Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 142 of 154

Saturday Miscellany – 10/26

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:

  • Allegiant by Veronica Roth — The concluding volume of the Divergent Trilogy came out this week to much wailing and moaning from fans, apparently. I finished it yesterday and was satisfied — review to come soon.
  • Rags & Bones edited by Tim Pratt and Melissa Marr — the concept behind this is great, an impressive lineup of authors. What’s not to like here? Read The Big Idea entry on it.
  • Silent Night: A Spenser Holiday Novel by Robert B. Parker with Helen Brann — On the one hand, I’d really like to read what it was that Parker was working on at his death, and I’m curious to see how well his editor/someone other than Ace Atkins can do with the Spenser-verse. On the other hand — a Christmas story?!?!?
  • Poe by J. Lincoln Fenn — this one intrigues me — sounds creepy, suspenseful, and really good

Categories: Books, News/Misc.
Tags: Miscellany

The Intercept by Dick Wolf

The InterceptThe Intercept

by Dick Wolf
Hardcover, 387 pg
William Morrow, 2012

If you want suspense novel that serves as a love song to the Patriot Act and expansive police power, this is it. There’s a constant stream of thought here saying that police officers (especially in New York City) are better at foiling crime/terrorism than Homeland Security is. Of course, this is especially true when they’re not hampered by probable cause or any other constitutional protections as they are here.

The hero is super-cop Jeremy Fisk, an Arabic-speaking maverick with uncanny intuition and a stubborn streak that keeps him going while his superiors, the FBI and other Homeland Security officials are telling him that he’s wrong. He’s also a pretty dull character — most of the victims of the first stages of the terror plot, the other cops, the terrorists and even minor characters that are in only one or two scenes are far more interesting.

There’s a whole lot of data dumping and exposition in dialogue — usually to people don’t need to be told basic facts about their profession in every conversation, but here Wolf insures that happens. Wolf’s Law & Order series have a tendency to fall into this, but in this book it really seemed prevalent.

The big narrative twist that reveals the true nature of the terrorist plot was pretty obvious, and I saw it coming almost from the start. The only satisfaction I got from its reveal was that small sense of smugness that comes from being right about something you couldn’t care less about.

A well-paced, technically effective disappointment. Can’t see me coming back for Jeremy Fisk #2.

Below the stars here, I’ve added a spoiler-rich paragraph with one of my biggest gripes. Read on, if you don’t mind things soiled.

—–

2 Stars

—–

Spoiler-y Point: (and this is likely more on the publisher than on Wolf — but I don’t know)
Putting on the cover that this is “A Jeremy Fisk Novel”, and then focusing so much on Krina Gersten — and making her the far more interesting character — is a dumb idea. It pretty much mandates she’s killed at a critical moment. Which, not at all shockingly, she is. Wolf should know better, just sloppy story telling.

Review: Leader of the Pack

Leader of the PackLeader of the Pack

by David Rosenfelt
Series: Andy Carpenter, #10

Hardcover, 360 pg.
Minotaur Books, 2012

I’m sure these are laborious at times, and it takes a lot of effort to make a novel read as smoothly as these do, but it really seems like David Rosenfelt is on automatic pilot these days with his Andy Carpenter books, they’re consistently entertaining, clever, and filled with the requisite twists for a good mystery — he almost has to be working off an assembly line.

The investigator/bodyguard Marcus in the Hawk/Joe Pike/Bubba Rugowski role here is ever closer to the super hero that Rosenfelt has had in mind since his introduction — he eats more Michael Phelps, fights better than Batman and talks only a little more than Marcel Marceau. But it’s fun, and there’s no pretension to anything approaching realism, so it works.

The same is true for Sam, Andy’s accountant/hacker. He’s faster with a computer than is possible, and somehow gets into places he shouldn’t be able to very easily. Again — it’s fun enough that it’s excusable, and he’s not nearly as nigh-omnipotent as Marcus is, he messes up, is far too focused on being in the field, in the midst of action. I worry this’ll either spell doom for him soon, or he’ll become as incredible as Marcus. I do miss the song-talking Sam days, though — but I can’t imagine Rosenfelt going back to that now.

I realize that with the bench of recurring characters he’s established, not everyone gets the kind of “screen time” they once did, but there was so little of Laurie in this book I was pretty disappointed — part of the charm of the books is the two of them working together. Hopefully that’s rectified in the next book.

These were all thoughts that came to me after I read and stopped to think about it — by page 2 or 3, most of my critical functions turned off and I just had fun with the book. But one thing did stick out to me, the big crime that’s being carried out during the trial (and has a direct bearing on the outcome of Andy’s case — not that anyone could tell him about it, until it’s too late) has been so big, so epic in scale that it’s mind-boggling. They almost feel like they don’t fit both in tone or scope with the rest of the book/series. When the bad guys did _____ this time, it really took me out of the moment. It didn’t ultimately detract from the book (I don’t think), but it was incongruous enough, that I had to work at it for a chapter or two.

Still, one of the most enjoyable mystery series around — I laughed, I got tense, I didn’t see much of the ending coming at all.

—–

3 Stars

Happy Birthday, Archie

My annual (when I’m actually posting to a blog) tribute to one of my favorite fictional characters (if not my all-time favorite).

On Oct 23 in Chillicothe, Ohio, Archie Goodwin entered this world–no doubt with a smile for the pretty nurses–and American detective literature was never the same.

I’m toasting him in one of the ways I think he’d appreciate most–by raising a glass of milk in his honor.

Who was Archie? Archie summed up his life thusly:

Born in Ohio. Public high school, pretty good at geometry and football, graduated with honor but no honors. Went to college two weeks, decided it was childish, came to New York and got a job guarding a pier, shot and killed two men and was fired, was recommended to Nero Wolfe for a chore he wanted done, did it, was offered a full-time job by Mr. Wolfe, took it, still have it.” (Fourth of July Picnic)

Long may he keep it. Just what was he employed by Wolfe to do? In The Black Mountain he answers the statement, “I thought you was a private eye” with:

I don’t like the way you say it, but I am. Also I am an accountant, an amanuensis, and a cocklebur. Eight to five you never heard the word amanuensis and you never saw a cocklebur.

In The Red Box, he says

I know pretty well what my field is. Aside from my primary function as the thorn in the seat of Wolfe’s chair to keep him from going to sleep and waking up only for meals, I’m chiefly cut out for two things: to jump and grab something before the other guy can get his paws on it, and to collect pieces of the puzzle for Wolfe to work on.

In Black Orchids, he reacts to an insult:

…her cheap crack about me being a ten-cent Clark Gable, which was ridiculous. He simpers, to begin with, and to end with no once can say I resemble a movie actor, and if they did it would be more apt to be Gary Cooper than Clark Gable.

In case you’re wondering if this post was simply an excuse to go through some collections of Archie Goodwin quotations, you wouldn’t be totally wrong…he’s one of the fictional characters I like spending time with most in this world–he’s the literary equivalent of comfort food. So just a couple more great lines I’ve quoted here before:

I would appreciate it if they would call a halt on all their devoted efforts to find a way to abolish war or eliminate disease or run trains with atoms or extend the span of human life to a couple of centuries, and everybody concentrate for a while on how to wake me up in the morning without my resenting it. It may be that a bevy of beautiful maidens in pure silk yellow very sheer gowns, barefooted, singing “Oh, What a Beautiful Morning” and scattering rose petals over me would do the trick, but I’d have to try it.

I looked at the wall clock. It said two minutes to four. I looked at my wrist watch. It said one minute to four. In spite of the discrepancy it seemed safe to conclude that it would soon be four o’clock.

“Indeed,” I said. That was Nero Wolfe’s word, and I never used it except in moments of stress, and it severely annoyed me when I caught myself using it, because when I look in a mirror I prefer to see me as is, with no skin grafted from anybody else’s hide, even Nero Wolfe’s.

Review: China Trade

China Trade
China Trade

by S.J. Rozan
Series: Lydia Chin & Bill Smith, #1

Mass Market Paperback, 275 pg.
St. Martin’s Paperbacks, 1995 by

For everyone who’s wondered what Kinsey Milhone would be like if she were a young American Born Chinese woman living with her non-English speaking mother while resisting her family’s efforts to get her to stop being a P.I., this is the book for you (and sure, who among us hasn’t played with that thought experiment?).

I don’t necessarily thing that’s what Rozan was trying for — and Lydia Chin’s not so Milhone-eque that she’s not her own character, but that’s the thought that kept running through my mind. And I do mean that as a compliment.

This was a great first book for a series — a fascinating world, some really good characters that I could see myself enjoying spending time with, and room for the characters to grow and explore this world — and that’s really the thing I want in a first book in series. Rozan adds a pretty interesting case, with just enough twists, turns, and danger to keep the reader glued to the page. She faked me out once (but in an honest way), but on the whole it was easy to stay with the pair as they untangled this web, though Lydia’s final deduction surprised me (shouldn’t have, but that’s my fault).

An entertaining start to a series I look forward to reading more of.

—–

3.5 Stars

R is for Ricochet by Sue Grafton

R is for Ricochet
R is for Ricochet

by Sue Grafton
Series: Kinsey Millhone, #18
Hardcover, 352 pg.
G.P. Putnam’s Sons, 2004

So here we are at the 18th Kinsey Millhone mystery, and as is the case with a lot of these books, this is a really mixed bag. However, this time, it’s the non-case work that’s the most interesting (pretty sure that’s a first for me). There were some moments to the main story, but on the whole I found it dissatisfying.

Kinsey’s hired by the father of Reba Lafferty, a soon-to-be-paroled woman, to pick her up from the prison and accompany her for the first few days, help her get established on the outside — he’s too old and frail to do this himself, and there’s no other family to call upon. It doesn’t take long before she’s teetering on the verge of parole violations and seeking revenge on those from her old life that wronged her before and/or during her incarceration. Kinsey spends the book trying to minimize the damage and help out various law enforcement agencies who have an interest in Reba’s targets.

On the whole, I found this story to be wholly predictable and I couldn’t understand why Kinsey was allowing this woman to pull her around by her nose. Maybe it’s because Reba becomes the closest thing she’s had to a female friend since her days with an office in the insurance agency building. Regardless, there’s no excuse for someone with Kinsey’s experience to act like she does here.

There’s one character involved with Reba’s family that primarily serves as a giant red herring — mostly for the reader — I don’t remember Grafton doing that before. Sure, Kinsey’s investigated a dead end or two from time to time, but I don’t recall Grafton misleading the reader like this before. This was a totally useless character and source of conflict that went nowhere.

It isn’t the first time that it’s occurred to me during this series, but the back of my mind screamed about it this time: this book, especially the last 100 pages or so, would be radically different if it were set in the last decade or so rather than in the mid-80s. You put cell phones and email in the hands of Rachel, Kinsey and various law enforcement officers and this book just doesn’t play out like it does. So often this series has plot developments hinge on Kinsey returning to her home or office to check messages or make a call — or her not knowing something because she couldn’t do that. I understand Grafton keeping everything to that era, but man, it’d be fun to see Kinsey work a case now.

As I said, the part of the book that worked best for me was the personal-life stories, but I find it difficult to talk about them without getting very spoiler-y, so I’ll keep this to bullet points.

  • As interesting as I find the saga of Kinsey’s reconnecting with her mother’s family, I was glad to get a break from it in this book — Q is for Quarry had a lot of movement on that front, and it was good to let that settle a bit more.
  • I trust Grafton has an end game in mind on the Henry’s love life, particularly where his brothers are involved, I just hope we see what it is soon. I was utterly unimpressed (as I think we were supposed to be) with the behavior of William and Lewis here, not that Henry came off much better
  • I’m not sure what I think about the whole Chaney-romance thing. Sure, the seeds were planted a while ago, but things seemed almost too good here. Still, nice to see Kinsey happy/content/on the verge of it — and not deluded like she was with Dietz or the married cop; or self-destructive like she was with her exes.

Not my favorite in the series, but there’s enough here to keep me going. Eh, at this point I’m in through Z is for Z___, who am I trying to kid?

—–

3 Stars

Criminal Enterprise by Owen Laukkanen

I feel like I’ve been giving out too many 4-stars lately, and originally rated this 3-stars, but after writing this, I knew it didn’t deserve that. This is such a good read, maybe something closer to a 5, honestly. I feel strange saying this, but hopefully, I’ve got some more mediocre reads in my near future

—–

Criminal EnterpriseCriminal Enterprise

by Owen Laukkanen
Hardcover, 406 pg.
Putnam Adult, 2013
Series: Stevens & Windermere, #2

As much as I enjoyed The Professionals, I was unsure I wanted to read a follow-up. How tortured would the contrivances needed to bring these two investigators back together be? I was figuring pretty tortured. Would we be in for another group of criminals allllmost smart enough to get away with it all?

Laukkanen pulled it off, though — by taking pretty much everything about The Professionals and turning it on its head — the criminals aren’t nearly as professional (no pun intended); Stevens and Windermere are kept apart — professionally and personally — for most of the book; the action is all in the St. Paul area, so we see the agents in their home environment, not jet setting all over the country. What’s the same? Criminal Activity is just as gripping, just as tense, moves at the same breakneck speed.

Carla Windermere is languishing at the FBI office, an outsider even two years after the headline-making case she and Stevens cracked together. Whether its due to her race, gender, or personality is hard to say, but she’s not one of the team — and she likes it as much as she hates it. She misses the excitement, the challenge of the higher-profile case.

BCA Agent Kirk Stevens has thrown himself into his family and his work following his heroics from The Professionals. He’s very involved with his daughter and marriage. He’s still doing important work for the state — like cold case murder investigations, providing closure to families still wondering what’s happened to loved ones. He’s nice and safe, just what his wife wants, but it’s driving him crazy. He wants the excitement he got a taste of recently, he wants the sense of fulfillment that he got from stopping an active criminal.

Carter Tomlin, a formerly prosperous accountant is laid off and his debts are mounting — he’s too proud, too self-reliant to look for help, won’t bring himself to sell off possessions, or ask his wife to take a full time job. He’s essentially Minnesota’s answer to Walter White — his pride won’t let him do what he needs to do, so in a moment of panicked inspiration he holds up a bank. Not only does he get some easy money to hold off the debt collectors, he comes alive in a way he hadn’t realized he could before. So he commits more and more robberies, the rush building each time.

When the paths of these three discontented people collide, havoc ensues.

If Laukkanen’s third book in this series is half as good, I don’t care how he gets Stevens and Windermere together or what felons they are trying to take down — doesn’t matter, I’m all in.

—–

4 Stars

Review: Fun and Games

Fun and Games Fun and Games

by Duane Swierczynski
Trade Paperback, 286 pg.
Mulholland Books, 2011

I know it’s clichéd to say, but this is an adrenaline-fueled ride. The plot moves like someone who’s had too much coffee, dragging the reader along from one remarkable event to the next. This is a hyper-reality along the lines of Butch Coolidge accidentally coming across Marsellus Wallace at just the wrong time, saving him from Zed and then stumbling onto Vincent Vega (in a very strategically ineffective position) not long afterwards. Or the kind that allows John McClane to be in the right place at just the right time in the Nakatomi Plaza so he can take care of Hans Gruber’s crew.*

Charlie Hardie, who used to work with the Philadelphia police, is in the middle of a new career as a professional house sitter for the well-to-do. He flies into Los Angeles, gets to his next house and finds it fully equipped with the necessary modern conveniences: a sunbathing neighbor who isn’t all that concerned with clothing, a recording studio, and a banged-up (and high) rom-com and action movie actress. She claims that people are out to kill her, which is why she’s hiding in this empty house.

It doesn’t take long for things to get really out of control from there. Instead of a month of old movies and heavy drinking, Charlie has to try to save the actress — and his own skin, and thwart the mysterious and very persistent group that has decided these two have overstayed their welcome on this planet.

Swierczynski’s voice and style keep this entertaining — it’d be very easy for this story to get too dark, too grim. There are moments when you start to enjoy yourself here — and then someone gets stabbed with something, or something blows up. He keeps you right there with Charlie and ready to see what happens to the poor guy next.

—–

* I am capable of making cinematic allusions not involving Bruce Willis, really, I am.

—–

3 Stars

Worth Dying For by Lee Child

Worth Dying For
Worth Dying For by Lee Child
Series: Jack Reacher, #15

At the end of a harrying week, there’s not much better than settling down to read about Jack Reacher kicking whatever, taking names, and meting out justice.

The last couple of novels have been a little more on the cerebral side for Reacher (not that they haven’t had plenty of violence), which is fine — Reacher’s more than just brawn, he’s got a brain. But by page 43 of this book when the first fight (well, the first real) starts you can tell this us going to be a lot different than the last couple of books, there’s going to be a good deal of violence, and the reader’s blood is going to be pumping a lot. And wow, is there a lot of fighting going on — I haven’t kept notes or anything, but I don’t remember as much hand-to-hand fighting in a Reacher book in ages — if ever. Well-exectued by both Child and Reacher, I should add.

There is a misunderstanding involving one representative of the for parties that Reacher is up against here. The kind of misunderstanding that would make classic sit-com fodder, but here serves to ratchet up the paranoia and mutual suspicions between the parties. I had a lot of fun watching how one chance encounter and a million to one happening unravels something that really could’ve taken Reacher down, particularly in his weakened condition.

That weakened condition is one of the best things about this book — there’s a strong link between Worth Dying For and 61 Hours, the strongest since Tripwire and Running Blind — 11 books back — and, from what I’ve learned from a couple of TV interviews, this link continues in his latest, Never Go Back (further incentive, not that I need it, to catch up with this series). His body is still recovering from the trauma endured, and his mind is set on the officer who’s taken his old position. I really appreciated that, it’s good to see that these aren’t just random adventures, but there’s some continuity at work here, even if the novels are completely stand-alone in nature.

The villains at the center of this mess are probably the vilest that Child has yet cooked up — and that’s saying something. Once everything about their criminal activities is revealed, you’re more than ready for Reacher to do his thing. Which he — naturally — does with aplomb and efficiency.

Take your blood pressure meds, get in your comfy chair and kick back for a heck of a read.

—–

4 Stars

Smokin’ Seventeen by Janet Evanovich

Smokin' Seventeen
Smokin’ Seventeen by Janet Evanovich
Series: Stephanie Plum, #17


My rating: 4 of 5 stars

This is the best Stephanie Plum novel in quite a while. Yes, absolutely, the mystery was a piece of cake to figure out — the herring wasn’t red, it was crimson. But you know what? It worked for me. People looking for clever, twisty mysteries that leave the reader stumped shouldn’t be reading Plum novels. You read these because when Evanovich is on her game, there’s a lot of fun to be had.

Vincent’s office being run out of Mooney’s RV is good, great comedy fodder. As is having Connie moving around between temporary work spaces. Most importantly to the success of a Plum novel: Grandma Mazur and Lula weren’t too crazy.

I’m not crazy about the state of the Joe-Stephanie-Ranger triangle, but what else is new? Time for something interesting to happen to at least one of the guys, if not a permanent resolution to this.

The bad guy this time was creepy as all get out, yet he fit very well into this sit-com world.

Not a lot to say about it, I guess, but it entertained me.

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