Tag: 2 1/2 Stars

by Victor Gischler

Hardcover, 295 pg.
Thomas Dunne Books, 2015
Read: July 4, 2015
I must say that it sort of bugs me that everything I read about this book mentions the deal with CBS for the rights — I’m happy for Gischler, but that doesn’t make me want to read it more (or less). Still, Stay can at times seem like a really thorough pitch for a movie deal.

Beyond that — I was a little disappointed. Gischler takes so many suspense novel mainstays — the special ops guy with a troubled past forced into violence to protect his family, the paranoid old service buddy who’s an expert hacker and willing to drop everything to help his pal, the foreign mobsters who will stop at nothing . . . yada yada yada. There was virtually nothing new here. Now just because you have so many genre tropes, doesn’t mean the book has to be hacky (I’m not saying this was, but you could see hacky from the front porch) — take Finder’s Nick Heller books. Almost entirely the same tropes, but Finder pulls it off. Gischler doesn’t.

The dialogue was mediocre, the characters were thin, the sex was a touch too detailed, the violence was about right (maybe a less detailed than expected a few times). One thing I don’t need is the same narrator justifying the use of a head-butt twice in the same novel — and almost in identical terms.

Ultimately, I wanted more. More surprise, more details, more originality to the characters, more depth to David and Amy (and heck, the bad guys as well). There wasn’t enough grit, enough horror, enough….anything. I guess you could say that I think this was a good start — but not a good final draft. Entertaining enough to keep me turning the page. But could’ve been so much more.

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2 1/2 Stars

Goodbye Ginny Madison by Dave Gehrke

By HCNewton

On May 6, 2015

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Goodbye Ginny Madison

by Dave Gehrke
Kindle Edition, 300 pg.
Amazon Digital Services, 2014
Read: May 1 – 5, 2015
This just didn’t work for me. It was cute enough, I guess — and the solution was pretty clever (although I saw the heart of it very early on). But at the end of the day, it just wasn’t well-written. I’m getting ahead of myself a bit.

Here’s the gist of the book, from the Publisher’s Description:
Greg Monroe writes romance novels under the nom de plume Ginny Madison. That’s what he’s “gotta do”. What he wants to do is write mysteries; hard-boiled mysteries with bite. But his publisher tells him his mysteries lack originality, his plots are simplistic and his characters… well, they just aren’t real.

Complicating matters, Greg’s live-in Uncle George brings home an attractive new housekeeper. Hattie Fulton is intelligent, capable, resourceful and not who she pretends to be.

But before Greg can uncover the truth behind the attractive Hattie Fulton, Uncle George becomes the main suspect in a real murder mystery. Suddenly thrust into the role of a real detective, Greg digs into the mystery hoping to prove his uncle’s innocence while at the same time struggling to meet his next publishing deadline. And surprisingly, Greg’s fictional plots suddenly become edge-of-the seat compelling and his characters take on a life of their own. If you discount the strong resemblance to both Hattie and Greg and the sparks that are flying between them.

Now all Greg has to do in order to clear his uncle, finish the best mystery novel he’s ever written and win over his housekeeper is uncover the real murderer, without revealing to everyone that he’s really a romance writer pretending to be a mystery writer.Sounds like a straight-to-DVD Rom Com, doesn’t it?

Greg, simply put, is a chauvinist. Mystery novels are “real ‘guy’s’ books” and no guy should come anywhere near a romance novel. He’s doing well enough writing full-time under a nom de plume to afford a nice house for himself and his uncle, which can’t be easy. Yet, somehow, someone who thinks, “I mean what the hell does a guy know about romance? Beer, sports, guns. That’s guy stuff. Romance; female stuff” can write well enough for a female audience to support himself, despite a lousy work ethic. I guess it’s the Melvin Udall-phenomenon. He’s really pathetic, professionally and personally — if not for his uncle, it’d be easy to see him holed-up in his house forever.

Uncle George is a fire-cracker of a guy, pushing Greg into the world by any means necessary. Beyond his healthy nest-egg, poker buddies and bookie, he has a pretty full life on his own — think Stephanie Plum’s Grandma Mazur, but more together and grounded.

Hattie? Hattie’s a fantasy come to life — a knockout who can drive, shoot, take down bad guys with a couple of martial arts and cook. Did I mention she was hot?

And these are the well-drawn characters. The murder suspects are stock characters, as are the mobsters that Greg runs into. The police detectives are worse.

I really don’t want this to turn in to a litany of complaints, because I’ve really covered the major ones already, but I do have a few more, that I’ll just list without too much expansion:

The samples of Greg’s writing are, like almost every fictional example of someone’s fiction, are over-written. More adjectives and adverbs than any published author would use, lousy dialogue, unnatural vocabulary choices. This tendency occasionally spills over into the narrative, too.
Gehrke seems incapable of writing out the words “Lieutenant” and “Sergeant.” Sorry, man, but only using abbreviations? That’s just lazy.
Along the same line — this thing is just riddled with typos. Most are forgivable/easy to ignore. But there are some that are just nasty. If Gehrke got “losing”/”lose” right once, it slipped by me. Sure, it seems minor — but if you have to re-read the sentence because the wrong word (i.e., “loosing”/”loose”) was used, it takes you out of the moment.
Greg, George and Hattie spend so, so, so much time bantering about their choice of words in conversation it gets annoying. If he used that joke maybe one-third (or less) as often as he did, it could be amusing. But he just goes to that well too often, and it’s off-putting.

The murder mystery itself was well done. The steps that Greg and the rest went through to solve it were pretty rambling and chaotic — but they were supposed to be. The tone was generally right — except when he wrote the same joke 15 times.

Cute enough, like I said, and pretty amusing. It’s the literary equivalent of the straight-to-DVD Rom Com I mentioned earlier. Goodbye Ginny Madison is entertaining enough to justify the time — just entertaining enough. Still, if you’re looking for novel about a rookie detective on his first murder case, check out Jim Cliff’sThe Shoulders of Giants.

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2 1/2 Stars

Hostile Witness by William Lashner

By HCNewton

On December 10, 2014

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Hostile Witness

by William Lashner

Hardcover, 501 pages
Published May 1st 1995 by ReganBooks
Read: December 2 – 6, 2014So this summer, on the recommendation of a reader, I read Marked Man, the sixth book about Victor Carl, the unfortunately named Philadelphia lawyer. I wasn’t wowed by it, but I enjoyed it enough that I wanted to go back to the beginning and try at least one more in the series.

I’m not convinced that was such a great idea. It wasn’t until the last 100 pages that I cared about anything going on in this book — I even started to really like it, actually. But 80% of the way through a book is far too late for that.

My main problem with the book is the characterization of Victor Carl. He’s still at the beginning of his career, but not so fresh that he should be so naïve. For most of the novel, like an obedient show dog, Carl’s led around by his greed, ambition, and that part of anatomy not known for its thinking skills. It’s hard to watch someone who should be a bit more cynical to act this way. If he was truly wet behind the ears, if he was really that young, if he was Forrest Gump — it might be different. But a kid who worked his way up from his beginnings through law school and a few years of practice should know better. Even as fresh to the profession as he is, Victor comes across as too world weary to get taken in so easily.

The book is easily one hundred pages longer than it needed to be — if not more — but most of the extra time is justifiable, and I only noticed it because I wasn’t really enjoying things.

The sense of place is strong. I know next to nothing about Philly. Lashner’s writing at least makes me feel I understand it a bit. The way that (early) Parker, Lehane and Tapply helped me think I understand Boston. Or a few dozen authors make me think I understand parts of New York City.

Obviously, over the course of a long series things are going to change in a character — either because the author changes his mind/forgets something (Inspector Cramer chewing rather than smoking cigars, Spenser’s time in the prosecutor’s office changing counties) or there’s some sort of character growth. So it’s not surprising that Victor in book 1 would be different in book 6. I don’t remember his eyes watering whenever he’s in a confrontation from Marked Man, but it’s all over the place here. Did he grow out of it? Did Lashner just drop it? Is my memory bad? (I’m leaning towards “no” based on how often he’s mentioning it here, he’d have to mention it a lot then).

No matter what, I can’t begrudge the time spent with this book because it introduced me to Morris Kapustin — the elderly, Orthodox Jewish P.I. He’s funny, he’s easy to underestimate and overlook. Really funny to read. I’d read a Kapustin series in a heartbeat — I’d probably collect first editions of them. Sadly, something tells me that character won’t be around long.

This was good enough to justify the effort, but not so good that I could really recommend. I’m mildly curious about the new phase of Victor’s career, and how that gets him to Marked Man, but not overly so. I might be back for #2 if I hit a lull next year, but I’m not going to exert a lot of effort to pick it up.

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2 1/2 Stars

City of Dark Magic by Magnus Flyte

By HCNewton

On August 13, 2013

In Fiction, General Fiction/Literature

City of Dark Magic by Magnus Flyte
My rating: 2.5 of 5 stars

Doctoral candidate Sara Westen gets a summer job (that she didn’t apply for) in Prague to help a royal Czech family in the creation of a museum displaying the greatness of that family over the centuries, as they’ve recently been reunited with their treasures after the pillaging of the Nazis and Communists. Once there, she stumbles into international (as well as inter-chronological) intrigue, the mysterious apparent suicide of her mentor, and paranormal events of some order. Oh, and there’s sex, too. Can’t forget that, it’s part of the sales pitch.

I don’t know. I just don’t know.

On the one hand, this is well-written, clever, surprising, all the twists and turns you could ask for (and then some), a novel approach to time travel and supernatural-ish storytelling. The hero, Sarah Weston is great — the kind of strong women character you can relate to. The writing is brisk, and often amusing. The conclusion is wild, heart-warming, and not what anyone would expect. It’d almost seem worth reading just for the depiction of Beethoven and the way his music effects even people in the 21st century.

But it left me cold and apathetic. I had to force myself to push beyond page 100, and the only urgency I felt towards the finish was so I could move on to something else (although it was pleasant enough while reading, there was just nothing that kept me going). As amusing as I found some of the characters — the blind girl/musical savant, the impossible and very talented dwarf, a very American Czech prince, the gun-loving Asian from Texas, — I didn’t care about any of them. I wouldn’t have been surprised if the villain of the piece had twirled her moustache at some point. (yes, her moustache…I’d believe she’d have grown one just to twirl at appropriate moments).

And don’t get me wrong, I’m neither a prude nor the son of a prude, but the sex was a too graphic. It felt very incongruous to the rest of the book — especially the first “encounter” Weston had in Prague, which appears to be only semi-consensual for all involved. That really put me off, and I’m surprised two women writers would’ve included that and put it in even a slightly positive light.

Tag: 2 1/2 Stars

Stay by Victor Gischler

Stay

Goodbye Ginny Madison by Dave Gehrke

Goodbye Ginny Madison

Hostile Witness by William Lashner

Hostile Witness

City of Dark Magic by Magnus Flyte