Category: Fiction Page 256 of 341

I think Teri liked this one a little more than I did. A few years back, I read it and threw up a few paragraphs onto Goodreads, which I posted here a while ago. After reading Teri’s more thoughtful review, you might want to check out mine, which I tagged (somewhat aggressively) “Why Would Anyone Read This Willingly.”
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Rabbit, Run

by John Updike

Author: Teri at Sportochick’s Musings

Synopsis

Rabbit, Run is the book that established John Updike as one of the major American novelists of his—or any other—generation. Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

Review

Throughout the book I kept hoping that Rabbit would find himself and become a man, husband, and father but he just kept getting more confused. It was apparent that this man couldn’t make up his mind about anything and that he would drift forever lost. Also what was abundantly clear was that he had no conscience. He just couldn’t figure out what was right and what was wrong nor would he take responsibly for his part in any of the events that lead to his baby’s death, his wives destructive life, his son’s feeling of loss or his mistresses pregnancy.

Reverend Eccles was the one of two redeeming characters in this book. He tried really hard to help Rabbit but in reality Rabbit starts to lead him astray no matter how hard he continually tries to help. Ruth, his mistress, well she was someone to be admired. She understood who Rabbit was, stood firm and strong about them ending their relationship with her taking care of the baby they would still have.

The book ended just as I thought. Rabbit is so confused. STILL! Bye bye Rabbit! Keep running away from life but realize you will never have one you love till you confront yourself.

I give this 1 star. I just disliked the main character, Rabbit, too much to find any value in this book.

NYPD Red 2 (Audiobook) by James Patterson, Marshall Karp, Edoardo Ballerini, Jay Snyder

By HCNewton

On October 14, 2016

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

NYPD Red 2

by James Patterson, Marshall Karp , Edoardo Ballerini (Narrator), Jay Snyder (Narrator)
Series: NYPD Red, #2

Unabridged Audiobook, 8 hrs, 8 min.
Hachette Audio, 2014

Read: October 6 – 7, 2016

Yeah, I was underwhelmed by NYPD Red, but thought that maybe this series would pick up a little, with everything established in the first. Wow, was I wrong.

This is basically a Dexter retelling — murderers who got off thanks to good lawyers, bad prosecutors, etc being kidnapped, tortured and killed. Before they’re killed, they record a video confession to their crimes, which is uploaded to YouTube shortly after their body is discovered.

Of course, one of the victims is the campaign manager for a mayoral candidate, and the body is discovered 8 days before the election — making the whole investigation a political issue in addition to a pressing crime. Given the prestige and notoriety of the latest victim, the case is bumped up to the NYPD Red team.

From there, it’s pretty much a paint-by-numbers affair — I called the whole thing, even the twists, early on. There’s so little to commend in this book that I can’t think of a positive way to finish this sentence.

I guess I understand why you’d have two narrators for the audiobook — one for the first person detective narration, one for the other perspectives. But I think we’re all smart enough to follow things with just one voice. Both narrators did a decent job, but nothing remarkable. They probably did the best they could with the flat prose and dull dialogue.

Dull, predictable plot with personal side-stories that made me like everyone less. Both authors are capable of such more — I don’t know why they aren’t delivering with this series.

—–

2 Stars

The Dispatcher (Audiobook) by John Scalzi, Zachary Quinto

By HCNewton

On October 14, 2016

In Fiction, John Scalzi, Urban Fantasy

The Dispatcher

by John Scalzi, Zachary Quinto (Narrator)
Series: The Dispatcher, #1

Unabridged Audiobook, 2 hrs, 19 min.
Audible Studios, 2016

Read: October 5, 2016

Last year, when he was in Boise, I heard John Scalzi read the first chapter of this book and I’ve been waiting for this ever since.

It’s an Urban Fantasy set in a world where natural or accidental death is possible, but if you’re murdered there’s an almost 100% possibility that you’ll come back to life. Huh? Yeah — heckuva hook, right? There’s no explanation for this, it just started — and it may just end at some point. But in the meantime people are taking full advantage of this.

Tony Valdez is a dispatcher — insurance companies and individuals have started hiring dispatchers to “dispatch” someone just before they die, so there’s a good chance — a fantastic chance, really — that they’ll survive. One of Tony’s coworkers has disappeared and a Chicago police detective has drafted him to help her track down his colleague. To find him, they have to look into the dark side of the dispatcher trade and the desperate lengths some will go through to extend the lives of their loved ones or themselves.

It was a fun book to listen to, a story that drew you in and drug you along to the gripping end. But once it was over, and I started thinking about it, all sorts of questions came to mind, not really plot holes, just things that weren’t adequately addressed. I think a lot of it was length, if this had been a novel, some of them wouldn’t have come up. The more I thought of it, it was almost like this novella was Scalzi’s attempt to prove a point/win a bet that, yes, he can write UF. A strongly written, convincing story that entertained from beginning to end — but there was just no heart to it, it just seemed like a writing exercise.

Quinto did a bang-up job — I think I only thought of him as the actor once or twice — he nailed every bit of this. If that whole movie star thing doesn’t work out for him, he could have a future doing this sort of thing. I should probably give this an extra star just for his work.

Very entertaining, a great experience — just don’t think about it too terribly much.

—–

3 Stars

The House of Secrets (Audiobook) by Brad Meltzer, Tod Goldberg, Scott Brick, January LaVoy

By HCNewton

On October 14, 2016

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The House of Secrets

by Brad Meltzer, Tod Goldberg, Scott Brick (Narrator), January LaVoy(Narrator)

Unabridged Audiobook, 10 hrs, 14 min.
Hachette Audio, 2016
Read: September 22 – 28, 2016

I’ve appreciated the work of Meltzer (comics only, haven’t tried a novel) and Tod Goldberg in the past, so I was intrigued by the idea of them working together, but the book itself just didn’t seem like my cup of tea. Then I heard them interviewed on The Writers Panel podcast and I changed my mind (give it a listen, it’s fun).

Boy was that a mistake. Mostly.

So, the host of a Ripley’s Believe it or Not-esque show all about the crazy conspiracies, hidden stories, and unexplained throughout history is about to retire but is killed in an auto accident. His son and daughter are in the car with him — Junior survives with minor bumps and bruises, Hazel is seriously injured and suffers a traumatic brain injury. She pretty much forgets who she is.

She starts investigating her own background and starts finding questions about her father and his show — there seems to be more than just a TV show afoot. And…yeah, I just can’t care enough to do more than this, I’ve already spent more time on this than I wanted to.

It was a fun, potboiler-y book that was entertaining enough to justify the ten hours — and then the ending, the explanation for everything, and the denouement were horrible. Not just disappointing, but worse. It really made me mad.

I typically like Scott Brick’s narration — but something about the approach he used this time just didn’t work for me. I can’t put my finger on why — maybe it was a bit too aggressive sounding? Like I said, I really don’t know. I did find LaVoy’s work interesting and engaging, however. Maybe it was the contrast between the two that left Brick’s performance wanting (I don’t think so, but it’s a thought that occurs).

As frustrating as I found the story (eventually beyond frustrating), it was an entertaining, gripping book. Structurally sound, moved along at a good pace — everything you want in escapist fiction. But man . . . the ending (and really all of it, therefore, as it is a mystery) was plain ol’ bad. The first 9-ish (maybe 8-ish) hours were good enough that I can’t rate this too low (but man, the ending made me want to).

—–

2 1/2 Stars

I Was a Bitch by Emily Ruben

By HCNewton

On October 12, 2016

In Fiction, General Fiction/Literature

I Was a Bitch

by Emily Ruben

Kindle Edition, 401 pg.
Inkitt, 2016

Read: October 3 – 4, 2016

There’s a moment in teen comedies where the ugly duckling (who’s become the beautiful swan, backstabbed/betrayed/turned on/disappointed their life-long friends and become a real jerk) is forced to realize that what they’ve become and what they’ve done — from The DUFF to Can’t Buy Me Love and all points between (and probably points earlier), this is a standard and pivotal plot point. Can this be done in a tired and clichéd way? Yup, and regularly is. Can this be done in a creative and worthwhile way? Yup. But it’s hard to pull off.

And then Emily Ruben comes along and does this in a creative and worthwhile way — and makes it look like a walk in the park. Don’t get me wrong — making something look that easy takes a lot of work, I know this. But Ruben makes it look effortless. And one of the many creative things she does with this is who she has tell her protagonist that she’s become a bitch — herself.

Lacey comes out of a coma that’s lasted months and doesn’t remember the last couple of years. She starts using context clues, Facebook, utter strangers appearing in her hospital room, text messages, etc. to start piecing those two years together. What she learns about herself does not please her. She’s in shape — beyond that, she’s in great shape and dresses to flaunt it. Her “friends” are equally hot, as shallow as you’d expect and just nasty to others. Her boyfriend might as well be wearing a Kobra Kai uniform. She’s hidden some aspects of her personality — her sense of humor, kindness, clumsiness, intelligence, bookishness — and replaced them with, well, not much.

But there’s this Finn guy — who no one seems to know, but he sure seems to know her. Possibly more attractive than her boyfriend, definitely nicer than anyone she’s not related to. Just who is he, and what is he to her?

Lacey continues to investigate these questions (and more) while she recovers, goes through physical therapy, and returns to high school. And once she gets some answers — and some of her memories — about who she had become in the last two years, she has to make some decisions about who she’s going to be from now on.

We don’t get a full explanation of why Lacey took the steps she did to become who she became — but we get enough (and I think Lacey feels the same way). I like the fact that we are left with a few “i” not dotted and a handful of “t”s not crossed. Ruben had to resist a good deal of temptation to keep things vague at points — kudos to her.

I have a growing impatience for books who maintain dramatic tension through characters not having the guts to be honest with each other, to ask a question, to make a confession (not to a crime, but to something that’ll be uncomfortable) — but that’s just me. My notes are full of me complaining about Lacey ducking opportunities to have these conversations. By having her character take this road, Ruben doesn’t do anything that 97%+ of writers in all media wouldn’t do — sure, it’d be nice if she swam against the stream, but I can’t fault her too much for this.

Outside of those books where the parents/a parent/guardian/older family member turn out to be the villain, I can think of few worse parents than Lacey’s. I get that after a few months, they can’t afford to spend all day at the hospital — they have to work to pay the bills. But there are plenty of hours in the day for them to get over there after work — they regularly spend days without visiting her. And big brother comes back from traveling the world to be with her during her recovery — and he’s barely a presence. Sure, this gives time for her to deal the memory thing and the romantic problems, but it’s just done in a way that infuriates parents — there’s no way that any parent worth their salt isn’t around more. (it doesn’t get much better once she gets out of the hospital, either).

I loved Lacey’s voice, her interior monologue — who she really was. Her use of the phrase “Neville Longbottomed” to describe her physical changes is one of the best things I’ve read lately. I had a lot of fun reading this book and expect I won’t be alone.

As a forty-something father of four — I’m so not the target audience for this, possibly the furthest from it. But I gotta say, this was an enjoyable and entertaining read.

Disclaimer: I was provided a copy of this book by Inkitt in exchange for my honest opinions.

—–

3.5 Stars

Venators: Through the Arch by Devri Walls

By HCNewton

On October 11, 2016

In Fantasy, Fiction, Venators, YA/MG/Children's Books

Venators: Through the Arch

by Devri Walls
Series: Venators, #1

Kindle Edition, 300 pg.
Superstorm Productions, 2016
Read: October 7 – 10, 2016

So this is a strange double-portal fantasy — six years ago Tate and some other creatures come into our world and run into Grey Malteer and some others, and disappear soon afterwards. Tate (and some others) comes back to check up on Grey and let him know about his destiny. In the meantime, Grey’s discovered he has some strange supernatural abilities — and has been teaching himself to use them in secret — he’s also been doing some research into the supernatural in the open, which is not such a great idea for a socially awkward teen — he might as well attach a “Kick Me” sign to his back himself.

About the same time, Rune’s twin, Ryker starts acting a little strange (and definitely takes advantage of the metaphorical “Kick Me” sign). Rune starts to feel differently about her brother and the supernatural, but there’s nothing she can put her finger on — so she bows to parental pressure and devotes herself to three things: academics, sports, and keeping Ryker from self-destruction. She excels at all three.

Six years later, the three are in college and Tate returns to bring Rune and Grey back to his world. A world where they are Venators (hunters) — keeping the vampires, werewolves, goblins, elves, fae, dragons, etc. in line. Eon is home to pretty much every mythological creature you can think of — and a few that Walls has invented on her own. The Venators are a line of human hunters supernaturally immune to the various abilities and magics of them all, whose duty it is to keep order in the land.

For various and sundry (largely undisclosed) reasons, most of the Venators are dead and gone — only these two remain. Tate and some of his allies, under the watchful (and not entirely corrupt) eye of the Council will train them to fulfill their destiny and restore the Venators to their rightful place.

Throw in a distrustful populace, a mysterious and powerful enemy, and a couple of super-powered impetuous and idealistic youths and you’ve got yourself a heckuva story.

Walls writes with a confidence and flair that helps the reader trust that she’ll be able to make sense of a fairly jumbled beginning (not bad, but could’ve been easier to navigate). Once we get into Eon, she balances plot, character work and worldbuilding to create a foundation for a promising series. I wondered a couple of times if the characters could’ve been developed a little more fully, but the work as a whole was strong enough that I was willing to roll with it and assume she’ll give us fuller characters next go around.

A quick-moving introduction to an interesting new reality. Give this one a shot — Walls will entertain you.

—–

3.5 Stars

Genrenauts: The Complete Season One Collection by Michael R. Underwood

By HCNewton

On October 10, 2016

In Genrenauts, Michael R. Underwood, Mystery/Detective Fiction/Crime Fiction/Thriller, P-U, Science Fiction, Western

Genrenauts: The Complete Season One Collection

by Michael R. Underwood
Series: Genrenauts, #1-6

Kindle Edition, 544 pg.
2016

Parallel to our world are various worlds populated by fictional characters in a wide variety of genres (Western, SF, Romance, etc), and when things go wrong in the stories, things go wrong in our world. For example, broken Romance world stories = higher divorce rates here. In this world, there are a number of teams of story specialists who shift to the other worlds to fix the stories and set things back on course here. Leah Tang — a struggling stand-up comic by night, struggling receptionist by day — is the newest recruit. Join her as she learns the ropes, rights wrongs, struggles with ethics, and gets shot at while cracking jokes.

Originally printed as 6 episodes in 5 novellas, now collected in one season-long omnibus, Genrenauats as become one of my favorite series this year and I’m glad to get one more chance to talk about it with the release of the collection this week.

There’s a great cast of characters here, all of which deserve the reader’s time and focus. For example, I was tempted to not-really-ignore, but relegate Angstrom King to back burner status in my mind. He’s the leader, he points the team in a direction, but the real excitement’s with the rest. This was a mistake on my part — think of him like Capt. Picard. Sure, for the most part he sits around in his ready room with some Earl Gray (hot) — but really, some of the more interesting things that happen in he series are because of his actions. King’s not Jean-Luc, but there’s a similar quality.

I love a good team — fiction, TV, comics, you name it — the interaction, the teamwork, the dynamics, there’s really nothing like it. There’s a great team in these novellas — some of the intra-team camaraderie got pushed aside for a little romance that doesn’t really work for me (but I get why it would for others and appreciate the way Underwood’s tackling it). Overall, it’s built on solid interactions and relationships that have plenty of room to grow and develop over the many seasons that we hopefully get of this.

Each adventure gives Underwood an opportunity to talk about various genres — to talk about the clichés, tropes, archetypes, pluses, minuses, and so on of each genre. And one visit to each won’t be enough to fully explore these. Don’t get me wrong, we’re not talking Master’s Theses-esque discussion, he jokes about them, plays with them, sometimes turns them upside down while telling his tale.

The collection includes:
The Shootout Solution — We meet Leah Tang, Angstrom King and the rest of his team. We’re also introduced to the concept of Genrenauts, Story Worlds, the effects that they can have on our world — also, we get a pretty decent story in Western World. Not bad for 148 pages. (For more details, you might want to read my original blog post, my blog post about the audiobook)

The Absconded Ambassador — The team goes to Science Fiction World to help out on a DS9-like Space Station. On the verge of a major treaty being finalized and signed, the Terran ambassador has been kidnapped. It’s up to King and co. to rescue the ambassador and keep the shaky alliance from crumbling in her absence. We learn a little more about everyone, and while having a lot of fun with genre conventions. ( my original blog post, my blog post about the audiobook)

The Cupid Reconciliation — The team gets back up to full strength in time to go rescue a Rom-Com gone awry. Underwood really lets things fly when it comes to observations about the genre and playing with conventions while using them for comedic — and narrative — value. Also — a couple of seeds that were planted in the first two novellas are watered enough that you can see season/season-plus story arcs beginning to grow. The series took a big jump in quality here. ( my original blog post)

The Substitute Sleuth — A Police Procedural needs some help, a no-nonsense cop’s off-the wall/out-of-the-box partner takes a bullet and another pair of mismatched detectives needs to come in and close the case. We get some major backstory stuff here, and the season arc is moved along nicely. The detective story itself isn’t my favorite, but what Underwood does with the tropes, themes, conventions, etc. is really good — it is more of a TV detective story than a novel detective story. Think Castle, not Harry Bosch (whoops, thanks Amazon, you ruined that point…). ( my original blog post)

The Failed Fellowship (Part 1 & 2) — This think kicks off with Leah Tang ranting about fantasy fiction and 5 episodes later, she gets to spend 2 episodes in Fantasy World, where a Chosen One with a Magic Artifact story has fallen to pieces. Leah’s in hog heaven, the rest of the team are at the top of their game and Underwood is, too. Rollicking good adventure. Best of the batch in every way. ( my original blog post)

I dig this series, and having all of the novellas in one handy collection is going to make it easier (I hope) for others to discover it — the collection is also a little cheaper than buying all the individual stories, which will also going to make things easier for people to discover it. If you haven’t dipped your toe in this world/these worlds yet, what are you waiting for?

—–

5 Stars

United States of Books – Housekeeping by Marilynne Robinson

By HCNewton

On October 10, 2016

In Fiction, General Fiction/Literature, United States of Books

Housekeeping

by Marilynne Robinson

Hardcover, 219 pg.
Farrar, Straus and Giroux, 1980

Read: September 20 – 21, 2016

It’s time for my home state here in this little series we’re doing: Idaho, featuring the book Housekeeping by Marilynne Robinson. Set in the fictional town of Fingerbone, in the Northern part of the state, about 50-60 miles from the Canadian border (not information from the book, that’s just me trying to orient those of you looking at a map).

Lucille, and her older sister Ruth, are raised in the same house their mother grew up in. We’re told straight away that following their mother’s death they lived with their grandmother, then her two sisters, and finally their mother’s younger sister. The circumstances surrounding these transitions are revealed gradually — none of the adults in their lives were cut out for parenting (Grandmother was at one point, and probably would’ve sufficed if she hadn’t died).

This is not a plot-driven book, and it’s hard to talk about what plot there is without telling you everything — so I’ll be vague. Ruth tells us about her grandfather’s death; them coming to live in his old house; life with grandmother, great-aunts, and aunt; and then things really start happening as she and Lucille enter adolescence and I’m not going to ruin anything by finishing this sentence properly. On page 27, I wrote “this text is so beautiful, I don’t care what happens, I’m going to love this book.” Thankfully, I was right — because once things happened, I really didn’t like it — but I loved reading the book. There are other characters in the book, but they’re of so little importance, I’m not going to say anything beyond acknowledging their existence. The focus is on the girls, their family and the really old house i which they all reside.

Thematically, this book is about loneliness, family ties, waiting for someone/something. I’m not sure there’s much difference in Ruth’s mind between loneliness and waiting (nor am I that sure that there’s much difference in my mind between them as I write this). For young girls to have this much upheaval in their parental figure(s), loneliness and loss are going to loom large in their psycho-social development — and they’re not going to respond the same way to things. You add some pretty perceptive thoughts about loneliness to Robinson’s prose and you’ve got yourself a winner of a book.

So what do we learn about Idaho here? Nothing. Fingerbone could be any small city/large town in the U.S. There is nothing distinctive Idaho about this book. Well, almost nothing. There’s a lot of mentioning of local place names (mostly cities, incidentally, that most non-Idahoans are going to mispronounce) — enough so that we all know that Fingerbone is just Sandpoint’s nom de plume, but that’s as “Idaho” as we get here. Take out the local names and this could be in any state that has lakes, forests and railroads — which pretty much covers all 50, right? I don’t know why Robinson didn’t just use the actual town’s name — but, whatever. The fact that Entertainment Weekly thinks this novel “best defines” Idaho probably says more about the dearth of books set here than anything else.

Lyrical, haunting, insightful, beautiful — this is prose that’ll stick with you. I didn’t like the ending, but it worked and was earned, so I can get over it. Don’t worry about the story, focus on the telling of it and you’ll likely agree, this is stunning stuff.

—–

4 1/2 Stars

The Murders at Astaire Castle (Audiobook) by Lauren Carr, Dan Lawson

By HCNewton

On October 6, 2016

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Now for the last post on The Murders at Astaire Castle (Audiobook) book tour.
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The Murders at Astaire Castle (Audiobook)

by Lauren Carr,Dan Lawson(Narrator)

Series: The Mac Faraday Mysteries, #5

Unabridged Audiobook, 8 hrs, 9 min.
Acorn Book Services, 2014

Read: September 7 – 9, 2016

So Mac Faraday stumbles onto a haunted castle where one of his favorite authors was murdered — as were many others — that he just happens to own. Shortly after him finding it, more people are murdered. Just what this retired (and seemingly bored) detective needs: a complicated mystery to sink his teeth into.

The investigation brings up a lot of memories for the locals — most particularly, his half-brother, the Police Chief. The two of them dive into investigating the murder cases both cold and red-hot. There’s some good banter, some shamefully wasted cognac, a lot of antics from Mac’s German Shepherd, and more twists and turns than your typical small-town murder brings along.

With murders that are this old, a lot of old memories are dredged up, so for the locals, this is a pretty messy case. Old scars, old enemies, old heart-breaks are brought back to the surface and examined.

The killer is pretty clever — a little hard to believe, but since when aren’t they? The solution was as obvious as it was outlandish — but the trick is in the telling of the story, not in how reality-based it was. On that score, Carr did a capable job.

There were infodumps galore in the opening chapters — mostly thinly disguised as dialogue. It’s like one of the squints from Bones or the non-Beckett detectives from Castle dropped in. The recall the hotel manager, security chief, etc. had for the murders that happened over a decade ago was pretty clear and accurate. It’s also surprising how little Mac knew about the murder of an author he seemed to be so into (seriously, if Steven King was murdered in a horrible fashion — who wouldn’t know something about that?)

Lawson gave us a competent narration, with odd inflections from time to time, like a NaturallySpeaking voice. The way he pronounced it made me very unclear what Mac’s girlfriend’s name was until I could get online and look it up.

I’m not doing a great job selling this thing — because it’s hard not to spoil anything while talking about this book’s strengths — they are there. The characters are likeable, the puzzle is good (and Carr doesn’t cheat with the clues). It wasn’t the best thing I ever read, but it was entertaining enough to stay with it — an enjoyable book to keep your mind occupied while working out, doing data entry, etc. And then somewhere around the 7:45 minute mark, things fells apart for me. That last chapter just about ruined the whole thing for me. Then, the epilogue answered a big remaining question, but it was one that I’d figured out in Chapter 2 or 3 — and I think most readers would’ve, too. Getting it “revealed” like that just annoyed me. Still, it seems like this one was enough of a divergent from Carr’s typical mystery — if so, the things that were the weakest parts of this book would probably not be around in the others, which would lead me to think they’d be worth a shot. Mystery fans should take a chance on this series — even this installment.

Disclaimer: I received a copy of the audiobook in exchange for my honest opinion and participation in this tour.

—–

3 Stars

A Few Quick Questions With…Lauren Carr

By HCNewton

On October 6, 2016

In A Few Quick Questions With..., Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

So, for the second post on The Murders at Astaire Castle (Audiobook) book tour, we got a few questions with the author, Lauren Carr. This has the distinction of featuring the most poorly-worded question I’ve asked here — I’m pretty embarassed by that. But, “Always Forward,” right? As usual, I kept it short and sweet, because I’d rather she work on her next book than take too much time with me.

So, I realize The Murders at Astaire Castle is written to be accessible to new readers, but what would be useful to new readers to know before picking it up?

The Murders at Astaire Castle is a murder mystery with a touch of paranormal. It is not a paranormal book with a murder mystery. The mystery is at the forefront of plot.

There’s a hint of the supernatural running through this book — is this typical for your work/this series? If not, what led you to the choice?

For The Murders at Astaire Castle, I wanted to do a Halloween mystery. What better than a haunted house—or better yet a castle? Of course, you needed a murder mystery. Then, I asked, who would be the victim? Who else but a paranormal author.

Halloween has always been a fun time. It’s the time to break out and be someone else. As a child, I would pretend to be one of the Bobbsey Twins searching for clues to lead me to a secret treasure. If I was lucky, it was made up of chocolate. As a teenager, I was Nancy Drew. Always, when October rolled around, I craved mysteries with something extra added—something beyond the normal—something supernatural.

But I wasn’t looking to do a paranormal book. I am a murder mystery writer and I love murder mysteries. So, it had to be a murder mystery with a supernatural touch.

The Murders at Astaire Castle has a touch of everything. We have the dark and spooky castle with rumors of a curse. We have hidden passage ways. Things happening that defy a logical explanation. We even have a wolf man! And it’s not Gnarly.

What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?

Now You See Me. The twists and turns in this movie left me breathless. I saw none of it coming.

Is there a genre that you particularly enjoy reading, but could never write? Or are you primarily a mystery/suspense/thriller reader?

I am primarily a murder mystery writer and reader. I always have been and I love murder mysteries. When I was a child reading the Bobbsey Twins, I would turn the mystery of the missing sea shell into a kidnapping story.

This many books into a series, is it easier or more difficult to keep going? What challenges are you finding doing this that you didn’t expect?

So far, the difficulty is in keeping up with the directions that the characters themselves want to go. I am always one book ahead in my mind. So, while writing a book, I have a very good idea what direction that I will be taking my characters further down the road.

For example, right now I am writing A Fine Year for Murder, the next Thorny Rose Mystery. Mac Faraday and the Spencer gang make an appearance in this mystery. Keeping in mind my plot for the next Mac Faraday Mystery, I am able to plant seeds for Bonding with Murder and even the Mac Faraday mystery that will be following that. These dropping aren’t necessary clues—rather, they are Easter eggs that will make faithful readers go, “Ahh, I remember Mac saying something about that back in A Fine Year for Murder.”

The biggest challenge, I have found is characters. I fight to keep my characters interesting and even diverse. There are characters in my books who everyone loves. But then, sometimes I will introduce a new character who I find unique and different who some readers object to. This happened with Cameron Gates in the Lovers in Crime mysteries. Some readers loved her. Others didn’t. The same thing is happening now with Dallas Walker in the Mac Faraday mysteries. She appears to be a love her or hate her character with nothing in between.

Which goes to prove the fact of life—you can’t make everyone love you.

Thanks for your time and the opportunity to read (well, listen to) this book.