Night Child by Jes Battis
My rating: 2 of 5 stars
I honestly don’t know what to think about this…it was ambitious, probably moreso than Battis was up to. Interesting series premise. Don’t think first installment delivered on — and can’t see that future ones would, either. It wasn’t bad, don’t misunderstand me. But it wasn’t good either. Very disappointing.
Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:
Blood Work by Kim Harrison
My rating: 2 of 5 stars
I’m trying to come up with a nice way to talk about this one, but I don’t think I can.
The writing was . . . lacking. It seemed like notes for a story more than anything else. My guess was that Harrison was learning how to write a comic script, knew she couldn’t put the same kind of detail she normally puts in her 400+ page novels, and over-corrected. It’s a potentially interesting tale, but just one poorly told.
And the art? Stiff, unnatural, not terribly consistent. It didn’t look so much like capturing motion or movement, but a series of awkward poses.
Honestly, I gave this an extra star because it scratched the itch wondering how things started between the two (didn’t eliminate the itch as it’s only part of the story, and so poorly told). Really, that’s the best that can be said for this waste of time. Despite this, I’ll probably read the sequel, just to find out what happens. And I’ll probably not be thrilled with myself throughout it.
The 5th Wave by Rick Yancey
Series: The 5th Wave, #1
My rating: 5 of 5 stars
There were two things that kept running through my mind: Noah Hawley‘s A Conspiracy of Tall Men and Suzanne Collins‘ The Hunger Games (maybe you’ve heard of it). I’m not really suggesting that Yancey’s created some sort of Hawley-Collins hybrid, but this affected me the same way those two did.
I remember very little about Hawley’s book (it was 1999, in my defense) — I remember enjoying it and being really creeped out and feeling paranoid. A feeling that lasted a little longer than the book, as I recall.
I remember Collins better, obviously. And whatever issues and problems the first of Katniss’ adventures had, it grabbed me by the throat and wouldn’t let me go until well after the runaway freight train of a story had come to it’s adrenaline-fueled conclusion.
I really don’t know how to discuss the story of The 5th Wave without spoiling the heck out of it. But I can tell you that it hit me like those two books did. The various storylines are gripping, and fast-paced and make you wish you could turn the pages faster. And once you get your brain wrapped around the devastation being unleashed on earth, the creepiness and paranoia are the order of the day.
This isn’t one of the better books I’ve read lately — in terms of character, craft, literary value, etc. — but it’s just about the most effective and affecting. Hawley gets under your skin with the skill of a seasoned pro, makes your emotions and reactions dance like a marionette for him, and leaves you hungry for more.
I have to admit, I miss the Yancey of Alfred Knopf and The Highly Effective Detective books — they just felt different. They were fun — as enjoyable as this is, it wasn’t fun. And I liked the characters (most of them), wanted to spend time with them. Not so sure I like these characters as people. But, until Yancey gets around to it (if he does), I’ll gladly take pulse-pounding excitement and mind-bendy plots.
Dream Dark by Kami Garcia & Margaret Stohl
My rating: 2 of 5 stars
This is pretty much the textbook definition of “meh.” The primary purpose of this short story “of Gatlin’s first, and only, Linkubus” is to provide a bridge between Beautiful Darkness and Beautiful Chaos, which is does well enough.
But the thing is, there’s already a land-bridge between the two books — Chapter 1 of Beautiful Chaos. Dream Dark is totally unnecessary.
Add to that the fact that practically nothing happens. Nothing we need to know, anyhow. We get more details on the aftermath of Link being bitten by the half-Incubus, and how he deals with it early on — but we don’t learn anything we need to know. And it’s not even that particularly entertaining.
If this story’d been told from Link’s POV rather than Ethan’s, maybe that could’ve been enough to justify this. But as it is…meh.
—–
P.S. For the record, I’d have felt this way about the story even if I hadn’t bought the e-copy and then discovered that it was printed in the back of my paperback copy of Beautiful Chaos. Really.
The Last Word by Lisa Lutz
My rating: 4 of 5 stars
One of the constant battles in The Spellman Files has been Izzy’s struggle with maturity and responsibility — there are people who just don’t grow up, who are locked into an eternal childhood. And then there are people like Izzy who have waged war on their impending adulthood. Her struggles are at times as trying to the reader as they are for those closest to her — friends/family/boyfriends — but primarily they amuse us (this is due to the skill of the Lutz more than Izzy’s inherent charm). Trail of the Spellmans ended with Izzy taking some determined steps towards maturity, however reluctantly, and The Last Word starts off showing how poorly that’s going.
Oddly enough, given her determined adolescence, I’ve always liked Izzy most when she’s interacting with the elderly (other than her grandmother — but I don’t know who could be likable while dealing with her). Early on, it was Mort Schilling — who I’ve missed, and now we get Edward Slayter and Charlie. While they serve similar roles in the narratives (a mature advisory/near-parental voice that Izzy sort-of listens to), Mr. Slayter and Charlie aren’t anywhere as amusing as Mort was.
These are ostensibly mystery novels, and there are a handful this time ’round. More than one of which focuses on Mr. Slayter (keeping this vague for spoiler reasons), so we see Izzy at her strongest. There’s some mysterious antics involving Rae, of course — and I’ve found these stories to be harder to enjoy lately, even more than Izzy’s Pernella Pan syndrome. And the requisite mystery about what Albert and Olivia are up to — once this moves beyond them repaying Izzy for being such a lousy and defiant employee/daughter for yeas, this becomes the emotional core of the book and is probably the best use of these characters in the series. The other cases are entertaining enough, and definitely provide a good balance to the more emotionally charged and serious plot lines.
Maybe it’s just me, but I sound negative about this book so far. And I don’t mean to! As always, it’s a pleasure to spend time with these characters and in this world. Izzy’s TV taste remains impeccable. And Lutz’s breezy style can carry even the most problematic characters and stories in a way that seems effortless (and is undoubtedly very difficult to do successfully). The character development here is a natural — and needed — progression from Trail, even if it means this isn’t the laughter-filled read the first few were. I wasn’t entirely thrilled with where this book left the family and business, but I understand (and would defend) the choices Lutz made — and I’m sure in a few weeks, I’ll only look back on this novel positively. But right now, my reaction to the last couple of chapters are coloring my mood.
Still, highly recommended — throughout the reading of this, I had fantasies of taking a few days off work to do nothing but re-read this series back-to-back, and that still sounds like a great way to spend some downtime.
Heads You Lose by Lisa Lutz
My rating: 4 of 5 stars
What a hook, what a killer (no pun intended) concept–an established mystery writer sends off a chapter of a new novel to an ex-boyfriend, asking him to collaborate with her on the novel. She’ll take the odd-numbered chapters, him the even. Interspersed in these chapters are emails sent back and forth, along with other comments they make on the other’s work, as the two stumble through the writing process.
And while that’s amusing enough, the actual novel ends up being a pretty good read. In a small California town, a pot-growing brother and sister team find a headless body in their backyard. They try (a couple of times) to dispose of the body so they can continue their growing without police interference, and then take it upon themselves to solve this murder (and the others that follow). A very unlikely crime stopping pair, to be sure.
The novel is filled with quirky characters, twists and turns that no one (even 50% of the authors) can see coming. Far more than just a catchy hook–Heads You Lose is an entertaining crime novel that’ll leave you wanting more.
For Whom the Bell Tolls by Ernest Hemingway
My rating: 4 of 5 stars
This was the fifth Hemingway novel I’ve read this year, and by far the most ambitious in length, scope, topic, and style. This classic follows Robert Jordan, American Spanish professor turned Republican Demolition officer in the Spanish Civil War as he leads a small guerrilla band to destroy a bridge that will play an important tactical role in an upcoming battle (as will its destruction). This classic has been analyzed, reviewed and studied far more intensely and deeply than I do around here, so I’ll stick to some general impressions/observations.
Holmes on the Range by Steve Hockensmith
My rating: 3 of 5 stars
You just have to love this concept. An illiterate cowboy in 1890’s Montana hears about Sherlock Holmes due to the republication of some of Watson’s accounts in American periodicals. He’s drawn by what Holmes does and sets about getting his hands on all of Watson’s reports he can. And then he makes his brother read them to him over and over and over so he can learn how to do what Holmes does. At some point he thinks he’s learned enough to start, and puts himself in a situation to put his skills to the test. And presto, you’ve got yourself a novel.
So much for the concept–how was the execution? Ehhh, not as good. It was dull, downright slow, filled with a bunch of cliched Western types. It was interesting enough to keep me reading, but man, did it get sloggy in parts. I’m glad I persevered, because the conclusion was satisfying (even if it’s pace was 200% of what preceded it) and the central characters were amusing.
These brothers offer a great take on Holmes/Watson, and I’m sure I’ll get to the sequels pretty soon. Hoping that now that the series has been set up, the next ones will pick up a little faster.
Clean by Alex Hughes
My rating: 2 of 5 stars
This was a totally adequate book. This is a futuristic police procedural featuring a telepath who acts as an interrogator, a case of “You’ve got Urban Fantasy in my SF,” “No, you’ve got SF in my Urban Fantasy.”
The telepath in question is a recovering drug addict on his last second chance — and that was pretty well done. I work with a log of people in Recovery, and this rang true. But beyond that, he was sort of a stock PI-type down on his luck. The same goes for his tough, driven and beautiful Homicide detective partner, and the various superiors they have — even his sponsor. They’re all characters we’ve seen dozens upon dozens of times before. To an extent, that’s forgivable in a first novel in a series, you’re building a world, setting up everything, you can skate by with mostly stock characters, as long as you flesh them out later. But there wasn’t a single original character.
The plot wasn’t much better once you strip away the Mindspace parts of the equation.
At the end of the day, for all it had going for it, Clean just wasn’t all that well-written. Too often it read like something I’d write on my best day (and I’m fully aware of my limitations) — sure, it its moments, and the last 40 or so pages, really delivered. But that was more plot than execution, by that point, as long as she wasn’t being incoherent, it would work — it was just getting to that point that was the struggle. It was the setup and curiosity that got me to that point.
It wouldn’t surprise me a bit if one day I really liked Hughes’ stuff, but today wasn’t that day.
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