Category: Fiction Page 6 of 314

Opening Lines: Blind to Midnight by Reed Farrel Coleman

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

SEPTEMBER 11, 2001, 11:43 P.M.
He is the last man alive. Or at least, things would be less complicated if he were.

He is standing on the platform at the Smith and Ninth Street subway station. The tallest station in Brooklyn looms over the Gowanus Canal. The canal, so polluted with toxins and heavy metals that you don’t have to be Jesus to walk on its waters. A writer once joked it was the only body of water that was 90 percent guns. Nobody is joking tonight. Nobody! Not about anything.

The lone man is waiting for the G train. He smells the acrid windblown smoke continuing to rise from where the World Trade Center stood. His blue Mets cap is squashed low on his forehead, his eyes fixed on the pebbled concrete under his running shoes. He hopes that by not looking up he might be invisible. It makes no rational sense. Today the world stopped making sense. Still, he can’t help but peek at the place where the towers once stood. He quickly looks away. The pile smolders. Ash, shreds of paper, and carcinogenic dust still rise into the air, carried by the prevailing winds. A downy coating of gray snowflakes falls around him.

from Blind to Midnight by Reed Farrel Coleman
Cover of Blind to Midnight by Reed Farrel Coleman
Sure, picking up a Coleman novel, you know you’re not in for a romp. But starting off with that date, you know things are going to be grim–and the next three paragraphs emphasize that.

Opening Lines Logo

PUB DAY REPOST: Candle & Crow by Kevin Hearne: Growing, Changing, and Moving On

Cover of Candle & Crow by Kevin HearneCandle & Crow

by Kevin Hearne

DETAILS:
Series: Ink & Sigil, #3
Publisher: Del Rey Books
Publication Date: October 1, 2024
Format: eARC
Length: 352
Read Date: September 13-18, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Candle & Crow About?

What isn’t this about? Al has to address a potential treaty violation of a group against some British citizens, which leads to some treaty re-negotiations; Gladys wraps up business she started in the last book, prepares to leave her job, and sees some shite; the Morrigan tries to settle among humans in her new body; Al, Buck, and Nadia are targeted by the police; Al has to help out his American counterpart with a tricky problem; Al gets a line on who cursed him; and…a few other things that I can’t figure out how to describe in a phrase or two.

Seriously, this book is busy. But somehow, it doesn’t feel crammed or over-stuffed; everything gets as much time as it needs to be addressed; everything makes sense; you don’t lose track of any plotlines; characters get to grow and develop (and be introduced!). And the last couple of chapters are so satisfying that I don’t care that I can’t finish this sentence properly.

A Trio of Druids

Fittingly for what Hearne has stated will be the last book in the universe of the Iron Druid Chronicles (I’m waiting for him to change his mind. Maybe a foolish hope, but it’s one nonetheless), we get to see all three of the Druids from that series for a little while—and none of them togther.

Working with his students has been good for Owen, Atticus—I mean, Connor—is in a good place (in several senses of that word), and Granuaile is…well, still Granuaile. I think I’ve mentioned she was getting on my nerves toward the end of IDC, and she’s still there. But she’s still essentially the same character—so if you weren’t annoyed by her, you’ll enjoy her appearance (I did, even with my attitude).

We got just enough time with them all to get a sense of where they are, what the future holds for them, and to see that they’re doing well—the events of Scourged are far enough past that they’ve settled into the next stage of their lives. It’s a good way to say goodbye to this world.

Deities

Since at least book 3 of the IDC we’ve had a good understanding of how gods, goddesses, and lesser deities function, live, and have power both now and throughout the ages. Hearne’s had Atticus and Al explain it a time or two since then, so faitful readers will get it.

But in these pages, we are given two examples (or three, depending on how you want to count something) of how this functions toward entities that aren’t part of the major pantheons (or minor ones, either—how would you describe Perun’s?). They are two divergent types of entities and the application of what we know about deities in this world is quite different (while linked).

I think it’s clear that I’m struggling to describe this without giving something away (if you haven’t noticed, let me assure you that I am). However, for fans of this world and fans of just good worldbuilding—Hearne does a great job with this stuff, if I didn’t know better*, I’d say that he started building toward this novel in Hammered.

* Okay, I don’t know better, he might have had this as part of his Master Plan all along. But I’m willing to bet he didn’t.

Al and the English

Al has to deal with a representative of the British government a few times over the course of this book as a part of his sigil agent duties. I honestly don’t know if I’ve been so purely entertained by Hearne (outside of an Oberon-heavy moment) as I was in reading Al’s narration during these parts.

He really doesn’t like this guy—and it’s tough to say that Al gives him a real chance before deciding to write him off—but the reader can understand why. I think that Al gets close to mean in his attitude and actions toward this man, but I don’t think he crosses the line. Then again, I was chuckling and highlighting so much in these interactions, I might have missed it.

So, what did I think about Candle & Crow?

I have said many good and complimentary things about the books in this series—and I stand by them—but this is what all of the Ink & Sigil books should’ve been like, at least at their core. We’ve seen a little of the Sigil Agent life, but there’s been a lot of other things going on, and not that much of it has to do with the administration and enforcement of contracts. It was just so cool to focus on that as much as we got to here. Yes, the big action stuff, taking on whacky monsters and nasty people experimenting on supernatural creatures and whatnot is pretty cool, too. But we get that kind of thing in all sorts of UF—we don’t get to see a lot of supernatural people wrangling with human governments over the wording of a hundred year old document* and the deadly ramifications of that wrangling not going well. It’s a shame that Hearne embraced this aspect of Al’s life so completely here at the end.

* Well, we get glimpses of that in The Rivers of London series, don’t we? But it feels very different.

I enjoyed every bit of this book—and am not sure how to talk about it without just blathering on and on about how good everything was. The action—and despite what I may have suggested earlier, there was plenty of it—was gripping and moved well. The emotional arcs of the characters were done with Hearne’s typical deftness (and maybe more than typical deftness). The humor was Hearne at his best. The magic at work was perfect, and…yeah. I just have nothing but compliments upon compliments here.

If you have any kind of emotional investment in Buck, Nadia, or Al going into this book, you will love the ending. It was a real treat, the last chapters just made me feel all warm inside.

I was so enthusiastic about this book that i think i might have convinced a friend to pick up the first IDC book just so he can catch up and appreciate all of this book—and another friend who’d read Hounded through Scourged to pick up this trilogy. And I’m more than ready to do that to anyone else reading this post.

I don’t know what Hearne’s next project will be, but I’m ready for it. In the meantime, I’m just going to bask in how wonderfully satisfying that Candle & Crow was.

Disclaimer: I received a copy of this book from Random House Publishing Group – Ballantine | Del Reyvia NetGalley—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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In Medias Res: Black Maria by Christine Boyer

As the title implies, I’m in the middle of this book, so this is not a review, just some thoughts mid-way through. The book releases today, and I didn’t want to wait to say something.


Cover of Black Maria by Christine Boyer

Black Maria

by Christine Boyer


Book Blurb:

Business magnate Thomas Farney and Detective Felix Kosmatka both want the same thing: to catch the monster who brutally murdered Farney’s young grandson.

Thomas, brutal and savvy, didn’t become wealthy by playing by the rules or kowtowing to authority. Felix, smart but green, still believes in the integrity of law and order…and he believes solving this case may be his ticket out of his dying hometown.

Felix must team up with seasoned detective Adam Shaffer to hunt the killer. Their investigation leads them into the past-when Thomas and his coal company owned the town, and when the riches beneath the surface belonged to anyone ruthless enough to claim them. Thomas made a multitude of enemies in those lawless days, and perhaps a few followed him into the present to exact their revenge.

Set in the Pennsylvania Rust Belt in the 1970’s, Felix’s faith in his institutions is shaken when the killer reveals a difficult truth: the rich and powerful rarely pay for their own sins, and vengeance can sometimes look uncomfortably like justice.

This starts on some very familiar territory—a young, ambitious, and talented detective on a small town police force catches a murder that between its method, victim, or victim’s family is going to make it a major story. In this case, it’s all three—this powerful magnate’s young grandchild is killed in a pretty chilling way. It’s such a big deal that outside help is brought in—the two investigators have different goals, different methods, and probably different ideas about where the case should go. They form an alliance (however uneasy it may be), it’ll be tried by circumstances and their own backgrounds—their secrets may be uncovered along the way, but they’ll get their killer. We’ve seen this before—in print, TV, and film. We will see it again in all three because it works.

And it works well here—I really want to see the way that Felix and Shaffer’s relationship develops along the way—Felix is one of those detectives you can’t help but root for. I really like this guy. But Boyer isn’t just going to give us this story of the partnership, because she threw me for a loop, just when I thought I knew where this book was going.

We got a chapter from the killer’s point of view. And not in one of those aggravating chapters where they’re called “He” or “She” (with the capitals so you know who the author is talking about) and all the teasing about which character of the right gender that adjective is talking about. Nope. Boyer just names Them* (which is one of the ways that this isn’t one of those aggravating chapters). So this novel is suddenly not a whodunit, but a whydunit. We get the killer’s backstory, we get to see how They went about starting to plan the killing, and how they try to outsmart the detectives.

I don’t know exactly where Boyer is going, but..oh, I’m this close to sacrificing sleep to finding out. (I also think if I read much further, it’ll be easier to stay awake than to have some of these visuals take up residence in my subconscious.

Jo Perry’s blurb says (in part), “the place where everything in Black Maria really happens is the deep, vast, coal-dark chambered maze that is the human heart.” Having read just under 50% of this leads me to say that she’s (no surprise) dead right. You should go look for it.

* Okay, I can see how this is fun to do


This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BOOK SPOTLIGHT: The Vanitas & Other Tales of Art and Obsession by Jake Kendall (US Publication)

Yes, this is late, but I’m still very pleased today to welcome The Write Reads Blog Tour for Jake Kendall’s The Vanitas & Other Tales of Art and Obsession! The Tour has been going for a couple of days now–go check out https://twitter.com/WriteReadsTours from now until the 29th to see a what those who’ve read it have had to say. But in the meantime, let me tell you about the book.

The Vanitas & Other Tales of Art and Obsession Tour Banner

Book Details:

Title: The Vanitas & Other Tales of Art and ObsessionClytemnestra’s Bind
Genre: Art History Fiction, Short Stories
Publisher: Neem Tree Press
Format: Paperback/Ebook
Length: 272 pages
US Publication Date: September 24, 2024
The Vanitas & Other Tales of Art and Obsession Cover

About the Book:

Spanning three hundred years of art history, The Vanitas & Other Tales of Art and Obsession tells the stories of those with an insatiable hunger for creation – those who may sacrifice friendships, careers, romance, and even their own happiness in pursuit of a vision.

Weaving art styles such as Cubism, Surrealism, and the Baroque into his prose, Jake Kendall has crafted a vivid and inventive collection. Each story is complemented by a black and white illustration, drawing out the visually evocative nature of the writing and offering readers a unique artistic delight.

Book Links:

Amazon UK ~ Amazon ~ Goodreads

About the Author:

Jake KendallJake Kendall was born in Oxford and studied an MSc in Creative Writing with the University of Edinburgh. He takes inspiration from the visual arts, a theme that formed his debut collection. The Vanitas & Other Tales of Art and Obsession (Neem Tree Press) refracts contemporary issues and anxieties through timeless imagery and artistic movements. Jake lives and works in Edinburgh and spends his free time visiting bookshops, exhibitions, theatre, and independent cinemas.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

HC Chats with Adrian M. Gibson about Jeff VanderMeer

Cover of Mushroom Blues by Adrian M. GibsonIf you’ve been on Bookish Social Medial at all in the 6+ months, I’m willing to bet you’ve seen the name Adrian Gibson or at least the cover of Mushroom Blues. You may also know him from the podcast he hosts with M.J. Kuhn, SFF Addicts. Last week, Adrian was gracious enough to struggle with StreamYard (and it was in a mood) in order that we could sit down and talk about Jeff VanderMeer–an author that I’ve been intimidated to pick up and try, but who has been instrumental in Gibson’s career. I walked away excited to try VanderMeer, and I had a good time in general. I hope you watch this and walk away thinking the same.

As I said, StreamYard wasn’t happy, so the video freezes a couple of times on both of us, but the audio is fine.

Adrian M. Gibson Links:

Twitter ~ Instagram ~ Website ~ Newsletter ~ Amazon ~ Goodreads


Are you a Reader of Things and want to chat with me about an author/series/something other than promoting your own work (which we will do, just not primarily)? I’d love to keep trying this, but I’m not ready to start pestering people about it. So please let me know.

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Nugget’s Tenth Life by Adam Holcombe: The Backstory I Didn’t Need, But Am So Glad I Got

Cover of Nugget’s Tenth Life by Adam HolcombeNugget’s Tenth Life

by Adam Holcombe,

DETAILS:
Series: Chronicles of Gam Gam
Publisher: Bounty Ink Press 
Format: eBook
Length: 32 pgs.
Read Date: September 23, 2024

There is a saying among humans that a cat has nine lives, but this is not entirely accurate. See, it is simply that cats are notoriously skilled at almost dying. It is only by the ninth time that the dying tends to stick.

What’s Nugget’s Tenth Life About?

For those who are familiar with Gam Gam the Necromancer, you are familiar with her familiar*, Nugget. If you haven’t read anything about Nugget before—let me introduce him to you.

Gam Gam is a newly graduated necromancer, despite being…well, a Gam Gam. Her familiar is a cat she revivified—I guess it’s better to call Nugget the animated skeleton of a cat—with all the memories, habits, and attitudes of the stray cat he was before he needed revivification to prowl around.

This would be his tenth life—this short story is the recounting of the previous nine lives he enjoyed (or at least lived through). It’s about his Brother, Sister, Mother, and his Sister’s two kits as well—but primarily about Nugget doing his best to help his family survive and keep their shelter.

* A phrase that I wrote without forethought.

So, what did I think about Nugget’s Tenth Life?

Maybe (very likely) I’m in the minority here. But I was not curious at all about Nugget’s life (or, lives) before Gam Gam. I was curious about Gam Gam’s backstory. I was curious about the Knight Revenant. I can see reading more about Mina. But an elderly necromancer (or any necromancer, really) with a skeleton familiar? That seems fitting and generally unsurprising—I didn’t need to know any more about him.

But now??? I’m so glad we got this. I loved that opening I quoted above and was quickly invested in Nugget’s story.

Getting that little bit of time with Gam Gam at the end reminded me how much I liked the character—and I’m now more than ready for The Wishing Stone‘s release next month so I can spend some extended time in this world.

This would make a decent jumping-on point for those who haven’t tried this series before. If you have, I probably don’t need to encourage you to give it a shot (but I will anyway).

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Pictures by J.R.R. Tolkien: A Nice Bit of Insight into Middle Earth

Cover of Pictures by J.R.R. TolkienPictures by J.R.R. Tolkien

DETAILS:
Publisher: William Morrow & Company
Publication Date: November 16, 2021
Format: Hardcover 
Length: 104 pgs.
Read Date: September 21, 2024
Buy from Bookshop.org Support Indie Bookstores

Why this Book Today?

Last Spring, I read Lashaan Balasingam talk about this book at Roars and Echoes and put it on a wish list instantly. I was given a copy of it last year, but aside from glancing through it then, I hadn’t taken the time to really sit down with it. But with Hobbit Day yesterday, I made time Saturday to do just that—so I could post about it today (and maybe add this and some other things to a recurring thing like I do with Towel Day).

You should really see what Lashaan had to say about it, not only does he do a (typically) better job of it than I’m about to, but he liked it a lot more than I did.

What’s Pictures by J.R.R. Tolkien About?

Well, it’s pictures drawn by Tolkein in his spare time—when he wasn’t teaching, creating new languages, writing epic fantasies, or smoking his pipe (well, he probably did both of those at the same time).

The Publisher describes it this way:

With Christopher Tolkien as your guide, take a tour through this colorful gallery of enchanting art by J.R.R. Tolkien, as published originally in the first groundbreaking Tolkien Calendars of the 1970s.

This collection of pictures, with a text by Christopher Tolkien, now reissued after almost thirty years, confirms J.R.R. Tolkien’s considerable talent as an artist. It provides fascinating insight into his visual conception of many of the places and events familiar to readers of The Hobbit, The Lord of the Rings, and The Silmarillion.

Examples of his art range from delicate watercolors depicting Rivendell, the Forest of Lothlorien, Smaug, and Old Man Willow, to drawings and sketches of Moria Gate and Minas Tirith. Together they form a comprehensive collection of Tolkien’s own illustrations for his most popular books.

Also included are many of his beautiful designs showing patterns of flowers and trees, friezes, tapestries, and heraldic devices associated with the world of Middle-earth. In their variety and scope, they provide abundant visual evidence of the richness of his imagination.

This enchanting gallery was personally selected by Christopher Tolkien who, through detailed notes on the sources for each picture, provides unique insight into the artistic vision of his father, J.R.R. Tolkien.

How’s the Writing?

Well, it’s pretty bland. It’s just straightforward descriptions of the pictures, where it came from, where it was originally published—who added color (sometimes), and so on.

It’s not bad, it’s not good—it’s just there. And that’s good enough, this isn’t supposed to be about Christopher Tolkien’s wordsmithery—this is about the pictures.

How’s the Art?

Well, I think it’s clear why we think of Tolkien as a writer, scholar, and storyteller and not a visual artist. Don’t get me wrong—I can’t hold a candle to his drawing. But it’s nothing stellar.

But it does deliver the flavor of Middle Earth and its denizens in a way the books can’t quite manage (or does manage, in a different way). You get a real sense of the scope and scale of the world. It’s clear that Jackson and his team spent some time with Tolkien’s art and drew a lot from it—and you can see why they’d want to (beyond just trying for authenticity). I did like it—and could easily spend time studying the details.

Lashaan’s post has a couple of samples if you’re curious. But honestly, if you’re basing getting your hands on this book on the quality of the art, you might be missing the point. (still, check out the samples to get a feel for it)

If you want great fantasy art, may I suggest starting with Larry Elmore, Chris McGrath, or Isabeau Backhaus? But there’s something about seeing it from the hand of the creator, you know?

So, what did I think about Pictures by J.R.R. Tolkien?

As a book, it’s…fine. As a collection of pictures, it’s…nice enough. As a way to get to know a different side of Tolkein and how his brain, his creativity, and his personality worked? It’s pretty cool. I’d love to see sketches, drawings, and even paintings by other authors to get inside their heads (okay, no one wants inside Thomas Harris’ mind, but you know what I’m saying. Keep the visuals for Hannibal and the rest locked away.)

Am I glad that I own this? Yes. Am I glad that I finally got around to taking it out of its slipcase and really worked through it? You bet. Am I just a little underwhelmed by the whole thing? Yup.

But I will return to flip through it and pour over the contents repeatedly.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Candle & Crow by Kevin Hearne: Growing, Changing, and Moving On

Cover of Candle & Crow by Kevin HearneCandle & Crow

by Kevin Hearne

DETAILS:
Series: Ink & Sigil, #3
Publisher: Del Rey Books
Publication Date: October 1, 2024
Format: eARC
Length: 352
Read Date: September 13-18, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Candle & Crow About?

What isn’t this about? Al has to address a potential treaty violation of a group against some British citizens, which leads to some treaty re-negotiations; Gladys wraps up business she started in the last book, prepares to leave her job, and sees some shite; the Morrigan tries to settle among humans in her new body; Al, Buck, and Nadia are targeted by the police; Al has to help out his American counterpart with a tricky problem; Al gets a line on who cursed him; and…a few other things that I can’t figure out how to describe in a phrase or two.

Seriously, this book is busy. But somehow, it doesn’t feel crammed or over-stuffed; everything gets as much time as it needs to be addressed; everything makes sense; you don’t lose track of any plotlines; characters get to grow and develop (and be introduced!). And the last couple of chapters are so satisfying that I don’t care that I can’t finish this sentence properly.

A Trio of Druids

Fittingly for what Hearne has stated will be the last book in the universe of the Iron Druid Chronicles (I’m waiting for him to change his mind. Maybe a foolish hope, but it’s one nonetheless), we get to see all three of the Druids from that series for a little while—and none of them togther.

Working with his students has been good for Owen, Atticus—I mean, Connor—is in a good place (in several senses of that word), and Granuaile is…well, still Granuaile. I think I’ve mentioned she was getting on my nerves toward the end of IDC, and she’s still there. But she’s still essentially the same character—so if you weren’t annoyed by her, you’ll enjoy her appearance (I did, even with my attitude).

We got just enough time with them all to get a sense of where they are, what the future holds for them, and to see that they’re doing well—the events of Scourged are far enough past that they’ve settled into the next stage of their lives. It’s a good way to say goodbye to this world.

Deities

Since at least book 3 of the IDC we’ve had a good understanding of how gods, goddesses, and lesser deities function, live, and have power both now and throughout the ages. Hearne’s had Atticus and Al explain it a time or two since then, so faitful readers will get it.

But in these pages, we are given two examples (or three, depending on how you want to count something) of how this functions toward entities that aren’t part of the major pantheons (or minor ones, either—how would you describe Perun’s?). They are two divergent types of entities and the application of what we know about deities in this world is quite different (while linked).

I think it’s clear that I’m struggling to describe this without giving something away (if you haven’t noticed, let me assure you that I am). However, for fans of this world and fans of just good worldbuilding—Hearne does a great job with this stuff, if I didn’t know better*, I’d say that he started building toward this novel in Hammered.

* Okay, I don’t know better, he might have had this as part of his Master Plan all along. But I’m willing to bet he didn’t.

Al and the English

Al has to deal with a representative of the British government a few times over the course of this book as a part of his sigil agent duties. I honestly don’t know if I’ve been so purely entertained by Hearne (outside of an Oberon-heavy moment) as I was in reading Al’s narration during these parts.

He really doesn’t like this guy—and it’s tough to say that Al gives him a real chance before deciding to write him off—but the reader can understand why. I think that Al gets close to mean in his attitude and actions toward this man, but I don’t think he crosses the line. Then again, I was chuckling and highlighting so much in these interactions, I might have missed it.

So, what did I think about Candle & Crow?

I have said many good and complimentary things about the books in this series—and I stand by them—but this is what all of the Ink & Sigil books should’ve been like, at least at their core. We’ve seen a little of the Sigil Agent life, but there’s been a lot of other things going on, and not that much of it has to do with the administration and enforcement of contracts. It was just so cool to focus on that as much as we got to here. Yes, the big action stuff, taking on whacky monsters and nasty people experimenting on supernatural creatures and whatnot is pretty cool, too. But we get that kind of thing in all sorts of UF—we don’t get to see a lot of supernatural people wrangling with human governments over the wording of a hundred year old document* and the deadly ramifications of that wrangling not going well. It’s a shame that Hearne embraced this aspect of Al’s life so completely here at the end.

* Well, we get glimpses of that in The Rivers of London series, don’t we? But it feels very different.

I enjoyed every bit of this book—and am not sure how to talk about it without just blathering on and on about how good everything was. The action—and despite what I may have suggested earlier, there was plenty of it—was gripping and moved well. The emotional arcs of the characters were done with Hearne’s typical deftness (and maybe more than typical deftness). The humor was Hearne at his best. The magic at work was perfect, and…yeah. I just have nothing but compliments upon compliments here.

If you have any kind of emotional investment in Buck, Nadia, or Al going into this book, you will love the ending. It was a real treat, the last chapters just made me feel all warm inside.

I was so enthusiastic about this book that i think i might have convinced a friend to pick up the first IDC book just so he can catch up and appreciate all of this book—and another friend who’d read Hounded through Scourged to pick up this trilogy. And I’m more than ready to do that to anyone else reading this post.

I don’t know what Hearne’s next project will be, but I’m ready for it. In the meantime, I’m just going to bask in how wonderfully satisfying that Candle & Crow was.

Disclaimer: I received a copy of this book from Random House Publishing Group – Ballantine | Del Reyvia NetGalley—thanks to both for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Ballad of Bonaduke—Episode 56: What We All Want by R. T. Slaywood: That Seems Like a Mistake…

After the episode I read yesterday, I didn’t want to wait a week


Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 56: What We All Want

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #56
Format: Kindle Vella Story
Read Date: September 20, 2024

“Got it, got it.” I said.

“So what about you Bonaduke, what do you want now that you’re up to speed?”

This time I was the one wanting to change the subject.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

What’s What We All Want About?

The guys go around the room, talking about their goals/desires for the circle and why they want to lock horns with the Omnicrats. One idea seemed sort of…odd to me, but I can accept it working for this world. The other two make a lot of sense. Then they ask Bonaduke what he wants.

And we get the exchange above and it moves on from there…Bonaduke confronts them with some of his theories about what’s happened in the last few weeks. They try to respond, but he’s not buying it (I’m not sure I blame him) and then he takes a step to get some answers that seems like a bad idea. Like someone lighting a match in the control room of the Hindenburg bad.

So, what did I think about What We All Want ?

This was interesting–even the bits that seemed strange (even for Fantasy fiction), and it helped me understand these guys so much better.

And then Bonaduke and his self-delusional, self-destructive brain took him down the path at the end of the episode and…eh. Things will be a hopping in episode 57, I bet.


3 Stars

The Ballad of Bonaduke—Episode 55: Cursed by R. T. Slaywood: ANSWERS!! Explanations! Backstory!

After a 2 month break, I’m back to this. Hopefully, I can pick up the pace and catch back up…


Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 55: Cursed

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #55
Format: Kindle Vella Story
Read Date: September 19, 2024

“Out of curiosity, have either of you taken the time to explain what we’re doing?” Om asked the others.

“I’ve been busy.” Zero said

“Same.” Alan added though less convincingly.

“Honestly I’ve gotten used to it.” I said and leaned back in my recliner.

“Well I commend your patience. Ok, first let’s call the circle to order. Then we’ll go over what has happened up to this point.”

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

What’s Cursed About?

So, it’s been three weeks of everyone licking their wounds from the last episode (good time for me to take a break from the series, too, it turns out). Bonaduke hasn’t had much to do to recover, but the rest have.

At the end of the three weeks, the team—well, circle—meets in order to regroup and move into the next phase. The meeting starts with the above interchange, and then…hold on to your hats, readers. The characters explain things to Bonaduke and the reader! Not in the kind of detail that I’d like—but enough. Then they start looking to the future.

So, what did I think about Cursed?

With that last line of the quotation above, Om is now my favorite character in the series. No contest. Yeah, I’d have a appreciated more details, but after the drought we’ve been in since Bonaduke was taken off the streets by them, this little bit of information was enough.

I can care about the circle, I get an idea about their goals and what they’re trying to avoid. I want to see them succeed for reasons beyond “they’re who we’re spending time with.” Yes, I want more—but I’m greedy that way. I’ll take what we’ve been given.

And it’s tantalizing to think we might be getting a better idea of their goals in the next episode, too.

Beyond that, it was good to see the group take some time to recover. To slow down, and not just bounce from escapade to escapade.

All in all, one of my favorite episodes thus far.


4 Stars

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