Tag: A Beginning At The End

My Favorite Non-Crime Fiction of 2020

On January 9, 2021

Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—yes, it’s about 1/3 Crime/Thriller Fiction, but Urban Fantasy has only topped 20% once in the last decade (usually hovering around 15%), SFF combine for about 20%.

Which is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own Best-Of list, but none of the others really garner enough numbers for their own. Also? The fact that this list is 50% Urban Fantasy makes me happy. I may not read as much of it as I think that I do, but it clearly resonates with me as much as I think it does.

So much for me 2-3 sentence intro, eh? This might be why it took me 5 days after settling the list to get it posted.

As always, re-reads don’t count (if for no other reason I could just cheat—don’t want to stress out about this list? Easy, each year read 2 Nick Hornby books, a couple of Troppers, Harper Lee, Changes by Butcher…and a couple of other standby’s and recycle the same list every year).

(in alphabetical order by author)

False Value

by Ben Aaronovitch

My original post
After wrapping up the overarching plotline from books 1-7, what do you do for book 8? Something completely different. If you were to draw a Venn diagram with circles for Charles Babbage/Ada Lovelace, Artificial General Intelligence, and Wizardry—the overlap is where you’d False Value. Who wants more? The mix of contemporary cutting-edge technologies and Newtonian magic is just fantastic.

Throw in more Hitchhiker’s Guide to the Galaxy references than is healthy and you’ve got yourself a winner.

5 Stars

Amari and the Night Brothers

by B. B. Alston

My original post
I’m a tiny bit worried that recency bias got this one on the list. But, I’m not going to lose sleep over it.

This is a delightful story about a young girl from the “wrong” part of Atlanta being recruited by her missing/presumed dead brother into a Hogwarts/MIB mashup, overcoming odds, making friends, saving the day by doing all the sorts of things that young teen protagonists have to do (with a little support from the grown-ups who are supposed to be stopping her), but mostly through grit. The book is written with a sense of joy and hope, while never losing sight of what Amari has to overcome in terms of her own circumstances as well as the specific villainy.

Also, and I can’t stress this enough, there’s a weredragon. What more do you need?

4 Stars

Peace Talks/Battle Ground

by Jim Butcher

My original Peace Talks post
It wouldn’t be fair to either book to just pick one of the two Dresden Files novels published in 2020, and these were originally written as one book, so this isn’t cheating. I laughed, I giggled, I got scared on behalf of fictional beings (and remain that way), I was awed, I was saddened, and I cried more than once. And I’m not going to think about that last bit anymore, because I have things to today.

They aren’t perfect, I know I’ve said I can’t read these books uncritically, but even I can see a problem or two with these books. But I just don’t care. Those problems don’t even amount to one bean in Rick Blaine’s proverbial hill compared to what I loved about the books.

5 Stars

A Beginning At The End

by Mike Chen

My original post
Chen makes his second appearance on this list in two years (and there’s a pretty good reason to think he’ll return). I’m sure he’d rather have not kicked off 2020 by publishing a novel about a global pandemic in hindsight, but it’s too late for that.

Chen’s trademark appears to be writing non-SF stories in SF settings. As society tries to rebuild itself after most of the world’s population was wiped out, we focus on four people trying to establish some sort of life for themselves. It’s about being trapped and defined by our past, and about making choices to change our present, with hope for the future. Told with heart, wit, and skill—Chen’s characters will grab you and won’t let you go.

I’m not sure these two paragraphs were helpful. Go click the link above and read a few more words about it.

4 1/2 Stars

One Man

by Harry Connolly

My original post
A PI story in a Fantasy world is becoming enough of a common thing to stop readers in their tracks by itself. Now, you have to make it a good PI story in a Fantasy world. This one works as a Fantasy and a noir PI novel.

A man haunted by his horrible past, just trying to get by, is pushed into a gang war by being in the wrong place at the wrong time and befriending the right little girl in need of an adult looking after her. Intricate magic, elaborate world building, horrible villains, tarnished (at best) heroes. This is a novel to chew on and relish.

4 Stars

Not Dressed

by Matthew Hanover

My original post
This is a dollop of sweetness on the other hand. The protagonist (Jake) we have here is in a stagnant (at best) long-term relationship that’s got a couple of pretty big things to work through; and is in a job situation that needs addressing. Then he makes a new friend who quickly becomes the only positive thing in his life. Jake’s life is basically begging to be shaken up, is Kaylee going to help instigate that?

This book is effortless to read. It’s funny, it’s sweet, it’s infectious, it’s engaging as anything I can remember. I cared about these characters and got invested in their lives faster than I typically do. And thinking about them now, over a year after I read the book, still brings a grin to my face.

4 Stars

Ink & Sigil

by Kevin Hearne

My original post
Yes, this is an Iron Druid spinoff and clearly exists in that world. But it’s nothing like an Iron Druid novel. You’ve got a cantakerous, aged, protagonist; fantastically designed and a-typical sidekicks/associates, with a magic system that I don’t has a predecessor in UF. If Aloysius MacBharrais isn’t one of your favorite characters in fiction right now, that’s only because you haven’t met him yet.

And it’s funny. Not to the detriment of action and drama, but filled with laughs. I’m not sure what else to say without going on for another 700+ words, so I’ll just leave it at that (and with the link above).

4 1/2 Stars

QualityLand

by Marc-Uwe Kling, Jamie Lee Searle (Translator)

My original post
The most realistic dystopian novel that I can think of. Also the most satiric, which helps you read it without despairing.

The Algorithm runs your life—it gives you what you want and need (even if, especially if, you don’t realize you need/want it), it determines your friends and relationships, it does everything for you but breathe and eat. Please rate it five stars. Or be prepared to suffer the consequences.

And it’s an election year. With an AI-generated candidate facing off against the incumbent. Which proves to be a lot more unpredictable than anyone could guess.

4 Stars

A Killing Frost

by Seanan McGuire

My original post
The number of on-going arcs that are resolved/permanently altered/kicked off in this one novel is mind-boggling. Particularly since at least one of them I didn’t expect to be really explored until McGuire kicked off her end-game for this series (so, clearly, I know nothing). She drops one of the (probably the) biggest bombs in the series—and keeps on going so much so that it’s not the climax of the novel!

It was a fun, thrilling, emotional ride even ignoring everything I just said. McGuire’s a writing monster, it’s just fun to watch her at work.

4 Stars

The Ghosts of Sherwood/The Heirs of Locksley

by Carrie Vaughn

My original posts are here and here
Like the Butcher books, I couldn’t see mentioning one of this duology (which needs expanding!) without the other, making my Top 10 a Top 14. I have a degree in Liberal Arts you can’t bind me with your mathematics!

These stories about Robin and Marian’s three teen-aged kids just filled me with joy. Vaughn gave us a present in these stories—what happens after Robin and the rest win and then settle down to have a normal life? What becomes of a legend after his work is done?

More interestingly, what’s life like for the kids of a legend? What do you believe about your father (who downplays everything)? What do you do with your life to try to live up to the standard?

4 Stars

Books that almost made the list (links to my original posts): Highfire by Eoin Colfer, Last Stand in Lychford by Paul Cornell, and
Annihilation Aria by Michael R. Underwood (I need to finish my post about this one).

A Beginning At The End by Mike Chen: Love, Uh, Finds a Way in this Optimistic Dystopian Novel

By HCNewton

On February 10, 2020

In Fiction, In Medias Res, Mike Chen, Science Fiction

A Beginning At The End

by Mike Chen

Hardcover, 391 pg.
Mira Books, 2020

Read: January 28-February 4, 2020
Grab a copy from your local indie bookstore!

“Mommy’s not coming home.”

“No! Mama now! Want Mama!” Desperation had taken over the child’s face, eyes pooling With the Whiplash turn of raw emotions. She tossed the plastic spoon across the prison-cell-turned-living-space, her voice ramping up in volume and intensity. His arms wrapped around his daughter, even though she punched at his thigh in frustration; he held her as if she was the last thing in the world.

Rob blinked as the realization came to him. She was.

His home, his old life was gone. His parents and brother, killed by MGS. Their friends, their community, scattered and ravaged. And now Elena gone too.

Sunny was all he had left.

Well, I really painted myself into a corner with my In Medias Res post about this book a couple of weeks ago. I’m not sure what else there is to say! Oops.

I was more right than I was wrong about where Chen was taking some of the story—but while I had the destination correct the route he took totally caught me off-guard (and it was so good!). The parts of the story I was wrong about, however. I could not have been further off the mark if I’d tried. Both of those results are so satisfying to me, Chen nailed the nuts and bolts bits of plotting—conclusions that seem right and expected (and earned) while being very unexpected.

While Chen knows how to plot a book, characters are his strength (see also Here and Now and Then).
I could absolutely see where Moira was coming from and understood (and applauded) what she did to change her life. I felt like I got Krista’s pain and the way she reacted to her mother and uncle made sense to me (I’m not sure she was fair to her college boyfriend, even if he should’ve known better than to do what he did). And Sunny should win over even the most jaded reader. But Rob? The way Chen wrote him made me empathize with Rob to a degree that I wasn’t prepared for. That sentence I quoted above, “She was,” just about broke me.

I assume that other readers will gravitate to other characters (and Moira is probably my favorite in the novel), and they should. But Rob is going to stick around in my subconscious for a while.

All of this happens against the backdrop of a world trying to recover from a global pandemic that wiped out an unimaginable number of people. Sure, other apocalyptic scenarios seem worse (zombies, whatever lead to Panem, the First-through-Fifth Waves, etc.)—but what makes this scenario chilling is just how possible it really seems. And I’m not just saying that with one of my sister’s kids dealing with being quarantined in Asia around the time I read this.

Nevertheless, Chen’s novel is optimistic. Human beings, human society, human families prevail. Like Dr. Ian Malcolm famously said, “Life, Uh, Finds a Way.” So does humanity in Chen’s world.

Like all good Science Fiction, this is more about our present than it is our future. In a survivor’s group, Rob has a lot to say about living in fear with the source of the past hanging over is and letting the two dictate our lives. Without trying I could think of a dozen ways that could be applied to pre-apocalyptic Americans (who knows how large the number would be with some effort).

There’s more I feel like I should say, if only just to flesh out some of what I’ve put down—but at this point, I think I’ve said enough about this book over the two posts, so I’m going to stop here (so much for that corner I painted myself into). I want to do 400-600 words on the title alone (many of which would be devoted to the indefinite article).

A Beginning at The End is the kind of SF that should appeal to SF readers. It’s the kind of SF that should make non-SF readers (including those antagonistic to genre fiction) think there’s something to the genre after all. Because this isn’t “just” a SF novel. It’s a novel about humans being very human, with hopes, fears, loves, joys, sorrows, failures, and successes—it just happens to be set in a post-apocalyptic future. Chen’s first novel was among the best I read in 2019. I fully expect that this will be among the best I read in 2020. I’m going to jump on whatever Chen has coming in 2021 without bothering to note the title or even skim the blurb. He’s earned an auto-read from me for at least the next two novels.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

In Medias Res: A Beginning At The End by Mike Chen

By HCNewton

On January 30, 2020

In Currently Reading, Fiction, In Medias Res, Mike Chen, Science Fiction

As the title implies, I’m in the middle of this book, so this is not a review, just some thoughts mid-way through.

—–

A Beginning At The End

by Mike Chen

Book Blurb:

Six years after a global pandemic wiped out most of the planet’s population, the survivors are rebuilding the country, split between self-governing cities, hippie communes and wasteland gangs.

In postapocalyptic San Francisco, former pop star Moira has created a new identity to finally escape her past—until her domineering father launches a sweeping public search to track her down. Desperate for a fresh start herself, jaded event planner Krista navigates the world on behalf of those too traumatized to go outside, determined to help everyone move on—even if they don’t want to. Rob survived the catastrophe with his daughter, Sunny, but lost his wife. When strict government rules threaten to separate parent and child, Rob needs to prove himself worthy in the city’s eyes by connecting with people again.

Krista, Moira, Rob and Sunny are brought together by circumstance, and their lives begin to twine together. But when reports of another outbreak throw the fragile society into panic, the friends are forced to finally face everything that came before—and everything they still stand to lose. Because sometimes having one person is enough to keep the world going.

I’m a couple of chapters shy of the halfway point, but I’m pretty excited about this book and want to get something out there about it—also, I have to take a break because I forgot about a book tour I have next week, and I really should read that book first.

So, like last year’s Here and Now and Then, Chen uses SF trappings to tell the kind of story that you don’t normally associate with Science Fiction (especially if you’re an anti-genre fiction snob).

I’m a chapter or two past a Speed Dating scene. On the one hand, it’s like every other Speed Dating scene you’ve seen from TV or the movies and/or read before. On the other hand, this is after most of the population of the earth is gone and people are trying to rebuild a facsimile of their lives in the midst of tragedy, so you’ve got the awkwardness, the insanity of the whole speed dating thing, and people dealing with unspeakable trauma at the same time. Chen makes this feel incredibly familiar and incredibly alien (yet relatable) at the same time, mildly humorous and miserable, tinged with hope and despair. And that’s just one scene. The book is full of stuff like this.

At its core (I think), this is a novel about how our past defines us, even after the apocalypse. Two characters here want to redefine themselves from the pre-pandemic lives, and somehow still can’t (at least not totally). Two characters need to redefine themselves from their post-pandemic past, and can’t seem to find the will to. It’ll take no time at all before you’re invested in these characters—you’ll want what the former two want, and hope that the latter two can somehow make things work.

Also, you’ll find you have some pretty strong feelings about Moira’s father. And they won’t be at all positive. But that’s all I’m going to say about that.

I have a few ideas where the stories are going/may end up, yet I’m reasonably certain that Chen’s ideas are better. Regardless, these are all building toward a satisfying pay-off or three. Maybe late next week I’ll have a chance to talk about this more, but for now, let me say I’m digging this and expect that about 80% of the people who read this blog on a semi-regular basis will, too.