Category: Fiction Page 149 of 341

Mid-Year Freak Out Book Tag

Mid-Year Freak Out Book Tag
I thought this would be a fun little tool to use to look back over the first part of 2020. I saw this one over on One Book More’s blog, and it seemed to have been created by Moon Creations.

What is the best book that you’ve read so far in 2020?

King of the Crows

King of the Crows by Russell Day.

No doubt about it. Epic in scope, but with personal story at its heart. If I really start talking about it, I won’t shut up. I talked about it a little here.


What has been your favorite sequel of the first half of the year?

That’s a tough call, there’ve been a few. But I think I’m going to go with:

Burning Bright

Burning Bright by Nick Petrie

As I said here, I should’ve read this shortly after I read The Drifter in the summer of 2018. The third in the series, Light It Up is coming soon.


Is there a new release that you haven’t read yet but you’re really excited for?

Broken

Broken by Don Winslow

Winslow’s The Border stands between Broken and me–so hopefully, I can get to this novella collection by September.


What is your most anticipated release for the second half of the year?

er, um…that’s a good question. I should probably say Betty by Tiffany McDaniel, because her debut novel was sood and I frequently have pretensions about being all literary and hoity-toity, proving that being an English Major wasn’t just a passing fancy. But if I’m being completely honest, there’s no contest:

Peace Talks Battle Ground

Peace Talks and Battle Ground by Jim Butcher

(it’s not cheating to say that–it was one book that was split into two…). I’m a rabid Dresden fanboy and we’ve been waiting so long!


What is your biggest disappointment so far?

Blood Storm Magic

Blood Storm Magic by Jayne Faith

The Ella Gray series in general. I really enjoyed the way this series started, and while I never figured these would be in the Toby Daye/Harry Dresden league, I didn’t expect that I’d get to the stage where I was disappointed in them, but I hit there. I haven’t even posted about it yet, guess I spoiled that one, eh?


What is your biggest surprise so far?

Highfire

Highfire by Eoin Colfer

Highfire. I never expected Colfer to write a novel about a Dragon for adults–if anything, I expected something along the lines of Screwed or Plugged. So that’s surprise number one. Surprise number two is that the dragon is a Drunken, Netflix-binging, Lousiana swamp-dwelling, crotchety one. Funny and full of heart–entertaining from snout to tail.

Runners-Up: The Audiobooks Back to Reality by Mark Stay & Mark Oliver, narrated by Kim Bretton and The In Between by Michael Landweber, narratoed by Brittany Pressley and Mark Boyett.


Who is your favorite new to you, or debut, author?

Darynda Jones, author of A Bad Day for Sunshine

A Bad Day for Sunshine

Darynda Jones has several novels published already, and I don’t think I’d heard of any of them until I was finished with this intro to her new series. She’s the favorite new to me author and the book has a couple of strong contenders for favorite new characters of 2020, as I stated here.


Who is your favorite fictional crush from this year?

The Finders

Elvira from The Finders by Jeffrey B. Burton

I’ve never gotten into the whole Book Crush thing–I’m already in a long-term relationship. Still, I have to admit, as happily committed as I am, there’s something about Vira, the tough, spirited, brilliant Golden Retriever with a troubled past that just makes me want to make her part of my pack.

But please, no one tell this girl that I said that:
This Girl


What are 6 books that you want to read by the end of the year?

Other than Betty, Peace Talks, and Battleground, right? Five upcoming releases and one book I’m tired of beating myself up for not having read yet (not unlike Burning Bright above, I should have read the Cartmel book in the Fall of ’18)

Annihilation Aria Dead Perfect A Killing Frost
Last Stand in Lychford Next to Last Stand The Run-Out Groove

Annihilation Aria by Michael R. Underwood, Dead Perfect by Noelle Holten, A Killing Frost by Seanan McGuire
Last Stand in Lychford by Paul Cornell, Next to Last Stand by Craig Johnson, The Run-Out Groove by Andrew Cartmel


As usual, I’m not tagging anyone in this—but I’d like to see what you all have to come up with.

Pub Day Repost: American Demon by Kim Harrison: Harrison Comes Back to The Hollows Without Missing a Step

I want to start off thanks to Beth Tabler for some research help—she saved me a whole lot of time and effort.

American Demon

American Demon

by Kim Harrison
Series: The Hollows, #14

eARC, 496 pg.
Ace, 2020

Read: June 1-4, 2020
Grab a copy from your local indie bookstore!


First off, I want to talk about two things that Harrison did that really have nothing to do with the plot. First, in the last chap of The Witch with No Name, we’re treated to a glimpse into Rachel’s future, twenty-five years after that novel. At the time, I said we could’ve lived without it, but it was a nice way to say goodbye to the series. Now, it seems all the more ingenious of her to do. Twenty-five years provides several opportunities for Harrison to spin new tales. I don’t know if it was purposeful or not at the time, but it sure worked out well.

I was a little intimidated about coming back to this series after such a long breakHarrison’s novels were typically stuffed (occasionally, overstuffed) with plotmultiple storylines tying the novels together. There was just no way I could remember them allmuch less remember all the various characters. The preface to American Demon consists of a portion of Rachel Morgan’s Inderland Security file, sketching out her escapades as well as her associates. It’s a wonderful refresher course in all things Rachel Morgan and did enough jogging of my memory that I was ready to dive in.

Anyway, what about the novel itself? It’s been a few months since the events of The Witch with No Name and those events have caused ripples throughout society (both the supernatural and mundane) as well as the in the lives of the series’ characters. Trent’s struggling with his bank balance and his relationship to the rest of the elves (although Rachel seems to be having more difficulty with both than Trent is), Rachel and Jenks are struggling to put their church back together, Ivy’s dealing with her new reality (and the city is looking for a new Master vampire), Rachel’s trying (not too successfully) to cope with the changes to her abilities, and…that’s just a taste. As much as things seemed wrapped up, life (even fictional life) isn’t that clean. Unlike my usual M. O., I’m not going to get further into the plotfans don’t need it, and new readers won’t appreciate it without Rachel explaining what it all means.

Harrison manages to bring back every major, and many minor characterseven working in mentions to the major dead characters from the past. It may just be fan-service to let all the cast make an appearance, but it was done so smoothly, so organically, that it really doesn’t matter.

At the same time, Harrison brings in some new faces (and most seem like they’ll around for a while)there’s a new elf, a new vampire, a new demon, and a whole new supernatural species. Each of them moves the series in a new direction and add aspects to the ongoing storylines that are very satisfactory. I can see Harrison adding one of these characters per novelbut all of them at once. She’s more than shaking up the status quo, she’s making a bold move forward for the series.

If I’d fallen into a coma shortly after reading The Witch with No Name and had just woken up in time to read this, I wouldn’t have known that Harrison spent anytime away, much less that she’d start a new series that was entirely distinct from The Hollows. For example, in this age of TV continuationsfans of the originals can easily tell the difference between the series that went off years ago, and the new episodes that aired recently. I assumed the same would be true herenot that the book would be bad or anything, just a little differentand I couldn’t have been more wrong.

By the way, since I expect some will asksure, this is a decent jumping-on point. A lot won’t make sense, but you’ll be entertained enough to shrug that off and keep going both with this book and those that are waiting in the wings. You’ll be given enough reason to go back and read the previous volumes.

From wrapping up a series very nicely with one book to telling a complete story in the next while setting up 4+ (depending on how you count them) multi-book arcs in the next is a pretty nice trick. This could’ve just been a nice little reunion, but Harrison has done more than thatshe’s breathed new life into this series as well providing some solid entertainment. Welcome back to the Hollows, folks.


4 Stars

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post — thanks to both for this.

20 Books of Summer

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Crossing in Time (Audiobook) by D. L. Orton. Narrated by Noah Michael Levine, Erin deWard: This Romance/SF is a Wild Ride!


Crossing in Time

Crossing in Time

by D. L. Orton, Noah Michael Levine (Narrator), Erin deWard (Narrator)
Series: Between Two Evils, Book 1

Unabridged Audiobook, 10 hrs., 17 min.
Rocky Mountain Press, 2015

Read: June 4-5, 2020
Grab a copy from your local indie bookstore!

Typically, when I post about an Audiobook, I close with a discussion about the narrator(s). But I’m going to start with it this time because Levine and deWard did such a great job, they’re the highlight of the experience for me.*

* This is not a slight against the novel. They were just that good.

In my experience, when there is a male narrator and a female narrator—the female will read all the narration and dialogue in the female character POV chapters, and the male will read all the narration and dialogue in the male character POV chapters. But here, deWard reads all the female dialogue, no matter the narrator (and vice versa). That’s a nice touch, and once I got used to it, I really appreciated it. Particularly, it helped the conversations between characters feel like conversations—there was a little bit of talking over each other, and so on. And when the two laughed together? That was either fantastic work by the narrators or by the editor (or both).

Levine, particularly when he was narrating the main male protagonist, sounded like a guy recounting a story from his past to a friend—and I could’ve listened to him all day. deWard was almost as good (the main female protagonist character was never as relaxed, so it would be out of character to sound that way—so it may be unfair to compare like that). They both made all the characters come alive (even the few I’d rather hadn’t)—and made the experience richer.

This is a Romance/Science Fiction story. It’s heavy on the romance (too heavy for my taste) and the SF is a wild, multi-dimensional/time travel story with the fate of the human race (throughout the multiverse) hanging in the balance. Orton typically balances the focused story on the central romance and the wider, all-humankind story really well—but she has a tendency to over-focus on the love story. That’s going to delight many readers/listeners, but it was a stumbling block for me. Both are told with heart and humor (not getting in the way of drama), that will suck you in and not let you go.

I don’t really know how to summarize the setup of the book in a paragraph or two—and the Book Blurb gives away a bit too much (but really is an entertaining blurb), so I’m not going to get into it more than I did in that last paragraph. Just trust me on this—if you like the feel of what I’m describing, give this a shot.*

* Or, fine, read the Spotlight where I’ve copied the Blurb.

The characters—from minor to major—are wonderfully drawn and fully-developed. There are a couple of characters that are technically allies to the protagonists (and humanity in general, but function largely as antagonists. And man, I really didn’t like them at all—just as I wasn’t supposed to. But those that you were supposed to like? I just wanted to spend more time with them all—the point-of-view characters in particular.

There are some wonderful dogs throughout the book, and I fully expect that they’ll be pretty important before the trilogy ends. For those of you who prefer felines, there’s one of them, too—and the inclusion of the inferior pet doesn’t hurt things at all.*

* Man, I hope that comes across as tongue-in-cheek.

As I said, this is the beginning of a trilogy and ends in a way that practically demands moving on to the next volume as soon as possible (which is easy as the entire trilogy is published)—while not really a cliff-hanger, it sure works like one.

This was a fun novel—even if it’s not really my cup of tea. I’d probably give it a 3-3 1/2 Stars, a fun read that I’d recommend…but that narration knocks it up to 4 (maybe I should give it a 4 1/2), a strong recommendation from me.

There’s a little too much romance in this Romance/Science Fiction for my taste—but it’s a compelling and entertaining read full of wonderfully drawn characters. I strongly recommend the audiobook, but if that’s not your thing, I expect the print edition will almost be as good.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.
My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: Crossing in Time (Audiobook) by D. L. Orton. Narrated by Noah Michael Levine, Erin deWard

I’m very pleased today to welcome The Ultimate Blog Tour for Crossing in Time by D. L. Orton. Narrated by Noah Michael Levine, Erin deWard. This Tour Stop consists in this little spotlight post and then my take on the audiobook coming along in a bit. Let’s start by learning a little about this novel, okay?

Book Details:

Book Title: Crossing in Time by D. L. Orton. Narrated by Noah Michael Levine, Erin deWard
Publisher: Rocky Mountain Press
Release date: April 30, 2019
Format: Ebook/Paperback/Audiobook
Length: 559 pages/ 10 hrs and 17 mins

Book Blurb:

When offered a one-way trip to the past, Iz sacrifices everything for a chance to change her dystopian future—and see her murdered lover one last time.

After a perilous journey through a black hole, she wakes up on a tropical beach, buck naked and mortally wounded—but twenty years younger! With only hours to live, she must convince an enraptured but skeptical twenty-something guy to fix their future relationship and thereby save the planet (no one is quite sure why.)

But it’s easier said than done, as success means losing him to a brainy, smart-mouthed bombshell (her younger self), and that’s a heartbreaker, save the world or not.

Across the infinite expanse of space and time, love endures…

(Unfortunately, it’s not going to be enough.)

 

About the Author:

D. L. OrtonDL ORTON, THE BESTSELLING AUTHOR of the BETWEEN TWO EVILS series, lives in the foothills of the Rockies where she and her husband are raising three boys, a golden retriever, two Siberian cats, and an extremely long-lived Triops.♂

In her spare time, she’s building a time machine so that someone can go back and do the laundry.

Website: http://www.DLOrton.com.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: Memoirs of a 20th Century Gentleman by James B. Hansom

I just don’t have time to read every book that comes my way, but I’d like to do my part to expose them to as many eyeballs as I can. So, from time to time, I’ll post a Spotlight to lend a hand. If this looks like it’s up your ally, you should jump on it.


This week—June 15-19—the author is running a Free Book Promo. This looks like it should be an interesting read—might as well get it for free, right?

Book Details:

Book Title: Memoirs of a 20th Century Gentleman by James B. Hansom
Release date: June 8, 2020
Publisher: Valdivia Books
Format: Ebook/Paperback
Length: 187 (135 E-book)

Book Blurb:

Recounting his journey over the years, from a little village in England to the deserts of the Middle East, private boarding schools to children’s care homes, world-wide trade oil tankers to a 19th Century tall ship, working as an escort to setting up an accountancy firm, James’ story is honest and compelling.

Explaining how each chapter of his life shaped him, James discusses in a frank and open manner his struggle with bipolar disorder, and how he was able to survive an early childhood of neglect, deciding at the age of nine to take some semblance of control, to his search for a family to love.

Taking a philosophical approach to life’s twists and turns, James retells of his experience of travel, love, family, business and adventure. Explaining how his childhood experiences affected his approach to life in later years, his struggle with mental health issues of bi-polar mania and depression and how, over the years, society’s own views on the subject changed to include a more open and honest acceptance for people to begin to try to better understand.

Analysing how an understanding of history can help see the present through clearer eyes in order to better prepare for the future; James shares his own take on humanity’s long journey through time and space to give those who have an interest in the next generations a warning of what to expect if the opportunity to make immediate changes is not taken.

Memoirs of a 20th Century Gentleman is not only a tale of adventure, family, childhood and travel but a thesis on humanity and how lessons forgotten through the distraction of social media may lead to the repetition of failures of the last fifty years in the dawn of this new 21st Century.

Conversing directly with the reader, James takes you on a journey of a lifetime, initially titled ‘Extracts from a Hell of a Life’, using humour and charm, James is able to give an experience of joy, sorrow, heartache and hope, unique in its style and delivery.

About the Author:

James B. Hansom, born in 1976, lives with his wife and daughter in Warwickshire, England. Written under a pseudonym, Memoirs of a 20th Century Gentleman is the first published work under that name.

James champions the use of creative writing as a therapeutic way for people struggling with their past to find peace, helping first-time Authors to publish and turn their experiences into a useful tool for the future.

For more information or to contact James visit: memoirsofa20thcenturygentleman.com

Social Media

Goodreads ~ Website

Purchase Links

Amazon UK ~ Amazon US

BOOK BLITZ: A Thin Porridge by Benjamin Gohs

I’m pleased to host a Book Blitz for Benjamin Gohs’s A Thin Porridge today—it’s Publication Day and we’re celebrating with a little Blitz to get some eyeballs on it.

Book Details:

Book Title: A Thin Porridge by Benjamin Gohs
Release date: June 15, 2020
Format: Ebook/Paperback
Length: 367 pages
Purchase Link:Amazon UK / Amazon US

Book Blurb:

When 19-year-old Abeona Browne’s renowned abolitionist father Jon Browne dies in summer of 1860, devastating family secrets are revealed, and her life of privilege and naiveté in Southern Michigan becomes a frantic transatlantic search for answers—and someone she didn’t even know existed.

Still in mourning, Abeona sneaks aboard the ship carrying her father’s attorney Terrence Swifte and his assistant Djimon—a young man with his own secrets—on a quest to Africa to fulfill a dying wish.

Along the journey, Abeona learns of her father’s tragic and terrible past through a collection of letters intended for someone he lost long ago.

Passage to the Dark Continent is fraught with wild beasts, raging storms, illness, and the bounty hunters who know Jon Browne’s diaries are filled with damning secrets which threaten the very anti-slavery movement he helped to build.

Can Abeona overcome antebellum attitudes and triumph over her own fears to right the wrongs in her famous family’s sordid past?

So named for an African proverb, A Thin Porridge is a Homeric tale of second chances, forgiveness, and adventure that whisks readers from the filth of tweendecks, to the treachery of Cameroons Town, across the beauty of Table Bay, and deep into the heart of the fynbos—where Boer miners continue the outlawed scourge of slavery.

About the Author:

Benjamin J. Gohs is a longtime award-winning news editor whose investigative journalism has included stories of murder, sex-crime, historical discovery, corruption, and clerical misconduct. Benjamin now divides his time between writing literary thrillers and managing the community newspaper he co-founded in 2009.

My thanks to Love Books Group for the invitation to participate in this tour.

Love Books Group

The History of Tom Jones, a Foundling by Henry Fielding: BOOK VIII., i.-iv.

Fridays with the Foundling

Tom Jones Original CoverI sat my laptop down after I’d started this post, and Windows decided that when I said I wanted to install updates later, I didn’t mean a half-hour later after I stopped working for a couple of minutes. I lost a couple of paragraphs of this—my reconstruction might be a little rough. We’ll see.

We start Book VIII with the typical digression from the story. This time, we get “A wonderful long Chapter concerning the Marvellous; being much the longest of all our introductory Chapters.” He really believes in truth in advertising, it’s a long chapter. A long discussion about the “marvelous,” or supernatural in fiction. It’s pretty interesting but has as little to do with the novel as any of the other first chapters. I’d love to take the time and work through the allusions and footnotes (added by the editor of my edition), because that’d be a fascinating study.

We return to Tom’s room as he continues to recover—the Landlady shows up and introduces herself to Tom. Thanks to some intelligence from the Lieutenant, she pretends to know Sophia. Which gets Tom to open up to her about his life—she quickly learns that he’s no gentleman at all, but a broke castout. Which pretty much means that she’s done with him. As Fielding notes:

for the lower sort of people are very tenacious of respect; and though they are contented to give this gratis to persons of quality, yet they never confer it on those of their own order without taking care to be well paid for their pains.

(that’s horribly cynical, but…probably holds more than a kernel of truth)

The doctor comes back and argues with Tom about his treatment (getting a little more lampooning). Afterward, he talks to the landlady and discovers that Tom can’t pay him, either. Which (not surprisingly) gets him very angry. He argues with Tom some more and gets shooed off.

Which brings us to the barber—Fielding puts him on the same level as barber from Don Quixote and The Arabian Nights. He’s a jolly sort, given to quoting philosophers. He tells Tom it’s crazy to join the army with head injury he’s sporting. The Table of Contents tells me we’re going to get more of him soon.

Not a lot happens again, but (like last week) it’s all about the way that things are told. It’s fun and I’m looking forward to seeing what the barber’s really about.

Fair Warning by Michael Connelly: McEvoy’s out to clear his name and catch a twisted killer

Fair Warning

Fair Warning

by Michael Connelly
Series: Jack McEvoy, #3

Kindle Edition, 416 pg.
Little, Brown and Company, 2020

Read: June 5-8, 2020
Grab a copy from your local indie bookstore!

Veteran reporter Jack McEvoy is no longer on the crime beat, he’s no longer hunting serial killers or anything of the sort. He’s doing consumer watchdog reporting for a website. One night after work, he’s approached by two LAPD Detectives about a former one-night stand, Christina Portrero, who has been murdered. The detectives take an almost instant disliking to McEvoy and he’s soon a Person of Interest.

I groaned once figured out what was going on initially (it’s in the book blurb, I really should pay more attention to things like that). Series protagonists being suspected of murder almost never works for me. The stakes don’t feel real. But Connelly abandons this fairly quickly, and his being a person of interest really only serves to get McEvoy interested in the case. Because there’s no way he’s going to wait for the police to clear him—he’s going back to his strengths to clear his name, and maybe uncover the truth.

McEvoy quickly discovers a handful of murders throughout the country that seem to match Portrero’s. But the link between them eludes him for a while—and once he begins to get an idea, it’s so outlandish that it seems near-impossible. Teaming up with another reporter at the website, he dives in—defying the police. He also recruits Rachel Waling (now in the private sector) to help build a profile of the killer.

McEvoy isn’t too far into this investigation before he comes alive—he seems content with his work (maybe not the income from it), but it’s not the same as this kind of work. Working with Walling doesn’t hurt his enthusiasm, either.

This would just not have worked as a Bosch or Ballard story, it possibly could’ve worked as a Mickey Haller story—had he been representing someone like McEvoy. But why go to that much trouble when you’ve got Jack in your back pocket for just this time? (also, we’ve already got a Haller novel slated for later this year).

One of the advantages of Connelly having invested so little into the character is that the peril he faces when the killer focuses his attention on McEvoy (or Walling)—there’s a strong sense of peril. I’m not worried about Ballard or Haller (although I can see the appeal of letting Bosch go out in action, rather than retiring), so even when things get threatening, you don’t really worry too much. But McVoy? Come on, the dude’s totally expendable and therefore the danger is real.

The initial set up just left me cold, but by the time that had been resolved and the team was fully into the investigation? I was hooked. Hooked in the “please don’t bother me with anything short of medical emergency” sense. That didn’t stop my family from interrupting me, but it did result in me glaring at them frequently.

This isn’t Connelly at his best—it’s not even the best McEvoy novel. But man, it’s gripping. It’s exciting. I had a great time reading it and am glad Connelly brought McEvoy back (and leaves the door open for more).


3.5 Stars

20 Books of Summer

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Ghosts of Sherwood by Carrie Vaughn: Oo-de-lally, I had fun with this

The Ghosts of Sherwood

The Ghosts of Sherwood

by Carrie Vaughn
Series: The Locksley Chronicles, #1

Kindle Edition, 112 pg.
Tor.com, 2020

Read: June 9, 2020
Grab a copy from your local indie bookstore!

“Can you tell how the mood is from here? How the journey went?”

“I won’t know how it went until I see Father’s face,” she said. “And see if he smiles or frowns?”

“No. And see if his smile is glad or wicked.” Her father would be smiling in any case.

That right there? That’s the line that sold me, I love that take on Robin Hood—between screen and print, all you can find lately is earnest, serious, Robin Hood as populist rebel with almost all the fun sucked out of it. Vaughn’s Locksley contains those elements, sure—but he’s also the outlaw in search of adventure, who enjoyed what he was doing. Always smiling–it’s just a matter of what kind of smile he wore.

We rejoin the Earl after the signing of the Magna Carta (which he was instrumental in getting that rascal King John to sign). He’s had to do the unthinkable—bowing the knee to John after Richard’s death—in order to protect his lands, his friends, and his wife. With Marian’s help to contain his impulses*, he’s become a responsible member of the nobility, doting father, and law abiding citizen.

* To be fair, Marian misses the adventures, too. But she’s not at that stage in her life anymore.

All that other stuff? Well, he’s content to leave that to the bards and storytellers. So much so that his own children aren’t sure how much to believe, “Everything about Father is stories.”

At least, that’s what his eldest daughter, Mary, says. But after she and her siblings are kidnapped, they’ll all get a better idea just what their father is capable of.

That’s all I’m going to say about that. This is very much a “pilot episode” of a novella. We meet the kids—Mary, John, and Eleanor—catch up with a couple of the Merry Men, see where Robin and Marian are in their lives and so on. Vaughn balances that with the kidnapping story.

The kidnapping is a quick and almost-too-neat story solely because of the space she has to tell it. If Vaughn hadn’t had to establish so much in these 112 pages, you get the feeling that the kidnapping wouldn’t have been resolved quite as neatly.

My sole complaint—and it’s a big one—is that this is a novella, and not a collection of novellas/short stories. I just needed more of everything—the kids, Robin, Marian, the other members of Robin’s band. This is a great introduction to this world and these characters, with a little bit of drama. But having been introduced, I want to read the next one. Or, the next five or so.

But no. Tor is making me wait until August for the second one. Which is simply unfair.

While my tongue is firmly in my cheek above, there is a kernel of truth to my gripe—I’m 97% sure that this thing has legs and that I’m in for several more (even if it’s currently slated to be a duology, but I’m hoping that changes), but I’m going to have to wait to really commit until August when The Heirs of Locksley is scheduled to be released. But in the meantime? This was a quick and fun read, full of promise, and one I heartily recommend.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK BLITZ: One Fatal Night by Hélene Fermont

I’m pleased to host a Book Blitz for Hélene Fermont’s One Fatal Night today—it looks to be spooky and atmospheric with one of the coolest looking covers I’ve seen this year. More than that, it’s currently discounted! Spooky, atmospheric and cheap—hard to beat that.

Book Details:

Book Title: One Fatal Night by Hélene Fermont
Publisher: West Harbour Books
Release date: May 19, 2020
Format: Ebook/Paperback
Length: 133 pages
Purchase Link:
Amazon UK: Kindle/Paperback
Amazon US: Kindle/Paperback

Book Blurb:

One woman’s quest for revenge unearths a fatal secret from her past.

Astrid Jensen holds one man responsible for her mother’s suicide, and she’ll do whatever’s necessary to get close to Daniel Holst and destroy his life – even if it means sleeping with him to gain his trust. Astrid knows he’s not who he pretends to be. But before she can reveal his dark secret, people from her mother’s past start turning up dead, and it looks like she and Daniel are next. In order to survive, she might have to put her trust in the man she has hated for so long.

Daniel Holst has worked hard to climb into Norway’s most elite and glamorous circles, and he’s not about to let any woman bring him down. But when a psychopathic killer starts murdering people from his shadowy past, he discovers that the only person who might be able to save him is the woman who wants to destroy him.

As Astrid digs deeper into her past, she uncovers secrets long buried and realizes everything she once believed is based on lies. What began as a quest to avenge her mother’s death becomes a desperate struggle for survival and leads to the truth about what happened one fatal night ten years ago—and the surprising mastermind behind the most recent murders.

About the Author:

Hélene FermontHélene is an Anglo-Swedish fiction author currently residing in her home town of Malmo, Sweden, after relocating back from London after 20 years.

Her thrilling character-driven psychological fiction novels are known for their explosive, pacy narrative and storylines.

Hélene is the proud author of four novels – One Fatal Night, Because of You, We Never Said Goodbye and His Guilty Secret.

My thanks to Love Books Group for the invitation to participate in this tour.

Love Books Group

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