Category: Fiction Page 263 of 348

This Damned Band by Paul Cornell and Tony Parker

This Damned BandThis Damned Band

by Paul Cornell, Tony Parker (Artist)

Trade Paperback, 160 pg.
Dark Horse, 2016

Read: October 12, 2016


I’ve struggled for a couple of days now trying to figure out what I can say about this. It’s all about the premise when it comes to this book (a collection of issues from a limited-run series).

This is a comic about one of the biggest bands of 1974, Motherfather, on what could be their last world tour — complete with a documentary crew, a gaggle of groupies, and a manager who could be the hybrid of Wilson Fisk and Colonel Tom Parker. Like many rock artists of the time, Motherfather makes a big deal about worshiping the devil as part of their stage persona. While on this tour (possibly with some psychopharmacological help), they discover they’ve actually been worshiping the devil.

Oops.

Things don’t go all that well from there.

If you like that hook, you’ll like this book. Otherwise, just skip it.

Paul Cornell wrote this, so right off that tells you this is going to be well-written. A little humor, some real people and real emotions, and some seriously messed up supernatural elements. Cornell delivers on the promise of the premise — and a little more. It’s exactly what you want to read given the hook.

As for Tony Parker? I don’t think I’ve seen his stuff before — but I’m going to keep an eye out for it. I honestly can’t think of anyone who could’ve matched the style and story of this book like he did — either in the film sections, the visions/hallucinations, or the rest. Really great work.

I should throw in a quick note here, if it’s not obvious from the subject matter, this is not for kids.

It’s not for everyone, but it’s pretty entertaining. If the concept strikes you as up your alley, it probably is — give this one a shot.

—–

3 Stars

Pub Day Repost: The Twelve Dogs of Christmas by David Rosenfelt

The Twelve Dogs of ChristmasThe Twelve Dogs of Christmas

by David Rosenfelt
Series: Andy Carpenter, #15eARC, 336 pg.
Minotaur Books, 2016
Read: August 27, 2016

I’m not a big fan of holiday-themed installments of long-running series (see the Holiday Plum novels or the Silent Night Spenser novel as glaring examples of how bad these can be). But you know I’m a completist — and if I could make it through the aforementioned books, I could handle this. Thankfully, this was pretty light on the Christmas theme (sure, there are trees and gifts and whatnot, but it’s not really that different from your standard Andy Carpenter novel. So, if you think like I do — don’t worry. If you don’t mind/like a little holiday cheer — don’t worry, you’ll find it.

A friend of the Tara Foundation, “Pups” (so-called because she takes care of stray puppies until they’re old enough to adopt out, and might be pickier than Willie when it comes to worthy humans). Is facing eviction because of the large number of puppies she has in her home, and a new neighbor is complaining. Pups isn’t really what you call “friendly,” “polite” or someone who “should be allowed to interact with people.” She’s crabby, opinionated, blunt and has no patience for fools — particularly fools that seem intent on messing with her and her puppies. So Pups has said a few things that make it sound like she’d be happy if the neighbor stopped breathing.

Which, naturally, means that he ends up killed and that someone did a really sloppy frame job on ol’ Pups. The frame job is actually bigger than just this one killing, but you can read that for yourself.

Why prosecutors continue to play hardball with Carpenter clients, I just don’t get. I never understood why Hamilton Burger insisted on taking Perry Mason’s clients to trial, and I can’t understand why New Jersey’s prosecutors don’t just dismiss charges the instant that Carpenter and Hike show up on the other side of a courtroom. But they don’t, which means we get to watch Andy do his thing, fret about his jury deliberation superstitions, and annoy a judge. Who could ask for more?

I really think the mystery, the culprit and the way things unfold in Twelve Dogs is better than the last few books in this series. Everything’s clicking just like it should in these pages. This may be some of the best Marcus material in quite a while — the way that the gang leader acts around and talks about “Mr. Marcus” tells you more about Marcus than anything that Andy could possible tell us. The book would be worth reading just for that.

Minor spoiler: and hopefully once the book is published, this’ll be taken care of. It was a shame to see Andy betting since he and Ricky and just made a promise to stop doing that about a third way through the last book (I’m too lazy to look up page number, an approach Andy would probably endorse) — and Laurie made it clear that he was expected to keep that promise. It’s a minor note that I probably only caught because I read the two passages in the same 24-hour period.

It’d be really hard to rank Carpenter books in terms of happy and/or sweet endings. But if you were bored/ambitious enough to take on that task, I’m pretty sure that this would find itself close to the top. A great addition to one of the more entertaining mystery series around.

Disclaimer: I received this eARC from Minotaur Books via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

Elphie Goes Trick or Treating by Hagit R. Oron, Or Oron

Elphie Goes Trick or TreatingElphie Goes Trick or Treating

by Hagit R. Oron, Or Oron (Illustrator)
Series: Elphie’s Books, #3

eARC, 15 pg.
Orons, 2016

Read: October 15, 2016


We’re back for another batch of fun with Elphie — this time her Halloween is off to a rocky start. Her mom is able to help her out a little bit, and gets her out the door. But that’s not the end of the trouble — but her friend Phante comes through and saves the day, getting Elphie to see how silly she was being. I actually thought they were going to end up in a different direction after her initial hesitation with the costume, but liked theirs better. But that’s not all — Phante starts having problems, and Elphie comes through and saves his holiday.

One plus to this book is that it’s not just about people helping Elphie with something. It’s everybody (including the neighbors) pitching in — not that there’s anything wrong with Mom and Dad helping out Elphie, but the variety is nice.

Okay, I’m in danger of writing a post longer than the book, so I’ll wrap up. As always, it’s a cute story with fun art — an elephant in a tiger costume is just what you need to bring a smile to your face. This continues to be a series I recommend to those who are looking for picture books.

—–

3 Stars

United States of Books – Rabbit, Run by John Updike

I think Teri liked this one a little more than I did. A few years back, I read it and threw up a few paragraphs onto Goodreads, which I posted here a while ago. After reading Teri’s more thoughtful review, you might want to check out mine, which I tagged (somewhat aggressively) “Why Would Anyone Read This Willingly.”

Rabbit, RunRabbit, Run

by John Updike

Author: Teri at Sportochick’s Musings

Synopsis

Rabbit, Run is the book that established John Updike as one of the major American novelists of his—or any other—generation. Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

Review

Throughout the book I kept hoping that Rabbit would find himself and become a man, husband, and father but he just kept getting more confused. It was apparent that this man couldn’t make up his mind about anything and that he would drift forever lost. Also what was abundantly clear was that he had no conscience. He just couldn’t figure out what was right and what was wrong nor would he take responsibly for his part in any of the events that lead to his baby’s death, his wives destructive life, his son’s feeling of loss or his mistresses pregnancy.

Reverend Eccles was the one of two redeeming characters in this book. He tried really hard to help Rabbit but in reality Rabbit starts to lead him astray no matter how hard he continually tries to help. Ruth, his mistress, well she was someone to be admired. She understood who Rabbit was, stood firm and strong about them ending their relationship with her taking care of the baby they would still have.

The book ended just as I thought. Rabbit is so confused. STILL! Bye bye Rabbit! Keep running away from life but realize you will never have one you love till you confront yourself.

I give this 1 star. I just disliked the main character, Rabbit, too much to find any value in this book.

NYPD Red 2 (Audiobook) by James Patterson, Marshall Karp, Edoardo Ballerini, Jay Snyder

NYPD Red 2 NYPD Red 2

by James Patterson, Marshall Karp , Edoardo Ballerini (Narrator), Jay Snyder (Narrator)
Series: NYPD Red, #2

Unabridged Audiobook, 8 hrs, 8 min.
Hachette Audio, 2014

Read: October 6 – 7, 2016


Yeah, I was underwhelmed by NYPD Red, but thought that maybe this series would pick up a little, with everything established in the first. Wow, was I wrong.

This is basically a Dexter retelling — murderers who got off thanks to good lawyers, bad prosecutors, etc being kidnapped, tortured and killed. Before they’re killed, they record a video confession to their crimes, which is uploaded to YouTube shortly after their body is discovered.

Of course, one of the victims is the campaign manager for a mayoral candidate, and the body is discovered 8 days before the election — making the whole investigation a political issue in addition to a pressing crime. Given the prestige and notoriety of the latest victim, the case is bumped up to the NYPD Red team.

From there, it’s pretty much a paint-by-numbers affair — I called the whole thing, even the twists, early on. There’s so little to commend in this book that I can’t think of a positive way to finish this sentence.

I guess I understand why you’d have two narrators for the audiobook — one for the first person detective narration, one for the other perspectives. But I think we’re all smart enough to follow things with just one voice. Both narrators did a decent job, but nothing remarkable. They probably did the best they could with the flat prose and dull dialogue.

Dull, predictable plot with personal side-stories that made me like everyone less. Both authors are capable of such more — I don’t know why they aren’t delivering with this series.

—–

2 Stars

The Dispatcher (Audiobook) by John Scalzi, Zachary Quinto

The Dispatcher The Dispatcher

by John Scalzi, Zachary Quinto (Narrator)
Series: The Dispatcher, #1


Unabridged Audiobook, 2 hrs, 19 min.
Audible Studios, 2016

Read: October 5, 2016


Last year, when he was in Boise, I heard John Scalzi read the first chapter of this book and I’ve been waiting for this ever since.

It’s an Urban Fantasy set in a world where natural or accidental death is possible, but if you’re murdered there’s an almost 100% possibility that you’ll come back to life. Huh? Yeah — heckuva hook, right? There’s no explanation for this, it just started — and it may just end at some point. But in the meantime people are taking full advantage of this.

Tony Valdez is a dispatcher — insurance companies and individuals have started hiring dispatchers to “dispatch” someone just before they die, so there’s a good chance — a fantastic chance, really — that they’ll survive. One of Tony’s coworkers has disappeared and a Chicago police detective has drafted him to help her track down his colleague. To find him, they have to look into the dark side of the dispatcher trade and the desperate lengths some will go through to extend the lives of their loved ones or themselves.

It was a fun book to listen to, a story that drew you in and drug you along to the gripping end. But once it was over, and I started thinking about it, all sorts of questions came to mind, not really plot holes, just things that weren’t adequately addressed. I think a lot of it was length, if this had been a novel, some of them wouldn’t have come up. The more I thought of it, it was almost like this novella was Scalzi’s attempt to prove a point/win a bet that, yes, he can write UF. A strongly written, convincing story that entertained from beginning to end — but there was just no heart to it, it just seemed like a writing exercise.

Quinto did a bang-up job — I think I only thought of him as the actor once or twice — he nailed every bit of this. If that whole movie star thing doesn’t work out for him, he could have a future doing this sort of thing. I should probably give this an extra star just for his work.

Very entertaining, a great experience — just don’t think about it too terribly much.

—–

3 Stars

The House of Secrets (Audiobook) by Brad Meltzer, Tod Goldberg, Scott Brick, January LaVoy

The House of Secrets The House of Secrets

by Brad Meltzer, Tod Goldberg, Scott Brick (Narrator), January LaVoy(Narrator)

Unabridged Audiobook, 10 hrs, 14 min.
Hachette Audio, 2016
Read: September 22 – 28, 2016


I’ve appreciated the work of Meltzer (comics only, haven’t tried a novel) and Tod Goldberg in the past, so I was intrigued by the idea of them working together, but the book itself just didn’t seem like my cup of tea. Then I heard them interviewed on The Writers Panel podcast and I changed my mind (give it a listen, it’s fun).

Boy was that a mistake. Mostly.

So, the host of a Ripley’s Believe it or Not-esque show all about the crazy conspiracies, hidden stories, and unexplained throughout history is about to retire but is killed in an auto accident. His son and daughter are in the car with him — Junior survives with minor bumps and bruises, Hazel is seriously injured and suffers a traumatic brain injury. She pretty much forgets who she is.

She starts investigating her own background and starts finding questions about her father and his show — there seems to be more than just a TV show afoot. And…yeah, I just can’t care enough to do more than this, I’ve already spent more time on this than I wanted to.

It was a fun, potboiler-y book that was entertaining enough to justify the ten hours — and then the ending, the explanation for everything, and the denouement were horrible. Not just disappointing, but worse. It really made me mad.

I typically like Scott Brick’s narration — but something about the approach he used this time just didn’t work for me. I can’t put my finger on why — maybe it was a bit too aggressive sounding? Like I said, I really don’t know. I did find LaVoy’s work interesting and engaging, however. Maybe it was the contrast between the two that left Brick’s performance wanting (I don’t think so, but it’s a thought that occurs).

As frustrating as I found the story (eventually beyond frustrating), it was an entertaining, gripping book. Structurally sound, moved along at a good pace — everything you want in escapist fiction. But man . . . the ending (and really all of it, therefore, as it is a mystery) was plain ol’ bad. The first 9-ish (maybe 8-ish) hours were good enough that I can’t rate this too low (but man, the ending made me want to).

—–

2 1/2 Stars

I Was a Bitch by Emily Ruben

I Was a BitchI Was a Bitch

by Emily Ruben

Kindle Edition, 401 pg.
Inkitt, 2016

Read: October 3 – 4, 2016


There’s a moment in teen comedies where the ugly duckling (who’s become the beautiful swan, backstabbed/betrayed/turned on/disappointed their life-long friends and become a real jerk) is forced to realize that what they’ve become and what they’ve done — from The DUFF to Can’t Buy Me Love and all points between (and probably points earlier), this is a standard and pivotal plot point. Can this be done in a tired and clichéd way? Yup, and regularly is. Can this be done in a creative and worthwhile way? Yup. But it’s hard to pull off.

And then Emily Ruben comes along and does this in a creative and worthwhile way — and makes it look like a walk in the park. Don’t get me wrong — making something look that easy takes a lot of work, I know this. But Ruben makes it look effortless. And one of the many creative things she does with this is who she has tell her protagonist that she’s become a bitch — herself.

Lacey comes out of a coma that’s lasted months and doesn’t remember the last couple of years. She starts using context clues, Facebook, utter strangers appearing in her hospital room, text messages, etc. to start piecing those two years together. What she learns about herself does not please her. She’s in shape — beyond that, she’s in great shape and dresses to flaunt it. Her “friends” are equally hot, as shallow as you’d expect and just nasty to others. Her boyfriend might as well be wearing a Kobra Kai uniform. She’s hidden some aspects of her personality — her sense of humor, kindness, clumsiness, intelligence, bookishness — and replaced them with, well, not much.

But there’s this Finn guy — who no one seems to know, but he sure seems to know her. Possibly more attractive than her boyfriend, definitely nicer than anyone she’s not related to. Just who is he, and what is he to her?

Lacey continues to investigate these questions (and more) while she recovers, goes through physical therapy, and returns to high school. And once she gets some answers — and some of her memories — about who she had become in the last two years, she has to make some decisions about who she’s going to be from now on.

We don’t get a full explanation of why Lacey took the steps she did to become who she became — but we get enough (and I think Lacey feels the same way). I like the fact that we are left with a few “i” not dotted and a handful of “t”s not crossed. Ruben had to resist a good deal of temptation to keep things vague at points — kudos to her.

I have a growing impatience for books who maintain dramatic tension through characters not having the guts to be honest with each other, to ask a question, to make a confession (not to a crime, but to something that’ll be uncomfortable) — but that’s just me. My notes are full of me complaining about Lacey ducking opportunities to have these conversations. By having her character take this road, Ruben doesn’t do anything that 97%+ of writers in all media wouldn’t do — sure, it’d be nice if she swam against the stream, but I can’t fault her too much for this.

Outside of those books where the parents/a parent/guardian/older family member turn out to be the villain, I can think of few worse parents than Lacey’s. I get that after a few months, they can’t afford to spend all day at the hospital — they have to work to pay the bills. But there are plenty of hours in the day for them to get over there after work — they regularly spend days without visiting her. And big brother comes back from traveling the world to be with her during her recovery — and he’s barely a presence. Sure, this gives time for her to deal the memory thing and the romantic problems, but it’s just done in a way that infuriates parents — there’s no way that any parent worth their salt isn’t around more. (it doesn’t get much better once she gets out of the hospital, either).

I loved Lacey’s voice, her interior monologue — who she really was. Her use of the phrase “Neville Longbottomed” to describe her physical changes is one of the best things I’ve read lately. I had a lot of fun reading this book and expect I won’t be alone.

As a forty-something father of four — I’m so not the target audience for this, possibly the furthest from it. But I gotta say, this was an enjoyable and entertaining read.

Disclaimer: I was provided a copy of this book by Inkitt in exchange for my honest opinions.

—–

3.5 Stars

Venators: Through the Arch by Devri Walls

Venators: Through the ArchVenators: Through the Arch

by Devri Walls
Series: Venators, #1

Kindle Edition, 300 pg.
Superstorm Productions, 2016
Read: October 7 – 10, 2016

So this is a strange double-portal fantasy — six years ago Tate and some other creatures come into our world and run into Grey Malteer and some others, and disappear soon afterwards. Tate (and some others) comes back to check up on Grey and let him know about his destiny. In the meantime, Grey’s discovered he has some strange supernatural abilities — and has been teaching himself to use them in secret — he’s also been doing some research into the supernatural in the open, which is not such a great idea for a socially awkward teen — he might as well attach a “Kick Me” sign to his back himself.

About the same time, Rune’s twin, Ryker starts acting a little strange (and definitely takes advantage of the metaphorical “Kick Me” sign). Rune starts to feel differently about her brother and the supernatural, but there’s nothing she can put her finger on — so she bows to parental pressure and devotes herself to three things: academics, sports, and keeping Ryker from self-destruction. She excels at all three.

Six years later, the three are in college and Tate returns to bring Rune and Grey back to his world. A world where they are Venators (hunters) — keeping the vampires, werewolves, goblins, elves, fae, dragons, etc. in line. Eon is home to pretty much every mythological creature you can think of — and a few that Walls has invented on her own. The Venators are a line of human hunters supernaturally immune to the various abilities and magics of them all, whose duty it is to keep order in the land.

For various and sundry (largely undisclosed) reasons, most of the Venators are dead and gone — only these two remain. Tate and some of his allies, under the watchful (and not entirely corrupt) eye of the Council will train them to fulfill their destiny and restore the Venators to their rightful place.

Throw in a distrustful populace, a mysterious and powerful enemy, and a couple of super-powered impetuous and idealistic youths and you’ve got yourself a heckuva story.

Walls writes with a confidence and flair that helps the reader trust that she’ll be able to make sense of a fairly jumbled beginning (not bad, but could’ve been easier to navigate). Once we get into Eon, she balances plot, character work and worldbuilding to create a foundation for a promising series. I wondered a couple of times if the characters could’ve been developed a little more fully, but the work as a whole was strong enough that I was willing to roll with it and assume she’ll give us fuller characters next go around.

A quick-moving introduction to an interesting new reality. Give this one a shot — Walls will entertain you.

—–

3.5 Stars

Genrenauts: The Complete Season One Collection by Michael R. Underwood

Genrenauts: The Complete Season One CollectionGenrenauts: The Complete Season One Collection

by Michael R. Underwood
Series: Genrenauts, #1-6

Kindle Edition, 544 pg.
2016


Parallel to our world are various worlds populated by fictional characters in a wide variety of genres (Western, SF, Romance, etc), and when things go wrong in the stories, things go wrong in our world. For example, broken Romance world stories = higher divorce rates here. In this world, there are a number of teams of story specialists who shift to the other worlds to fix the stories and set things back on course here. Leah Tang — a struggling stand-up comic by night, struggling receptionist by day — is the newest recruit. Join her as she learns the ropes, rights wrongs, struggles with ethics, and gets shot at while cracking jokes.

Originally printed as 6 episodes in 5 novellas, now collected in one season-long omnibus, Genrenauats as become one of my favorite series this year and I’m glad to get one more chance to talk about it with the release of the collection this week.

There’s a great cast of characters here, all of which deserve the reader’s time and focus. For example, I was tempted to not-really-ignore, but relegate Angstrom King to back burner status in my mind. He’s the leader, he points the team in a direction, but the real excitement’s with the rest. This was a mistake on my part — think of him like Capt. Picard. Sure, for the most part he sits around in his ready room with some Earl Gray (hot) — but really, some of the more interesting things that happen in he series are because of his actions. King’s not Jean-Luc, but there’s a similar quality.

I love a good team — fiction, TV, comics, you name it — the interaction, the teamwork, the dynamics, there’s really nothing like it. There’s a great team in these novellas — some of the intra-team camaraderie got pushed aside for a little romance that doesn’t really work for me (but I get why it would for others and appreciate the way Underwood’s tackling it). Overall, it’s built on solid interactions and relationships that have plenty of room to grow and develop over the many seasons that we hopefully get of this.

Each adventure gives Underwood an opportunity to talk about various genres — to talk about the clichés, tropes, archetypes, pluses, minuses, and so on of each genre. And one visit to each won’t be enough to fully explore these. Don’t get me wrong, we’re not talking Master’s Theses-esque discussion, he jokes about them, plays with them, sometimes turns them upside down while telling his tale.

The collection includes:
The Shootout Solution — We meet Leah Tang, Angstrom King and the rest of his team. We’re also introduced to the concept of Genrenauts, Story Worlds, the effects that they can have on our world — also, we get a pretty decent story in Western World. Not bad for 148 pages. (For more details, you might want to read my original blog post, my blog post about the audiobook)

The Absconded Ambassador — The team goes to Science Fiction World to help out on a DS9-like Space Station. On the verge of a major treaty being finalized and signed, the Terran ambassador has been kidnapped. It’s up to King and co. to rescue the ambassador and keep the shaky alliance from crumbling in her absence. We learn a little more about everyone, and while having a lot of fun with genre conventions. ( my original blog post, my blog post about the audiobook)

The Cupid Reconciliation — The team gets back up to full strength in time to go rescue a Rom-Com gone awry. Underwood really lets things fly when it comes to observations about the genre and playing with conventions while using them for comedic — and narrative — value. Also — a couple of seeds that were planted in the first two novellas are watered enough that you can see season/season-plus story arcs beginning to grow. The series took a big jump in quality here. ( my original blog post)

The Substitute Sleuth — A Police Procedural needs some help, a no-nonsense cop’s off-the wall/out-of-the-box partner takes a bullet and another pair of mismatched detectives needs to come in and close the case. We get some major backstory stuff here, and the season arc is moved along nicely. The detective story itself isn’t my favorite, but what Underwood does with the tropes, themes, conventions, etc. is really good — it is more of a TV detective story than a novel detective story. Think Castle, not Harry Bosch (whoops, thanks Amazon, you ruined that point…). ( my original blog post)

The Failed Fellowship (Part 1 & 2) — This think kicks off with Leah Tang ranting about fantasy fiction and 5 episodes later, she gets to spend 2 episodes in Fantasy World, where a Chosen One with a Magic Artifact story has fallen to pieces. Leah’s in hog heaven, the rest of the team are at the top of their game and Underwood is, too. Rollicking good adventure. Best of the batch in every way. ( my original blog post)

I dig this series, and having all of the novellas in one handy collection is going to make it easier (I hope) for others to discover it — the collection is also a little cheaper than buying all the individual stories, which will also going to make things easier for people to discover it. If you haven’t dipped your toe in this world/these worlds yet, what are you waiting for?

—–

5 Stars

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