Category: Fiction Page 286 of 351

Reposting: The Absconded Ambassador by Michael R. Underwood

On February 23, 2016

In Authors, Fiction, Genrenauts, Michael R. Underwood, Science Fiction

It’s Publication Day for The Absconded Ambassador, so I thought I’d better throw this up again. Go get your hands on it.
—

The Absconded Ambassador

by Michael R. Underwood
Series: Genrenauts, Episode 2ARC, 159 pg.
Tor.com, 2016
Read: December 31, 2015

Working as a Genrenaut was like being a member of a theater troupe run by a burnt-out hippie who melded Devising with MBA management: the ideas were outlandish and random, but the execution was 100% corporate.

Now this was a way to close out 2015 — the second episode in Michael R. Underwood’s Genrenauts delivers on the promise of Episode 1, and demonstrates that his special alchemy of Leverage + The Librarians + Quantum Leap + Thursday Next (just my current guess at his secret recipe) has legs — and will hopefully go a long time.

Leah has had about a week to get used to this new reality since her adventure in Western World — a week filled with meetings, reading assignments and trying to wrap her head around things. In the meanwhile, everyone at Genrenauts HQ is trying to prepare for the next breach (in the midst of a spike of 15% over the norm, for your corporate types), probably in Romance World. Which obviously means it’ll be pretty much anywhere else, like say Science Fiction World.

The station of Ahura-3, in the space opera region, to be specific. I’m sure the similarity between the name of the station and a certain Communications Officer is a huge coincidence. Ahura-3 is everything you want in a space station — it’s a melting pot of very-alien-looking/acting aliens, it’s a culture to itself, with strategic location, and very delicate intergalactic politics.

Leah’s excitement about being in “honest-to-goodness, Sally Ride is my homegirl zero-g” space was infectious. But even more fun was the amount of SF references Underwood fit into half of chapter 1 — truly astounding, and didn’t feel forced or overcrowded. He deserves a tip of the cap right there. I made it all the way to page 42 without having to Google one of them (I think there was only one other time I had to grab my smart phone). But the fun’s not limited to the references and allusions — it’s in the alien cultural practices (and appearances), the various factions (human and otherwise), businesses, and just watching the whole Science Fiction World thing at work.

One thing that’s been niggling at the back of my mind with these Episodes is what’s to keep Leah from being Ree Reyes 2.0? Underwood seems to be going with keeping Leah from the more Parker/Eliot Spencer-type roles and moving her into the Sophie Devereau/Alec Hardison-type roles. She and Shirin scramble all over the station trying to keep treaty negotiations moving forward. They’re thinking on their feet, using their wits, charm and SF knowledge to keep things under control — Leah’s on-the-job training under Shirin helps the readers acclimate to this world, too. The action-hero needs are served by the rest of the team, Roman and King — whose banter while throwing punches, engaging in dogfights, and so on, kept the fun going (honestly, maybe was a little more fun than the rest).

In Episode 1, I wondered if the pilot nature of the novella kept it from being everything I wanted it to be. The Absconded Ambassador built on that ground work and gave us a solid, fully-formed adventure — everything I hoped it would be. And that’s just in the main story, there’s all this other stuff going on: not only do we have a sense of impending doom — or at least very big crisis — coming to the Multi-Genre-Verse. But now we’ve got some sort of secret within the team (not one that’s going to cause much trouble, I don’t think — but you never know), and (according to the preview for Episode 3) maybe some intra-team conflict. Underwood just nailed here, and Genrenauts is about half-a-novella away from being his most consistently entertaining work.

I won a copy of this in a drawing on the author’s website — which means I got to read it two months early — and I got a very nice autograph on the title page. The downside is, I have to wait longer than I’d have had to wait otherwise between Episodes 2 and 3. I still came out ahead, but not by much.

—–

4 Stars

United States of Books – My Antonia by Willa Cather

By HCNewton

On February 22, 2016

In Fiction, General Fiction/Literature, United States of Books

My Antonia

by Willa Cather

Author: Teri at Sportochick’s Musings

Blurb

Through Jim Burden’s endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature’s most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia’s desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society’s heart, of course, is the bewitching, free-spirited Antonia.

Review

This story is narrated in first person by Jim Burden in what I think is a very plain unemotional manner. I honestly had a hard time reading this book and at points kept putting it down. It was puzzling to me that for all of the unusual dramatic events in this book it was for me unemotional. I am not sure if listening to it on Audible and switching off and on with the book impacted my feelings. Though these dramatic events in the book were described in fine detail my mind felt a distance from the writing.

Two characters did stand out. Antonia who was very expressive and Jim’s grandfather for the ways that he dealt with crisis’s, personality issues and his deep integrity. Antonia throughout the book was very emotional and it was obvious to see why quiet Jim liked to be around her and had grown to love her.

I finally connected with the book in the last chapter and a half where it became to me a book worth reading. This part of the book make me feel great sadness for Jim and Antonia and where they were 20 years later. The ending was poignant and still brings tears to my eyes.

This book leaves the readers pondering the what if. What if Jim didn’t go away to college? What if Antonia made a different decision when her first love deceived her? What if Jim had told her he loved her? But the largest question that I had was how did Jim love Antonia? A sister, friend, lover? This book left me feeling sad because if Jim had more gumption his life would of been so different than it was. It also left me pondering on how many people lost out on the best thing of their lives because they were afraid.

Thing Explainer by Randall Munroe

By HCNewton

On February 19, 2016

In Comics

Thing Explainer: Complicated Stuff in Simple Words

by Randall Munroe

Hardcover, 64 pg.

Houghton Mifflin Harcourt, 2015

I’m not sure what to say about this beyond just regurgitating the Publisher’s Description. If that’s not enough to make you want to pick this up for at least a glance, I don’t think I could say anything that will.

But, quickly, the idea behind the book is that using drawings/diagrams and the 1,000 most commonly used words to explain how various and sundry things work — from ball-point pens to the Large Hadron Collider, and many points in between and beyond.

The artwork is like what you see on xkcd, the humor is similar — more broadly appealing (I think), however. The material is educational. That’s about it in a nutshell. I guess I should state that the artwork isn’t like the stick figure comics, it’s the incredibly detailed diagrams that show up at other times.

To give you a taste, some of the entries I found most educational/interesting/amusing were: Shape Checker (padlock); Bags of Stuff Inside You (internal organs); Hand Computer (smart phone); Stuff You Touch to Fly a Sky Boat (airplane cockpit). From Cover to Cover (literally) Munroe’s drawings will be teaching you a little more about how things work.

This is not a sit down and read cover-to-cover kind of book, period. It’s a grab it every now and then, flip through until you get to a page or two (or six) that you haven’t read, or one you have and want to re-read. I’m just leaving this around for my kids (and myself) to pick up from time to time. I wish I could’ve got a picture of the expression on my youngest’s face just now as he was reading through the book, I could’ve not said a word and simply posted it — I’m not sure how much he understood, but he was fascinated. I’d gladly buy a sequel — actually, I could probably use one.

—–

4 Stars

Talking to the Dead by Harry Bingham

By HCNewton

On February 18, 2016

In Fiction, Fiona Griffiths, Harry Bingham, Mystery/Detective Fiction/Crime Fiction/Thriller

Talking to the Dead

by Harry Bingham
Series: Fiona Griffiths, #1

Hardcover, 337 pg.
Delacorte Press, 2012

Read: February 16 – 17, 2016

One thing I need to do a better job of is remembering how I found out about a book/series/author that I need to try, this novel is a great example of why. I remember putting it on my TBR, and that there was something about it that made me move it ahead of the others — but I can’t tell you when or why I did so. Sometimes, like with this book, that drives me crazy. I just had to trust that I knew what I was doing when I picked it up. Thankfully, it didn’t take long to convince me that Fi Griffiths had something special going on — mostly it was the voice, the attitude, her humor as seen when she’s going through stacks and stacks of financial documents to make a case air-tight (before the inevitable guilty plea for ripping off a private school):

My desk is covered with paper. I loathe all banks and credit card companies. I hate every digit between 0 and 9. I despise every dopily run Catholic boys’ school in South Wales. If Brian Penry were in front of me now, I would try to force-feed him my calculator, which is as large and chewable as Bakelite phone.

It didn’t take too long before the merits of the case drew me in (not the drudgery of the case above, but the one that drove the novel’s action), and would have even without Fi’s narration. But it was a lock with her as a character. The grim nature of the killings grip the reader, the way they do Griffiths’ colleagues and superiors. What really impressed me was that it is one of the sickest, grossest descriptions of a corpse this side of a Bones episode — and Bingham doesn’t dwell on it — oh, he could’ve, and most authors would have. It’s there stark enough to give the reader the willies, in a just-the-facts-fashion, but Bingham doesn’t exploit the nature of the killing or the state of the body.

To put it charitably, Fi is quirky. To be more accurate, she’s suffering from a serious mental condition — she’s (mostly) got it under control, however. Social skills aren’t really in her wheelhouse — at least not automatically — which presents an additional challenge for her work. Early on, I kept picturing Diane Kruger’s performance from The Bridge, it diminished eventually, but I think Fi will always be Kruger-esque to me. We do eventually get actual information about her condition — which is nice, but we don’t need it to understand her enough to empathize with her. There’s an Author’s Note at the end with more details about the actual condition — don’t read it until the end. Get to know her absent the condition first.

Bingham creates a good bench of supporting characters — a potential boyfriend, a couple of supervisors (who have differing levels of concern for her), a former therapist, an old friend (former trainer/sensei-type), parents, sisters, and a few other detectives. One or more of these can be summoned from the bench with ease in the future, but we don’t get to spend a lot of time with any of them here — just enough to establish them. We spend some good time with her potential boyfriend, old friend/trainer/sensei and dad — I like them all and want to see more of them. But this is really Fi’s book and the narrative weight falls on her troubled, yet capable shoulders.

We hardly get an idea for what kind of men the bad guys are here — it’s just shadowy criminals, up to shadowy criminal things. I like the idea that we only get things through law enforcement eyes, not through the killer’s — that happens far too often for my taste. Like Fi says, I know this way we don’t get the full story, but I prefer not being in the mind of the sickos at work here. We, and the police, get most of the story in the end, and that’s good enough for me.

The book closes with a couple of the most heartfelt, moving scenes that I can think of in Detective Fiction (give me time, and I could probably make a decent list of competitors, still pretty sure this would be near the top — sure, that scene in Gone, Baby, Gone has this beat, but not many others would). I had a hard time believing that it would work as effectively given the fact this is a first novel for the character — but Bingham has laid a lot of ground work to get us ready for these moments, and it paid off well.

Talking to Strangers grabbed me in just the right way. I want to devote the next few days to just reading the rest if this series (I won’t, I know I need to pace myself, but… Oh, I really want to just binge). Fi is an early leader for favorite character of the year (a thing I just decided to do).

—–

4 Stars

Some Assembly Required by Kevin Smith, Phil Hester and Jonathan Lau

By HCNewton

On February 17, 2016

In Comics, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The Bionic Man, Vol 1: Some Assembly Required

by Kevin Smith, Phil Hester and Jonathan Lau (Artist)

Trade Paperback, 248 pg.
Dynamite Comics, 2012

Read: February 16, 2016

I was a big fan of The Six Million Dollar Man as a kid, and when I got a little older I stumbled onto — and devoured (repeatedly) — Martin Caidin’s Cyborg. Throw in a strong appreciation for Smith’s work? And I’m clearly the target audience for this (so why did it take me 3+ years to read it? Good question).

The main story hasn’t changed: Steve Austin is a test-pilot, horrifically injured — almost killed — when a test flight goes wrong. A team of experts save his life, rebuild him with bionics, and set him loose fighting for truth, justice, and the American way and so on.

The story was nothing special — good, solid action/adventure story. There were a couple of nice twists on the TV show’s story/characters. Just enough to keep it updated and fresh. I’d have appreciated something closer to Cyborg, but I understand why they made the choices they made. Austin goes up against his bionic predecessor, who has gone rogue and now is running around attacking and raiding technology companies. The battle scenes may have been a bit too big and epic — but they fit in with the current cinema trends, so, I guess they worked.

I was sure I’d seen Jonathan Lau’s art somewhere before, but from what I can tell, I haven’t. Which is a shame — it’s great. I’m not going to say that it’s my favorite comic art — but it’s exactly what I want comic art to look like. Which seems like a contradiction, but let’s move on. Yeah, some of the gestures are over-done, and a couple of the men are just too huge. But otherwise, dynamic, easy to tell character-from-character, nice detail, overall very attractive. I’d be willing to give a book a second look just because of his art in the future.

There are some nice references — visual and verbal — to the TV series that are pretty seamlessly worked in. Which I appreciated — looks like the next volume will be less subtle about it (which is not necessarily bad). I’m not going to say this was a great comic that leaves me chomping at the bit for the next, but it was worth the time and entertaining. Not much more to ask for.

—–

3 Stars

Reread Project: The Restaurant at the End of the Universe by Douglas Adams

By HCNewton

On February 16, 2016

In A-B, Authors, Douglas Adams, Fiction, Reread Project, Science Fiction, The Hitchhiker's Guide to the Galaxy

I think WordPress’ spell-check might explode if I add another sentence or two to this….
—

The Restaurant at the End of the Universe

by Douglas Adams
Series: The Hitchhiker’s Guide to the Galaxy Trilogy, #2

Mass Market Paperback, 245 pg.
Ballantine Books, 1995

Read: February 13-15, 2016

If you’ve done six impossible things this morning, why not round it off with a breakfast at Milliways, the Restaurant at the End of the Universe?

I think in the past, I’ve enjoyed The Restaurant at the End of the Universe more than this time, but I’m not sure why. Which is not to say that I didn’t have a blast, I just usually have more fun. From the intricate — and death-defying — difficulty of making a good cup of tea; to the extreme lengths some people will go to for a dining experience; to perspective that a little cake can give; to considering what color a wheel should be or whether fire should be nasally-inserted — this book covers all the bases. While still episodic in nature, it seems less so than its predecessor — and far less so than its successor. It’s a stronger novel, not quite as funny, but still better than most “funny” or “light” SF than you’ll find.

[Gargravarr] had rather liked Zaphod Beeblebrox in a strange sort of way. He was clearly a man of many qualities, even if they were mostly bad ones.

Most of this book showcased the ex-President of the Galaxy, Zaphod Beeblebrox the First (how is great-grandfather was Zaphod the Fourth lies in one of the best lies Adams ever penned). Now Zaphod’s not my favorite character — actually, I typically dislike him as a character. As a joke-generator, a font of one-liners? He’s great. Probably most of the quotable lines in this book are his (even Arthur’s best line is immediately denigrated by him “Yeah, and don’t you wish you hadn’t?”).

We see the reason for his stealing of The Heart of Gold in the last book, we’re taken on a wild and twisty ride for him to complete his quest and then . . . it just stops. I’m sure it’s supposed to be in an absurd way or something, but it seems pointless (probably the point).

And then we’re off to Milliways. Ahhh, Milliways — this is an absolutely perfect part of the book. That this is the book’s title is absolutely fitting. There’s nothing about it I don’t like here — Max Quordlepleen’s banter (the oddly bittersweet introduction of him), Hotblack Desiato (and his tax plan), the Dish of the Day . . . I’m going to shut up before I just copy and paste the whole thing.

The rest of the book focuses on Arthur (and Ford, but, a little less), who I like, but don’t laugh at nearly as much.

“Poor Arthur, you’re not really cut out for this life are you?” [Trillian asked]
“You call this life?”

Something I’ve been thinking about this read-through is this: why Arthur? He’s one of Ford’s oldest friends on Earth — but we know he has multiple friends, he could’ve picked any of them — why Arthur? Surely, Ford would’ve had at least an inkling that Arthur would turn into the whiny Monkey-man that Zaphod can’t stand. It’s easy to see why Tricia McMillan would go off with Zapod as Phil over this wet blanket, well, towel. Trillian here has the same thought — and if we’re given a good explanation for that, I don’t remember it. Any of you have a guess (or a quotation) to justify Ford’s improbable choice?

Now, I may have sounded less that totally satisfied with this book — which is oddly true. I do think the Golgafrinchan Ark Fleet Ship B story is pretty “blah” and goes on far too long (into the next book). But it gives us gems like this:

It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.

making it hard to complain too much.

There are a lot of laughs to be had here — I didn’t even mention Marvin’s contributions, which were just gold. And any time with Adams is worth it. A must-read follow-up to the classic, Hitchhiker’s Guide to the Galaxy.

—–

4 Stars

DNF – The Relic Master by Christopher Buckley

By HCNewton

On February 16, 2016

In Currently Reading, Fiction, General Fiction/Literature

The Relic Master

by Christopher Buckley

Hardcover, 372 pg.
Simon & Schuster, 2015
Read: February 10 – 15

I would love to know what made Christopher Buckley think, “You know what the world needs? A satire about a Christian relic dealer in 1517…” I also wonder what would drive me to grab it (other than that’s what I do every time I see his name — since the 80’s). But I did, and I gave it the old college try.

The history is pretty good. But I wonder if I’m too critical, I’ve spent so much time recently listening to lectures, reading about, the religious atmosphere of the time — that might have hurt my appreciation for his take on the period (then again, most of his satire is contemporary and I lived through that without problems). In that light, I should say that I really appreciated his characterization of Johann Tetzel. But I just couldn’t care about the characters, the story — any of it. There was none of Buckley’s wit, or his voice — nothing that made me a fan of his other work. Honestly, I’m not sure how he could’ve kept those things with a historical fiction, but the book sure needed that. Yes, it’s entirely possible, that if I’d stuck with it a bit longer, I’d have sung a different song, but life’s too short and my TBR pile is too high.

So, for the first time since January 2011, I’m abandoning a book. I might come back to it at some point, I’d like to actually read it. But not now.

(not really a review, but I felt like I should say something)

United States of Books – Shoeless Joe by W.P. Kinsella

By HCNewton

On February 15, 2016

In Fiction, General Fiction/Literature, United States of Books

Shoeless Joe

by W.P. Kinsella

Author: Laura at 125Pages

This weeks United States of Books brings us to Iowa with Shoeless Joe by W.P. Kinsella. Entertainment Weekly says – Not only was this novel – adapted for Field of Dreams – set in Iowa, but Kinsella also attended the state’s other claim to fame: The Iowa Writers’ Workshop.

I went into Shoeless Joe with such hope. I have not seen Field of Dreams, but love uplifting sports movies, so I thought I would love one in book form. But this was no uplifting sports movie, it was a strange tale of a man who builds a baseball field on his failing Iowa corn farm then leaves his wife and small child to kidnap famed writer J.D. Salinger and take him on a road trip. I’m sorry what? Where is my tale of a downtrodden man who has a vision and through that builds his dream on his farm? Instead I get a wacky buddy road trip comedy, complete with carnies and diner hold ups. The action on the farm is limited to the very beginning and the very end, and that is where the heart of the story was. A struggling man trying to save his farm and his family with a dream and pure gumption. Those parts were fantastic, but the rest was just ridiculous.

The plot had its moments, but they were sadly few and far between. The family parts were great, but the whole kidnapping road trip aspect totally lost me. The world created was the same, certain select parts were crisp and vivid, then it veered into crazypants territory. The writing was fine, sentence structure wise, but the story was so over the top I couldn’t really see any fine nuances. The characters were a mashup of amazing and then not, they started strong but then went downhill the more I read. I had no emotional tie to any of the characters. Ray was dismissive of the real world and the potential harm he was bringing to his wife and child.

“…what an outfield,” he says. “What a left field.” He looks up at me and I look down at him. “This must be heaven,” he says. “No. It’s Iowa,” I reply automatically.

Shoeless Joe is considered one of the greatest sports books written. I just didn’t see it. Less a book about baseball to me, and more a book about what too much Round-Up in a field will lead to. I do understand the baseball at the heart of the story and how it linked every part together, but failed to see the amazing parts as the random hostage taking of a reclusive writer and a road trip with said writer to pick up baseball ghosts took away from that for me. As did the husband and father endangering the future of his family by leaving them as their farm is about to be foreclosed on. Now, I don’t hate baseball and I know, national sport and all, but this book just didn’t do it for me.

Favorite lines – Pedestrians in the East behave like lemmings rushing dispassionately to their deaths—it takes a good ten minutes to make a left turn into the blinding rush of oncoming traffic, with pedestrians thronging suicidally into the intersections.

Biggest cliché – If you build it, he will come.

Have you read Shoeless Joe, or added it to your TBR?

Check out all of the #USofBooks posts here.

—–

2 1/2 Stars

The Batgirl of Burnside by Brenden Fletcher, Cameron Stewart & Babs Tarr

By HCNewton

On February 12, 2016

In Comics, Fiction

Batgirl Vol. 1: The Batgirl of Burnside

by Brenden Fletcher, Cameron Stewart (Writers), Babs Tarr (Artist)

Hardcover, 176 pg.
DC Comics, 2015

Read: February 10, 2016

My dabbling into The New 52 continues . . .

Like everyone who has at least one social network account, I was deluged by images of the new Batgirl uniform back in 2015 — and I dug it. I liked the Cassandra Cain incarnation of the character — but had missed just about all of them post-Barbara Gordon, who didn’t do much for me (I was a big Oracle fan, in my defense). So I decided to give this a shot when I saw the collection. Oh, so glad that I did — the best of the New 52 comics I’ve read so far.

Barbara Gordon’s in some sort of tiff with Dinah Lance (I’m assuming it’s Lance, didn’t care enough to check), she’s moving out of her old digs into a very trendy, hipster part of Gotham (the part that Nolan or Burton never showed) with a roommate she met doing physical therapy while working on a Master’s/Doctorate with a predictive algorithm that will probably go on to turn Gotham into Minority Report or will be Oracle. Doesn’t take her long to need to do the Batgirl thing, so she slaps together a new costume (her old equipment was no longer available) — the purple leather coat and sneaker thing — and gets to action.

(you can really tell I’m into detailed research here in that paragraph, can’t you? Well, maybe not today)

There’s a new gaggle of friends, mostly university based, who help her tremendously. There’s a romantic interest or two, conflict with the cops, some good stuff with Dinah, a brush with celebrity culture, and a few laughs. It’s light-hearted when it can be, kick-butt when it has to be. Which pretty much sums up Barbara, too.

The art? Wow. I don’t know how to describe it, but it makes you think of an animated show, it’s fun, it’s dynamic — it absolutely wouldn’t work for a lot of titles, but this one has enough spirit, enough joie de vivre, that it works perfectly. It supports and doesn’t distract from the story, just what you want from comic art.

I really dug this, and hope that this version of her sticks around for a bit (as I write this, I’m fully aware that she’s likely morphed at least once into something more Christopher Nolan-esque) — I’ll be looking for more of this one for sure.

—–

3.5 Stars

The Highly Capable by Jayme Beddingfield

By HCNewton

On February 10, 2016

In Fiction

The Highly Capable

by Jayme Beddingfield
Series: The Ruby Dawson Saga, Volume 1

ePub, 157 pg.
Booktrope Editions, 2015

Read: February 9, 2016

If Jamie Schultz’s Arcane Underworld were an HBO show, this would be the TNT or USA Network equivalent (this is a description, not a criticism) — it’s not quite a gritty, or dark — but it deals with the same kind of characters, in similar pressures. A small group of criminals, augmented with magic/powers, who suddenly find themselves in waters far deeper than they were prepared for — and the fallout from that.

Ruby Dawson is telekenetic, her drug-addled boyfriend can turn invisible, her best friend, Brody can walk through walls, one other member of the team has super-strength and another can climb walls like a certain Web-Slinger. Their boss, Madison, is pyrokenetic (and a secretive control-freak, but that’s beside the point). Ruby used to be a pick-pocket, but the team specializes in residential B & A. They’re pretty successful at it, but Madison wants more — and Ruby’s thinking it’s time to leave. Obviously, there’s a little trouble brewing there

In addition to the professional conflict (if you can call it a profession), there’s a love triangle, a couple of addicts racing toward rock-bottom, and an almost complete lack of trust amongst the team. I could tell right away that this pegs a little higher on the lovey-dovey/romantic intrigue meter than I prefer (I write that fully aware of the hypocrisy involved, as I’m currently waiting for my wife to finish a Gail Carriger Parasol Protectorate book so I can read it), but I got sucked in anyway.

The combination of problems, the mixture of the personal, professional and both make the plot steam ahead with such drive you just hang on for dear life. Ruby’s situation reminded me of Patricia Briggs’ Anna Cornick or Carrie Vaughn’s Kitty Norville when we meet them for the first time — the way she addresses her situation is all her, though. It wasn’t just the plot that engaged me, it was the way that Ruby worked through it emotionally, the choices she made; I wanted to know what happened to Brody and her non-criminal friends, too, but on a lesser extent — and yeah, I really wanted to see Madison get her comeuppance.

All the powers here a pretty generic if you’ve read 1 X-Men issue (or virtually any other super-powered title/watched Alphas/etc.), and Beddingfield utilized them like a seasoned pro. I’m not sure that I’ve ever seen her take on telekenesis before, though — the way she described it was gripping. And when Ruby’s powers start to develop in new ways, Beddingfield describes that perfectly, too — ditto for Ruby’s reactions to the changes.

On the one hand, I’d have like a little more background with the crew — to see them (in flashback) get to the point they are at the beginning of the book, to see the little cracks that got Ruby and Brody to begin to question Madison — and the choices that kept the others from joining in. At the same time, I kind of liked just being thrown in at the point we are — where everything’s just starting to unravel, the foundation cracking — having to assume that Ruby has good reason for what she’s doing. Not that it takes long for us to get plenty of evidence to justify her actions.

This is a quick read with a plot that keeps driving forward and an engaging protagonist that makes you want to keep moving. I don’t mean this the way it probably sounds, but I can’t account for how much I found myself liking this. Beddingfield wrote a good novel, don’t get me wrong, but when I stopped to think about it, my appreciation for it was greater than the sum of its parts — there’s something ineffable about this that drew me in. I was so hooked that when I was about 2/3 through, I started looking around on Beddingfield’s website for any clues as to the release of Volume 2, I’m already ready for it.

Disclaimer: I was provided with a free copy of this by the author in exchange for an honest review — and I’m really glad she did that.

—–

3.5 Stars