Category: Fiction Page 17 of 341

The Cat Who Saved Books by Sosuke Natsukawa, Louise Heal Kawai (Translator): A True Gem of a Read

Cover of The Cat Who Saved Books by Sosuke Natsukawa, Louise Heal Kawai The Cat Who Saved Books

by Sosuke Natsukawa, translated by Louise Heal Kawai

DETAILS:
Series: The Cat Who..., #1
Publisher: HarperVia
Publication Date: December 07, 2021
Format: Hardcover
Length: 198 pg.
Read Date: October 1-2, 2025
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Suddenly the cat spoke.

“Books have a soul.”

Its beautiful eyes seemed to capture the light of the stars and they, too, twinkled in the darkness.

“A book that sits on a shelf is nothing but a bundle of paper. Unless it is opened, a book possessing great power or an epic story is mere scraps of paper. But a book that has been cherished and loved, filled with human thoughts, has been endowed with a soul.”

“A soul?”

“That’s right,” replied the cat emphatically.

What’s The Cat Who Saved Books About?

Rintaro Natsuki, a high school student, finds himself the proprietor of a used bookstore after the death of his grandfather/guardian. It’s a bit too much for him to handle—and he’s going to have to move, anyway—so he plans to close it.

But before he gets that far, a cat appears in the store and starts talking to him. Not just talking to him, but telling Rintaro that he needs to accompany the cat to go rescue books. On the one hand, it’s ridiculous for the teen to follow the cat into a mysterious and strange reality to do this. But also…I sort of figure that if a cat starts talking to you, you tend to follow along with whatever nonsense it’s telling you.

The pair go off on a short series of adventures to…well, save books from people who aren’t treating them the right way (another reason to go along with the cat). This is hard to explain in a satisfactory way, at least in my reckoning. It makes utter sense when you see it in action.

Translator’s Note

There are a few pages from the translator at the end of the book, describing some of the choices made. I found it fascinating—and would’ve gladly read another 15+ pages about it. But it’s probably good we didn’t get all of that—leave a little mystery to her craft, right?

But what I learned about the Japanese language—and a little bit about the culture—it just made me want to learn more.

So, what did I think about The Cat Who Saved Books?

In the local doctor’s opinion, he’d most probably suffered a heart attack and died quickly.

“He passed away peacefully.”

If you combined the kanji character for “go” with the one for “live,” you got a strange-looking word meaning “to pass away.” Somehow seeing this word was what had shaken Rintaro the most; it struck him as out of place.

Okay, so I don’t want to say much about this book because it’s really one of those that you have to find your way through and experience.

But I do want to say a little. The magic system makes no sense. I don’t understand why Rintaro gets recruited. I don’t understand his aunt’s role in anything, or how Rintaro actually accomplishes anything, what happens to the books he and the cat save, or the brevity of their campaign. The encounters with the people they’re saving books from are entirely too short and are all anticlimactic. I probably have more to say along those lines, but you get the gist. Basically, Sosuke Natsukawa needs someone like Gareth Brown, R.F. Kuang, or Peng Shepherd to come in, expand on his ideas and fill in all the stuff that would make this make sense and cohere.

Here’s the thing, though. And this is important.

I do not care about any of that. Not a lick of it. It doesn’t matter—and this is a conversation I had with myself at least a half-a-dozen times while reading the book, and I always came to the same conclusion. I thoroughly enjoyed this novel. I loved what it said about reading, books in general, the writing of them, the importance of them, the kinds of books to be produced and why. I enjoyed the book, it warmed my heart and made me smile. There was sweetness, there was whimsy, and it just didn’t matter that none of it made sense. It’s entirely possible that addressing my issues would’ve ruined the book—it almost certainly would ruin it.

Go, grab it, and bring a warm glow to your inner bibliophile. It’s a gem.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Silver and Lead by Seanan McGuire: Toby’s Up to Her Old Tricks, with Some New Complications

Cover of Silver and Lead by Seanan McGuireSilver and Lead

by Seanan McGuire

DETAILS:
Series: Toby Daye, #19
Publisher: Tor Books
Publication Date: September 30, 2025
Format: eARC
Length: 400 pg.
Read Date: September 5-8, 2025
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What’s Silver and Lead About?

Queen Arden has a task for her hero–and she’s more than happy to take it on. During the recent…whatever you want to call what Titania did, several items were removed from the royal vaults. Dangerous items, naturally. Now, Arden had wanted to wait until Toby had given birth and recovered before sending her to find them. But at least one of the items has been used, and someone is dead. She can’t put it off any longer.

Toby’s tired, fed up, and annoyed by basically being under house arrest because of her worried husband during the last few months of her pregnancy. Yes, Tybalt’s worries are understandable, but he’s maybe gone a little too far. Toby’s glad for the excuse to get to work, and promises she’ll be extra careful. (Any guesses how that goes and how cooperative the people she’s looking for are going to be?)

Quentin–whose identity seems to be the worst-kept secret in all of Faerie–sticks with her every step of the way. This adventure brings us across many old friends and allies and reminds us of one old enemy.

Oh, I forgot to mention, before any of this happens, everyone’s favorite Sea Witch has a request–both sweet and terrifying–for Toby before any of this business with Arden starts.

All in all, this is not the way most people spend the last couple of weeks of their pregnancy. But of course, Toby wouldn’t do it any other way, and her readers expect no less.

Aftershocks

While we are not looking directly at what Titania did in these pages, we’re looking at the aftermath. We’re also learning a little bit about how her plan didn’t completely work. But I’m going to gloss over that (but you’re going to want to stop and muse about it while reading).

Quentin is trying to wrap his mind around the version of himself he saw and remembers, and cannot stand it. He’s overcompensating—and you can’t blame him for that—when he’s not letting it interfere with his thinking in the present.

Some of the ramifications of Titania’s work are seen in the motivations behind this novel’s primary villain. This doesn’t justify their actions (they’d have likely found another way to justify things), but it gives us an idea of all the unintended consequences of her re-write of Faerie. (unintended, but she probably wouldn’t care).

I really appreciate this–we’re not primarily concerned with her, nor have we just gotten a “it’s been a few months, stuff happened, life goes on” kind of thing. Faerie learned a lot about itself, they found some messes that need to be cleaned up. Yes, life goes on, but it’s different and will continue to be for a while.

So, what did I think about Silver and Lead?

So after a few novels with big, world-changing events at their core, it’s nice to get back to the bread-and-butter kind of novel. Yes, the stakes are important. Yes, there are life-and-death situations all around—and if Toby fails, it will mean bad things. But it won’t be the end of the world.

One of the advantages of a long-running series like this is that you can pluck a (seemingly?) random someone from an early novel, dust them off, and have them play a major role in the current book. Which is great—it also means that every random someone has the potential of being important. McGuire used that well in Silver and Lead.

While I enjoyed Raysel’s use here, I’m a little afraid that she’s being given some short-shrift overall, and the interesting storyline that seemed to have kicked off for her in Be the Serpent will end more with more of a whimper than it should. (Hopefully, this means that McGuire has something really big cooking).

Early on in the reading, I texted a friend, “a very pregnant Toby is fun.” She really is—and just as it was good to get back to a smaller stakes plot, it’s nice to be with the characters again, adapting to/preparing for this new stage of life.

McGuire’s humor and willingness to put her characters through the wringer for the entertainment of her audience shine forth. Toby’s determination (read: near-uncompromising stubbornness), grit, and humanity are on display for all. Tybalt and May are Tybalt and May (always good), and Quentin continues to develop into quite the man. The Luidaeg was fantastically used—particularly at the beginning. It was also good to see the rest of the cast, and I’m looking forward to seeing what life is like for Sir Mommy Daye.

Fans will be pleased with this one, and it might draw in a few new ones. Silver and Lead is just what we needed after the last arc.

Disclaimer: I received a copy of this book from Tor Publishing Group via NetGalley—thanks to both for this. Sorry it’s up late, it’s been one of those months.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Men at Arms by Terry Pratchett: “The air smelled of a limited life expectancy.”

I think this is coherent, there are five different attempts at writing something represented below. I finally filled out my outline, but I’ve spent so much time on the post, I’m not sure how much it makes sense.


Cover of Men at Arms by Terry PratchettMen at Arms

by Terry Pratchett

DETAILS:
Series: Discworld, #15; City Watch, #2
Publisher: HarperPrism
Publication Date: January 1, 1993
Format: Hardcover
Length: 341 pg.
Read Date: August 1-5, 2025
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“You see,” said Colon, “thieves are organized here. I mean, it’s official They’re allowed a certain amount of thieving. Not that they do much these days, mind you. If you pay them a little premium every year they give you a card and leave you alone. Saves time and effort all around.”

“And all thieves are members?” said Angua.

“Oh, yes,” said Carrot. “Can’t go thieving in Ankh-Morpork without a Guild permit. Not unless you’ve got a special talent.”

“Why? What happens? What talent?” she said.

“Well, being able to survive being hung upside down from one of the gates with your ears nailed to your knees,” said Carrot.”

What’s Men at Arms About?

The Night Watch is in flux—Captain Vimes is on the verge of retiring, and there are questions about who his successor will be. There’s a class of recruits that need to be trained—including a (gasp) woman. Our friends from the first book are trying to navigate this, train these recruits—and get their job done.

The job is made a bit more complicated when a murder victim shows up—killed by some sort of weapon no one on Discworld has seen before. Two guilds are implicated in this, the tensions between two non-human races are stoked due to the investigation, and the Night Watch has only a little time to get to the bottom of this all.

Fantasy Races

It was a state of permanent inter-species vendetta and, like all good vendettas, didn’t really need a reason any more. It was enough that it had always existed. Dwarfs hated trolls because trolls hated dwarfs, and vice versa.

I don’t remember Guards! Guards! doing a lot with the whole fantasy race thing—there were humans and dwarves, right? Maybe some mentions of others, but I don’t recall it being that big of a deal.

Here we have more dwarves and trolls—and a lot of animosity between the two races. We also have plenty of reasons to see how ridiculous expressions of this animosity (and probably even the grounds for it) really are.

I really found this a compelling aspect of the book, particularly the way that two of the Watch’s trainees (one from each race) learned to work together—it’s not in an after-school special way, but one that felt genuine.

The Gonne

A handheld firearm has found its way into Discworld, and the results are devastating.

Several people want it destroyed—and definitely don’t want it replicated. But when they get it into their possession, they can’t seem to destroy it. In fact, many become obsessed with it, it’s like they start to take orders from it.

Back in 1993 (original date of publication), Terry Pratchett saw the attraction of the power that comes from wielding a handgun and depicted it in a way that feels incredibly of the moment. Obviously, this has been something humans have been dealing with for a long time—it’s nothing new—but I don’t remember coming across something so clear, so incisive along these lines until more recently.*

* Sure, this may say more about what I’ve read than it does about Pratchett…but even the more sensitive treatments I read that are older than this don’t seem to get it as well.

So, what did I think about Men at Arms?

Colon thought Carrot was simple. Carrot often struck people as simple. And he was. Where people went wrong was thinking that simple meant the same thing as stupid.

I didn’t find this as funny as Guards! Guards!. It was quirky, and odd, and amusing—yes. Which isn’t to say that it wasn’t riddled with great lines. It was entertaining as all get out—and I enjoyed it almost as much. But it was more focused on character development, story, and social commentary than yucks and guffaws. It’s probably a better novel over all, honestly. But not as fun.

So it really wasn’t what I expected, which is a shade disappointing. But what I got instead is a superior product—with some great avenues for future stories. I didn’t expect to have emotional reactions to what happens to characters in a fantasy novel that I expected to laugh my way through! (the reactions might have been small since I didn’t know them that well, but still, it was outsized for how many pages I’d known them for)

As much as I enjoyed Captain Samuel Vimes and what happened with him—I really didn’t appreciate Sybil Ramkin. I thought she was great in Guards! Guards!, but she was a giant let-down here. I expect that to change in the future. I’m really excited about the possibilities for Vimes going forward.

Carrot…good ol’ Carrot. As great a character as I thought he was coming into this—he was far, far better throughout. Especially what we got to see of him through the eyes of other characters—particularly Lance-constable Angua von Überwald (who’s just a great addition regardless). It’s one thing to give us things from his perspective, or from the omniscient narrator’s point of view—but for us to see what others see in him, particularly the intangible stuff, and how they’re confused by his success—utterly fantastic.

Whatever my issues with Pratchett were before Guards! Guards!, they are well and truly dead and buried. I’m going to work on devoting more time to him in 2026 (if not before). This was a great read with depth I didn’t expect (but maybe should’ve) in one of the strangest fantasy worlds I’ve encountered. Funny, thoughtful, deep (in the right ways), absolutely silly (in the right ways).

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST ‘CUZ: Instruction in Shadow by Benedict Jacka: Second Verse, Same as the First (in a good way)

Cover of An Instruction in Shadow by Benedict JackaAn Instruction in Shadow

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #2
Publisher: Ace Books
Publication Date: October 15, 2024
Format: Paperback
Length: 310 pg. 
Read Date: December 9-11, 2024
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What’s An Instruction in Shadow About?

This picks up mere hours after An Inheritance of Magic, and Stephen is feeling pretty good about himself. His job is going okay, he’s continuing to improve in his magic, he’s got a good lead when it comes to his father’s location—sure, things with his mother weren’t quite what he’d hoped for. But she left the door open to further communication.

And it doesn’t take long for things to start going wrong—but nothing disastrous.

The best way to summarize this book is to say that: everything from the last book continues along the same trajectory, but gets harder. This means nothing if you haven’t read that book, but you really should (at the very least, go check out my post about it). Among the ways that happens—a cult (or cult-like group) tries to recruit him, an assassin makes an (almost successful) attempt on his life, he gets suspended from work, and he runs afoul of a group of Russian criminals.

Worst of all, Stephen gets in deeper with his mother’s family.

The World and Its Magic System

We don’t learn much more about sigl work or Wells—we see more examples of what we’ve already seen at work, but that’s about it. Alright, we get to see what medical sigls can do, so that’s new.

What we get more of-—and it’s just the tip of the iceberg, I’m sure–is insight into the families and companies that run the sigl economy and Well markets. If there are ethics governing them in any way, shape, or form, Stephen hasn’t shown them to us. It’s all about power, manipulation, and things that happen under the table and behind the scenes. It’s both unthinkable that things operate in this fashion in the 21st century—and somehow the part of the book that seems the least fictional or fantastic.

Much of this comes from an info drop or two—but they’re worked into the narrative perfectly. They’re neither disruptive to the overall story nor are they clunky exposition.

So, what did I think about An Instruction in Shadow?

Let me start with this: I would happily read books 3 and 4 in this series in the next couple of months, and still be eager for more. The more we see about this world—and the more questions we have raise, the more I want to learn and see.

Am I a little worried about the arc that Jacka is suggesting for Stephen? Yes. Am I also almost certain that the arc won’t go the way it looks, and that there’s nothing to worry about? Yes.

I really just want more of it—-I am not certain that I care too much about the whole “where’s Stephen’s dad” part of the overall story, but I’m pretty sure that I don’t need to, because the series has been inevitably moving in that direction since the beginning, and when the time comes, I’ll get invested.

But Jacka has got me sitting on the edge of my seat when it comes to everything else. I want to see more of how this economy works—on the legitimate side, the illegitimate side, and then the murky overlap. I want to understand how Stephen is going to operate and keep his head above water in it. He’s not just a MacGuffin, but he kind of feels that way right now.

I’m feeling really inarticulate when it comes to this series—and this installment in particular. Everything I said about the first one is still true. We really just got more of what he’d already given, so my position and thoughts are pretty much the same, too.

I did think that despite his struggles and the aforementioned almost successful assassination, things went a little too easy for Stephen this time. I’d have liked a failure or two. Or at least another draw or two. Even when things were at their hardest for him in this book, he found a way to turn the oncoming defeat into a victory. I typically really appreciate that kind of thing (obviously), but I had very little doubt each time that Stephen was going to come out on top. I just want a little more suspense and doubt on that front. But this wasn’t a major distraction or detraction—it’d just be good for Stephen’s life to be seen as difficult as he sees it.

Also, one of the better parts of An Inheritance of Magic was watching the trial and error Stephen went through—it was very effective in terms of character development and showing us the way sigls work. Give me more of that and I’m happy.

Again—I thoroughly enjoyed this book and am eager to read more. I just wanted it to be a teeny bit better.

If you’re into inventive UF, there’s no better time than now to jump on this series—I think you’ll be as invested in getting more as I am.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST CUZ: An Inheritance of Magic by Benedict Jacka: I Cannot Recall the Last Time I was This Excited about a New UF Series

An Inheritance of MagicAn Inheritance of Magic

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #1
Publisher: Ace Books
Publication Date: October 10, 2023
Format: eARC
Length: 384 pg.
Read Date: September 22-26, 2023
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This is Hard

I want to limit my comparisons between this new series and Jacka’s previous series to just one section—but that’s not going to happen. It makes sense, I suppose. It’s Jacka’s first non-Alex Verus book (other than the two hard-to-find children’s novels), so comparisons are inevitable, but I don’t want to turn this into an X vs. Y situation.

I will say at the outset, that if it wasn’t for the name on the cover, I don’t know that I’d have known they had the same author—so that tells you something about the comparisons. (except in quality—this is definitely up to the standards Jacka has established)

What’s An Inheritance of Magic About?

This is tricky. The Author’s Note at the beginning of the book tells us that this book is an introduction to the series. We are introduced to the world, the characters, the magic, and so on. Yes, there is a plot—a handful, actually—but the main point is for us to get oriented.

Basically, we meet Stephen—he’s roughly 20 and is fairly aimless. He doesn’t have the money (or, really, ambition) to go to University. He bounces from temp job to temp job, hangs out at his local with his friends regularly, takes care of his cat, and works on his magic in his spare time. It’s his real passion, but he doesn’t do much with it.

Then one day, some distant relatives that he’s never heard of come into his life (it’d be too complicated to list the reasons they give, and I think they’re half-truths at best, anyway). Suddenly, Stephen is thrown into a dangerous, high-stakes world of money and power—and he’s just a pawn to be used in the games of his “family” (and by family, I mean people that 23andMe would identify as relatives, but he’s never been in contact with or aware of for his entire existence). He’s a relatively unimportant pawn at that. He’s sort of grateful for that as he realizes it—but he’d have been happier if they never bothered him in the first place. Happier and with significantly fewer bruises.

However, through their machinations, he’s introduced to new levels of magic society and ways that the magic in this world works. Best of all he finds ways that he can be employed and use his magic—the best of both worlds. Sure, his friends don’t get it (not that he tells many of them, because he prefers that they think he’s sane), but he’s bringing in enough money to live and he’s getting stronger and more capable.

The World and Its Magic System

So, where the Alex Verus series was about one man and his friends/allies trying to navigate (and survive) the politics and power of the magical society in England (largely), at this point the Stephen Oakwood series appears to be about one man making his way (and hopefully surviving) the money and power of a different sort magical society—and it’s intersection with the non-magical world. We’re not just talking Econ 101 kind of stuff here—Stephen’s family appears to be some of the 1% of the 1% and there are huge multi-national corporations involved here with defense contracts to governments all over the world.

Basically, Alex had an easier place to navigate.

Most of the magic that’s used in this world comes from sigils—physical objects created from various kinds of energy wells (earth magic, life magic, light magic, and so on) to do particular tasks (shine a light, augment strength, heal minor wounds, etc.). There are likely bigger and better things along those lines (hence defense contracts), but that should give you an idea. The overwhelming number of these sigils are pumped out by some sort of industrial companies and are only good for a limited amount of time.

Stephen was taught (by his father, and by himself) to make sigils on his own—his are individualized, artisanal kinds of things. Think of a sweater you get from some hobbyist off of Etsy vs. the kind of thing you can get for much less at Walmart or on Wish—quality that lasts vs. cheap and disposable. He also reverse engineers almost all of his sigils—he sees something in a catalog (no, really, this is how people get their sigils for personal use) or in use and tries to figure out how such a thing will work and then sets out to create one.

I don’t know where Jacka is going to go with all of this, obviously. But I love this setup.

Alex and Stephen

It wasn’t until I was just about done with the book that I finally figured out what Alex and Stephen had in common—which is odd, it was staring me in the face for most of the novel. But before that, I really wouldn’t have said they had much in common at all.

Stephen is our entry point to this world, and he only knows a little bit about it so as he learns, so does the reader. Alex pretty much knew everything that was going on in his world, so he had to catch the reader up—or he could help Luna understand something (and make it easier for the reader to learn that way). Stephen has to learn almost everything by getting someone to teach him, or through trial and error—either way, the reader is along for the ride and learns with him.

Similarly, Stephen’s really just starting to get the knack of his abilities where Alex was already a pro—sure he had more to learn (and his power increased), but Stephen’s not even a rookie, really when things get going.

Stephen had a loving and supportive father growing up, a strong group of friends, and experience outside the area of magic users—something we never got a strong idea that Alex ever had. Alex had trauma and hardships behind him—Stephen doesn’t. So their personalities, outlooks, etc. are very different from the outset.

It’s not really that shocking that the protagonists of two different series wouldn’t be that similar. And yet…we’ve all read a second or third series from an author with a protagonist that’s just a variation of their initial breakout character. So it’s good to see that Jacka’s able to make that transition between his two series—it gives you hope for what he’s going to do in the future.

Oh, what did I finally realize the two characters shared? They watch and learn. Alex does it because that’s essentially what his abilities were—he could sift through the various futures and decide what to do based on that. Stephen just doesn’t know enough about anything so he has to sit and observe—and from there he can decide how to act. But where others will try to think first and act second, Stephen and Alex watch first—and for a long time—before they think and then act. It’s something not enough characters (especially in Urban Fantasy) seem to spend much time doing. So I’m glad to see it.

So, what did I think about An Inheritance of Magic?

I am just so excited about this series. I didn’t know how Jacka could successfully follow up the Verus series. I trusted he would, because he’s earned that over the last decade—but, I didn’t expect that I’d respond so positively so soon.

We need to start with Stephen’s spunky attitude—with a little bit of a chip on his shoulder due to his circumstances in life (that grows to a degree as he learns how much he and his father missed out on and starts to guess why)—is a real winner. He’s got a gritty (in an Angela Duckworth sense, not Raymond Chandler or William Gibson sense) outlook, is generally optimistic—and can even be funny—all the attributes you want in an underdog.

Then there’s the world-building that I tried to sketch out above—and did a not-wholly-inadequate job of. I want to know more about it—and figure increased familiarity is just going to make me more curious.

I have so many questions about the family members who’ve inserted themselves in Stephen’s life related to their motivations, trustworthiness (I suspect at least one will turn out to be an ally, however temporary), goals, and abilities. I have those questions about Stephen’s guides and allies—and think at least one of them is going to turn on him in a devastating way (thankfully, he doesn’t trust most of them completely). There’s also this priest who keeps assigning him theological work to study. Some good theology, too. I don’t fully know where this is going—but I’m dying to find out.

Are we going to get a Big Bad—or several—for Stephen to face off against? Or is this simply going to be about a series of obstacles Stephen has to overcome until he can carve out an okay existence for himself? Is this about Stephen becoming one of those 1% and the corruption of his character that will necessitate?

I’m not giving this a full 5 stars mostly because of the introductory nature of the book—also because I want to be able to say that book 2 or 3 is an improvement over this (which I fully expect). But that says more about me and my fussy standards than it does about this book. I loved it, and am filled with nothing but anticipation for the sequel/rest of the series. It’s entirely likely that as this series wraps up that we’re going to talk about the Alex Verus series as Jacka with his training wheels on.

I’m now in danger of over-hyping. Also, I’m going to just start repeating laudatory ideas. Urban Fantasy readers need to get on this now.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Catching Up with Toby Daye

I’ve been thinking about this post since September of 2022, I just knew I couldn’t write about Be the Serpent without seeing what McGuire did next—my mind wouldn’t let me decide what I thought about it until then. And then after Sleep No More, I had to tackle The Innocent Sleep, and then…well, I kept getting distracted or busy. But I have to put something down about these three so I can intelligently talk about Silver and Lead, and I really want to do that. So, I’m trying a different kind of post than I’m used to.

Oh, I’m also suspending my typical no spoilers rule here. Read at your own risk, this is the only warning I’m giving.


Be the SerpentBe the Serpent

by Seanan McGuire

DETAILS:
Series: Toby Daye, #16
Publisher: DAW
Publication Date: August 30, 2022
Format: Hardcover
Length: 305 pg.
Read Date: August 31, 2022-September 5, 2022; August 25-29, 2023
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It felt like I was standing outside this scene and watching it unfold, like none of this had anything to do with me. Like I should have been able to smile politely, say, “No, thank you,” and walk away, leaving everything exactly as it was before I got out of bed this morning.

I don’t know how many friends of mine have stumbled on books 2 or 3 of this series and never kept going. Or stumbled and were pushed on (and were so glad they did). I sort of get that, but I didn’t have that reaction. I did stumble here on book 16, Be the Serpent. Obviously, by this point—it doesn’t matter, I’m going to shake it off and keep going. Toby, Tybalt, May, Quentin, and the rest (the list is getting ridiculously long) mean too much to me to be put off by one novel.

But I do have to wonder what was going on in McGuire’s mind for her to give us this book—I have no proof of this, but in my head-canon, she was so focused on the last pages of this novel and what she was setting up that she didn’t pay enough attention to the execution of this novel. That doesn’t sound like McGuire to me, but it’s the best I’ve got.

The opening is fantastic—and the way that Toby and Rayseline executed their plan was so well done, and the prospect of watching Raysel heal in the midst of Toby’s chaos seemed like a fun lark. And then the horrific happened—the scene where Toby finds Stacy’s kids dead or dying is possibly the most gut-churning thing she’s written (and that’s saying something)*

* If you want to argue that she’s topped that in some recent InCryptid novels, I won’t fight you.

The problems start a chapter or two after that. Once Toby realizes why Stacy killed her kids (because she’s not really Stacy, but Titania, realizing she’s Stacy all along. I don’t know a shorter way to describe it all), she sets out to destroy Titania—but she can’t. No matter how often she tells herself it’s not her, no matter that the “Stacy consciousness” tells Toby to do it, no matter how many frelling times she has that conversation with anyone (including herself several times)—Toby can’t just do it. That’s almost understandable.

But also, McGuire has to tell us several times how this whole thing is tearing Toby apart. But I honestly don’t “see” it happening. I hear about it—I see it when she’s interacting with Stacy’s surviving kids or husband. But otherwise? I really don’t.

I could’ve been satisfied with the ending had it ended 2 pages or so into the last chapter (because that was just a great moment).

But no…we’ve got to do the whole Titania comes back, puts the hurt on Toby, and then rewrites history—wiping Toby’s mind and rewriting her history—having (pretty quickly) found a loophole in Oberon’s decree (he must be pretty rusty from all the nothing he’s been up to for the last few centuries). Sure, the first two parts of that list were certain to happen eventually.

But I just hate, hate, hate the whole “we’ll rewrite history/perception/whatever” storyline. Buffy in the asylum, Picard’s whole other life in “The Inner Light” (although he at least starts off remembering reality), um…other examples I should have at hand, but don’t. At the time, I told friends (and maybe my readers in a WWW Wednesday post or a Saturday Miscellany) that I hate the ending, but trusted McGuire would make me come around to it in the next book (and prematurely resented her for making her eat my words).

In the end, that didn’t happen—I still am going to consider Be the Serpent as the low point of this series. However…I really liked the lemonade she turned this giant pile of lemons into. Which brings us to….

Cover of Sleep No More by Seanan McGuireSleep No More

by Seanan McGuire

DETAILS:
Series: Toby Daye, #17
Publisher: DAW
Publication Date: September 5, 2023
Format: Hardcover
Length: 310 pg.
Read Date: October 26, 2023-October 27, 2023; January 13-16, 2025
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“Romantic love is not required to live a full and happy life, my seedlings,” Father had told us, watching carefully to be sure we took his message to heart, “but if you cannot love one who loves you truly in return, find friends, find companions, find people who will tell you the truths you cannot carry and unveil the lies you cannot see. Most of all, cleave to each other, for you will be the only sure support you have in all this world.”

We spend most of our time watching this Alternate Version of Toby make her way through this version of Faerie that we all can kind of recognize, but not really. A good deal of the “fun” of all this is seeing the ways that Titania’s rewriting of things is similar—but not quite—to our version of things.

Toby, for example, has all the niceness, the kindness, the happiness that we all know she’s capable of—but she rarely gets to express (or she can only express in certain ways). August is…wow. The best older sister, really (sure, it’d be better if she didn’t believe that changelings were lesser beings, but…at least she doesn’t treat them as trash). Quentin, on the other hand, is an entitled jerk.

Thankfully, we get to come into this world just before it starts unraveling, partially because of Toby. Even as she really doesn’t know what she’s doing (or who she is, most importantly), she keeps being Toby—which means taking apart the plans and machinations of her opponents. Everything I think McGuire got wrong in the previous book, she did right here. We even get to revisit some of the bigger moments of the past.

I really liked the story; I thought McGuire executed it as close to flawlessly as is possible. I liked the conclusion—it was exciting, tense, and you honestly (especially now) had no idea how things were going to turn out. Sure, we know that bigger and worse things are on the horizon than we just dealt with—but okay. That’s pretty much par for the course.

Best yet? October and August have a relationship now. Simon and Toby are closer than they were. Yes, things are messed up ,and everyone will need to recover and reset. But…we’ve gained a lot.

Cover of The Innocent Sleep by Seanan McGuireSleep No More

by Seanan McGuire

DETAILS:
Series: Toby Daye, #18
Publisher: DAW 
Publication Date: October 24, 2023
Format: Hardcover
Length: 314 pg.
Read Date: October 31-November 1, 2023; January 24-31, 2025
Buy from Bookshop.org Support Indie Bookstores

Love is a knife forever suspended an inch from your heart, and if it falls or you stumble into it, you can all too easily find yourself impaled and bleeding.

This felt like an incredibly unnecessary book. Sure, it seemed like a good idea—perhaps even entertaining just to see things from Tybalt’s perspective. But we already know this story. Why bother?

Oh, for so many reasons, it turns out. I ended up loving this book.Rather than picking up months later, like we did in Toby’s POV, we see this from the instant Titania did her thing—or pretty much. We get more than simply Tybalt’s POV—we get to see how all this nonsense is impacting the rest of Faerie—or isn’t, as the case sometimes is. We see just how far the range of the changes are. Most importantly, we see what happens to people who aren’t that close to Toby—the collateral damage.

And that damage is devastating—and is getting worse.

Then we get to see some of the specific incidents described in Sleep No More from Tybalt’s POV, or at least what others tell him. Still, it’s not Toby’s viewpoint. We come away from all of it with a greatly expanded understanding of everything that happened to the characters we know and love (or just know). Also, between the two books, we really learn so much more about Titania than we did before (naturally). And now we really want to see Maeve in action—as apocalyptic as that likely will be.

Could McGuire have done this as a larger-than-usual book from shifting POVs? Probably. But the pacing would’ve been weird, getting the different POVs on the same events would get tiresome (and hard to decide which POV would come first)…and, I think it’d have just been a mess. So much better this way.

My beef with this one—and I think it’s the only one I have in both Sleep No More and The Innocent Sleep is Tybalt’s lack of emotional control. Yes, it has to be hard to see Toby like this, to see her not know you at all—but for crying out loud, man! You’ve been around for centuries, you know the whammy that magic can do to someone’s mind and body (you’ve experienced it first hand!!)—magic from one of the Three? Hold yourself together, know that you’ve got a chance to help everyone—especially Toby, and stop acting like a child when she’s around.

Do the greatness of Sleep No More and The Innocent Sleep make up for Be the Serpent? No. Do they make it more forgivable? Ehhh, kind of. Mostly, I know for future re-reads to expect some rough riding, but that it’s worth it. As I said above, the lemonade she made from Be the Serpent is mighty tasty. And I’m okay with that.


This post contains affiliate links. If you purchase from them, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Cover Reveal: Bounty Inc by Adam Holcombe

I’m very pleased today to welcome the Cover Reveals for Adam Holcombe’s upcoming Bounty Inc! Because SF about intergalactic bounty hunters is just what you expect after couple of books about a grandmotherly necromancer, right? Eh, maybe not…but I’m game for pretty much anything he puts out.

I’ll show you this cover below, but first let’s learn a little bit about the book and author, shall we? It’ll just take a moment, and then we can all take a peak at the cover.

About the Book:

A dream lives on while a will is strong, but a significant inheritance from a recently-deceased father sure helps too.

When Wyn throws away his easy life to open the galaxy’s first bounty hunter organization and become a bounty hunter himself, he soon learns that a strong support system will be needed. A support system like an unwise mentor, her giant lizard ex-girlfriend, a woman trapped within her armor, a suspicious cyborg, a possible war criminal, several thousand beetles, and a ten-year-old insectoid with a pet.

Money is never endless, however, and Wyn will need to lead his new friends down a dangerous path to prove Bounty Inc.’s worth and keep his dream alive.

Book Links:

Amazon Preorder ~ Direct Signed Bundle Preorder ~ ARC Request Form

 

About the Author

Adam HolcombeAdam Holcombe daylights as a programmer and moonlights as an author. After spending years toying with the idea of writing, he decided to commit and work toward releasing his first novel. Then Gam Gam got in the way, and now he’s writing too many stories to count.

When he’s not locking himself in a cold basement to type away, he can be found squishing his dog (but not too hard), squawking at his tortoise (but not too loudly), goofing off with his wife and daughter (in perfectly ordinary, non-weird ways), playing D&D with friends (I’m playing a character now!), or the usual chilling at home. He is a lover of books, board games, video games, and swords.

He is the author of the Chronicles of Gam Gam series featuring the titular necromantic grandmother Gam Gam, and the Bounty Inc. universe which will be a collective of sci-fi novels spanning a galaxy. You can find out more about both series, along with future publishing news, and additional book content at bountyink.com. Onto the next one!

Author Links:

Bluesky ~ Discord ~ Patreon ~ Instagram ~ TikTok ~ Goodreads

and now…

The Cover

cover for Bounty Inc by Adam Holcombe

The Complete Cover Wrap:
Covers Wrap for Bounty Inc by Adam Holcombe
Click to embiggen either image. And why wouldn’t you want to see them in their complete glory?

Kudos to these fine folk for their work on this eye-grabber:
Cover Art by Kerstin Espinoza Rosero
Cover design by VM Design

I was in from the words “by Adam Holcombe.” I’d pre-ordered the book as soon as I could, actually. The blurb sealed the deal (but I’m pretty sure I read it after I ordered). That cover is just icing on the cake for me–very attractive icing, I should add.

Go and do the right thing–place your orders now.

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When Archie Met Lily

“I’ll show you the phone.” It was a voice behind me, and I turned. The girl in yellow slacks was there close. I realized with surprise that her head came clear to my chin or above, and she was blonde but not at all faded, and her dark blue eyes were not quite open, and one corner of her lips was up with her smile.

“Come on, Escamillo,” she said, “I’ll show you the phone.”

I told her, “Much obliged,” and started off with her.

She brushed against me as we walked and said, “I’m Lily Rowan.”

“Nice name.” I grinned down at. her. “I’m Escamillo Goodwin.”

According to Some Buried Caesar, 87 years ago today, Archie Goodwin—one of my top 5 All-Time Favorite Characters—met the only woman who could keep his attention for more than a few months, Lily Rowan. Lily shows up several times in the Nero Wolfe/Archie Goodwin series and threatens to steal every scene she appears in (and frequently succeeds). Check out this post from Today in Mystery Fiction for the details—one of my favorite scenes, from one of my favorite books in possibly my favorite series—(I think I have 3 or 4 copies of it), so I had to say something.

Besides, it’s not like I have a long list of dates associated with fictional events to commemorate (but I really should work on one).

How they met 87 years ago, when Archie’s only in his mid-30s today, is beyond me. But Math was never my strong suit, I’m sure it makes sense, Charlie Epps could probably explain it to me.

Regardless, it’s a great exchange—the first of many between the two. Lily will go on to have great scenes with Mr. Wolfe, as well–one of the more memorable happens at a crucial point in In the Best Families where she does something that no one else does in the Wolfe/Archie books.

Why does she call him Escamillo? (a nickname she never drops, I should add). Well, a couple of pages before that exchange of names, Wolfe and Archie were crossing a field between the road (and their disabled car) and a nearby house, and well…

“Stop! Don’t move!”

I stopped dead, with [Wolfe] beside me. I thought he had discovered something psychological about the bird on the fence, but he said without looking at me, “Stand perfectly still. Move your head slowly, very slowly, to the right.”

For an instant I thought the nut with the gun had something contagious and Wolfe had caught it, but I did as I was told, and there was the second surprise. Off maybe 200 feet to the right, walking slowly toward us with his head up, was a bull bigger than I had supposed bulls came. He was dark red with white patches, with a big white triangle on his face, and he was walking easy and slow, wiggling his head a little as if he was nervous, or as if he was trying to shake a fly off of his horns. Of a sudden he stopped and stood, looking at us with his neck curved.

I heard Wolfe’s voice, not loud, at the back of my head, “It would be better if that fool would quit yelling. Do you know the technique of bulls? Did you ever see a bull fight?”

I moved my lips enough to get it out: “No, sir.”

Wolfe grunted. “Stand still. You moved your finger then, and his neck muscles tightened. How fast can you run?”

“I can beat that bull to that fence. Don’t think I can’t. But you can’t.”

“I know very well I can’t. Twenty years ago I was an athlete. This almost convinces me . .. but that can wait. Ah, he’s pawing. His head’s down. If he should start… it’s that confounded yelling. Now… back off slowly, away from me. Keep facing him. When you are 10 feet from me, swerve toward the fence. He will begin to move when you do. As long as he follows slowly, keep backing and facing him. When he starts his rush, turn and run—”

I never got a chance to follow directions. I didn’t move, and I’m sure Wolfe didn’t, so it must have been our friend on the fence—maybe he jumped off into the pasture. Anyhow, the bull curved his neck and started on the jump; and if it was the other guy he was headed for, that didn’t help any, because we were in line with him and we came first. He started the way an avalanche ends. Possibly if we had stood still he would have passed by, about 3 feet to my right, but either it was asking too much of human nature to expect me to stand there, or I’m not human. I have since maintained that it flashed through my mind that if I moved it would attract him to me and away from Nero Wolfe, but there’s no use continuing that argument here. There’s no question but what I moved, without any preliminary backing, And there’s no question, whoever he started for originally, about his being attracted by my movement, I could hear him behind me. I could damn near feel him, Also I was dimly aware of shouts and a blotch of something red above the fence near the spot I was aimed at, There it was—the fence. I didn’t do any braking for it, but took it at full speed, doing a vault with my hands reaching for its top, and one of my hands missed and I tumbled, landing flat on the other side, sprawling and rolling, I sat up and panted and heard a voice above me:

“Beautiful! I wouldn’t have missed that for anything.”

I looked up and saw two girls, one in a white dress and red jacket, the other in a yellow shirt and slacks. I snarled at them, “Shall I do it again?”

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You’ll Never Walk Alone by Troy Lambert: An Espresso Shot of Literary Caffeine

Cover of You'll Never Walk Alone by Troy LambertYou’ll Never Walk Alone

by Troy Lambert

DETAILS:
Publication Date: July 25, 2025
Format: e-Book
Length: 26 pg.
Read Date: September 1, 2025

Panic wouldn’t help. The hospital had trained her for high-pressure situations, teaching her to compartmentalize fear and act decisively. But this—this was different. The darkness wasn’t a patient to be stabilized or a diagnosis to be made. It was a thing, vast and unknowable, and it clung to her skin like the rain.

What’s You’ll Never Walk Alone About?

I’m not sure how to talk about this short story without giving it all away. So I’m going to just quote part of the author’s description. I don’t know if I’d have said everything he did (then again, he’s sold more books than I have, so what do I know?)

…nurse Grace Whitmore is caught in a storm—both outside and within. As she trudges through rain-soaked streets after a long hospital shift, every shadow threatens to pull her back into a childhood terror she’s tried to forget.

When Grace senses an unseen presence tracking her steps, paranoia and dread begin to twist her reality. Is it her imagination, or is there truly someone lurking in the dark? Each echo of footfalls drives her deeper into a maze of fear and doubt.

So, what did I think about You’ll Never Walk Alone?

This is a short, intense read. Atmospheric doesn’t begin to describe it–I read this in the middle of the afternoon on a sunny day, and I thought about turning a light on when I was halfway through it.

It’s hard to look at a 26 page story and think, “You know, I think it could’ve been tighter.” But I kind of do–there were a couple of beats to this story that felt repetitive, they didn’t do quite enough to crank up the suspense to justify that repetition.

But that’s just picking at nits. This story starts dark and tense and Lambert keeps ratcheting up both until the last line. And because he’s done such a good job at that, even though you know it’s the last line–and a good and effective one at that–you want the next 20 pages. Not eventually–you want the next 20 pages now. Knowing that you’re just never going to get them is frustrating as well as a relief.

If that doesn’t make sense, just go read the story and come back, it will then.

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Maria’s Shadow by D.L. Cary: An Ambitious Debut Thriller

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Cover of Maria's Shadow by D.L. CaryMaria’s Shadow

by D.L. Cary

DETAILS:
Series: The Veil Chronicles, Book One
Publication Date: April 19, 2025
Format: Paperback
Length: 241 pg.
Read Date: September 1-2, 2025

What’s Maria’s Shadow About?

A young El Salvadoran woman takes a big risk and hires a coyote to bring her to L.A. so she can try at Hollywood (with limited, at best, English skills at this point). This coyote instead delivers her to a sex and drug trafficking organization. After some time, Maria Hernández, escapes—taking along some evidence sure to rattle the organization as insurance.

Some time later, she encounters a Sheriff’s Detective by the name of John Jefferson in Matthews, NC. Shortly after this, Maria’s past catches up to her, and Jefferson is tasked with finding out what happened to her. He has to turn to an FBI Agent he has a rocky connection to for help—and before you know it, the two of them are trying to unravel a conspiracy that goes from the poorest neighborhoods of Latin America to the heights of power in Washington D.C.

Editing?

I didn’t see any information about cover art or design—but I thought the cover was really well done. I think Cary would’ve been better served to skimp a little on it and spend more money on editing.

I’m not talking about proofreading (although the double commas, repeated words, and the like would’ve been good to catch), that happens to the best books in publication. I’m talking about structural edits, developmental edits–someone to work with Cary on things like plotting, details, character development.

Why would an FBI agent in Washington, D.C. hear about the miscarriage of the wife of a Sheriff’s Deputy he didn’t have a relationship with in Mathews, NC? Why would said Deputy’s inner monologue reference something that happened to a murder victim’s body pages before he heard about it? More than once, it appeared that Cary forgot he had mentioned something, so he’d repeat it a chapter or two later. Why, when he was still collecting evidence in the early days of the investigation, did Jefferson start to wonder about a connection between this case and a murder in a completely different jurisdiction from years before (with no similarities to the present case)?

For that matter, why didn’t he ever decide how he was going to refer to Special Agent Marcus Carter or Detective John Jefferson? Why, even late in the book, did he give us their full name and title when referring to them in the narration sometimes and other times just as Carter or Jefferson?

Why does the book jacket describe Maria as being from Mexico, but the novel says El Salvador?

I could keep going, sadly—but you get the gist. Someone coming along and helping Cary to smooth this kind of thing out could’ve gone a long way into improving this thriller.

So, what did I think about Maria’s Shadow?

Cary clearly has some ambitious plans for this book and series. I hope in future volumes that he can live up to them—I don’t think he did that here.

I think it may have been wiser to focus on some small-town/small-city crimes for his first book or two. Let us see Det. John Jefferson deal with murders—or bank robbery, maybe some drug dealers—in Matthews, NC, before trying to tackle an international crime syndicate that has been around for generations.

It took Sheriff Walt Longmire a few books before he dealt with something this big, or, closer to NC, Quinn Colson’s first few cases were within the bounds of Tibbehah County, Mississippi. That allowed Craig Johnson to get some experience under his belt before he tried for something bigger—and, sure, Atkins had that experience, but he still kept things close-to-home to let Colson’s character settle.

It’s entirely possible–even likely–that if I’d encountered this series at a different time, my reaction would be different. But now? I didn’t find this terribly engaging—I don’t think my interest in the plot got higher than mild curiosity. My main interest for most of the novel was to see if Cary could pull off a convincing ending, or even get good momentum going.

The characters weren’t fleshed out, the criminals—in particular—were cardboard cutouts, the pacing seemed to have trouble taking off, the sequencing didn’t make complete sense.

Your results may vary–and I hope they do.

Cary swung for the fences here—like an MLB player going for some late-game heroics. Sadly, the best you could say about this is that it’s a single. I’m totally fine with authors (or teams) playing small-ball, and a single is getting on base. But I don’t think that’s what Cary was going for.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided (including the book).

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