Category: Fiction Page 258 of 348

Lost in Wonderland by Nicky Peacock

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On December 12, 2016

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, YA/MG/Children's Books

Lost in WonderlandLost in Wonderland

by Nicky Peacock
Series: The Twisted and The Brave, #1

Kindle Edition, 124 pg.
Evernight Teen, 2016

Read: November 30, 2016


This story focuses on Kayla — a young woman who looks years younger than she is (young enough to be appealing to the Humbert Humberts of the world as well as old enough to come across as a young co-ed), which is helpful in her vocation. She’s basically bait for serial predators (who the authorities can’t/haven’t done anything to) as part of her work with Wonderland. Wonderland is a group run by former federal agents bankrolled by a largely mysterious billionaire. Each “Wonderlander” goes by a code name derived from the Lewis Carroll book, and can quote sections relevant to their moniker (and recognize others quoting their parts). She and her colleagues — Rabbit and Chesire (Kayla’s Mouse) — lure the killers/molesters somewhere, take them out and then have someone come in clean up after them.

Her brother, Shilo, is locked up in a Mental Health facility for a handful of reasons, but the largest is his insistence that a man who dresses in orange is his constant companion who tells him what he should do. No one else can see or hear Mr. Custard, naturally, so Shilo is on the receiving end of all sorts of treatments. Neither the drugs, the talk therapy, or anything else seems to be working — Mr. Custard is still there, as much as Shilo might try to pretend he’s not.

Both siblings are reacting to the disappearance/abandonment of their mother while they were young and the suicide of their father not long after in very different ways, but both of their atypical lives can be traced to these incidents. Now it seems that someone is killing women near their childhood home, and there’s something drawing both of them back their to confront the killer.

The story is an interesting mix of Supernatural and Thriller stories, and once I saw that’s where she was going, I wasn’t sure that Peacock was going to be that successful with it — very few are. I’m not talking straight-up Urban Fantasy, I’m talking about a Suspense/Thriller that mixes in some sort of magic/monster where bullets and explosions should be. The last time I read a mystery where the author tried this, it ruined the book — it’s tricky. The heightened reality that she was using already helps, but it doesn’t guarantee success, Peacock tried a tricky thing and made it work, that’s no small feat.

Still, there’s only a little supernatural to this — there’s a human villain, human protagonists, human costs, human relationships at the core of this novel. Peacock’s up to the challenge of writing them, no doubt about it.

I liked the characters — especially Kayla. The story moved along well, the action was convincing — and the predators were just horrible enough that you didn’t really care that much that vigilante action took care of them rather than the law. Sure, the book could really have used one more thorough edit. More importantly, the facility that Shilo lives in draws more from One Flew Over the Cuckoo’s Nest or Gotham‘s depiction of Arkham than reality — and as annoying as that is, really, if you’re looking for realism, you’ve dropped this book before it gets to that.

Can she follow this up with an equally successful sequel? That might be trickier, but I’m looking forward to seeing her try.

Disclaimer: I received a copy of this novel from the author in exchange for my honest opinions.

—–

3 Stars

What You Break by Reed Farrel Coleman

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On December 7, 2016

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

This is one of those I spent a couple of days futzing around with — not sure I made it better (or worse) by doing so — I re-arranged a lot, that’s the best I can say. Both Murphy novels are tough to talk about in the abstract, which I think is a pretty good thing. There’s not a lot of fat on them — just good lean prose.

What You BreakWhat You Break

by Reed Farrel Coleman
Series: Gus Murphy, #2

eARC, 368 pg.
G.P. Putnam’s Sons, 2017

Read: December 1 – 5, 2016


Why? It’s three letters that permeate this novel. We’re all familiar with the need for an answer to that question. From the time that a toddler starts ever so persistently asking that question until the end, we keep wondering, “why?” Few need the answer as much as someone who has to deal with the unexpected death of a younger family member. In Where It Hurts, we saw just what the lack of an answer did to Gus Murphy and his life. So when a grandfather comes to Gus for help finding out why his granddaughter was brutally murdered, there’s no way that he can turn his back on the request. Especially given the inducements being offered.

He wasn’t recruited to solve the murder — the police have a man awaiting sentencing for the crime. But he won’t tell anyone anything about the crime or his relationship (or lack thereof) to the victim. The grandfather, Micah Spears, rubs Gus wrong from the get-go — if it weren’t for Father Bill’s endorsement, and his understanding of Spears’ deep need to know, Gus would’ve walked. It probably would’ve been better for him if he had. Almost no one — especially her family, the police (many of whom are still angry for what Gus turned up in the last book) — wants him to pursue this. The more Gus learns about Linh Trang (she preferred “LT”), the more he becomes convinced that there’s no reason for the killer to want her dead, which just makes the “Why?” even more pressing.

Before he can really start to work for Spears, Gus has a few other why’s to answer — why did his friend/co-worker, Slava, just drive off with the mysterious new guest at the hotel? Why did a Russian gangster get assassinated before Gus’ eyes shortly after Slava and the guest talk to him? Why is there a very formidable Russian running around Long Island looking for Slava? The focus of the novel is on the Spears case, but this storyline casts a shadow over everything. I didn’t really spend too much time in Where It Hurts worried about what would happen to anyone, and the Spears case is more of a puzzle than anything — but there’s peril to this Russian story, and the reader will become convinced that whatever happens in it, will have a large impact on Gus (and not just because of Slava’s involvement).

Gus has grown a bit, made some steps toward health since we last saw him, but he has a lot of work to do. Things with his ex- are about where they were previously, but with less anger (mutually), his romance is progressing with Maggie, and so on. Basically, Gus is becoming someone different from just the ex-cop with a dead son. That sill the core of his being, but there’s something more to it than that — maybe even some room for happiness. It’s hard to discuss briefly, but simply: Gus was better off by the end of Where it Hurts than he was at the beginning, and at the start of this novel, he was better off yet. As for the ending of this book? Well, read it and decide for yourself.

This book deals with some pretty potent things — as Coleman did when we met Gus — there’s love, friendship, loss, grief, confusion and resentment, to name a few of the ingredients in the emotional cauldron everything in the novel is steeping in. Not just from Gus, Slava and Spears — but everyone in the book is dealing with things that no one should have to, but most of us do. I’d like (but cannot expect) to circle back around and see how LT’s friends are doing in a couple of years, ditto for her sister and ex-step-grandmother. I’d like a lot more time with a judge that Gus interviews, as well as Gus’ lawyer. I expect the latter, at least, will be granted to me.

Spears and Gus do get some answers as to why LT was killed — but, as is so often the case, really those answers don’t satisfy much and lead to further questions. No tidy bows here for anything — which isn’t to say the concluding scenes of the novel won’t satisfy the reader, just that there’s no pat endings or rides off into the sunset. Just survivors (not saying how many of them there’ll be) moving on. The Epilogue will stay with you. That’s really all I can say.

This book put me through the wringer — not as much as Gus and Slava were, but still — Coleman has really topped himself from Where it Hurts, we know these people better now, so he can push them further. I lost sleep with this one, which isn’t that unusual, but I lost more sleep staying up to get through this than I have in a long time. There’s a darkness, an emptiness throughout that wasn’t there in our first encounter with Gus — or if it was, it’s changed in source and intensity. I’m not sure many readers will like where Gus is by the time we get to book 3 or 4 (including me) — but I’ll understand it. Coleman’s making sure his writing and characterization is honest, as real as fiction can get.

Once again, he delivers a crime novel that could be mistaken for a non-genre novel (as if such a thing exists), suitable for thoughtful crime readers or those who don’t mind crime to show up in a novel about a parent redefining himself after the death of a child.

Disclaimer: I received this eARC from G.P. Putnam’s Sons via NetGalley in exchange for this post — thanks to both for this. It didn’t change my opinions on the book, I was simply able to form them a couple of months early.

—–

4 1/2 Stars

Bear with Bear by Hagit R. Oron, Galia Armeland

By

On December 5, 2016

In Fiction, YA/MG/Children's Books

Bear with BearBear with Bear

by Hagit R. Oron, Galia Armeland (Illustrator)
PDF (but you can buy the Kindle Edition), 31 pg.
Orons, 2016

Read: November 30, 2016


Hagit Oron has branched off from her adventures with Elphie to come up with something for slightly older readers. This is the story of Bear, a young man in search of a pet. He has a few hurdles — his parents (his mother in particular), his sister’s qualms about several representatives of the animal kingdom, and reality (he doesn’t ask for a Hippopotamus for Christmas or anything that outlandish, but it wouldn’t have surprised me). I really liked the siblings relationship as depicted here — it felt real, it felt relatable.

I’m not sure that I buy the 6-9 age range for this story — but I’m not an expert, 5-7 would be my guess. But whatever, target ages like that are best used (and/or ignored) by those who know the kid best.

The thing that will appeal most to older readers is that if you click an icon in the lower corner of the page, it’ll take you to another page that gives you some insight into the factual basis behind the part of the story you just read — or showing just how fictional it was. Oron drew from her own family’s pet hunt for inspiration and she details how she went about taking that inspiration and turning it into the story. It’s an added touch that I think could really help a lot of younger readers. Now, my review copy didn’t have that function, so I can’t tell you how well it worked — I assume it’s pretty straightforward in operation — but I did get to read those pages, and appreciated what Oron was trying to accomplish with them.

Armeland’s art pops off the page. It’s simple and attractive, but it feels like there’s something wrong with calling it “simple” — I don’t mean it as an insult, it’s the first word that comes to mind. But there’s a lot of subtle things going on with the illustrations, too — so it’s not simplistic. Ugh, I clearly shouldn’t talk about art — I liked it, I thought it fit the story, and it didn’t feel like the art in kids’ books that I’ve seen a million times before.

It was a nice story, told in a good way that should appeal to younger readers — with a nice twist that’ll capture the imagination of many. Maybe even inspire some young writers out there, now that they’ve seen how their lives can be the basis of fiction. I continue to be a Oron fan, probably more of one now than before.

Disclaimer: I received this book from the author in exchange for my honest take, and I thank her for it.

—–

3.5 Stars

Titanborn by Rhett C. Bruno (revised)

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On November 30, 2016

In Mystery/Detective Fiction/Crime Fiction/Thriller

TitanbornTitanborn

by Rhett C. Bruno

Kindle Edition, 246 pg.
Hydra, 2016

Read: November 28 – 29, 2016

I’ve been to the rotting sewer tunnels submerged beneath the Martian domes. I’ve been to the most remote slums on Earth, and to the depths of asteroid mining colonies where being able to see the outline of your own hand in front of your face was considered bright. I’ve seen death all over and been on the end of the killing more times than I cared to count . . .

When he’s not reminiscing like an inverse-Roy Batty, Malcolm Graves is a bounty hunter of sorts — working for one of the handful of corporations that really run the solar system. He’s been at it longer than most, and has no intention of retiring anytime soon. His body, however, might have other things in mind — he’s slowing a bit, both in reflex and thought — add in a little bad luck, and Malcolm’s starting to worry about his future.

So when he’s near the site of a terrorist attack during Earth’s biggest celebration, he seizes the opportunity to get some justice and re-establish his position with the company. Sure, they’re saddling him with a partner rather than letting him work alone, but if that’s what it takes. . . . Only it’s not just a partner, it’s a young guy, fresh from an elite training program for exceptional cadets. Zhram is almost an android, it seems.

Their investigation brings them into contact with a seditious group, trying to overthrow the ruling forces on Saturn’s moon, Titan, so that the descendants of the original colonists (Titanborn). It soon becomes a race against time — can the duo find those responsible for the crime on earth and bring them in before the movement can grow and begin to make inroads against the ruling powers? Why they attempt to do so, their partnership grows and the two being to trust and learn from each other. Zhram is one of the more promising characters in the Lt. Commander Data/Odo/Sheldon Cooper-vein of people trying to learn to be more human that I’ve seen recently.

At its core, the central relationship is the classic mismatched police partners (see the Aykroyd/Hanks Dragnet, Lethal Weapon), but with a SF twist (see The Caves of Steel and Almost Human). The book is full of themes, tropes and scenarios straight from these (and similar) sources. Which isn’t to say that Titanborn is derivative — it’s part of the tradition, reflecting the best parts of its antecedents, shaping them to tell Bruno’s story.

The writing was strong (I thought a couple of times early on that he overwrote a line or two, but nothing too horrible) — the fight scenes good, the tech was believable, etc. An all-around well constructed novel.

I’ve said it before, I’ll say it again — it doesn’t matter if you tell a story that’s been told before, or using tropes commonly used — it’s how you use those tropes, how you tell the story — and Bruno did it in a very satisfactory way. I liked Malcolm from the get-go, I enjoyed watching the budding partnership between he and Zhaff, and even though I pegged (most of) the solution very early on, I really dug the reveal. I liked the characters, I appreciated the way that Bruno paced things and guided us through the shaky political landscape (and at least some of the reasons for the instability). I’d gladly read another half-dozen (at least) novels about these two racing around the solar system.

Disclaimer: This was provided to me by the author in exchange for my honest take on the book — note that I said “honest” and not “timely.” I was supposed to have this done months ago. My thanks for the book and apologies for the tardiness, Mr. Bruno.

—–

3 Stars

The Last Dream Keeper by Amber Benson

By

On November 29, 2016

In Fiction

The Last Dream KeeperThe Last Dream Keeper

by Amber Benson

Series: The Witches of Echo Park, #2

Paperback, 307 pg.

Ace, 2016

Read: March 25, 2016

Picking up right from where The Witches of Echo Park left off, Benson takes her coven deeper into the conflict with the mysterious forces threatening the Witches Council. The opening chapters of this book had me hooked soundly and almost immediately brought me right back to where I was when the first book ended. You want Lyse and the rest to really gel, to become the family they could be (and might have been before Eleanora’s death). Sure, you want them to get to the bottom of things, thwart evil and all that — but mostly you want to see them form a strong unit, maybe have a taste of happiness.

But circumstances won’t let that happen. Somewhere around the midway point (I think maybe a little beofre) the book takes a huge turn — the coven splits up. Some on personal missions, others off on an effort to enlist others to their cause, and some to keep things going at home. This was a risky move — these books are at their strongest when you have these women interacting with each other, drawing on each other’s strengths, augmenting their own weaknesses. So to eliminate this possibility takes real guts — I’m not sure I liked the move, but what Benson does with that kicks everything into a different gear — more action-packed and explosive. The magic that so defined the series up to this point is still there, it’s just used pretty differently.

And when I say that the plot takes this book in dramatically different directions than you expect, it is almost impossible to believe that the closing pages of this book and the closing pages of The Witches of Echo Park belong to the same series — much less are separated by only one novel. Somehow, however, Benson pulls it off — I really have no idea how. When I think about it, it doesn’t make any sense — but in the moment, it absolutely worked. I couldn’t turn the pages fast enough, and when it was done I started looking forward to whatever craziness Benson’s got in store for us.

—–

4 Stars

All Our Wrong Todays by Elan Mastai

By

On November 29, 2016

In Fiction, General Fiction/Literature

All Our Wrong TodaysAll Our Wrong Todays

by Elan Mastai
eARC, 384 pg.
Dutton, 2017

Read: November 21 – 23, 2016

Avery Brooks famously asked, “Where are the flying cars? I was promised flying cars! I don’t see any flying cars! Why? Why? Why?” Elan Mastai’s book finally provides the answer. Simply put: we had it — flying cars, routine space flights, robots/other tech dressing us, feeding us, doing the everyday jobs that need to be done so that humans can focus on working in labs to make the world an even better place, to make the next technological leap forward. Essentially, everything that Science Fiction of the 1950’s told us to expect, we lived in George Jetson’s world.

Until July 11, 2016 when the first time machine was turned on and things went wrong, resulting in 40 years of history being rewritten and one man — Tom Barren — was the only one to know that we are now living in a dystopia. It’s a dystopia for everyone on Earth, but Tom, that is — his life in the 2016 that we know is much better than it was in the “original” 2016. So now Tom has to decide, does he try to restore the timeline (if he can even figure out how to do so), or does he keep things the way they are?

That’s less than you can see on Goodreads/Mastai’s site/Web retailers — and yet I think I gave away too much. But really, that’s barely scratching the surface.

There’s a great mix of detail to the science (at least the ideas and theories behind it), yet keeping it at the level where we don’t get bogged down in technicalities (and kept Mastai from having to work them out) — he gets away with it by comparing it to the way that we don’t really understand how hydroelectric dams or incandescent light bulbs work.

There’s the literary equivalent to that scene from The Wire‘s 4th episode — it’s a mixture of genius and profanity and poetry. Mostly profanity.

We’re going to be talking about Elan Mastai the way we recently talked about Ernest Cline or Andy Weir next year (assuming I can predict anything) — and he deserves it. The voice grabs you right away from the humor, the honesty — the trouble with time travel grammar. I really wish that Jonathan Tropper’s endorsement of the book wasn’t right there on the front cover, because it feels like a cheat to compare Mastai to him now, but I want to. He’s got the same mix of humor, heart, drama, inspiration as Tropper, he just blends science fiction themes in with those. 

Tom Barren’s a great character (a questionable person, but a great character) that you’ll love spending time with. There are really a lot of great characters here, but he’s the only one I feel safe discussing. There are characters with warts, strengths, weaknesses, courage, bravery, humanity in all shapes and sizes — some noble, some despicable, some pathetic. As is frequently the case, seeing multiple versions of the same characters in the various timelines tells you a lot about the people and/or worlds they live in.

Tom’s father, the one who developed the time machine — has some fantastic theories about time travel — it’s not just about time, it’s about space (between the earth’s rotation, movement through space, etc.), and for time travel to be really possible, both have to be addressed. Not only does it clear the TARDIS from every critique of time travelers/machines mentioned in the book, but it’s a really, really good point.

It’s one of those magic books that you don’t want to end, because you’ll have to leave the characters and world — but that you can’t get through fast enough because you just have to know how it turns out.
Is it flawless? No, I’m sure it’s not, but unlike ever other book I’ve read this year (including the ones I’ve loved), I can’t think of a single problem. That says a lot to me.

I have not been able to stop talking about this book for a week now — I think my wife and kids have started ignoring me when I bring it up. All Our Wrong Todays is a book that practically demands over-hyping — it’s only a huge amount of restraint that keeps me from spilling everything. I have a list of people I want to buy this for (started compiling it when I was about 10% finished), and the list is currently long enough now that I wouldn’t be able to buy any books for myself until June 2017 — so, sorry everyone, buy your own.

I don’t know if I’ll be able to watch/read more time travel again — especially time travel involving love stories — but man, it’s absolutely worth it if this was my last. Pre-order this one now so that you can dive into it as soon as possible.

—–

5 Stars

Disclaimer: I received this eARC from Dutton via NetGalley in exchange for this post — thanks to both for this.

INVIVO by Robert A. Brown

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On November 28, 2016

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

INVIVOINVIVO

by Robert A. Brown

Kindle Edition, 233 pg.
Denro Classics, 2016

Read: November 24 – 26, 2016


I’m not sure I can list the problems with this book without hitting the character limit on a post (not sure if WordPress has one, Goodreads does, though). Were this only the story of a grieving scientist driven to some sort of insanity (temporary or otherwise), I might have been able tolerate it. But no, it’s so much worse.

    I’m just going to do this one in bullet points because I can’t muster enough will to really write anything.

  • The book promises to be about X, quickly becomes about Y (with a hint of Z) and then ends up being about R and S. I can live with that kind of things sometimes (maybe even enjoy it), but since X and S are so far removed from each other I had no tolerance for it with this novel.
  • The dialogue is wooden, clunky, and far too wordy.
  • The characters act more due to authorial fiat rather than organically (this isn’t 100% true, but it happens enough that I can list it here in good conscience.
  • There’s a mystery here “solved” in a ridiculous and fanciful way — the police were so useless that a medical doctor and genetics researcher is able to read a couple of books (that he received in record time) about sociopaths and is equipped to solve. And he does so in ridiculously short manner.
  • Maybe I’m wrong — I could be — but the science here is so outlandish that Jules Verne wouldn’t buy it. It’s so far beyond “fringe” science that Walter Bishop would scoff at it.

This is just poorly constructed, and I just can’t buy any of the plot-lines. The writing is stiff, lifeless and yet sloppy. For example, one scene starts in a staff meeting with the main characters and his assistants, and mid-conversation it jumps to another mid-conversation with his wife. Also, I’m not sure if the repeated use of a racial slur was because Brown was trying to show just how despicable a character was or if Brown was showing us how despicable he was (given the fact that the character seemed to be being shown in a redemptive light while using the slurs, I’m pretty sure it wasn’t that). Even the stuff that I could say was better about this book seemed too contrived — the romances, the scientific breakthroughs, the friendships, and so on. It just was lousy.

Disclaimer: Actually, this probably doesn’t need a disclaimer, because I clearly wasn’t influenced by anything — but I received this book from the author in exchange for my honest opinion. Sorry about that, Mr. Brown. Also sorry that it took me 8 more months than I expected to get to it, but . . . something tells me you wouldn’t have minded me waiting longer.

—–

1 1/2 Stars

Hunted (Audiobook) by Kevin Hearne, Luke Daniels

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On November 25, 2016

In Audiobook, Fiction, Iron Druid Chronicles, Kevin Hearne

Hunted Audiobook Hunted

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #6

Unabridged Audiobook, 9 hrs., 52 min.
Random House Audio, 2013

Read: November 21 – 23, 2016


I loved listening to this one this week — hated for it to end. I’m not sure why this volume works so much better for me than others in this series (not that there’s a bad one in the bunch), but it does. I’m still pretty satisfied with what I wrote the first time I read the book, so I’ll pretty much copy and paste it below with a few minor tweaks and a word or two about the audio performance.

Try as I might, I can’t figure out a way to get Goodreads to let me give this as many stars as it deserves — 6. I don’t think it’s possible for Hearne to write a bad book, but Hunted is beyond good. Not that Hearne has ever seemed anything but self-assured and capable (sorta like Atticus), but he’s really firing on all cylinders here — from the jaw-dropping and series-changing events of Chapter 1 through all the plot, twists, character moments, quips, action, and development that follows — Hearne delivers with verve and panache.

I don’t know how to describe the storyline without plunging neck-deep into spoiler territory, so let’s just say that this picks up minutes (if not seconds) from Trapped and keeps going from there. Virtually every character from the previous five novels makes an appearance (if only with a name-drop), and we get a few new characters from the pages of myth (Irish, Greek and Roman predominantly, but most of Europe is well-represented here) as well from Hearne’s own imagination. Our favorite Druids face off with a couple of new opponents, try to broker a peace with Greek and Roman pantheons, prepare for Ragnarok, and try to suss out who amongst the Tuatha Dé Danann might be working to bring about their untimely demise. (clearly, our heroes don’t get a lot of rest in these fast-moving 300 pages to get all that addressed)

Not that Atticus has had an easy go of it since the beginning of Hounded, but Hearne really puts the hurt on him this time around. He has two of the closest calls I can remember a first-person narrator dealing with in recent history — and he gets both of them in one book! Though honestly, the emotional and intellectual challenges he faces are probably harder for him to deal with — his Bear charm and tattoos can’t help him with those. Naturally, he rises to the challenges and even pulls off a couple of schemes that would make his buddy Coyote proud. While remaining Atticus at his core, there are flashes of a ruthlessness and hardness that we haven’t seen much of before. A good reminder that a Celtic warrior was formidable opponent (thankfully, there are things that still make him balk!)

While most of the book is told from Atticus’ POV as usual, we do get a few chapters from Granuaile’s POV — Daniels is able to pull these off well, I should add. I appreciated seeing things from her perspective (not just the parts that Atticus couldn’t relate, either) and I learned a lot more about a character I thought I knew pretty well already. I think she’s just about at the point where we could get Granuaile novels with minimal use of Atticus (see the Joe Pike novels) and not feel we were missing much — if anything, the fight scenes might be a bit more savage. There’s a danger here (I think Atticus himself sees this) in her becoming too much of an eco-warrior (think Captain Planet as told by Tarantino), and I think that could make for problematic reading if it went on too long or too extreme. But until then, I’m enjoying the heck out of this warrior woman.

If you’re already reading this series, you’re in love with Oberon (or have no soul). If you’re not reading it, you’ve probably not read this far — but if you have, just know that it’s worth buying the 6 books just to spend time with this most wonderful of Irish Wolfhounds. This is the best use of Oberon yet — of course, he’s hilarious and inappropriate as always — but he also gets to be heroic, inspiring and even moving. I’m not kidding, my eyes got misty a couple of times just because of him. I remembered — very clearly — Oberon’s response to Atticus’ shooting as very moving. Luke Daniels’ work made it heartbreaking (thankfully, I knew what happened afterwards, or I’d have been openly weeping at my desk). A couple of hours later, I did audibly crack up when Oberon used Mercury’s leg for a fire hydrant. Similarly to the way that the audio performance made Oberon’s grief more tangible, his joy in the Epilogue was incredibly contagious.

Any book that does all that while pulling off things like citing Wheaton’s Law within a few pages of quoting Dante (in the original!) needs to be celebrated. Add in Daniels’ outstanding performance? An absolute winner.

—–

5 Stars

Trapped (Audiobook) by Kevin Hearne, Luke Daniels

By

On November 25, 2016

In Audiobook, Fiction, Iron Druid Chronicles, Kevin Hearne

Trapped Audiobook Trapped

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #5

Unabridged Audiobook, 9 hrs., 2 min.
Random House Audio, 2012

Read: November 7 – 10, 2016


Huh. I apparently didn’t write up anything when I first read this. Not only that, but I couldn’t remember a thing about it. At least while I was downloading — chapter after chapter I kept saying, “Oh, that happens in this book?” Some fan I am.

Granuaile is finally bound to the Earth, Atticus starts making things up to Odin, Bacchus tries to get his revenge, Vampires and Dark Elves have similar ideas — as does a certain recently-freed Norse god. Well, many individuals seem to want Atticus dead — preferably before he can bind Granuaile. And well, many, many other things transpire — both positive and dangerous.

Oberon gets to be a hero, as well as comic relief. Which is all anyone can ask for, really.

The way Hearne ends this book is criminal, really — thankfully, I didn’t have to wait too long to get to the next book in the series this time through — I put up with the months of waiting once, I’m not sure I’d have been able to do it again.

I liked the way that Hearne describes the differences between Hermes and Mercury (which carries over to all Olympians both here and the next book) — it reminded me of some of Riordan’s takes in The Heroes of Olympus series, while not duplicating things.

I’ve run out of ways to describe Luke Daniel’s work — it’s just spot-on, not sure what else to say. Hearne’s writing is crisp, well-paced (although I think a couple of the stories from Norse figures drag a bit), and the fight scenes here are among his best. All in all, an important and entertaining installment in this series.

—–

3.5 Stars

Tricked (Audiobook) by Kevin Hearne, Luke Daniels

By

On November 25, 2016

In Audiobook, Fiction, Iron Druid Chronicles, Kevin Hearne

Tricked Audiobook Tricked

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #4

Unabridged Audiobook, 10 hrs., 30 min.
Random House Audio, 2012

Read: October 19 – 24, 2016


This novel is essential to pivot from the first books to the remainder of the series — after drawing attention to himself by killing Aenghus Óg and the other shenanigans in next books, Atticus needs to disappear for a while — but first he has a promise to Coyote to keep.

When I first read this, I summed up the book by saying, “Again, Hearne doesn’t just deal with one people’s pantheon–Tricked is a mashup of Irish, Norse and Navajo stories (with a side order of several representatives from other continents). Not to mention a returning cast of urban fantasy monsters, and plain ole humans. Of course, Oberon gets time to shine after being absent for so much of Hammered, and he steals every scene he’s in.” I think I’ll let that stand for this time through the book, too.

Once again, I love listening to Daniels’ Coyote — and his other Coyote is pretty good, too (it makes sense in context, really). I’ve really got nothing else to say — it’s typical Daniels, fun and easy to listen to — his narration and characters keep you listening and do a great job of bringing the story to life.

It’s not the best book in the series, but it moves the overall story along, provides some good excitement and proves that Atticus doesn’t need his home environs, and his readers can be entertained while he takes his show on the road (which will prove to be a very good thing for the series).

—–

4 Stars

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