Tag: 4 1/2 Stars Page 4 of 27

The Mayors of New York by S.J. Rozan: Let Your Honesty Shine…

The Mayors of New YorkThe Mayors of New York

by S. J. Rozan

DETAILS:
Series: Lydia Chin & Bill Smith, #15
Publisher: Pegasus Crime
Publication Date: December 5, 2023
Format: Hardcover
Length: 280 pg.
Read Date: December 21-25, 2023
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What’s The Mayors of New York About?

New York’s first female mayor has a problem. A few months after taking office, her fifteen-year-old son has run away. It’s not the first time, but it’s the first time since she’s been elected. She’s in the middle of high-stakes negotiations with a police union, so Mayor McCann doesn’t feel like she can turn to them without taking some PR hits/weakening in the negotiations.

So, she has her aide hire Bill Smith (who brings along Lydia, of course). It’s not easy tracking down one of the most recognizable teens in the city without letting anyone know you’re doing that—and it almost seems like the “without letting anyone know” part might overrule the “finding the teen” part of the job.

Now, Lydia’s trying to decide if she takes on a case of her own at the same time. Readers know long before they do that these cases will end up intertwined—otherwise, why would Rozan bring it up? And once Bill and Lydia cotton on to that, a hunt for a runaway takes on a whole new layer. Possibly several layers.

The Characters

Nah, I’m not going to talk about Bill and Lydia today—I honestly don’t know if I have anything else to say about them outside how they’re probably my favorite partnership in Crime Fiction (Robin/Cormoran—learn from these two. They trust each other and communicate frankly. Your lives will be the better for it, and the books will be shorter, too. Everyone wins.).

I want to talk about Mark McCann a little bit. At first, he’s just the target. He’s little more than a MacGuffin to get the plot moving. Then we start to learn a little about him and he becomes an actual character—one I want to learn more about. Then we get to meet him, and I like him a lot. And then Mark goes ahead and does some clever and stupid (read: dangerous) things and I want to see more of him.

The wanting to see more of him goes for everyone who’s alive and not under indictment of some sort at the end of the book—the McCann’s household staff, the people who help Mark along the way (and then help Bill and Lydia), and so on. I know it’s not really Rozan’s style, but if we could run across them in future books for a chapter or so just to spend more time with them, I’d really enjoy that. These all have a little more life to them than your typical witnesses, bystanders, and so on in PI Fiction. I particularly appreciated the way they all want some sort of Mayoral favor shown to their neighborhoods/communities and the way that Lydia takes notes to pass them along. A very nice—and real—note.

I feel like I should spend a few paragraphs on the most interesting character in this novel—Aubrey “Bree” Hamilton, the mayor’s aide who hires Bill to look for Mark. She and Bill dated years ago, and it’s clear from Bill’s First-Person Narration that the chip on his shoulder regarding this particular cheating %#&@ has is still pretty deep, no matter what degree of happiness he’s found elsewhere. It’s not just the way she cheated on him—Bill has no sympathy for her former PR clients (lawyers, largely) or the politicians she now works for, assuming everything they do or say is calculated for their benefit. He trusts Bree less than her bosses—and we see that throughout—but something about a 15-year-old boy who keeps running away from home speaks to Bill, so he has to investigate.

I got off target there, but I thought I’d explain Bill taking the case when he can’t stand anyone involved. Bree is a perfectly designed character—the reader can see how she’s good at her job, calculating, smart, and generally three steps ahead of anyone (aside from our protagonists occasionally). It’s impossible to tell how much she believes a lot of what she says, or if she’s saying it out of duty. And then there’s what she says to yank Bill’s chain a little bit. Bill (and therefore his narration) is so jaded against her that it’s hard for us to know how much of our negative reaction to her is justified and how much it is seeing her through Bill’s eyes. A great move by Rozan.

So, what did I think about The Mayors of New York?

The pace is fast without being breakneck. The dialogue is sharp and witty. Bill’s narration has never been more hard-boiled (his contempt for the client/client’s intermediary helps). The characters jump off the page. It’s what you want in a PI novel.

Early on, I had inklings about what was behind everything (and I’m pretty sure Rozan intended readers to). As the plot moved forward and we received more and more confirmation about those inklings, it made me uncomfortable and a little queasy. Why couldn’t I have been wrong? Why couldn’t these have been red herrings? Thanks to some skillful storytelling you don’t get bogged down in the wrongness of everything that’s afoot—it’s there and it colors everything, but your focus becomes on the characters dealing with it all, the reveals to other characters and the nail-biting way this story is resolved.

Yes, I think Rozan could’ve just as easily and skillfully let the characters and readers wallow in the muck of the crimes behind everything—but it would’ve changed the tenor of the book so much that the early chapters would feel out of place, and we probably wouldn’t have found some resolution that’s as satisfying.

Also, just because some things weren’t red herrings, don’t think that Rozan doesn’t toss enough of them at the reader to keep you wondering.

Rozan has been on a hot streak since Paper Son, and The Mayors of New York shows no signs of her slowing down anytime soon. And I am more than okay with that. If you’ve never indulged in this series before—this would work as a jumping-on point. Almost any of them would, really. The trick is to jump on somewhere for some of the best that PI fiction has to offer. A touch of the classic American PI added to a hefty helping of the 21st century. The Mayors of New York is one I heartily recommend to all.


4 1/2 Stars

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Mislaid in Parts Half-Known by Seanan McGuire: One of McGuire’s Best (no matter what series). A Magical Novella

Is it cheating to call a Fantasy Novella “Magical”? Isn’t that part of the definition?


Mislaid in Parts Half-KnownMislaid in Parts Half-Known

by Seanan McGuire

DETAILS:
Series: Wayward Children, #9
Publisher: Tordotcom
Publication Date: January 9, 2024
Format: eARC
Length: 160 pg.
Read Date: December 13-14, 2023 
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Continuity Counts

By and large, the Wayward Children books can be read in any order—sure, things will mean more if you read them in order of publication (so far, anyway). It’s easier that way to catch allusions, understand the depth of relationships, come close to tracking what Sumi is talking about, etc. But you can get away with skipping around.

But you really need to read this one after Lost in the Moment and Found. It’s the closest thing to a direct sequel that we’ve had in this series. It’s also kind of a follow-up to Where the Drowned Girls Go (and, as always, touches on several others).

This is largely Part II of Antsy’s story—the story is shared by a group of the students (my favorites in the series) on one of those quests they’re not supposed to undertake—and whoops, I’ve started writing the next section.

What’s Mislaid in Parts Half-Known About?

Antsy is having a hard time adjusting to life at Eleanor West’s School for Wayward Children, almost as much trouble as she’d be having adjusting to anywhere else on Earth. Part of that comes from not being as honest about her circumstances as she could’ve been—understandably so, I think—which just made everything worse.

Still, there are signs that things may get better, helped a little by Antsy being able to find anything for people. Then Seraphina (who can get anyone—with one or two exceptions—to do what she wants) decides to use her abilities on Antsy to get her to find her Door.

Ansty, Sumi, and some others (I’m not going to name them to keep your interest piqued) manage to slip away using Antsy’s ability to find things and her knowledge of how Doors work, eventually getting back to the Shop Where the Lost Things Go. Which wasn’t exactly where Antsy wanted to be—and she learns that things there hadn’t gone as expected when she left and a whole new quest develops.

Not About Jim Morrison’s Band

When I wrote about Lost in the Moment and Found earlier this year, I said:

This entry would be a worthwhile read for fans if only for this one thing—we learn more about the Doors and how they work. I’m not going to go into it, obviously, nor am I going to promise that every question you had about the Doors will be answered—actually you’ll likely end up with new questions, but they’ll be informed questions.

That’s true here, too. In fact, we learn so much about them that I almost don’t want to learn anything more about Doors for another 8+ books so they don’t get too demystified. McGuire being McGuire, I know that if she reveals a whole lot more in the next book, I’ll end up repeating everything I said prior to this sentence—and I’ll be happy and equipped with more questions.

Regardless—what we do learn here is fantastic. It both makes utter sense—in the way that maybe we all should’ve guessed it already (maybe some did)—in terms of storytelling, worldbuilding, and more. I wonder what (some of) the students understanding this is going to do to things going forward. If anything.

Future Continuity

Speaking of things going forward, something major is on the way for Eleanor West. It’s been hinted at before, but so many things in this book point to it happening soon (but in Wayward Children-time, it could take 3-4 novellas for us to get to “soon”). I’m eager to see it, as much as I’m dreading what it might mean.

One Quick Character Note

Every protagonist of these novellas—and a significant chunk of the supporting characters—has been wonderful. With the exception of Seraphina and her crew*, I like all the students we’ve met at the School and want to know more about them all.

* I’m waiting for McGuire to decide it’s time to humanize them so we readers will root for even them, and we’ll feel bad for not doing so earlier.

But…from the moment we met her, Sumi’s been a favorite of mine. I should probably use the definite article there, actually. So I’m not unbiased when I say that in Mislaid in Parts Half-Known she is glorious, but she really is. She’s funny, she’s loopy, she’s brave, and she’s wise. Hard as that last one might be to believe. She’s also rather clever and displays that at the end.

The main parts of the story belong to Antsy and a couple of other characters—but Sumi stole every scene she was in and I really just want a few in a row featuring her.

So, what did I think about Mislaid in Parts Half-Known?

This is not my favorite Wayward Children book, but it’s close. There aren’t one or two big emotional moments like there typically are in these (at least not that hit me…your results may vary). But there were a handful of small emotional moments that worked so well—in terms of what happened to someone, how it impacted the other characters, and the way that McGuire wrote them—that I don’t care. It might even be better this way.

The worlds we saw were wonderful—really, you could set an entire fantasy trilogy in them without reference to any other. The world hinted at on the cover, for example, could easily sustain a 1,500-page trilogy full of whimsy and danger.

There’s probably more humor and smile-inducing moments here than several of these books combined sport. Which was a nice bit of fresh air (in a series that really doesn’t need it, but that doesn’t mean it’s not welcome).

Naturally, there are characters we’re not likely to see again due to the nature of these books, and I’m going to miss them. Although the endings they got were well deserved and well executed.

I almost always walk away from a Wayward Children book feeling satisfied and a little in awe of McGuire—I think that feeling is larger this time just because of the number of emotional and story notes she managed to hit, the storylines she was able to incorporate and resolve, the ones she just moved forward, and…everything else in 160 pages. It shouldn’t be possible. This book (like most in the series) is bigger on the inside.

A few paragraphs back, I said that this wasn’t my favorite in the series—but at the moment, I’m having trouble understanding why (but I’m going to trust my earlier impulse). But it is so, so, so good. I’m having trouble coming up with adequate adjectives at this point.

Go get this in January. Order it now (and/or request it from your library). If you haven’t read these books yet, go. At a bare minimum, get the first, Every Heart a Doorway, and then Lost in the Moment and Found, so you can be ready for this one when it’s released. You can catch up on the others later.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley—thanks to both for this opportunity. The opinions are all mine.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Bea Wolf by Zach Weinersmith, Boulet (Illustrator): A Joy-Filled Retelling for Readers of All Ages

Bea WolfBea Wolf

by Zach Weinersmith, Boulet (Illustrator)

DETAILS:
Publisher: First Second
Publication Date: March 21, 2023
Format: Hardcover
Length: 192
Read Date: November 25, 2023
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Hey, wait!
Listen to the lives of the long-ago kids, the world-fighters,
the parent-unminding kids, the improper, the politeness-proof,
the unbowed bully-crushers,
the bedtime-breakers, the raspberry-blowers,
fighters of fun-killers, fearing nothing, fated for fame.

What’s Bea Wolf About?

In some generic town, there is a treehouse that deserves every accolade you can think of. Treehart has been the headquarters of several of those long-ago kids, where they played, had fun, ate too much candy, etc., etc. Treehart has been ruled by a succession of kings and queens who ruled with generosity until they started to sprout things like facial hair and acne and had to set aside the grown and (ugh) start growing up.

They run afoul of one of the local teachers

Mr. Grindle he was called, for his father was Mr. Grindle
and his mother was Mrs. Grindle, and that is how names work.

With just a touch, Grindle can bring about adolescence—or, even worse, adulthood. He started periodically raiding Treehart, begeezering all he could. And then, he’d clean it.

Ten kids turned teenaged, tired-eyed, ever-texting
eight turned middle-aged, aching, anxious, angry at the Internet.

Nearby, a former king’s cousin has heard of the adultening and sent her fiercest warrior, Bea Wolf, to come and restore frivolity and childhood to Treehart by defeating Grindle. Epic tales are shared, a lot of soda and candy are consumed, and then the two face off in a battle that can only be described as “epic.”

A Bit About the Art

In the Acknowledgements, Boulet said that he really didn’t have time to do the art for this book, but after reading part of the script, he knew he had to. I’m so glad he found—probably made—the time for it. This wouldn’t be nearly as successful without his art.

It’s playful and silly while not turning the whole thing into a joke. There’s pathos, there’s gravity, there’s danger in his drawings. And yet they’re attractive, winsome, and engaging, too. His art is everything the text is and more—yes, I think the book would’ve worked had it only been the text. But…he brings it to life in a way that words alone can’t.

Boulet and Weinersmith are a potent and nigh-perfect match here. I cannot say enough good about this art.

On The Publisher’s page for the book, there’s a link to “Take a Look Inside!” I’d heartily recommend you giving that a glance so you can get a flavor of the look of the book.

About Beowulf

After the tale (at least the first part of the tale) of Bea Wolf, Weinersmith spends a few times talking about what Beowulf is, its history, and the connection between this graphic novel and the source. It even talks about various translations to help a young reader pick one to try.

It’s written in a way that definitely appeals to crusty old guys like me and very likely will appeal to younger readers, too. I’m not kidding, I’ve re-read it just for the jokes.

This essay ends by applying it to the reader:

If you’ve made it this far, all the way to the end of my notes, reading all these words in a book that’s mostly pictures, you must be either a librarian or a future writer. Or maybe both. If you haven’t read the original Beowulf, you may be asking whether you should give it a shot. The answer is yes. It’s scary and it’s not for kids, so you’ll probably really like it. If you’re a speaker of English, it’s the oldest big poem in something resembling your language, and it just happens to be one of the greatest stories ever written.

At one point, late in the original Beowulf poem, a dragon grows angry because a man steals from his golden hoard. Beowulf is part of the golden hoard of our language. Tolkien stole from it for his stories, and you should too. You might summon up a dragon of your own.

I don’t know if this will inspire a future writer or not, but it worked for me.

(yeah, I strayed from my own topic there, but whatever…)

So, what did I think about Bea Wolf?

I had so much fun reading this, from beginning to end. I was able to appreciate it on a few levels—as someone who appreciates cute and clever comic art, cute and clever comic writing, as a cute and comic take on the epic poem, and as a wonderful and romantic vision of childhood (and a vision of adulthood that hits pretty close to home a little too often). There are probably more levels I enjoyed it on, but that’ll work for a starter.

The poetry itself was dynamite. Weinersmith did a fantastic job of capturing the flavor and spirit of the original and adapting it to a Middle-Grade level (while keeping it engaging for older readers).

I honestly don’t know who the market is for this—sure, it’s supposed to be for Children—but I wonder how many will be intrigued by the idea of it (hopefully, they will be prompted by clever adults/peers). On the other hand, I can’t be the only fan of the original from High School/College/after those who finds the notion of this appealing. Thankfully, I do think both audiences will be pleased with the results and the time they spent with it.

There’s at least one more book chronicling Bea’s adventures. I cannot wait to see her deal with Grindle’s mother.

I don’t know if I’m doing a decent job of praising this—but I think you get the gist. Do yourself, your inner child, and possibly your children a favor and run out to pick this up. You’ll be glad you did.


4 1/2 Stars

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The Holy Spirit: An Introduction by Fred Sanders: A Vital and Needed Work

The Holy Spirit: An IntroductionThe Holy Spirit:
An Introduction

by Fred Sanders

DETAILS:
Series: Short Studies in Systematic Theology
Publisher: Crossway
Publication Date: October 3, 2023
Format: Paperback
Length: 157 pg. 
Read Date: October 15-November 12, 2023

This book introduces Christians to the Holy Spirit, which is a cheeky thing to do.

By definition, every Christian must already know the Holy Spirit in the most important way, since “anyone who does not have the Spirit of Christ does not belong to him” (Rom. 8:9). So to publish a book for Christian readers under the title The Holy Spirit: An Introduction is to take on a peculiar project: introducing readers to somebody they already know. That is exactly what this book does. It presupposes that its readers are already engaged with the reality of the Holy Spirit and invites them to a theological encounter with that person.

What’s The Holy Spirit: An Introduction About?

It’s kind of summarized there in that last sentence: it’s an introductory work on the theology of the Holy Spirit assuming that the reader knows Him already, but needs to understand Him, His identity, and His work more fully.

As it’s an Introduction (like all the books in this series), and therefore accessible which is nice—but it does a thorough job of talking about things like the Doctrine of the Trinity and how it is informed by and informs our Theology of the Spirit.

Sanders’ Approach

Rather than try to paraphrase or summarize Sanders, let me just let him describe the design of the book:

But my approach in this book is, as I said above, indirect, which is why I began by highlighting the paradoxical character of studying the Holy Spirit. I hope to treat the paradoxical character of pneumatology not as a hindrance to be lamented but as a help to be cherished. If knowledge of the Holy Spirit is, in the ways described above, deflective, reflexive, and connective, then an introduction to the Holy Spirit might deliver a great deal of insight by arranging itself in a corresponding way. Think of the implications that follow from the work of the Spirit being deflective, reflexive, and connective. Deflective means that when you try to think about the Spirit, you find the Spirit himself changing the subject to the Father and the Son. Reflexive means that when you try to think about the Spirit, you find the Spirit himself requiring you to think about yourself and about thinking. Connective means that when you try to think about the Spirit, the Spirit himself draws you out into the full scope of all theology. But these things are all beneficial! To study the Holy Spirit according to his own characteristic way of working means to be personally engaged in a total Trinitarian encounter with the truth of God, We will engage the deflective character of pneumatology.

Many books about Him focus on things like how the Spirit acts in the world today, the gifts of the Spirit—what that phrase means and how one obtains them—the role of Pentecost and how it can/if it can be duplicated today, and so on. Sanders eschews that—focusing on more primary issues (which isn’t to say he doesn’t get into some of that). He starts looking at the Trinity, then he considers the Spirit in relation to the Father—and how by doing so we can gain a better understanding of them both. Then he moves on to the Spirit in relation to the Son—how that’s similar and how that relationship is different than the previous. The final chapter considers the Spirit Himself—yes, addressing some of the same information, but from a different angle.

Bonus Material

As with many (sadly, not all) of this series, this comes with a nifty-looking Further Reading list—one I fully intend to use.

But the additional material I want to talk about is the Appendix, “Rules for Thinking Well about the Holy Spirit.” These are 27 brief rules that so usefully summarize the material in the book—and related ideas—for believers to bear in mind as we read Scripture or theology while working through doctrines/ideas about the Spirit. These rules are the kind of thing that students would do well to pin a copy of onto their wall/somewhere in easy reach.

So, what did I think about The Holy Spirit: An Introduction?

The Holy Spirit makes himself known to us in a way that is better than we could have expected or imagined for ourselves. He is the prevenient person, always already at work, never Father-free or Sonless in his being or in his work, closer to us than our own breath, and making known to us in the depths of our selves the deep things of God.

This is definitely one of my top 3 books in this series—possibly the best thing in it so far.

Sanders’s tone is certainly engaging—he never loses sight of the importance of what he’s talking about, and the necessary reverence. But he’s okay with being chatty and a little witty with the reader. He’s able to break down some complicated and technical points in a way that the reader can find them understandable and compelling.

I really appreciated his approach—both in the way he focused on what he chose to and those things he didn’t seem that interested in writing about. I’m sure others would disagree with me, but it looks like he majored on the major issues and didn’t bother with the minor ones.

I’m not sure that this will supplant Ferguson’s The Holy Spirit in my own use and reference when it comes to pneumatology—but I can’t see me looking into Ferguson’s without looking into this next.

Get your hands on it, and be introduced to Someone you’re already close to.


4 1/2 Stars

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The Atonement: An Introduction by Jeremy Treat: A Wider Vision than is Typical for this Doctrine

The AtonementThe Atonement: An Introduction

by Jeremy Treat

DETAILS:
Series: Short Studies in Systematic Theology
Publisher: Crossway
Publication Date: August 22, 2023
Format: Paperback
Length: 158 pg.
Read Date: September 24-October 1, 2023
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Here is my approach to the atonement in a nutshell: The death of Christ is a multidimensional accomplishment within the story that begins in the garden and culminates in the kingdom. While the achievements of the cross (forgiveness, victory, adoption, and so on) are unending, the heart of the cross, out of which everything flows and finds its coherence, is Christ dying in our place for our sins. The atoning work of Christ not only reconciles sinners to God but also to one another, calling us into a life of taking up our crosses as we follow our King. In other words, we need a kingdom-framed, substitution-centered, multidimensional, integrated, communal, life-changing approach to the doctrine of atonement.

A Quick Confession

I really wasn’t that interested in this volume. I got it because I’m a completionist—the rest of the topics in this series so far (and those I’ve heard are coming) intrigued me. This seemed too narrow a topic, honestly, maybe one that would fit better under a larger topic like the Work of Christ—a companion piece to The Person of Christ: An Introduction.

It took me very little time to realize that I really appreciated Treat’s approach to and Treatment of the subject and that I was very glad I’d bought this. It’s easily one of my favorites in the series (something I’ll be repeating soon when I talk about The Holy Spirit: An Introduction, I have to admit).

Now that I’ve set the bar low for the rest of this, how about we move on to:

What’s The Atonement: An Introduction About?

Atonement theology, especially at the popular level, has been plagued by reductionism. Whether limiting Christ’s work to a purely spiritual salvation or only focusing on one of the dimensions of his work, many have truncated the breadth of Christ’s atoning death. A kingdom framework gives a comprehensive view of salvation, encompassing the renewal of heaven and earth while embracing the many dimensions of the atonement.

Treat definitely doesn’t take a reductionistic approach to his subject—but he doesn’t try to spread it too far, either. What he does do is take a panoramic look at the subject—trying to take in the scope of the doctrine, even if this introduction can’t get into the nitty-gritty details. I feel silly putting it this way, but the book really is a systematic/dogmatic introduction to the Doctrine of the Atonement—exploring what it is and why it matters.

Treat quickly points out that he has no desire to promote any of the various and popular theories regarding the Atonement so popular over the last century or so. He doesn’t care to deal with theories when it comes to this, he wants to focus on what we do know about the doctrine—and sure, as he admits, what he’s saying sounds a lot like the Penal Substitutionary Theory, but it also sounds like the Moral Influence Theory and Governmental Theories—because he’s trying to make sure his doctrine of the Atonement takes in and accounts for all the data.*

* I’d note that every Reformed expositor/defender of the Penal Substitutionary Theory that I’ve encountered over the last couple of decades would have the same understanding of Governmental and Moral Influence, So it’s not revolutionary—as much as Treat’s disdain for the ideal of “theories” may be unfamiliar.

He attempts to keep things focused on the eschaton, and the Atonement’s role in it, as well as a Kingdom-wide understanding—so that the reign of Christ is seen in view of his Atoning work. The last couple of chapters focus on the effects of the Atonement on the Church and believers.

An Added Bonus

Treat cites—at least in the epigraphs of each chapter, but generally more frequently—”majority world scholars.” “[S]ince the atonement is a global accomplishment, it will be best understood from a global perspective.”

That’s probably true of most of the topics in this series on Systematics—if not more of Christian dogma. But I appreciate Treat focusing on this and bringing in teachers/writers from all over the globe into his presentation in this book.

Trinitarian Focus

Early on in the book, Treat quotes Hans Urs von Balthasar, “The events of the cross can only be interpreted against the background of the Trinity.” This forms a substantial part of his position, and it’s something he covers well and thoroughly.

While the doctrine of atonement is centered on Christ, we cannot think of Jesus as an independent individual but as the Son of the Father who is empowered by the Spirit. Atonement is a work of the triune God through and through. On the cross, Father, Son, and Holy Spirit were at work together for the salvation of sinners.

Failure to acknowledge or stress this is part of the reductionism that Treat tries to battle throughout the book. While I applaud this battle each time he engages in it—but his stress on the Trinitarian nature of the Atonement is perhaps my favorite part of the book. It’s so often overlooked or skimmed past—but Treat doesn’t allow the reader to do that—and we’re rewarded by that.

So, what did I think about The Atonement: An Introduction?

While early Christians were mocked for their belief in the cross, Christians today have often domesticated the cross to make it more palatable for a modern society. Whether placed on a calendar in a Christian bookstore, tattooed on an arm, or elevated above a city skyline, we have tamed the cross and turned it into a decorative pleasantry. But only when we see the horror of the cross will we be ready to understand the glory of the cross.

I already gave that away, didn’t I? This really impressed me, changed my mind about the use of a book like it, and helped me refocus my understanding of the doctrine’s place—it also helped me be able to reframe things around the various “theories” of the atonement.

It’s not the easiest read in this series—but it’s by no means difficult. Treat writes in a compellingly clear way, but not one that doesn’t require thought to interact with. I found his style engaging and careful—a great combination when you’re considering the essential doctrines of the Faith.

This isn’t a book that spends any time on things like the “extent” of the Atonement—it’s about the purpose, means, and end of Christ’s great work. Sure, that has implications for questions about the extent, but that’s not what Treat wants to focus on here.

I won’t say the book is perfect—but I can’t think of any substantial problems at this point, and didn’t make any notes expressing concerns. I’m sure I—and most readers—would find a point or three to quibble with or push back against. But those are going to be so minor as to make no real difference in the overall estimation of the book.

Careful, challenging, encouraging, and centered on the great storyline of the Bible, with a focus on the eschatological promises and glories—exactly what we need more of. The Atonement: An Introduction is definitely one I recommend.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: An Inheritance of Magic by Benedict Jacka: I Cannot Recall the Last Time I was This Excited about a New UF Series

An Inheritance of MagicAn Inheritance of Magic

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #1
Publisher: Ace Books
Publication Date: October 10, 2023
Format: eARC
Length: 384 pg.
Read Date: September 22-26, 2023
Buy from Bookshop.org Support Indie Bookstores

This is Hard

I want to limit my comparisons between this new series and Jacka’s previous series to just one section—but that’s not going to happen. It makes sense, I suppose. It’s Jacka’s first non-Alex Verus book (other than the two hard-to-find children’s novels), so comparisons are inevitable, but I don’t want to turn this into an X vs. Y situation.

I will say at the outset, that if it wasn’t for the name on the cover, I don’t know that I’d have known they had the same author—so that tells you something about the comparisons. (except in quality—this is definitely up to the standards Jacka has established)

What’s An Inheritance of Magic About?

This is tricky. The Author’s Note at the beginning of the book tells us that this book is an introduction to the series. We are introduced to the world, the characters, the magic, and so on. Yes, there is a plot—a handful, actually—but the main point is for us to get oriented.

Basically, we meet Stephen—he’s roughly 20 and is fairly aimless. He doesn’t have the money (or, really, ambition) to go to University. He bounces from temp job to temp job, hangs out at his local with his friends regularly, takes care of his cat, and works on his magic in his spare time. It’s his real passion, but he doesn’t do much with it.

Then one day, some distant relatives that he’s never heard of come into his life (it’d be too complicated to list the reasons they give, and I think they’re half-truths at best, anyway). Suddenly, Stephen is thrown into a dangerous, high-stakes world of money and power—and he’s just a pawn to be used in the games of his “family” (and by family, I mean people that 23andMe would identify as relatives, but he’s never been in contact with or aware of for his entire existence). He’s a relatively unimportant pawn at that. He’s sort of grateful for that as he realizes it—but he’d have been happier if they never bothered him in the first place. Happier and with significantly fewer bruises.

However, through their machinations, he’s introduced to new levels of magic society and ways that the magic in this world works. Best of all he finds ways that he can be employed and use his magic—the best of both worlds. Sure, his friends don’t get it (not that he tells many of them, because he prefers that they think he’s sane), but he’s bringing in enough money to live and he’s getting stronger and more capable.

The World and Its Magic System

So, where the Alex Verus series was about one man and his friends/allies trying to navigate (and survive) the politics and power of the magical society in England (largely), at this point the Stephen Oakwood series appears to be about one man making his way (and hopefully surviving) the money and power of a different sort magical society—and it’s intersection with the non-magical world. We’re not just talking Econ 101 kind of stuff here—Stephen’s family appears to be some of the 1% of the 1% and there are huge multi-national corporations involved here with defense contracts to governments all over the world.

Basically, Alex had an easier place to navigate.

Most of the magic that’s used in this world comes from sigils—physical objects created from various kinds of energy wells (earth magic, life magic, light magic, and so on) to do particular tasks (shine a light, augment strength, heal minor wounds, etc.). There are likely bigger and better things along those lines (hence defense contracts), but that should give you an idea. The overwhelming number of these sigils are pumped out by some sort of industrial companies and are only good for a limited amount of time.

Stephen was taught (by his father, and by himself) to make sigils on his own—his are individualized, artisanal kinds of things. Think of a sweater you get from some hobbyist off of Etsy vs. the kind of thing you can get for much less at Walmart or on Wish—quality that lasts vs. cheap and disposable. He also reverse engineers almost all of his sigils—he sees something in a catalog (no, really, this is how people get their sigils for personal use) or in use and tries to figure out how such a thing will work and then sets out to create one.

I don’t know where Jacka is going to go with all of this, obviously. But I love this setup.

Alex and Stephen

It wasn’t until I was just about done with the book that I finally figured out what Alex and Stephen had in common—which is odd, it was staring me in the face for most of the novel. But before that, I really wouldn’t have said they had much in common at all.

Stephen is our entry point to this world, and he only knows a little bit about it so as he learns, so does the reader. Alex pretty much knew everything that was going on in his world, so he had to catch the reader up—or he could help Luna understand something (and make it easier for the reader to learn that way). Stephen has to learn almost everything by getting someone to teach him, or through trial and error—either way, the reader is along for the ride and learns with him.

Similarly, Stephen’s really just starting to get the knack of his abilities where Alex was already a pro—sure he had more to learn (and his power increased), but Stephen’s not even a rookie, really when things get going.

Stephen had a loving and supportive father growing up, a strong group of friends, and experience outside the area of magic users—something we never got a strong idea that Alex ever had. Alex had trauma and hardships behind him—Stephen doesn’t. So their personalities, outlooks, etc. are very different from the outset.

It’s not really that shocking that the protagonists of two different series wouldn’t be that similar. And yet…we’ve all read a second or third series from an author with a protagonist that’s just a variation of their initial breakout character. So it’s good to see that Jacka’s able to make that transition between his two series—it gives you hope for what he’s going to do in the future.

Oh, what did I finally realize the two characters shared? They watch and learn. Alex does it because that’s essentially what his abilities were—he could sift through the various futures and decide what to do based on that. Stephen just doesn’t know enough about anything so he has to sit and observe—and from there he can decide how to act. But where others will try to think first and act second, Stephen and Alex watch first—and for a long time—before they think and then act. It’s something not enough characters (especially in Urban Fantasy) seem to spend much time doing. So I’m glad to see it.

So, what did I think about An Inheritance of Magic?

I am just so excited about this series. I didn’t know how Jacka could successfully follow up the Verus series. I trusted he would, because he’s earned that over the last decade—but, I didn’t expect that I’d respond so positively so soon.

We need to start with Stephen’s spunky attitude—with a little bit of a chip on his shoulder due to his circumstances in life (that grows to a degree as he learns how much he and his father missed out on and starts to guess why)—is a real winner. He’s got a gritty (in an Angela Duckworth sense, not Raymond Chandler or William Gibson sense) outlook, is generally optimistic—and can even be funny—all the attributes you want in an underdog.

Then there’s the world-building that I tried to sketch out above—and did a not-wholly-inadequate job of. I want to know more about it—and figure increased familiarity is just going to make me more curious.

I have so many questions about the family members who’ve inserted themselves in Stephen’s life related to their motivations, trustworthiness (I suspect at least one will turn out to be an ally, however temporary), goals, and abilities. I have those questions about Stephen’s guides and allies—and think at least one of them is going to turn on him in a devastating way (thankfully, he doesn’t trust most of them completely). There’s also this priest who keeps assigning him theological work to study. Some good theology, too. I don’t fully know where this is going—but I’m dying to find out.

Are we going to get a Big Bad—or several—for Stephen to face off against? Or is this simply going to be about a series of obstacles Stephen has to overcome until he can carve out an okay existence for himself? Is this about Stephen becoming one of those 1% and the corruption of his character that will necessitate?

I’m not giving this a full 5 stars mostly because of the introductory nature of the book—also because I want to be able to say that book 2 or 3 is an improvement over this (which I fully expect). But that says more about me and my fussy standards than it does about this book. I loved it, and am filled with nothing but anticipation for the sequel/rest of the series. It’s entirely likely that as this series wraps up that we’re going to talk about the Alex Verus series as Jacka with his training wheels on.

I’m now in danger of over-hyping. Also, I’m going to just start repeating laudatory ideas. Urban Fantasy readers need to get on this now.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.

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4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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An Inheritance of Magic by Benedict Jacka: I Cannot Recall the Last Time I was This Excited about a New UF Series

An Inheritance of MagicAn Inheritance of Magic

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #1
Publisher: Ace Books
Publication Date: October 10, 2023
Format: eARC
Length: 384 pg.
Read Date: September 22-26, 2023
Buy from Bookshop.org Support Indie Bookstores

This is Hard

I want to limit my comparisons between this new series and Jacka’s previous series to just one section—but that’s not going to happen. It makes sense, I suppose. It’s Jacka’s first non-Alex Verus book (other than the two hard-to-find children’s novels), so comparisons are inevitable, but I don’t want to turn this into an X vs. Y situation.

I will say at the outset, that if it wasn’t for the name on the cover, I don’t know that I’d have known they had the same author—so that tells you something about the comparisons. (except in quality—this is definitely up to the standards Jacka has established)

What’s An Inheritance of Magic About?

This is tricky. The Author’s Note at the beginning of the book tells us that this book is an introduction to the series. We are introduced to the world, the characters, the magic, and so on. Yes, there is a plot—a handful, actually—but the main point is for us to get oriented.

Basically, we meet Stephen—he’s roughly 20 and is fairly aimless. He doesn’t have the money (or, really, ambition) to go to University. He bounces from temp job to temp job, hangs out at his local with his friends regularly, takes care of his cat, and works on his magic in his spare time. It’s his real passion, but he doesn’t do much with it.

Then one day, some distant relatives that he’s never heard of come into his life (it’d be too complicated to list the reasons they give, and I think they’re half-truths at best, anyway). Suddenly, Stephen is thrown into a dangerous, high-stakes world of money and power—and he’s just a pawn to be used in the games of his “family” (and by family, I mean people that 23andMe would identify as relatives, but he’s never been in contact with or aware of for his entire existence). He’s a relatively unimportant pawn at that. He’s sort of grateful for that as he realizes it—but he’d have been happier if they never bothered him in the first place. Happier and with significantly fewer bruises.

However, through their machinations, he’s introduced to new levels of magic society and ways that the magic in this world works. Best of all he finds ways that he can be employed and use his magic—the best of both worlds. Sure, his friends don’t get it (not that he tells many of them, because he prefers that they think he’s sane), but he’s bringing in enough money to live and he’s getting stronger and more capable.

The World and Its Magic System

So, where the Alex Verus series was about one man and his friends/allies trying to navigate (and survive) the politics and power of the magical society in England (largely), at this point the Stephen Oakwood series appears to be about one man making his way (and hopefully surviving) the money and power of a different sort magical society—and it’s intersection with the non-magical world. We’re not just talking Econ 101 kind of stuff here—Stephen’s family appears to be some of the 1% of the 1% and there are huge multi-national corporations involved here with defense contracts to governments all over the world.

Basically, Alex had an easier place to navigate.

Most of the magic that’s used in this world comes from sigils—physical objects created from various kinds of energy wells (earth magic, life magic, light magic, and so on) to do particular tasks (shine a light, augment strength, heal minor wounds, etc.). There are likely bigger and better things along those lines (hence defense contracts), but that should give you an idea. The overwhelming number of these sigils are pumped out by some sort of industrial companies and are only good for a limited amount of time.

Stephen was taught (by his father, and by himself) to make sigils on his own—his are individualized, artisanal kinds of things. Think of a sweater you get from some hobbyist off of Etsy vs. the kind of thing you can get for much less at Walmart or on Wish—quality that lasts vs. cheap and disposable. He also reverse engineers almost all of his sigils—he sees something in a catalog (no, really, this is how people get their sigils for personal use) or in use and tries to figure out how such a thing will work and then sets out to create one.

I don’t know where Jacka is going to go with all of this, obviously. But I love this setup.

Alex and Stephen

It wasn’t until I was just about done with the book that I finally figured out what Alex and Stephen had in common—which is odd, it was staring me in the face for most of the novel. But before that, I really wouldn’t have said they had much in common at all.

Stephen is our entry point to this world, and he only knows a little bit about it so as he learns, so does the reader. Alex pretty much knew everything that was going on in his world, so he had to catch the reader up—or he could help Luna understand something (and make it easier for the reader to learn that way). Stephen has to learn almost everything by getting someone to teach him, or through trial and error—either way, the reader is along for the ride and learns with him.

Similarly, Stephen’s really just starting to get the knack of his abilities where Alex was already a pro—sure he had more to learn (and his power increased), but Stephen’s not even a rookie, really when things get going.

Stephen had a loving and supportive father growing up, a strong group of friends, and experience outside the area of magic users—something we never got a strong idea that Alex ever had. Alex had trauma and hardships behind him—Stephen doesn’t. So their personalities, outlooks, etc. are very different from the outset.

It’s not really that shocking that the protagonists of two different series wouldn’t be that similar. And yet…we’ve all read a second or third series from an author with a protagonist that’s just a variation of their initial breakout character. So it’s good to see that Jacka’s able to make that transition between his two series—it gives you hope for what he’s going to do in the future.

Oh, what did I finally realize the two characters shared? They watch and learn. Alex does it because that’s essentially what his abilities were—he could sift through the various futures and decide what to do based on that. Stephen just doesn’t know enough about anything so he has to sit and observe—and from there he can decide how to act. But where others will try to think first and act second, Stephen and Alex watch first—and for a long time—before they think and then act. It’s something not enough characters (especially in Urban Fantasy) seem to spend much time doing. So I’m glad to see it.

So, what did I think about An Inheritance of Magic?

I am just so excited about this series. I didn’t know how Jacka could successfully follow up the Verus series. I trusted he would, because he’s earned that over the last decade—but, I didn’t expect that I’d respond so positively so soon.

We need to start with Stephen’s spunky attitude—with a little bit of a chip on his shoulder due to his circumstances in life (that grows to a degree as he learns how much he and his father missed out on and starts to guess why)—is a real winner. He’s got a gritty (in an Angela Duckworth sense, not Raymond Chandler or William Gibson sense) outlook, is generally optimistic—and can even be funny—all the attributes you want in an underdog.

Then there’s the world-building that I tried to sketch out above—and did a not-wholly-inadequate job of. I want to know more about it—and figure increased familiarity is just going to make me more curious.

I have so many questions about the family members who’ve inserted themselves in Stephen’s life related to their motivations, trustworthiness (I suspect at least one will turn out to be an ally, however temporary), goals, and abilities. I have those questions about Stephen’s guides and allies—and think at least one of them is going to turn on him in a devastating way (thankfully, he doesn’t trust most of them completely). There’s also this priest who keeps assigning him theological work to study. Some good theology, too. I don’t fully know where this is going—but I’m dying to find out.

Are we going to get a Big Bad—or several—for Stephen to face off against? Or is this simply going to be about a series of obstacles Stephen has to overcome until he can carve out an okay existence for himself? Is this about Stephen becoming one of those 1% and the corruption of his character that will necessitate?

I’m not giving this a full 5 stars mostly because of the introductory nature of the book—also because I want to be able to say that book 2 or 3 is an improvement over this (which I fully expect). But that says more about me and my fussy standards than it does about this book. I loved it, and am filled with nothing but anticipation for the sequel/rest of the series. It’s entirely likely that as this series wraps up that we’re going to talk about the Alex Verus series as Jacka with his training wheels on.

I’m now in danger of over-hyping. Also, I’m going to just start repeating laudatory ideas. Urban Fantasy readers need to get on this now.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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REPOSTING JUST CUZ:What Are Christians For? Life Together at the End of the World by Jake Meador: A View for Living in Culture and Nature

What Are Christians For?What Are Christians For?:
Life Together at the End of the World

by Jake Meador

DETAILS:
Publisher: IVP
Publication Date: February 21, 2022
Format: Hardcover
Length: 170 pg.
Read Date: March 27- April 3, 2022
Support Independent Bookstores - Visit IndieBound.org

God looks at this world and loves it, which is why we can and should do the same. This world is not something we should seek to escape through conquest or bend to our will through technique, power, or control. Rather, it is a gift given to us by God for our joy and his glory. Because God is love and his law is good, we can look at our neighbor and love him or her. Because God gave himself to us, we can give ourselves to others. We can confidently and joyfully enter into these debts of love that we build up over a lifetime of living in the world, and we can dispense them with extravagance, trusting that whatever wrongs we might experience today as a result of such living will be gathered up and made right in the glorious and perfect love of God.

The Back of the Book

What does a Christian political witness look like in our day?

Politics ought to be defined by fidelity to the common good of all the members of society. But our modern Western politics are defined by a determination to bend the natural world and human life to its own political and economic ends. This wholesale rejection of the natural order is behind the dominant revolutions in our history, and defines our experience in Western society today—our racialized hierarchy, modern industry, and the sexual revolution.

In What Are Christians For?, Jake Meador lays out a proposal for a Christian politics rooted in the givenness and goodness of the created world. He is uninterested in the cultural wars that have so often characterized American Christianity. Instead, he casts a vision for an ordered society that rejects the late modern revolution at every turn and is rooted in the natural law tradition and the great Protestant confessions. Here is a political approach that is antiracist, anticapitalist, and profoundly pro-life. A truly Christian political witness, Meador argues, must attend closely to the natural world and renounce the metallic fantasies that have poisoned common life in America life for too long.

Faithful Presence

In his discussion of the Christian response to those revolutions, Meador borrows a scheme from James Davison Hunter describing the four postures Christians have taken: defensive against, relevance to, purity from, and faithful presence.

He doesn’t spend a lot of space—but sufficient space—defining and then critiquing the first three, but gives more space to faithful presence. And actually, everything he argues for in the remainder of the book could fit in this category. I want to say I’d heard of Hunter’s categories before this, but I can’t remember where (in print or lecture). But first off, I really appreciated the schema in terms of describing how the American Church has responded. But even more, I appreciated Meador’s explanation of faithful presence and then his application of it.

Influences

Meador builds the arguments in this book on the work of Herman Bavinck—particularly his book, Christian Worldview. But he’s drawing on several other thinkers and writers from across the theological spectrum (a methodology borrowed from Bavinck). You can see the fingerprints of Lewis, Tolkien, Wendell Berry, John Paul II, Solzhenitsyn, Martin Bucer—and others. There’s a breadth of influences here that’s impressive and adds a lot to the arguments (and makes narrow-minded guys like me a little uncomfortable).

So, what did I think about What Are Christians For??

What did [Aleksandr Solzhenitsyn] propose as a way through the revolution? We must turn, our eyes upward to the heavens, he said, not as a place to conquer, as his compatriots in the space program believed, but as a reminder that our lives exist as a vapor in the wind, and then comes the judgment.

We do not conquer the heavens; we are judged by them. And if we fail to discover the sources of spiritual health, there is nothing else for us. Our spiritual lives will continue to be trampled on by the weight of our age. And if our spiritual lives are destroyed, no amount of wealth or power can atone for such a loss.

This seems like one of those books that I need to read a handful of times and then read some scholarly reviews—pro and con—before I can really say I have a handle on the strengths and weaknesses of the arguments. Thankfully, this isn’t that kind of blog.

How did it read? Very nicely. Meador’s writing is strong, it’s clear, and he’s able to express complex thoughts in a very digestible manner. Sure, I think I need to read it a few more times before I could say I mastered the thoughts—but that’s on me, not the text, this is just not the kind of thing I spend a lot of time thinking about. I appreciated Meador being critical of both the American Left and the American Right (you rarely see that in Christian literature), while putting forth a vision built on the best of the Christian traditions.

I don’t think Meador offers a perfect solution to the situation we find ourselves in, but there’s a lot of insight and wisdom to be found in these pages. And even if it’s not perfect, it’s a whole lot better than anything else I’ve found.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

What Did the Cross Achieve? by J.I. Packer: A Beginning of an Answer to a Vital Question

What Did the Cross Achieve?What Did the Cross Achieve?

by J.I. Packer, Mark Dever (Foreword)

DETAILS:
Series: Crossway Short Classics Series
Publisher: Crossway
Publication Date: August 29, 2023
Format: Paperback
Length: 109 pg.
Read Date: August 27, 2023
Buy from Bookshop.org Support Indie Bookstores

Some Thoughts on the Series as a Whole

The point of this series is to take classic short works—sermons, tracts, articles—package them attractively, edit a bit (modernize language, eliminate footnotes, tweak grammar, etc.), and make them widely available. Each is given a short introduction to help the reader get the context and a bit of information about the author.

They published seven books in this series last year, and I discussed them here. Three have come out this year (so far), but I’m hoping for more in this series soon.

What’s What Did the Cross Achieve About?

This essay was originally a lecture Packer delivered but it lives on far after that time. It’s essentially a defense of the Penal Substitutionary Theory of the Atonement—and a critique of some alternate theories. Which is not to say that Packer doesn’t have some words of correction for other proponents of substitutionary atonement, nor is he without appreciation for alternate theories.

Packer holds that when people like Socinius attacked the Reformation’s preaching and teaching on the atonement, the Reformed (in particular) responded to his rationalistic arguments on the same grounds—and spent centuries refining things along those lines, losing the declaratory, doxological, and kerygmatic power of the doctrine. For this “preliminary survey,” he states:

My plan is this: first, to clear up some questions of method, so that there will be no doubt as to what I am doing; second, to explore what it means to call Christ’s death substitutionary; third, to see what further meaning is added when Christ’s substitutionary suffering is called penal; fourth, to note in closing that the analysis offered is not out of harmony with learned exegetical opinion. These are, I believe, needful preliminaries to any serious theological estimate of this view.

So, what did I think about What Did the Cross Achieve?

Can we then justify ourselves in holding a view of the atonement into which penal substitution does not enter? Ought we not to reconsider whether penal substicution is not, after all, the heart of the matter? These* are among the questions that our preliminary survey in this lecture has raised. It is to be hoped that they will receive the attention they deserve.

* And other questions that I snipped due to lack of context.

This was a good reminder to me of just how good J.I. Packer was—it’s been a long time since I’ve read a much by him, and it’s easy to remember really liking his writing and learning a lot from him, but to forget most of the details. And then you read him and are reminded why I spent so much of the 90s immersed in his work.

His approach to the idea was great and easy to follow. This wasn’t for a popular audience, but the language isn’t that difficult to follow. I appreciated and benefited from his argumentation—and thought his analysis and argumentation were spot-on (and would still be pretty sufficient for what I’ve seen for people today who struggle with penal substitution).

Essentially, this was a great way to spend an hour or so, one of the best of this series, and one I’ll return to again and again. I’d suggest you do the same.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Not Prepared by Matthew Hanover: This’ll Melt Your Heart and Bring a Smile to Your Face

So this isn’t technically part of my Self-Published Authors Appreciation Week posts, but it could be. I just would’ve posted this today no matter what else was going on around here because it’s Publication Day! Here’s your chance to show your appreciation for this particular self-published author and give this a big push right out of the gates—you’ll come out ahead if you do this, it’s such a great read. Later today, I will have a Q&A with Hanover about Self-Pulblishing—ycome back for it.


Not PreparedNot Prepared

by Matthew Hanover

DETAILS:
Series: Wallflowers, #4
Publication Date: July 25, 2023
Format: eARC
Read Date: July 7-10, 2023

The Series

Let me start with this—I’ve labeled this as the fourth book in the Wallflowers series (I prefer to think of it as the Alli-verse, but whatever, I’ll go with Hanover’s title). This does not mean you need to read the other three first. There’s only the thinnest little thread tying these together and there’s no reason not to read them all as stand-alones.

What’s Not Prepared About?

Our protagonist, Neil, is a single photographer approaching 40. He’s fairly successful and comfortable with his life—which is primarily about his work and staying healthy. He enjoys a few romantic dalliances but stopped pursuing anything serious some time back. He’s fairly free and likes his life—outside of some family he rarely sees (largely due to circumstance, not preference), he really has no ties. Well, there’s the daughter of his childhood friend—Neil was named her godfather when she was born a little over a decade ago, shortly before his friend died. He’s seen her a few times over the years and babysat her occasionally, but that’s about it.

One night, the now 12-year-old Chloe shows up on his doorstep. Chloe says her mom dropped her off on her way out of town for a few days and that she needs to stay with Neil. It’s not really the most convenient or thoughtful way to do this, but Neil doesn’t begrudge Chloe for it—her mother, Sara, has never been thoughtful or responsible so it fits.

The next day, Neil takes Chloe to get some clothes—Sara left her without any. He’s not crazy about this, but it needs to happen. Neil’s really not crazy about helping her find underwear or a training bra. Thankfully, there’s a woman near them in the store who sees Neil’s predicament and comes to his aid.

Naturally, because it’s this kind of book, there’s a spark between this woman, Jenna, and Neil. A couple of days after their meet-cute, the two meet for coffee. The sparks are still there—and Jenna’s able to give Neil a hint or two about dealing with Chloe.

Neil’s going to need more than a hint or two because Chloe eventually comes clean with him—she has no idea where her mom went and when/if she’ll be coming home. Chloe’s looking for a new home and family, and she’s picked Neil (and would like Jenna to be part of it, too).

This is the last thing that Neil bargained for, but he’s drawn to the idea (about both Chloe and Jenna). Now the question is, can they make it work?

Chloe

When I posted about Hanover’s first book, Not Famous, I spent a lot of time talking about the protagonist’s younger sister. She wasn’t that integral to the plot, but brought out aspects of the central characters you wouldn’t have seen otherwise—but more than that, she’s a perfectly charming character that you wanted to see more of. In Not Prepared, Hanover takes a very similar character and makes her the focus of the novel.

If that’s all he did, I’d be a fan of the book—thankfully he does more (some of which I’ll talk about in a minute). But let’s focus on Chloe for a moment.

So, obviously, she’s a mess. Her mother abandoned her and it’s pretty clear that before she literally abandoned her, Sara put the minimal amount of effort (at best) in before that. She’s not used to being cared for, for having limits placed on her, for having a reliable presence of any kind—once she’s given those she responds well to them and flourishes (probably responds a bit too well, but we’re not looking for gritty realism here).

Chloe’s also obviously an intelligent and resourceful girl who sees her opportunity and seizes it. Not simply for her physical needs—but she’s long had an emotional tie to Neil and she makes the most of her time with him to feed and nurture that bond. It takes Neil a bit to understand just what he’s meant to her for so long, but once he does he reciprocates.

It’s both the portrayal of Chloe and the depiction of their relationship—in all of its ups and downs, flaws and strengths—that makes this book so strong

A Meeting of Anxieties

Neil suffers from health anxiety—a term he (understandably) prefers to hypochondria—which leads him to spend a lot of time in hospitals and doctor’s offices. He’s both very aware that he’s very likely completely healthy and yet he’s frequently convinced that he has any number of undiagnosed conditions or ailments, frequently exasperated by news reports or pharmaceutical commercials. This is something that’s impacted his life as long as he can remember—and having a dear friend die at a young age likely didn’t help. As a result of this, he’s rather health conscious, particularly when it comes to the food he buys and prepares. Which is exactly what a 12-year-old doesn’t want to hear or experience.

Jenna struggles with brumotactillophobia (a form of OCD relating to foods touching each other), which sounds like something to chuckle over, but for Jenna, it’s a serious and frequently embarrassing issue.

Neil’s lost relationships—short-term and incredibly serious—because of his anxiety. Jenna has, too—the number of first dates she’s had that have ended in disaster is the kind of thing to make anyone into a social hermit. Because they can relate to each other’s hardships—and because they’re basically decent people capable of empathy—both of them can understand and accept the other. In fact, it’s an early way for them to bond. There are points throughout the novel where they’re able to help each other with their anxiety, which just made me love them as a couple and like the book even more.

Chloe’s better for spending time with both of them and seeing how they cope and deal with their anxieties—she’s better than any of the characters in the book at supporting them through bumps in the road. As I type this, I realize it’s due in part to her having spent her entire life taking care of her mother, so maybe it’s not as heartwarming a point as I initially thought. Still, it endeared me to her.

Alli Conwell

For years, one aspect of Marvel (and related) movies that was a sure-fire pleaser was the inventive way that Stan Lee would show up in some sort of cameo. Hanover’s not quite at that point with the singer-songwriter that was at the center of his first novel, Not Famous, but it’s in sight.

I do enjoy seeing how Alli will pop up in the various books. And somehow—don’t ask me how, I’m worried it’s a sign of cognitive decline—when she does pop up I’m surprised.
Me: Oh, wow! That was great that he tied Alli into this.
Voice in My Head: You mean like he always does? Why weren’t you looking for it?
Me (grumbling): Shut up.

In a way that won’t bother anyone who’s never read a Hanover book before, her presence is felt throughout the novel, beginning with one of my favorite lines of the book.

Post-Credits Scene?

If Marvel (and other) movies* have taught us anything in the last 15 years, it’s that you don’t leave the movie theater until the credits have stopped rolling and all the lights have come up. Period. Sure, you’ll get a complete story if you do, but you’ll be missing something.

Hanover has provided his readers with a “post-credits” chapter—a bonus chapter that you can access for free. Now, if you don’t, you will get the entire story and you should be completely satisfied (I sure was). But the bonus chapter? That will make you happier and give you a better idea of what will happen to our characters. My ARC didn’t have the entire bonus chapter—but it had enough to give me that boost that a good-post credits scene does (and it gives me a reason to actually open the version I pre-ordered, so I can access the rest of it).

* That’s entirely too many Marvel movie references for a post here—particularly for a book bereft of super powers. Oops.

So, what did I think about Not Prepared?

This is the best thing that Hanover has published—it’s also my favorite so far. Any of the three central characters would be enough to qualify the book for the latter—but you throw them together, and it’s a lock.

Jenna is an independent, self-assured woman who knows her limitations, has a strong sense of self and her morality, and because of that, is able to let herself be vulnerable and open to those she wants to be vulnerable and open to. She makes room for Neil and Chloe because it’s her choice, not because she’s driven to, or needs something.

I’ve said enough about Chloe at this point that any more would be overkill—so I’ll leave it with saying that she’s an adorable kid that I want to read a sequel or three about (but not really, because I’d rather imagine what happens after this than know).

Then there’s Neil—a mature narrator/protagonist, rather than the twentysomething still trying to figure out what kind of life he wants. Neil has his life, he’s responsible, his career’s in a good place. Somewhat by force and a sense of duty (with a twinge of guilt), but primarily because he wants to—he changes his life to accommodate Chloe. This will ultimately prove to change his whole life for the better.

There are no easy answers in Not Prepared, nothing works out just the way that any of the characters are looking for or expect (no readers, I’d wager). But there’s hope, there’s possibility, there’s a solid base for good things for them all. I think this is as good a sign for Hanover’s storytelling as it is for the book itself—there’s some mature writing at work here.

Possibly my favorite thing here is that while this book is at heart a Rom-Com, the romantic story takes a backseat to the love story between the girl who needs a family and a bachelor who didn’t expect one. There’s still plenty of “rom”, and a good amount of “com” of a handful of stripes (particularly when it comes to a single man being thrust into dealing with a young girl at the cusp of puberty)—but there’s a lot more, too.

It’s all told with Hanover’s trademark wit, charm, and grace—prose that moves so smoothly you don’t realize how long you’ve spent sucked into his book. He won me over starting at the prologue, and I don’t know if I stopped grinning throughout (well, except to chuckle or smile). The emotions are real and grounded—both positively and negatively. His depictions of anxiety really impressed me, and there are scenes between Chloe and Neil that got me choked up.

I strongly recommend this warm comedy about an unorthodox way to start a family.

Disclaimer: I was given a copy of this ARC by the author in exchange for this post. Which gave me something to opine about, but otherwise didn’t influence my opinion.


4 1/2 Stars

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