Category: Fiction Page 268 of 351

A Few Quick Questions With…S. C. Flynn

You’ve maybe seen him here and there in the feedback for various and sundry posts, I know I have. S. C. Flynn’s been all over this blog — and I appreciate it. Thankfully, his book was good enough that I didn’t have to feel awkward (because it’s all about me, right?) Here’s a lil’ Q&A that S.C. and I did this week. I didn’t actually ask him more questions than usual — he edited my questions to make the answers better.

1. Why Post-Apocalyptic Fantasy (I didn’t even know that was a thing)?.
It is rare; I can hardly think of any examples of this sub-genre, and those are a long way from CHILDREN OF THE DIFFERENT. I suppose post-apocalyptic fantasy is rare because, as I see it, it is a mix of science fiction and fantasy. SF provides the background – in my case, an epidemic that affects the human brain such that by adolescence the second generation of survivors are already in part a new human species with enhanced abilities. Then the fantasy comes in, based on science and a little bit of magic!
I found this a neat way to let my imagination go where it wanted, while still having a plausible basis in our world.
2. Why YA?
I have written various other novels – all fantasy, but very different from this one – and been close to breaking into conventional publishing via professional literary agents over a period of many years. I had never written Young Adult before, though, so it was something new to try, together with the new strategy of quality self-publishing that I am carrying out, with an all-pro support team.
Writing YA has been a really enjoyable challenge. A Young Adult novel must have all the things that any good novel must have: strong plot, well-developed characters and convincing setting. By definition, the writer is limited in how much sex, coarse language and graphic violence can be included in a YA novel. That means that you have to work harder with those basic components I mentioned – plot, characters and setting, in order to achieve your effects you need.
Once I had the basic idea – namely, following the brain disease epidemic that destroyed civilisation, adolescents go into a coma and emerge either with special powers or as dangerous Ferals – the choice of YA was made for me. The logical time for this Changing to occur was at the onset of puberty, so the main characters (twins Arika and Narrah – a girl and a boy) are 13 years old. Arika and Narrah can read and write, but they have always lived in a small, isolated non-industrial settlement, and their language and thoughts are conditioned by their limited knowledge of the world. In CHILDREN, we see everything from the twins’ viewpoint, so the style in which their story is told necessarily had to be simple and clear. That fits perfectly with the Young Adult audience.
3. What was it about this story that made you say — yup, this is the one?
CHILDREN OF THE DIFFERENT leaped into my mind almost fully formed once I had the basic idea. Of all my novels, CHILDREN was by far the easiest and quickest to write, at least as far as the first draft was concerned.

I am an obsessive reviser, so that was four years ago, during which time there have been long pauses while I was revising other novels, or even – surprisingly enough – taking some time off from revision. Still, the first draft of CHILDREN virtually wrote itself – every day when I needed a scene, it was there ready-made.
I had never written about Australia before, so probably, without realising it, I had a great amount of background knowledge ready to use. My other novels are quasi-historical fantasy and required a lot of research.

I think the main characters really wanted to tell their story, as well.

4. You’ve been doing the SF/F blog thing for a while now — how has that helped you as a novelist??
The style of writing that works on a blog is completely different from what fiction requires, so I see them as two separate skills. As I said before, I have written novels for many years, so my fiction style was probably formed in large part before I started blogging.

Blogging certainly keeps you up with the latest books and what people are saying about them, and the skills of writing blog posts is essential for trying to publicise your fiction. Setting up a blog also brought me out of my corner, where I had been writing for years, and got me into contact with lots of cool people who have helped and encouraged me.

5. What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that?”
Wool by Hugh Howey. A very clever dystopian idea, and also a book that helped to revolutionise the self-publishing industry.
6. Aside from a burning desire to buy copies to give away as gifts, what are you hoping your readers take away from this book?
An optimistic post-apocalyptic story like CHILDREN is an important one to tell, for me. It contains a warning about the dangers of technology, together with hope for what our society could achieve if technology were used for good purposes.

CHILDREN also contains a hopeful message that our very young people can achieve great things. Like the twins, adolescents are not stupid, but just lacking in experience, exposed to dangerous influences and struggling to work out who or what they are turning into. It is up to us to give them the best chance we can and leave them the best world we possibly can./td>

7. What’s next for S. C. Flynn?
There has so far been a fair bit of interest from reviewers in seeing more of the world of CHILDREN OF THE DIFFERENT. So, one possibility would be to write a sequel.
The alternative would be to publish one of the completed novels I referred to before. Three of those are of publishable quality, in my opinion, having been through years of editing by professional literary agents, as well as my own fanatical revision.For now, I will wait and see what happens with CHILDREN.
Thanks so much for your time, and I hope your launch week meets with a lot of success.

Children of the Different by S. C. Flynn Book Tour

Welcome to our Book Tour stop for Children of the Different. Along with this blurb about the book I’ve got a Q & A with the author, S. C. Flynn and my 2¢ about the book.

Book Details:

Book Title:  Children of the Different by S. C. Flynn
Release date:  September 10, 2016
Genre: Post-Apocalyptic Fantasy
Extract: THE ANTEATER

Book Description:

Nineteen years ago, a brain disease known as the Great Madness killed most of the world’s population. The survivors all had something different about their minds. Now, at the start of adolescence, their children enter a trance-like state known as the Changeland and either emerge with special mental powers or as cannibalistic Ferals.

In the great forest of south-western Australia, thirteen year-old Arika and her twin brother Narrah go through the Changeland. They encounter an enemy known as the Anteater who feeds on human life. He exists both in the Changeland and in the outside world, and he wants the twins dead.

After their Changings, the twins have powers that let them fight their enemy and face their destiny on a long journey to an abandoned American military base on the north-west coast of Australia. If they can reach it before time runs out.

Author Info:

SCy-Fy: the blog of S. C. Flynn

https://twitter.com/LaughRiotPress

https://twitter.com/SCyFlynn

S. C. Flynn’s Amazon Page

Ascent by M. T. Miller

AscentAscent: Second Book of the Nameless Chronicle

by M. T. Miller
Series: The Nameless Chronicle, #2

Kindle Edition, 316 pg.
2016

Read: September 3, 2016


Can you read this without having read Risen? Yeah, but it’d be better if you didn’t (and Risen is short enough that you might was well). I’m not sure how much time has passed since the last page of the first book, but we find Nameless pretty much how we left him — wandering along, on the verge of . . . whatever exactly would happen to him if he didn’t get more energy. Like before, almost as soon as he gets to town, he falls victim to a gang of sorts and is mugged. Of course, his first order of business (after recuperating from the beating) is revenge, which will give him the energy he needs to move around the Pyramid to search for the explanations he needs to understand his abilities, his nature and identity.

What’s the Pyramid, you ask? It’s a city in a giant 4-tiered structure (each tier housing a different caste). Nameless adopts a name, makes a little money on the lowest level — full of crime, poverty and menial labor — and buys himself access to the next level. Where he finds a new — and legal — way to use his fighting abilities to make money. Things go haywire from there.

There’s a lot more going on in this book than there was in its predecessor, Risen — if for no other reason than it’s almost 3 times as long. It’s still the same kind of book — full of violence, some pretty good fight scenes, and a post-apocalyptic culture that’s foreign, yet all-too familiar. There are many more characters, relating to Nameless in a variety of ways — friendship, camaraderie, betrayal, exploitation, to name a few.

The way things went in Book One, I assumed that we were going to learn Nameless’ origins, etc. over the course of a handful of books. Nope — we get almost every question we had about where he came from answered — and almost all of them are just dumped on us. There was no slow and steady learning here, just BAM! here are your answers. And it worked — much better than a slow reveal, a giant dropping of information (which I usually am opposed to) took care of everything (while still leaving me with almost as many questions as Nameless had).

I shouldn’t neglect to say that just because Nameless has almost all of his questions answered here, that he knows what to do with this information. I’m guessing part (or all of that) will be revealed in Book Three.

I don’t normally do this, but I while writing this I went back to my post about Risen and chuckled because what I said there as a lot like the next point on my outline: “My one complaint is length — just about everything is too short. The story is too short, most of the scenes are, too. But I’m pretty sure that’s just my wanting more for myself — to give us longer scenes would ruin the pacing, would mess with the way Miller’s constructing the series. And really, when you get down to it “I wanted more!” is more of a compliment than a complaint — but I’m calling it one nonetheless.” His scenes aren’t too short this time, but everything else I said there is still true. A lot of the action (especially the violence) is given to us in summary form — we see the “important” fights, the ones that shape the story, but the rest is given in something like a re-cap mode (ditto with the flirting, with his conversations with others, and so on). So clearly, this is the kind of thing that’s 1. Miller’s style and/or 2. The style of this series. Either are perfectly acceptable. And honestly? If he’d given us more of the fights, more about Nameless’ days in the new society he’d encountered, etc. I’d likely be complaining that he’s reveling in the violence, bogging down the story with the details. So what do I know?

Ascent is a book that kept you guessing and leaves you in a very different world than you thought you were in at the beginning — with a status quo that is so far from what it initially was that it’ll leave you reeling. Taut, well-paced, with some pretty good hand-to-hand combat scenes — and it won’t let you go until the very end. Miller’s really got something going here.

Disclaimer — I received a copy of this book from the author in exchange for my honest opinion. I appreciate that, Mr. Miller — and thanks for being so cool about me forgetting the date.

—–

3.5 Stars

Catch & Neutralize by Chris Grams

Catch & NeutralizeCatch & Neutralize

by Chris Grams

Kindle Edition, 335 pg.
2016

Read: September 5 – 6, 2016


Before I get into this novel, let me tell you a little about my process: After deciding to read a book, I tend to forget what it’s about rightaway — if for no other reason than I’m too frequently tempted to predict what the book’ll be like. So when it comes to series and/or author’s I like, all I need to know is “Oh, a new Faith Hunter book is out!” or “Ahhh, a Jonathan Tropper that I haven’t read — sweet!” That’s all I need. Similarly, when it’s a book by someone new, or a new series — or when an author (case in point) asks me to read their new book — once I’ve decided I’m down for it, I’ll let the details slide, so I’m fresh for the book.

So when I opened this one (see, there’s a link) and read the first few chapters, I kept asking myself “I said ‘yes’ to this?” Not because it was bad — it wasn’t — it’s just not the kind of book that I’d normally read. A little later, I went to log that I’d started the book in Goodreads and read the blurb there — I didn’t recognize it as the book I was reading. A chapter or two later, it was exactly what the blurb said. And that’s both good and bad. Let’s see if I can explain my point.

In the first few chapters we meet Mark — a super-smart geneticist who’s also (for good reason) super-jealous. He’s pretty sure his wife is having an affair (as is the reader), and he’s understandably upset. He takes a few steps that most husbands don’t — but most husbands don’t have his apparent personal budget or friends in the right fields. He also happens to meet a willing accomplice — perhaps too willing, as she’s young, pretty and talented, and a little tempting for a guy who’s pretty sure his marriage is on the rocks. But whatever — now, at this point, I’m interested, invested — I’m rooting for Mark (at least a little), and really hoping he doesn’t end up killing his wife or something similarly stupid/misguided.

Insert the sound of a needle scratch, because we’re done with Mark at this point — without warning or anything, and we meet Angie (Mark’s wife) and Tiffany, and a little creep of a waiter. We learn at this point that Angie’s been faithful, is actually ga-ga over Mark and the actions that have led him to his horrible conclusion are actually her working for a vigilante group that takes down criminals who’ve gotten away with crimes against women and children. It turns out that Tiffany is, too — but she might be playing a little fast and loose with the organization’s rules. There’s a strange combination of play and danger in the interactions between Angie and Tiffany — it’s pretty fun as long as you think of them as fictional characters. If you think of them as real people, it’s just scary.

And that feeling gets so much worse once Tiffany and Angie get their hands on a couple of rapists and pedophiles. This is also where things between the two women go off the rails. It’s not long after this that Mark comes back into the picture — and the book changes again. It was Book A with Mark’s chapters, it becomes an entirely different book (B) in the Angie and Tiffany focus (the one that matches the Goodreads/Amazon/Gram website blurb — and was the kind of book I’d normally be interested in) and then becomes Book C after Mark shows up (and maybe becomes D a little later). Where most authors would’ve intertwined A and B, so that C flows from them; this is almost like changing the channels on TV between the three. I’m not saying it’s good or bad — it’s jarring and unexpected, but maybe that’s what Grams was going for — it actually kinda works. But man, it made for odd transitions. Along this lines, the dĂ©nouement has the feel of an entirely different book, too — something like the overly-cheery final scene in a 80’s cop drama.

Now, there’s some tense gunfighting scenes, some torture, some double-crossing, and a whole lot of questions that aren’t answered. Each of the books I mentioned above are pretty well-written and grabbing, if somewhat disturbing — it’s just bringing them together that didn’t work for me. The characters are well-constructed — sure they might act in ways that are hard to understand sometimes, occasionally in near-insane ways — the reader will be drawn-in and compelled to keep going with these people.

Oh, and the little creep of a waiter? Yeah, he turns out to be worse than initially thought (and, I promise you, his first impression is a bad one), and well, things really don't go his way.

This is definitely written like it could kick-off a series, and if that's the case, I'm very interested in what comes next, if for no other reasons than so I can see if Grams can pull it off. But mostly, because I'd like to see what comes next

Disclaimer: I received a copy of this novel from the author in exchange for my honest opinion — I hope she doesn’t regret that too much, especially since I let our agreed upon posting date pass without a word. Ms. Grams, you’re a class act. Thanks.

—–

3 Stars

United States of Books – Maud Martha by Gwendolyn Brooks

Maud MarthaMaud Martha

by Gwendolyn Brooks

Author: Serena M. Agusto-Cox at Savvy Verse & Wit

For Illinois, Entertainment Weekly says, “Sure you can always go with Saul Bellow’s Chicago, but if you’re looking for another view of the windy city, pick up this challenging, essential look at urban black life, with all its beauty and pain.”

Maud Martha by Gwendolyn Brooks is her only novel, and despite being familiar with her poetry for a long time, I’ve never read it. Maud Martha is darker than her sister, and this is a shadow that follows her throughout the novel until she eventually learns that it is not about her outward appearance but the well of strength she has inside. As a child, she looks at the world around her and finds the beauty everywhere, like the dandelions she calls “yellow jewels for everyday.” (pg. 2) Maud is very observant, even as she enjoys every moment, she does note that things are not as merry as others make them seem. In her own family, she notes that everyone is “enslaved” by her sister’s beauty (Helen), but Maud is never bitter because she knows that they cannot help it.

Like many, New York City becomes a symbol of dreams and greater things, but like many symbols, they can be tarnished. Maud meets Paul, and she knows that he could have a prettier, lighter woman as his wife. Even as he marries her, she does not delude herself. Leaving her mother’s home for her own with her husband, Maud discovers that her dreams are much different.

“But she was learning to love moments. To love moments for themselves.” (pg. 78)

Brooks’ style is very different from the traditional novelist, where things happen but not necessarily on the page before the reader. She leaves a great many plot points unobserved, while at the same time, enabling the reader to hear directly from Maud. Her observations, her thoughts … providing readers with an inside look at how life of an urban black woman truly was. Through these observations, Brooks provides a window into the racial divide within even the black community, as well as how tough it was during the depression and the beginning of WWII. At the same time, Maud has opportunities to work outside the home, and these moments provide her with insight into how her husband is treated in the workplace.

“When they sat, their heights were equal, for his length was in the legs. But he thought he was looking down at her, and she was very willing to concede that that was what he was doing, for the immediate effect of the look was to make her sit straight as a stick.” (pg. 131)

Maud Martha by Gwendolyn Brooks paints a stark picture of urban life within the black community, the differences between how the community perceived the use of the n-word and how it was perceived by whites, and the plight of women in the community. Maud says, “What was unreal to you, you could deal with violently,” and isn’t that true of all of us. What is real to us is harder to deal with head on, but we must push aside our fears. “On the whole, she felt, life was more comedy than tragedy.” (pg. 165) Maud is a pillar of inner strength from whom other women could take lessons.

RATING: Cinquain

About the Author:

Although she was born in 1917 in Topeka, Kansas–the first child of David and Keziah Brooks–Gwendolyn Brooks is “a Chicagoan.” The family moved to Chicago shortly after her birth, and despite her extensive travels and periods in some of the major universities of the country, she has remained associated with the city’s South Side. What her strong family unit lacked in material wealth was made bearable by the wealth of human capital that resulted from warm interpersonal relationships. When she writes about families that–despite their daily adversities–are not dysfunctional, Gwendolyn Brooks writes from an intimate knowledge reinforced by her own life.

Harry Potter and the Cursed Child by J.K. Rowling, John Tiffany & Jack Thorne

Harry Potter and the Cursed ChildHarry Potter and the Cursed Child – Parts One and Two (Special Rehearsal Edition)

by J.K. Rowling, John Tiffany & Jack Thorne
Series: Harry Potter, #8

Hardcover, 308 pg.
Scholastic, Inc., 2016
Read: September 2, 2016

I went into this with low expectations for a few reasons (negative buzz being one of many), and sadly had them all met — I don’t think anything were exceeded.

This is fan-fiction, pure and simple. Sure, it’s official fan-fiction written in conjunction with Rowling — but it’s not the same series, it doesn’t feel the same. It feels like someone’s trying to recapture what they had, in just a slightly different form. I’m fine with that — if people want to throw money at Rowling, Tiffany and Thorne for doing this? Let them. Let’s just not pretend it’s more than what it is.

The story primarily focuses on Harry and Ginny’s middle child, Albus. Albus is pretty uncomfortable living in the shadow of the Boy Who Lived — he doesn’t like the notoriety or pressure that comes with that territory. Which is absolutely understandable — especially now that he’s at Hogwarts, where Harry’s legend is strongest. Between that, and typical teenager strife with Dad leads Albus to take some really big risks with banned magical technology.

These risks center on time travel — and this is where it lost me. I just can’t stand the kind of stories where someone goes back in time with perfectly good intentions and messes things up, changing the future so much that it’s not recognizable. So then they (or someone else) have to go back in time again to prevent/minimize the damage. And magically, this second (or third) intervention restores everything back to the way it was before the time travelers left. Sure, this is a series in which magical things like that are clearly possible. But there’s possible and too-incredible. It almost doesn’t matter how good this story/execution was, I wouldn’t be crazy about it.

The writing was . . . okay. Nothing spectacular, nothing that had the same …”magic” as the other books in the series. It’s not as bad as many claim — but it’s not as good as others claim either. How some of this can be staged, I just can’t imagine. I’m not saying it can’t be — but wow, that’s a real technical challenge, I’d think.

There were some nice moments, some great fan-service stuff — and I’m very glad I got to meet Scorpius Malfoy. I’d rather spend time with him than any of the rest of the descendants of the original series, there’s something very cool about this kid. I should also mention that there’s some nice father-son moments with Harry and Albus.

On the whole, I’m glad I read this, but I really can’t get crazy about it.

—–

3 Stars

The Hidden Oracle by Rick Riordan

The Hidden OracleThe Hidden Oracle

by Rick Riordan
Series: Trials of Apollo, #1

Hardcover, 361 pg.
Disney-Hyperion, 2016

Read: August 31, 2016


Only 361 pages? Riordan is taking it easy on his readers. And maybe himself.

Anyway, following the events of The Heroes of Olympus, Zeus is a little displeased with Apollo and demonstrates this by turning him into a human teen (read: YA/MG novel star) and casting him to earth. He appears to be fully human — not even a demigod like Percy and the rest. Speaking of Percy, as soon as Apollo figures out what happened to him and where he is, he makes a beeline for Percy’s apartment to get help. Smart move. Percy gets him to Camp Halfblood and disappears back to NYC to do homework.

Once there, Apollo begins trying to figure out what quest he’ll have to do to return his status to quo. Along the way, he’ll make some friends, get a better perspective on himself and his offspring (yeah, that’s not weird), and maybe go through some of that personal growth. Note that I said, “some” personal growth and “better” perspective — that’s not saying much, basically Apollo comes across as a teenaged-Gilderoy Lockheart with a conscience. Instead of the large number of missions that we’ve become accustomed to in these books, there’s really just one (plus the series-arc mission) — such a nice change.

A lot of people from the Percy Jackson and The Heroes series are name-dropped and discussed, not to mention the few that we see — there’s even a nod to the Magnus Chase series — thankfully, my favorite is one of those who shows up in the flesh. There’s also a good amount of in-jokes to please the long-time fans. But readers new to this universe shouldn’t be put off by any of this — it’s absolutely approachable, maybe even moreso than anything since The Lightning Thief.

This is told in the typical breezy style that characterized non-adult mystery Riordan novels, but given the different protagonist, feels a little fresher. A little briefer, a little change of pace — still full of that Riordan magic. The Hidden Oracle is a sold first-entry in yet another adventure in this world. Give it a shot.

—–

3.5 Stars

Shadowed by Karen E. Olson

ShadowedShadowed

by Karen E. Olson
Series:Nicole Jones, #2

Hardcover, 220 pg.
Severn House Publishers, 2016

Read: August 19 – 20, 2016


When we last saw Nicole Jones, she was running away from the new life she’d built for herself — the job, home, friends — rattled by the presence of the FBI and the criminals from her past. The idyll was gone, and her life and freedom depended on her making a break for it. So, she headed for the border and the Great White North beyond.

She tried to convince herself that her next home, next identity, would be as long-lasting (at least) as her previous. But she knew better, deep down — and the readers did, too. Not just because it’s a sequel, but now that everyone knows that she’s out there, they’ll look harder. So Nicole has to be ready to run again, and she does so when the time is right. Which leads her to new risks and dangers, as well as to a greater understanding of what happened in her early criminal career to set her on this path.

There were a couple of times I thought Nicole was too trusting, too willing to not be suspicious. She really made some bad moves there. But honestly, I’m not sure she was in a position to do much else. Shadowed was, on the whole, a lot less realistic-feeling than Hidden, but oh well — it may not have been full of verisimilitude, but it followed the rules that Olson laid out before, and it was entertaining enough that you got over that.

I saw a few of the twists coming (or at least something that looked like them), and by a certain point I had 97.3% of the rest of the book worked out to an uncanny accuracy. That other 2.7? Totally blindsided me. More importantly — the stuff that I’d guessed, the stuff that I hadn’t (and couldn’t), and everything else was written in an engaging, entertaining and controlled fashion. I’ve read too many crime novels lately that seemed chaotic from time to time, where things happen because the author wanted them to, whether or not it fit the story — this one wasn’t anything like that. Olson knows what she’s doing, and you can tell that throughout.

This didn’t wow me the way that Hidden did, but I liked the world — I still really like Nicole — it hooked me almost from the get-go, and definitely left me wanting to know what’s next. Olson continues to impress and satisfy.

—–

3 Stars

The Corruption of Chastity by Frank Westworth

The Corruption of ChastityThe Corruption of Chastity

by Frank Westworth
Series: Killing Sisters, #2

ePub, 352 pg.
The Book Guild, 2015

Read: August 3 – 5, 2016


I’ve put off writing this one for far too long, mostly because I’m torn and I’m not sure what to say.

First, this is the second in a series and I spent a little too long at the beginning trying to get my bearings. I got there with a little work, but the new reader has to wade through a lot to suss out the events of Book One. This is not necessarily a bad thing — just a warning for others new to the series.

This book has some pretty high highs, and a really low low.

The big high is in the suspense/espionage-like material. Chastity (and her sisters) are top-notch assassins — although, it could be argued that Chastity has done this sort of thing a few too many times, and she’s the worse for it. She’s gotten herself in a tight-spot, and Stoner the burned British agent (or whatever he technically is), is hired to get her out of it. Doing so yanks him out of his retirement (living the life of a musician on a cruise-ship) and plunges him into a chase through Europe to find out who has Chastity in their sights and to stop them.

Most of the characters are doozies, strong voices, strong perspectives, troubling violent tendencies (well, troubling to most people — but just what’s needed for their situations). Not just Chastity and Stoner — but the wide variety of spooks, criminals, military types and blues musicians we run into along the way.

There’s enough twists and turns to keep the reader (and Stoner) guessing and on their toes. I wasn’t crazy about one of the subplots but most of that probably comes from me not knowing the players before.

There’s a torture scene that is truly disturbing (and I didn’t buy the foundation for it), incidentally. The violence outside of that as pretty graphic, but (mostly) nothing too much for those who’d read this genre anyway. That’s neither a high or a low, just an observation I think I should make.

The low? It’s the sex. There’s a whole lot of it — probably too much. Not just that, but it’s described in too much detail. Give these people some privacy, will you? Even that is excusable — but man — it’s just poorly written. “Poorly,” might be pulling my punch — it’s just bad. These sex scenes are the kind of thing that makes Tom Wolfe’s “Bad Sex in Fiction” award-winning (and nominated) books look erotic.

Outside of the bedroom, Westworth can write — he knows how to keep things moving, how to zig when the reader’s expecting a zag (or how to execute a zag so well, that you don’t care it’s what you expected). When we get the character moments, the action/suspense stuff — even the talk about music — this book is so good, it’s right up there with Finder, Child, and Sharp. And that ending? I really want to see what Stoner does next. I just hope he keeps it in his pants (ditto for everyone else).

Disclaimer: I received this from the author in exchange for my honest take on his book — I wish my thoughts were a bit more coherent, and were timelier, but I really appreciated the book.

—–

3.5 Stars

Pub Day Repost: An Obvious Fact by Craig Johnson

An Obvious FactAn Obvious Fact

by Craig Johnson
Series: Walt Longmire, #12

eARC, 320 pg.
Viking, 2016

Read: July 29 – 30, 2016

4 Stars

Craig Johnson is so consistent with these books that he makes it really hard to write about them. I’ve struggled with this one for weeks — how can I say something I haven’t before? I’m not sure I can, but I guess I can start with what makes this one different from the rest.

For starters, Henry’s borrowed Walt’s set of Sherlock Holmes (without his knowledge or consent, but who cares) and spends the novel quoting Holmes at inopportune times to his buddy. I laughed every time. Walt didn’t find it that amusing — and paid him back by talking about what a silly and reckless endeavor riding motorcycles is — much less racing/jumping/etc. He had plenty of opportunity to make these kind of remarks as the two of them were in Hulett, WY for the world’s largest motorcycle rally, where Henry is attempting to recapture a victory of his younger days.

Walt’s been brought in to help with the investigation of a motorcycle crash, the small local police force is stretched beyond itself due to the rally and really can’t take it on. It seems pretty cut and dry on the surface — just a bad break and a bit of careless driving. But every time Walt looks at another piece of evidence, he finds more reasons to doubt the obvious facts.

We learn a lot about Henry in this book — but he’s not really in it all that much (at least less than he’s been in others, lately). And while he’s not really at odds with Walt, you really can’t say that he’s on his old friend’s side throughout (nor is he really acting all that rationally).

Vic comes back to Wyoming, and injects her flair into the investigation and Walt’s life. She also continues to be the embodiment of many men’s dreams between her looks, brains, language, driving and shooting. I’m not going to say if she’s my Platonic ideal, I will say that for a totally unrealistic character, she’s a whole lotta fun.

The Whodunit was pretty easy, the Whydunit was trickier (and the Accessories to the Who were more difficult, but not hard). But, hey, we don’t read these books for the puzzle — we do it to watch Walt figure things out and to spend time with our friends from the Equality State (and the nations within it). In the end, this is just what you expect out of a Walt Longmire novel — some laughs, a nice little puzzle, a little fisticuffs, maybe a little gunplay (not necessarily a shoot-out). Well-paced, well-told, all in a day’s work for Johnson.

Disclaimer: I received this eARC from Viking via First to Read in exchange for this post — thanks to both for this.

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4 Stars

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