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Divine Providence by Stephen Charnock, edited by Carolyn Whiting: A Classic Reworked

Cover of Divine ProvidenceDivine Providence

by Stephen Charnock, edited by Carolyn Whiting

DETAILS:
Publisher: P&R Publishing
Publication Date: September 1, 2022
Format: Hardcover
Length: 268 pg.
Read Date: June 16-30, 2024
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What’s Divine Providence About?

Question and Answer 11 of the Westminster Shorter Catechism are:

Q. What are God’s works of providence?
A. God’s works of providence are his most holy, wise and powerful preserving and governing all his creatures, and all their actions.

In this classic work (updated for modern readers), Charnock does his best to explain that idea. It’s something that verges on the inexplicable—but something clearly taught in Scripture—and so Charnock seeks to help his readers (originally, hearers) understand it. He doesn’t really engage in debate about it, or defend it against attacks—he does tackle some objections or hard parts to grapple with. But he’s not doing that in a polemic way, mostly he seems to work from the assumption that if he clarifies the doctrine and clears up misconceptions, that’ll be enough. (also, he’s not really trying to engage with naysayers)

That’s basically the first 13 chapters—133 pages or so, almost half the book. The second half is applying that to the Church and individual believers. I remember a former pastor of mine saying that this (and related) doctrines in Scripture weren’t used in the way most contemporary people use them—to beat up on believers who don’t quite agree with us on providence, predestination, election, and whatnot. Instead, the inspired writers used them to comfort, encourage, and give confidence to believers. And that’s just what Charnock does in the second half.

He starts by describing how Providence is an expression of care and protection for the Church and how we see that. Then he focuses on individual Christians, and how we can find comfort and encouragement in all things from these teachings. Even the last chapter here, “The Duty Providence Requires,” is made up of items like “believe in God’s work,” “remember what He as done,” “wait patiently for Him.” and so on—things that really call for the confidence I mentioned earlier to be expressed.

Bonus materials

Before the introductions, prefaces, etc. the reader is presented with a nine-page outline of the work—which is a great bonus and will be very helpful for students and other readers really wanting to dive into the nitty-gritty of this work.

The editor has also broken this down into clearer chapters (see below) and added summary paragraphs to each chapter to help the reader (I’m not sure how helpful those ultimately were and stopped reading them pretty quickly).

There are also study/discussion questions provided at the end of every chapter. They don’t seem too bad—but again, I didn’t spend much time looking at those. But I think they’ll be a strong selling point for many.

The Modernizing of it All

In the Editor’s Preface, Carolyn Whiting states that

I sought to retain the author’s meaning while updating the language and style, sentence by sentence, to make it more accessible for today’s reader. The original volume, which was a compilation of a series of Charnock’s sermons, had no chapters or subheads and few paragraphs. In addition to adding these features, I have inserted the occasional transition, updated spelling and pronouns for a contemporary audience, replaced archaic vocabulary with modern equivalents, and updated Scripture to the English Standard Version except where noted.

Now, I get updating pronoun use, changing to ESV, and most of the other changes (although typically “language” means changing archaic words that have changed meanings, shortening sentences, etc.). The chapters and subheads idea is great—the original edition is tough to read just because of the organization. I have no issues with what Whiting stated there.

But then I started seeing (and I don’t know how often, but it happens a few times) footnotes saying “Charnock goes on to say…” and giving us a phrase or two beyond that. Why those phrases couldn’t be added above I didn’t once understand. But it tripped me up—just how much was Whiting doing to make Charnock accessible to the modern reader? I spent too much of my mental RAM wondering about that while reading and likely didn’t get as much out of it as I should’ve.

To give you a flavor here are the first few paragraphs of the book (and no, I don’t know why the line spacing is that way…I assure you, I’ve tried to stop it).

This Edition
In the beginning of 2 Chronicles 16, we find Baasha, king of Israel, building and fortifying Ramah. Situated on the road between Jerusalem and Samaria, Ramah is about twelve miles from Jerusalem, the metropolis of Judah and the seat of its king, Asa. Baasha intends to isolate Asa and to prohibit anyone from crossing the border between the two nations (v. 1).

Baasha is probably afraid that the people of Israel will revolt and flee to Judah because Asa has reformed the practice of religion there. Therefore, Baasha fortifies Ramah to hinder and intercept any who try to pass by on that account. “For great numbers had deserted to [Asa] from Israe| when they saw that the Lorp his God was with him” (2 Chron. 15:9).

When Asa realizes what Baasha is doing, he is afraid, and in his fear he sins by seeking help through worldly means rather than by turning to God. He enters into a covenant with Ben-hadad, king of Syria, who is a neighbor and an idolatrous prince, and purchases his assistance for the sacrilegious price of silver and gold from the temple treasury. His plan is for Ben-hadad to invade Israel’s territories and distract Baasha from fortifying Ramah. The large payment easily persuades Ben-hadad to break his covenant with Baasha, and his armies successfully take several cities, including all the store cities of Naphtali (2 Chron. 16:2-4). Baasha is forced to abandon Ramah in order to save his country, and Asa seizes the materials Baasha has left behind and uses them to build two cities, Geba and Mizpah (vv. 5-6).

Original Text
In the beginning of the chapter you find Baasha king of Israel raising walls about, and fortifying Ramah, a place about twelve miles from Jerusalem, the metropolis of Judah, intending by that means to block Asa up, because Ramah lay just upon the road between Jerusalem and Samaria, the seats of the two kings, ver. 1.

Baasha was probably afraid of the revolt of Israel to Judah, upon that reformation of religion wrought by Asa, and therefore would fortify that place, to be a hindrance, and to intercept any that should pass upon that account; and to this purpose makes great preparation, as appears ver. 6, for with the provision Baasha had made for the fortification of Ramah, Asa, after the seizing of the materials, builds two towns, Geba and Mispah.

Asa seeing Baasha so busy about this design, and fearing the consequence of it, hath recourse to carnal policy rather than to God; and therefore enters into league with Benhadad, a neighbour, though an idolatrous prince, and purchaseth his assistance with the sacrilegious price of the treasure of the temple, ver. 2, 3; and hereby engageth him to invade the king of Israel’s territories, that he might thereby find work for Baasha in another part, and so divert him from that design upon which he was so bent: ver. 3, ‘Go, break thy league with Baasha, that he may depart from me.’

Benhadad is easily persuaded by the quantity of gold, &c., to break his league, and make an inroad, and proves victorious, and takes many cities where the magazines and stores were laid up, ver. 4.

Baasha now, to save his country, and make head against his enemies, is forced to leave Ramah; whereupon Asa, who watched his opportunity, seizeth the materials he had left for the fortifying of Ramah, and puts them to another use, ver. 5, 6.

I can’t say the Whiting version is bad…but I don’t know that Charnock needed that much help. My son said it reminded him of copying something (encylopedia entry, article, etc.) for a report in school, but changing just enough of it so as not to be accused of plagiarism.

I do wonder if the wrong name is on the cover/title page, however.

So, what did I think about Divine Providence?

When I could stop focusing on the issues in the above section, I really appreciated the book. The first half was clearly the same kind of thinking seen in The Existence and Attributes of God.

Parts 2 and 3, the application of the doctrine to our lives and the Church? I absolutely loved that and was so encouraged it. There was so much there that was so good to see and be reminded of. It’s truly worth reading the book to get those parts (but you do need to read the first part—you can’t just jump into these sections, you need the foundation).

I can’t be as happy with this as I’d like—I just can’t get over the paraphrasing (for lack of a better term) bothers me more than it maybe should. I do think this is a lot easier to read than the non-modernized version (if only because mostly those are printed with tiny typefaces), and will reach more people. But the purist in me worries we lose too much of Charnock.

The important thing, however, is that Charnock is being brought to readers in a digestible manner. I do encourage people to pick it up because of that.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grandpappy’s Corner: Under the Barnyard Light by Carla Crane Osborne, Brandon Dorman (Illustrator): A Quiet, Wintry Night’s Chores

Grandpappy's Corner Logo featuring the cover of Under the Barnyard Light

Under the Barnyard Light

by Carla Crane Osborne, Brandon Dorman (Illustrator)

DETAILS:
Publisher: Gogonago
Publication Date: November 17, 2020
Format: Hardcover
Length: 26 pg.
Read Date: June 29, 2024
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What’s Under the Barnyard Light About?

This book follows a young girl as she takes care of some farm chores on a cold and wintry night.

Let’s Talk about the Art for a Minute

No slight intended toward the text, but the art here is the star of the show. That’s a commentary on the art, not the text. Few authors would be able to compete (not that it’s a competition). Dorman’s just fantastic. In these pages, he combines realism with a style that will appeal to the younger readers. The colors might not be bright enough and the art “loud” enough to get the youngest readers, but he’ll draw in those north of two (I think). It looks painted, not drawn and colored.

When I checked out his website, I realized I’d held other books that he’d illustrated and/or done the covers for–several of them, actually. My kids even owned some of them growing up.

How is it to Read Aloud?

Like Every Dreaming Creature, this book seems to demand a quiet reading voice–this is a book for settling down for the night (or at least a nap).

I will admit that the first time I read this myself, I got distracted by the rhyme scheme and ended up spending more time paying attention to it and trying to suss out the pattern. Take it from me–don’t do it. Just read it line by line–or couplet by couplet–while being ready to deal with frequent non-rhyming lines. If you go looking for a pattern or a rhythm, you’ll be lost.

Just sit back, adopt a hushed tone, and read. If you do that, you’ll find it to be a nice, soothing read. The text–and the art–are gentle and cozy. You read it that way and you’ll be set.

What did the Little Critter think of It?

He seemed to like the pictures, but had no patience for the book, we only got three pages into it before he was finished. In fairness, he’s young–and I picked a wrong time to try it. He wasn’t in the mood for a quiet book.

But I’m confident that when I try again, he’ll be fine with it.

So, what did I think about Under the Barnyard Light?

I enjoyed this–it did make me think of Every Dreaming Creature and settling down for the night–it’s a quiet book, it’s a calming book. Between the atmosphere, the soft edges of the art, and the way the text carries you along–I imagine this is going to be a bedtime favorite for many. Including the grandcritter in a few months.

This definitely inclines me to read more by Osborne, I’m curious to see what she does with different kinds of stories (for example, I doubt Pony Express is the kind of book you curl up with on your way to sleep).

3 Stars

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Poetry Comics by Grant Snider: Simply Bursting with Adequatulence

Cover for Poetry Comics by Grant SniderPoetry Comics

by Grant Snider

DETAILS:
Publisher: Chronicle Books
Publication Date: March 26, 2024
Format: Hardcover
Length: 96 pgs.
Read Date: June 1, 2024
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What’s Poetry Comics About?

Rather than try to really describe this book (and I wouldn’t do a great job of it), here’s a shody photo of the back cover (forgive the partial library barcode)
Photo of the Back Cover to Poetry Comics by Grand Snider

A Word About the Art

If you’re a fan of Snider’s characteristic simple drawings, you’ll enjoy the art here. I am one of those, so I did.

The panels pair up really nicely with the poems—sometimes augmenting the shape and construction of the poem, sometimes simply illustrating them. Either way, it’s just what you want in this kind of book. They never detract from the poems (they probably make some of the simpler ones better—they definitely disguise their brevity*).

* I don’t mean to suggest that simple/brief poems are bad, they’re simply short.

So, what did I think about Poetry Comics?

This book is a shining example of adequasivity. It was perfectly fine, but on the whole, it really didn’t do much for me.

There were a few poems about writing a poem—they were nice (not particularly practical). Most seemed to be trying really hard to be uplifting—and many of those fell flat to me, primarily because they were clearly trying really hard, but I did enjoy a couple of those. I’m going to guess that I really enjoyed about 10% of them—but there were none that I’d consider “bad,” on the whole, the book was adequate.

So adequate that I knew halfway through that I’d have to look up that Newsradio video linked above.

Do I think readers in the target age range would appreciate this more than I did? Sure, if they like poetry (and possibly those who are ambivalent to it).


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Hope in Our Scars by Aimee Byrd: A Plea for Help

The Hope in Our ScarsThe Hope in Our Scars:
Finding the Bride of Christ in the
Underground of Disillusionment

by Aimee Byrd

DETAILS:
Publisher: Zondervan
Publication Date: May 7, 2024
Format: Paperback
Length: 206 pg.
Read Date: May 19-26, 2024
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What’s The Hope in Our Scars About?

There are three strands of thought in this book (although two are pretty related, but they struck me as separate).

The first centers on Byrd and her family as they search for a new church home after the events that led to them leaving their long-time church.

The second deals with others—some by name, some more abstract and in a collective sense—who are dealing with disillusionment about the Church today—due to Spiritual abuse, sexual misconduct, financial fraud, coverups of all of the above, and so on. Some of this disillusionment leads to people wandering in a wilderness, looking for a local congregation to call home—others will wander far from the fold.

The third—and most important—discusses the way that the woman/the bride in the Song of Songs longs for her love/her husband. Individual believers should find themselves in that same situation—longing for the presence of our Lord in the place He promised to meet with us—as part of His Bride.

Song of Songs

As with her 2022 book, The Sexual Reformation, the primary portion of Scripture that Byrd focuses on is the Song of Songs. She rejects more contemporary approaches to the text in favor of an allegorical understanding. I really wish we’d get an entire book from her just on the song.

She’s not (as far as I know) a Hebrew scholar, so I’m not looking for a commentary. But Byrd’s a well-read layperson, and largely an autodidact, too—not the type for a technical work, but she has all the tools to provide a great reader’s guide or something along those lines.

So, what did I think about The Hope in Our Scars?

I really don’t know. I really didn’t get the organization—I’m assuming there was one, but I didn’t see it. It really felt to me while reading it that Byrd was just meandering around bouncing from one idea to another, picking up and dropping one of those strands every so often. It’s probably best to think of this as a series of mini-essays loosely connected by themes.

That said—I really appreciated a lot of what she said while pinballing all over. There was a lot of gold there—particularly in the Song of Songs discussion. But beyond that, she just expressed so well struggles so many of us go through. For example, when Byrd just discussed some of the challenges believers go through, how discouraging, how isolating, how alienating it is when we can’t be open with our brothers and sisters to talk about it—either because they refuse to listen, or can’t understand.

This is not her best work—but it might be Byrd at her most heartfelt. She’s definitely pointing to problems the Evangelical and Reformed expressions of the Church in the U.S. need to deal with, both for organizational health and the well-being of the members—more importantly to our witness to a lost and dying world. She’s light on solutions, or proposed solutions (which is probably for the best, as frustrating as it might be while reading). I hope she gets a hearing and that others who are pointing to the same issues do as well.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BLOGIVERSARY REPOST: P is for Peril by Sue Grafton

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week. I hope you’ve enjoyed this stroll down Amnesia Lane as much as I did.


P is for Peril (Kinsey Millhone #16)P is for Peril by Sue Grafton
Series: Kinsey Millhone, #16

My rating: 3 of 5 stars

Well, this is totally not surprising at all…a solid mystery novel, with plenty of satisfying twists and turns from Sue Grafton.

A name from the past (and one of my favorite Grafton books) refers Kinsey for another missing persons case — against her better judgement, she takes it and before too long finds herself in the middle of broken family politics, pouty teenagers, a potential stalker, and cases of grand theft, fraud, murder, and a handful of other brushes with human frailty and depravity.

I did rather enjoy all these voices from the 80s complaining about the labyrinth that is Medicare/Medicaid/other federal health regulations — if they only knew!

I do wish, and I don’t think I’ve complained about this before, but Kinsey blabs way too much — to friends (especially new ones), to suspects/interviewees/sources, and even to clients. Maybe it fits with the research that Grafton’s done about proper P.I.-ing, but man. Every time she starts to divulge information I want to reach into the book and slap my hand over her mouth. Seriously, lady, keep it to yourself.

The conclusion to this one is atypical — we don’t get resolution to any of they mysteries she’s involved with; well, we sort of get resolution to one of them, but it has nothing to do with any sleuthing on Kinsey’s part. The rest of the mysteries are solved by Kinsey, but we don’t see the resolution of the story line — we don’t even get the (often) heavy-handed wrap up where she reflects on the events of the novel. Nope. Not saying that’s good or bad (honestly, I’m not sure). It’s just not par for the course. Not sure why Grafton did it that way, but it worked this time (could get to be tiring if she keeps it up)

The Good Samaritan Strikes Again by Patrick F. McManus: Gentle Humor about Idaho Life

The Good Samaritan Strikes AgainThe Good Samaritan Strikes Again

by Patrick F. McManus

DETAILS:
Publisher: Holt Paperbacks
Publication Date: August 15, 1993
Format: Paperback
Length: 211 pg.
Read Date: May 8-17, 2024
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Over half a century of poking around the woods and mountains, I have rescued several dozen wild creatures from life-threatening situations. Almost none ever expressed an iota of gratitude. Instead, they have attempted to bite me, peck me, claw me, scratch me, gore me, even as | rendered them the service. The only one to repay the favor of my rescuing it was a skunk, when I was eight years old, and it spent all of its resources to purchase my freedom from school for a whole week. In my experience, however, that skunk was unique among wild creatures for its kindness and generosity.

What’s The Good Samaritan Strikes Again About?

This is a collection of 24 of McManus’s essays, pulled from a variety of sources talking about…well, mostly the things he always talks about—his life, hunting, fishing, and things he finds interesting.

There’s not a recurring theme or anything, I’m guessing this is just a collection of pieces written in the early 1990s (the previous collection was published in ’91, the following in ’94).

McManus’s Humor

I think the best way to describe this humor is gentle. He’s not one for clever wordplay (although he will occasionally indulge), this isn’t biting satire, he’s not as outlandish and goofy as Barry. It felt like Lewis Grizzard at half-volume—I think it’s similar to Garrison Keillor (although I really can’t say) or Tom Bodett.

I can’t imagine you’ll guffaw—or laugh out loud. But you’ll be amused. You’ll smile—maybe even chuckle.

So, what did I think about The Good Samaritan Strikes Again?

I haven’t read McManus since the mid-80s—there were a couple of years where some of his early collections were in heavy rotation amongst my extended family and I sampled a few. Mostly I didn’t get his humor at the time—even then I didn’t relate too much to the hunting and fishing jokes. I understood more of them now, at least—but I don’t know that I found them more amusing now.

I feel like I need to turn in my Idaho Citizen card for saying that kind of thing—McManus and I were born in the same city, we were inculcated with many of the same values, and had the same kind of environment growing up. But our senses of humor didn’t develop along the same lines.

The pieces that had the least to do with outdoors-y topics worked best for me. He touches on aging and worry, there’s a little bit of satire relating to PR, there’s some stuff on coping with stress, recounting his first kiss…the title essay involves trying to help a motorist following an accident. Then there are a lot of things involving camping, hiking, fishing, hunting and the like…most of those had something I found amusing—a paragraph, a clever sentence—many of them were largely entertaining. But that’s for me—and humor is more subjective than most things I talk about here (although everything is pretty subjective here)—so who knows how you’ll react.

When Ford Prefect’s editors were done with his revisions to the entry for Earth in The Hitchhiker’s Guide to the Galaxy, the entry summing up our planet read “Mostly harmless.” Similarly, I think The Good Samaritan Strikes Again could be summed up as: Mildly amusing.

Your results may vary, obviously, but it’s a pleasant way to spend some time—not much more. But honestly, who wouldn’t mind a pleasant couple of hours?

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Price to Pay by Dave Sivers: “The past is never dead. It’s not even past.”

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Price to PayPrice to Pay

by Dave Sivers

DETAILS:
Series: Archer and Baines, #7
Publication Date: February 28, 2024
Format: eBook
Length: 288 pg.
Read Date: May 9-11, 2024

What’s Price to Pay About?

It’s not necessarily news-making when someone threatens a DCI. But DCI Archer gets a couple of very fresh threats from family members of someone she’s just put away and from a would-be organized crime heir, and things seem to be a little more real than usual. She’s ready to ignore them both, but some spoilery-events prevent that.

More annoyingly, an ex—some might call him the ex—tracks her down and announces his intention to win her back. Archer is utterly uninterested in him—and her husband is not amused by his antics at all. The ex- is on the verge of turning into a full-fledged stalker, and Archer’s mild-mannered husband is about to try to get into a fistfight over this.

As the distractions and annoyances start to pile up—there’s a murder. The initial evidence points at Archer and her husband, and a lot of their past starts coming back to haunt them. There are plenty of alternate suspects around, but none of them are quite as convenient for the police (Archer, on the other hand….)

Meanwhile, DI Baines has to deal with the repercussions of stopping the serial killer, The Invisible Man, on his family—who were almost victims. As the expert in The Invisible Man, he’s also brought in to consult on some cold case murders that might be connected to him. As much as he wants to help out—his loyalties are divided, because Archer needs help a lot sooner than these cold cases. (although he’s officially not allowed to be working on the case, for obvious reasons)

Backstory, Backstory, Backstory

Now it takes a little bit for the plot to get really rolling along because there is just so much backstory involved with Archer and Baines individually at this point. Particularly when it comes to Archer—she’s got connections with just about everyone we meet early on in these pages.

As this is my first time reading Sivers, I don’t know how many of these various and sundry people are making their first appearance in these pages, and how many are just people from her past that are being brought back into her life in this book. It really doesn’t matter, because Sivers will pause the narrative long enough to catch you up with the relationship/history between Baines, Archer, and these people from their pasts.

Most authors do this—and most of the time it’s good as a refresher or a way to get a new reader oriented. But with a book as rooted in the past and the ties between characters past and present as this one…taking the time to give all this background really slows things down. I think I’d have appreciated Sivers finding a better way to blend these into the narrative rather than stopping everything. It was such a momentum killer.

That said…all the backstories were pretty interesting. A couple might have been a smidgen too soap-opera-ish for me, but still interesting. The amount of work and character development demonstrated by these says a lot about the series that’s been built up to now.

So, what did I think about Price to Pay?

Once all the dominoes were set up—the crime established, the motives, the backstories told—Sivers started knocking them over and things moved so well that all the annoyances of the stop-and-start pacing of the early chapters were forgiven. To change up metaphors, it took a long time for Sivers to get his hook into me, but once he did—I couldn’t stop turning the pages.

This is such a rich, detailed world with a very clever—and well-executed—mystery. And, as is necessary for a police procedural series to be as established as this one, the characters are really well-developed and jump off the page. It’s a real treat to read.

While Price to Pay can serve as an entry point to the series, and has a strong stand-alone element to it, the amount of ongoing character and story arcs involved are going to be an obstacle for anyone approaching it without some previous knowledge of Archer, Baines, and the rest—and what they’ve been up to lately. Is it worth persevering? Oh yeah. But you should know that going in. And by the time you’re done—you’ll be curious about what’s next*—and maybe about what was before. Based on Book 7, Books 1-6 are quite the ride, you might be well-served starting from there.

* I will admit that I’m not sure what kind of future the series has, but it should be fun to see.

If you’re not new to this series, obviously, you’re not going to have that difficulty. You likely won’t need me to suggest that you give this a shot, you’re probably ahead of me on that point. Still, if you haven’t gotten around to it, you should probably remedy that.

That’s two paragraphs just to say: Price to Pay is an entertaining and rewarding police procedural that I recommend to you.


My thanks to Overview Media for the invitation to participate in this tour and the materials they provided (including the novel).

The Return of the Kingdom by Stephen G. Dempster: A Quick Look at this Redemptive Historical Overview

The Return of the KingdomThe Return of the Kingdom:
A Biblical Theology of God’s Reign

by Stephen G. Dempster

DETAILS:
Series: Essential Studies in Biblical Theology
Publisher: IVP Academic
Publication Date: March 19, 2024
Format: Paperback
Length: 202 pg.
Read Date: April 14-28, 2024
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What’s The Return of the Kingdom About?

I’m low on energy, so I’m just going to copy the back of the book here:

The biblical story begins and ends with God as king. Human beings rebel, however, rather than fulfilling their royal calling to rule creation on behalf of their Sovereign—and the world became enslaved to the rule of a dark, serpentine lord.

In this volume of IVP Academic’s Essential Studies in Biblical Theology, Stephen Dempster traces the themes of kingship and kingdom throughout Scripture, illuminating the challenges, pain, and ultimate hope that the Bible offers. The story of God’s kingship is ultimately the fulfillment of a promise, a promise to restore the rightful rule of humanity over creation by defeating sin and death and to establish a world of peace and justice.

After a quick overview of his approach in this book and his understanding of the Kingdom, Dempster surveys the story of the Bible highlighting the teaching of the Kingdom throughout. After spending three chapters covering Creation and the Fall, he then covers Redemptive History–with two chapters on the Gospels. Then he wraps things up with a look at Revelation and the current status of the Church and Kingdom–and what we should expect after the present.

So, what did I think about The Return of the Kingdom?

Dempster’s survey was helpful, and on more than one occasion, insightful. But at the same time, it was a little too much like the other surveys in this series. What he brought wasn’t all that distinctive from the rest.

On the one hand, this is a very good thing–while focusing on other themes and motifs than the others, he’s picking up the same overarching storyline in the Bible the others were. And there should be a lot of overlap between those.

On the other hand, for the reader, while we can draw confidence from the unity, we can also get bored.

I thought the introduction (“The Return of the Kingdom: The Biblical Theology of God’s Reign”, the first chapter “The Big Picture: The Bible’s Bookends”), and the last chapter (“Grand Finale and Kingdom Come: Revelation and the Present”) were very strong and helpful. And they pretty much justified the time and money I invested in the book. The rest was utterly fine. I wanted more, but I can be satisfied with what I got.

For people who haven’t read all/most of the books in this series, you could probably gain a lot from this book. For those who have read the rest? Go in with the right expectations and you’ll be okay.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grandpappy’s Corner: Panda Pat and the Rat Called Cat by Neil Ballard, Steven Nosov (Illustrator): A Nice Rodent with an Unfortunate Nickname

Grandpappy's Corner Panda Pat and the Rat Called Cat

Panda Pat and the Rat Called Cat

by Neil Ballard, Steven Nosov (Illustrator)

DETAILS: 
Publisher: Bookbaby
Publication Date: December 23, 2020
Format: Hardcover
Length: 36 pgs.
Read Date: April 19, 2024
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What’s Panda Pat and the Rat Called Cat About?

This is the story about, well—it’s there in the title. Mostly, it’s about Cat, with his pal, Pat, playing a good supporing role (with Pat getting the lead-off position in the title, I assumed he’d be the focus, but he isn’t—and that might just be me).

Cat got his moniker as an insult, really—no rat gets nicknamed that as a sign of respect or friendship. So he wants to avoid those people who gave him that name. But he eventually has to go to the city for supplies, but his buddy, Pat, tags along for moral support.

While there, Cat enters a race, enticed by the prospect of winning a cheese trophy (and really, who wouldn’t want a cheese trophy no matter their species?). A little comedy, a little humility, and some chaos ensue.

Let’s Talk about the Art for a Minute

This is the first time that Nosov has illustrated a children’s book—and it better not be his last. Even before I talked to Ballard about the book at a Book Fair, I knew I was going to buy it based on the cover. The rat called Cat looks like a character from a video game I played forever ago—he’s not, but it felt like that when I saw him. Just an instant click. And Pat is almost as good.

The art is the clear star of this book—with all due respect to Ballard—it’s engaging, it’s energetic, it’s cute, it’s striking. In case I’m not being clear—I’m a fan.

There are some samples of this book on his website, but not all the images there are really kids-book-appropriate (there’s nothing scandalous or anything, just figured I should make the disclaimer). You can also see them on this tweet.

How is it to Read Aloud?

It’s fine. Some of the sentences are a little cumbersome to read aloud—nothing major, but there’s no real rhythm or zip to the writing. The text is just to convey the narrative, not to steal the limelight or tickle the listener. The story and the art are the stars of this book—which is fine, I should stress.

So, what did I think about Panda Pat and the Rat Called Cat?

It’s a fun story elevated by the eye-catching illustrations. There’s a little bit of a lesson—maybe even two—but nothing that will hit you over the head with the moral if you’re not in the mood to focus on it with your listener.

Also, whoever did the typesetting/interior design should get some kudos—it pops off the page in just the right way.

Ballard indicated that a sequel is in progress—I’ll gladly grab it when I see it.

Good characters, a nice story, and there’s no way the little reader in your life doesn’t like the art—this is one to add to your shelves, for sure.

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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Kay-9 The Robot Dog by J.M. Gulmire: The Name Says it All

Be sure to come back later this morning for a Q&A with the Author.


Kay-9 The Robot Dog Kay-9 The Robot Dog

by J.M. Gulmire

DETAILS:
Publication Date: September 2, 2023
Format: eARC
Length: 160 pg.
Read Date: September 16, 2023

What’s Kay-9 The Robot Dog About?

Ryan is having a rough time. His dad is overseas with the military—and Zoom calls just aren’t cutting it (actually, they may be making it worse). His mom’s allergies prevent them from getting a pet—and all Ryan really wants in the world is a dog.

So, he gets the idea of making one. Not in a bio-chem laboratory or editing genes to create a truly hypo-allergenic canine or something. But a robotic dog. His friend/neighbor Marcus helps out when he can—and Marcus’ little sister, Mariah, pushes her way into the project, too (and actually has some good ideas and contributions).

It’s not long before Ryan has moved beyond making a toy—between experimentation, online research, spare computer parts, and a little luck—he’s on his way to creating a real artificial pet.

Gulmire Zags Where Others Zig

It was in the 1980s that I first discovered stories where a kid/young person created computers, robots, androids, or spacecraft far beyond the capabilities of most professional computer engineers/corporate entities.* And while I rarely seek those out, I keep stumbling across them in various media to this day. I typically enjoy them—and have little trouble disengaging my disbelief for them, too.

* True, it was in the 1980s that I discovered pretty much everything, but that’s beside the point.

On the surface, Kay-9 The Robot Dog is one of a long line of those stories. But there’s something different about Gulmire’s approach to the creation of the Robot. Typically, most of the creation-stage happens off-screen (with maybe some comedic moments of trying it out in real life). But not here, the focus of this novel is on the creation. Trial and error. Going back to the drawing board. Thinking of a new feature and figuring out how to add it. Learning about processes necessary to get from Point A to Point B—and then beyond.

Sometimes, Ryan has to ask for help—and typically, that’s just a nudge in the right direction for research, not someone telling him what to do. The book could be titled “How to Build Your Dog” or something like that—it’s that focused on the process. I was perfectly fine with the “oh, I’ve seen this before” feeling—Gulmire was doing a good job with the usual pattern—but then when it became clear that he was taking the road less traveled, I became strongly invested.

Parenting

One of the big questions that every Middle Grade author has to deal with is “What do I do about the parents?” Often, they’re written out of the book somehow—the protagonist is at camp, or boarding school, lost in the woods, or whatever. Maybe they’re so busy at work that the protagonist rarely sees them (but generally in that case there’s some other authority figure to contend with). Sometimes, they’re written as witless or befuddled people who have to be avoided (which isn’t difficult), or they’re overbearing to one degree or another.

Ryan’s mom, however, is just a good mom. She’s involved, she makes sure he eats reasonably well, does his homework, and whatnot. They can enjoy a little back-and-forth in their conversation, but at the end of the day, she’s his mother, and he will act accordingly. She’s supportive and understanding of Ryan’s desire to have a dog, his difficulty without his father around, and then for his Kay-9 project. She’s his biggest cheerleader—but she makes sure to communicate the limits she’ll tolerate.

Marco and Mariah’s mom is also a great example of what a mom should be. The two of them together could be the focus of a TLC reality show.

So, what did I think about Kay-9 The Robot Dog ?

There’s this strong theme of a community supporting Ryan, running throughout this—and it only builds as the novel goes on. It’s understated, for the most part, but it’s there—and it generates more heart-warming energy than it should for the space it takes. I really appreciated that.

I also really appreciated the way that Gulmire addressed Ryan’s dad being overseas with the military and the stress it puts on everyone in the family. Like with so many of the things he succeeds with in this book, the depiction is strong and relatable. He never dips the toe into a “very special episode” kind of feel. But we see Ryan struggle with it, we see his mom struggle, too (we can imagine Dad’s struggle, but it’s not something the reader gets first-hand). Most importantly, this was dealt with honestly and compassionately.

This is a quick, light read (particularly for those not in the intended 7-12 year old audience). It’s full of joy and heart, with some good (and subtly delivered) life lessons. It’s a celebration of imagination, grit, and experimentation—all things we need more of. It’s also a tribute to the power of a kid-sister (your own or your friend’s) in getting things done. Best of all, it’s a fun way to spend an afternoon.

Check it out—or at least help the kid in your life give it a peek.


3 Stars

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