Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 127 of 154

Happy Birthday, Archie!

My annual tribute to one of my favorite fictional characters (if not my all-time favorite). Revised and expanded this year! Revising it mostly just reminded me that it’s been too long since I read any of these. Must fix that.

On Oct 23 in Chillicothe, Ohio, Archie Goodwin entered this world–no doubt with a smile for the pretty nurses–and American detective literature was never the same.

I’m toasting him in one of the ways I think he’d appreciate most–by raising a glass of milk in his honor.

Who was Archie? Archie summed up his life thusly:

Born in Ohio. Public high school, pretty good at geometry and football, graduated with honor but no honors. Went to college two weeks, decided it was childish, came to New York and got a job guarding a pier, shot and killed two men and was fired, was recommended to Nero Wolfe for a chore he wanted done, did it, was offered a full-time job by Mr. Wolfe, took it, still have it.” (Fourth of July Picnic)

Long may he keep it. Just what was he employed by Wolfe to do? In The Black Mountain he answers the statement, “I thought you was a private eye” with:

I don’t like the way you say it, but I am. Also I am an accountant, an amanuensis, and a cocklebur. Eight to five you never heard the word amanuensis and you never saw a cocklebur.

In The Red Box, he says

I know pretty well what my field is. Aside from my primary function as the thorn in the seat of Wolfe’s chair to keep him from going to sleep and waking up only for meals, I’m chiefly cut out for two things: to jump and grab something before the other guy can get his paws on it, and to collect pieces of the puzzle for Wolfe to work on.

In Black Orchids, he reacts to an insult:

…her cheap crack about me being a ten-cent Clark Gable, which was ridiculous. He simpers, to begin with, and to end with no one can say I resemble a movie actor, and if they did it would be more apt to be Gary Cooper than Clark Gable.

I’m not the only Archie fan out there:

  • A few months back, someone pointed me at this post, The Wit and Wisdom of Archie Goodwin. There’s some really good stuff here that I was tempted to steal, instead, I’ll just point you at it.
  • Robert Crais himself when writing an introduction to a Before Midnight reprint, devoted it to paying tribute to Archie. — one of the few pieces of anything written that I can say I agree with jot and tittle.

In case you’re wondering if this post was simply an excuse to go through some collections of Archie Goodwin quotations, you wouldn’t be totally wrong…he’s one of the fictional characters I like spending time with most in this world–he’s the literary equivalent of comfort food. So just a couple more great lines I’ve quoted here before:

I would appreciate it if they would call a halt on all their devoted efforts to find a way to abolish war or eliminate disease or run trains with atoms or extend the span of human life to a couple of centuries, and everybody concentrate for a while on how to wake me up in the morning without my resenting it. It may be that a bevy of beautiful maidens in pure silk yellow very sheer gowns, barefooted, singing “Oh, What a Beautiful Morning” and scattering rose petals over me would do the trick, but I’d have to try it.

I looked at the wall clock. It said two minutes to four. I looked at my wrist watch. It said one minute to four. In spite of the discrepancy it seemed safe to conclude that it would soon be four o’clock.

“Indeed,” I said. That was Nero Wolfe’s word, and I never used it except in moments of stress, and it severely annoyed me when I caught myself using it, because when I look in a mirror I prefer to see me as is, with no skin grafted from anybody else’s hide, even Nero Wolfe’s.

If you like Anglo-Saxon, I belched. If you fancy Latin, I eructed. No matter which, I had known that Wolfe and Inspector Cramer would have to put up with it that evening, because that is always a part of my reaction to sauerkraut. I don’t glory in it or go for a record, but neither do I fight it back. I want to be liked just for myself.

When a hippopotamus is peevish it’s a lot of peeve.

It helps a lot, with two people as much together as he and I were, if they understand each other. He understood that I was too strong-minded to add another word unless he told me to, and I understood that he was too pigheaded to tell me to.

I always belong wherever I am.

A Serpent’s Tooth by Craig Johnson

A Serpent's ToothA Serpent’s Tooth

by Craig Johnson
Series: Walt Longmire, #9

Paperback, 335 pg.
Penguin Books, 2014
Read: October 17 – 19, 2015

So it seems that Craig Johnson had some things about religion that he wanted to get off of his chest. It almost felt like that came first, and the story came second — maybe not, maybe he just took the opportunity that the story gave him, what do I know? Raised by a Methodist mother and an atheistic/agnostic/irreligious father, Walt and Martha repeated that pattern once he came home and married (although it appears Walt attended services fairly frequently with her), after her death, he’s left the Church behind. As he told Henry, he’s spent more time in Indian religious ceremonies than Christian since Martha.

So, he’s in a jaded state of mind when he encounters a LDS splinter group — add in Vic’s lapsed Catholicism, and the Absaroka County Sheriff’s Department spends a lot of time almost offending a few World Religions. It helps (both the insulting, and insulating Walt/Johnson from giving actual offense) that this particular splinter group is a little more unhinged than normal.

On the one hand, there are comic elements involving the cult — a senior citizen of indeterminate age claiming to be a historic figure over 200 years old, a yet-older nude sunbather who builds spaceships in his backyard. There are also heart-tugging elements, the teenager who’s never seen a television or movie before (and becomes obsessed), him and other teens being cast out of their homes/families and left to wander, the little girl with a developmental disability abandoned on the roadside for entire days to sell baked goods. But, at least for Walt, more importantly there suspicious elements surrounding a Texas-based cult that moved to South Dakota and now seems to be expanding in a handful of Western and Mid-Western states — and the missing mother of the movie junkie. And guns, lots of new, expensive guns.

In addition, we get a lot of good time with the citizenry of Absaroka County (not as much time in the diner as usual), learn a little bit more about the youth of Walt and Henry, see things move along for Walt and Vic, and see a major shakeup for the Sheriff’s Department. Throw all this together, and you get a solid, satisfying read.

Absolutely nothing here did anything to remove the worries Walt has for Cady thanks to Virgil’s warning/prophecy/vision from Hell is Empty. Hoping that gets resolved soon, if only so Johnson stops teasing.

Not Johnson’s best, but there’s nothing to complain about here, and plenty to enjoy.

—–

3 Stars

Review Catch Up: Walking the Perfect Square; The Drop; and A Bitter Feast

Time for another catch-up post because: A. I should’ve had these taken care of months ago, and B. because I’m having a really hard time writing up Butcher’s The Aeronaut’s Windlass

Walking the Perfect SquareWalking the Perfect Square

by Reed Farrel Coleman
Series: Moe Prager, #1

Hardcover, 264 pg.
Permanent Press, 2002
Read: April 19 – 23, 2014

Moe Prager is waiting to call his daughter on her birthday, but before he can do that he answers a phone call that may lead him to solving an old missing persons case. It’s a case that he investigated twenty years previously, shortly after an injury forced his retirement from the NYPD. We spend most of the novel in the 70’s, with brief looks at Prager’s present, tracing his work on the case.

As a mystery novel, it’s okay. Nothing special, but it kept my attention, kept me guessing, and was entertaining enough. Which is a decent start for a series. By the end, I’d really started to enjoy Prager and wanted to see where he goes from here — either the 70’s or 90’s (although I’m pretty sure the series sticks with the latter).

Stylistically, this was pretty cool. Though published in the early 2000’s, the flashback segments feel like they could’ve been written in the 1970’s/80’s. The present day material felt like it was written in the late 1990’s, and yet they were definitely of a piece. I’m very impressed that he pulled that off.

The last few paragraphs turned this from a decent mystery novel into a really good one — and if my mood had been a bit different at the time, they could’ve earned it a 4-start rating. The ending really does elevate the whole — while it sends you reeling from a serious gut punch.

I really should’ve gotten back to this series, but I didn’t want to color my take on him as he started his tenure with Jesse Stone — but that’s passed now, time to get busy.
3 Stars

The DropThe Drop

by Dennis Lehane

Paperback, Large Print, 229 pg.
HarperLuxe, 2014
Read: September 30 – October 01, 2014

For Lehane, this was light and breezy. Bob Saginowski is a bartender in his cousin Marv’s bar (well, it’s not really Marv’s anymore — the Chechen mafia owns it now, Marv just runs it). Bob’s down-on-his luck, living in his deceased mother’s house, going to her Church, and trying to get by. A couple of days after Christmas, he finds a dog in a trash can. He takes the dog home and finds himself a reason to keep going — it doesn’t hurt that there’s a woman tangentially involved, but he’d be a devoted dog owner regardless. There’s a possibility for romance on the horizon, but there are a few obstacles.

Said Chechen mafia, for one. Marv’s dreams for getting one over on them. A couple of armed robbers. A Boston PD detective that attends the same Masses as Bob. The guy who disposed of the dog and seems to be having second thoughts. And Bob’s own mysterious past — and penance can’t seem to erase it for him.

But if Bob can manage all that, he just might find himself a little slice of happiness.

It’s not a typical Lehane story, but it works. Lines like these help:

Happiness made Marv anxious because he knew it didn’t last. But happiness destroyed was worth wrapping your arms around because it always hugged you back.

and

The traffic had thinned considerably as they drove past Harvard Stadium, first football stadium in the country and yet one more building that seemed to mock Marv, one more place he’d have been laughed out of if he’d ever tried to walk in. That’s what this city did — it placed its history in your face at every turn so you could feel less significant in its shadow.

(the movie based on this novel — adapted by Lehane — ain’t too shabby, either.)
4 Stars

TitleA Bitter Feast

by S. J. Rozan
Series: Lydia Chin & Bill Smith, #5

Hardcover, 309 pg.
Minotaur Books, 1998
Read: December 11 – 13, 2014

Throughout this book — but especially in the first chapter — if you don’t feel the foreign-ness, the other-ness, of Lydia’s Chinatown, you aren’t reading it right. Which doesn’t really make it different from the other books in this series that are from Lydia’s POV, it just seemed particularly strong in this one.

There’s more than a clash of cultures with this case — there’s a clash of generations. Between those who think like transplanted Chinese, and those who think like American Born Chinese. Some restaurant workers are trying to unionize, and some owners (who may or may not have less-legitimate other businesses) aren’t too keen on it. There are some bullets and some bombs involved — which is pretty much where Lydia comes in. If she can identify, once and for all, who is taking this clash and making it violent, it can be stopped (and, well, the other side will probably end up carrying the day).

I’m not really certain that I need a case — or a plot — I could read a short novel-length work of Lydia and Bill just chatting over tea and espresso. Outside of Wolfe and Archie — or maybe early Spenser and Hawk — I can’t think of two characters I enjoy “listening” to more conversing with each other.

Narrative-wise and character-wise there’s nothing particularly interesting here, instead it’s just what you expect from a Lydia Chin book. Good, solid entertainment from a very reliable author.
3 Stars

Is Fat Bob Dead Yet? by Stephen Dobyns

Is Fat Bob Dead Yet?Is Fat Bob Dead Yet?

by Stephen Dobyns

Hardcover, 351 pg.

Blue Rider Press, 2015

Read: October 8 – 12, 2015

Is Fat Bob Dead Yet? is essentially an Elmore Leonard book written by . . . someone else. It doesn’t have the zip, style and the panache of Leonard, though. It has a style and panache all of its own (almost no zip, though, but that’s okay).

Things get kicked off here with a nasty motorcycle accident that may not have been quite so accidental. The “accident” was witnessed by a homeless man named Fidget, a man too tan for Connecticut, and a man sporting a pompadour, the three of them spend the next few days finding several ways that their lives intertwine. The accident is investigated by Detectives Streeter and Vikström, who might be really good at their jobs if they spent a little less time bickering than the Battling Bickersons (one of the most reliable jokes early on is Vikström’s constant confusion over being asked if he was one of those famous Swedish detectives)

The tall, tan man is named Connor Raposo, a recently downsized teacher turned casino employee turned assistant to con-artists. Connor’s our entry point into this world, he introduces us the various and sundry scumbags, deadbeats, and other miscreants. Some of whom seem to have hearts of gold buried underneath a whole lot of cosmetic surgery or some sort of developmental delay. Others are just plain evil. In the middle is pretty much everyone else — Prom Queens whose life didn’t turn out the way they wanted them to, single moms working less-than-legitimate jobs, beagle owners, motorcycle aficionados, or guys just trying to please/impress the women in their life. There’s a real hodgepodge of humanity in all it’s strangeness on display here.

After a few chapters the narrator started dropping the royal “we” into the descriptions, which surprised me, but it worked. The further on you get into the novel, the narrator intrudes more and more into the story, editorializing as well as narrating. The stronger the narrative voice grew, the better the book got.

My one complaint is that it’s just too wordy — I’m not saying this should’ve been as minimalistic as something by Leonard, but it could’ve been a bit more streamlined. Was this amusing? Yes. Comic? Yes. Absurd? Absolutely. But I didn’t find it funny until the last few pages, and then I laughed a lot.

This novel is almost impossible to explain without giving everything away, before the setup is done, things are really underway — it’s not exactly fast-paced, but well-paced, slowly building up steam until it just barrels through the final events. A satisfying and very entertaining read. Give it a shot.

—–

3.5 Stars

Cursed Moon by Jaye Wells

TITLECursed Moon

by Jaye Wells
Series: Prospero’s War, #2

Trade Paperback, 370 pg.

Orbit, 2014

Read: February 6, 2015


I…just don’t know. In theory, this series is right in my sweet spot — Urban Fantasy, Police Procedural (ish) — but it’s just not working for me. It feels like Wells is trying to get gritty and dark, but the results aren’t there. The same goes with the addiction storyline. It didn’t ring true for me, she seemed to be trying, her characters seem more like characters from a bad made-for-TV movie, not actual addicts.

While I’m complaining, I should mention that the Rape magic in the beginning — and the resulting bacchanal — was far too graphic, went on far too long. Then to follow it up with the trip to the sex coven with all the details given there? Overkill — especially because almost none of these details are important to the story. Take out those scenes, or tone them down, and you lose nothing.

The whole Pen story just annoyed me — Pen’s character seemed inconsistent throughout — her mood/actions/attitude fluctuating to serve the needs of the moment, but not arising organically from the situation or character.

And Danny? I don’t know where to start.

So what did work? The MEA stuff, the investigation, the world. Basically the major story, the core of the book was good enough to keep me going — it’s all the surrounding material that drove me nuts.

This has been brief and vague because it’s been so long since I read it, and because I just didn’t care one way or the other. Vaguely dissatisfied with a few significant beefs, would be a good way to summarize my take on this book. I might give this series one more shot, but I doubt I’ll go out of my way for it.

—–

2 1/2 Stars

The Devil Wins by Reed Farrel Coleman

The Devil WinsRobert B. Parker’s The Devil Wins

by Reed Farrel Coleman
Series: Jesse Stone, #14
Hardcover, 342 pg.

G.P. Putnam’s Sons, 2015

Read: September 11, 2015


There’s no good reason for me to have difficulty writing about Coleman’s Jesse Stone, but I twice in a row now, I have. It looks like it’ll take me less than a month to get this up, so that’s something I guess (but it should’ve taken me less than a day!) But man, I love these books!

In this one, on page 3 there was a line I wanted to read to my wife, on page 4 I was grinning. It was so good to be back in Paradise, MA. Chapter 2 served as a a reminder this wasn’t Parker’s Stone, this was Coleman’s. Which is not necessarily better or worse, just different — it’s still the same world, populated with the same people, it’s just told differently. The Devil Wins started strong and stayed that way.

One of the things that distinguished this series from the Spenser series (and later, Randall — which felt like Spenser) was the atmosphere — this was a gray world (so well captured in the movies). Not just morally (and that could be argued, I think), but weather, mood, outlook on life of the characters — economy of the community, even. Later, Parker seemed to pull back on that — either deliberately, or for the same reason that Spenser’s backstory changed. Coleman has returned to the gray, and amped it up a bit, his style brings that into focus. His dialogue might not be as snappy (and it’s not), but it’s thoughtful, as is the narrative and his descriptions. You can almost feel this world as much as see it.

Every town has its dark secrets, the events people don’t like to remember, or discuss, or admit they happened. Paradise has a few of those, I’d wager — one of them was that about twenty-five years ago, two high school girls disappeared without a trace. While most presumed (maybe hoped) that they’d been killed, there were no suspects, no motive, no evidence. Eventually, time moved on and the town collectively repressed the events. A fresh homicide investigation leads to the discovery of two much older bodies — everyone assumes (and it’s quickly confirmed) that it’s these two girls. Now Jesse has to deal with two investigations — one fairly low-priority, and one that is bringing back ghosts for everyone in Paradise (and is attracting plenty of attention from the rest of the world).

After putting his own mark on Jesse in Blind Spot, Coleman moves on to Suitcase Simpson and Molly. Don’t get me wrong, this is still Jesse’s book, and his presence dominates the narrative. But it’s in these pages that Coleman plants his flag on Suit and Molly. Suit is possibly at his most self-aware here, almost dying can do that to a person (making Coleman’s tweak totally justified), we don’t get as much time with him as we do with Molly, but what we do is golden. More importantly, Jesse has to be honest with himself about Suit — and that clarity will drive their relationship going forward. If Coleman hadn’t delivered with the rest of the book, but had with this? It’d have been worth it.

Parker, Coleman (and Brandman) hadn’t given us too many details about Molly outside of her outstanding work as Jesse’s conscience, aide, and friend. We got the little fling with Crow, and some references to her family, and that’s it. Which is exactly the way that Officer Crane wants it. But sometimes, you can’t keep that wall between your personal and professional as high as you want to — sometimes the past comes back to haunt you — and it does in spades for poor Molly. In the end, we don’t learn that much about her that we didn’t know, but it’s easy to see how what Coleman shows us helped shape her into the woman she is. (Minor spoiler ahead, skip to the next paragraph if you want) One of the two girls was Molly’s best friend, and by all rights, she should’ve been with her the night they disappeared. The discovery of the bodies, what they learn during the investigation, shake the seemingly unflappable Officer Crane to her core.

One more reason for her boss to take care of business. Not that he really needs it. Especially when more bodies start to show up.

Best part of this book for me? There’s no Gino Fish. There’s no deus ex mafia providing the solution for Jesse. It’s procedure, dogged determination and criminal stupidity — plus a little dumb luck that helps Jesse conclude what happened twenty-five years ago and today.

In addition to the great character work with our old friends, we get to focus on three new friends of Jesse’s in this book — two of whom are long-time residents of Paradise that we haven’t encountered yet, one is new to town. Jesse enlists the assistance of the editor of Paradise’s newspaper with the historical elements of his case (the police files were not up to snuff) in exchange for exclusives on a story starting to get some national attention. An insurance agent/city councilman who has been Jesse’s biggest supporter in Paradise’s government encourages him to keep on track and solve the crimes in a hurry (and when that fails, turns to threats). There’s a new Medical Examiner in the area (whose departure from NYC is similar to a certain LAPD detective’s) who befriends Jesse — she’s smart, attractive, and interested in more — but for now they decide on friendship.

I guess I should quickly mention the other women in Jesse’s life, having talked about Tamara Elkins. She’s talked about a couple of times, but we don’t get to see the new character from the Blind Spot, Diana Evans, which is a shame. I hope that changes soon, Coleman certainly leaves the door open for it, although Coleman’s going to have to start using surnames that don’t sound so similar. I thought Jen was around juuuuuust enough for my taste (I also appreciated the talk about Sunny Randall).

I find it amusing how many people I’ve seen complain about Jesse’s drinking being talked about so much. His battle with the bottle was a focus from Day 1 — sometimes more successful, sometimes less so — but always, always a presence, often discussed no matter if he was drinking or not. It’s there, it’s looming, Stone battles it as he does the rest of his demons (the “it could have been” of baseball, and Jen) — while doing what he can for these girls and the community.

Once again, Coleman strikes the right atmosphere and mood, captures the essence of the characters — while not keeping them frozen in amber, tells a very Parker-esque story in his own manner, and makes me seriously consider moving to a fictional Massachusetts town, despite the troubling homicide rate. It wasn’t as good as his first foray into this world, but I’m not sure it could’ve been, and it was close enough to justify reading it a few times anyway. Please, sir, I want some more.

—–

4 1/2 Stars

Make Me by Lee Child

Make MeMake Me

by Lee Child
Series: Jack Reacher, #20
Hardcover, 402 pg.

Delacorte Press, 2015

Read: September 22 – 23, 2015

“We should get a cup of coffee.”
Chang said, “I don’t understand how you drink so much coffee.”
“Law of gravity,” Reacher said. “If you tip it up, it comes right out. You can’t help but drink it.”
“Your heart must be thumping all the time.”
“Better than the alternative.”

I’ve got to get that embroidered on a pillow or something…

I’ve said it before, I’ll very likely say it again — it’s really hard to write about Jack Reacher books after a certain point. What can you say? Reacher comes into a town/city/locale, finds himself in the middle of a mess (or sees a mess and puts himself in the middle of it), beats some people up, probably shoots some others, makes sure the bad guys are punished (in one way or another), tries to save as many of the good guys as possible, probably has a brief affair, and then moves on. Same ol’, same ol’ — told in a tight, fast-paced, almost always exciting way. Lather, Rinse, Repeat as needed.

Every now and then you get something a little different — he’s hired to right a wrong/prevent a wrong, we get a flashback to his time in the military, or whatever. But by and large the books follow that pattern. And for the first 200+ pages, that’s exactly what Make Me gave us.

Curious about the name of the town, Mother’s Rest, and full of theories, Reacher rides in on a train to poke around for a couple of days and indulge his curiosity. It’s not like he has anything else to do. He’s briefly mistaken for a retired FBI agent turned private investigator, Keever, who has gone missing. A colleague, Michelle Chang, is also in Mother’s Rest looking for Keever (who she’s never seen in person, obviously). Now Reacher’s curious about a couple of things, and he starts working with Chang to find Keever. The locals don’t like this and threaten violence (naturally, they need to do so en masse for it to work). Par for the course, right?

But then when they start to learn what prompted Keever to be in Mother’s Rest, things get darker than usual. Don’t get me wrong — there’s a lot of real evil to be found in your typical Lee Child villain. But on the whole, they’re nothing that you can’t find in many mystery/thriller novels/tv shows/etc. Every now and then, however, you get something worse. While it takes a really long time to find out what’s worse about the villains in this novel, once the pieces start to come together — scratch that, when you start to see the pieces, you can tell there’s something twisted and vile going on here. That hunch gets more and more intense each chapter. Until all is revealed and you start to wonder if you left Lee Child behind and wandered into a Thomas Harris or Val McDermid novel.

There will be extended descriptions in a Reacher novel that are this strange mix of repugnant and fascinating — whether he’s describing the mechanism of a particular gun firing, the way a certain punch will affect both the puncher and the punchee, how a particular bone will break, or what have you. But the symposium on suicide methods and Internet culture around them just might have set a new high (or is it low?). Riveting and horrifying.

This book also contains something I’ve never seen in a Reacher novel before. I can’t get into it, but that Child would put Reacher in a situation like this impressed me almost as much as it surprised me.

I’m not 100% convinced this is a 5-star book, but if any Reacher novel is worth it, it’s this one. There are so many of the typical Reacher elements that are tweaked, played with, or broken here — all while telling a heckuva tale, remaining consistent with the character and world. Long time fans will really enjoy this. New readers will want to get their hands on as many of the rest as they can. And all of us will get really frustrated that we have to wait 12 or so months for Jack Reacher #21.

—–

5 Stars

As the Crow Flies by Craig Johnson

As the Crow FliesAs the Crow Flies

by Craig Johnson
Series: Walt Longmire, #8
Hardcover, 308 pg.
Viking Adult, 2012
Read: September 26, 2012

…trying to remember when I’d last prayed for anything. My mind went back to the spring before last, and a time in Philadelphia when I’d sat in a hospital at my daughter’s side. I’d prayed then-like a theological car salesman, I’d made deals, counterdeals, and threatened the very heavens themselves if they didn’t release my daughter from the swollen solitary confinement to which a terrible accident had sentenced her.

After the high of Hell is Empty, it makes sense that this would be a little bit of a step down. And it was — at least as far as intensity, depth, and so on. It was just as entertaining, just as engaging…just not as ambitious.

Walt and Henry are out doing some last minute arranging for Cady’s pending nuptials when they witness a woman falling/jumping/being pushed to her death in a very scenic location on the Reservation. Which leads, naturally to Walt getting involved in the investigation — this time, he’s also shepherding an inexperienced Rez Police Chief (Lola Long) through dealing with police procedure, community relations and dealing with Federal bureaucracies. Lola reminds Walt (and most readers, I’d wager) of Vic — who is conveniently out of state for most of this book — and he does what he can to steer Lola away from some of her more destructive habits into something that’ll make a good police officer.

There’s a lot of ugliness involved in this investigation — there’s abuse, PTSD and other fallouts of military service, drug dealing, welfare fraud, and so on. Not to mention history — family history, personal history, familial squabbles (intra- and inter-).

One of the highlights for me is the hate-hate relationship we see between Walt and Henry’s ancient truck, Rezdawg. I seriously now want a short story – if not a series of them – featuring the adventures of Rezdawg confounding and infuriating Walt. I promise to buy every single one of them, if Mr. Johnson would only write them.

Walt as mentor to Chief Long was good, too. Demanding, yet understanding. Lola responded well to him, too — once she let herself. I hope we see her from time to time in the future. Same goes for all the non-murderers on the Rez that we ran into in these pages.

Naturally, the emotional beats around Cady and her wedding, whether she’s in the scene or if this just Walt thinking about what her marriage means for his role in her life, her future, and so on — just perfect. The book is about the murder of this woman, who did it and why — but Cady’s wedding is in the background of it all.

As the Crow Flies features a good mix of humor and mystery — a pleasant change after Hell is Empty. There’s no real danger to any of our friends from Wyoming, just good procedure, banter, and character moments — the stuff that keeps mystery series readers coming back. This one did it’s job.

—–

3.5 Stars

The Scam by Janet Evanovich and Lee Goldberg

The ScamThe Scam

by Janet Evanovich and Lee Goldberg
Series: Fox and O’Hare, #4
Hardcover, 286 pg.

Bantam, 2015

Read: September 24 – 24, 2015

“You can never have too many weapons,” Jake said.
“Does that mean you brought your rocket launcher?”
“It’s in the trunk of my car in case of a roadside emergency.”
“What kind of roadside emergency would require a rocket launcher?” she asked.
“You don’t want to find out and not have one hand,” Jake said. “It’s also why you should always have a paper clip in your pocket. You can do just about anything with a paper clip.”

I was prepared — even half-way expected — for this to underwhelm me. There wasn’t anything driving me to that expectation, maybe it was just my mood. Thankfully, this surpassed my expectations/fears — not for one second. This was another breezy, fun, adventure for Nick, Kate and the crew.

From page 1, The Scam was firing on all cylinders. The main mission was a lot of fun, with a believable target, just dangerous enough. The side missions were interesting and did a good job pushing the plot forward, not just being B stories.

There was even some tie-ins to previous cases — up to and including a recurring character that’s not part of the team.

Boyd is pretty much the most annoying character in the series, but this time, they struck the right one with him. He was insufferable as always, but he didn’t get on my nerves at all. Which means the book probably deserves a bonus 1/2 star rating just for that. The rest of the team was used only minimally — just little tastes of them all. I don’t think I’d want that all the time, but it worked here. Kate and Nick were…well, Kate and Nick. I think Kate was a bit more honest with herself about her motivations — both professional and personal — than we’re used to seeing her. Maybe the same could be said for Nick, too.

The ending (always the trickiest part of a con story) worked — Kate’s improvised weaponry was just great. Even if we didn’t get to see either the roadside emergency rocket launcher or pocket paper clip (which doesn’t mean it wasn’t a great line), sorry Chekhov.

There were a couple of things in the closing pages that floored me. I didn’t think Evanovich would do either of them, just doesn’t seem her style. I like the fact that she can surprise me (maybe it’s Goldberg’s influence — maybe not, but I like the guy, let’s give him the credit). Anyway, there were things in these pages I never expected that I’d get out of Fox and O’Hare. Bravo.

Book five needs to arrive soon. I realize my saying so isn’t going to make it happen. But just in case I’m wrong about that, I should get it on the record.

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4 Stars

Last Words by Michael Koryta

Last WordsLast Words

by Michael Koryta
Series: Mark Novak, #1

Hardcover, 420 pg.

Little, Brown and Company, 2015

Read: September 7 – 8, 2015


There’s part of me that still hasn’t gotten over the fact that Koryta stopped writing Lincoln Perry novels, enough so, that I’ve only read 2 of his stand-alones. But I was intrigued by the idea that he was starting another series featuring a P. I. It took about 3 seconds of reading the Publisher’s Description to see that this was going to be pretty different than any other P. I. series around.

This book centers on two men haunted by their pasts and a pair of deaths that happened on the same date, a few years apart — coincidence? That depends who you ask.

Our P. I. is Mark Novak, who works for a group of lawyers trying to clear men on death row. Before she was killed, his wife worked for them, too. She was killed during an investigation, after a fight with Mark. No one has come close to catching her killer. It’s understating things to say that before Mark met Lauren, his life was a mess, and she helped him get things together. Without her, things are starting to fall apart for him.

Ridley Barnes never really fit in anywhere or with anyone in the small Indiana town of Garrison, except the caves nearby. Something about the caves calmed him, centered him, gave him a purpose — he knew those caves better than anyone alive. So when a teenage girl gets lost in them, he’s the perfect candidate to lead the search. And then, when he recovers her body, but can’t account for his time during the search, or really remember where he found her, or where he’d been at all — he suddenly becomes the top suspect in her murder. There wasn’t enough evidence to convict or even arrest him, but for some small towns that kind of thing is just a formality. He was convicted almost immediately in the court of public opinion, and has been even more ostracized than before. More than a decade later, Ridley just wants to know what happened — if he killed the girl, he’s willing to do the time. If he didn’t, he’d like to have his name cleared.

This is not the type of thing that Innocence, Inc. does. They take on convicted murderers clients, not suspects. Especially not suspects in very cold cases that will never go to trial. But Mark’s boss sends him to do a preliminary investigation anyway, mostly to keep him busy. Mark isn’t exactly welcomed to Garrison with open arms, people just assuming he’s there to clear Ridley, and not quite believing him when he says that he isn’t.

Mark commits a few missteps right out of the gate, which turn public opinion against him even more. But something has flipped a switch in his brain and he’s not going to let go until he gets some resolution for the girl, clears his name from the problems he’s caused, and demonstrated to his boss that he can be trusted still/again. Not necessarily in that order.

That’s a very sketchy overview of the set up. I don’t think I’ve read anything quite like that before. If you were to draw the plot as a map, it’d look like some deranged roller coaster — tight corners, backtracks, loops, big dives into darkness. Unlike an actual roller coaster, I was able to get through this without losing everything I’d eaten since February.

Koryta tells this story with his typical skill, you can tell that he’s built Mark Novak to last a few novels. There’s more of his story that needs to be told than is here, and the character can be used in different settings. Unlike just about everyone in last years’ Those Who Wish Me Dead — which I thought was great — I don’t think there was a single character in that novel that I could see being interested in for another novel. Ridley is almost as complex, and you want him to get the answers he needs just to get a little peace (most of the time — there’s a time or two where you don’t mind him suffering).

Garrison, IN is pretty much every small town in mystery/thriller fiction, and its citizens are pretty much stock characters. On the whole, neither the town nor the people feel that way. Which is entirely due to Koryta’s skill and Mark’s voice.

And then there’s the cave, or caverns — I’m not familiar enough with the geology to nail the distinctives between the two. There’s a strong sense of place, of foreboding, of danger to it. Especially in Ridley’s mind, the cave is almost a Byronic character — dark, mysterious, dangerous, yet attractive. Yes, there was a time or two I was glad to be reading about the cave in a very wide and open room.

Oh, sure, and it’s a real handy metaphor for the depths of the human mind, psyche, soul, etc.

This is a very well constructed mystery novel, the writing is excellent, the characters are keepers, you can almost feel the winter air — really, there’s very little to not rave about with this. It’s pretty clear what book 2 holds, but I’m really not at all sure what a third would bring. But I’m eager to find out.

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4 1/2 Stars

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