3 1/2 Stars - The Irresponsible Reader

by Booth Tarkington
Series: The Growth Trilogy, #2

Mass Market Paperback, 346 pg.
Tor Classics, 2001 (first published 1918)
Read: May 12 – 14, 2016

… the grandeur of the Amberson family was instantly conspicuous as a permanent thing: it was impossible to doubt that the Ambersons were entrenched, in their nobility and riches, behind polished and glittering barriers which were as solid as they were brilliant, and would last.

If only, if only . . .

How do you enjoy a 300+ page book with a protagonist who is an arrogant, petulant, jackwad with no obviously redeeming qualities for the first 300 pages? Well, it’s tough. But if it’s as well told as The Magnificent Ambersons, it’s possible.

Sure, that’s a little bit of a spoiler — George Amberson Minafer does develop a couple of redeeming qualities in the last 30 pages or so. But you know what? The book is almost a century old, you’ve had plenty of time to read it if you’re worried about spoilers.

The plot is straightforward: At the dawn of the Industrial Revolution, an impossibly rich family produces an arrogant twit as the only heir. Unbeknownst to him, the economy is changing and the family is beginning to fall on hard times. Too proud to admit it, they continue living as if they have all the money in the world. Meanwhile, the twit falls for a girl who’s humble, kind, and wise. For some inexplicable reason, she falls for him, too. Things happen, they don’t get together and the bottom falls out on the Ambersons. There’s family drama, too — between the financial crisis, health problems, love, old flames, and scandal, there’s plenty to entertain a reader (if they can put up with younger George).

Most of the characters are pretty thin — there are exceptions (George’s mother, aunt and non-ambassador uncle, are the best) — but even the developed ones aren’t as fleshed out as we would have them today. But it fits with Tarkington’s overall style. It’s very, very difficult to like most of the people on these pages. So the ones you’d normally sort-of like, you end up really enjoying.

What makes this book work is Tarkington’s style. It’s hard to describe — highly detailed (for example, there’s so much attention paid to clothing and fashion that you’d almost think Gail Carriger had a hand in this), with a dry sense of humor, and plenty of cultural commentary. He changes his focus repeatedly: he’ll jusmp months or years at at time, and summarize events from those months in a paragraph or less and then cover a single evening in 15 pages, so he can highlight what matters and ignore the rest. But better than the plot (or characters), you get lines like this: “Some day the laws of glamour must be discovered, because they are so important that the world would be wiser now if Sir Isaac Newton had been hit on the head, not by an apple, but by a young lady.” How do you not keep reading for things like that?

Tarkington takes time out from the narrative to say

Youth cannot imagine romance apart from youth. That is why the roles of the heroes and heroines of plays are given by the managers to the most youthful actors they can find among the competent. Both middle-aged people and young people enjoy a play about young lovers; but only middle-aged people will tolerate a play about middle-aged lovers; young people will not come to see such a play, because, for them, middle-aged lovers are a joke–not a very funny one. Therefore, to bring both the middle-aged people and the young people into his house, the manager makes his romance as young as he can. Youth will indeed be served, and its profound instinct is to be not only scornfully amused but vaguely angered by middle-age romance.

I assume that captures the spirit of the late 19^th/early 20^th Century — if you take out the word “play” and put in “film” or “show,” it does a pretty good job of capturing the spirit of the early 21^st Century, too. Which is a pretty nice achievement for a piece of writing.

The book isn’t a chronicle of the changes to the American culture/economy due to industrialization, it’s a family drama. But if you pay attention to what’s going around the lovebirds, cads and gossips, you can see those changes taking place. It’s a temptation for someone to cheat a little when writing historical fiction and make characters seem smarter than they are by knowing how predictions would actually turn out, Takington’s not above falling into that. Note what Eugene Morgan, early designer of automobiles says:

“With all their speed forward [automobiles] may be a step backward in civilization–that is, in spiritual civilization. It may be that they will not add to the beauty of the world, nor to the life of men’s souls. I am not sure. But automobiles have come, and they bring a greater change in our life than most of us suspect. They are here, and almost all outward things are going to be different because of what they bring. They are going to alter war, and they are going to alter peace. I think men’s minds are going to be changed in subtle ways because of automobiles; just how, though, I could hardly guess. But you can’t have the immense outward changes that they will cause without some inward ones, and it may be that George is right, and that the spiritual alteration will be bad for us. Perhaps, ten or twenty years from now, if we can see the inward change in men by that time, I shouldn’t be able to defend the gasoline engine, but would have to agree with him that automobiles ‘had no business to be invented.'”

That was 98 years ago, think what he’d say now about the automobile’s impact on culture (he’d probably cite James Howard Kunstler’s The Geography of Nowhere).

A dull(ish) story, full of unsympathetic characters acting foolishly (on the whole), with a quaint writing style that somehow makes it all work. I can’t explain it, I’m just glad I read it. You just might feel the same way, give it a shot.

—–

3.5 Stars

No Problem, Mr. Walt by Walt Hackman

By HCNewton

On June 3, 2016

In (Auto)Biography

Reposting this in honor of the book launch tomorrow. This’d make a great Father’s Day gift, for those looking for something that’s not a tie. . .

No Problem, Mr. Walt: A Memoir of Loss, Building a Boat, Rebuilding a Life, & Discovering China

by Walt Hackman
ARC
Publish Authority, 2016
Read: February 18 – 26, 2016

Walt Hackman led an interesting life — sometimes, too interesting. At the age of 55, while trying to decide how to move forward from some major life changes and recover from a great tragedy, he decides to fulfill a long-held dream and move onto a boat. The question was only: what kind of boat?

He decides on a Chinese Junk. And then proceeds to figure out how to get one built for him — not a replica, not a used Junk — but an authentic, Chinese, made they way they’ve been made for centuries, built just for him.

As mid-life crises go, it’s a lot more creative and original than a red Porsche. ^*

The process was long, involved, troubled, and confusing. Which is works out well for the reader, because it makes for an interesting story for Walt to tell. He walks us through the process involving banks, embassies, multi-national shipping, translators (professional and not), engineers, trans-pacific flights, and a whole lot of tea.

But it’s not just a story about getting his Junk built — it’s a story about Hackman learning how to get things done in China, what he learned about the culture, and how he applied that. For me, this was the most appealing part (really, as interesting as it was, the boat portion of his tale was pretty straightforward).

Hackman did a lot of research into Chinese culture and history — and shares that with his reader. You could get a quick and dirty understanding of Chinese history just by reading the little his chapter introductions. But it’s not just about the big things like the Great Wall, the history of Chinese shipbuilding, various leaders, and whatnot — he talks about culture — the need to make sure everyone saves face in a discussion (and how to ensure that), and even Chinese singing and fighting (??) crickets — which are sometimes kept as pets, in tiny little boxes.

It wouldn’t be a book about international travel, business, and misunderstandings without some travel horror stories — but wow, he had some doozies. Which is probably why those kind of stories are so ubiquitous, they’re great bits of temporary drama that everyone can relate to. They’re also great reinforcement for those of us who aren’t that into travel to stay home.

Second only to travel horrors, are stories about food when it comes to narratives about other countries/cultures. Hackman described both restaurant and home-cooked meals. He gave a lot of detail about home-cooking — both by his Chinese-American friend and her family in China. Also, thanks to an encounter Hackman had walking around and talking to strangers, I learned more about the traditional way to prepare duck than I ever wanted/needed to know.

Most of us have seen enough travel shows, documentaries, etc. about China to get the idea just how foreign a land it is to Western eyes (even The Drew Carey Show sufficiently demonstrated that), and Hackman’s descriptions helped reinforce that. But more effective was his bringing things like coming home to the aftermath of the L. A. Riots (that he had no idea were happening) demonstrated the contrast with his time in China and underlined how otherworldly it can be over there (although in the age of 24-hour news cycles and smartphones, that might not be as stark now.).

It’d be easy to expect this book to be an exploration of Hackman’s dealing with the emotional and familial hardships in his life — but nope. It’s just what it promises: a story about a man trying to get a boat built. That other stuff happens, you can tell, but that’s not what this book is about — part of me would’ve like to see how his construction project helped him find the distance or whatever he needed — but I just found it refreshing that he didn’t use this story as an excuse to deal with all that in print.

Actually, now that I think of it — that’s pretty typical of Hackman — he doesn’t share his thought process (by and large) with the reader. We don’t really get an explanation for his choice of Chinese Junk, just that after some thought, he picked that. We see the results of his thinking, we see some of what his research (both via book and being around the culture) have taught him — but we get almost nothing of the process. Now, that’s a strange approach for this kind of book (at least by current standards), but it works.

The book’s subtitle is: “Building a Boat, Rebuilding a Life, & Discovering China.” Well, Walt Hackman does all three, but we really only get to see two of those. Building his boat and discovering China are enough to carry the book, and allow him to do the rebuilding. This is not the kind of book I normally read, but when Hackman contacted me about reading an ARC, something about it made me sign on — and I’m glad I did. It’s a fascinating book and an easy, rewarding read. Give it a shot, I think you’ll be pleasantly surprised.

Disclaimer: I was provided an Advance Reader Copy in exchange for an honest review – I still might end up getting a hard copy, just so I can have that cover to look at easily (can’t tell much from that thumbnail, but it’s great – click through to the website and check it out).

^* I’m not trying to make light of everything Hackman was going for, his crises were a lot worse than most.

—–

3.5 Stars

The CleanSweep Conspiracy by Chuck Waldron

By HCNewton

On June 2, 2016

In Book Tour, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The CleanSweep Conspiracy

by Chuck Waldron
Series: Matt Tremain Technothriller, #1

Kindle Edition, 304 pg.
CreateSpace Independent Publishing Platform, 2016

Read: May 21 – 25, 2016

Matt Tremain is a man on the run — authorities are broadcasting his picture all over, the police are hunting for him. Not a typical reaction to a tech/privacy blogger (this blogger would like that amount, not kind, of attention) — but that’s the impact that his stories about CleanSweep are possibly having. At the very least, he’s got a few very influential people paying attention, and that’s enough for the powers behind CleanSweep to want him quieted.

Thankfully, he has some allies who have his back — both in Toronto, and around the world, so he’s able to escape the initial attempts to bring him in. Unsure who to trust, he’s living as off-of-the-grid as he possibly can (while maintaining his blog as much as he can — not easy).

Still, this just emboldens him, as well as showing him that the clock is running, and he won’t be able to do anything to prevent this from becoming permanent soon. So Matt, a couple of allies in the press, one in law enforcement, and a few he hasn’t met yet, get busier at exposing what they believe to be a conspiracy devoted to stamping out undesirable elements in society. Toronto will be ground zero, but it won’t be long before this Conspiracy moves to other parts of the world, destroying privacy, civil liberties and lives along the way. Dystopia looms large in these pages, not one decades or centuries away, either; this is a 15-minutes into the future dystopia.

I can’t talk much more about the plot — or most of the characters — without giving too much away. So I’ll just say there are a lot of well-drawn characters trying to do their best at work here. Without exception, everyone of Matt’s allies would be someone I’d like to have more of (not saying that we didn’t get sufficient time with them, just that they were interesting enough to have around more).

And then there are (for wont of a different phrase) the bad guys. With one exception (Claussen’s security chief, Angela Vaughn), these are not well drawn, or that interesting — they’re evil, and that’s about it. Which makes it easier to root against them, but harder to get invested in them as characters.

I’ve got a couple of minor quibbles, and one that’s pretty big. First, for people thus concerned with being spied on, Matt and his allies sure do use their smartphones a lot. Also, the timeline is sometimes too hard to track with, it’s unclear frequently when we’re getting a flashback — and how far back we’re flashing — or when we’re back to “the present.” Lastly, governmental agencies move a little too quickly at the end — probably the hardest part to believe.

My biggest problem with the book was, to me, fairly significant, and ended up toning down my enthusiasm for recommending it. There’s a chapter (maybe two, but I’m pretty sure it was one) wherein Claussen meets with the men with the money and government clout needed to fully implement his plan. A lot of what is revealed about the plan, we readers knew and/or surmised from what had been hinted at, suggested, etc. before. But before it had been shown to us, here it was told to us. And not in a very interesting way — it was basically the part of a James Bond flick where the villain tells Bond his plan just before he leaves him to die (which, of course, he doesn’t). This time there were no Bonds around, just the people who’d enable the villain’s plan. The evil was as plain as day here, and told in the kind of detail no one needed — the only thing missing from this were the conspirators twirling their mustaches. Seriously, you take out this chapter (or edit it a lot), and this book would’ve got a higher rating from me.

Add a little more gray to this, tone down the villains just a shade, and you’ve got yourself a knock out. As it is, it’s a pretty good read — and a chilling reminder of what could be around the corner. The tech feels real, the police state imposed doesn’t sound that far-fetched, the aims of the conspirators carry the feel of legitimacy. This rings entirely of something that could’ve been ripped from the headlines — but thankfully wasn’t (I think). You will keep turning pages, wanting to know what happens to Matt and the rest — you’ll appreciate some small flashes of humanity and the courage that resides in unlikely places.

Give this one a shot. Not only will you probably enjoy this, but like me, you’ll want to get your hands on more by Waldron.

Disclaimer: This book was provided to me by the author in exchange for my honest thoughts.

—–

3.5 Stars

Once a Crooked Man by David McCallum

By HCNewton

On April 12, 2016

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Once a Crooked Man

by David McCallum

Hardcover, 337 pg.
Minotaur Books, 2016

Read: March 22 – 30, 2016

If you’ve enjoyed Hugh Laurie’s The Gun Seller, Eoin Colfer’s Daniel McEvoy books, Elmore Leonard’s lighter works (like say, the Chili Palmer books), or the like — there’s a pretty good chance that you’ll enjoy this.

Max Bruschetti is a pretty successful organized crime figure, but circumstances have brought Max and his brothers, Enzo and Sal to the point where they’ve decided to retire, and live off the smart investments made of their ill-gotten gains. There’s just a few details to clean up first. By “details” I, of course, mean employees who can testify against them; and by “clean up,” I mean “kill.”

Harry Murphy, a frequently employed actor and very occasional public unrinator, overhears the Bruschetti brothers making these plans. For reasons beyond my ken, he decides that instead of calling the police, he hops on a plane to London to warn one of the targets.

Things get strange, twisty, turny and out of control from there.

Along the way, Harry meets DS Elizabeth Carswell who accompanies him back to New York to track down the people who sent the killer to England. Lizzie is a great character — I’d gladly read a series about her (at least her life leading up to the events of this book, I’m not so sure how interested I’d be in what comes after — but maybe); tough, smart, damaged in the way the best police characters are.

The characters in this book are just great — even people we meet for just a few pages. There are so many details to some of these characters that we just don’t need, and other authors wouldn’t bother including. But McCallum does, and I’m so glad he did.

There’s one thing that I can’t believe an editor let go — there’s a rape scene. I’ve read worse (i.e., more graphic, violent, horrific, detailed), but it was pretty unnerving — and an oddly dark turn for this book. But what’s worse is the way that the victim reacted — not immediately, that seemed to line up with reality — but longer-term, that was just wrong. It was tasteless, questionable in terms of characters, and (at least in the eyes of some) socially irresponsible. I really tarnished the whole book for me (and the more I think about it, the worse it gets — so I’m moving on).

I wouldn’t say that this was funny, but there was a comedic slant to it. Plenty of action, a dash of violence, and plenty of good ol’ entertainment bag for your buck. McCallum’s got actual writing chops and I hope has another novel up his sleeve — it’s not like Ducky has a lot to do on NCIS anyway, he’s got time.

—–

3.5 Stars

Risen by M. T. Miller

By HCNewton

On March 15, 2016

In Fantasy, Fiction, M. T. Miller

Risen: First Book of the Nameless Chronicle

by M. T. Miller
Series: The Nameless Chronicle, #1

Kindle, 87 pg.
2016

Read: March 11, 2016

This kicks off with one of my favorite first chapters in months. Sure, it only takes a second or two to know what’s going on in it, but it’s really well done, even if it isn’t a mystery (I’m not sure it was supposed to be, but it seemed that way). Risen grabbed me right off and didn’t let go until the end.

Our protagonist is suffering some sort of amnesia — he doesn’t know who he is, where he is — even when he is. He finds himself in a city that’s definitely seen better days. It’s pretty much the poster child for dystopian ruins — Chicago in Divergent, for example. But with fewer people (maybe).

He enlists the assistance of a homeless man to guide him through both the culture and geography of this city and the surrounding. They encounter a street gang that seems to run just about all the city, a severely under-staffed church that seems to be just about the only place in town not run by the gang, and an extended family (of sorts) that lives outside the city.

And by “encounter,” on the whole, I’m speaking of the violent type. Nameless remembers very little, but he seems to remember how to fight. Each fight does tell us a little more about the world and Nameless, so they’re not just fun bits of gratuitous violence.

There’s some supernatural stuff going on (not just in this city, but on the other side of the country), possibly Spiritual forces (in the religious sense), and . . . who knows what all, really?

All this is told with grim humor and a strong narrative voice that keeps the reader engaged in the story and characters — not just in the “I wonder what’s going on in this strange world” kind of way. Even knowing practically nothing about Nameless (making me a lot like him), I liked him as a character and want to read more about him.

My one complaint is length — just about everything is too short. The story is too short, most of the scenes are, too. But I’m pretty sure that’s just my wanting more for myself — to give us longer scenes would ruin the pacing, would mess with the way Miller’s constructing the series. And really, when you get down to it “I wanted more!” is more of a compliment than a complaint — but I’m calling it one nonetheless.

A fast, gripping read that’ll leave you wanting more. A perfect little palate-cleanser between heavy reads. I’m eagerly waiting for further adventures of Nameless and finding out more about him and his world.

Disclaimer: I was provided a copy of Risen by the author in exchange for an honest (and, it turns out, over a month overdue) review.

—–

3.5 Stars

No Problem, Mr. Walt by Walt Hackman

By HCNewton

On March 1, 2016

In (Auto)Biography

No Problem, Mr. Walt: A Memoir of Loss, Building a Boat, Rebuilding a Life, & Discovering China

by Walt Hackman

ARC
Publish Authority, 2016
Read: February 18 – 26, 2016

Walt Hackman led an interesting life — sometimes, too interesting. At the age of 55, while trying to decide how to move forward from some major life changes and recover from a great tragedy, he decides to fulfill a long-held dream and move onto a boat. The question was only: what kind of boat?