I want to start off thanks to Beth Tabler for some research help—she saved me a whole lot of time and effort.
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First off, I want to talk about two things that Harrison did that really have nothing to do with the plot. First, in the last chap of The Witch with No Name, we’re treated to a glimpse into Rachel’s future, twenty-five years after that novel. At the time, I said we could’ve lived without it, but it was a nice way to say goodbye to the series. Now, it seems all the more ingenious of her to do. Twenty-five years provides several opportunities for Harrison to spin new tales. I don’t know if it was purposeful or not at the time, but it sure worked out well.
I was a little intimidated about coming back to this series after such a long break—Harrison’s novels were typically stuffed (occasionally, overstuffed) with plot—multiple storylines tying the novels together. There was just no way I could remember them all—much less remember all the various characters. The preface to American Demon consists of a portion of Rachel Morgan’s Inderland Security file, sketching out her escapades as well as her associates. It’s a wonderful refresher course in all things Rachel Morgan and did enough jogging of my memory that I was ready to dive in.
Anyway, what about the novel itself? It’s been a few months since the events of The Witch with No Name and those events have caused ripples throughout society (both the supernatural and mundane) as well as the in the lives of the series’ characters. Trent’s struggling with his bank balance and his relationship to the rest of the elves (although Rachel seems to be having more difficulty with both than Trent is), Rachel and Jenks are struggling to put their church back together, Ivy’s dealing with her new reality (and the city is looking for a new Master vampire), Rachel’s trying (not too successfully) to cope with the changes to her abilities, and…that’s just a taste. As much as things seemed wrapped up, life (even fictional life) isn’t that clean. Unlike my usual M. O., I’m not going to get further into the plot—fans don’t need it, and new readers won’t appreciate it without Rachel explaining what it all means.
Harrison manages to bring back every major, and many minor characters—even working in mentions to the major dead characters from the past. It may just be fan-service to let all the cast make an appearance, but it was done so smoothly, so organically, that it really doesn’t matter.
At the same time, Harrison brings in some new faces (and most seem like they’ll around for a while)—there’s a new elf, a new vampire, a new demon, and a whole new supernatural species. Each of them moves the series in a new direction and add aspects to the ongoing storylines that are very satisfactory. I can see Harrison adding one of these characters per novel—but all of them at once. She’s more than shaking up the status quo, she’s making a bold move forward for the series.
If I’d fallen into a coma shortly after reading The Witch with No Name and had just woken up in time to read this, I wouldn’t have known that Harrison spent anytime away, much less that she’d start a new series that was entirely distinct from The Hollows. For example, in this age of TV continuations—fans of the originals can easily tell the difference between the series that went off years ago, and the new episodes that aired recently. I assumed the same would be true here—not that the book would be bad or anything, just a little different—and I couldn’t have been more wrong.
By the way, since I expect some will ask—sure, this is a decent jumping-on point. A lot won’t make sense, but you’ll be entertained enough to shrug that off and keep going both with this book and those that are waiting in the wings. You’ll be given enough reason to go back and read the previous volumes.
From wrapping up a series very nicely with one book to telling a complete story in the next while setting up 4+ (depending on how you count them) multi-book arcs in the next is a pretty nice trick. This could’ve just been a nice little reunion, but Harrison has done more than that—she’s breathed new life into this series as well providing some solid entertainment. Welcome back to the Hollows, folks.
Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post — thanks to both for this.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.
