Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 142 of 153

Review: Fun and Games

Fun and Games Fun and Games

by Duane Swierczynski
Trade Paperback, 286 pg.
Mulholland Books, 2011

I know it’s clichéd to say, but this is an adrenaline-fueled ride. The plot moves like someone who’s had too much coffee, dragging the reader along from one remarkable event to the next. This is a hyper-reality along the lines of Butch Coolidge accidentally coming across Marsellus Wallace at just the wrong time, saving him from Zed and then stumbling onto Vincent Vega (in a very strategically ineffective position) not long afterwards. Or the kind that allows John McClane to be in the right place at just the right time in the Nakatomi Plaza so he can take care of Hans Gruber’s crew.*

Charlie Hardie, who used to work with the Philadelphia police, is in the middle of a new career as a professional house sitter for the well-to-do. He flies into Los Angeles, gets to his next house and finds it fully equipped with the necessary modern conveniences: a sunbathing neighbor who isn’t all that concerned with clothing, a recording studio, and a banged-up (and high) rom-com and action movie actress. She claims that people are out to kill her, which is why she’s hiding in this empty house.

It doesn’t take long for things to get really out of control from there. Instead of a month of old movies and heavy drinking, Charlie has to try to save the actress — and his own skin, and thwart the mysterious and very persistent group that has decided these two have overstayed their welcome on this planet.

Swierczynski’s voice and style keep this entertaining — it’d be very easy for this story to get too dark, too grim. There are moments when you start to enjoy yourself here — and then someone gets stabbed with something, or something blows up. He keeps you right there with Charlie and ready to see what happens to the poor guy next.

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* I am capable of making cinematic allusions not involving Bruce Willis, really, I am.

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3 Stars

Worth Dying For by Lee Child

Worth Dying For
Worth Dying For by Lee Child
Series: Jack Reacher, #15

At the end of a harrying week, there’s not much better than settling down to read about Jack Reacher kicking whatever, taking names, and meting out justice.

The last couple of novels have been a little more on the cerebral side for Reacher (not that they haven’t had plenty of violence), which is fine — Reacher’s more than just brawn, he’s got a brain. But by page 43 of this book when the first fight (well, the first real) starts you can tell this us going to be a lot different than the last couple of books, there’s going to be a good deal of violence, and the reader’s blood is going to be pumping a lot. And wow, is there a lot of fighting going on — I haven’t kept notes or anything, but I don’t remember as much hand-to-hand fighting in a Reacher book in ages — if ever. Well-exectued by both Child and Reacher, I should add.

There is a misunderstanding involving one representative of the for parties that Reacher is up against here. The kind of misunderstanding that would make classic sit-com fodder, but here serves to ratchet up the paranoia and mutual suspicions between the parties. I had a lot of fun watching how one chance encounter and a million to one happening unravels something that really could’ve taken Reacher down, particularly in his weakened condition.

That weakened condition is one of the best things about this book — there’s a strong link between Worth Dying For and 61 Hours, the strongest since Tripwire and Running Blind — 11 books back — and, from what I’ve learned from a couple of TV interviews, this link continues in his latest, Never Go Back (further incentive, not that I need it, to catch up with this series). His body is still recovering from the trauma endured, and his mind is set on the officer who’s taken his old position. I really appreciated that, it’s good to see that these aren’t just random adventures, but there’s some continuity at work here, even if the novels are completely stand-alone in nature.

The villains at the center of this mess are probably the vilest that Child has yet cooked up — and that’s saying something. Once everything about their criminal activities is revealed, you’re more than ready for Reacher to do his thing. Which he — naturally — does with aplomb and efficiency.

Take your blood pressure meds, get in your comfy chair and kick back for a heck of a read.

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4 Stars

Smokin’ Seventeen by Janet Evanovich

Smokin' Seventeen
Smokin’ Seventeen by Janet Evanovich
Series: Stephanie Plum, #17


My rating: 4 of 5 stars

This is the best Stephanie Plum novel in quite a while. Yes, absolutely, the mystery was a piece of cake to figure out — the herring wasn’t red, it was crimson. But you know what? It worked for me. People looking for clever, twisty mysteries that leave the reader stumped shouldn’t be reading Plum novels. You read these because when Evanovich is on her game, there’s a lot of fun to be had.

Vincent’s office being run out of Mooney’s RV is good, great comedy fodder. As is having Connie moving around between temporary work spaces. Most importantly to the success of a Plum novel: Grandma Mazur and Lula weren’t too crazy.

I’m not crazy about the state of the Joe-Stephanie-Ranger triangle, but what else is new? Time for something interesting to happen to at least one of the guys, if not a permanent resolution to this.

The bad guy this time was creepy as all get out, yet he fit very well into this sit-com world.

Not a lot to say about it, I guess, but it entertained me.

Robert B. Parker’s Damned if You Do by Michael Brandman

Robert B. Parker's Damned if You Do
Robert B. Parker’s Damned if You Do by Michael Brandman
Series: Jesse Stone, #12

My rating: 2 of 5 stars

At least half of one of those stars is due to loyalty to the fine men and woman (pretty sure there’s just one) of the Paradise Police Department.

Brandman knows Stone. He knows Suitcase (though you’d have a hard time proving it based on the evidence here) and Molly. He has a decent handle on the city, and the supporting characters.

What he doesn’t know is how to write a mystery. Or a police procedural. Possibly not a novel — maybe he should stick to scripts.

There are two cases that Jesse’s working on in this book — one he stumbles onto when helping a friend, he develops a hunch about conditions in a local retirement home. He talks to two citizens about it — both of whom serve mostly as exposition dumps and confirm his hunch. Jesse proceeds to harass and bully his way through bringing the retirement home in line. There’s no challenge for him here, there’s no struggle, there’s no effort, really. It does allow Brandman a chance to talk about some real problems, cite some statistics about a social ill and move on.

There’s a murder mystery also — he detects a little here. Mostly he susses out one clue, and the rest is delivered to him by Gino Fish and Vinnie Morris. Always nice for a small town cop to have a mobster and a shooter to call on for answers.

If this took me any time at all to read, I’d probably be more upset. The Stone novels for years were the best things that Parker produced. Towards the end, there was a resurgence in the quality of the Spenser novels which seemed to result in lesser Stone novels. But we’d still occasionally get one worth reading. Brandman has consistently fallen far short of even Parker’s worst. It’s really sad to see such a good franchise ruined like this.

Q Is For Quarry by Sue Grafton

Q Is For Quarry
Q Is For Quarry by Sue Grafton
Series: Kinsey Millhone, #17

My rating: 4 of 5 stars

This 17th novel in the Kinsey Millhone series is the most satisfying yet — in character, mystery, and the ongoing family story, not a mis-fire anywhere. I honestly am not sure what to say beyond that.

But let me try…

Kinsey was her typical self — a little uncertain of some personal choices, proudly defiant in them though she may be; has some good moments with Henry and the other regulars. We got to spend a lot of time with Lt. Con Nolan, and his mentor (a new character) Detective Stacey Oliphant in this investigation. I’ve always liked Nolan, and just about every time Grafton deals with another cop, I’ve wanted it to be Nolan. Oliphant was fun to get to know, and I hope she teams up with them again (maybe not in “R”, but maybe by “T”).

Okay, then we got a healthy dose of the whole long-lost family thing that’s been going on for a few books. I’m about fed up with the bickering with Kinsey and the cousins. But she meets another family member this time, and has a great conversation with her. I’ve always understood the anger that informs her interaction with the family, but she doesn’t seem to do anything with the naval-gazing it brings up. This time, there’s a touch of anger, but she moves on to something else — really appreciated that.

Okay, the mystery itself was just great. I mean really great. Watching the pieces come together, like a satisfying puzzle…perfect. On the one hand, it was just a well-written Millhone mystery. But it seemed more, it seemed (frequently) like the case was more complex than usual. There’s a mental “click” I get when clues start coming together and you can start to see what happened — and this is horribly subjective, and hard to explain, but — the “click”s this time felt more like a Harry Bosch novel than a Kinsey Millhone. Maybe it was the cold case-nature of this one. And I’m not trying to knock Grafton saying her best book (so far) is more like someone else than herself. Yeah, I think Michael Connelly crafts a better mystery, that’s not saying Grafton can’t.

To top it all off, there’s the Author’s Note at the end that tells us that this was based on an actual unsolved case, and that Grafton hoped the book and the pictures of the facial reconstruction of the actual victim in the back of the book (funded by Grafton), would help turn up new leads in the investigation. Icing on a really good cake. For details, see, “Who Was Jane Doe? True Life Subject of Sue Grafton’s Q Is for Quarry Still a Mystery” by Barney Brantingham.

The Good Cop: A Mystery by Brad Parks

The Good Cop: A MysteryThe Good Cop: A Mystery by Brad Parks
Series: Carter Ross, #4

My rating: 4 of 5 stars

From the opening pages of Faces of the Gone, I could tell that Parks could tell a good story, and a compelling mystery while making you laugh. He’s only gotten better each novel since — which hardly seems fair.

Not that I’m complaining.

There were times when I thought the mystery this time was a tad predictable, but there were enough twists to keep my interest — and the way Parks writes, plus the subplots and characters made it more than enough. Parks makes me laugh out loud frequently — without turning these books into a sit-com like Janet Evanovich would. It’s real humor in the midst of suspense — like early Robert B. Parker or Robert Crais (remember when Elvis Cole was funny?)

My biggest gripe is that Parks only puts out one of these a year.

Dusted Off (and updated): Faces of the Gone by Brad Parks

Faces of the Gone (Carter Ross Mystery #1)Faces of the Gone by Brad Parks
Series: Carter Ross, #1

My rating: 3 of 5 stars

This was a solid mystery novel from a first-time novelist who doesn’t write like a first timer (a career as a newspaper reporter helped a lot there, natch). Some of the characters bordered on stock, but Parks used them well enough that you just don’t care. Same with the mystery itself–on the whole, it was pretty obvious, but it was the telling of the story that sold it. Thoroughly entertaining — I even laughed out loud a couple of times.

Looking forward to the next one.

P. S. It’s been a couple of years since I’ve read this one (I have read it twice, however). I think given the world he created, and the way things have played out in the following books. And just my overall appreciation for Parks, I’d probably give this at least 4-4.5 stars now. But I’ll stick to my original grade, just to be honest. Just know that these three stars are very shiny.

The Cuckoo’s Calling by Robert Galbraith (wink, wink)

A briefer version of this appears on Goodreads.

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The Cuckoo's Calling
The Cuckoo’s Calling by Robert Galbraith
Series: Cormoran Strike, #1

My rating: 4.5 of 5 stars

I have to admit, if I didn’t know the name that’s on Robert Galbraith’s birth certificate, I don’t know that I’d have picked this book up. It’s possible– I pick up odd mysteries sometimes(the U.K. cover would’ve been more likely to get me to do it than the U.S. cover). But by the time I was halfway through with this one, I was ready to buy the next 2 or 3 in the series, regardless how this one turned out.

This is not the J. K. Rowling of Harry Potter — that’s obvious, and as it should be. Nor is this the J. K. Rowling of The Causal Vacancy — and that’s just merciful and wise. Let me quote (in it’s entirety) my Goodreads review of that one:

I don’t know, man…I just don’t know.

. It’s ten months later, and I still don’t know. But here, she taps into the same vein that brought her success — a different voice, a different world, different characters — but the same ability to tell a story. Not necessarily all that new, perhaps not written in the most “literary” way, but in a way that grabs the reader, draws them in and keeps them turning pages. At the end of the day, isn’t that what we want? (unless we’re professional critics or professors)

Our entry into this world comes via Robin Ellacott, newly moved to London with her fiancé who comes to the office of a P.I. as a temp secretary. She’s smart (and we eventually get an idea just how smart), spunky, and has long had an interest in detecting, it turns out (which must be nice — I’ve never had a temp job that was in a field I’d been interested for years and years). It’s through her eyes that we get confirmation that yes, the protagonist is a decent guy, despite problems he might be having — and a good detective. While we are introduced to this world through Robin’s eyes, we eventually get to the point where we envy her as she gets to take part in the investigative work.

Her temporary boss, on the other hand isn’t someone we envy — nor is he noticeably spunky, there’s reason to doubt his intelligence from time to time — although he’s clearly an experienced and well-equipped detective. Injured in Afghanistan, he now (almost) ekes out a living doing private investigations. He has an interesting — and novel — past, one that opens doors for him (although he hates having to cash in on it). With the unlikely (but inherently cool) name of Cormoran Strike, he’s a member of a long-line of down-on-their luck, idealistic, hard-boiled, hard-drinking, lone-wolf detectives that goes back to Chandler (if not further). The friendship that Strike develops with Robin gives him the motivation–at least temporarily — to be a better version of himself than he’s apt to be, if only to pay her back for the extraordinary amount of help she’s been to him. It seems inevitable from almost the beginning that thus will develop into at least an unrequited love on his part, as long as Galbraith moves the relationship along in future books as deftly as she does here, I don’t see it becoming the cliche it so really could.

Given the subject of Strike’s investigation — a well-known model from a prominent family, who socializes almost exclusively with A-listers — Galbraith is given plenty of opportunity to comment on celebrity culture –a subject Galbraith has had a certain degree of experience with, and obviously an informed opinion or two about. Hard-boiled detectives tend to comment on society as they go about their detecting, and Cuckoo’s Calling does its fair share, particularly regarding the paparazzi and tabloid journalism, as well as the ridiculous aspects of the lives of celebrities.

The case that Strike is hired to investigate has plenty of twists and turns, more than enough to keep those who don’t care for the rest of the book entertained. I was pretty sure who the Big Bad was early on, and I was right. But I wasn’t in the same time zone as the motive. I was about 50/50 on some of the more minor mysteries, which is nice — for a first time mystery author, I’d have expected to be right about 70% of the time or so. But when I was wrong — I was very wrong. I should add that Galbraith didn’t cheat — everything we needed to know in order to identify the villains of the piece is right out there for us to see, just wish I’d done a better job of it.

A solid set-up for a series, decently interesting characters, and a mystery solid enough to prove that this newbie author (at least in this genre) has some chops. A distinct pleasure. I’ll be waiting for more Cormoran Strike — no matter what author’s name is attached.

Gun Machine by Warren Ellis

Gun MachineGun Machine by Warren Ellis
My rating: 4 of 5 stars

This is a great read — think of it as the love child of a Michael Connelly novel and a William Gibson novel. If that’s the kind of thing that appeals to you, go grab this now. If not, well, you should grab it anyway, just so you can see how wrong you are.

I can’t think of anything to say about this book without spoiling anything not already on the jacket. Nearly perfect from cover to cover — there was one too-good-to-be-true coincidence that provided the necessary bit of information at just the right time. But that can be forgiven, given the way it worked out.

This is my first novel by Ellis, won’t be my last.

Leverage: The Con Job by Matt Forbeck

Leverage: The Con JobLeverage: The Con Job by Matt Forbeck
My rating: 2 of 5 stars

Wow, it’s so easy to read men like Lee Goldberg and think that all tie-in novels are really good, this is one of those books that serves as a cold dose of reality. This was sloppy, lazy, heavy-handed and overly-reliant on inside jokes and name dropping. Most of those revolved around Wil Wheaton — and, yes, were amusing. But there were just so, so many of them it became annoying, I started calling this book “Leverage: Forbeck Less-Than-Threes Wheaton.”

I’ll be back for the next book, because I was such a fan of the series and these characters, not because of this book — just thankful it’s a different author.

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