Category: Fiction Page 263 of 351

A Few Quick Questions With…Kimberlee Ann Bastian

So, for the second post on The Breedling and The City in the Garden book tour, we got a few questions with the author, Kimberlee Ann Bastian. As usual, I kept it short and sweet, because I’d rather she work on her next book than take too much time with me.

I see that this is being billed as a “reboot” of the novel — what does that mean for you and the book?
All it really means is that my first attempt was a dress rehearsal. I learned a great deal of what not to do when self-publishing and really it boils down to not cutting corners where your book is concerned. Not that I meant to cut corners. I just didn’t have the proper funds. You’re either all in or you’re not and though my first intentions were good and I had the drive, it wasn’t quite what I imaged it would be. Now, with the brilliant team at Wise Ink Creative Publishing, I have an extraordinary team to work with and all the tools an indie author needs to realize his or her vision. The Breedling and the City in the Garden is now, after eight years of trial and error, the way it was always meant to be with all the professional bells and whistles included.
Most authors have dozens of ideas bouncing around their craniums at once — what was it about this idea that made you say, “Yup — this is the one for me.”?
The idea for the Element Odysseys came to me at a time when I actually had no other ideas running through my head. I put all my energies into the concept and it really helped me write my way out of a trialing situation and once I started, I couldn’t stop.
What kind of research — if any — did you have to do for this? Uncover any nuggets that were so great that you had to rework the story just to fit some of your research into things?
The research journey for this book and for the series in its entirety has been fascinating. I have tapped into every vital online database, read countless books and articles. Watched a few documentaries and I went above and beyond the scope of what has made it into the final version of the story. I have even visited the sites of Chicago where the story takes place, or what’s left of them. For The Breedling and the City in the Garden, the greatest historical nugget I found came during my second round of editing when I was working on changing the title. I came across the Great Seal of Chicago, which on the seal the Latin phrase Urbs In Horto is present. Upon learning the translation Garden City or City in the Garden, I knew I had to reference it in the story and ultimately it became the second half of the title.

Who are some of your major influences? (whether or not you think those influences can be seen in your work — you know they’re there)
I think for this first book I pulled a great deal of inspiration from Charles Dickens’ Oliver Twist, Irene Hunt’s No Promises in the Wind and Mark Twain when creating the historic feel of the story. For the mythology elements of the story, I did draw a little from HBO’s Carnivale in how to blend the historical with the fantastical. Although for those familiar with the series, I’m not nearly as abstract. Subconsciously, I probably took some inspiration from Harry Potter as well, for I have already been told the opening chapter is reminiscent of Dumbledore and McGonagall in the beginning of The Sorcerer’s Stone (The Philosopher’s Stone).
What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
This is the hardest question by far—haha. (pauses to contemplate) In the book category, I’d have to say Erin Morgenstern’s The Night Circus. I’m also going to go a little rogue and choose a musical, Lin Manuel-Miranda’s Hamilton: An American Musical, it is my current obsession.

Thank you kindly for letting me swing by The Irresponsible Reader, H. C. It has been a blast chatting with you! Happy Reading.

Thanks for your time, Ms. Bastian, I wish you and the release the best.

The Breedling and The City in the Garden by Kimberlee Ann Bastian Book Tour

Welcome to our Book Tour stop for The Breedling and The City in the Garden. Along with this blurb about the book I’ve got a Q & A with the author, Kimberlee Ann Bastian and my 2¢ about the book coming up (the links will work when the posts go live).

Book Details:

Book Title:  The Breedling and The City in the Garden (The Element Odysseys Book 1) by Kimberlee Ann Bastian
Category: YA fiction, is also intended for Adult (18+) readers
Length: 280 pages
Genre: Historical Fantasy
Publisher: Wise Ink Creative Publishing
Release date: September 20, 2016

Content Rating: PG-13 This book is rated PG-13 for time period slag (no F*words), violence and mature themes associated with the historic time period such as smoking, drinking, gambling, and death (no sexual scenes).

Book Description:

Absolute obedience, servitude, neutrality.

These were the laws that once governed Bartholomew, an immortal soulcatcher, until one ill-fated night when he was forced to make a choice: rebel against his masters or reveal an ancient, dangerous secret.

He chose defiance.

Imprisoned for centuries as punishment for his decision, Bartholomew wastes away—until he creates an opportunity to escape. By a stroke of chance, Bartholomew finds himself in the human world and soon learns that breaking his bonds does not come without a price. Cut off from the grace that once ruled him, he must discover a new magic in 1930s Chicago.

Armed with only a cryptic message to give him direction, Bartholomew desperately tries to resume the mission he had started so long ago. Relying on the unlikely guidance of the streetwise orphan Charlie Reese, Bartholomew must navigate the depressed streets of the City in the Garden. But in order to solve this riddle, he must first discover if choice and fate are one in the same.

Buy the Book

Amazon ~ Barnes & Noble ~ Author’s Website

Meet the Author:

Kimberlee Ann Bastian has a unique love affair with American nostalgia, mythology, and endless possibilities. This melting pot of elements is what prompted the creation of her epic ELEMENT ODYSSEYS series, starting with the reboot of her debut novel now titled THE BREEDLING AND THE CITY IN THE GARDEN.

When she is not in her writer’s room, working her current “day job”, or consuming other literary worlds, she enjoys hiking and cycling around the bluffs of your Southeastern MN home and catching up on her favorite pop culture. ​
Website

Twitter

Facebook

Pinterest

Instagram

Cyber World: Soundtrack of Humanity’s Tomorrow

Cyber WorldCyber World: Soundtrack of Humanity’s Tomorrow


Hex Publishers, 2016


I enjoy music, I listen to a lot of it — but I’m no expert, so take this for what it is.

Okay, I’m not technically an expert on the other stuff I write about, but I’m closer to one when it comes to writing than I am music. But at least with books I have an idea how to talk about them, I really don’t know what to say about music — “I give him a 42 but I can’t dance to it!”

There’s a very 80’s-vibe to a lot of this music (a good thing, by and large, in my opinion . The Scandroid songs sound to me like something out of a British synth-pop band. Which may make it less than appealing for some, but it works for me (although some of the lyrics could be more interesting). I did learn what the word “Aphelion” means, though, so there’s that.

The best stuff on the album are the instrumentals — Celldweller’s “Patched in” is great background music — I’ve already been using while writing and reading. Which is not to take anything away from Mega Drive’s two songs — I alternate which of those I like best, but both are getting a lot of play time on my devices.

The three instrumental songs, in particular, do a great job of getting you into the right mood for the kind of stories the book tells — where those with vocals take you back to the era where Cyberpunk was born. So they can also put you in the right frame of mind.

A good companion piece to the anthology, and a fun listen overall. I recommend it.

Disclaimer: I was provided with a copy of this album by the publisher, which was going above and beyond. I thank them for this — it was very generous and pretty cool of them.

—–

3 Stars

Cyber World by Jason Heller and Joshua Viola, eds.

There’s a soundtrack to this anthology, and I’ll be posting about that tonight — short version: if you like music that shares the same roots as these stories, you should check it out.
—

Cyber WorldCyber World: Tales of Humanity’s Tomorrow

by Jason Heller, Joshua Viola eds.


Kindle Edition, 250 pg.
Hex Publishers, 2016

Read: October 26 – 31, 2016


Heller insists in his Afterword that this is not a collection of Cyberpunk stories, and who am I to doubt him? Although it feels pretty punk to ignore the Editor/The Man. It sure feels like Cyberpunk — but I’m also pretty sure that it doesn’t matter what I call it, as long as I say that it’s good, strong, creative, mind-bending, and occasionally mind-blowing. I can’t summarize this anthology better than Hex Publishers did:

Cybernetics. Neuroscience. Nanotechnology. Genetic engineering. Hacktivism. Transhumanism. The world of tomorrow is already here, and the technological changes we all face have inspired a new wave of stories to address our fears, hopes, dreams, and desires as Homo sapiens evolve—or not—into their next incarnation.

Cyber World is a collection of this new wave of cyber-inspired tales, that should appeal to a wide audience. There’s part of me that wants to write a paragraph or two on each story — well, most of them — but I don’t have the time for that, and I can’t imagine many of you would read it. So I’ll opt for brevity. As I read through this collection, I noticed that my notes had a theme, I’d consistently remark on three aspects of the stories: 1. The Premise/Cyber-Conceit; 2. The Story/Characters; 3. The Language Used/Way of telling the story. Now, this actually sounds like a pretty decent strategy to approaching these, but I’m not clever enough to do that deliberately, apparently. Almost every story here nailed two, if not three, of these aspects.

There was a story that only scored on one front for me, but I’m not going to mention which one, because I know others will strongly disagree with me — I might even disagree in 6 months — so I’m not going to focus on it. Even those stories that didn’t do much for me, I can absolutely see where others would say that they’re a favorite. Usually, when I read a bunch of short stories I don’t see where people would have much appreciation for some of them (I mean, I know tastes vary, but sometimes you just don’t get why people like stuff). Not here — tough to ask for more than that. The writing is on point — lean, terse, quick-moving — with the occasional appropriate exception. There’s something that made me smile about all but one of the stories. The voices are strong and individual — yet pretty much clearly belong together.

I do want to talk about a few of these — sorry, no one really wants to read about how I write these things, but I think this says something. I wrote that fragment, and then took one more look at my notes, trying to find 3 or 4 stories to focus on and I came up with four in a row and stopped myself before things go out of hand. Again, this speaks to the strength of this collection. I still wasn’t able to restrict myself to 4, though:

  • Mario Acevedo’s “Reactions” is maybe too-brief, but a compelling look at remote warfare drugs and the effects of both of those on the brain/soul. Just enough zag to his pretty obvious zig to make this a keeper.
  • “The Rest Between Two Notes” by Cat Rambo contains this line:

    But this is New York City, and there can be traffic jams or terrorist threats or flash plagues to contend with…

    “flash plagues.” I love that concept. There’s just so much — probably a novel if someone wanted it, in those two words. The rest of the story was pretty weird and disturbing, and though provoking on its own, but those two words (for me) sealed it as a favorite.

  • “The Faithful Soldier, Prompted” by Saladin Ahmed reflects the international flavor of this book as well as featuring an odd mishmash of spam emails and religious revelation. Something only Ahmed could probably pull off.
  • “Staunch” by Paul Graham Raven pushed just about every stylistic button for me — mix of bio/technical/cyber/genetic fiction, plus political/economic commentary — and a whole bunch of other stuff — while telling a tight story.
  • “Will Take Care of Our Own” by Angie Hodapp is probably the most accessible, closest to mainstream story in this batch. Which doesn’t stop it from being a great story about politics, with some interesting commentary on contemporary issues — just what SF is supposed to be about — with a good fallible protagonist.
  • Minister Faust’s “The Ibex on the Day of Extinction” felt very different from most of these stories, and I don’t know how to talk about it without spoiling the whole thing, but I wanted to focus on how good it was.
  • “The Singularity Is in Your Hair” by Matthew Kessel — can I use the word “sweet” about one of these? Probably not, but this tale about VR helping a person with a debilitating disease experience more than many people is very close to it.
  • “A Song Transmuted” by Sarah Pinsker just blew me away several times.
  • “It’s Only Words” by Keith Ferrell — is almost a counter-point to the worlds the rest of these take place in — a dash of Thoreau to rebut the rest.
  • “The Bees of Kiribati” by Warren Hammond was just freaking chilling — a police interrogation to a heinous crime, becomes so much more. I want a book in this world, now. Just without the creepy killer (it can have another creepy killer, I just don’t want anything to do with this one again).

Heller (and I read his book Taft 2012 before starting this blog, so you can’t read all the nice things I thought about it at the time) and Viola did a bang up job with this collection. They might not love the label cyberpunk (but someone neglected to tell those who wrote blurbs, or the promotional material I read), and perhaps it’s not the most accurate — but if these stories aren’t Cyberpunk, they’re the result of evolution from Cyberpunk. Cyber World is a direct descendant of Mirrorshades — a couple of these stories could’ve easily been included in that collection (but some require more current cultural/technological input).

Don’t read too many of these in one sitting, it takes away some of the impact — but you’ll have a hard time stopping once you start. One of the best collection of stories I’ve read in forever.

Disclaimer: I was provided with a copy of this book by the publisher in exchange for this post and my honest opinion. I thank them for this.

—–

4 Stars

The Lost Child of Lychford by Paul Cornell

The Lost Child of LychfordThe Lost Child of Lychford

by Paul Cornell
Series: Witches of Lychford, #2

Kindle Edition, 144 pg.
Tor.com, 2016

Read: November 2 – 3, 2016


It’s been a few months since Reverend Lizzie Blackmore, Judith (the elderly witch), and Autumn (now her apprentice and her employer) fought off the supernaturally corrupt megastore (and probably mundanely corrupt, too, come to think of it) and life has moved on in a relatively normal way. The three have forged some sort of alliance — easy for Autumn and Lizzie, already close, but learning new things about each other; not so easy for Judith to be accepted and to accept them, I don’t think. Autumn’s learning from Judith, while getting some help in her shop (which seems like a small town version of Atticus O’Sullivan’s and Alex Verus’ shops combined). Judith’s got something to do, a way to pass on her knowledge, and Lizzie is super-busy with pre-Christmas activities in the church.

But given everything we learned about Lychford, it’s not terribly surprising that things won’t stay that way, it’s just a question of what kind of other-worldly strangeness will come calling first.

In this case, it’s a ghost — or ghost-like apparition — that came to Lizzie at church. A small child looking frightened and worse for wear, with a simple request of: “No hurting.” Now, our trio can’t all agree on what the apparition is, but they can all get behind the idea of “No hurting.” They just have to figure out if that’s something they can stop — and then they’ll worry about the how. Neither piece of that plan works the way that it’s supposed to, but it seems these three are pretty good at improvising. Autumn, in particular, seems particularly adept at that.

I appreciated the fact that each of these women make one significant mistake (and probably some smaller ones) — two that come from inexperience, one that proves that experience doesn’t equal infallibility. They’re all believable, they do more than just advance the plot, they are honest with the characters and situation. Too often in novels you’re left wondering why a protagonist would be so stupid as to do X — when really it comes down to they have to do X or the really cool Y thing can’t happen at the end. That doesn’t happen here — sure, the attentive reader might be able to see the blunder coming around the corner, but there’s no reason to think that our protagonists should until it’s too late. Because while these three are fictional characters, Cornell imbues them with a genuineness, a substantial-ness that’s fitting for a real person (sadly, not always present with them, however).

Man, I had to use DuckDuckGo a lot to get all the cultural details in these pages — I know next to nothing about Anglican Christmas festivities, and less about British Christmas Pop Music. I’m not sure how much I’ll benefit long-term from this research, but it was interesting. I might have been better off not knowing anything about Greg Lake and his song, though.

If there was such a thing as magic, it wouldn’t look like anything from Harry Potter, Harry Dresden or some other fantasy series starring a Harry. It’d look like this, I wager. Quiet; shadowy; right out in the open, yet somehow unseen. All substance, no flash. Oh, yeah, and creepy — can’t forget creepy and inexplicable. Which is pretty much everything that happened in this book — up to and including most of the things the trio does to prevent things from getting really out of hand. It’s hard to talk about realism in a fantasy novel, but Cornell’s one of those that make you do that.

The Witches of Lychford was thoroughly entertaining and did a great job of establishing this world. This novella took full advantage of that to tell a more compelling story. I don’t think it’s absolutely necessary to read Witches first, but it’d help a lot. “I Believe in Father Christmas,” notwithstanding, I thought The Lost Child of Lychford lived up to its predecessor and left me eager to return to this little village.

—–

4 Stars

Deceiving Bella by Cate Beauman Book Tour

I’d like to welcome Cate Beauman to our lil’ patch of cyberspace for this tour stop. Her stuff looks good — check it out.

Ethan Cooke Security and their bodyguard team return to action in Deceiving Bella – book eleven in Cate Beauman’s Bodyguards of L.A. County series.

With over 7700 reviews and a 4.4 rating for the entire series, see why the Bodyguards of L.A. County is a multi-award winning series.

Buy It Now!

Amazon | Kobo | Nook | iBooks

New to the series? No problem! Each book in the “Bodyguards” series is a stand-alone title. Although reading the books in order is preferred, it is not necessary. Each title features brand new primary characters and limited overlapping secondary characters. Don’t hesitate to jump right in!

Deceiving BellaIsabella Colby has always yearned for normalcy. Now that she’s settled in LA, she finally has it. Good friends, a pretty home, and her thriving career as the Palisades’ top skincare specialist are a dream come true. Bella is content until she meets her hunky new neighbor, but her attraction to the blue-eyed cutie is the least of her worries when contacting her long-lost father threatens to destroy her happy life.

Reed McKinley is more than ready to forget the past. His seven-year stint as an NYPD detective nearly got him killed. His wounds have healed and he’s starting over as Ethan Cooke Security’s latest recruit. With sixty-hour workweeks and little time to himself, the last thing on his mind is a relationship. Then he bumps into the gorgeous woman next door.

Reed and Bella become fast friends. Before long, Reed discovers that Bella is keeping dangerous secrets. Bella may have the answers to decades-old questions he’s been searching for. Reed will risk it all to uncover the truth, but he soon realizes that the deeper he digs, the direr the consequences.

One Of Cate’s Favorite Fall Desserts:

I don’t know about you but I love the fall. The air turns crisp and the scenery beautiful, but I think what I love most is the new variety of foods we often eat. We put away the grill for the year (or use it less frequently) and utilize our stoves and ovens more. Typically, I try to share healthier recipes but this is one of my favorite sinful treats. Chocolate raspberry bars are pretty easy to make and they’re great to bring to a potluck or tailgating. Whenever we share these, I go home with an empty plate.

Chocolate Raspberry Bars

  • 1 cup of butter, softened (2 sticks)
  • ½ cup packed brown sugar
  • 2 cups flour
  • 1 can sweetened condensed milk
  • 2 cups semi-sweet chocolate chips, divided
  • Seedless raspberry preserves

Instructions:

  1. Preheat oven to 350-degrees and grease a 9×13 baking dish.
  2. Combine softened butter, brown sugar, and flour to make coarse crumbs. Measure approximately 2 cups of the crumbs and press evenly into the greased pan. Bake for 10 minutes or until golden brown.
  3. While the pressed crumbs are in the oven, combine condensed milk and 1 cup of the chocolate chips in a saucepan and stir together over low heat until chocolate chips are melted and the mixture is combined.
  4. Pour chocolate/condensed milk mixture over hot crust and spread with a spatula until all of the crust is covered.
  5. Sprinkle remaining crumbs over chocolate. Drop jam by ½ teaspoons randomly over crumbs (less is more). Scatter remaining 1-cup of chocolate chips over the entire dish and bake for 25 minutes.
  6. Cool and cut into bars.

Read an excerpt from Deceiving Bella:

They kept a slow pace, strolling in silence as the breeze plastered their clothes to their bodies and the constant sound of waves hypnotized, lulling Reed into relaxing by degrees.

“Thanks for coming with me tonight. It’s nice having company.”

He looked at Bella, staring at the fading light playing off her eyes. “The water smells better than a bunch of sweaty guys.”

“Your gym.” Her brow creased ever so slightly as she held his gaze. “What do you do for fun?”

“Work and box.”

“Sounds…like a good time.”

“I like it.”

“Do you smile?”

He frowned. “Huh?”

“I was wondering if you ever smile—or laugh. I haven’t seen you do either since we met.”

He sent her an exaggerated grin.

She laughed.

He smiled for real this time, finding her laughter infectious.

“You do smile. I wasn’t sure if you had some sort of facial paralysis we hadn’t discussed yet.”

He grinned.

“You should do that more often.” She hooked her arm through his.

He almost missed a step as the warmth of her skin met his, surprised by her casual gesture. He wasn’t used to people being so touchy-feely. “I do it plenty.”

“I’ll have to take your word for it.”

How was it possible she smelled even better now that they stood so close? It had to be her hair. “I don’t know what to say to that.”

She stopped abruptly. “Are you seeing anyone?”

He studied her, not sure that he liked where this was going. “No. You interested?”

She shook her head. “You’re not really my type.”

He tried to ignore the direct hit to his ego. “You’re not mine either.”

Another smile warmed her face. “I think we could be great friends, and I like projects—love them, actually.”

His frown returned. “And that means…”

“It means I like you. And I love that you don’t seem to have any interest in getting into my pants.”

Years of concealing any and all facial expressions kept his eyes from popping wide. “Wow.” He ran his hand through his hair, speechless once again. “Okay.”

She laughed. “I’m a big fan of honesty—putting it right out there.”

He chuckled as he settled his sunglasses on top of his head. “Clearly.”

They started walking again.

“There’s something about you that feels…safe.”

He raised his brow, taken aback. He’d been called many things, but this was a first. “Safe?”

She nodded. “Safe. It’s a good thing, but you’re pretty serious. We need to lighten you up. You need to play more.”

“I play plenty. I box.”

She scoffed, “Beating someone’s face in can’t lead you down the road to happiness.”

Her side brushed his with every step. He imagined he should ease away, break their connection, but he liked the way she felt, that she trusted him. “There’s more to boxing than beating someone’s face in.”

She looked at him as if she wasn’t so sure.

“I’ll have to show you—” He glanced over his shoulder when he realized they hadn’t seen Lucy for a while and laughed as the dog lay on her back in the sand with her front paws in the air. “What is she doing?”

“Sunbathing.”

He laughed again, shaking his head. “I’ve never seen anything like that.” His eyes met Bella’s as she stared at him. “What?”

“You have a great laugh.”

To his surprise, he was having a great time. It shocked him further that he liked Bella as much as she seemed to like him. Being here with her was exactly what he’d needed. “How long do you want to stay?”

“The sun sets soon. It’s the best part.”

The sand wasn’t bothering him much, and he couldn’t remember the last time his shoulders felt so loose. “I don’t have a blanket.”

“We can sit on our shoes.” She tossed hers down. “We can plunk ourselves right here.”

Lucy rolled to her side, stood, and ran their way.

He shrugged, dropping his flip-flops to the ground. “I guess this is as good a place as any.”

“It’ll be spectacular.” She took his hand, pulling him down next to her. “You won’t regret it.”

“We’ll have to remember a blanket next time.”

She smiled. “You want to come back?”

He stared ahead, petting Lucy when she curled up next to him, breathing in Bella with each inhalation. “I could see myself doing this again.”

She gave his shoulder a bump. “Good. You can be my beach buddy.”

He nodded, liking the idea. “Yeah, sure.”

“Great.”

“Great.” He crossed his ankles in the sand, his foot brushing Bella’s as they settled in to enjoy the show. It had been too damn long since he watched a sunset.

Did you enjoy the excerpt? You can read the first chapter on my website, www.catebeauman.com, or you can finish the whole book with the links below!

Amazon | Kobo | Nook | iBooks

About the author:
International bestselling author Cate Beauman is known for her full-length, action-packed romantic suspense series, The Bodyguards of L.A. County. Her novels have been nominated for the National Excellence in Romance Fiction Award, National Indie Excellence Award, Golden Quill Award, Writers Touch Award, and have been Cate Beaumannamed Readers Favorite Five Star books. In 2015, JUSTICE FOR ABBY was selected as the Readers’ Favorite International Book Award Gold Medalist, while SAVING SOPHIE took the Silver Medal. SAVING SOPHIE was also selected as the 2015 Readers Crown Award winner for Romantic Suspense and FALLING FOR SARAH received the silver medal for the 2014 Readers’ Favorite Awards.

Cate makes her home in North Carolina with her husband, two boys, and their St. Bernards, Bear and Jack. Currently Cate is working on her twelfth full length romantic suspense novel.

 

DO YOU LIKE FREE EBOOKS?

SIGN UP FOR CATE’S NEWSLETTER TO BE NOTIFIED OF OFFERS

AND NEW RELEASE INFORMATION

http://www.catebeauman.com/getmyfreebooks

For a limited time: new subscribers will receive a free copy of Morgan’s Hunter and Falling For Sarah, books one and two in the Bodyguards of L.A. County Series!

Follow Cate

Amazon Author Page
http://www.amazon.com/Cate-Beauman/e/B00A05KHVM/

BookBub
https://www.bookbub.com/authors/cate-beauman

Goodreads
https://www.goodreads.com/catebeauman

Social links:
Twitter: @CateBeauman
www.catebeauman.com
www.facebook.com/CateBeauman
www.instagram.com/cate_beauman_author

The Operator by Kim Harrison

The OperatorThe Operator

by Kim Harrison
Series: The Peri Reed Chronicles, #2

ARC, 468 pg.
Pocket Book, 2016

Read: October 17 – 20, 2016


I loved Peri Reed’s debut in The Drafter last year — it was one of my 10 favorites of 2015, so to say I was eager to read this is somewhat of an understatement. Sure, I was a little apprehensive, too — could Harrison pull it off again? Thankfully, yes she could. You may be able to jump in to the series with this point, but I really wouldn’t recommend it at all. Go read The Drafter.

The Operator picks up with Peri in a much better place (mentally, at least) than we left her in — she’s living out of the business, she runs a coffee shop that’s marketed towards the elite of Detroit — the moneyed, those wanting the most secure networks while sipping their morning caffeine fix, and those willing to spend an exorbitant amount on coffee.

She’s working really hard to convince herself that this is the life she wants when her past catches up with her. And before she knows it, she’s got the remnants of Opti trying to bring her back in — and the government’s version of a “clean” Opti doing their best to recruit her (and honestly, they’re taking more of a “stick” approach than a “carrot” approach).

Faces from her past — those she trusts, but not enough; those she trusts, but doesn’t want to; and those she’ll never trust — compete (on both sides) with people she doesn’t know and doesn’t trust. And, as always, Peri doesn’t even know if she can trust herself — but she’s very clear on what she wants: out. Out of the life, out of the spy business, out of everything that defines her. To get there, she’s going to have to rely on everything that she’s trying to get away from, but that’s a price she’s willing to pay. It may be Quixotic, but it’s all she’s got (other than her cat).

It is difficult to talk about the plot without giving too much away, so that’s as specific as I can get.

If there was a problem with The Drafter was that it was sometimes as confusing for the reader as it was for Peri to know what was going on (I’m not saying, it was poorly written — but as things were filtered through Peri’s perception, which were pretty in flux . . .). In The Operator, we don’t have that problem — Peri’s sometimes not sure what she’s doing, or that she’s doing it for the reasons she thinks that she is — but she’s very clear about what’s going on. Actually, sometimes, I think she’s the only one who sees the whole board and understands what’s going on. Which makes everything much easier for the reader to follow.

She had a clear objective, clear obstacles to overcome, and the gumption and skills to get the jobs done. The only question is: can she accomplish all she’s set out to accomplish before she’s killed or has her mind wiped?

Characters — again, this is tough. I’d like to say X at first seemed like a good antagonist — if not enemy — but then Y happens and X does Z and reveals that they can be a trusted ally and possible friend. But if I’m going to do that, I might as well reveal half the plot. There are some great new character, I’ll say instead, and every one that Peri ends the book trusting/befriending, I’d like to spend a lot more time with. A couple of decent new enemies/antagonists — I think we get enough of them. The people who survived The Drafter and made it to these pages, we learn more about them and pretty much cement our appraisals of from last time out. As always, Harrison gets almost every character note right, I think I’d have an easier time noting where she fumbles on that front.

If for whatever (very wrong) reason you ignore the story, this book is worth reading just for on a tiny little details that Harrison has filled this with to make a slightly futuristic future in this world. You can recognize it as our world, but it’s future-enough to be a totally new world so you don’t recognize everything. I’m not sure those sentences make sense, but you probably get my gist. I could do a post just on the future tech, culture, economics, etc. I’m not going to do that — just not enough time on my hands — but I could, because the world Harrison has surrounded Peri with is just that developed and detailed. And almost none of the details like that have any bearing on the plot beyond grounding the characters. I love that.

This may not be as well executed as its predecessor, but Harrison spent so much of The Drafter setting up the world while telling the story — where this time, she just gets to play in the world and tell the story. I think I enjoyed this one more, while I didn’t admire it as much. I have a few ideas what Peri and the rest will be up to in The Agent, but I’m more than prepared for Harrison to do something better than those. All I know for sure is that it’s too long before it’s released. The Operator is a slick, sleek, SF adventure novel that’s sure to satisfy on several levels.

Disclaimer: I received an ARC of this book from Pocket Books, and I thank them very much.

—–

4 1/2 Stars

Pub Day Repost: Curse on the Land by Faith Hunter

Curse on the LandCurse on the Land

by Faith Hunter
Series: Soulwood, #2eARC, 352 pg.
Roc, 2016
Read: October 13 – 15, 2016

Weeks after the events of Blood of the Earth, newly-minted PsyLED agent Nell Ingram comes back from the training center, “Spook School,” ready to dive into her new role. It seems she comes back just in time for a case that’s right up her alley — strange and magical things are up, and seem to be tied to land. Something big, something powerful and something no one’s really seen before — which sounds a lot like Nell. So instead of doing the grunt work, the Probie work, she’s in the front of this investigation.

The presence of Brother Ephriam in the Soulwood she lives is also still around and doing something that also seems to be involving the tree on her former Church’s compound. She needs to address this, she knows, but the threats to the general public and local wildlife take priority. She also seems reticent to deal with this problem and confront the actions that led to his presence in the wood, so she’s glad for the distraction posed by her job.

For all the regulations and devices that PsyLED brings to the investigation of magical goings-on, I appreciate how often those things fail to do anything to solve the problem. They’re helpful in guiding the agents, in informing their actions, decisions and conclusions — but it’s not the be all and end all. Throughout the novel, there’s this interesting intermingling of magic and technology that’s done in a way I’ve not really seen before (although, I think it’s what Ben Aaronovitch’s Peter Grant wants, but he’s a long way from getting it).

Nell’s continued obsession with foods that cannot be found at a Farmer’s Market and her growing familiarity with pop culture (particularly movies) continue to be fun — they ground the character as well as provide much-needed comic relief.

I think Nell could be the best new character I’ve read this year. She’s not your typical kick-ass heroine, nor is she the (possibly more) typical damaged-yet-kick-ass heroine. She’s a strong woman, determined, and stubborn. Her strength doesn’t come from her magic powers, her job, or anything else. She’s always been strong, but the circumstances of her life have slowly revealed to both herself and those around her, just how strong she is (from what I gather, the stubbornness and determination have been evident all her life). Which is not to say she’s all strength — she’s a nurturer (not just of her plants), she’s caring, and she’s nowhere near invulnerable (physically or emotionally). She’s also pretty clever and as her education moves beyond the solely autodidactic, we’ll see that demonstrated more and more.

While this series (at least so far) is ultimately about Nell, the characters she’s surrounded by shouldn’t be ignored. In Blood of the Earth, Nell’s embraced by her PsyLED team as part of a family, an intact and nurturing alternative to her blood-relatives. It almost seemed like an idealized replacement, but the events of this novel make it clear that it’s nowhere near ideal. Several members of the team are effected by the events here in ways that will not be able to be glossed over — both as a result of their work on the case and from arcs that carry over from the Jane Yellowrock series. The latter, I found particularly satisfying, while the former intrigue me and I’m eager to see how they play out.

We can’t forget Nell’s literal dysfunctional family, either. However strange and foreign they may seem to us (odd that these humans seem less familiar than the nonhumans in the books), the efforts on their part to restore and repair their relationships with Nell — while she does the same — are encouraging and heartwarming. Her brother, in particular, is fast becoming a favorite. Their new openness to the culture around them and the . . . lack of overt hostility and aggression to the magic and magical beings in Nell’s life is great to see, while they retain much of their religious/cultic faith. I hope there are a few bumps along the path, just to make it more realistic, however.

I almost forgot to talk about Hunter’s writing — it’s as great as ever. I think her use of magic — particularly large-scale workings — in these two books works better than it does in the Yellowrock books. Her characters, settings, dialogue, and other writerly demonstrations make this world rich and real. She’s among the best and most consistent in the UF field these days and I’m eager to get my hands on whatever she’s got coming out next.

I left Blood of the Earth wondering how Hunter could make this into a series –and I’m still wondering how this works long-term, there are only so many things you can do to the earth/plants/trees in an area, right? Can Nell function hundreds of miles (or more) from Soulwood? Is she much use in a skirmish between rival Vampire clans or the like? Sure, she was able to do some damage to the creatures in the first book, but at what cost? While I don’t see how it’d work for a full novel (this is where Hunter proves me wrong), it’d good to see Nell acting in a more supportive role on the team — getting coffee, filing reports, etc. — while the weres take down some monsters, or something. I do see how these books function as a series when it comes to the characters, however — it’s just how to keep the stories/cases interesting that I don’t see long-term, but I’m looking forward to Hunter educating me.

Disclaimer: I received this eARC from Roc via NetGalley in exchange for this post — thanks to both for this. And would’ve received it from Let’s Talk! Promotions, too, if I hadn’t already downloaded it. So I guess I should thank them, too.

—–

4 1/2 Stars

Mutation by Nerys Wheatley

MutationMutation

by Nerys Wheatley
Series: Twenty-Five Percent, #1

Kindle Edition, 399 pg.
Nerys Wheatley, 2015

Read: October 28, 2016


Last week, one hour after scheduling a post where I complained about Zombie stories, I loaded the next novel on my list onto my Kindle, and, of course, it’s a Zombie novel. How I agreed to read two of them in a month, I’ll never understand. I did say that there are exceptions to my “no Zombie” taste, thankfully, this turned out to be one of them.

So, in this particular version of the Zombie plague — humanity comes up with a cure before the pandemic becomes so widespread that there’s no hope for the human race. It’s not perfect, it works about 25% of the time (see the name of the series), but that’s better than nothing, right? Survivors deal with a few after-effects — enhanced strength, enhanced sense of smell, immunity to the plague, and opaque eye-coloring. Oh, and a prejudice from a significant amount of the non-infected population.

Honestly, part of that prejudice makes sense — a mysterious disease leaves some standing — after eating human flesh — who are stronger than everyone else. I can understand why it’d take a few years to get comfortable with the idea. I’m not saying I’d endorse the treatment Survivors get, but I understand the root of it.

Our protagonist is Alex — he’s a Survivor, and a police detective. Mostly he deals with paperwork and zombies, because the general populace isn’t so crazy about him doing much else. But it’s a start — he’s slowly building some credibility inside the department, too — who knows where that might lead? He lives in a part of town that’s predominantly Survivors and their families, and I enjoyed seeing the camaraderie/community there.

So, a new strain of the Zombie plague hits their town — it’s faster acting and soon the police force is overwhelmed. Before long, Alex is the only one standing (although some have just run off to be with their families), and it’s just an anti-Survivor activist and him left in the police station. Micah and Alex aren’t off to the best start — they’d been in a fist fight the night before, during a protest/riot near Alex’s home, and Alex had arrested him. Still, Alex felt compelled to rescue him from the new Zombies and the two make their way to safer parts of town, to their homes and friends — battling Zombies and saving each other’s lives.

At some point, the two become determined to see fi they can find out what caused this new versions of the plague to hit their city and to see if they can stop it.

The duo display this great mis-matched buddy-cop feel, if not for the near-apocalyptic nature of what’s going on in their city, they’d be a lot of fun to hang out with. Neither are all that interesting on their own (they might be, in the right circumstance), but together, they’re a whole lot of fun. They have to learn to trust on each other and depend on each other, just to have a fighting chance – they also have to protect each other from their friends/comrades. Neither Alex’s fellow Survivors, or Micah’s fellow anti-Survivors are all that crazy about the presence of the Other in their midst.

I really enjoyed watching that dynamic, in all its facets, work together. I wasn’t terribly interested in the story — there are only so many things that can be done in that genre, story-wise, it’s all about the characters — that’s the only way you can get someone like me to care about this. Wheatley pulls it off well.

Plenty of action, not that much gore (but what’s there is pretty well-written), some humor, some nice character interactions, and an interesting twist at the end. All in all, a pretty fun and satisfying read. I didn’t love it, but I liked it plenty. Given my own prejudices, that’s pretty good.

Disclaimer: I received this novel from the author in exchange for this post and my honest opinion — my thanks to her.

—–

3 Stars

United States of Books – Spartina by John Casey

SpartinaSpartina

by John Casey

Author: Laura at 125Pages

This week takes us to Rhode Island with Spartina by John Casey.

Entertainment Weekly says – Dick Pierce works in Narragansett Bay, but his true passion is is the unfinished boat in his backyard. The tale may be standard, but Casey’s lyrical descriptions of the Rhode Island sea are anything but.

“If Rhode Island were a country, it would be part of the Third World. The largest employer is the military. Tourism is the major moneymaker, although most Rhode Islanders benefit from it only in service positions. The bulk of choice real estate is in the form of second homes or resorts run by absentee corporations. “There is a seafaring tradition, and there is—still—a fishing fleet. By comparison to the high-tech factory ships of Russia, East or West Germany, Japan, or the tuna clippers of our own West Coast, the boats and methods are quaint. But it is still possible—barely possible—to wrest a living from the sea.”

Spartina is one of those books that should be a total winner. Poetic writing, vivid descriptions, a real world to sink into.

A blue heron wading in the marsh on her stilts, apparently out for a stroll—suddenly freezing. An imperceptible tilt of her head—her long neck cocking without moving. No, nothing this time. Wade, pose. Abruptly, a new picture—a fish bisected by her bisected beak. Widening ripples, but the heron, the pool, the marsh, the sky serene. The clouds slid across the light, the fish into the dark.

Unfortunately, the main character Dick Pierce was just an ass. He was at first a crusty older man and I was fine with that. He had very much of a him versus the world attitude and believed that anyone from money was to be looked down at. He ran some cons and did a few shady deals, but he did it to support his wife and children. Nothing wrong with that, he was doing his best to survive. Then the story took an turn and I lost all respect for good ol’ Dick. He began to match his name and started a torrid affair with a woman in the neighborhood. First, I hate when adultery is used as a plot point. I have no patience with it and hate reading about it. Second, he had absolutely no remorse about his actions. He did not care if he was going to hurt the woman he promised to cherish or his children. Other stuff happened that was interesting, but I could not move past my hatred of Dick to enjoy the story. In the end he sadly did not get the comeuppance he should have and Dick continued to be just that as he sailed off into the sunset.

3 Stars
See all of the United States of Books here.

Page 263 of 351

Powered by WordPress & Theme by Anders Norén