenry. Public protests are closed down by the authorities, but keep springing up (and seem to be coordinated in a way that the authorities can’t pin down) — and then they evolve into organized resistance groups and information dissemination efforts (counter-propaganda efforts).

On the whole, the book focuses on the resistance groups, their allies and those they aid — with the occasional look at those in power and their operatives. The resistance groups are full of people who are looking for different things — some out of ideology, some out of concern for the safety and health of their loved ones, there are even criminals who help just to get under the heavy thumb of the government, some just want a way to express themselves and make art rather than be “contributing members of society.”

In different ways, these people (and many others) work together (and apart) to force the government to get back to its own foundational principles. There are glimpses of violence here, but mostly this takes place between the battles — in the ramping up to them, or in the aftermath. It’s violent enough to satisfy those who want that and to seem grounded in the subject, but that’s not the focus. The focus is on what the struggle means to people and what it does to them — some characters are scarred, some characters are driven to find hidden strength(s), a few characters are both.

I noted while reading this that the type of government/society depicted in a dystopian novel tells you a lot about the politics of the author — as does what the characters of behind the resistance/opposition want to replace it. Fontaine grew up in the U.S.S.R., and knows a little about real dystopia, that’s reflected in these pages, too. Her vision of the future isn’t one you typically see in fiction — and agree with her or not — it’s a breath of fresh air.

I’ve read works that were better written, more convincing — but this one hit me right. I love the vision of this book, the way that Fontaine gets her characters to work together — even when there’s little reason to. Their hopes of the good life — or at least a better one — really resonated with me. There wasn’t (much) drive for vengeance, it wasn’t one or two people against the system — it was a variety of people, doing various things that drove the action of this novel. A solid effort, an entertaining and borderline inspirational read. I hope to see more from Fontaine in the future.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion.

—–

4 Stars

The Purloined Poodle by Kevin Hearne

The Purloined PoodleThe Purloined Poodle

by Kevin Hearne
Series: Iron Druid Chronicles, #8.5/Oberon’s Meaty Mysteries, #1

eARC, 112 pg.
Subterranean Press, 2016

Read: August 8, 2016


The best and most consistent part of The Iron Druid Chronicles has been Atticus’ Irish Wolfhound, Oberon. Now Kevin Hearne has given us a novella narrated by and starring him, with Atticus in the supporting role. It’s good that he kept the Druid around, because he has the whole opposable thumb thing going for him and can do things like communicate with other people

While playing in a dog park, Oberon stumbles upon a rash of dognappings — the victims are all Grand Champions. Oberon is appalled that such a thing can happen and vows to find the dogs and return them home. He enlists Atticus to assist him (and well, to do most of the work). They spend the next couple of days moving around the country visiting various dog trainers/owners and skirting trouble with the law. While Atticus does the heavy lifting of investigating, Oberon has a lot of fun meeting various Champion dogs — in particular, a Boston terrier named Starbuck.

The interplay between Atticus and Oberon is a lot of fun, but his narration is even better — between the repeated mentions of trying to pull off “the Full Jules” (reciting Ezekiel 25:17 at just the right moment); his summary/slash review of The Great Gatsby (which will forever alter the way I look at the book); Oberon as food critic (his takes on coffee and mustard are highlights); and a repeated tribute to Denis Leary’s best movie, this book was flat-out entertaining. Because it’s by Hearne and featuring Oberon, I assumed I’d enjoy it — I didn’t plan on (but should’ve) cackling by the 7% mark.

I thoroughly enjoyed this — the story was good enough to justify the time reading, but Oberon’s voice elevates this to something really special. It is now one of my major Life Goals to hear Luke Daniels do the audiobook of this. If you’ve read an Iron Druid Chronicle or two, you’ll know how good Oberon can be. Read this, you won’t be disappointed.

Disclaimer: I received this eARC from Subterranean Press via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

Lady Cop Makes Trouble by Amy Stewart

(slightly modified to address something I forgot earlier)

Lady Cop Makes TroubleLady Cop Makes Trouble

by Amy Stewart
Series: The Kopp Sisters, #2

eARC, 320 pg.
Houghton Mifflin Harcourt, 2016

Read: August 6 – 8, 2016

Miss Constance Kopp, who once hid behind a tree near her home in Wyckoff, N.J., for five hours waiting to get a shot at a gang of Black Handers who had annoyed her, is now a Deputy Sheriff of Bergen County, N.J., and a terror to evildoers. — New York Press, December 20, 1915

The novel’s epigraph tells you pretty much everything you need to know. In the previous book, Girl Waits with Gun, Constance goes to extremes to protect her family from criminals, now she’s moved on to being an official “terror to evildoers.”

Constance begins the novel as a Deputy Sheriff, but political pressure removes her (temporarily she’s assured) and she’s demoted to matron of the women’s jail. She’d been serving in that capacity anyway, but now that’s all she does. She notes, and is probably on to something, that the police are far more willing to arrest women knowing there;s a matron at the jail to watch over them than they were when it was just men. That’s probably not the kind of women’s equality that people hoped for, but I guess you take what you can get. During this time, Constance makes a horrible blunder — one that jeopardizes her career as well as that of Sheriff Heath.

Bound and determined to keep her job (and for her friend and boss to keep his), as well as to see justice done, Constance ignores orders, protocol and (what some would consider) good sense and sets off to correct her error. Doing so will take her out of her comfort zone and into a long investigation that will remind her just what kind of evil lurks in the hearts of men.

Reading about Constance — and some of the professional women she meets in NYC — reminds me of the book I recently read about Nelly Bly and the efforts of female journalists to be taken seriously, and given the opportunities to do more than society page work. Another female law enforcement officer that Constance meets in the opening pages isn’t allowed to do much at all in her role — far less than Constance can (and does). Now this other woman seems content in that, even scandalized at Constance manhandling a suspect, but that doesn’t change the fact that times are changing, and it’s determined women like Constance and Nelly Bly that are going to make them change.

The friendship — and mutual respect — between Constance and Sheriff Heath continues to bloom, and be misunderstood by everyone (with the possible exception of Norma) from Mrs. Heath to juvenile delinquents. But really, there are no romantic sparks (and I expect Stewart will keep things that way — as did history, it seems). I do wish that more people in Bergen County — particularly some of her coworkers (even just one) — most people outside of her home (see especially almost everyone in New York) seem to be encouraging/accepting of a female Deputy.

Norma and Fleurette aren’t as important to the progress of the plot in the sequel — Norma’s stubborn, no-nonsense streak keeps Constance moving when she needs it. Fleurette’s naïveté and desire for a different life fuel Constance’s desire to make the world a better place — at least their corner of it — and to keep the money rolling in. Watching the Sheriff Heath interact with these ladies is a hoot.

I’m not sure it stacks up to its predecessor as a novel — it’s not as deep, the story’s really straightforward, and you might argue the ending is a bit rushed. But, it’s a whole lot more fun to read. Having established the world so effectively in the first book, Stewart can just let her characters live in it. This is a solid crime novel, elevated by the historical circumstances and actual history that undergirds it. Stewart really won me over with this one, I hope we have many more installments to come.

Disclaimer: I received this eARC from Houghton Mifflin Harcourt via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

4 Stars

Deep Down (Audiobook) by Lee Child, Dick Hill

Deep Down Deep Down

by Lee Child, Dick Hill (Narrator)
Series: Jack Reacher, #16.5

Unabridged Audiobook, 1 hr, 43 min.
Random House Audio, 2013

Read: August 4, 2016


Ahh, this is more like it — I was afraid that I was going to have to give up on these shorts to preserve my appreciation for the novels. But Lee Child and Dick Hill pulled it off.

Its the mid-80s, Reacher’s a Captain in the Army and is called to Washington to go undercover as an Army sniper. Someone is leaking information from a Congressional investigation into whether the Army and Marines need a new, super-cutting-edge sniper rifle. The Army’s got it narrowed down to 4 suspects, they want him to narrow it down. Reacher is repeatedly assured that this will just be talking and that there is “no danger.” So, yeah, things are going to get dicey.

The suspects are four women on the fast track to the top of the Army — if not Commander-in-Chief (Child apparently likes the idea of women on the Fast-Track in the Army) — we get to spend a little time getting to know them with Reacher. His handler wants Reacher to try to use his masculine wiles with one or all of them. Reacher has a pretty good idea who is target is, and then plunges in, pretty sure he’ll have to come up with something better than attempting to seduce superior officers.

Interspersed with the early portions of this story are snippets of two different individuals heading toward the center of D.C. — it’s not immediately clear what’s going on with either of them, but you get plenty of opportunities to guess. They do a decent job of increasing the tension, though.

Reacher does get enough clues (naturally) to identify the leak — not only that, he’s able to uncover a whole lot more. Best yet, the book includes a fantastic Reacher fight scene (don’t get me wrong, I love it when he uses his brain, but the last two short stories I listened to didn’t have a lot of action.).

Some of Hill’s female voices leave a little to be desired. But I have no other complaints — good stuff (he has sort of a Stan Lee quality to his voice from time to time — if Child ever made him say “true believers,” I’d flip).

Good, strong story. Capable narration — a great way to spend 100 minutes.

—–

4 Stars

The Innocents by Ace Atkins

The InnocentsThe Innocents

by Ace Atkins
Series: Quinn Colson, #6

Hardcover, 367 pg.
G.P. Putnam’s Sons, 2016

Read: July 25 – 26, 2016

“I never met this girl or knew her family,” [Ophelia] said. “But, holy shit, this is a horror among horrors. I try to not focus on Old Testament stuff. But . . . I hope there’s some revenge out there somewhere. I don’t know if there’s another way to make it right.”

“You can’t make shit like this right,” Quinn said.

But before we get to the horror, we get one of the funniest openings that Tibbehah County has given us — a meth-head steals a shotgun and a four-wheeler, and is apprehended by the acting Sheriff, Lillie Virgil(!!), in a very effective, but not that orthodox a manner. And then, of course, after Atkins gets you chuckling he introduces you to the murder victim. It’s not unheard of in a crime novel, but we spent a decent amount of time getting to know her before she died in one the worst ways I remember reading. Reading as many Detective/Crime/etc novels as I do, I’ve read some evil ways to kill some one, and some really sick things — see Val McDermid, Thomas Harris, Stieg Larsson –but this ranks up there with the worst. And it felt real, like something that could happen down the road, not the victim of diseased mind like the psychos those listed above write about. In fact, Ophelia Bundren, the coroner (who, incidentally has some of the best lines in the book — and not just what was quoted above) spoke for just about everyone in the county there (including some of the least-upstanding members of the community who will echo her). It’s a good thing that Tibbehah County has their most capable law enforcement officer in forever at the helm (and she hires a certain former Sheriff as temporary help).

It took no time at all to know how did it (or at least who was largely responsible) — actually, pretty sure I’d identified the perpetrator and the motive before the killing — but that didn’t stop this from being one of Atkins’ most compelling crime stories.

Along with all that, there are plenty of other goings on . . .

Lillie Virgil is acting as Sheriff, and isn’t dealing well with the politics. She deals well with the policing, but that’s it — between being a woman, having almost no people skills and not backing down when people want her to, things aren’t going too well for her. Which is a shame, still, it’s nice to see her in the spotlight.

Johnny Stagg’s in federal prison, and learning just who his friends are. Not surprisingly, there are fewer than he’s used to. Someone else has taken over the Booby Trap, given it a better name (finally!) and a make over. All in all, it’s a better class of strip club and the owner appears slightly less despicable.

Jason Colson has a new pipe dream and he looks to be sucking Quinn into helping out — honestly, my patience with this character is pretty low — I think the only person in the world who likes him less is Quinn’s mother, Jason’s ex. He’s not as destructive a force as the storm that just about wiped out the town a couple of years ago, but it’s a close race.

And things with Anna Lee are in a pivotal spot. That’s enough about that.

Quinn’s still in that same period of decision after losing the election a year or so ago — the man needs a little direction in his life and hopefully he gets it soon.

The power of small-town High School football, convenient racism, small town crime, Real World Evil, friendship, and personal history — as usual, Atkins brings it all and delivers it with skill, charm and aplomb. I thoroughly enjoyed this trip to Mississippi and look forward to my next trip there.

—–

4 Stars

Pub Day Repost: The Coaster by Erich Wurster

The CoasterThe Coaster

by Erich Wurster
eARC, 284 pg.
Poisoned Pen Press, 2016
Read: July 23 – 25, 2016

This is one of those mystery/crime novels that’s hard to talk about without giving too much away (which seems to be especially true when it comes to darker comedies in that genre). So this is going to have to be vague: The Coaster — an amusing read, but hard to talk about without spilling the beans. But let’s see what I can do:

Rob and Sarah have been married for about 19 years, with a couple of kids, and several horses. Sarah’s dad is a self-made, very successful businessman, and Sarah is being groomed to be his successor — and likely has an even better aptitude for business. Rob, um, is well-liked and good at making it look like he’s working. When Sarah’s father dies unexpectedly, Rob is even more unexpectedly named trustee and given oversight of the finances.

Not long after this, an old college drinking buddy comes to town to work on a business deal that was put on hold after the death and he begins to use some tactics that aren’t going to get him in well with the Better Business Bureau (gross oversimplification, but roll with is). One thing leads to another, and Rob and Sarah find themselves sinking in a metaphorical quicksand of crime. It’s pretty nonviolent, and most of the violence is implied.

Rob’s really not that likeable when you stop and think about it — he says he’s a good dad and husband, but I’m not sure there’s all that much evidence for it. Yeah, I can see how he gets by with superficial relationships in social settings, and even with his friends (or reasonable facsimiles thereof), but as far as family goes? Nope. Early on, especially because we only see her through Rob’s eyes, Sarah’s even less likeable — I was at the 20% mark before I noticed any real affection between Bob and Sarah, or any indication at all why someone would like Sarah. After that, I had no problem believing it, they actually start functioning well as a couple (or at least we see it in a way we couldn’t before).

Erich Wurster’s debut novel, The Coaster, is a charming dark comedy. It was pretty easy to guess what was going on with the criminals and how Rob and Sarah could extricate themselves, and most of the twists weren’t that twisty. But, it was a fun ride regardless. Wurster was able to get me to find this pretty unlikeable guy fun and entertaining. I wanted the couple to get out of trouble (relatively) unscathed, and enjoyed seeing if it was possible. The pacing was fine, the wit was sharp and the comedy was the right mix of light and dark for this. A solid first novel that made me interested in seeing more.

Disclaimer: I received this eARC from Poisoned Pen Press
via NetGalley in exchange for this post — thanks to both for the book.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

3 Stars

Pub Day Repost: The Substitute Sleuth by Michael R. Underwood

The Substitute SleuthThe Substitute Sleuth

by Michael R. Underwood
Series: Genrenauts, #4eARC, 88 pg.
2016
Read: July 11, 2016

Adventure, excitement, hypothermia. All of this and more await you in the Genrenauts!

Once again, Leah Tang is having a rough time on her first visit to a genre world. It’s Chicago, there’s a snow storm, her primary partner on this particular mission is getting a bit too wrapped up in the story, and she had to see her second dead body (not that such a sight is ever pleasant, but this one is well, is fit for the opening scenes of Castle, Bones, etc.). Thankfully, her sense of humor isn’t only welcome on this mission, it’s required.

It all starts when poor Leah has to wake up early, summoned for a mission to patch a small story breach on Crime World — the Police Procedural region to be precise. King’s going to let her take the lead on it as a training exercise. And then things go wrong. Because, well, that’s just how things are going for this team lately — and the one story breach they came to Crime World to patch is overshadowed by a bigger one. Crime World breaches left unpatched bleed over into our world in the form more, and worse, crimes. Every bleed from a Genre World into ours sounds bad — but this one is worse. Leah is still having qualms about the ethics involved in what her team does, but given the stakes, she’s willing to put them aside.

Probably more than in the previous adventures, Leah and King lean on and exploit the tropes of this world and region. As a fan of the Whacky Investigator/Straight-Laced Law Officer partner stories/shows, I loved watching the two of them use, critique, and play with the story beats, types and clichés. White Hat hacking, convenient recovery periods after being shot, how clues show up at just the right time, and so on. At one point, Leah sees a pair of detectives that work in the precinct with the detective at the center of the breach:

Leah took them to be the friend cops, the other team that would work another part of a case—the cases that would all too often end up being related, thanks to the laws of narrative conservation.

I love that phrase “laws of narrative conservation,” I am stealing that, period. I talk about that phenomenon all the time here, and this phrase is going to save me so much typing.

Between this and the Max novella, we’re learning a good deal about Angstrom King — I think I’m getting a really good sense of him, and I’m liking him more than I expected. Leah is pretty much Leah, just a little more confident in her place and moving onward from where she’s been so far in the series. The rest of the team faded to the background to an extent that I found surprising, and I hope it’s not a sign of things to come. I’m pretty sure it’s not, Underwood wouldn’t have spent so much time establishing the team and characters if he was going to drop them. Everyone was present, but their roles were very diminished. Mallery’s got a bit more to do than the others, but really not much.

The closing pages of this do a great job of setting-up the two-part season finale in the next two novellas. I can’t say more than that — but how any fan of this series can be patient waiting to see what comes next is a greater mystery than the ones the team encounters on Crime World. Best of the bunch.

N.B.: As this was an ARC, there’s a chance that the quotations above might not be in the published version, I’ll try to confirm them as soon as I can.
Disclaimer: I received a copy of novella from the author in exchange for this post–thanks, Mr. Underwood!

—–

4 1/2 Stars

The Coaster by Erich Wurster

The CoasterThe Coaster

by Erich Wurster

eARC, 284 pg.
Poisoned Pen Press, 2016

Read: July 23 – 25, 2016


This is one of those mystery/crime novels that’s hard to talk about without giving too much away (which seems to be especially true when it comes to darker comedies in that genre). So this is going to have to be vague: The Coaster — an amusing read, but hard to talk about without spilling the beans. But let’s see what I can do:

Rob and Sarah have been married for about 19 years, with a couple of kids, and several horses. Sarah’s dad is a self-made, very successful businessman, and Sarah is being groomed to be his successor — and likely has an even better aptitude for business. Rob, um, is well-liked and good at making it look like he’s working. When Sarah’s father dies unexpectedly, Rob is even more unexpectedly named trustee and given oversight of the finances.

Not long after this, an old college drinking buddy comes to town to work on a business deal that was put on hold after the death and he begins to use some tactics that aren’t going to get him in well with the Better Business Bureau (gross oversimplification, but roll with is). One thing leads to another, and Rob and Sarah find themselves sinking in a metaphorical quicksand of crime. It’s pretty nonviolent, and most of the violence is implied.

Rob’s really not that likeable when you stop and think about it — he says he’s a good dad and husband, but I’m not sure there’s all that much evidence for it. Yeah, I can see how he gets by with superficial relationships in social settings, and even with his friends (or reasonable facsimiles thereof), but as far as family goes? Nope. Early on, especially because we only see her through Rob’s eyes, Sarah’s even less likeable — I was at the 20% mark before I noticed any real affection between Bob and Sarah, or any indication at all why someone would like Sarah. After that, I had no problem believing it, they actually start functioning well as a couple (or at least we see it in a way we couldn’t before).

Erich Wurster’s debut novel, The Coaster, is a charming dark comedy. It was pretty easy to guess what was going on with the criminals and how Rob and Sarah could extricate themselves, and most of the twists weren’t that twisty. But, it was a fun ride regardless. Wurster was able to get me to find this pretty unlikeable guy fun and entertaining. I wanted the couple to get out of trouble (relatively) unscathed, and enjoyed seeing if it was possible. The pacing was fine, the wit was sharp and the comedy was the right mix of light and dark for this. A solid first novel that made me interested in seeing more.

Disclaimer: I received this eARC from Poisoned Pen Press
via NetGalley in exchange for this post — thanks to both for the book.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

3 Stars

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