Category: Fiction Page 51 of 348

PUB DAY REPOST: The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain: The Scent of Death

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The Djinn's AppleThe Djinn’s Apple

by Djamila Morani , Sawad Hussain (Translator)

DETAILS:
Publisher: Neem Tree Press
Publication Date: May 7, 2024
Format: eARC
Length: 160 pg.
Read Date: February 24, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s The Djinn’s Apple About?

Nardeen is a remarkable twelve-year-old. Her father is a physician known for translating medical texts from a variety of languages into Arabic, and Nardeen soaks up his work. She has an astounding memory and ability to understand what she memorizes.

But due to some political intrigue that she doesn’t wholly understand, Nardeen and her family have to flee their home one night. Sadly, she’s the only one who survives.

Nardeen vows revenge on those responsible for her family’s murder—certain that a friend of her father’s is ultimately to blame.

But before then, she finds herself being taken under the wing of a legendary physician and teacher, Muallim Ishaq. He recognizes her gifts and her heritage from her father—he arranges (mostly by the force of his will) to have her learn at The Bimaristan, a hospital of great renown. There, she’s able to hone her skills and knowledge—and sharpen her tools, resolve, and ability to mete out that vengeance.

Father vs. Father

There are a handful of various conflicts in this book (like with any good book), but at the core, this book seems to be a conflict within Nardeen herself. On the one hand, she has her memories of her father and what he taught her—what he showed her by example—about the way to live. She also has to wrestle with what she’s told about her father—by those who profess to have admired him and those who worked against him.

On the other hand, she has her (for all intents and purposes) adoptive father, what he’s trying to teach her—what he shows her by example—about the way to live. She also has to wrestle with what she’s told about him—by those who profess to admire him and those who work against him.

In many ways, these two fathers line up—but in significant ways, they follow and lead her down divergent paths. So much of how the plotlines of this book resolve depends on Nardeen’s acceptance/rejection of what these men stand for.

The Setting

So, this takes place during the “golden age of Baghdad”—Harun al-Rashid’s rule of the Abbasid Caliphate from 786 to 809. Now, everything that I know about this period of time comes from the appendices to this novel “Harun Al-Rashid: The Golden Age of Baghdad” and “The Bimaristan.” As they are appendices, I read them afterward. So I came into this not knowing anything—which is a bit intimidating. And I figure I’m not alone in this (particularly for the intended YA audience, who probably haven’t had much opportunity to study Eigth-Century history).

But honestly? Anyone who reads Fantasy/SFF knows how to approach something like this—sure, this is a representation of actual history, but the same tools and imagination you need to understand Westeros, Panem, or the world of the Shadowhunters equip you to get into this world.

And, like with those worlds, after getting this taste, you’ll likely want to read more about it.

While reading, and since then, I do have to wonder a little bit about how much Morani was stretching things about the opportunities presented to women in this time and place. Not just for Nardeen, either—but all the women she encounters at the Bimaristan (and I’d be saying this if the city was Paris or Rome, not just because it’s Baghdad). But I’m willing to both suspend disbelief for the sake of a good story and to trust that someone who’s as familiar with Arabic literature as Morani is more than my hunches.

So, what did I think about The Djinn’s Apple?

This book hits the ground running—Morani doesn’t give you the opportunity to settle in and get comfortable in this world or anything like that. She thrusts the reader—and poor Nardeen—straight into life-or-death action. Nardeen has a slightly better understanding of what’s going on than the reader does—but not much. This was a great way to start this read—you don’t get the chance to indulge curiosity or get lulled into thinking it’s a different kind of book than it is—you have to rush to catch up and then keep up with Nardeen and only get the luxury of starting to understand the world until she’s (relatively) safe.

There were a couple of times that I wondered about the timelines and how well they worked. I assume I just missed something (and didn’t want to take the time to go back and check). It wasn’t anything that bugged me enough to look into it, but I would’ve appreciated things being a bit clearer.

The characters of Nardeen and Muallim were so well drawn, so vivid, and so compelling that I really wish we had more time with them. Particularly Muallim—this cantankerous genius is the kind of character I really respond to. Now, given the pacing of this book, that’s impossible. And Morani picked the better option for her story. But the eccentric teacher and the stubborn and gifted student is a combination that could’ve made for a lot of fun.

Somehow in the midst of this propulsive pacing, Morani is able to litter the book with some great observations, some drops of wisdom (primarily from the teacher and student), and memorable prose (some of that credit has to be given to Hussain as well).

This is a fast, immersive read that’ll leave you guessing from the beginning right up to the end. You’d be doing yourself a favor if you pick it up.

Disclaimer: I received a copy of this book from Neem Tree Press and The Write Reads via NetGalley.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

 

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Opening Lines: Christa Comes Out of Her Shell by Abbi Waxman

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

So, I’m going to kick off by making one thing very clear: None of this was my fault. I was part of it, sure, but only like a flea is part of a cat. I was carried along, contributing my own pain-in-the-ass factor, no argument there, but I was mot, in any sense, driving the bus. Let’s not forget that when this story starts, was literally on an island in the middle of nowhere. Hands full, head busy, heart well guarded. Safe as houses, baby.

Wait, that’s not completely accurate. The island of Violetta isn’t in the middle of nowhere; it’s slightly to the right of Africa, many hundreds of miles into the Indian Ocean. It’s a geography cal, political and sociological anomaly, It’s also home to a frozwn vodka drink called the Barrier Island, beyond which no man may safely travel, but that’s a sidenote. It lies two days’ sail from a large French-speaking island more than five hundred miles off the east African coast, which is probably why the French didn’t bother to claim it. It was ignored by the Mauritians, because they thought the French already nabbed it, and blithely disregarded by the British, who had no idea who owned it, but had no reason to think was them.

No one paid much attention to it at all until the 1950s, when an enterprising young Violettan by the name of Agnes Bottlebrush did a school project on the even younger United Nations and then quietly applied for membership for Violetta (Agnes was an overachiever with time on her hands). As the result of a series of fortunate and slightly comedic events, Violetta became the smallest member of the United Nations, and Agnes received a rapid promotion to Head Girl. Then she walked around to everyone’s houses and handed them a copy of the UN Charter and gathered suggestions for what to put on the flag.

from Christa Comes Out of Her Shell by Abbi Waxman
Christa Comes Out of Her Shell Cover
I’m not sure what happens over the next 369 pages (in a sense). I just want almost 400 pages like this.

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Kickstarter Announcement: Anna, Daughter of Creed by Jonathan Fesmire

I’ve talked about Jonathan Fesmire’s Bodacious Creed series a few times over the last few years, and he was gracious enough to participate in that series of Q&As about Self-Publishing here last year. So yesterday, when he asked me to help spread the word about his new Kickstarter, it took me a whole second to agree. Go check this one out!

Anna Daughter of Creed Kickstarter

It’s Time for Adventure in the Creedverse!

Exciting news, Steampunk and Western fans! The Kickstarter for my newest novel, “Anna, Daughter of Creed,” is now LIVE! Dive into the vivid and inventive world of the Creedverse with this thrilling spin-off series.

Join the adventure on Kickstarter!

https://www.kickstarter.com/projects/jonathanfesmire/anna-daughter-of-creed/

“Anna, Daughter of Creed” marks the first book in an electrifying new series that expands on the universe of “The Adventures of Bodacious Creed.” Anna Lynn Boyd, a master inventor and daring protagonist, will take you through the streets of 1877 Santa Cruz in a timeline where technology and the Old West merge in unexpected ways.

Why You’ll Love This Book:

  • Immerse Yourself in the Creedverse: Discover more of the richly detailed world where automatons walk the streets alongside gunslingers.
  • Follow a Strong, Inventive Heroine: Anna Lynn Boyd is not just any character. She’s a brilliant inventor, the esteemed owner of The House of Amber Doves, and a pioneer in automaton technology.
  • Experience a Unique Blend of Genres: Mixing the suspense of a Western with the imaginative flair of Steampunk, this series offers a fresh take on both.

What Fans Say About “The Adventures of Bodacious Creed”:

“…one of the most imaginative and addictive I have ever read!” “There aren’t enough stars to rate this as high as I want to!” “What a refreshing read!” “Can’t wait for the sequel!” — Praise echoed by readers on Amazon, Goodreads, and beyond.

By backing this project, you’re not just getting a book. You’re unlocking exclusive rewards and becoming part of the Creedverse community.

Support creativity. Embrace adventure. Make history with me.

Back “Anna, Daughter of Creed” Today!

https://www.kickstarter.com/projects/jonathanfesmire/anna-daughter-of-creed/

Let’s make this journey unforgettable!

 

Kickstarter Info

About the Author

Jonathan FesmireJonathan Fesmire is a happy author of speculative fiction. While he loves a variety of genres, including high fantasy, hard sf, and superheroes, the niche steampunk western genre has a strong grip on his imagination. Hence, the Creedverse was born.

A single father, Jonathan lives in California with his son. They enjoy going to movies, to Disneyland when possible, and play guitar together most evenings. Early in the covid pandemic, Mr. Fesmire took up the hobby of resin 3D printing. He enjoys printing, and painting, miniatures and dice towers when he has the time.

As an author, one of his goals is to write and publish at least one novel per year, and with “Bodacious Creed and the San Francisco Syndicate,” he’s come close.

Facebook ~ Amazon Author Page ~ Website ~ Linktree

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PUB DAY POST: Takeout Sushi by Christopher Green: Slices of Life from Japan (and a couple of other spots)

Yup. This is going up about 22 hours after it should have. Mr. Green, Neem Tree Press, and The Write Reads—I’m incredibly sorry.


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Takeout SushiTakeout Sushi

by Christopher Green

DETAILS:
Publisher: Neem Tree Press
Publication Date: May 2, 2024
Format: eARC
Length: 272 pg.
Read Date: April 17-27, 2024

What’s Takeout Sushi About?

This is a collection of 17 stories—13 taking place in contemporary Japan, and 4 in other parts of the world and other times.

It’s difficult to describe a common theme or anything with this collection—you’ve got one crime story, one thing that straddles Science Fiction and Contemporary Fiction, and then a few that fall under slice-of-life kind of things. I’d compare them to the shorter works of Raymond Carver, John Cheever, or John Updike—at least in the kind of stories he’s telling, I’m not equipped to talk about literary quality. I will say that I liked most of these better than almost everything I read by those guys.

Characters in the Stories

Speaking generally, these stories focus on one person, with 1-3 other characters. I guess that’s frequently the case for short stories in general, but as I read it, this collection felt more focused on an individual or two rather than the outside world.

With several of these, I have the impression I got to know the protagonist as well as I do some characters in 400-page novels—Green has a real gift for getting us up close and personal to his characters. And, I guess, we really don’t get to know these people all that well—but in the moment, you’ll be convinced you know them better than their own mothers or psychiatrists.*

* That’s a joke, I can’t imagine any of these people seeing a psychiatrist. Most should, however.

Mawage

There’s probably an entire post to be written about the marriages depicted in the book—and, on the whole, the institution doesn’t come out looking to good. There are a couple of exceptions—and one promises to be better soon after the story’s events (thanks to an oddly sympathetic police officer). But, particularly early on, my notes are full of comments about the strange and (often) strained relationships between husband and wife depicted here.

I will say this—Green is fairly even-handed in what partner is “the problem.” Too many collections like this would tend to paint the wife negatively—or the husband—but Green bounced back and forth between the two.

Basically, don’t give this as a Valentine’s Day gift.

So, what did I think about Takeout Sushi?

Almost every time I talk about a short-story collection, I end up saying something like, “there were some real winners, and some that didn’t do much for me, I expect you’ll find the same (just with a different list of stories in each category).” I hate to repeat myself, buuuuuut…

Now, those that were real winners were just amazingly good. “Laugh out loud from surprise because you didn’t expect to read something that skillfully done and imaginative” good (and occasionally laugh out loud because of the conclusion). Those that didn’t rise to that level (in my estimation, I stress), did absolutely nothing for me. I even re-read a couple of them to see if I could figure out what I missed—I just didn’t understand the point of them. There was one exception to that—the penultimate story, “The Pool.” It was effective and affective—and completely not for me—but at least I got it.

A few years ago, I read a short story by Russell Day called “Not Talking Italics.” It blew me away and started a years-long obsession with Day and his shorter and longer pieces. Green’s “Crimes for Dummies” hit me in almost the same way. My note at the end was just one word: Fantastic. A few others were almost as good (“The Choice”)—or better (“Spinning Wheels”).

I’m not going to say any more about them because it would rid those stories of their punch. But those three more than justify the purchase price of the book—whatever you end up spending on it.

As usual, I’m more than prepared for people to come along and tell me that “The Pool” was brilliant (and explain why), or that “Spinning Wheels” was silly or derivative of something. Because tastes differ—as they should.

In any case, I expect that whoever picks up this collection are going to frequently have a real blast with it—and a couple of things to shrug at before diving into the next one that will get them giddy with excitement.

Disclaimer: I received a copy of this book from Neem Tree Press and The Write Reads via NetGalley.


3.5 Stars

 

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

 

BOOK SPOTLIGHT: Takeout Sushi by Christopher Green

This morning, I’m very pleased to welcome The Write Reads Blog Tour for Christopher Green’s short story collection, Takeout Sushi. In addition to this Spotlight, my post about the book will be coming along sometime today (I hope). The Tour, so check out https://twitter.com/WriteReadsTours to see other people are saying about the book, my positive remarks will join them soon. But for now, let’s learn a little bit about the book, shall we?

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Book Details:

Title: Takeout Sushi by Christopher Green
Genre: Contemporary Short Stories, Japan
Release date: May 2, 2024
Length: 272 pages
Publisher: Neem Tree Press
Takeout Sushi Cover

About the Book:

Takeout Sushi is a collection of 17 illustrated short stories set mostly in contemporary Japan that explore feelings of belonging, displacement, and the strangeness of everyday human interaction.

In an innovative, fast-paced company, a man’s job comes under threat when a team of robots are brought in to replace the HR department. A husband’s search for shortcuts to his domestic tasks goes painfully wrong. Overwhelmed by the hustle and bustle of Tokyo, a foreigner takes a weekend break and discovers something other than solitude in the mountains.

Marking Christopher Green’s debut adult fiction and inspired by his own experiences, these whimsical slice-of-life tales are full of heart and humour—perfect for fans of Convenience Store Woman and Before the Coffee Gets Cold

Book Links:

Amazon UK ~ Amazon US ~ Neem Tree Press ~ Goodreads

About the Author:

Christopher GreenA long-time resident of Japan, Christopher lives near Tokyo with his wife and daughter. Christopher writes short stories and children’s stories. His first collection of short stories Takeout Sushi is due for publication by Neem Tree Press in May 2024.

For a little more about Christopher and his books, please visit www.greeninjapan.com.

For Christopher’s goodreads page for his children’s books, please visit Chris Green.

Thank you for reading!

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided. Apologies for the tardiness of this post and the next one, too.

EXCERPT from Crimson Arches by Rebecca Carey Lyles: What was going on?

Crimson Arches CoverAs we continue to celebrate the Publication Day of Crimson Arches, here’s a little sample to whet your appetite, and a quick reminder that both books (so far) in this series are available for a great price.


from Crimson Arches by Rebecca Carey Lyles

What was going on?

Far ahead on the two-lane highway that divided the flat desert like an endless gray ribbon, a light flashed. Kasenia Clarke squinted but saw nothing unusual, not even a dust devil twirling across the arid plain. Had to be sunlight reflected off a car window or a bumper. She lowered the sun visor to block the bright orb’s merciless glare, and a flicker in the rearview mirror caught her eye.

What was going on?

A siren sounded behind her. This time, she couldn’t miss the frenetic red-and-blue beams coming closer by the second. Heart in her throat, she glanced at the speedometer and steered to the side. She wasn’t speeding, and the kidnapping charges had been dropped a year ago. Even so, her stomach clenched at the reminder of her arrest and incarceration, experiences she hoped to never repeat.

A State Trooper’s SUV screamed past, buffeting her car. Kasenia cringed. The ear-piercing sound shook her to her core. The trooper wasn’t after her, thank God, but someone up ahead was injured or in trouble. After a quick check for other cars, she drove onto the blacktop, only to hear another siren. This time, she swerved off the highway mere moments before an ambulance wailed by her window.

When no more emergency vehicles followed, Kasenia checked one more time. With deep breaths to slow her racing pulse, she pulled onto the road again, grateful the sirens hadn’t triggered a panic attack.

She’d traveled several more miles when she topped a rise and saw a string of cars that appeared to be at a standstill several miles ahead. Black smoke billowed in the distance.

More sirens. More lights. Again, she reduced speed and maneuvered out of the way. A second ambulance passed, this one trailed by a firetruck, then a tow truck, and another firetruck.

“Jesus,” she whispered, “please help those who’ve been injured and give the first responders wisdom.” Almost every time she rode with her grandpa, someone would speed past on a straightaway. And every time, he’d grouse, “What does that bloomin’ blockhead think this is, a racetrack?” Sadly, sometimes those drivers caused horrible accidents.

She rolled onto the road, this time to slowly approach the last vehicle in the queue. Braking to a stop, she sat for a moment, taking in the situation. Despite the heat, people stood outside their cars, gaping at the enormous black smoke cloud.

Before she switched off the AC, Kasenia twisted her hair to fit it into the crown of her wide-brimmed straw sunhat and adjusted her sunglasses, which usually prevented recognition. But not always. The hat was an extra precaution to hide her copper-colored hair, which tended to attract attention.

Modeling required her to be in the spotlight during photo shoots—she was used to that. But since the Shadow Ranch debacle, almost every time she left home, curious people gathered around her like mice to cheese. They bombarded her with questions about the ranch, Brewster, the sister wives, running away. They took cell phone pictures without her permission and begged for autographs. Yet in a year’s time, not a single person had asked how she and Sam and the others were coping with the trauma since their perilous escape.

Her lawyer advised her to say she wasn’t allowed to answer questions or give autographs, and to keep walking, so that’s what she did.

In addition to local notoriety, her photo had been plastered on the front cover of nearly every magazine on the grocery-store racks. All because she’d stupidly fallen for Brewster’s lies and allowed him to trick her into a fake marriage. Then there was the meddling media, as Grandpa Gordon called reporters who appeared from nowhere, snapping pictures and sticking microphones in her face. All these months later, they still clamored for interviews about her Shadow Ranch experience.

Kasenia switched off the ignition and reached for the door handle. The silver SUV she’d parked behind had a Montana license plate. Good. People from up north wouldn’t know anything about her or Shadow Ranch.


Read the rest in Crimson Arches by Rebecca Carey Lyles to see what happens from here in this follow-up to Shadow Ranch.

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PUB DAY SPOTLIGHT: Crimson Arches by Rebecca Carey Lyles

I’m very pleased today to share this spotlight for the second book in Rebecca Carey Lyles’ Children of the Light series, Crimson Arches! Lyles has become a solid friend of the blog over the last year, and I’m glad to get the chance to share this look at her new book. A little later this morning, I’ll be posting an excerpt, too.

Book Details:

Title: Crimson Arches
Series: Children of the Light, Book Two
Genre: Christian Mystery & Suspense Romance
Format: Ebook
Length: 423 pages
Publication Date: April 30, 2024
Crimson Arches Cover

About the Book:

Kasenia Clarke escaped Shadow Ranch months ago, but when Trent Duran asks her to visit Crimson Arches, his neighboring ranch, she hesitates. She adores Trent and wants to see where he “hangs his hat,” yet she dreads going anywhere near the abusive polygamous cult. Then an unexpected connection with another “plyg” community changes everything, and she jumps in with both feet, unaware of the peril that awaits her down by the border.

Book Links:

Amazon ~ Goodreads

Buy the Series

Both books together are set at a great price!Shadow Ranch and Crimson Arches Covers

About the Author:

Rebecca Carey LylesRebecca Carey Lyles lives with her husband, Steve, in Boise, Idaho, where she serves as an editor and as a mentor for aspiring authors. In addition to the Children of the Light Series, she’s written the Kate Neilson Series and the Prisoners of Hope Series plus a short story collection and a couple nonfiction books. Her tagline for her fiction is “Contemporary Christian romance set in the West and salted with suspense,” although some might describe her stories as “suspense salted with romance.” She also hosts a podcast with Steve called “Let Me Tell You a Story.” Learn about Becky, her books and the podcast at beckylyles.com.

Author Links:

Twitter/X ~ Facebook ~ BookBub

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Namaste Mart Confidential by Andrew Miller: A Pair of Unlikely P.I.s Search for a Missing Woman

I’ve talked recently about how easily distracted I am—how much trouble I’ve had focusing on things—I’m pretty sure that this post reads like the product of that. Hopefully, it makes enough sense to be worth your while.


Namaste Mart ConfidentialNamaste Mart Confidential

by Andrew Miller

DETAILS:
Publisher: Runamok Books
Publication Date: May 1, 2024
Format: ARC
Length: 246 pg.
Read Date: April 4-9, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Namaste Mart Confidential About?

It seems (especially in film and novels) that Los Angeles is filled with people who’ve moved their to start their lives. That’s certainly the case for Richie Walsh, a stand-up comedian trying to build his audience and act, and Adam Minor, an aspiring novelist. While they wait for their artistic careers to take off, they need to pay their bills—and so they get jobs at the greatest grocery store in the country to be employed at (as far as I can tell, anyway—I’ve never known anyone to have such a good gig while working at one).

Some time back, however, the two of them stumbled upon a kidnapper and rescued his latest victim—getting them some attention from the local media and starting a side gig for them: Unlicensed Private Eyes. They’ve had a few successful cases, nothing as headline-worthy as their first however, and then entered a dry spell.

They’re pulled out of it when a co-worker’s mother hires them. She runs a few lingerie stores (higher-end stuff), and one of her top employees has gone missing. Shayla Ramsey has had a troubled past—escaping from the frying pan of a polygamous marriage to the fire of addiction on the streets of L.A. She’s put her life on the right track—and now she’s vanished, with both parts of her past equally likely to have pulled her back in.

Neither grocery store clerk could expect—or be prepared for—where the trial for Shayla takes them. But readers are going to have a blast going along for the ride.

A Real Kitchen Sink Novel

What doesn’t this book have, really? First off—and it’s easy to forget this, but you shouldn’t—it’s noir. Then you have a slice of L.A. life in 2013, and boy does it feel like it. There’s some comedy. There’s some satire. There’s commentary on the rise (and growing acceptance, it seems) of polygamous LDS groups*. There’s some drama. There’s some over-the-top action movie-style gunfights. There’s a splash of politics. There’s more than a little commentary on the nature of celebrity. There’s some actual sweetness through one of the smaller arcs. You’ve got Armenian mobsters. Ex-actors turned business executives. Ex-actors turned artists. Grocery store clerks and very odd customers (just that part of the novel alone could be turned into a decent sitcom). A strange Scientology-esque group.

* I read three novels that featured them last year alone. An odd trend in crime fiction.

This is not an exhaustive list—and I know that once I publish this post, I’m going to think of other things I could’ve included.

But the important thing to know going in—it all works. This jumble of seemingly incompatible ideas/topics that Miller brings to the table fit together in a way that feels natural. It’s like one of those cooking competition shows where the contestants are handed a bunch of ingredients that no one in their right mind should put together and they make something that gets that gets the approval of experienced chefs and restauranteurs. Miller ain’t getting chopped for this meal.

Anger

At one point in the show Justified, Winona tells her ex-husband, “Raylan, you do a good job of hiding it. And I s’pose most folks don’t see it, but honestly, you’re the angriest man I have ever known.” That line came to my mind a few times while reading this book—I don’t know that Adam or Richie are quite as angry as Raylan—but they’re noticeably younger than him. Unless something happens to them in the next decade or two (you know, presuming they survive this novel), I do think they might attain that high mark.

Adam says he wants to pursue this case for a different reason—and that might be true (he certainly believes it), but it seems to me that his life as a whole is driven by anger. Anger at his family for the way he was raised, the religion he was inculcated in, and the way they responded to him rejecting their faith and way of life. This spills over to an anger at any religion—or pseudo-religion/cult. It frankly gets in his way, and makes this case (and probably others, as well as other aspects of his life) much more difficult. Richie’s anger (more on that in a moment) may put them in immediate jeopardy a time or two, but I’d wager that Adam’s chip on his shoulder about religion/religious beliefs is a bigger detriment/hindrance to the duo.

I should probably add that while Adam thinks he’s angry at his family and their religion, I actually think he’s angry at God for not existing. Or at least not existing and behaving the way that Adam expects him to.

Richie’s anger is a little easier to see—there are no tears of this clown to be seen, just a violent streak that can be seen from miles away. Miller doesn’t give us as much insight into it as we get with Adam’s—but we may get more examples of it in action. Richie is definitely more honest with himself about the outward expression of this (although he might underestimate his ability to control it).

So, what did I think about Namaste Mart Confidential?

Based on his short story in Jacked, this was not the novel I expected from Miller. But I don’t know what he could’ve written that would’ve made me think he (or anyone else) would produce something like this book.

Anytime I hear “unlicensed private investigators,” my mind goes to the fantastic FX show, Terriers and while Adam and Richie aren’t Hank and Britt, I could see Adam becoming Hank-like with another decade or more experience (I think Richie’s already a better P.I. than Britt). The designation allows Miller to take advantage of all the P.I. tropes he wants to—and to keep these guys strictly amateur. So they do not have to follow all the rules a licensed P.I. would have to and make dumb mistakes and act like renegade escapees of a cozy novel. It’s definitely a best-of-both-worlds kind of situation and a great choice by Miller.

I cannot tell—and I’d hesitate to speculate—if Miller has a lot he wants to say about religion and faith, or it it just fit the plot and the character of Adam. I’d buy either explanation (or both). I would like to see Adam and Richie back in action in a story that didn’t have that much/anything to do with religion to see how Adam acts when he doesn’t have something like that to bounce off of, I think it’d be interesting to see the contrast.

This is a very L.A. novel—even if you disregard the Hollywood-adjacent portions (although it would be difficult to do). This book wouldn’t function the same way were it set in Chicago, Dallas, Boston, or Orlando. It would take someone better at analyzing these things—or at least in describing them—to tell you why. But these events need L.A. (with a quick detour to Mexico), and I relish things like that. By and large, Spenser, Elvis Cole, Madison Kelly, or Kinsey Millhone can take place just about anywhere. But Lydia Chin/Bill Smith, August Snow, Annie McIntyre, or Adam Minor/Richie Walsh need their geography*. I’ll read any of those at any chance I get, clearly, but there’s something distinctive about those tied into their cities like that.

* Obviously, they can travel outside their typical bailiwick, but then you’ve got the duck-out-of-water thing going on.

I seem to be jumping around a little bit in this section (and perhaps the entire post), because there are just so many aspects of this novel that I want to talk about and I’m not certain how to link them all together—and which ones I have time and space to cover. It may be a bit hyperbolic to say I could open this book up to any random page and find something I could talk about for at least a paragraph or two—but only a bit. It’s not often I think that in a P.I. novel—and I love it.

Miller nails the pacing of this novel. The circuitous path our duo takes to track Shayla fits both their strengths and weaknesses. The dangers they face feel genuine—and their lack of ability to really cope with some of that danger endears them to me more than when they’re being competent (not that I don’t enjoy them doing their job well, too). Familiar and unexpected all at once—Miller tackles this novel like a pro, and I can’t wait to see what he does next. (although if he wants some suggestions, I’d point him to the short story I talked about a few paragraphs back)

If you’re in the mood for a gritty P.I. novel with a lot of zip, look no further than Namaste Mart Confidential.

Disclaimer: I received a copy of this ARC from the publisher, without any expectation that I would write about it—but how could I not?


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grandpappy’s Corner: Along Came a Radioactive Spider by Annie Hunter Eriksen, Lee Gatlin (Illustrator): The Man Behind Spidey’s Look (and more!)

Grandpappy's Corner Along Came a Radioactive Spider

Along Came a Radioactive Spider:
Strange Steve Ditko and
the Creation of Spider-Man

by Annie Hunter Eriksen , Lee Gatlin (Illustrator)

DETAILS:
Publisher: Page Street Kids
Publication Date: August 1, 2023
Format: Hardcover
Length: 32 pg.
Read Date: April 20, 2024
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What’s Along Came a Radioactive Spider About?

It’s right there in the title—subtitle, really, I guess. This is an unauthorized biography (we’re told at one point that Ditko would hate a book about him, so there’s no chance of an authorized one) of Spider-Man’s co-creator, Steve Ditko, written for the older picture book reader.

It covers his childhood and a little of his comic book career up to Spider-Man and then Doctor Strange. Following that, we get two text-heavy pages talking about Ditko in a bit more detail (for the parents, I’m guessing).

Let’s Talk about the Art for a Minute

Gatlin has a very distinctive style that I wish I knew how to describe. I’ve seen his work here and there on the internet (I don’t think it ever had his name attached, sadly), but I’ve never seen this much in one place at a time.

You’re never in doubt as to what he’s drawing, but realism isn’t really what he’s going for. There’s an energy, a mood, a feeling of movement to all his drawings that I find really appealing—and I imagine young readers/those-read-to will find compelling as well.

I assumed that when the book covered people like Spider-Man or Doctor Strange that he’d go for a Ditko-feel to the art, just to pay homage or show the reader what Ditko produced. But he didn’t—at least not too much—there’s a distinct look to most of that art to separate it from the rest of the book, but it’s just a different flavor of Gatlin (which is perfectly fine, I’m just trying to describe things in my own meager way).

I’m planning on spending more time just looking at the illustrations, catching what I missed the first couple of times—and I don’t imagine I’ll be the only one.

So, what did I think about Along Came a Radioactive Spider?

I really do wonder how many children will care about this—they may like Spider-Man or Doctor Strange, but will they care about the story of the man who drew them and helped create them? I’m just not sure.

Now, their parents and grandparents are going to love this—and probably want more. And yes, this could be a fun non-Marvel Cinematic Universe way to introduce a child to a couple of comic book heroes, and that’s probably the idea behind most people buying this book.

Or I could be wrong—that’s just a guess on my part. I’d like to be wrong.

For a biography of a little-known figure who has altered superhero history the way that few have, this is a great read. And the right reader is going to delight in it. I’d have liked it to be twice the length—but the subject and the medium don’t really allow for that, so I got over that pretty quickly.

This is apparently a companion book to With Great Power: The Marvelous Stan Lee from the same creators—I’ve got to get my hands on that one.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Time-Marked Warlock by Shami Stovall: A Mulligan-Equipped PI

Time-Marked warlock Tour Banner

Time-Marked WarlockTime-Marked Warlock

by Shami Stovall

DETAILS:
Series: Adair Finch, #1
Publication Date: June 2024 (or August, depending who you ask)
Format: e-ARC
Length: 402 pg.
Read Date: April 15-16, 2024
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What’s Time-Marked Warlock About?

Until a few years ago, the names of warlocks Adair and Carter Finch were famous among the magic community. Private eyes who helped law enforcement as well as private clients dealing with cases large and small—they were pretty close to superheroes. Then they took that one job that put them against an opponent they weren’t ready for, things went wrong, and Carter died.

Adair’s magic couldn’t help. He couldn’t even track down everyone who was responsible, so he couldn’t get revenge. So…he went home and retreated from life. He became an asocial hermit, doing little more than existing.

Then one pre-dawn morning, a twelve-year-old girl pounds on his apartment door. Her mother always told her that if she was in real trouble to track down Adair or Carter Finch. They weren’t close friends by any means, but they did know each other—enough so that her name makes Finch pay attention. Bree’s mother was a witch and her father is a warlock, but not in the same league as Finch. Bree tells Finch that her mother has been murdered and her father kidnapped—and she needs his help to rescue her father and get justice for her mother.

Finch is not inclined to do anything but close the door on her face and get back to not interacting with anyone. But he can’t turn down her appeal—so he agrees to go to the crime scene (if only so he can determine that she misunderstood what she saw, and that her father actually was the murderer).

The scene isn’t what he expected—Bree might have been right. Also, the police detective on the scene knew Finch before he “retired” and neither really appreciated the other. Det. Jenner really rubs Finch the wrong way on the scene.

Between their less-than-pleasant interaction, Bree pulling on his heartstrings just right, and what Finch noticed at the scene of the crime, Finch decides to take the case, wrap it up quickly, and get back to wasting away as soon as he can.

Finch

Let’s get this out of the way real quick: Frequently reminded me of (James J.) Butcher’s Huntsman, Leslie Mayflower (and several other retired/depressed heroes, but Mayflower is most recent in my mind, so he gets name-dropped). Is he the Huntsman? No—he’s far less inclined to leave a trail of bodies in his wake.* for one thing. But he gives a similar vibe.

* We can argue some other time about how inclined Mayflower really is. Roll with it for now.

He’s clearly angry at himself. He’s reticent to put himself out there emotionally (or any other way). He’s not ready to let anyone else down again (assuming he really did). But something about Bree creates a crack in his defensive shell, and it’s great to see purpose emerge from where he’d trapped it down. He’s a different guy by the end of the book (probably like what he was years ago)—he’s not totally where he should be, but he’s on the road to recovery. As the series continues, i look forward to seeing how he grows/recovers.

Bree Blackstone

I don’t know how any UF reader is supposed to read her full name and not think of Harry Dresden. Maybe we’re supposed to—surely we are right?

Anyway…if Bree doesn’t melt your heart right off. If you’re not rooting for her to get the answers she seeks and maybe a touch of the retribution she longs for—and to save her dad…there’s something wrong with you—go listen to some Whos down in Whoville sing some Christmas songs until your heart is the right size.

She is so frightened by everything—there’s a real parallel to Finch there. But she’s determined to get the help she needs to save her dad and get the bad guy who killed her mom. And if Finch is the way to get both of those, she’ll get him to help her.

Naturally, along the way she picks up a pretty hefty case of hero-worship. Finch doesn’t see it for what it is right off—but he eventually does, and knows he’s not worthy. Watching him balance helping her, fending off (or trying to) her fangirling over him, and teaching her what she needs to know to be safe in the magic world is a great balancing act.

Bree is really well-conceived and executed by Stovall, and will become one of your favorite characters of the year.

Kullthantarrick the Sneak

Kull is a trickster spirit that Finch calls up to help with a little something along the way—she’s largely around for comic relief—but she also helps Bree to learn some things about the nature of magic, spirits, and the like that she hasn’t learned from her parents yet. Yes, her role is to help make worldbuilding infodumps entertaining. She’s well-used that way.

Any spirit of mischief—from Mercy Thompson’s Coyote to the Wizard in Rhyme’s Max to Al MacBharrais’s Buck, or…okay, I’m drawing a blank here—can be a lot of fun. You just set them loose to create havoc and sit back and watch. And Kull is great at that.

But that’s not all she is—she wants to be a human, she’s seen and done enough as a spirit, and she wants the human experience now. That adds a little depth to her—there’s also an affection that develops between her and Bree that adds even more shades of depth to what could’ve been a disposable character that ends up being so much more.

Really well done there.

The Magic System(s)

I don’t know how much to say here. This world has a handful of magic systems at play—there’s one for witches—like Bree’s mother and (presumably) her. There’s another one for warlocks—it’s similar and not necessarily mutually exclusive to the witch system. And there are some others, too.

One way that Finch uses his abilities (that other warlocks like Bree’s father can’t) is that he has some ability with time. It’s in the title, I feel I can give a vague description here. He’s constantly noting the time whenever anything happens. If he “marks” the time, within any 24-hour period he can return to the marked time—retaining the memories and knowledge gained, but getting to start over. Bree compares it to a save point in a video game.

This is brilliant—and so good to see in action. There’s part of me that wondered if it’d feel like a cheat—killing tension and so on. Or if it’d just be some Groundhog Day-riff good for comedy and that’s it. If you’ve ever played—or watched someone play—an intense video game with a save point, you know that’s not enough to keep someone from getting stressed out about almost dying/dying within the game. Sure they can take another try (or several), but the tension is still there. It works that way for this book (especially if it looks like Finch might not reset in time). And yes, there’s some weatherman Phil-esque humor, but not as much as other authors might have indulged in.

All in all, Stovall nailed this part of Urban Fantasy.

So, what did I think about Time-Marked Warlock?

Three great characters (not even counting the antagonists), an even better magic system, and a decent plot with a satisfying central villain. I don’t know what else to ask for in a UF novel.

The pacing was on-target—even when revisiting the same day or events over and over, Stovall was able to keep it fresh. She also knew when to say “they did X again” and when to show it. The action scenes worked well. The villain(s) were believable, had compelling motivations, and were enough of a threat to all involved to keep the reader’s interest.

There were supporting characters—including villain(s) that ended up not being as terrible as you might initially think—that were just as fully drawn, and you could generate a little sympathy for some of the people associated with the murder once you realized how they were being used, too.

There’s a good setup for further books in the series, too.

I really can’t think of much that Stovall could’ve done better—this scratched my UF itch, and I bet it’ll do the same for you, too. Keep your eyes peeled for the release and get your hands on this when you can.


4 Stars

My thanks to The Write Reads for the invitation to participate in this tour and the materials—including the ARC—they provided.

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